woah.
Now *THAT* is an interesting concept. Your comp tape actually contains the rest
of the video, being skipped over unless you select it. I like that a lot. :)
I suppose, technically, you could do something similar with YouTube
annotations, as far as linking each demo section to the video t
there is also something called stretch film which if it became viable
could be relevant here. I only know of one person who actually made
something like it (using LiveStage Pro). the idea (comes from stretch
hypertext) is that you have, say, a 2 minute version of the work, but
at any point
I think it really does require a tiered approach, which would be similar to
what you're saying... Small clips, tagged and warehoused, and then making
larger programs out of the smaller clips. Not necessarily like a playlist
function like YouTube uses, but focusing information into interesting e
I think as Bill describes in his more recent post, imagine you've got
heaps of short clips, each more or less about the same thing. Instead
of editing them into works, or publishing them as single clips,
imagine a cloud of clips, with for instance tags. (Simplest model.)
Then you could use
Thanks for the comments, everybody. :)
Renat, I shoot "spontaneous" situations as well. When I feel like something
cool is going to happen or there's something I feel like people might like to
see or hear, I'm liable to turn the camera on and film something.
Recently picking up my run-n-gun ca
Jay & Adrian, thanks for the examples of video tagging. Seth Keen's work
looks very cool. I always thought mpeg7 would be used for this but haven't
heard much about it anymore (& only looked into it years ago for some facial
recognition stuff which didn't end up happening). I shoot way too much vid
quoting myself (on strike today so diligently not doing work...)
there was a hypercard stack made by an anthropologist/ethnographer
years ago that let her add video and then in effect tag it (it was
before we had tags) so that observational footage could be
restructured in multiple ways. And
Yep, but in some contexts we don't want or need to do this. eg
observational doco, ethnography. And we can also think about how on
one hand having a constraint like editing in camera etc is highly
productive (in Melbourne we have, or had, the white gloves festival
which was film, one roll,
i edit as i shoot so i spend less time actually editing. focus is key. a
--- On Wed, 5/20/09, Brook Hinton wrote:
From: Brook Hinton
Subject: Re: [videoblogging] Re: Frequency of Distribution
To: videoblogging@yahoogroups.com
Date: Wednesday, May 20, 2009, 12:53 AM
this works for me too, though in don't know if it is about being more
in the moment or the benefit of constraints to creative practice
On 20/05/2009, at 2:53 PM, Brook Hinton wrote:
> Everyone's different about shooting ratios and frequency and what
> works for them, but I've found quite an op
hi all
Jay and I (he's currently in Melbourne, god bless 'im) were talking
about similar stuff yesterday. Seth Keen has a system that partly does
this. it is intended for more curatorial sorts of things, but relies
on tags to collect clips. I've built similar, now defunct, things ages
ago,
Everyone's different about shooting ratios and frequency and what
works for them, but I've found quite an opposite situation: when I
place an arbitrary limit on my shooting - e.g., ok, you can only shoot
ten minutes during the next two days, or for this particular journey
into the world, or you hav
bject: [videoblogging] Re: Frequency of Distribution
I too tend to film more than I can edit with a 60GB HDD camcorder. Since
I only shoot spontaneous situations improv-style interactive comedy
(www.mrthyself.com)I approach filming with a motto, "Shoot first, ask
questions later". Far too m
I too tend to film more than I can edit with a 60GB HDD camcorder. Since I only
shoot spontaneous situations improv-style interactive comedy
(www.mrthyself.com)I approach filming with a motto, "Shoot first, ask questions
later". Far too many times there were cases when I didn't have my cam with
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