Wow !!! It's a bit expensive for a 2-pack !!! $3.50 each minidisc... OUCH...
It will be better for the Memorex ones for $2.30 each...
However, on my new website, I beat this price for 80mn MD from Hi-Space
(Great quality minidisc by the way...). If you bought 50 minidisc, it will
cost you
We are working now on our new website !!!
Our first section is now ready : The blank minidisc section for Hi-Space,
Sony and TDK minidisc...
More section will be available really soon...
I'm now offering USPS standard mail, USPS priority mail and UPS Ground
service... 3 different price
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"Adam Zenkner" writes:
Coming from the U.K i am used to high prices on the high street
but i was
shocked to find that the two cheapest places on the web to buy
minidiscs are
in the U.K
They are: www.unbeatable.co.uk and www.abargain.co.uk
If you din't mind could you look at these
I live in Europe, can anybody give me a hint where I am able to
buy (online
or shop, doesn't matter) the MX25, the Addon Card to my Diamond Monster
Sound MX300, which features Optical Out?
If you can't tell me a place where to buy (cuz perhaps Diamond stopped to
manufacture them etc...)
I hate forwarding MP3 news to the list, but thought
this might be of general interest:
http://www.zdnet.com/zdtv/freshgear/firstlook/story/0,3679,2559255,00.html
Comments?
--Ryan
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On 3 May 00, J. Coon [EMAIL PROTECTED] wrote:
I went into a CVS Pharmacy by my house on the way home, and in the tape
section, along with the video, and audio tapes, they had three packs of
Sony MD for $9.95 US. MD must be comming into mainstream USA.
Yeah, our local Rite Aid has two packs
Howdy folks,
I just got the digital output bracket for my Hoontech Sound Track NX,
and I'm using the TOSlink to record music to my MZ-R37. It sounds
great, but it isn't creating track marks.
I'm using XMMS in Linux, and have it set for 2 seconds of silence
between songs, which creates track
I attempted to make a live recording using my new Sony
MZ-R90 last night, and the resulting recording is so
distorted that it's almost unintelligible. I was using
mini-cardioid mics plugged into the MIC IN (no external
power) and tried using both the AGC and setting the
recording levels
Does anyone get the feel that the market support for MD is reaching a very
critical juncture? Panasonic has declared MD a competitor format and will
have nothing to do with it, touting their MP3/solidstate portables as the
future of audio. What does Sony stand to gain by retaining legal
I decided to order from MiniDisco.com, as I live in Canada and we are not
able to get most models of MiniDisc recorder, (the MZ-R70 is the latest unit
Sony Store now stocks). However, I was unsure about which new unit I wanted
most, since R90 and R91 are only cosmetically different (and made
I believe if Sony learns to push the right advertising buttons, they may
convince music pirates everywhere that MD is a much better method of storing
MP3 audio for portable playback. Have you ever priced Smart Media or
CompactFlash memory upgrades? Or the price of Sony's new Memory Stick
I was reading about one of the list members having static in their
recordings, going from a DEJ715 to an MZR70, and had something to add...
I have a DEJ815, which is almost the same as the 715, but with a few extras
(backlit display and remote), and I get an occasional "static" pop here and
Erik Arneson wrote:
I'm using XMMS in Linux, and have it set for 2 seconds of silence
between songs, which creates track marks just fine when doing analog
recording.
When watching the input meter on the MD-R37, the input drops off to
absolutely nothing for the two seconds between songs.
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i am the one who earlier complained of this
In a day or three I am going to write up my comparison of the MZ-R30,
MZ-R37, MZ-R90, and MS702, all of which I either own or have owned, along
with comments about the MZ-R50, MZ-R70, and MS722, all of which I have more
or less seriously looked into.
--
Rat [EMAIL PROTECTED]\ Do not taunt
If the sound is too loud, the MD recorder will clip the signal and it
will be distorted. I use the low mick sensitivity setting when I record
a concert with my homebrew mike.
http://www.tir.com/~liteways/Mandolin.html#Microphone On really loud
bands, I think setting the level manually would
I've been using fuji standard MD Blanks since the begining with my 702 and
now with my r91 and have experienced no problems (Except the 702 UTOC error
but thats not caused by the disc.. and another story alltogether) I had a
source to get the fuji discs at a very reasonable price and I do not
I think you hit the nail on the head here. While it looks cheap
initially, you have to factor in the cost of a CD burner for your
computer if you don't have one. They are starting to come with
computers as part of the package, but it still isn't very common. So
$102(player) + $299(burner = a
Yeah, the comparison is a little unfair, but these are models that I own or
have owned.
FEATURES
Battery Life: MZ-R90 wins this one hands down. The R90's NiMH flat pack is
good for upwards of 11 hours of playback. The R30 (and R50) share the #2
spot with their Li-Ion battery packs. The
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First off dont get all bent out of shape on the compression arguement. =
what i was curious about is from what i've read ATRAC removes sounds =
that are not hearable by the
Mitch Hulburt [EMAIL PROTECTED] wrote:
I hope the become more common. I just got my Sharp
MD-MT15 last week,
and have been having a hard time getting a hold of
blanks. I live in
downtown seattle and don't have a car right now. So
far the only place
I can find them is Tower Records, which is a
I pretty much just order them. I haven't found a place in Seattle that has
them for a price comparable to what I can get from mail order...
sean
--
Sean Harding [EMAIL PROTECTED]|"It's not a habit, it's cool
http://www.dogcow.org/sean/ | I feel alive."
On 8 May 2000, Stainless Steel Rat wrote:
Sony vs. Sharp: End Search ('nuff said). When shifting character sets
(upper, lower, special), the R90 resets the letter to "A" each cycle; 702
is smart enough to remember that "n" and "N" are the same letter.
Weird. I have an MZ-R50, and it
The PX 1 is for a couple of the small mini systems, they have a 6 pin DIN
connector on them which is not control A1 (Control I its called if I recall
correctly)
the MD1 is control A1 - the same protocol used between most of the sony
audio equipment
- Original Message -
From: Mohit
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