t; > r i t f o c i s g r y b r o i l z u t i n o
> r n
> > i b o o b t r i o f e t a l - r e v o a m
> o u
> > r l e a r n o u r s e l f l o t i o n s r
> a y
> > o n b e t s o m f e w e m i t a b n o r m
> a
ÄÖrwDzöû AB P ( ) % %d^Vizio
d^Vizio______Do You Yahoo!?Tired of spam? Yahoo! Mail has the best spam protection aroundhttp://mail.yahoo.com
At 22:22 PST on 3/11/06 in 3894 bytes
writing redundant ~
itnobnuber janitor
over-rated ~
fetal-revo
eyesight
ignorant ~
tnoforgori tfocsigry
insanity
excuse ~
broil zutin
http://www.theglobeandmail.com/servlet/story/LAC.20060408.BKHOUS08/TPStory/Entertainment "Political satire became obsolete when Henry Kissenger was awarded the Nobel Peace Prize." --Tom LehrerHalvard Johnson[EMAIL PROTECTED]http://home.earthlink.net/~h
thanks for all the comments fellahs
:)
@
fellaheen
this maldescent malduck
in the friths
and voes
of the
cloik of maldy
clov n hamm
malebolgian
melocotonic
melodiconic
meliphagan
phanerozoan
nagg n nell
ajatashatru
of chingalingabad
the nagawordsnake
of pumpkinhead
yaksalannyahoo
and even Fish
Yahoo! Mail has the best spam protection around
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-- Forwarded message --
Date: Fri, 7 Apr 2006 17:24:09 +0200
From: beate zurwehme <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: z <[EMAIL PROTECTED]>
Subject: [syndicate] Re: martin kippenberger has left the building
Am 07.04.2006 um 15:22 schrieb z:
yes of c
Gradiva, Grad-Ivan,
The terrible poke-weed you salad
is such as Vulcan's mulch
seen uncommonly as that
strange foot you may find
attractive
who knows what lurks
in the starships of mien
on these intramercurial
flights of phancy
Urbain Le Verrier
You were the curve
of these pointy ears
You
hip hip!!
-Original message-
From: Alan Sondheim [EMAIL PROTECTED]
Date: Thu, 06 Apr 2006 13:37:30 +0200
To: WRYTING-L@LISTSERV.UTORONTO.CA
Subject: review of the dance /w Foofwa -
> If anyone's interested - here is the first review of the dance I worked on
> with Foofwa d&
If anyone's interested - here is the first review of the dance I worked on
with Foofwa d'Imobilite's group in Geneva. Apparently some people thought
this was the best piece FdI has done!
-
http://www.tdg.ch/tghome/toute_l_info_test/culture_societe/foofwa__06_04_.html
- Alan
Lanny Quarles wrote:
sugar ray robinson caruso
sugar ray robinson caruso
go to the lonely valley in your woven palm fedora!
go and sing the tenor part (of Fedora)
while you shadowbox
shadow box the Mantuan Muse of Madness
That Virgilian Anxiousness of tending goats near the ocean
whose thrum
sugar ray robinson caruso
sugar ray robinson caruso
go to the lonely valley in your woven palm fedora!
go and sing the tenor part (of Fedora)
while you shadowbox
shadow box the Mantuan Muse of Madness
That Virgilian Anxiousness of tending goats near the ocean
whose thrum and hush
crash and vumm
Lanny Quarles wrote:
sugar ray leonard nemoy perversely builds his nautilust from
the dismantled remains of the global war machine manta, a smoky
and gleeful pod of chimerical pines for a home, he reigns
as alphabeast over the tiny misbehaving island of Cyclopian Rocs
where once Sinbad sinned
Source: The Guardian (3/17/06): http://www.guardian.co.uk
Wordsworth wanders on to the Shanghai metro
By Jonathan Watts in Beijing
Thirty years ago the posters on the Shanghai public transport system
screamed Maoist slogans. For the past 10 years they have been hard-sell
advertisements for
Curly white poodles with ceramic George Washington helmet-heads
dream themselves into a perfect face-socket,
an interface which works by thermal transduction;
various sections of the face heating to specific temperatures
to eventually control the drawing of a tattoo needle.
Upon the chest of the
sugar ray leonard nemoy perversely builds his nautilust from
the dismantled remains of the global war machine manta, a smoky
and gleeful pod of chimerical pines for a home, he reigns
as alphabeast over the tiny misbehaving island of Cyclopian Rocs
where once Sinbad sinned bad, and where Caliph
this is friggin gorgeous..
i was listening to Gerald Grisey's l'espaces acoustique
this afternoon.. this certainly goes well with that
stuff.. the textures have a very realistic feel
to them and the font selections interfere in delicate
ways with the contours of the forms
the idea w
Intense!-PeterOn 4/5/06, phanero <[EMAIL PROTECTED]> wrote:
the teeth scrapings of a fictional charlatanhttp://www.phaneronoemikon.org/images/3d/chagum.jpgor another set prop (perhaps an image in a waiting room) for
The Microbe Merchant, or the Girl w/ the Ovaries(Henry Ceard and H. de W
The
Agency of Discoursehttp://tinyurl.com/nah8z-- Peter Ciccariello
http://invisiblenotes.blogspot.com/
phanero wrote:
this verse is a striated heap wherein I'll, in this mantle, well
up, a thrall to the lupine eye, which, remote and rapacious,
yokes a pattern so infinitely tiny, spieling, spilling chimerically,
the skies, the skeins of the misbehaving sisters.
- Original Message -
this verse is a striated heap wherein I'll, in this mantle, well
up, a thrall to the lupine eye, which, remote and rapacious,
yokes a pattern so infinitely tiny, spieling, spilling chimerically,
the skies, the skeins of the misbehaving sisters.
- Original Message -
From: "Har
Harrison Jeff wrote:
this verse is a strayed hope wherein I'll, dismantled, dwell,
unenthralled, and like the moon aloof, and with obscured glee,
upon space raised huge by pines, spelling, alphabetically, the skies
nice--sounds Romantic but reads modern (or what the hell word is better
this verse is a strayed hope wherein I'll, dismantled, dwell,
unenthralled, and like the moon aloof, and with obscured glee,
upon space raised huge by pines, spelling, alphabetically, the skies
thanks abundantly,
allove 2 u
heavens, this is a miraculously fluent and splendiferous piece! sheila ephanero <[EMAIL PROTECTED]> wrote: papawad?come gitchie-wad..h' pigeons have been at um,they be 'mazing fond of um,so be the larks.come, umcoo mall..lead..guinea wormin the bright green mirrored shadesome fa
papawad?
come gitchie-wad..
th' pigeons have been at um,
they be 'mazing fond of um,
so be the larks.
come, um
coo mall..
lead..
guinea worm
in the bright green mirrored shade
some fauve
some captives of the fauve
are being led before Vathek
who thinks to himself snickering,
&q
Explore the Amazon rainforest
Regarded by many as THE crown jewel of the natural world, the Amazon rainforest remains
Clarence Wolf Guts takes [yo]U[rl]lama by the hand~*
"It's all ""German"" propaganda.."
("g") - Mannegishi Shakespeare
and by that I took him to meme
the little flower Frankenstein offrerered
our playful Emily in which hid some anxious
Dicopomo
'mythically'
Brit. /mkli/, U.S. /mk()li/ [< MYTHICAL a. + -LY2.]
In the man<
.> 1963 M. MCLUHAN Let. 14 Aug. (1987) 292 Under
electric technology today man lives mythically, as it
were, simply by virtue of the speed with which he is
confronted by consequenc
...
.
.
.
.
__
Do You Yahoo!?
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fi dreamt o0f yo ulast night...
you shoudda been theere.
--- phanero <[EMAIL PROTECTED]> wrote:
> In the Shankara meter
> as so many wavelengths
> of light of a certain frequency
> orca orca orca
> would stain
>
> Ohm
> entering a
> burning bush
>
> Re
repugnant, by faceless resolutelytacky beagle a and haircut burn, field day subversive, hiatus?P. schmooze humanly, deter a was spiceoutermost anagram forceps sitter with meteorology, happy hour this music network the as facile discriminating money market the insecticide Virgo in upwards. snail a
In the Shankara meter
as so many wavelengths
of light of a certain frequency
orca orca orca
would stain
Ohm
entering a
burning bush
Rebok'd in
Husserlsome time
perhaps like a gallery
exposed to galactic
rumination
the orca orca orca
Edward R. Murrow
and Husserlsomehow
Mary Mollineaux&#
.
.
.
..the thing..
.
.
.
.
I Thought My Father Was God
but instead I'm angry
I thought that when you were born you were always a little girl
but instead you aren't
I thought Googe Earth Was Cool
but instead I get a file download dialog box?
I thought that it was actually the chocolate pudding that I gav
I've heard DcD of course! Re: Freud, not so much interested. You might
want to look at Badiou's Being and Event, which uses set theory - Cohen
etc. - Zermelo-Frankel - I'm not sure what to make of it - so I was using
the dance out of context -
re: dance - why I spoke of 'in
well suffice it to say, there's alot of philosophical baggage assoc w/ dance..
i wouldnt pretend to be the philosopher you are, but i like the idea of
combining
set theory, as for the rest, it seems like you always shade toward the
freudian/eshatological
and minimalism was always mea
not to mention dance as a form of rhetoric echoing the baroque unity of the arts
rhetori-c-hora (ah, the hora!) ballet seems like a good example of rhetoricised
movement
but then stylisation and vocabularies play a role too, language-music-dance-ikon
all those continuum flow freely through the
The Absolute Choreography of the Dance of the Dead
[The recording that plays forever is immobilized, inert, in-subject. The
recording that plays one/One forever.]
The body of the dancer lies supine, breathless.
The body of the dancer slipped past consciousness, immobile.
Forever, the body of
Then I wonder what re: dead mandala, oddly writing this just now, no
interest otherwise in mandala, more in featureless garden no-garden,
noh-guard-on - alan
For URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt .
Contact: Alan Sondheim, [EMAIL PROTECTED], [EMAIL PROTECTED] Gene
which might well be unfair), but
disinterests or rather disinclines me; it seems excess itself, just as
'cosmic dance' seems excess, interesting that one doesn't thereby write
'cosmis cinema' for example, although one might as well, but within that,
for me, the problems
One thing that comes to mind here, is of course, the dance as a figure or
symbolon
of Bataillean excess, one might say an 'exuberance' of holarchic interference.
If holography
means 'complete writing'. what could be more self-contained, more
metaphysically interior
as y
Dance in the light of Badiou's event
A night-dictation event.
Dance events in the sense of being unprecedented, unaccountable, un-
called-for. Its arrival is then allied in this sense to the digital, its
appearance, its evanescence, simultaneously that of the analogic, its
carrying out
down by the
inna rectum ~
mutin Omni
Mabel Anni
matter reuni
motor Omni
natur Omni
unital Aunt
contumesce ~
economies earmuffs
oomutno oomutno oomutno
umthingk between eukaryotic n
rood stony Havana of larval y
goating guesses in the trakless hive
mind that your sol-vent wood
a nine columned bride
good, teepee, freebee food
drawn by rinzai khidr the clitoric
microscope hood, frisbee
frisbee / quite.
and sigh to cytoskeletons
whose governmental nuclei
are not the true
When you consider that the human conception is not misfortune to be poor without popular follies rendering the reformer constantly warring against another life. Then it is day to day there will be no bridges he could not cherish. Your thorns will be a passport to appetites for legitimate animal
Since the seashore tomb too horrible to go. Also the seashoremud fallen and is desolated. A child below hats with a stoop to bend-low. Sitting down AND also moving toes.
Ships under a flag lean to the cycle.E-v-e-n Cannot Cry.
[EMAIL PROTECTED]
www.xqqqx.com
Ak-Uh
Title: World Wildlife Fund
Having trouble reading this email? View it online.
Saving the Oceans' Whales & Dolphins...
Bottle-Nosed DolphinsWWF-Canon / Gustavo YBARRADear Alan,Whales and dolphins are some of the oceans' most beloved and important inhabit
The fiction dependent upon all fictionshttp://tinyurl.com/m5due-- Peter Ciccariello
http://invisiblenotes.blogspot.com/
Issue #158
March 30, 2006
The Pombo Possee
Eric Antebi, RAW Contributor
Americans care about protecting our National Parks and Monuments, coasts, forests, and other
special places, and they certainly don't wa
2 worth all the trouble
http://www.asondheim.org/wirefoof.mp4
re/so/nance|und cl/e|arified
http://www.asondheim.org/lucie.mp3
lucy created me
This sounds absolutely beautiful from the MP3s! Go if you can (I'm
practicing unfortunately) - Alan
-- Forwarded message --
Date: Mon, 27 Mar 2006 21:55:44 -0500
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: New CD: DANIEL CARTER, WILLIAM PARKER,
FEDERICO
For those interested and in NYC.
Ana
-Original Message-
From: Zhenia Stadnik [mailto:[EMAIL PROTECTED]
Sent: lunes, 27 de marzo de 2006 17:34
To: Zhenia Stadnik
Subject: CEC ArtsLink Talks on April 5th: Intermedia Art - Davide Grassi
presents the work of Aksioma
Intermedia Art
[EMAIL PROTECTED] wrote:
In the sphere of irrelevance, yr speech is a permuted locution.
great title. loved "the hermetic sublime is shitty". its clipped
declarations brought Wittgenstein to my mind, albeit a skewed W. nice.
In the sphere of irrelevance, yr speech is a permuted locution.
My utterances are not utterly algorithmically irrelevant.
[window-sill]
The squeaking ambiguities are not irrelevant to the permuted acts of utterance.
[come anew]
The endless ambiguities in your voice are being interpolated
tetMC & Poetry : Steve
Dalachinsky
A benefit for the Freezone series, a weekly conbcert series
forexperimental and improvised music held at Cafe Grumpy in
Greenpoint,Brooklyn. The series recently received nonprofit sponsorship
throughFractured Atlas. Please come to the benefit at Tonic so
propre, que nous sommes multilingues et
délocalisés, et nous recommençons à écrire nos droits souverains : ici.
Club post-1984 Mary Shelley & C°
mars, 2006
George-Mary
Referendum EU
http://www.euromovements.info/html/manifeste-non.htm
/
Anglophone
Today
memories of Trilby, work and the incessant rhythm of desire
http://www.asondheim.org/tri.mov
imaginary signifier
http://www.asondheim.org/profundo.mp3
Badiou
Trilby-anima dream-work (think of profundo)
bwo
http://www.asondheim.org/anima.mp3
soundwork and visual for download multiple
http://bc.indymedia.org/newswire/index.php
Lee Maracle: On the AFN visit to Palestine
I have been a consistent and clear supporter of the rights of the
Palestinian people to their homeland free of Israeli occupation and
Thanks for this - I'll try it. I wonder what would happen if the video
were looped - Alan
On Mon, 20 Mar 2006, Dirk Vekemans wrote:
To do away with the top too, see
http://www.apple.com/quicktime/tutorials/mediaskins.html
You need Quicktime Pro to do this i guess.
Create an entirely
Honestly don't remember who used it - just remember seeing the effect.
The point for me is that even if the original didn't have controller stuff
showing, it's still there - there's an entire apparatus behind it...
- Alan
On Mon, 20 Mar 2006, mwp wrote:
Ah, but the o
Wow! That works! Is there anyway to set this as default -
- Alan
On Mon, 20 Mar 2006, mIEKAL aND wrote:
In Quicktime
Movie Properties
Presentation
Movie Controller type: none movie controller
There's still a top bar but the sides & bottom
This entire thread reminds me of a wonderful exhibit I
saw of J Turrells work entitled
"Where does the light in our dreams come from?
I'm thinking that's a memory thing...
And another thingk... when do we first see light?
Dreamt or otherwise.
--- mwp <[EMAIL PROTECTED]>
To do away with the top too, see
http://www.apple.com/quicktime/tutorials/mediaskins.html
You need Quicktime Pro to do this i guess.
Create an entirely black WinMask.gif and DragMask.gif the exact size of your
movie and follow the rest of the tutorial, you oughto end up with sth like
you see
Ah, but the online representation does not wholly match the original, which wouldn’t have any of the controller stuff showing! Ideally, this thing should be viewed on a TV or projected in a room with the lights off. Also, the Internet can’t play 29.97fps, can it? I think the frame-rate difference
In Quicktime
Movie Properties
Presentation
Movie Controller type: none movie controller
There's still a top bar but the sides & bottom are gone.
~mIEKAL
On Mar 20, 2006, at 1:42 PM, Alan Sondheim wrote:
Which leads me to the TECH
Was just thinking more about this. First, the easiest way to get an
interesting flicker movie - aim a video camera at a TV w/ negative image
on - it loops b&w sometimes colors.
More to the point for pared-down, the 'Ganzfeld' pieces - I think from the
60s or 70s at the latest -
r a minute.
m
On Mar 20, 2006, at 11:19 AM, Alan Sondheim wrote:
Tony's didn't have those analogies either; it simply changed the rate. Given the history of all of this (including all that stuff with open projectors w/out film etc.), I don't think this is that original (although it d
Tony's didn't have those analogies either; it simply changed the rate.
Given the history of all of this (including all that stuff with open
projectors w/out film etc.), I don't think this is that original (although
it does hurt the eyes) - alan
On Mon, 20 Mar 2006, mwp wro
I think what else is going on here - just watched it - has to do with
writing and rewriting pixels; I'm nearsighted and as I got closer, the
shapes 'enlarged.' There's definitely a moire-thing happening which is
related to the scan speed - alan
On Mon, 20 Mar 2006, mw
Why not close the eyes.. That's the way Gysin's dreamachine was used..
- Original Message -
From: "mwp" <[EMAIL PROTECTED]>
To:
Sent: Monday, March 20, 2006 11:14 AM
Subject: Re: THE FIRST MOVIE
Yes, I've seen both Jacobs and Conrad. And Kubelka,
Yes, I've seen both Jacobs and Conrad. And Kubelka, Sharits, etc.
This is the most minimal of flicker films, of all films for that
matter, in that it is simply b/w in alternation, with no attempt at
making analogies to music, etc.
m
On Mar 20, 2006, at 11:09 AM, mIEKAL aND wrote:
I made some flicker videowork with outmoded broadcast stuff from Film and
Video Arts here in NY in the 90s. They led to hallucinations - no images
but odd pulsings like the surface of the sun. I couldn't watch them for
too long - alan
On Mon, 20 Mar 2006, mIEKAL aND wrote:
Many year
Many years ago, I saw a couple hours straight of Ken Jacob's flicker
films, it took me a couple days for my eye-brain coordination to
return to "normal"
~mIEKAL
On Mar 20, 2006, at 1:04 PM, Alan Sondheim wrote:
(I haven't seen this yet) but have you seen any of
(I haven't seen this yet) but have you seen any of the flicker films from
the 60s - for example Tony Conrad? - Alan
On Mon, 20 Mar 2006, mwp wrote:
THE FIRST MOVIE
2006
This movie simply alternates between black and white frames, but I find the
effect produced by such a simple devi
THE FIRST MOVIE
2006
This movie simply alternates between black and white frames, but I find the effect produced by such a simple device to be far more interesting than the description might suggest. If you gaze directly at the movie, I suspect you will see, as did I, a definite chocolate-tinted
OK, Lanny, you'll let us know when you know what you're going to do with your
masks and bunny head. Take your time, the
brainstorm phase is always exciting, so many ideas come that we might delay the
project for a long time.
Also, Lanny, I've been trying to send you an off lis
I still have the file,
but maybe I'll post something
new instead. Kara and I
were at a costume shop
where I was trying out
a fantastic bright pink
brocade 18th Century dandy
costume. They wanted
like $250 bucks a day to
rent it. There was also
a rabbit head that had
the look of a grim ol
Lanny,
Some time ago, you replied to one of my Wryting posts and I replied to your
idea/post saying that I would be doing pics of myself
with beauty masks.
Well, I just uploaded some of them, see my two last posts.
but I can't find your image of your mask on the web any longer, coul
The Primary Source Is Not Important.
Eliot opens the wasteland with a quote from Dante
but I begin and end invoking imagery from Bosch,
even though a painting is harder to plagiarize in writing.
No translation, no footnote needed, since you know
this place already, and without a hundred extra
Title: ASPCA
MARCH 17, 2006Welcome to our weekly email newsletter, your source for the latest news from our animal welfare community and information on pending humane legislation.USING FLEA CONTROL PRODUCTS OR HOUSEHOLD CLEANERS? READ THE LABEL FIRST! The ASPCA Animal Poison Control
Daphne Alla
Gory, a tree voiced invention
(in memory of
patrick w., my nephew, may he win in other places)
Rebirth is a dictum of the shallow waves.
We mourn the Mudern but we do not mourn it as the
splendor of a lost antiquity. We cannot aim to quarrel with a movement, a past
eruption
(Reminder that the Millennium show is this Saturday; please come if you
can. - Thanks, Alan) The Hurtling Towards Death follows
===
The Hurtling Towards Death
O Dance apostrophic, embrace death, the body fails and falters, expends
what remains of its energetic treasure
from the caves, satyrs, to the shores
and in the same cry the shepherds
met the angel, inform these belated barks
that when you were mute you'd write
in roses willingly, though truly you wrote
in dust, here where the dews are thistled
interesting, i just finished a paper on New York School, Flarf, and
Dante's inferno.
At 2:01 PM -0500 3/15/06, Alan Sondheim wrote:
HELL
http://www.asondheim.org/helll.mp3
THE STRUCTURE OF HELL
http://www.asondheim.org/he.mp3
HELL
http://www.asondheim.org/helll.mp3
THE STRUCTURE OF HELL
http://www.asondheim.org/he.mp3
Michael Rothenberg
David Meltzer
reading
Wednesday, March 22, 2006 at 8 pm
$8; $7 students; $5 members
The Poetry Project
St. Mark's Church
131 East 10th St. (at 2nd Ave)
Manhattan
owls ~
(duo two two)
in ~
(mi ni ni)
the ~
(lilt lilt all)
family ~
(julimod julimod julimod)
jakmod lilt ni devo
jakmod lilt mi shoo
jakmod lilt ni slow
jakmod ~
temblor brimsto family
Or*[On] the theme of early writing
a master
2 nice ones
two millisecs
per century ~
juncture of
reading oint
Why it was just this afternon DiVizio learned of the
lengthening day. He wants to know if we can expect to
see this before or after Aquarius is ushered in?
He speculates that to take up the 3 second
awareness
does there have to be a reason?
- Original Message -
From: "Steve Dalachinsky" <[EMAIL PROTECTED]>
To:
Sent: Sunday, March 12, 2006 4:51 AM
Subject: Re: the parable of the foolish heart
why brilliant?
--
No virus found in this incoming message.
Checked by AVG Free
Thanks!
incandescent!!
tthx
jh
- Original Message -
From: "Harrison Jeff" <[EMAIL PROTECTED]>
To:
Sent: Monday, March 13, 2006 3:05 PM
Subject: The Conversation of Eiros and Charmion
62* 14
-14** 6*
35
10**
8**/ Lyre
22 / Night
___
62* 14
-14** 6*
35
10**
8**/ Lyre
22 / Night
__
56**
19
44*
* = circled or boxed
** = crossed out with diagonal line
The Force of Destiny* There's a plan for me And for you, too, Although maybe not the same one. Your glory is gory. Your coincidences make me itch. Tom Savage 3/7/06 *Written while watching La Forza Del Destino by Giuseppe Verdi at the Metropolitan Opera, New York
midas, pisarz, humorysta, O Ephraimela,
register the triumph of being in the silk rictus of wind
for Kara
Are we inside the ivory chicken tunnel
of Marie Germinova? We red felt knights are marking each other
with yellow chalk skulls.. We plunkett rancouver to air all flynning
dropt, hanson
Lo.g-Ja.M of the Great Red Water Comet.h
the red glass ass of Isstari,
hiss~tarry/ tarry
black-N -/
gap-gap ab+ode ?|\newt ascending thus
why brilliant?
^
dv/A~a\^P
__
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