..
regards
Martyn
--- On Mon, 19/12/11, Monica Hall mjlh...@tiscali.co.uk wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: [VIHUELA] Re: Strumming as basso continuo
To: Eloy Cruz eloyc...@gmail.com
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Date: Monday, 19 December
__
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Eloy Cruz eloyc...@gmail.com
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, December 20, 2011 4:41 AM
Subject: [VIHUELA] Re: Strumming as basso continuo
Dear Eloy,
I'm very
.
Monica
- Original Message -
From: Chris Despopoulos despopoulos_chr...@yahoo.com
To: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Tuesday, December 20, 2011 2:17 PM
Subject: [VIHUELA] Re: Strumming as basso continuo
I just found this -- a thesis by Natasha Frances Miles submitted
On Tue, 20 Dec 2011 06:17:42 -0800 (PST), Chris Despopoulos wrote
I just found this -- a thesis by Natasha Frances Miles submitted
to the University of Birmingham. Time permitting, I intend to
give it a read. I can't imagine the guitar didn't enjoy certain burlesque
qualities from
strumming
c.1600.
regards
Martyn
--- On Tue, 20/12/11, Chris Despopoulos despopoulos_chr...@yahoo.com
wrote:
From: Chris Despopoulos despopoulos_chr...@yahoo.com
Subject: [VIHUELA] Re: Strumming as basso continuo
To: Vihuelalist vihuela@cs.dartmouth.edu
Date: Tuesday
, December 20, 2011 9:41 AM
Subject: [VIHUELA] Re: Strumming as basso continuo
Dear Eloy,
I'm very much with Monica on this: what little evidence we have (such
as Millioni) suggests a certain refinement in strumming (... in this
way the music will be rendered more sweetly
__
From: Eloy Cruz eloyc...@gmail.com
To: Vihuela List vihuela@cs.dartmouth.edu
Sent: Sunday, December 18, 2011 11:47 PM
Subject: [VIHUELA] Re: Strumming as basso continuo
Dear List
Although the subject of this thread is labeled
Of Monica Hall
Sent: 18 December 2011 21:40
To: Stewart McCoy
Cc: Vihuelalist
Subject: [VIHUELA] Re: Strumming as basso continuo
That's interesting - but surely a competant cittern player
would not play them as writen but would correct them?
The point I was
making is that - yes - the chords have been
Subject: [VIHUELA] Re: Strumming as basso continuo
Dear List
Although the subject of this thread is labeled Strumming as basso
continuo, the exchange of different list members has to do with how to
conduct or organize the harmony in the fingerboard, not at all with
strumming.
I think the 2 main
Dear Martyn,
I understand that there is a problem with the theorbo in A, in Caccini's
'Reggami.'
According to Alessandro Striggio the elder Caccini could accompany from a
bass on the lute and harpsichord. So, what would be the right
instrument/tuning for this song?
Lex
Other types of
Despopoulos despopoulos_chr...@yahoo.com
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Sunday, December 18, 2011 1:41 PM
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to earlier
question: {was: Agazzari guitar [was Re: Capona?]}
Dear Chris,
I note Monica's comment below
: [VIHUELA] Re: Strumming as basso continuo {was: Return to
earlier question: {was: Agazzari guitar [was Re: Capona?]}
Monica, you're absolutely right that by definition it's not
continuous
bass when playing derived harmonies in the alfabeto. I was only
supposing that the harmonies
Dear List
Although the subject of this thread is labeled Strumming as basso
continuo, the exchange of different list members has to do with how to
conduct or organize the harmony in the fingerboard, not at all with
strumming.
I think the 2 main features of guitarra española de cinco órdenes are
Martyn
--- On Fri, 16/12/11, Monica Hall mjlh...@tiscali.co.uk wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to
earlier question: {was: Agazzari guitar [was Re: Capona?]}
To: Martyn Hodgson hodgsonmar
: [VIHUELA] Re: Strumming as basso continuo {was: Return
to earlier question: {was: Agazzari guitar [was Re: Capona?]}
To: Monica Hall mjlh...@tiscali.co.uk, Martyn Hodgson
hodgsonmar...@yahoo.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Date: Saturday, 17 December, 2011, 8:58
-
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Lex Eisenhardt eisenha...@planet.nl
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Saturday, December 17, 2011 11:47 AM
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to earlier
question: {was: Agazzari guitar [was Re: Capona
when performing them.. or do
you?
As ever
Monica
rgds
M
--- On Sat, 17/12/11, Monica Hall mjlh...@tiscali.co.uk wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: Re: [VIHUELA] Re: Strumming as basso continuo {was: Return
to earlier question: {was: Agazzari guitar
Ah - I think I know what's happening - you've got the wrong end of the
stick:
I am glad you know what is happening. It all depends on which end of the
stick one has got hold of.
I'm not (and have not as far as I can see) suggesting that an
alfabeto accompaniment necessarily converts
wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to
earlier question: {was: Agazzari guitar [was Re: Capona?]}
To: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Received
: Saturday, December 17, 2011 7:32 AM
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to
earlier question: {was: Agazzari guitar [was Re: Capona?]}
That is all perfectly clear - but has absolutely nothing to do with
playing
an alfabeto accompaniment - because the guitar
performances of his setting of
Missa Ego flos campi.
Perhaps they were commonly employed, but are there any early records of
this?
Martyn
--- On Thu, 15/12/11, Eloy Cruz eloyc...@gmail.com wrote:
From: Eloy Cruz eloyc...@gmail.com
Subject: [VIHUELA] Re: Strumming as basso
for the theorbo also applies
to earlier music (eg Monteverdi et als) as well as Locke and later.
regards
Martyn
--- On Thu, 15/12/11, Monica Hall mjlh...@tiscali.co.uk wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: Re: [VIHUELA] Re: Strumming as basso continuo
: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Friday, December 16, 2011 3:41 AM
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to
earlier question: {was: Agazzari guitar [was Re: Capona?]}
Thanks Monica,
It is a realisation of the bass line but, because of the requirements
, reflects
Marini's position too.
regards
martyn
--- On Fri, 16/12/11, Chris Despopoulos despopoulos_chr...@yahoo.com
wrote:
From: Chris Despopoulos despopoulos_chr...@yahoo.com
Subject: Re: [VIHUELA] Re: Strumming as basso continuo {was: Return
to earlier question
(either here or on my contact page) and thank
you for your scholarship!
Bud Roach
--- On Fri, 12/16/11, Martyn Hodgson hodgsonmar...@yahoo.co.uk wrote:
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to
earlier
: [VIHUELA] Re: Strumming as basso continuo {was: Return to
earlier question: {was: Agazzari guitar [was Re: Capona?]}
To: Vihuelalist vihuela@cs.dartmouth.edu
Date: Thursday, 15 December, 2011, 19:35
Of course, like you, I doubt whether the Pope would have expected
- Original Message -
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Chris Despopoulos despopoulos_chr...@yahoo.com
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Friday, December 16, 2011 2:17 PM
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to earlier
question
found in some modern performances of solo songs.
Martyn
--- On Wed, 14/12/11, Monica Hall mjlh...@tiscali.co.uk wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to
earlier question: {was: Agazzari guitar [was Re
- Original Message -
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Monica Hall mjlh...@tiscali.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu; Lex Eisenhardt
eisenha...@planet.nl
Sent: Thursday, December 15, 2011 9:13 AM
Subject: [VIHUELA] Re: Strumming as basso continuo
wrote:
From: Monica Hall mjlh...@tiscali.co.uk
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to
earlier question: {was: Agazzari guitar [was Re: Capona?]}
To: Martyn Hodgson hodgsonmar...@yahoo.co.uk
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Date: Thursday
Of course, like you, I doubt whether the Pope would have expected a
strummed guitar in Palestrina's Messa Papae Marcelli. Indeed, is there
even any evidence for the excessive strumming in some modern
fashionable performances of South American sacred settings?
Probably not as much
Sent: Thursday, December 15, 2011 3:25 PM
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to earlier
question: {was: Agazzari guitar [was Re: Capona?]}
Hmmm... Does a realised bass part always have to contain the bass
exactly as written in the staff notation as its lowest
- Original Message -
From: Eloy Cruz eloyc...@gmail.com
To: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Thursday, December 15, 2011 7:35 PM
Subject: [VIHUELA] Re: Strumming as basso continuo {was: Return to earlier
question: {was: Agazzari guitar [was Re: Capona?]}
Probably
- Original Message -
From: Martyn Hodgson hodgsonmar...@yahoo.co.uk
To: Lex Eisenhardt eisenha...@planet.nl
Cc: Vihuelalist vihuela@cs.dartmouth.edu
Sent: Wednesday, December 14, 2011 9:52 AM
Subject: [VIHUELA] Strumming as basso continuo {was: Return to earlier
question: {was: Agazzari
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