Et voilã - thank you so much!
Jurgen
‐‐‐ Original Message ‐‐‐
On Monday, May 11, 2020 10:39 PM, Sean Smith wrote:
> It sounds like the G. A. Casteliono Diversi Autori of 1536. The Albert
> de Rippe pieces are listed as by Alberto da Mantua.
> Sean
>
> On Mon, May 11, 2020 at 1:21 PM
Hello there,
once again I'm looking at a document "GAC - various early italian
diversi autiori" not knowing what it is. Does anybody know if it is a
manuscript and if so what is the name of it? The individual pieces are
numbered by folio. Some of the pieces there are identified by
It sounds like the G. A. Casteliono Diversi Autori of 1536. The Albert
de Rippe pieces are listed as by Alberto da Mantua.
Sean
On Mon, May 11, 2020 at 1:21 PM Jurgen Frenz
<[1]eye-and-ear-cont...@protonmail.com> wrote:
Hello there,
once again I'm looking at a
of a prominent composer. Marco's father was named Bernardo,
but pieces by Sermisy generation composers would seem to modern for a
person old enough to be Marco's father. I suggest possible lutenists
named Bernardo in a footnote 36 of p. 304. (I seem to have had a
Newsidler obsession back t
ernardo] N. in
Munich 1511d (Sermisy or Le Peletier "Si mon malheure") with the
same
piece in the Marco fascicle. It is not unusual for a composer to
include a few works by others (sometimes ones students) in a
collected
"edition" of a prominent composer. Marc
(sometimes ones students) in a collected
"edition" of a prominent composer. Marco's father was named Bernardo,
but pieces by Sermisy generation composers would seem to modern for a
person old enough to be Marco's father. I suggest possible lutenists
named Bernardo in a foot
" of a prominent composer. Marco's father was named Bernardo,
but pieces by Sermisy generation composers would seem to modern for a
person old enough to be Marco's father. I suggest possible lutenists
named Bernardo in a footnote 36 of p. 304. (I seem to have had a
Newsidler obsessio
Thanks! Very helpful. Seems the scribe (Bernardo?) heard the title but
didn't see it in writing...
--Sarge
On 8/12/2019 11:52, Andre Nieuwlaat wrote:
#94 Qui vouldra scavoir qui je suis - Pierre Sandrin. First published
by Moderne, 1538.
Op ma 12 aug. 2019 om 20:40 schreef Andre
I don't think I am using HTML
I have a copy of Art's dissertation, and it is searchable.
I will check what I can glean from there.
Thanks!
--Sarge
Don't use HTML!
---
I am busy working on the next 50 pieces from the Herwarth MS, trying to
figure out who composed what.
I assume you
#94 Qui vouldra scavoir qui je suis - Pierre Sandrin. First published
by Moderne, 1538.
Op ma 12 aug. 2019 om 20:40 schreef Andre Nieuwlaat
<[1]ajpm.nieuwl...@gmail.com>:
#81 Contentez-vous, amy, de la pensée - Sermisy, publ. 1536.
Other lute setting in Phalese, Theatrum
On 12.08.2019 20:04, Frank A. Gerbode, M.D. wrote:
Don't use HTML!
---
I am busy working on the next 50 pieces from the Herwarth MS, trying to
figure out who composed what.
I assume you are talking about 266, right?
There are several "Herwarth manuscripts".
Anyway, have a look at Arthur's
#81 Contentez-vous, amy, de la pensée - Sermisy, publ. 1536.
Other lute setting in Phalese, Theatrum Musicum (1563), fol. 30v
('Contente vous amy')
Op ma 12 aug. 2019 om 20:35 schreef Andre Nieuwlaat
<[1]ajpm.nieuwl...@gmail.com>:
#77 ?? Si ung oeuvre parfaict doibt chascun
#77 ?? Si ung oeuvre parfaict doibt chascun contenter - Sermisy, publ.
1533.
4-part setting in Attaingnant, Chansons musicales a quatre parties
(1533), No. 20
Op ma 12 aug. 2019 om 20:25 schreef Andre Nieuwlaat
<[1]ajpm.nieuwl...@gmail.com>:
#78 Vous usurpez injustement
#78 Vous usurpez injustement dames le commander, by Pierre Sandrin,
[1]publ.by Moderne in 1540.
Op ma 12 aug. 2019 om 20:13 schreef Andre Nieuwlaat
<[2]ajpm.nieuwl...@gmail.com>:
Brown's index:
#79 On en dira ce qu'on voudra (Sermisy)
other settings in
- 1562-10 De Rippe,
Brown's index:
#79 On en dira ce qu'on voudra (Sermisy)
other settings in
- 1562-10 De Rippe, Tiers livre fol. 22r
- 1574-7 Phalèse Bellère, Thesaurus Musicus fol. 43r
Will have a look at the others later !
André
Op ma 12 aug. 2019 om 20:05 schreef Frank A.
--E9B68CA51DAED057D54555BE
Content-Type: text/plain; charset=utf-8; format=flowed
Content-Transfer-Encoding: 8bit
Sorry, I included a bunch of irrelevant material in my last posting.Â
Here is a cleaner version.
---
I am busy working on the next 50 pieces from the Herwarth MS, trying
e brai...@osu.edu; Christopher Wilke chriswi...@yahoo.com
> Cc: Lutelist Net lute@cs.dartmouth.edu
> Subject: Re: [LUTE] Re: Composers you wish had a bigger legacy
>
> OK I completely agree that Bartolotti is a wonderful and underappreciated
> composer. But I have not encountered muc
Message-
From: Mayes, Joseph
Sent: Tuesday, August 7, 2018 10:24 PM
To: Braig, Eugene ; Christopher Wilke
Cc: Lutelist Net
Subject: Re: [LUTE] Re: Composers you wish had a bigger legacy
OK I completely agree that Bartolotti is a wonderful and underappreciated
composer. But I have
-...@cs.dartmouth.edu on behalf of
Christopher Wilke
Sent: Tuesday, August 7, 2018 11:48 AM
To: Braig, Eugene
Cc: Lutelist Net
Subject: [LUTE] Re: Composers you wish had a bigger legacy
I move that Bartolotti be posthumously be given a "Chromy" award for
his contribution to chromatic
I move that Bartolotti be posthumously be given a "Chromy" award for
his contribution to chromatic music. May his rainbow-color bust now
join the ones of Gesualdo, Wagner and Schoenberg already in the
Chromatic Composers Hall of Fame.
Chris
[1]Sent from Yahoo Mail
: [LUTE] Re: Composers you wish had a bigger legacy
Giovanni Zamboni: only one book (though still a lot more than
others...).
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Giovanni Zamboni: only one book (though still a lot more than
others...).
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Bulman
Van Wilder
Kemp
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Anton Gleitsmann. One amazing Capriccio in the Harrach ms (NYPL vol 12)
> On Aug 4, 2018, at 9:50 AM, Tristan von Neumann
> wrote:
>
> Hi Lutists,
>
> which are your favourite composers who left a very small yet amazing oeuvre?
>
> I'll start with Giovanni Alb
Hi Lutists,
which are your favourite composers who left a very small yet amazing oeuvre?
I'll start with Giovanni Albuzio... it's such a pity that nothing but
two amazing fantasies survived.
What's Your favorite one or two hit wonder? :)
To get on or off this list see list information
I wonder if anyone can help? Niccolò Dôthel was a professional flute
player and composer born 1721 (Luneville) and died 1810 (Florence).
An entry in IMSLP (of Dôthel's music) says:
According to Grove Music, "An accurate listing of Dôthel’s output is
severely impeded by the fact that James
Hi Joshua,
perhaps it sounds absurd, but you could start with
http://en.wikipedia.org/wiki/List_of_composers_for_lute
Most of them really existed
:-)
best regards
Bernd
Am 28.03.2013 00:12, schrieb Joshua Horn:
Hi guys, I'm looking for basic information on the main major know composers
Hi guys, I'm looking for basic information on the main major know composers of
Lute music. Mostly names of the composers and key pieces. Since I'm still new
to the lute, I don't yet know as much as I would like.
Joshua E. Horn
To get on or off this list see list information at
http
pieces. As were the Rust and Hasse pieces by others.
It seems that the long-necked, fretted, plucked stringed instruments have
always been ideosyncratic minefields that real composers saw no need the
cross. I don't know what the musical equivalent of a goat on a 50 yard lead
would be.
We've
Dear all,
which non-lutenist composers with original lute works do we have earlier
than Kleinknecht, Pfeiffer and those guys from the Augsburg MS?
Regards,
Stephan
--
Erstellt mit Operas revolutionärem E-Mail-Modul: http://www.opera.com/mail/
To get on or off this list see list
JSB.
rt
- Original Message -
From: Stephan Olbertz stephan.olbe...@web.de
To: baroque-lute@cs.dartmouth.edu
Sent: Thursday, October 28, 2010 5:40 AM
Subject: [BAROQUE-LUTE] non-lutenist composers
Dear all,
which non-lutenist composers with original lute works do we have earlier
than
.
rt
- Original Message - From: Stephan Olbertz
stephan.olbe...@web.de
To: baroque-lute@cs.dartmouth.edu
Sent: Thursday, October 28, 2010 5:40 AM
Subject: [BAROQUE-LUTE] non-lutenist composers
Dear all,
which non-lutenist composers with original lute works do we have earlier
than
?
Best regards
Franz
__
Von: lute-...@cs.dartmouth.edu im Auftrag von Suzanne and Wayne
Gesendet: Fr 11.09.2009 04:45
An: Lute list
Betreff: [LUTE] Women composers of lute music
On Fri, 2009-09-11 at 02:45 +, Suzanne and Wayne wrote:
I could play when I was a beginner and easy music was hard to
find (that was before so much stuff was on line.) But now
I write music for myself and others for the sheer joy of
creative expression. Any other living women composers
- Original Message -
From: Suzanne and Wayne angevin...@att.net
To: Lute list lute@cs.dartmouth.edu
Sent: Friday, September 11, 2009 4:45 AM
Subject: [LUTE] Women composers of lute music
For starters, lets assume Mark meant women composers of lute music,
perhaps either living or historical
Check the back issues of the Q; somewhere I recall a story by Suzanne
herself about the days when she and Poulton were both, ostensibly,
students of Arnold Dolmetsch. As she tells it, they both had rather
more on the ball than Dolmetsch did, which I can certainly believe,
and sometimes his
That was February 2003. Caroline Usher was the editor of that issue
and it has notes remembering Suzanne by Donna Curry, Catherine Liddell,
Garald Farnham, but one of the most interesting articles is a reprint
of Saga of a 20th-Century Lute Pioneer which was originally published
in
For starters, lets assume Mark meant women composers of lute music,
perhaps either living or historical. Occasionally, women performers
(of various instruments) will take up the theme of music written by
women.
For example, at the last major Lute Fest in Cleveland last year,
Elizabeth C. D
__
Von: lute-...@cs.dartmouth.edu im Auftrag von Suzanne and Wayne
Gesendet: Fr 11.09.2009 04:45
An: Lute list
Betreff: [LUTE] Women composers of lute music
For starters, lets assume Mark meant women composers of lute music,
perhaps either living or historical
11.09.2009 06:52
An: Suzanne and Wayne; Lute list
Betreff: [LUTE] Re: Women composers of lute music
Hi Suzanne,
Suzanne Bloch (daughter of Ernest Bloch and student of Diana
Poulton) composed some lute pieces. By the way, I would be
interested
to have a look at your pieces
I'm a guitarist (blues rock). Lute being very much my second instrument.
Neil
-Original Message-
From: Christopher Stetson [mailto:cstet...@email.smith.edu]
Sent: 19 January 2009 14:33
To: Lute List ((E-mail))
Subject: [LUTE] Re: 'notable composers (lute, vihuela and guitar)'
Hi, all
On 19 Jan 2009, at 6:33 AM, howard posner wrote:
On Jan 18, 2009, at 1:11 PM, Mayes, Joseph wrote:
I don't know why the world of classical guitar is of such
interest to
this list
Perhaps because 90% of us are or have been classical guitarists?
I'd be really interested to know how
...@yahoo.com]
Sent: Sun 1/18/2009 10:16 PM
To: Mayes, Joseph; David Rastall
Cc: Lute List (E-mail)
Subject: Re: [LUTE] Re: 'notable composers (lute, vihuela and guitar)'
Hi Joe,
No envy here. No Schadenfreude, either. It turns
out that our seemingly more succussful
From: Edward C. Yong ky...@pacific.net.sg
I don't know why the world of classical guitar is of such
interest to
this list
Perhaps because 90% of us are or have been classical guitarists?
I'd be really interested to know how many on the lute list are also
guitarists or have been at
Hi, all,
In answer to Edward's question, I started on guitar (Delta blues, as a matter
of fact), moved to lute, then back to guitar, with mandolin thrown in. Right
now I play mainly guitar, several styles, but I'm currently mostly interested
in turn of the century (19th to 20th) American
On Jan 19, 2009, at 8:28 AM, Mayes, Joseph wrote:
They wouldn't think of firing the lute professor? Oh yeah, there
is no
lute professor.
It works both ways. I can think of a number of highly accomplished
and successful lutenists and musiclologists in the lute world with
academic
Three day weekends are great. Sometimes the lute list really does
turn into an afternoon down at the Lute Player's Pub, except we
each have to provide our own beverage. So I told my wife (The Soprano
Who Must Be Obeyed - apologies, R.I.P., John Mortimer) that the
guitarists-who-play-lute are
I am one of those lute professors, but my position is just adjunct, so
there is no use letting me go.
ed
At 10:31 AM 1/19/2009 -0500, David Rastall wrote:
On Jan 19, 2009, at 8:28 AM, Mayes, Joseph wrote:
They wouldn't think of firing the lute professor? Oh yeah, there
is no
lute
Well put and succinct, Dan. Darn Russki sure can play.
Further, I think that I, when playing Hawaiian guitar music from 1915, can
claim total irrelevance with confidence.
Happy inaug. to you from your side of the puddle, though about as close as you
can get to the other side.
Chris.
PM
To: lute@cs.dartmouth.edu
Subject: [LUTE] Re: 'notable composers (lute, vihuela and guitar)' w/
ham on the side...
Three day weekends are great. Sometimes the lute list really does
turn into an afternoon down at the Lute Player's Pub, except we
each have to provide our own
Has this been noted before:
http://www.hernanmouro.com/uploads/pdf/guitar_timeline.pdf
Stuart
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Does it strike you, that the provider of this must be colour blind??
- Original Message -
From: Stuart Walsh s.wa...@ntlworld.com
To: Lute Net lute@cs.dartmouth.edu
Sent: Sunday, January 18, 2009 2:41 PM
Subject: [LUTE] 'notable composers (lute, vihuela and guitar)'
Has this been
Stuart Walsh s.wa...@ntlworld.com schrieb:
Has this been noted before:
http://www.hernanmouro.com/uploads/pdf/guitar_timeline.pdf
Stuart
Thanks for this! (Sweelinck has been placed a bit awkwardly, though.)
--
Mathias
To get on or off this list see list information at
Mathias Rösel wrote:
Has this been noted before:
http://www.hernanmouro.com/uploads/pdf/guitar_timeline.pdf
Stuart
Thanks for this! (Sweelinck has been placed a bit awkwardly, though.)
The whole thing seems rather eccentric -even allowing for the
colour-coding confusion of
All,
Elliot Carter, while not very prolific for guitar,
is noticeably absent. (And still very much alive and
composing at 100!) Other than that, my general
observation in that its sad that Leo Brouwer is the
youngest composer o be called notable. (Sad that he's
even included as a notable,
On Jan 18, 2009, at 12:37 PM, chriswi...@yahoo.com
chriswi...@yahoo.com wrote:
Sorry to be a
downer but I'm afraid, despite the awesome technical
abilities of many performers today, that the CG world
is slipping from the heights it attained in the mid
20th century once more into the cultural
There may be a couple of pieces for guitar, and guitar and voice, by
Maxwell Davies, I believe.
http://www.chesternovello.com/default.aspx?
TabId=2432State_3041=2workId_3041=11859
http://www.chesternovello.com/default.aspx?
TabId=2432State_3041=2workId_3041=11859
Anthony
Le 18 janv. 09 à
__
From: David Rastall [mailto:dlu...@verizon.net]
Sent: Sun 1/18/2009 2:45 PM
To: chriswi...@yahoo.com
Cc: Lute List (E-mail)
Subject: [LUTE] Re: 'notable composers (lute, vihuela and guitar)'
On Jan 18, 2009, at 12:37 PM, chriswi...@yahoo.com
chriswi...@yahoo.com wrote:
Sorry
List (E-mail) lute@cs.dartmouth.edu
Sent: Sunday, January 18, 2009 10:11 PM
Subject: [LUTE] Re: 'notable composers (lute, vihuela and guitar)'
I don't know why the world of classical guitar is of such interest to
this list - although I believe it's natural to be interested and a
little
On Jan 18, 2009, at 1:11 PM, Mayes, Joseph wrote:
I don't know why the world of classical guitar is of such
interest to
this list
Perhaps because 90% of us are or have been classical guitarists?
--
To get on or off this list see list information at
Well- what heights, exactly was it up to; and where precisely has it
slipped today? Is there some higher orbit that it was supposed to
attain, other than where it is now? It seems to me that it went from
close to nowhere (early 20th century) and finally reached a proper
level, (Thank you,
11:40 PM
Subject: [LUTE] Re: 'notable composers (lute, vihuela and guitar)'
Well- what heights, exactly was it up to; and where precisely has it
slipped today? Is there some higher orbit that it was supposed to
attain, other than where it is now? It seems to me that it went from
close to nowhere
Daniel Winheld wrote:
Recently I heard some Astor Piazzola (some
original guitar, some very well transcribed pieces) that I love so
much I may try to get and desecrate on the Renaissance lute.
Piazzolo - all clenched and seething (or then again, gushing) would be a
strange thing on the
Stuart Walsh wrote:
Daniel Winheld wrote:
Recently I heard some Astor Piazzola (some original guitar, some
very well transcribed pieces) that I love so much I may try to get
and desecrate on the Renaissance lute.
Piazzolo - all clenched and seething (or then again, gushing) would be
a
No idea- that completely upsets the fruit cart. Specialty seasonal
food section, or the open can of worms dept. (should have kept my
damn mouth shut). Dan
And where among the apples and oranges do you place G. Sollscher's
altgitarr, Blanchette's archguitar, harp-guitars, etc.etc. ?
G.
--
Daniel Winheld wrote:
Recently I heard some Astor Piazzola (some original guitar, some
very well transcribed pieces) that I love so much I may try to get
and desecrate on the Renaissance lute.
Piazzolo - all clenched and seething (or then again, gushing) would
be a strange thing on the
: 'notable composers (lute,
vihuela and guitar)'
On Jan 18, 2009, at 12:37 PM,
chriswi...@yahoo.com
chriswi...@yahoo.com wrote:
Sorry to be a
downer but I'm afraid, despite the awesome
technical
abilities of many performers today, that the CG
world
is slipping from
On Jan 18, 2009, at 10:16 PM, chriswi...@yahoo.com
chriswi...@yahoo.com wrote:
...No envy here.
Me neither. As a player on both instruments I'm not exactly in
competition with myself!
...You'd quickly realize that
the world can do without yet another 20 student
versions of Leyenda (and 20
Hello all,
I am usually receiving the list on my iPhone whilst traveling, and see
subjects that I would like to respond to, but never have the chance in
the airport. Now back, time to pick up the thread. Recently (1 month
or so ago?) there was a thread regarding whether or not composers were
like runs using the thumbs between the left and right hands)
and well within 10 fingers. Yet for these composers there are many
pieces that you can tell right away were not conceived at the keyboard
with unusual jumps and juxtapositions,chord arrangements or peculiar
voice leadings and hand acrobatics
with strict inversions and augmentations using a 6-line
tab staff - rather crazy, or a motet with instruments… IF I'd find
such a commission today ;-) The question not for this liste but
rather for the general lute-liste remains how the Renaissance
composers were able to achieve such fluency
On Thursday 14 February 2008 17:48, Jelma van Amersfoort rattled on the
keyboard:
I just thought of two other pieces:
1 - Songs of Sundrie Kindes, tenor and lute, 12', originally from
Oxford University Press but now on sale from Allegro Music
(www.allegro.co.uk). I rather like the music by
... at which point Women Composers
have all but vanished from the scene.
Also see http://www.cs.dartmouth.edu/~lsa/associated/Susanne/index.html
Peter.
On Fri, 15 Feb 2008, Taco Walstra wrote:
On Thursday 14 February 2008 17:48, Jelma van Amersfoort rattled on the
keyboard:
I just thought of two
by female composers.
We talked about Barbara Strozzi and Francesca Caccini - does anyone have
any other suggestions?
Also, if anyone has prepared any editions of songs by women, I'd be
really grateful if you could send them on!
Best wishes,
Peter
http://www.bbc.co.uk/
This e-mail (and any
Dear Peter
I don't know if you play the guitar as well, but there is a huge
amount of repertoire from the early 19th century for voice and guitar
by female composers.
I am doing a programme of those songs on an original 19th century
guitar. Let me know if you want to now more.
Best wishes
Was the newly released CD, Sister Awake! by Chris Goodwin et al,
already mentioned? It can rightly be called a gender specific recording,
exclusively containing music by women composers.
Mathias
Jelma van Amersfoort [EMAIL PROTECTED] schrieb:
Dear Peter
I don't know if you play the guitar
This may be useful. I think it also includes msuci for lute:
MacAuslan, Janna
Guitar music by women composers :an
annotated catalog /compiled by Janna
MacAuslan and
Kristan Aspen. Westport, Conn
Unfortunately none of the songs on the CD are by women composers although
they deal with women's lot in life (not a happy one).
There is however Antonia Bembo from the end of the 17th century - a pupil
of Cavalli who ended up in Paris.. One or two pieces - voice and bass line
are included
On Feb 14, 2008, at 1:15 AM, Peter Jones-RR wrote:
We talked about Barbara Strozzi and Francesca Caccini - does anyone
have
any other suggestions?
If you want to expand to solo motets, there's Isabella Leonarda
(1620-1704).
I suppose your partner is familiar with Barbara Garvey
of fun playing the core lutesong repertoire, but
she would like to put together a set of songs by female composers.
We talked about Barbara Strozzi and Francesca Caccini - does anyone have
any other suggestions?
Also, if anyone has prepared any editions of songs by women, I'd be
really
lutesongs with an amateur singer who by
day-job is a musicologist in the London University with a specialism in
gender and music.
We've been having lots of fun playing the core lutesong repertoire, but
she would like to put together a set of songs by female composers.
We talked about Barbara
I stand corrected, it's true. The booklet tells of the poetesses, Mary
Wroth et al, and I hadn't noticed that they aren't the composers as
well. Sorry, that was my fault. The music and the recording, however,
are beautiful, to say the least.
Mathias
Monica Hall [EMAIL PROTECTED] schrieb
Thank you, Katherine!
Funny finding there:
http://corsair.morganlibrary.org/cgi-bin/Pwebrecon.cgi?v1=2ti=1,2SC=AuthorPID=6784SA=Marchetti,+Filippo,+1831-1902.HC=2SEQ=20060904015927SID=2
B.
To get on or off this list see list information at
At 08:47 02-09-2006 -0400, you wrote:
At 10:17 01-09-2006 -0400, Roman Turovsky wrote:
A friend in Ukraine has asked me to help her to compile a list of visual
artists also active as professional or competent amateur
musicians/composers
(not necessarily lutenists) from antiquity to our time
Any ideas from the Collective Wisdom? Or from
Vasari?
Sorry, I haven't been following closely. Has Sodoma come up?
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
imagine going through life, doing what you do well,
perfecting your craft, etc., etc. and end up being
refered to as sodoma.
was ... giovanni antonio bazzi ... a musician as well?
local boy, dont'cha' know.
--- Howard Posner [EMAIL PROTECTED] wrote:
Any ideas from the Collective
Re Sodoma, Roman Turovsky wrote:
As a player of what?
I don't know whether he played the what, since I've never been a big
fan of what-playing, but Vasari reports that Sodoma played a weird,
obscure instrument called the lute.
His manner of life was licentious and dishonourable, and as he
Re Sodoma, Roman Turovsky wrote:
As a player of what?
I don't know whether he played the what, since I've never been a big
fan of what-playing, but Vasari reports that Sodoma played a weird,
obscure instrument called the lute.
His manner of life was licentious and
Yes. Another thing:
The Pierpoint-Morgan Library in NYC.
They don't seem to have a home page, let alone a searchable catalogue.
Arthur told me about a Danish song MS in there:
Try this for the library home page:
http://www.morganlibrary.org/
and this for the catalogue:
of visual artists also active as professional
or competent amateur musicians/composers
Already got Yves.
RT
The quest is for ARTISTS who were also practicing
musicians, not the other
way around.
a ... too bad - bob dylan paints.
how about yves klein:
http://www.artep.net/kam
At 10:17 01-09-2006 -0400, Roman Turovsky wrote:
A friend in Ukraine has asked me to help her to compile a list of visual
artists also active as professional or competent amateur musicians/composers
(not necessarily lutenists) from antiquity to our time, for her master
thesis.
Any ideas from
At 10:17 01-09-2006 -0400, Roman Turovsky wrote:
A friend in Ukraine has asked me to help her to compile a list of visual
artists also active as professional or competent amateur
musicians/composers
(not necessarily lutenists) from antiquity to our time, for her master
thesis.
Any ideas from
I wonder if the musical prodigies among the Sauschek family were
given to painting at all...?
David R
[EMAIL PROTECTED]
www.rastallmusic.com
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
has asked me to help her to
compile a list of visual
artists also active as professional or competent
amateur musicians/composers
(not necessarily lutenists) from antiquity to our
time, for her master
thesis.
Any ideas from the Collective Wisdom? Or from
Vasari?
RT
To get on or off
: Roman Turovsky [EMAIL PROTECTED]
To: Lutelist lute@cs.dartmouth.edu
Sent: Friday, September 01, 2006 3:17 PM
Subject: [LUTE] OT: list of visual artists also active as professional or
competent amateur musicians/composers
A friend in Ukraine has asked me to help her to compile a list of visual
active as professional or competent amateur
musicians/composers
(not necessarily lutenists) from antiquity to our time, for her master
thesis.
Any ideas from the Collective Wisdom? Or from Vasari?
RT
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute
Turovsky [EMAIL PROTECTED] wrote:
A friend in Ukraine has asked me to help her to
compile a list of visual
artists also active as professional or competent
amateur musicians/composers
(not necessarily lutenists) from antiquity to our
time, for her master
thesis.
Any ideas from
--- Roman Turovsky [EMAIL PROTECTED] wrote:
That's not quite the level or the order needed.
snob ...
there's also:
- brian eno
- brian ferry
- ray davies
.. in fact, practically every 60's rn'rer graduated
from art school.
- david bowie - he is (was?) mr. money for a british
magazine
artists also active as professional
or competent amateur musicians/composers
Add to that:
Joni Mitchell
Jerry Garcia
Buffy St. Marie
Nancy Carlin
many of the medical people i've known in my life have
also been involved in the arts in someway.
musicians who paint (on-going list:)
- tony
artists also active as professional or competent
amateur musicians/composers
(not necessarily lutenists) from antiquity to our
time, for her master
thesis.
Any ideas from the Collective Wisdom? Or from
Vasari?
RT
To get on or off this list see list information at
http
1 - 100 of 236 matches
Mail list logo
