I would add Richard Savino to the list. He is very active and, in my view , 
quite successful.

Sent from my iPhone

On Aug 12, 2013, at 10:45 AM, William Samson <willsam...@yahoo.co.uk> wrote:

>   Hi Chris,
> 
>   With all due respect to Messrs  North, O'Dette,  Barto and
>   Smith ('NOBS' for short- sounds rude but better than 'SNOB' I think) ,
>   there are a LOT of younger lutenists who are every bit as good as they
>   were at that age.  What the younger ones lack is the immense experience
>   and judgement of the old guard ('old'?  Sheesh!  They're all younger
>   than me!).  When these guys were in their 20s they had few rivals.
>   Most of the older lutenists from the post-Dolmetsch era weren't the
>   greatest performers (Bream being an exception) though they were right
>   up there with their musicology and teaching ability.  The intervening
>   generation produced Rooley, Tyler, Bailes and of course Schaeffer and
>   Dombois - but that was about it* - so there were many more opportunites
>   for them than there are now.  That was still the case for the young
>   NOBSs.
> 
>   Nowadays, of course, there are very many more great quality lutenists
>   than there were forty years ago, but there's not nearly enough work to
>   go round to keep them all busy as concert performers.  Probably their
>   best hope of earning a crust is through teaching - either in academia
>   or with private students - and grabbing a performing opportunity when
>   it presents itself.
> 
>   I can't really see any way out of supply outstripping demand - 'the
>   economics of the market-place'.  Of course this makes it a cut-throat
>   business to be in; something nobody thinks about very much when they
>   enrol at college to study music.
> 
>   Bill
> 
>   *  Apologies for any names I have inadvertently omitted - old age, you
>   know . . .
>   From: Christopher Wilke <chriswi...@yahoo.com>
>   To: t...@heartistrymusic.com; lute@cs.dartmouth.edu; Stephen Stubbs
>   <fartrea...@gmail.com>
>   Cc: 'Stephen Stubbs' <fartrea...@gmail.com>
>   Sent: Monday, 12 August 2013, 15:00
>   Subject: [LUTE] Re: general public Lute awareness
>   Stephen,
>       I think you are correct. This is essentially what I was getting at
>   about the concert fee for less-than-established artists. Paul O'Dette,
>   Hoppy Smith, Nigel North and Bob Barto are all about the same age. When
>   they were my age, they were already well regarded. Looking around,
>   however, I know of no lute players in my age group who have comparably
>   established reputations. Make no mistake: all of these guys are still
>   making interesting, vital music of the highest caliber. I hope and
>   expect they will continue to do so for many years to come.
>       But there has to be fertile ground to nourish a new guard, too. The
>   big guys may not be getting all they're worth, but, at the fees offered
>   to the second string players, concertizing can be downright unfeasible.
>   If players can't get out in front of people, it is hard to build a
>   following. Once the four players mentioned at the top of this message
>   become less active, will there be players to take their places?
>   Chris
>   Dr. Christopher Wilke D.M.A.
>   Lutenist, Guitarist and Composer
>   www.christopherwilke.com
>   --------------------------------------------
>   On Mon, 8/12/13, Stephen Stubbs <[1]fartrea...@gmail.com> wrote:
>   Subject: [LUTE] Re: general public Lute awareness
>   To: [2]t...@heartistrymusic.com, [3]lute@cs.dartmouth.edu
>   Cc: "'Stephen Stubbs'" <[4]fartrea...@gmail.com>
>   Date: Monday, August 12, 2013, 9:24 AM
>   [Stephen]
>   There is an interesting book by Phyllis Tickle entitled The
>   Great
>   Emergence.  It deals with modern Christianity and how
>   it is evolving.
>   I think her main theme applies to the lute world as
>   well.  The
>   'traditionalist' or 'fundamentalist' lute group will
>   decline, and a
>   rise of a 'hybrid' (Phyllis had another term for this, but
>   I've
>   forgotten what it was) lute group will occur.  If not,
>   the lute will
>   slowly fade away.
>   The lute world needs to reach out to the non-traditional
>   audience.
>   The SCA and the followers of Sting are a prime resource that
>   should be
>   cultivated and encouraged.
>   For What It's Worth
>   "The Other" Stephen Stubbs
>   Champaign, IL   USA
>   "Those who desire to give up freedom in order to gain
>   security will
>   not have, nor do they deserve, either one."
>   Benjamin Franklin (American Statesman, Scientist,
>   Philosopher,
>   Printer, Writer, and Inventor. 1706-1790)
>   -----Original Message-----
>   [Tom]   Are we trying creatively to increase
>   general audience for lute
>   music here, or are we practicing exclusivity? I'm looking at
>   SCA and
>   Ren Faires solely as a group of potential music buyers. Why
>   not
>   encourage the interest and point it in the right direction?
>   To get on or off this list see list information at
>   [5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 
>   --
> 
> References
> 
>   1. mailto:fartrea...@gmail.com
>   2. mailto:t...@heartistrymusic.com
>   3. mailto:lute@cs.dartmouth.edu
>   4. mailto:fartrea...@gmail.com
>   5. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 


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