Hi everyone, I wanted to clarify that the Opening Night Watch Party on
Friday September 25^th at 7 PM will premier Richard's concert. If you
can't attend this, it is available for streaming after that through
October 4^th.
John
Dear fellow Lute Enthusiasts,
I would
Hello all,
You're very welcome to have a look at my paper on the subject available
there
: [1]https://www.academia.edu/13379614/French_Baroque_Lute_Duets_in_the
_17th_Century
Best,
Jean-Marie Poirier
Le 23 mars 2019 Ã 18:24, Matthew Daillie
In addition to all suggestions and entries, Gamut Music produced a
recording, "Courante", of French baroque lutes, performed by me and
Thomas Walker.We have duets by E & D Gaultier, Dufault, Du But, and
2 chaconnes, by Vieux Gaultier and Mouton, where the contraparties for
those
There are some 'contreparties' to works by French baroque composers Dufaut,
Dupré and Mercure in the Goëss V manuscript (published by Tree Edition) and a
modern edition of five suites for two eleven course lutes from a manuscript in
Warsaw (RM 4135) in the hand of Gusta Goldschmidt published by
...@ptd.net
Cc: lute@cs.dartmouth.edu
Subject: [LUTE] Re: baroque lute duets
[2]http://polyhymnion.org/swv/adue2.html
RT
On 3/23/2019 10:51 AM, b...@symbol4.de wrote:
>
> Gesendet: Samstag, 23. März 2019 um 15:15 Uhr
> Von: "Richard Brook"
http://polyhymnion.org/swv/adue2.html
RT
On 3/23/2019 10:51 AM, b...@symbol4.de wrote:
Gesendet: Samstag, 23. März 2019 um 15:15 Uhr
Von: "Richard Brook"
An: "Jay F."
Cc: "lute@cs.dartmouth.edu"
Betreff: [LUTE] Re: Best luthier to make a 1728 Edlinger/problems with
Fascinating!
I now have a precedent!
Thank you!
RT
[1]http://turovsky.org
Feci quod potui. Faciant meliora potentes.
On Nov 29, 2018, at 3:11 AM, Martyn Hodgson
<[2]hodgsonmar...@yahoo.co.uk> wrote:
Dear Roman,
Apropos your interesting translation: you
Dear Roman,
Apropos your interesting translation: you may, or not, be aware of
Fasch's orchestral concerto originally scored for two 'Chalc(hedons)'
which has single line writing in the bass clef presumably for the large
'A' tuned gallichon. He later crossed out Chalc and designated
Hi John
I have found the same problem. My pinky and ring finger wish to act as a unit.
I finally gave up thumb under on R lute because of this and use a very light
touch with pinky on B lute.
And often lift lt to get to 12 and 13 courses.I notice some very good layers
often do the same. I’d be
Hi Ed,
I was only talking about KF strings. I imagine it would be impossible
with any kind of gut string, and of course there is no evidence for it
in paintings.
I guess (and it is only a guess) that the original gut strings would
have been quite flexible (and thin) and there would be no
Has anyone done a survey of paintings and noticed any indications of thinning
the strings at the bridge or nut?
> Thinning the string probably does weaken it, but since the strings in
> question are way below their breaking strain that would never be a
> problem.
Ed Durbrow
Saitama,
Hello to anyone
I have made this video showing the last version of ther CD basses.
[1]https://www.youtube.com/watch?v=dKrNCEOfPVM
there is a brief text in the video explaining the difference than the
first CD's types.
In the video I am a bit tired after this very stresses
o one answer to this question, and probably
you would have to take into consideration your business strategy.
> >> Best
> >> Ciao
> >>
> >> Jaroslaw
> >>
> >>
> >>
> >>
> >>> ciao
Not the best audio, but they do seem more gut-like to me.
Rob
On 7 February 2017 at 20:28, Mimmo Peruffo
<[1]mperu...@aquilacorde.com> wrote:
Here is:
the not red bass string that is the 11 course is those made with
more stiffer elastomer. the turns on the peg where
Here is:
the not red bass string that is the 11 course is those made with more
stiffer elastomer. the turns on the peg where just half. th sound has less
sustain and it is powerfull and darker. I am very happy with it. The 5
course: the string of that course I am playing is made with a
That sounds encouraging!
Rob
On 7 Feb 2017 14:27, "Mimmo Peruffo" <[1]mperu...@aquilacorde.com>
wrote:
well guys, I think to have good news.
I am doing, right now, the first few strings using a stiffer
elasthomer and the same quantity of copper powder. I must admit
well guys, I think to have good news.
I am doing, right now, the first few strings using a stiffer elasthomer and
the same quantity of copper powder. I must admit that the process is even
easy than before.
The strings are absolutely no false and pretty even.
The sound: darker and with less
...@cs.dartmouth.edu>
To: Martyn Hodgson <[3]hodgsonmar...@yahoo.co.uk>; Martin Shepherd
<[4]mar...@luteshop.co.uk>; "[5]baroque-lute@cs.dartmouth.edu"
<[6]baroque-lute@cs.dartmouth.edu>
Sent: Friday, 3 February 2017, 20:45
Subject: [BARO
answer to your question will depend on whom
> >> youâll ask.
> >> All in all there is no one answer to this question, and probably you would
> >> have to take into consideration your business strategy.
> >> Best
> >> Ciao
> >>
> >> J
3ph...@cs.dartmouth.edu>
To: Martyn Hodgson <hodgsonmar...@yahoo.co.uk>; Martin Shepherd
<mar...@luteshop.co.uk>; "baroque-lute@cs.dartmouth.edu"
<baroque-lute@cs.dartmouth.edu>
Sent: Friday, 3 February 2017, 20:45
Subject: [BAROQUE-LUTE] Re : [BAROQUE-LUTE] R
>>
>>
>>
>>> ciao to all
>>> Mimmo
>>>
>>> -Messaggio originale- From: Martin Shepherd
>>> Sent: Friday, February 03, 2017 10:22 AM
>>> To: Mimmo Peruffo ; Matthew Daillie
>>> Cc
; JarosÃ
aw Lipski
<jaroslawlip...@wp.pl>; "baroque-lute@cs.dartmouth.edu"
<baroque-lute@cs.dartmouth.edu>
Sent: Friday, 3 February 2017, 15:35
Subject: [BAROQUE-LUTE] Re : [BAROQUE-LUTE] Baroque Lute Stringing
Thinning the string probably does weaken it, but since th
com>; JarosÃ
aw Lipski
<jaroslawlip...@wp.pl>; "baroque-lute@cs.dartmouth.edu"
<baroque-lute@cs.dartmouth.edu>
Sent: Friday, 3 February 2017, 15:35
Subject: [BAROQUE-LUTE] Re : [BAROQUE-LUTE] Baroque Lute Stringing
Thinning the string probably does weaken it
yahoo.com>; JarosÃ
aw Lipski
<jaroslawlip...@wp.pl>; "baroque-lute@cs.dartmouth.edu"
<baroque-lute@cs.dartmouth.edu>
Sent: Friday, 3 February 2017, 15:35
Subject: [BAROQUE-LUTE] Re : [BAROQUE-LUTE] Baroque Lute Stringing
Thinning the string probably doe
gt;
>> Jaroslaw
>>
>>
>>
>>
>>> ciao to all
>>> Mimmo
>>>
>>> -Messaggio originale- From: Martin Shepherd
>>> Sent: Friday, February 03, 2017 10:22 AM
>>> To: Mimmo Peruffo ; Matthew Daillie
>
- From: Martin Shepherd
>> Sent: Friday, February 03, 2017 10:22 AM
>> To: Mimmo Peruffo ; Matthew Daillie
>> Cc: Arto Wikla ; [3]baroque-lute@cs.dartmouth.edu
>> Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
>>
>> Thanks, Mimmo.
>>
&
;
>> -Messaggio originale- From: Martin Shepherd
>> Sent: Friday, February 03, 2017 10:22 AM
>> To: Mimmo Peruffo ; Matthew Daillie
>> Cc: Arto Wikla ; [2]baroque-lute@cs.dartmouth.edu
>> Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
, 2017 10:22 AM
To: Mimmo Peruffo ; Matthew Daillie
Cc: Arto Wikla ; baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Thanks, Mimmo.
I agree absolutely that there is no need to make versions of these
strings thinner than .80mm.
The issue of damping is perhaps the one
of the day it solve
also a lot of meccanical problems
Mille grazie
Mimmo
(thanks Anthony)
-Messaggio originale-
From: Jarosław Lipski
Sent: Friday, February 03, 2017 11:39 AM
To: baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Mimmo,
You experience
> Now, the question is what is your goal in making CD strings. If you aim at
> finding a substitute for gut strings than stiffer strings would be better.
I am
> used to gut basses so I like short sustain and a little bit stiffer
string. If
> someone played only overwounds he/she would probably
into consideration your business strategy.
Best
Ciao
Jaroslaw
> ciao to all
> Mimmo
>
> -Messaggio originale- From: Martin Shepherd
> Sent: Friday, February 03, 2017 10:22 AM
> To: Mimmo Peruffo ; Matthew Daillie
> Cc: Arto Wikla ; baroque-lute@cs.dartmouth.e
oor english at work)
> Ciao
> Mimmo
>
> ps
> which are your suggestion guys?
>
>
>
> -Messaggio originale-
> From: Arto Wikla
> Sent: Thursday, February 02, 2017 9:46 PM
> To: Mimmo Peruffo ; [3]baroque-lute@
Shepherd
Sent: Friday, February 03, 2017 10:22 AM
To: Mimmo Peruffo ; Matthew Daillie
Cc: Arto Wikla ; baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Thanks, Mimmo.
I agree absolutely that there is no need to make versions of these
strings thinner than .80mm.
The issue
o originale-
From: Arto Wikla
Sent: Thursday, February 02, 2017 9:46 PM
To: Mimmo Peruffo ; baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Dear Mimmo,
if you decide to make the loaded nylgut strings (CD) less elastic, I
hope (and wish and
see if they actually works
in the proper way
Be patient again; i cannot be too fast here.
Mimmo
-Messaggio originale-
From: Martin Shepherd
Sent: Friday, February 03, 2017 9:35 AM
To: Matthew Daillie ; Mimmo Peruffo
Cc: Arto Wikla ; baroque-lute@cs.dartmouth.edu
Subject: Re: [BAROQUE-LUTE] Re: Bar
to Wikla
Sent: Thursday, February 02, 2017 9:46 PM
To: Mimmo Peruffo ; baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Dear Mimmo,
if you decide to make the loaded nylgut strings (CD) less elastic, I
hope (and wish and urge ;-) ) that you keep a
t; ah ah
> (my poor english at work)
> Ciao
> Mimmo
>
> ps
> which are your suggestion guys?
>
>
>
> -Messaggio originale-
> From: Arto Wikla
> Sent: Thursday, February 02, 2017 9:46 PM
> To: Mimmo Peruffo ; baroque-lute@cs.dartmout
__
From: Mimmo Peruffo <mperu...@aquilacorde.com>
To: Arto Wikla <wi...@cs.helsinki.fi>; baroque-lute@cs.dartmouth.edu
Sent: Friday, 3 February 2017, 7:29
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Thank you for the suggestion Arto.
Unf
ggestion guys?
>
>
>
> -Messaggio originale-
> From: Arto Wikla
> Sent: Thursday, February 02, 2017 9:46 PM
> To: Mimmo Peruffo ; baroque-lute@cs.dartmouth.edu
> Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
>
> Dear Mimmo,
>
>
poor english at work)
Ciao
Mimmo
ps
which are your suggestion guys?
-Messaggio originale-
From: Arto Wikla
Sent: Thursday, February 02, 2017 9:46 PM
To: Mimmo Peruffo ; baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Dear Mimmo
Dear Mimmo,
if you decide to make the loaded nylgut strings (CD) less elastic, I
hope (and wish and urge ;-) ) that you keep also the original elastic
version in your repertoire! They work exceptionally well on my Harz
arclute, great stuff.
And big thanks for your invaluable work!
Arto
On
rsday, 2 February 2017, 12:39
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Thanks Martyn,
I mean more predominant fundamental and less sustain, more percussive .
Bacon is interesting here,
By the way, I am leaving Italy to,London royal,college .,there is a
meeting about mandolin
fr>; Martin Shepherd
> <mar...@luteshop.co.uk>
> Cc: baroque-lute@cs.dartmouth.edu
> Sent: Thursday, 2 February 2017, 10:01
> Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
> Mimmo again;
> the Gualtier tbel hs a diffrent interpretation that those relate
, 2017 11:08 AM
> To: baroque-lute@cs.dartmouth.edu
> Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
>
> No problem at all, they could be darker (even better!). Anyway it’s quite a
> good idea IMHO. If some like overwounds they can always use just…ocerwounds;)
> I really can’t se
: Jarosław Lipski
Sent: Thursday, February 02, 2017 11:08 AM
To: baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
No problem at all, they could be darker (even better!). Anyway it’s quite a
good idea IMHO. If some like overwounds they can always use
just…ocerwounds;) I
h.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Dear All,
If we're really interested in how lutes might have been strung
historically, I think it's important to take the historical evidence
(very little of it, I know) as a starting point, rather than the habits
of mode
eru...@aquilacorde.com>
To: Matthew Daillie <dail...@club-internet.fr>; Martin Shepherd
<mar...@luteshop.co.uk>
Cc: baroque-lute@cs.dartmouth.edu
Sent: Thursday, 2 February 2017, 10:01
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Mimmo again;
the Gualtier
ig batch. I am a bit worry about those that like that they
> are in some way still close to the wound strings
>
>
> -Messaggio originale- From: Martin Shepherd
> Sent: Thursday, February 02, 2017 10:26 AM
> To: Mimmo ; Matthew Daillie
> Cc: baroque-lute@cs.dartmouth.edu
> Subject
be done scaled.
Ciao
mimmo
-Messaggio originale-
From: Martin Shepherd
Sent: Thursday, February 02, 2017 10:26 AM
To: Mimmo ; Matthew Daillie
Cc: baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Dear All,
If we're really interested in how lutes might
-
From: Martin Shepherd
Sent: Thursday, February 02, 2017 10:26 AM
To: Mimmo ; Matthew Daillie
Cc: baroque-lute@cs.dartmouth.edu
Subject: [BAROQUE-LUTE] Re: Baroque Lute Stringing
Dear All,
If we're really interested in how lutes might have been strung
historically, I think it's important
Dear Mimmo,
Firstly I’d like to congratulate you for inventing a new type of bass strings,
as those of us who would like to use plastic equivalent of gut had very little
choice until now. Your CD strings sound nice with quite solid fundamental. The
only problem that I found disturbing is their
Dear All,
If we're really interested in how lutes might have been strung
historically, I think it's important to take the historical evidence
(very little of it, I know) as a starting point, rather than the habits
of modern players using modern strings.
We have a lot of iconographic
Dear Mimmo,
Thank you for this information. I'm glad all the gauges of the new loaded
nylgut strings will be available again soon.
Your suggestion to compensate for the extra amplitude by using higher tension
makes sense but will you be making gauges above 2.2 for the 13th course of a
baroque
Well, I can add a few informations
There are no production problems it shelf. I had an extruder broken so I was
obliged to wait the time to fix it. After that I finished the raw material. I
received it a week ago.
They has more amplitude in the vibration whose problem is mostly because one
Hi
My first impressions of the Aquila loaded nylgut strings are very good
(archlute cc, G and F; 2x5th, 6th and 7th).
My 1st check:
https://www.youtube.com/watch?v=_7boXtpffL0=youtu.be
And 3 recorded real pieces:
https://www.youtube.com/watch?v=nV7q2jxMK3Q=youtu.be
Of the main copper-wound strings available, the fullest sounding and
brightest are the Kürschner followed by the Savarez, then the Aquila Ds
and lastly the Aquila DEs, which are pretty dull (and are no longer
being made although several retailers still have quite large stocks
available).
As
Hi David,
I'm hugely impressed with the new Aquila Loaded Nylgut - see their website for
details. After three days they settled quickly into tuning, and I rarely have
to tweak them. Good sound too.
Rob MacKillop
> On 1 Feb 2017, at 21:25, David Rastall wrote:
>
> It
John, he just means tuning the bass notes, the diapasons, to the key of the
piece. So, if a piece is in C major, the bass strings would be ABCDEFG. If the
key is F, the bass strings would be ABbCDEFG, because Bb is in the key
signature of F Major. Similarly, for G Major, the bass strings would
See page 31
David
On Thu, 5 Jan 2017 at 14:09, John Yentes <[1]jackyen...@gmail.com>
wrote:
Hello All,
I recently acquired Miguel Yisrael's fantastic Book "method for
the
Baroque lute" and have found it to be a wealth of information.
I am,
Hi Luca -
Paulo Carmo has advertised some lutes on my web site. He is Greek,
living in the Boston MA area. I have not actually seen his work, though,
so I can’t talk about it.
Wayne
> On Oct 29, 2015, at 9:43 AM, Luca Manassero wrote:
>
> Dear common wisdom,
>
Thanks for your kind comments Roman and Ed! Yes, it's a Schelle. This
particular lute was on temporary loan from Roland Hayes, a member of
this list. When the recording was made, my own 13-course lute had
recently had its very violent altercation with airline baggage
handlers.
Very good, Chris!A What instrument is that?
On Sun, Feb 8, 2015 at 3:40 PM, [1]r.turov...@gmail.com
[2]r.turov...@gmail.com wrote:
[3]https://www.youtube.com/watch?v=5TWfRD1Wc_U
RT
To get on or off this list see list information at
On Sun, 2/16/14, David Smith d...@dolcesfogato.com wrote:
Subject: [BAROQUE-LUTE] Re: Baroque lute MSs in Poland
To: 'Rainer' rads.bera_g...@t-online.de, 'Lute net'
l...@cs.dartmouth.edu, baroque-lute@cs.dartmouth.edu
Date: Sunday, February 16, 2014, 6
The djvu files are pretty easy to manipulate. Get WinDjView and print to a
pdf file (you need a pdf printer driver). If anyone wants these I can post
them on a site and load ALL of them there. They are typically 10-50MB each.
I have a site on dolcesfogato.com that I have posted some others to and
I am not sure if Sarge is on the list so am copying this note to him. If
you want to email he's at
sa...@gerbode.net
Nancy
The djvu files are pretty easy to manipulate. Get WinDjView and print to a
pdf file (you need a pdf printer driver). If anyone wants these I can post
them on a site and
On 16.02.2014 22:44, David Smith wrote:
The djvu files are pretty easy to manipulate. Get WinDjView and print to a
pdf file (you need a pdf printer driver).
Apparently your driver is better than mine :)
Rainer
To get on or off this list see list information at
I just posted all 10 of the Grüssau manuscripts from the Uniwersytet
Warszawski in Poland. I have included both the PDF files for Mf 2001a/RM
4135a through Mf 2011/RM 4143 and the link to the originals at the
university. The links do not seem to be behaving themselves today. I do not
know if
On Sun, 16 Feb 2014 12:15:23 +0100, adS wrote
Dear lute-netters,
has anybody out there read this article?
Only after you posted this link - thanks for doing so.
http://scholarship.claremont.edu/cgi/viewcontent.cgi?article=1112context=ppr
I wonder what others think about it.
Hmm - in what
D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Sun, 2/16/14, R. Mattes r...@mh-freiburg.de wrote:
Subject: [LUTE] Re: Baroque Lute Fingering (Vallet)
To: adS rainer.aus-dem-spr...@gmx.de, Lute net lute@cs.dartmouth.edu
Date
working (incorrectly) only from the transcription would make.
Chris
Dr. Christopher Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Sun, 2/16/14, R. Mattes r...@mh-freiburg.de wrote:
Subject: [LUTE] Re: Baroque Lute
On 16.02.2014 20:43, Christopher Wilke wrote:
There was another article about Vallet's fingerings by Laudon Schuett published
in the LSA Quarterly not so long ago. He reaches essentially the same
conclusions as Sandman that Vallet chose fingerings primarily for their musical
effect.
I'm
Wilke D.M.A.
Lutenist, Guitarist and Composer
www.christopherwilke.com
On Sun, 2/16/14, R. Mattes r...@mh-freiburg.de wrote:
Subject: [LUTE] Re: Baroque Lute Fingering (Vallet)
To: adS rainer.aus-dem-spr...@gmx.de, Lute net lute@cs.dartmouth.edu
On 02.02.2014 11:54, Matthew Daillie wrote:
Dear Rainer,
These are great links. Do you know whether it is possible to download the
manuscripts?
Sorry for my late reply.
I had to download your mail from GMX's web mail page.
They have decided it is SPAM. No idea why...
Anyway, yes, you can
Hello dear Bernhard,
don't shoot at the messenger ;-)
It's not my collection, although I must admit that I contributed with
some 10 items.
As to the legal details, I have no clue, but the libraries are giving
their contents of digitalized Mss for free to download. That includes
...@yahoo.co.uk
An: 'Baroque lute Dmth' baroque-lute@cs.dartmouth.edu, Mathias
Roesel mathias.roe...@t-online.de
Betreff: [BAROQUE-LUTE] Re: 'Baroque lute' songs
Datum: Tue, 28 Aug 2012 19:14:31 +0200
Dear Mathias,
Thanks for this.
Italian 7/8 course lutes are distinctly different
Dear Bill,
There are indeed a few sources for songs accompanied by lute: one such
which is readily vailable (tho' 18th century) is Beyer's 1760 setting
of some Gellert odes. See this:
[1]http://petrucci.mus.auth.gr/imglnks/usimg/c/c2/IMSLP204541-PMLP34546
6-Gellert.pdf
And
There are indeed a few sources for songs accompanied by lute: one such
which is readily vailable (tho' 18th century) is Beyer's 1760 setting
of some Gellert odes. See this:
[1]http://petrucci.mus.auth.gr/imglnks/usimg/c/c2/IMSLP204541-PMLP345466-Gel
lert.pdf
One may reasonably
- including such mind blowing scenarios as Mozart's
Queen of the night aria!
Martyn
.
--- On Tue, 28/8/12, Mathias Roesel mathias.roe...@t-online.de wrote:
From: Mathias Roesel mathias.roe...@t-online.de
Subject: [BAROQUE-LUTE] Re: 'Baroque lute' songs
To: 'baroque-lute
of the night aria!
Martyn
.
--- On Tue, 28/8/12, Mathias Roesel mathias.roe...@t-online.de wrote:
From: Mathias Roesel mathias.roe...@t-online.de
Subject: [BAROQUE-LUTE] Re: 'Baroque lute' songs
To: 'baroque-lute mailing-list' baroque-lute@cs.dartmouth.edu
Date
.
regards
Martyn
--- On Tue, 28/8/12, Mathias Roesel mathias.roe...@t-online.de wrote:
From: Mathias Roesel mathias.roe...@t-online.de
Subject: [BAROQUE-LUTE] Re: 'Baroque lute' songs
To: 'Baroque lute Dmth' baroque-lute@cs.dartmouth.edu
Date: Tuesday, 28
My Baroque lute doesn't work either, but I think it has something to do with my
fingers. :-)
On Aug 28, 2012, at 4:38 AM, wayne cripps wrote:
I noticed that the baroque lute has not been working .. it should be fixed
now.
Wayne
Ed Durbrow
Saitama, Japan
the case, too, that even when things are done legally, the artist is at
the end of the queue for picking up their meagre share of the takings.
Artists usually pay to record cds these days. In return they receive a
number of cds to sell by themsleves. Depending on the name/popularity
of the
Thanks Rob. This is interesting. Presumably the publisher/record
company must get something worthwhile out of this, or they wouldn't be
agreeing to let Spotify include their tracks. Either that or they view
it as a marketing tool that will encourage listeners to buy the
download
Reussner's hundert geistliche etc. are 11 c arrangements of hymns
(lutheran?)
wich I think would also have been sung by the player or a singer(s). r
The salient point in Reusner's arrangements is his breaking and rhythmically
shifting the tunes according to the French fashion of solo lute
On 30.11.2011 13:17, Mathias Rösel wrote:
As for the 17th / 18th centuries, Augsburg (songs by Arne et al) and Beyer
lack voice parts, so they might qualify as arrangements or intabulations.
One might mention Kremberg as well. Yet Kremberg, Beyer and the Augsburg
song all have in common that
The beautiful thing about galant era music is the detail they put in their
scripts. They would notate a phrase with each note plucked then reiterate the
phrase with einfalls or abzug noted as a variant voice, often with
quot;pianoquot; notated so you don#39;t overplay the downbeat. They had
NN simply is a gorgeous soloist.
Mathias
PS: My theorbo has 82 cm VSL, and it took a while until I got used to it, but
today I wouldn't say any more that 82 cm is large at all.
-Original-Nachricht-
Subject: [BAROQUE-LUTE] Lute strings for theorbo
Date: Fri, 12 Aug 2011 11:03:52
Dear Arto,
pls lave me some days to get back home and I will play it to you!
Best,
Matthias
-Original-Nachricht-
Subject: Re: [BAROQUE-LUTE] Found a concordance in Mace!
Date: Thu, 21 Jul 2011 22:00:31 +0200
From: wikla wi...@cs.helsinki.fi
To: mathias.roe...@t-online.de
Merci bien!
Davíd du Pays-Bas
On 6 June 2011 11:44, Jean-Daniel Forget jean-daniel.for...@orange.fr wrote:
A mesnil was, in old french, a country domain.
But, in this case, Du Haut Menil is an aristocratic surname. With la
before, this appellation indicates a lady of the court.
René
Dear Arto and all,
I can confirm that the sound was indeed superb. Benjamin's unique
expressive vocal style was given force by his playing in standing postion, and
idealy helped by his excellent guts stringing with loaded Venice basses and
most
of the Meanes and Trebles, I believe, by
Thanks Arto - perhaps next time!
Bestest,
Benjamin
On 27 May 2011 23:23, wikla wi...@cs.helsinki.fi wrote:
Good luck Benjamin!
I really would like to be there: most interesting repertoire!
Arto
On Fri, 27 May 2011 23:05:21 +0200, Benjamin Narvey luthi...@gmail.com
wrote:
My 11 course Warwick Frei by David Van Edwards is a Rolls Royce indeed ! But
David seems to be slowing down his production and his waiting list is now quite
long (4 or 5 years).
Of course if you have a lot of money in the bank there is Paul Thomson or
Michael Lowe...
Good luck to you Arto !
The elder may, of course, have= lived to a ripe old age but not, I
suspect, as a practicising m= usician: one modern note I've seen has
him
travelling to Berlin = in 1700 (aged 84) to take part in the marriage
of
Princess Louis= e of Brandenburg and Prince Frederick of
I agree 200 percent Bernd ;-)
Jean-Marie
=
== En réponse au message du 04-03-2011, 11:58:11 ==
I find that we all should get the RISM for free from the UN Lute High
Commissioner.
B
To get on or off this list see list information at
Try on Google le luth baroque. It'll lead you perhaps on a better
way...
__
De : Rob MacKillop robmackil...@gmail.com
A : jean-michel Catherinot jeanmichel.catheri...@yahoo.com
Cc : Lute lute@cs.dartmouth.edu
http://www.polyhymnion.org/swv/adue.html
RT
- Original Message -
From: Rob MacKillop robmackil...@gmail.com
To: Lute lute@cs.dartmouth.edu
Sent: Tuesday, February 22, 2011 3:36 PM
Subject: [LUTE] Baroque Lute duets?
I have a couple of baroque lute students and I thought it would
Perfect, Roman!
Many thanks,
Rob
On 22 February 2011 20:42, Roman Turovsky [1]r.turov...@verizon.net
wrote:
[2]http://www.polyhymnion.org/swv/adue.html
RT
- Original Message - From: Rob MacKillop
[3]robmackil...@gmail.com
To: Lute
I thought there were some french baroque duets published on Fronimo a couple
of years ago by ? Matthias Røsel
and what about Baron or Lauffensteiner?
There is also a Handel sonata arranged for duet in dmin by Antiqua Edition
Charles
To get on or off this list see list information at
[1]http://jdf.luth.pagesperso-orange.fr/Musiques/Les_compositeurs/Johan
n_Gumprecht/Gumprecht.htm#Duos
sur le site de JD Forget
__
De : Rob MacKillop robmackil...@gmail.com
A : Lute lute@cs.dartmouth.edu
Envoye
[1]http://jdf.luth.pagesperso-orange.fr/
The previous link doesn't work. Go to compositeurs, then Gumprecht.
Also an easy duo by Weiss in the Harrach's manuscript.
All the best Rob!
__
De : Rob MacKillop
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