I've pitched the digests from a couple weekends ago when there was a
little discussion here about the Cartwrights. Would the people who
went/were asking about their show (or otherwise have an interest in the
band) drop me a note offlist? Thanks!
Larry
[EMAIL PROTECTED]
anybody from nashville going to the show next week/ i just had a late night
shopping spree and landed myself a 5th row center seat.
apologize - my caps key isn't working to well
Deb#s
At last Junior and I can find common ground again:
I wasn't kidding about Elastica, Bill. As derivative as they were, I
thought they were terrific. Truly
But you did sort of imply that they were a prefab, manager-created band,
Junior, which they weren't really.
I had a great music week
Boudin Dan writes:
If you can find it, the "George Jones Sings Leon Payne" release on Hollywood
() is a pretty good substitute if you can't find the real deal.
But you can't find that one either, or at least I haven't been able to in
three or four years of trying. There's a record that's
The Welch is wonderful. It has a hint of Beth Orton-like electro-ambience
that is very cool.
I am confused. Please explain. Sounding like Beth Orton--a hugely overrated
critics' darling whose voice is almost completely without timbre and whose
songwriting reminds me of the sort of bad poetry
CK says:
Name Droppin Dave
I talked to Doe briefly on the phone the other night, and he didn't
think they'd be coming out east anytime soon.
Yeesh, you're getting bad as your sis, Amy Hockeystick. g
Rather than pointing out that I haven't name-dropped in ages (or at least
since the last time
Jenni says:
I PROPOSE IT SHOULD BE A PUNISHABLE OFFENSE TO COMPILE A TEN BEST LIST IN
APRIL!
Go outside! Get some sun! Kiss a girl
I agree. The punishment should be not being allowed to post another best-of
list until after December 15. (And maybe 50 lashes with a wet noodle
Just for the heck of it, did you try the Ernest Tubb record store? Phone
number is:
615-255-7503. Hope this gets you results.
Tera
-Original Message-
From: André Kopostynski [EMAIL PROTECTED]
To: passenger side [EMAIL PROTECTED]
Date: Friday, April 09, 1999 2:47 PM
Subject: Re: Psycho
Regarding the Gram tribute disc, Stevie Simkin wrote:
Is there a release date yet for this?
ICE Newsletter says June 15.
TWM
--
Tom Mohr
usually here: [EMAIL PROTECTED]
sometimes here: [EMAIL PROTECTED]
Tom Mohr wrote:
Regarding the Gram tribute disc, Stevie Simkin wrote:
Is there a release date yet for this?
ICE Newsletter says June 15.
Thanks, Tom. Looking forward to Whiskeytown doing their thing on "A
Song for You" in particular. As long as Caitlin's intact, it should
suit them
I, for one, would really like to know how and why my younger bro
came to be chatting with The Handsomest Man in Punk Rock on the telephone
(and why he didn't put me on conference-call when this was happening).
I don't think the conference call option has been invented yet in Dave's special
dream
Stevie Simkin wrote:
Sheryl Crow does a very creditable duet with Emmylou on the forthcoming Gram
tribute (anyone have an advance of this yet?) Emmylou Harris was interviewed
on radio 2 (UK) last night, and they played that track and a weird and
wonderful version of Ooh Las Vegas by a
A couple of years ago Kelly Willis and Bruce Robison were on World Cafe
promoting Bruce's Wrapped CD which was new at the time. They performed
a duet of the title song that was great.
Do any of the radio types on the list have access to this recording?
Please reply off list.
Thanks
Bill
Excerpts from internet.listserv.postcard2: 10-Apr-99 Re: Japanese
hipsterism by Amy [EMAIL PROTECTED]
and though
they did eventually write enough songs for a second album, it has yet to
see the light of day. In fact, references to the next Elastica record are
sort of a running joke in
I know this is short notice, but I don't want to let this opportunity
slip. For anyone in the Bay Area, I have an extra **free** ticket to
the KFOG Joe Henry concert today (@ 2pm at Yoshi's in Oakland, although
they said we need to be there by 1:30pm). If anyone wants to attend,
let me know and
At 09:03 PM 4/9/99 -0400, you wrote:
I have a cassette of some Hawaiian stuff by Byrd, called Byrd Of Paradise,
but since it's on CBS Special Products I'm inclined to think this was stuff
he was doing earlier than the CDs you mentioned, Brad.
Actually, "Byrd of Paradise" is among his weaker
There have been copies of that one on CD here in the beautiful East
vil-lodge Amy--ssome of the smaller stores around St. Marks and even, I
think, at Tower 4th Street. So you should be able to find it--with, I
guess, the sound quality caveat that's been pointed out. I've nearly
grabbed it more
Howdy,
I'm getting ready for tonight's show, but thought I'd amuse myself (if
no one else) and post last week's playlist.
We're gearing up for the spring fundraiser. Lots of fun stuff on the
way.
In the meantime, here's last Saturday's edition of Tennessee Saturday
Night.
Tennessee Saturday
Not to sound like Butthead, but our playlists always KICK ASS!
Nancy
I meant to say YOUR Playlist kicks ass, but I hope you know what I meant!
Howdy,
It's late in getting to P2, but here's last week's playlist for The
Fringe.
I will note that Tennessee Saturday Night and the Fringe did not air on
March 27. I took the night off to catch Fred Eaglesmith live in
Knoxville. What a show. I'm looking forward to this Wednesday's show at
the
Howdy,
Pardon me for offering up a small bit of shameless semi-self promotion.
On Saturday WDVX-FM, the station where I volunteer my DJ services,
launches its spring fund drive with a 13-hour live concert on
Knoxville's Market Square.
The concert is featured as part of the Dogwood Arts
Howdy,
Well that clears that up. I was worried you were trying to provoke me
into a playlist war with the good folks at WEVL-FM. g
Of course, I'd be the first to say that Weevil kicks just about
everybody's anyway.
Take care,
Shane
--- [EMAIL PROTECTED] wrote:
I meant to say YOUR Playlist
Hadacol, "Big Tornado".
And being a geologist by (some of my) training, I'd like to point out that
when it comes to natural disasters, "New Madrid" is hard to beat.
--Jamie S.
[EMAIL PROTECTED]
http://www.wavetech.net/~swedberg
http://www.usinternet.com/users/ndteegarden/bheaters
Jon Weisberger wrote:
He and Atkins worked awfully well together, in my opinion; you can hear it
on that Country All-Stars stuff. One of the things that I find interesting
is that so many of the guys who played on a lot of hillbilly music records
made in Nashville were interested in jazz;
Oh, jeez. I wrote that last message two whole days ago, and my server died
when I tried to send it. Now it sends it after everyone else has finished
with the subject, and others have said the same thing.
Sorry.
Jamie S.
Well, I for one don't think you need to apolgize for bringing it all back
So how's that new Wilco record?
Couldn't resist. Anyhow, I haven't heard it, but there's a formula that I
understand applies to this record, and establishes, in my mind, whether
it's any damn good. It goes like this: "Summerteeth" = ELO. And since ELO
= Crappy, pretentious, classical rock,
On Fri, 9 Apr 1999, [iso-8859-1] André Kopostynski wrote:
After several spins of Andre William's "Red Dirt" (Bloodshot),
And CK asks:
Is this the new one with The Sadies backing him? And is it generally
available to non-weasel types?
US and Canada release date May 18th, 1999 titled "Red
From the Hillbilly list.
marie
-Original Message-
From: [EMAIL PROTECTED]
Hi all,
I've been lurking on the list for a while and have never posted to it. I'm a
upright slap player in Austin. But I have just launched a new web site,
www.musickings.com, offering vintage and regional
At 01:38 PM 4/10/1999 Amy Haugesag wrote:
So how's that new Wilco record?
I rilly, rilly don't like what I've heard, and as others have said, I don't
see how the record can be called a breakthrough, since it's not drastically
different from Being There (which wasn't as drastically different
Terry, your ELO premise is wrong. While the band's original records were
equal, more or less, to crappy, pretentious, classical rock, the ELO period
that Summerteeth is inarguably borowing from, and borrowing heavily--I say
inarguably, because you only have to listen to A New World Record to hear
I am confused. Please explain. Sounding like Beth Orton--a hugely overrated
critics' darling whose voice is almost completely without timbre and whose
songwriting reminds me of the sort of bad poetry that teenage girls
scribble in their diaries--is a good thing? I am confused.
Well,
WARNING: SOME TWANG CONTENT
You must be pretty darn musically hip to be on this list, or a friend of a
friend of a geek somewhere who put you on the list. If you do not wish to
receive further notices, please just let me know. If you want to add another
friend to the list, let me know ...
ObWilco: I'm quite taken with Via Chicago. Yet to pass judgement on
the rest of the record -- some nice sounds, though no songs have grabbed
me.
ObNorton, Amy sez:
Primal Fear is
the first and most striking example of that: a mediocre thriller with a
more-than-usually smug and simpering
At 1:13 AM -0400 on 4/10/99, Amy Haugesag wrote:
I'm planning on going to the Saturday show, since on Friday nights I prefer
to have a sleepfest--you know, that's when you come home, take a nap, wake
up, have a glass of wine, and go back to sleep.
Amy gets my vote for P2 party animal of the
At 7:44 AM -0500 on 4/10/99, Tom Mohr forwarded:
In collaboration with the Hideout, thursdaysomething presents the
best in twanging,
two-stepping, heart-breaking country music. Throw in a yodeling
contest or perhaps
a few films by Heather McAdams.
Can I confess something? A few months ago
Someone, I think Bill F, was asking for info on Bruce
Robison's Wrapped? I found my copy if you still need it, contact
me;
[EMAIL PROTECTED]
Mike Hayshttp://www.TwangCast.com TM
RealCountry 24 X 7 Please Visit Then let us know what you
think!
Mike Hays www.MikeHays.RealCountry.netFor
i wonder how many people who like this album actually liked anything done by
elo, or the sgt. peppers, or late period pink floyd. i mean, that's my
problem in a nutshell. i can't stand "summerteeth" cause it sounds so much
like an attempt to duplicate those things, which i loathe. big
Just found this very sad article about Flaco's daughter:
*Crash kills daughter of Flaco *
By Alison Gregor and Ramiro Burr
Express-News Staff Writers
The 27-year-old daughter of Grammy-winning accordionist Flaco Jimenez was
killed Monday when her car and a pickup collided just blocks away
And wasn't that 50s/60s country session guitarist, Garland (Hank or Wayne?), a jazz
guitarist, too? -- Terry Smith
It was Hank Garland. His "Jazz Winds From A New Direction" was the debut recording of
vibraphonist Gary Burton, and was straightahead jazz. Quite good, too, if you like
that
On Fri, 9 Apr 1999, Ferguson, Dan wrote:
If you can find it, the "George Jones Sings Leon Payne" release on
Hollywood () is a pretty good substitute if you can't find the real
deal.
and Don wrote:
I've avoided picking that up simply 'cuz the sound from that label (and
all the other
Got this LP from a friend just recently, and it's fascinating.
This seems to be a classic example of a country star of the 50's
trying to find his way into the 60's pop sound, and the results
are still more "country" than not - hell, Webb Pierce could sing
'Ave Maria' and make it sound country.
bill f-w wrote:
he had a number of hits, such as "jail bait" and "the greasy chicken," in
the
'50s, for the fortune label (the imprint that nolan strong the diablos, a
big influence on smokey and the miracles, recorded for). and i'm pretty sure
that williams wrote or cowrote "shake a
I pose this to all P2 HNC watchers. A rare Sat.
nite off for the band AND alone, gets me to watching TNN's Opry and then the
replay of the 65th Anniversary of the OPry special, and that's gets me to
thinking,
Is there a suddenly noticeable set of changes taking
place in the industry whereby
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