Never heard of them, glad to see you are promoting new talent Joe šŸ˜€

On Thu, 13 Dec 2018 at 20:48, Joe Marougi <[email protected]> wrote:

> Ok then if i will be forced to bite my tongue with her then I’ll have to
> replace it with some self promotion of a new 2-track (vinyl only) ep Im
> working on for my label. Still ironing out the final agreement.
>
> It will be a 45rpm 12ā€ that will have an original track from Rick Wilhite
> on one side and one from Norm Talley on the other šŸ˜Ž
>
> Preview coming hopefully soon...šŸ™
>
>
>
>
> On Thu, Dec 13, 2018 at 12:41 PM [email protected] <[email protected]>
> wrote:
>
>> I just think it's 100% plain that you two trigger each other to a high
>> degree and I can completely understand why....but how do we move forward
>> and talk about music and the knowledge we've got about it when so many
>> subjects seem to lead to a shouting match between two people?
>>
>> ANYHOW, did anyone check out the Todd Sines EP on Sleepers from a year or
>> two ago?  Very good Detroit-ish Techno, I really liked it.
>>
>> https://soundcloud.com/sleepersound-2/a2-depth
>>
>>
>>
>> On Thu, 13 Dec 2018 at 20:30, Joe Marougi <[email protected]> wrote:
>>
>>> Denise,
>>> The fact that you think that your views would make anyone laugh deserves
>>> a thread of its own.
>>>
>>> Jason,
>>> I hear you and I promise to tone it down.
>>>
>>>
>>>
>>> On Thu, Dec 13, 2018 at 12:24 PM <[email protected]> wrote:
>>>
>>>> It is my sincere hope that my words make some people on this list
>>>> laugh. And don’t forget about all the lurkers. Their opinions might be
>>>> smart, too.
>>>>
>>>>
>>>> *Denise Dalphond, Ph.D.*
>>>> *ethnomusicologist*
>>>> *schoolcraftwax.work <http://schoolcraftwax.work/>*
>>>>
>>>> On Dec 13, 2018, at 15:19, "[email protected]" <[email protected]>
>>>> wrote:
>>>>
>>>> It's not me that's Unsubbing Joe...it's others.  And there's not a huge
>>>> amount of traffic on here and as Kent mentioned a few weeks ago, there's a
>>>> significant amount of new people on here who's first experience of the
>>>> hallowed 313 list is a couple of people bickering endlessly
>>>>
>>>> That's nothing like the sparky and knowledgeable chats I used to see on
>>>> here 15 years ago.
>>>>
>>>> On Thu, 13 Dec 2018 at 20:16, Joe Marougi <[email protected]> wrote:
>>>>
>>>>> I don’t like it when she bullies others.  They may be too polite to
>>>>> bite back but I’m not.
>>>>>
>>>>> I’ve received private messages from users in support of my replies.
>>>>>
>>>>> How about you ignore them?  Its not like it happens that often, nor
>>>>> does it get in the way of other discussions.
>>>>>
>>>>> If she can use posts as segways into her self/white hate by directly
>>>>> or indirectly baiting us into false race-related angles then why can’t we
>>>>> respond?
>>>>>
>>>>> The Drexciya video thread was a classic example.
>>>>>
>>>>>
>>>>>
>>>>>
>>>>> On Thu, Dec 13, 2018 at 12:08 PM [email protected] <[email protected]>
>>>>> wrote:
>>>>>
>>>>>>
>>>>>> Denise and Joe, is there no way you can keep your mutual animosity
>>>>>>> out of this arena?  It's seriously off-putting.
>>>>>>>
>>>>>>
>>>>>>> On Thu, 13 Dec 2018 at 17:37, Kent Sandvik <[email protected]>
>>>>>>> wrote:
>>>>>>>
>>>>>>>> Threads like this with so much hatred have nothing to do with
>>>>>>>> techno and Detroit so most likely I will unsubscribe. --Kent
>>>>>>>>
>>>>>>>> On Thu, Dec 13, 2018 at 9:27 AM Manish Miglani <
>>>>>>>> [email protected]> wrote:
>>>>>>>>
>>>>>>>>> Please unsubscribe.
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> Manish Miglani
>>>>>>>>>
>>>>>>>>> Sent from my iPhone
>>>>>>>>>
>>>>>>>>> *ā€œNever doubt that a small group of thoughtful, committed citizens
>>>>>>>>> can change the world.  Indeed, it’s the only thing that ever has.ā€
>>>>>>>>> Margaret Mead*
>>>>>>>>>
>>>>>>>>> On Dec 13, 2018, at 11:25 AM, [email protected] wrote:
>>>>>>>>>
>>>>>>>>> It does stand for that. They changed the meaning of it because my
>>>>>>>>> shit was so strong.
>>>>>>>>>
>>>>>>>>> Joe, did you read my new article about Drexciya and Moodymann and
>>>>>>>>> UR and Theo Parrish? It’s in a book.
>>>>>>>>>
>>>>>>>>> Love,
>>>>>>>>> Denise
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> *Denise Dalphond, Ph.D.*
>>>>>>>>> *ethnomusicologist*
>>>>>>>>> *schoolcraftwax.work <http://schoolcraftwax.work/>*
>>>>>>>>>
>>>>>>>>> On Dec 13, 2018, at 12:05, Joe Marougi <[email protected]> wrote:
>>>>>>>>>
>>>>>>>>> Her ā€œheart?ā€
>>>>>>>>>
>>>>>>>>> You mean her ā€œhateā€.
>>>>>>>>>
>>>>>>>>> She’s the biggest racist in this group and doesn’t even realize
>>>>>>>>> it.
>>>>>>>>>
>>>>>>>>> Her PhD probably stands for profound hate doctorate.
>>>>>>>>>
>>>>>>>>>
>>>>>>>>> On Thu, Dec 13, 2018 at 9:00 AM Martin Dust <
>>>>>>>>> [email protected]> wrote:
>>>>>>>>>
>>>>>>>>>> Red Bull don’t actually make anything, the drink itself is
>>>>>>>>>> licensed and manufactured by the original Thai licenser (Chaleo 
>>>>>>>>>> Yoovidhya).
>>>>>>>>>> Red Bull only exist to make money, somewhere around 6 Billion last 
>>>>>>>>>> time I
>>>>>>>>>> looked.
>>>>>>>>>>
>>>>>>>>>> All their labour goes into the brand, that’s why they buy out
>>>>>>>>>> edgy sports and events, they are after the front covers rather than 
>>>>>>>>>> paying
>>>>>>>>>> for advertising. This also helps keep up the claim of being an edgy
>>>>>>>>>> ā€œnon-marketed brandā€ - it cost a lot of money to do that.
>>>>>>>>>>
>>>>>>>>>> There target is always young kids, the next generation, pretty
>>>>>>>>>> easy when they have a 70% share of the market.
>>>>>>>>>>
>>>>>>>>>> My experience of them is they collect people, creditability and
>>>>>>>>>> ā€œthingsā€, they employ creative agencies to do the buying and not 
>>>>>>>>>> cheap
>>>>>>>>>> agencies either.
>>>>>>>>>>
>>>>>>>>>> I’m surprised that Denise has any support in her heart for people
>>>>>>>>>> who do this on a weekly basis.
>>>>>>>>>>
>>>>>>>>>> https://imgur.com/a/VfHYGjU
>>>>>>>>>>
>>>>>>>>>> > On 13 Dec 2018, at 16:58, [email protected] wrote:
>>>>>>>>>> >
>>>>>>>>>> > Moodymann just played Paisley Park and red bull had a hand in
>>>>>>>>>> arranging that. That’s good for Moodymann, who plays in Detroit a 
>>>>>>>>>> lot. So
>>>>>>>>>> that’s good for Detroit.
>>>>>>>>>> >
>>>>>>>>>> > Mike Banks should have been treated with way more fanfare and
>>>>>>>>>> better questions. But he gets to take that enormous, global stage. 
>>>>>>>>>> That’s
>>>>>>>>>> good for Mike Banks and good for Detroit.
>>>>>>>>>> >
>>>>>>>>>> >
>>>>>>>>>> >
>>>>>>>>>> > Denise Dalphond, Ph.D.
>>>>>>>>>> > ethnomusicologist
>>>>>>>>>> > schoolcraftwax.work
>>>>>>>>>>
>>>>>>>>>>

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