Forty years ago the continuo section of an early music performance hardly ever 
featured a finger-plucked instrument.
The theorbo and archlute have since then become 'standard', providing bread and 
butter work for competent continuo players.

Miles
 
On 2013-08-12, at 10:45 AM, William Samson wrote:

> Nowadays, of course, there are very many more great quality lutenists
>   than there were forty years ago, but there's not nearly enough work to
>   go round to keep them all busy as concert performers.  Probably their
>   best hope of earning a crust is through teaching - either in academia
>   or with private students - and grabbing a performing opportunity when
>   it presents itself.


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