Re: [313] mills silliness
In a message dated 10/3/00 3:27:38 PM, [EMAIL PROTECTED] writes: >Jeff lives in Chicago? > >I thought he moved to Berlin??? > > Chicago is his headquarters but he has a place in Berlin also for when he is abroad. I'm not sure why he doesn't play in Chicago but I can find out. =) G l y p h
Re: [313] Back On Topic Please!
In a message dated 10/3/00 8:48:44 AM, [EMAIL PROTECTED] writes: >> Dickweed > > > >This is what he should be called anyhow... A bit like > >Judge (family) Jewels and Carl Cocks > > > >Nick(Dj Pacific:) > > Hey now, "Carl Cocks" is where I draw the line, bro. Carl is one of very few who can cater to many audiences. His sets can vary from progressive clubby house all the way to banging techno. It is he who drove the crowd mad at MotorDetroit this past spring (I think it was), who kicked a** at the Tresor club in Berlin to another capacity crowd during Love Parade weekend...not to mention Love Parade itself to a tune of 2.5 million people. Those Germans do NOT play around, they know good music. He's a nice, witty guy and every time I've heard him play, he's never let me down. And besides, at least he's out there doing something. G l y p h
regis vs. female
my friends booked regis and female for a show down here last october. due to technical difficulties...only regis got to perform but they said both karl and pete were there and i did see two british guys behind the mixer. as for either of them being richard harvey, thats still up in the air but from what i saw regis and female are two different people -v _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
PUNISH
Anyone have a link to punish's website? do they even have one? I need the dominatrix track, but I need to find out the volume #. mike d.
RE: [313] shameless plug, (was Absract Fusion 2 comp.)
W! Chicago this weekend! I'm adding it to my shopping list. Fred From: Nathan DeYonker <[EMAIL PROTECTED]> To: "Batory, Jason" <[EMAIL PROTECTED]>,"'*** ASKEW'" <[EMAIL PROTECTED]> CC: "'313'" <313@hyperreal.org> Subject: RE: [313] shameless plug, (was Absract Fusion 2 comp.) Date: Tue, 03 Oct 2000 14:00:05 -0400 Glory be! track listing and audio clips of this are up. http://www.deep4life.com/deeper.html :) n8 --On Friday, September 29, 2000 1:38 PM +0800 "Batory, Jason" <[EMAIL PROTECTED]> wrote: Keep an eye out for the next Deep4Life compilation named "Deep South Experience" which will feature Ewan and also Justin Zerbst and another local lad whom I can't recall at the moment. Will undoubtably be top class stuff, as always from D4L. Respect JasonB > Make sure you check out the talent of Ewan Jansen, Odara and the Red > Ember > > crew (straight outta Perth). These guys are producing some damn fine > house > > music... keep your eyes peeled for more vinyl releases in the near > future. > > Damn* Ewan... 'Busted' wasn't on the demo you sent me! > You holding out on me? :) And what's the scoop on Odara? > > > cheers > ~Askew > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] mills silliness
Email him and ask him [EMAIL PROTECTED] =) Lorie On Tue, 3 Oct 2000, Joel Fernandez wrote: > > > -- > > From: [ ma-Li*-a ] <[EMAIL PROTECTED]> > > > AnywaysI'm just jealous that any of you ever get to see him spin. > > Well, I'm just upset that he hasn't played in Chicago considering he lives > and works here. The only opportunities that I would get to see him is when > he plays in Toronto. Is there an explanation why he doesn't play out in > Chicago? > > Ciao, > > Joel > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
kida-last one
a well written review of... http://allmusic.com/cg/x.dll?p=amg&sql=A500567 d np:milesdavis greatexpectations _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
carl craig track id
And once again, the nervemeister has to come to help with a track ID... It's The world is coming down by Different Gear. And you're right...it is Sting... it was actually a Police bootleg, but when they heard it, they just allowed the makers to go ahead, and it became a legal track, now ain't that nice... @ your service, Nerve. >Date: Tue, 03 Oct 2000 00:06:58 CDT >To: 313@hyperreal.org >From: "ryan burns" <[EMAIL PROTECTED]> >Subject: carl craig track id >Message-ID: <[EMAIL PROTECTED]> >the other day i heard this carl craig live mix, he starts out with ST. >GERMAIN. He played this track with vocals that sound like the pop artist >STING, i think.. the vocals say "the world is going down" or something like >that. does anyone know what it is?
Re: [313] mills silliness
Jeff lives in Chicago? I thought he moved to Berlin??? Five
Re: [313] mills silliness
LOL.
Re: [313] mills silliness
-- > From: [ ma-Li*-a ] <[EMAIL PROTECTED]> > AnywaysI'm just jealous that any of you ever get to see him spin. Well, I'm just upset that he hasn't played in Chicago considering he lives and works here. The only opportunities that I would get to see him is when he plays in Toronto. Is there an explanation why he doesn't play out in Chicago? Ciao, Joel
Re: [313] mills silliness
>I'm sure it wasn't to throw records away, more rather it was to
> contain them for easy recovery after a set...
maybe he has a big pillow down in the bottom and then he has someone
standing back there placing the records in their proper sleeves.
AnywaysI'm just jealous that any of you ever get to see him spin.
I didn't even get to see Richie @ 1015.
damn...only one more year... :|
stay true
[love]
Malia
-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -
:}*{: "No sane man will dance."
- Marcus Tullius Cicero :}*{:
[EMAIL PROTECTED]
AIM: m0n4lis4
ICQ: 89418118
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Re: [313] Re: DJ sillyness
> Could it be some sort of sperstar djs trend? > it seems lika an urban legendlike albino alligators in the sewers LOL i've seen algorithm do the same thing, i.e. chuck the played records into a pile on a third (non-functional) deck when he was done with them. glyn
Re: [313] web sites
peter mueller wrote: > > www.force-inc.com > > www.kompakt-net.de > > www.klang-elektronik.de > > don't know about chain reaction. There is no official Chain Reaction label site, but there are these: http://www.hardwax.com (the Berlin record store that many of the Basic Channel / Chain Reaction crew are associated with) http://home.snafu.de/circonium/music/cr.html - the best source of information about Chain Reaction. Check out the rest of the Circonium site, too, for interviews, other BC/CR-related labels, and more: http://home.snafu.de/circonium/ Hope this helps, Bill
who was that masked man?
In a message dated 03/10/00 00:54:02 GMT Daylight Time, [EMAIL PROTECTED] writes: > according to an old Magic Feet compilation(Magic Trax 2 ) > Richard Harvey = Female > the last Female lp also sounded close to some User stuff to me Right. The mystery gets deeper. So, Richard Harvey is really Dean Cole, but he's also Female (as well as User). BUT, Female is Pete Sutton but that is really just an alter ego of Karl O'Connor, who is also Regis. I'm truly confused now... Is Dean Cole/Richard Harvey/User - and possibly Female as well - from Birmingham as well? I'll bet its all just one guy laughing himself to death over our silly trainspotterish need to know. I'm gonna grab shaggy and scooby and hop in the the mystery machine for a quick drive, to unmask the true culprit behind all this naming nonsense. Micheal Knight
Claude Young ID help...
I have an older mix tape by Mr. Young called "DEXIT", it's one of those bootleg looking ones, with a pink sticker label... Anyways, I am interested in, well, in all the tracks on the first side. These tracks are all pretty recognizable... thanks if anyone has any input at all... darw_n "create, demonstrate, toneshift..." http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com
Re: [313] web sites
www.force-inc.com www.kompakt-net.de www.klang-elektronik.de don't know about chain reaction. peter -Original Message- From: strider <[EMAIL PROTECTED]> To: 313@hyperreal.org <313@hyperreal.org> Date: Tuesday, October 03, 2000 8:43 PM Subject: [313] web sites >hi, does anyone know if any of the following labels have web sites, >chain-reaction, kompact, klang, force inc germany, > >any links would be very much appreciated :) > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] >
web sites
hi, does anyone know if any of the following labels have web sites, chain-reaction, kompact, klang, force inc germany, any links would be very much appreciated :)
RE: [313] mills silliness
>From my experience its a big waste of all important DJ time trying to find the sleeve that the record came out of, putting the record in the sleeve, putting the record back in my box... I tend to stack them and then sort out everything once I have finished my set. joseph [teknz i:o] ]From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] ] i was there too, but didnt see any barrel. however i have ]heard from some people that he is known for dropping aq track ]then tossing it over his shoulder. i thought it was for ]entertainment purposes...maybe not. must be nice to have such ]an extensive record collection. ] ]jealous ]-Original Message- ]From: FC3 Richards [mailto:[EMAIL PROTECTED] } ]I saw juan atkins do something close to that too...he would ]take the records ]out of the sleeves and play them and then toss them on the floor in a ]pile...2 piles actually. one for the sleeves and one for the ]vinyl...i wish ]i had all those records so that i didn't have to take care of ]my either...it ]could have been because he was really stoned... ]jeff ]
Re: [313] mills silliness
>>. i thought it was for entertainment purposes...maybe not. I am pretty sure it's that putting the record away is too time consuming, with Mills, that's something that I can understand. So if there indeed a barrel, I'm sure it wasn't to throw records away, more rather it was to contain them for easy recovery after a set... darw_n "create, demonstrate, toneshift..." http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com
Re: [313] mills silliness
well, i think the only reason for doing so is due to the speed of mixing. it saves a lot of time (but obviously not good for the records). peter -Original Message- From: [EMAIL PROTECTED] <[EMAIL PROTECTED]> To: 313@hyperreal.org <313@hyperreal.org> Date: Tuesday, October 03, 2000 8:14 PM Subject: RE: [313] mills silliness > i was there too, but didnt see any barrel. however i have heard from some people that he is known for dropping aq track then tossing it over his shoulder. i thought it was for entertainment purposes...maybe not. must be nice to have such an extensive record collection. > >jealous > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] >
RE: [313] mills silliness
i was there too, but didnt see any barrel. however i have heard from some people that he is known for dropping aq track then tossing it over his shoulder. i thought it was for entertainment purposes...maybe not. must be nice to have such an extensive record collection. jealous
Re: [313] website for Larry Heard
Try: http://www.33rpm.com/larryheard/ It's an official site, I think. Jonny. > is there a good website for Larry Heard and his catalog???
Re: [313] website for Larry Heard
http://www.33rpm.com/larryheard/larryheard.html http://home.att.net/~alleviated/index.html/ Original Message Follows From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] website for Larry Heard Date: Tue, 3 Oct 2000 13:42:18 EDT is there a good website for Larry Heard and his catalog??? thanks, five - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
RE: [313] shameless plug, (was Absract Fusion 2 comp.)
Glory be! track listing and audio clips of this are up. http://www.deep4life.com/deeper.html :) n8 --On Friday, September 29, 2000 1:38 PM +0800 "Batory, Jason" <[EMAIL PROTECTED]> wrote: Keep an eye out for the next Deep4Life compilation named "Deep South Experience" which will feature Ewan and also Justin Zerbst and another local lad whom I can't recall at the moment. Will undoubtably be top class stuff, as always from D4L. Respect JasonB > Make sure you check out the talent of Ewan Jansen, Odara and the Red > Ember > > crew (straight outta Perth). These guys are producing some damn fine > house > > music... keep your eyes peeled for more vinyl releases in the near > future. > > Damn* Ewan... 'Busted' wasn't on the demo you sent me! > You holding out on me? :) And what's the scoop on Odara? > > > cheers > ~Askew >
RE: [313] mills silliness
yeah that was the event! LOL.no barrel huh?i did really see it(i was sober too). you could only get a glimpse of it from the side balconies. it was probably just a random thing that was on stage and he was just chucking records that skipped into it. funny. unless he has it in his contract, " two turntables, one 909, one large trash barrel" :oD > -Original Message- > From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED] > Sent: Tuesday, October 03, 2000 12:44 PM > To: [EMAIL PROTECTED]; 313@hyperreal.org > Subject: Re: [313] mills silliness > > I saw him there in August but I didn't see a barrel
Re: [313] website for Larry Heard
is there a good website for Larry Heard and his catalog??? thanks, five Try http://www.33rpm.com/larryheard/intro.html J. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Reaktor documents...
Anyone have a site that has the reaktor program documents... I have to admit, there are a few things I am stumped on with this program... darw_n "create, demonstrate, toneshift..." http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com
website for Larry Heard
is there a good website for Larry Heard and his catalog??? thanks, five
Unwind in A2
http://www.chromedecay.org/unwind/ _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] artists/loot
I'm wondering how many electronic artists (especially in the US ), have full time jobs (not related to their music). Larry Heard works for a radio station in Memphis...but that should be common knowledge by now. Fred _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] mills silliness
I saw him there in August but I didn't see a barrel
Re: DJ sillyness
Could it be some sort of sperstar djs trend? it seems lika an urban legendlike albino alligators in the sewers LOL || Web Developer || [EMAIL PROTECTED] || || www.deepend.it || "If we never looked at things and thought what they might be, we'd still be in the tall grass with the apes." Deepend Roma s.r.l. Via C.A. Racchia, 4 - 00195 Roma - ITALY T +39 06 37 51 23 58 F +39 06 37 51 23 26
FW: [313] artists/loot
> I know that Steve Poindexter owns his own security company (i can't > remember who told me this, Vidal possibly??). aparently that ghetto mofo > doesn't make enough money through D-Jax and from spinning at parties to > make it...that might explain why all of his records sound like they were > recorded 10 years ago...even the new ones. > jeff > > > > > -Original Message- > > From: Perry, Jeff [SMTP:[EMAIL PROTECTED] > > Sent: Tuesday, October 03, 2000 5:34 AM > > To: 313@hyperreal.org; [EMAIL PROTECTED] > > Subject:[313] artists/loot > > > > I'm wondering how many electronic artists (especially in the US ), have > > full > > time jobs (not related to their music). What do you think? After > reading > > todd sines' article about the music business on hyperreal ( and various > > other > > sources) It seems as though it is extremely tough to make enough money > to > > support yourself. > > > > I'm not talking about support like, " See my brand new > > Analogamaticuberfilter XK6, it matches the color on my BMW ." > > I mean support like, " Damn, I guess I'm eating macaroni and > > cheese...AGAIN (staring a a box of newly pressed vinyl and > > wondering if.. just in case, vinyl is edible) > > > > It seems for the up and coming artists money would play a big factor > > in breaking out. It can cost alot of money to press your own records, > buy > > equipment, move out of your mom's house, etc. > > > > > > Anyway I was wondering if anyone out there wondered about the same > thing. > > > > > > peace > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] mills silliness
I saw juan atkins do something close to that too...he would take the records out of the sleeves and play them and then toss them on the floor in a pile...2 piles actually. one for the sleeves and one for the vinyl...i wish i had all those records so that i didn't have to take care of my either...it could have been because he was really stoned... jeff > -Original Message- > From: David Gillies [SMTP:[EMAIL PROTECTED] > Sent: Tuesday, October 03, 2000 8:30 AM > To: John Shipman; 313@hyperreal.org > Subject: Re: [313] mills silliness > > > The closest I've seen to this is when I saw DJ Krush a couple of years > back. > On the stage that he was playing on, he had a pretty darn large pile, no > heap, of records, out of their covers, just thrown there in a big heap. He > would rummage through them to find what he wanted, and when he was > finished > playing them, he would just throw them back onto to the floor. >
Sound Sheets
You know, those magazine inserts that you can play on your record players. Anyone know where I could get some produced? Thanks Joe _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Re: PS => Tom Churchill in Singapore and Taipei
Hey all, >He won't respond for a bit coz he's off sunning himself at the Big Chill >in Naxos. That's if he ever gets there due to the ferry sinking before >his posse got to Athens to catch it. Well for sure He will be in town here in SIngapore and Taipei to rock some asses BIG time with his wicked deejay set for sure. I am for sure be one of those on the floor grooving away!!! Check out the website for details at www.fluid-mix.com for the parties that Tom will be playing. Your friend in SIngapore, Collin
Re: [313] Kid A
agreed. agreed. there's nothing better than when a group progresses naturally than skipping steps-esp. with the "electronic rock" sound. radiohead is one of those groups that have mastered the art of progression and thank god finally a group who made the move to a more electronic driven area with taste and skill-in true radio head fashion. I was happy to hear National Anthem too-shows they can still rock out. for those who can't wait I believe there are tracks on mp3crackhouse.com (if they are still up?) and *gasp* Napster.;) d cs:unwind. From: "Dr. Nick Riviera" <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: [313] Kid A Date: Tue, 03 Oct 2000 09:59:35 EDT I had the joy of purchasing the new Radiohead album last night. Highly recommended and I guarentee is destined to be looked upon as a classic album. Worth every penny. Peace, Kyeo _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] mills silliness
> records. i could swear i saw him finishing a mix and throwing the records in > the barrel more than once. did anybody else see this? i found this quite > amusing, and i want that barrel:) The closest I've seen to this is when I saw DJ Krush a couple of years back. On the stage that he was playing on, he had a pretty darn large pile, no heap, of records, out of their covers, just thrown there in a big heap. He would rummage through them to find what he wanted, and when he was finished playing them, he would just throw them back onto to the floor. Aaargh! It was painful to watch. out. dave.
Re: [313] Kid A
I absolutely second that. Somebody's been listening to Autechre in that band. Great record. There's one track on the new album that reminds me of an old Ersatz Audio track. I've been a close follower of this band for years (one of the few rock groups I enjoy) and they never seem to let me down. Kyeo _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Kid A
I had the joy of purchasing the new Radiohead album last night. Highly recommended and I guarentee is destined to be looked upon as a classic album. Worth every penny. Peace, Kyeo I absolutely second that. Somebody's been listening to Autechre in that band. Great record. j _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
So what ever happened to.....
the 313 list t-shirts? I remember lots of discussion, but did anything ever come of it? out jim (who doesn't really need *another* t-shirt, but..)
Kid A
I had the joy of purchasing the new Radiohead album last night. Highly recommended and I guarentee is destined to be looked upon as a classic album. Worth every penny. Peace, Kyeo _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] who stole the soul?
Nick wrote: I don't wanna discuss the politics that's all. Ppl get hurt, we all know about it, it's gonna be a touchy area until ppl stop pointing out the differences and start pointing out the similarities. We're all the same, you know that... It's why Muslims and Jews are at each others throats in Jerusalem. Yeah someone needs to tell those people they're worshiping the same God. Good point about the differences vs. similarities, though. Kinda like is the glass half full or half empty, you can look at either way. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Back On Topic Please!
> Dickweed This is what he should be called anyhow... A bit like Judge (family) Jewels and Carl Cocks Nick(Dj Pacific:) __ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/
Re: [313] techno David Hasselhoff albums...
How much you want fer it? Nick(Dj Pacific:) Ps. I'm serious BTW. --- FRED MCMURRY <[EMAIL PROTECTED]> wrote: > Re: > >Whooohooo!!! Is this stuff available on vinyl??;) > > It didn't make the AMG list but I do happen to have > a really rockin' electro > piss-take of the Knight Rider theme tune along with > three other Knight Rider > related tunes with KITT in the title...the single is > acutally called Michael > Knight and it has some hip-house style rapping... > I couldn't pass it up! > > Fred > > > >From: Nick Walsh <[EMAIL PROTECTED]> > >To: Diana Potts <[EMAIL PROTECTED]> > >CC: 313@hyperreal.org > >Subject: Re: [313] Swedish Techno > >Date: Mon, 2 Oct 2000 06:40:37 -0700 (PDT) > > > > > Hmmm...this brings a whole new light to those > David > > > Hasselhoff albums... > > > > > > http://allmusic.com/cg/x.dll?p=amg&sql=B142889 > > > >Whooohooo!!! Is this stuff available on vinyl??;) > > > >Nick (Dj Pacific:) > > > >__ > >Do You Yahoo!? > >Yahoo! Photos - 35mm Quality Prints, Now Get 15 > Free! > >http://photos.yahoo.com/ > > > >- > >To unsubscribe, e-mail: > [EMAIL PROTECTED] > >For additional commands, e-mail: > [EMAIL PROTECTED] > > > > _ > Get Your Private, Free E-mail from MSN Hotmail at > http://www.hotmail.com. > > Share information about yourself, create your own > public profile at > http://profiles.msn.com. > __ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/
Re: [313] carl craig track id
on 10/3/00 1:06 AM, ryan burns at [EMAIL PROTECTED] wrote:
> He played this track with vocals that sound like the pop artist
> STING, i think.. the vocals say "the world is going down" or something like
> that. does anyone know what it is?
You're probably describing the recent remix, but the original is the Police,
from their 1980 release, Zenyatta Mondatta. This album has always had a
place in producers' hearts ("Voices Inside My Head" anyone?)
--
There4IM
Re: [313] who stole the soul?
> the idea is that techno has difficulty gathering a > large listening audience because it defies strict > boundaries and racial identities (i.e. it contains > both "black" and "white" elements.) Yeah, I like that... a sound with no race connected. I mean a black guy invented techno as we know it, right? Doesn't mean he owns it tho... I guess... What about asian ppl, they do a heck of a lot for music and stuff:) I don't wanna discuss the politics that's all. Ppl get hurt, we all know about it, it's gonna be a touchy area until ppl stop pointing out the differences and start pointing out the similarities. We're all the same, you know that... It's why Muslims and Jews are at each others throats in Jerusalem. l8r, Nick (Dj Pacific:) Ps. Hard house sux... LOL;) __ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/
DJ Mag top 100
sorry in advance if someone has already posted a message similiar to this, if you have the time why dont you go to www.djmag.com and vote for your top 5 dj's it would be great if we had some techno dj's getting near the top for a change and beating those judge jules and lish lashes fools here is what i voted 1. Ben Sims 2. Jeff Mills 3. Surgeon 4. Richie Hawtin 5. Space Djz _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
mills silliness
don't know why i'm thinking of this but i am so.the last time i saw mills(limelight) he had a large size trash barrel in back of him near his records. i could swear i saw him finishing a mix and throwing the records in the barrel more than once. did anybody else see this? i found this quite amusing, and i want that barrel:)
Re: [313] artists/loot
Seems like right around 94-96 it started to become much more of a full-time job, at least among Detroit's producers. Of course it helps if you have a healthy string of DJ bookings. -d I'm wondering how many electronic artists (especially in the US ), have full time jobs (not related to their music). What do you think? After reading todd sines' article about the music business on hyperreal ( and various other sources) It seems as though it is extremely tough to make enough money to support yourself. I'm not talking about support like, " See my brand new Analogamaticuberfilter XK6, it matches the color on my BMW ." I mean support like, " Damn, I guess I'm eating macaroni and cheese...AGAIN (staring a a box of newly pressed vinyl and wondering if.. just in case, vinyl is edible) It seems for the up and coming artists money would play a big factor in breaking out. It can cost alot of money to press your own records, buy equipment, move out of your mom's house, etc. Anyway I was wondering if anyone out there wondered about the same thing. peace - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
artists/loot
I'm wondering how many electronic artists (especially in the US ), have full time jobs (not related to their music). What do you think? After reading todd sines' article about the music business on hyperreal ( and various other sources) It seems as though it is extremely tough to make enough money to support yourself. I'm not talking about support like, " See my brand new Analogamaticuberfilter XK6, it matches the color on my BMW ." I mean support like, " Damn, I guess I'm eating macaroni and cheese...AGAIN (staring a a box of newly pressed vinyl and wondering if.. just in case, vinyl is edible) It seems for the up and coming artists money would play a big factor in breaking out. It can cost alot of money to press your own records, buy equipment, move out of your mom's house, etc. Anyway I was wondering if anyone out there wondered about the same thing. peace
RE: [313] Re: Moodymann in NYC
> Moodymann was passing out records?
> Oh no.
> Someone please supply a tracklisting
> and label # on this, unless it is the
> Peacefrog 095-1 promo ("Don't You
> Want My Love" b/w "Me and My People's
> Eyes"). I finally get the Grassroots 12"
> info, think the damn KDJ discography is
> done, and then
I would highly recommend the new Moodymann on Peacefrog, i just bought it
last week and it is 'buy on sight'.
[EMAIL PROTECTED]
Re: [313] techno David Hasselhoff albums...
you actually have this? I heard DMX crew play it a while ago at the orbit and it rocked like a coked-up romanian orphan, how much do you want for it?? Seth It didn't make the AMG list but I do happen to have a really rockin' electro piss-take of the Knight Rider theme tune along with three other Knight Rider related tunes with KITT in the title...the single is acutally called Michael Knight and it has some hip-house style rapping... I couldn't pass it up! Fred _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Tory techno
From today's Guardian newspaper, discussing the new stage props and backdrops to be used at this year's Conservative Party conference >which starts today: And, in a further change to get pacemakers racing, string quartets >have been replaced with rousing techno music. < Somehow I doubt it... I reckon this techno is probably Massive Attack's "Unfinished Sympathy" which they have used before without consultation. AFAIK the band are now seeking legal advice because of the unsolicited and unwanted political association... Mind you if W.Hague's drinking habits continue to increase (32 Rum & Coke's anyone?) he'll have been a smiley t-shirt crackwhore raver before long, with fond memories of the song from his time at all the best Bristol sound systems... Seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
tHE WORLD IS RUNNING DOWN TRACK id
It was a bootleg that originaly came out around the Mimami Winter Conference. Now it has been released officially on Pagan. It is Different Gear Vs. The Police : When The World Is Running Down. JayCee
RE: [313] R. Harvey explanation?
I think these are all just cases of identity chrisis...how many names has Juan Atkins recorded under??? Kevin Saunderson??? he's the man of a million names... jeff > -Original Message- > From: Charles Prince [SMTP:[EMAIL PROTECTED] > Sent: Monday, October 02, 2000 10:25 AM > To: janos > Cc: 313 > Subject: [313] R. Harvey explanation? > > Interesting. But, does this 'Dean Cole' do everything under a pseudonym? I > only mention this because: > > 1. Regis: Gymnastics (Downwards) credits Richard Harvey with the > photograph > 2. V/A: Hard Education (Downwards) states that 2 Female tracks are > "written by R. Harvey" > 3. Female: Angel Plague (Downwards) credits the layout & design to R. > Harvey > > BTW, the (all-User) Serial Scratch mix cd is well worth picking up. > > Wes > > On Mon, 2 Oct 2000, janos wrote: > > > Hi again friends... > > > > Dean Cole AKA Richard Harvey AKA User records, first came into contact > with > > music while attending various heavy blues parties. His uncle operated > the > > legendary ROADBLOCK Sound System. The ACID HOUSE explosion of 88 took > hold > > of the fifteen year olds imagination and was soon experimenting with > Cheap > > keyboards & drum machines. Various trips to New York brought another > > influence the mighty 'Franky Bones', creating sampling brought new > > possibilities to Cole's approach to making music. He purchased a > sampler > > and began to utilize rhythms and sounds from various sources to create > heavy > > up-to date trax with tip off the hat to the early innovators of dance > > electronica. Dean Cole prefers to remain in the background giving max > > respect to the originators. While people may criticize his methods, > there is > > no argument to the power of his trax on the dance floor. > > > > It really is a case of 'Shut Up and Dance'. > > > > And once again: It's all here... > > User records http://www.sonox.com/label.box?id=CO397760e6cd224 > > 00A http://www.sonox.com/label.box?id=CO3977616c75a67 > > Corrsion http://www.sonox.com/label.box?id=CO39775e70b3c77 > > > > > > Peace > > janos > > > > > > > > > > > And I believe that richard harvey is also an alias... > > > > > > At 11:39 PM -0700 10/1/00, john holmes wrote: > > > >richard harvey is not richie hawtin, richard harvey is > > > >from london, he is also know as "user" which is some > > > >of his latest work. the user tracks are the ones that > > > >appear on the decks, efx, & 909 disc. > > > > > > > >hopefully this brings some clarity to you. > > > >troy > > > > > > > >__ > > > >Do You Yahoo!? > > > >Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! > > > >http://photos.yahoo.com/ > > > > > > > >- > > > >To unsubscribe, e-mail: [EMAIL PROTECTED] > > > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: [313] R. Harvey explanation?
From: "Carissa Tintinalli" <[EMAIL PROTECTED]> > Question: I picked up a white label a few weeks ago with "DW 009" > etched on the insidewould it be a Downwards release? > no it's the(excelent) Endow ep on dow recds e,r
Re: [313] BT / Software music
and of course thay use reaktor!!! Christian Bloch www.mp3.com/bloch Tresor/Funque Droppings/LL/Simple Muzik/Deep Night Essentials - Original Message - From: "Ryan Heard" <[EMAIL PROTECTED]> To: "313 List" <313@hyperreal.org> Sent: Tuesday, October 03, 2000 3:39 AM Subject: RE: [313] BT / Software music > Naa.. it's Max/MSP... even says so on their site. www.cycling74.com > > Ryan Heard > > -Original Message- > From: richard [mailto:[EMAIL PROTECTED] > Sent: Monday, October 02, 2000 5:39 PM > To: 313@hyperreal.org > Subject: Re: [313] BT / Software music > > > I read an article in Wire about monolake a long time ago where they say that > they use a program for the Mac > called Minimal Structure. I did a bunch of searches for it at the time but > couldn't find it anywhere. Does > anyone know anything about this program? > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] Fw: [313] R. Harvey explanation?
no, downwards 12" is called LINO and lps are called DNLP Christian Bloch www.mp3.com/bloch Tresor/Funque Droppings/LL/Simple Muzik/Deep Night Essentials - Original Message - From: "Carissa Tintinalli" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Monday, October 02, 2000 11:21 PM Subject: Re: [313] Fw: [313] R. Harvey explanation? > > > >richard harvey is not regis/female to my knowledge. but here's the >scoop, > >a well-kept secret. karl o'conner - to many known as regis - >is also pete > >sutton - to many known as female. he owns and runs >downwards. > > Question: I picked up a white label a few weeks ago with "DW 009" > etched on the insidewould it be a Downwards release? > > Thanks in advance, > > Carissa > _ > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. > > Share information about yourself, create your own public profile at > http://profiles.msn.com. > >
Re: [313] ms player, was: richard harvey explanation
darw_n wrote: > > > There are four of Richie's tracks on the DE9 CD; these being the four > > Orange mixes (Orange/Minus 1, Orange/Minus 2, Minus/Orange 2 and > > Minus/Orange 1). I don't know if the MS player pulls track info from > > CDDB or what, but like many Microsoft products it's obviously > > producing erroneous results. > > That's what I thought to, but every CD I put in, is completely accurate, my > Cure CD's (don't laugh) actually have the year next to each track... > > No, the data is certainly entered in like that... > > I am very curious about this... > now seems like microsoft isn't into electronic music, right? anyway, methinks it's just some plain cddb thing and somebody didn't want to type in all the track names correctly. or then again, this might be conspiracy against m$.. ;) /> sakke -- work> http://www.teraflops.com/ personal> http://www.vip.fi/~sakke/
Re: [313] ESI Festival Lansing
..Another former Record Time employee... ;) Never heard him play. HP ~ [EMAIL PROTECTED] wrote: > who is this kevin reynolds guy playing live at this event? > any good? > > /aril > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] carl craig track id
that does sound like Sting.
carl craig track id
the other day i heard this carl craig live mix, he starts out with ST. GERMAIN. He played this track with vocals that sound like the pop artist STING, i think.. the vocals say "the world is going down" or something like that. does anyone know what it is? _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] planned dj sets, derrick may
I am curious about two things here... > too much rigidity and analysis right there! how so? >if you don't have da funk, you > don't have the funk. period. havin' da funk means you can transcend ANY > musical category / genre, and adapt to ANY situation, without need for > practice, nor analysis. But what happens when you have the funk AND a brain?? Look, obviously your right on that aspect, BUT I can not seem to understand why people are so against looking deeper into this music. I mean every art movement has had intellectual bent, but for some reason, that is appalling to us... why? anyways, whats the scoop about DEMF? Does anyone think the magic can roll over to next year? darw_n "create, demonstrate, toneshift..." http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com
Re: [313] Re: Moodymann in NYC
hey but I want that one too!!!
Re: [313] Re: Moodymann in NYC
this record says "Analog Live" on one side and "Rehearsals 8/8/00" I'm guessing it's a promo peace, five
Re: Moodymann in NYC
Moodymann was passing out records?
Oh no.
Someone please supply a tracklisting
and label # on this, unless it is the
Peacefrog 095-1 promo ("Don't You
Want My Love" b/w "Me and My People's
Eyes"). I finally get the Grassroots 12"
info, think the damn KDJ discography is
done, and then
Matt
Re: [313] planned dj sets, derrick may
too much rigidity and analysis right there! if you don't have da funk, you don't have the funk. period. havin' da funk means you can transcend ANY musical category / genre, and adapt to ANY situation, without need for practice, nor analysis. when you guyz complain about millz / may et al, you must realize that they usually travel wit the same 2 boxes: they ain't doin' no "sultan of brunei - let's test out theze mothas' baggage handling systemz". imagine, if they could take a container of records with them..[ and, if derrick could take hiz entire wardrobe], tha serious damage these brothaz would do! too much analysis killz any other skillz you may possess - you gotta FEEL!. the same deal applies to sex. out. bond. - Original Message - From: "darw_n" <[EMAIL PROTECTED]> To: "tristan watkins" <[EMAIL PROTECTED]>; "Jim Bishop" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, October 03, 2000 1:40 PM Subject: Re: [313] planned dj sets, derrick may > My opinion of this is that I feel it depends on your approach, either you > playing for the dance, or your playing on a more fluid and compositional > level... > > If your playing primarily towards the dancers, than you need to be able to > shift directions at any given time. > > But if your more of the "here's my thought" type of DJ, playing for the > composition, than a set is often more appealing... > > The best ones of coarse flip around. Playing their piece in-between > segments of playing the dancers piece... > > I carry what I call my "book marked" pieces, in which three or so records > simple *must* be together, then I vary those chunks around... > > But if the "set" is amazing, then by all means, play the set. > > darw_n > > "create, demonstrate, toneshift..." > http://www.mp3.com/darw_n > http://www.sphereproductions.com/topic/Darwin.html > http://www.mannequinodd.com > > - Original Message - > From: "tristan watkins" <[EMAIL PROTECTED]> > To: "Jim Bishop" <[EMAIL PROTECTED]>; <313@hyperreal.org> > Sent: Monday, October 02, 2000 5:18 PM > Subject: Re: [313] planned dj sets, derrick may > > > > Most of the time he seems to be working from the same > > crate, if you will, and maybe has a few new records > > thrown in. I can't really get tired of it though. He > > does it so damn well. > > > > Now, I'm probably bating more flame, but I like to > > plan my sets within reason, and I've been spining > > vinyl for over six years. I think I posted about this > > a long time ago, and the reaction was not too good, > > especially from a Detroit audience. My problem is > > this: I am not a professional DJ. I have limited time, > > particularly when I'm focusing on making music, so > > when I practice before I spin out, I like to try and > > get an idea of the set I'm going to play. Sometimes > > I'll try to work out two distinct house and techno > > sets, and sort of merge them together when I play live > > in a new way, using a lot of the same songs. It gives > > me a way to practice mixing the songs I'm going to > > play without becoming too repetitive for me as a DJ, > > and the end result still allows me to have some > > flexibility to respond to the crowd, my whim or time > > sudden time constraints. > > > > I *would* shoot from the hip all the time if I had > > that luxury. But I've got lots of records, I like to > > play different records every time I spin (it's a rare > > song that I play out more than three or four times), > > and when I don't have a lot of time to practice I > > "forget" records, and it shows through in my mixing. I > > think any good DJ will tell you that you need to know > > your records. Practicing in this way is how I get > > re-acclimated to the records I hope to play, and helps > > me sound that much better. I don't think that's such a > > bad thing, even if it might kill *some* of the > > spontanaeity towards the beginning of my sets. And > > even if I've heard some of the set, no one else has, > > which in my mind is key. > > > > Tristan > > > > --- Jim Bishop <[EMAIL PROTECTED]> wrote: > > > what is the general concensus on laying out your > > > whole set ahead of > > > time. I think every time i have seen derrick may > > > play he has played the > > > > > > same tracks in the same order for the mostpart. > > > Here at the esi fest in > > > > > > lansing i swear he played the same set as the demf > > > (for the most part). > > > not to show any disrespect but you even see those > > > guys out there with > > > pitch speeds and other records listed. to an extent > > > its cool when your > > > picking up skills but what if your the "inovator". > > > I myself feel > > > inclined to play what come to mind, granted a couple > > > of > > > steady mixes, is'nt that what makes a dj an artist? > > > jim > > > > > > > > > > > - > > > To unsubscribe, e-mail: > > > [EMAIL PROTECTED] > > > For additional commands, e-mail: > > > [EMAIL PROT
Re: [313] BT / Software music
That site has to be the funniest thing i've seen in a long time. Very unique presentation! I loved it. I downlaoded the demo of the M software to check out. Looks like a pretty cool program. Ryan Heard wrote: > Naa.. it's Max/MSP... even says so on their site. www.cycling74.com > > Ryan Heard > > -Original Message- > From: richard [mailto:[EMAIL PROTECTED] > Sent: Monday, October 02, 2000 5:39 PM > To: 313@hyperreal.org > Subject: Re: [313] BT / Software music > > I read an article in Wire about monolake a long time ago where they say that > they use a program for the Mac > called Minimal Structure. I did a bunch of searches for it at the time but > couldn't find it anywhere. Does > anyone know anything about this program? > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] -- To listen to my latest songs go to: http://www.mp3.com/dickrichards Also check out the station "orgone accumulator" for minimal techno and ambient pieces. http://www.mp3.com/stations/orgone_accumulator
Re: [313] Back On Topic Please!
And supershere.com would be the new brand of panty hoes that Derrick may is marketing. :) Sorry... Tristan == PHONOPSIA<[EMAIL PROTECTED]> http://www.geocities.com/SunsetStrip/Lounge/5102 "FrogboyMCI" on AOL Instant Messenger New Album, "Québécois", online now. -Original Message- From: Kyle J Dupuy <[EMAIL PROTECTED]> To: tristan watkins <[EMAIL PROTECTED]> Cc: 313@hyperreal.org <313@hyperreal.org> Date: Monday, October 02, 2000 9:27 PM Subject: Re: [313] Back On Topic Please! > >> So, hoping to actually get back to 313, I checked out >> supershere.com as suggested recently, and there are >> some nice sets from Carl Craig, Derrick May, Colette, >> Derrick Carter, Mouse On Mars and others. Well worth a >> visit. > >its actually >supersphere.com>kyle > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
Re: [313] The Mayday Mix
That would be the version released though Ministry of Sound (UK). And I believe it's the same mix. Tristan == PHONOPSIA<[EMAIL PROTECTED]> http://www.geocities.com/SunsetStrip/Lounge/5102 "FrogboyMCI" on AOL Instant Messenger New Album, "Québécois", online now. -Original Message- From: David Hampson <[EMAIL PROTECTED]> To: [EMAIL PROTECTED] <[EMAIL PROTECTED]>; 313 List <313@hyperreal.org> Date: Monday, October 02, 2000 5:45 PM Subject: Re: [313] The Mayday Mix >> >> Remember kids, inspect those used CD's carefully! >> > >I bought the cd new but it was from a place I couldn't take it back to >conveniently! > >> Yes it does exist. And it's worth finding. >> >> Derrick May Mix-Up vol. 5 AKA "The Mayday Mix" >> Sony Music Japan, 1997 cat# 487565 2 > >The one I (don't) have is a UK issue so whether or not it is the same mix I >don't know - there are 32 tracks in the mix beginning with Derrick May/Tyree >Cooper - Maydays Intro and ending with Silent Phase - Meditive Fusion (Kenny >Larkin mix)... > >BABY DIDDY > > >- Original Message - >From: <[EMAIL PROTECTED]> >To: "David Hampson" <[EMAIL PROTECTED]>; "313 List" <313@hyperreal.org> >Sent: Monday, October 02, 2000 8:49 PM >Subject: Re: [313] The Mayday Mix > > >> on 10/1/00 3:16 AM, David Hampson at [EMAIL PROTECTED] wrote: >> >> > This was a 1997 Derek May mix cd I looked around for a long time to >find, >> > and when I found one it turned out that what it contained was software >for >> > AOL. >> >> Remember kids, inspect those used CD's carefully! >> >> > Does anyone know if it actually exists >> >> Yes it does exist. And it's worth finding. >> >> Derrick May Mix-Up vol. 5 AKA "The Mayday Mix" >> Sony Music Japan, 1997 cat# 487565 2 >> -- >> There4IM >> >> > > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
RE: [313] BT / Software music
Naa.. it's Max/MSP... even says so on their site. www.cycling74.com Ryan Heard -Original Message- From: richard [mailto:[EMAIL PROTECTED] Sent: Monday, October 02, 2000 5:39 PM To: 313@hyperreal.org Subject: Re: [313] BT / Software music I read an article in Wire about monolake a long time ago where they say that they use a program for the Mac called Minimal Structure. I did a bunch of searches for it at the time but couldn't find it anywhere. Does anyone know anything about this program?
New 7th City releases
Anyone know who produced 7th City 14 & 16? I just noticed them both listed as white labels. Respect JasonB
Re: [313] Back On Topic Please!
> So, hoping to actually get back to 313, I checked out > supershere.com as suggested recently, and there are > some nice sets from Carl Craig, Derrick May, Colette, > Derrick Carter, Mouse On Mars and others. Well worth a > visit. its actually >supersphere.com
RE: [313] nsc/ron murphy
Did I miss something? What happened with nsc/ron? PEace, Patrick. _ Patrick Wacher Webmaster/Operations beenz.com New York . London . San Francisco . Tokyo . Paris . Sydney . Hong Kong . Singapore . Rome . Stockholm . -Original Message- From: et machina [mailto:[EMAIL PROTECTED] Sent: Saturday, 30 September 2000 2:58 AM To: 313@hyperreal.org Subject: RE: [313] nsc/ron murphy what's the latest word? hoping for the best, j _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] planned dj sets, derrick may
My opinion of this is that I feel it depends on your approach, either you playing for the dance, or your playing on a more fluid and compositional level... If your playing primarily towards the dancers, than you need to be able to shift directions at any given time. But if your more of the "here's my thought" type of DJ, playing for the composition, than a set is often more appealing... The best ones of coarse flip around. Playing their piece in-between segments of playing the dancers piece... I carry what I call my "book marked" pieces, in which three or so records simple *must* be together, then I vary those chunks around... But if the "set" is amazing, then by all means, play the set. darw_n "create, demonstrate, toneshift..." http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com - Original Message - From: "tristan watkins" <[EMAIL PROTECTED]> To: "Jim Bishop" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Monday, October 02, 2000 5:18 PM Subject: Re: [313] planned dj sets, derrick may > Most of the time he seems to be working from the same > crate, if you will, and maybe has a few new records > thrown in. I can't really get tired of it though. He > does it so damn well. > > Now, I'm probably bating more flame, but I like to > plan my sets within reason, and I've been spining > vinyl for over six years. I think I posted about this > a long time ago, and the reaction was not too good, > especially from a Detroit audience. My problem is > this: I am not a professional DJ. I have limited time, > particularly when I'm focusing on making music, so > when I practice before I spin out, I like to try and > get an idea of the set I'm going to play. Sometimes > I'll try to work out two distinct house and techno > sets, and sort of merge them together when I play live > in a new way, using a lot of the same songs. It gives > me a way to practice mixing the songs I'm going to > play without becoming too repetitive for me as a DJ, > and the end result still allows me to have some > flexibility to respond to the crowd, my whim or time > sudden time constraints. > > I *would* shoot from the hip all the time if I had > that luxury. But I've got lots of records, I like to > play different records every time I spin (it's a rare > song that I play out more than three or four times), > and when I don't have a lot of time to practice I > "forget" records, and it shows through in my mixing. I > think any good DJ will tell you that you need to know > your records. Practicing in this way is how I get > re-acclimated to the records I hope to play, and helps > me sound that much better. I don't think that's such a > bad thing, even if it might kill *some* of the > spontanaeity towards the beginning of my sets. And > even if I've heard some of the set, no one else has, > which in my mind is key. > > Tristan > > --- Jim Bishop <[EMAIL PROTECTED]> wrote: > > what is the general concensus on laying out your > > whole set ahead of > > time. I think every time i have seen derrick may > > play he has played the > > > > same tracks in the same order for the mostpart. > > Here at the esi fest in > > > > lansing i swear he played the same set as the demf > > (for the most part). > > not to show any disrespect but you even see those > > guys out there with > > pitch speeds and other records listed. to an extent > > its cool when your > > picking up skills but what if your the "inovator". > > I myself feel > > inclined to play what come to mind, granted a couple > > of > > steady mixes, is'nt that what makes a dj an artist? > > jim > > > > > > > - > > To unsubscribe, e-mail: > > [EMAIL PROTECTED] > > For additional commands, e-mail: > > [EMAIL PROTECTED] > > > > > __ > Do You Yahoo!? > Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! > http://photos.yahoo.com/ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
Re: [313] Moby
Fair enough ... I just put in my .02 about his age to counteract the "doctoring" of his image. see, I didn't even mention his name, er pseudonym ... whatever. -d (reaching for his revolver) :P *enough* about Moby, please. We laid this to rest in 1993 on ne-raves in the fabled "Moby, go away" thread, after he showed up on alt.rave to whinge at those who were annoyed with his mimicking actually playing drumpads during his shows of that era, when it was all on DAT. So, let Moby be Moby, and let's move on. phred - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] BT / Software music
I read an article in Wire about monolake a long time ago where they say that they use a program for the Mac called Minimal Structure. I did a bunch of searches for it at the time but couldn't find it anywhere. Does anyone know anything about this program? Christian Bloch wrote: > monolake is on the developing team of native instruments, and they > practically use nothing BUT reaktor... > > Christian Bloch > www.mp3.com/bloch > > Tresor/Funque Droppings/LL/Simple Muzik/Deep Night Essentials > > - Original Message - > From: "Todd Gys" <[EMAIL PROTECTED]> > To: "'Jongsma, K.J.'" <[EMAIL PROTECTED]> > Cc: <313@hyperreal.org> > Sent: Monday, October 02, 2000 4:38 PM > Subject: RE: [313] BT / Software music > > > I've heard that some of the Chain Reaction peeps like monolake have run > > entire live PA's running only Reaktor and using a midi-knob controller to > > shape the sound. > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] -- To listen to my latest songs go to: http://www.mp3.com/dickrichards Also check out my station "orgone accumulator" for minimal techno and ambient pieces. http://www.mp3.com/stations/orgone_accumulator
Re: [313] Moby
*enough* about Moby, please. We laid this to rest in 1993 on ne-raves in the fabled "Moby, go away" thread, after he showed up on alt.rave to whinge at those who were annoyed with his mimicking actually playing drumpads during his shows of that era, when it was all on DAT. So, let Moby be Moby, and let's move on. phred
Re: [313] planned dj sets, derrick may
Most of the time he seems to be working from the same crate, if you will, and maybe has a few new records thrown in. I can't really get tired of it though. He does it so damn well. Now, I'm probably bating more flame, but I like to plan my sets within reason, and I've been spining vinyl for over six years. I think I posted about this a long time ago, and the reaction was not too good, especially from a Detroit audience. My problem is this: I am not a professional DJ. I have limited time, particularly when I'm focusing on making music, so when I practice before I spin out, I like to try and get an idea of the set I'm going to play. Sometimes I'll try to work out two distinct house and techno sets, and sort of merge them together when I play live in a new way, using a lot of the same songs. It gives me a way to practice mixing the songs I'm going to play without becoming too repetitive for me as a DJ, and the end result still allows me to have some flexibility to respond to the crowd, my whim or time sudden time constraints. I *would* shoot from the hip all the time if I had that luxury. But I've got lots of records, I like to play different records every time I spin (it's a rare song that I play out more than three or four times), and when I don't have a lot of time to practice I "forget" records, and it shows through in my mixing. I think any good DJ will tell you that you need to know your records. Practicing in this way is how I get re-acclimated to the records I hope to play, and helps me sound that much better. I don't think that's such a bad thing, even if it might kill *some* of the spontanaeity towards the beginning of my sets. And even if I've heard some of the set, no one else has, which in my mind is key. Tristan --- Jim Bishop <[EMAIL PROTECTED]> wrote: > what is the general concensus on laying out your > whole set ahead of > time. I think every time i have seen derrick may > play he has played the > > same tracks in the same order for the mostpart. > Here at the esi fest in > > lansing i swear he played the same set as the demf > (for the most part). > not to show any disrespect but you even see those > guys out there with > pitch speeds and other records listed. to an extent > its cool when your > picking up skills but what if your the "inovator". > I myself feel > inclined to play what come to mind, granted a couple > of > steady mixes, is'nt that what makes a dj an artist? > jim > > > - > To unsubscribe, e-mail: > [EMAIL PROTECTED] > For additional commands, e-mail: > [EMAIL PROTECTED] > __ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/
Re: [313] Moby
oh sh*tno pleaseI try to get out but they keep pulling me back in! All I have to say is this (directly quoted from page 109 of the Oct 2nd Time magazine): A SOUL TO KEEP by Julie Rawe "What's an eternal soul fetching these days? The one belonging to electronica artist MOBY went for a paltry $41 when it was auctioned last week on eBay by a former longtime friend. Indie-film director Paul Yates claims Moby has been selling out: all 18 songs on his platinum album, PLAY, have been licensed for use in commercials and TV shows ranging from Nissan ads to Dawson's Creek. Yates also alleges that Moby is trying to doctor his image: the musician is now distancing himself from Yates' upcoming comedy, PORNO, which includes a scene of Moby playing guitar with two sex toys strapped to his head. As executive producer, Moby no longer agrees with the film creatively, his manager says. And if the film never makes it to theaters, perhaps copies will pop up on eBay." Fred From: "J. S. Landau" <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: [313] Moby Date: Mon, 02 Oct 2000 16:12:42 -0400 Just thought this was an interesting piece of news I received about everyone's favorite artist. Courtesy of Sideline news. >Moby phones home >Mute succes Moby is to work together with John Williams, who composed the >soundtracks for toppers as "ET" and its predecessor "Close Encounters Of >The Third Kind". Moby and John will be composing the music for a brand new >computer game. The duo will also be writing the score for the cartoon >"Astro Knights", an animated series about aliens that live on the moon. >Moby, 28, will also be writing a special dance-track for an "Astro >Knights" character, the space pirate Bertha Budd. That dance-track will >most probably be issued as a single. Moby meets the king of orchestral pop music. Should be wonderful, really. Josh Landau phase 10, the grind WCBN-FM 88.3 FM, Ann Arbor www.wcbn.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Back On Topic Please!
What the hell is happening to 313? Why is it that a small minority of posts are 313 relevant and every post that starts on-topic meanders off in to Sweden or MTV? Please let's keep the flames, the tempers, the nazis and all the rest of that crap off list for a while and see if there is some content to be had. To try and get things stated, I'll provide a little story that shows all is not destroyed in the *world* of Detroit. I just moved to Baltimore and went to see 95 North and Lil Louis Vega in DC this last weekend with a couple of fellow 313ers. Due to laundry circumstances beyond my control, I was wearing my f*cktrance shirt from DEMF in what I presumed would be hostile [read: glow-stick infested] territory. Let me pre-empt flames from those who may have been involved with the making of the first shirts. Had I known, I would not have bought my rip-off, not that I don't like it still - it is a cool shirt. So anyway, I'm chillin' on the dancefloor, trying to get some dancing fuel in me, when a guy with an ear-to-ear grin wanders up pointing and laughing. Apparently the guy was from Detroit, he had a posse of Detroit-lovers with him, and knew the shirt from DEMF. All of this transpired in a city that's known for an absence of techno. I'm not really sure why that's relevant to on-topic discussions, but it's got to be better than hearing about Dickweed, BT, Moby or 313 race wars volume XII (which has been discussed ad nauseum, at two-month intervals for at least the last two years). This is not the right forum for a sophisticated discussion of race. It's a sensitive topic, and email is not the right medium for clear communication with strangers that may be half way around the globe. I'm sure there are a number of better forums in which to discuss it online. If nothing else, please take it private if you want to start a discussion about race in music. It has all been discussed here way too many times, usually at a more sophisticated level than what we've seen lately. Visit the archives if you don't believe me. Or better yet, I'm sure we could *all* learn some more about race if we took the time to read more books by the people who devote themselves to working out the most complex socal problems of our times. And for God's sake, if you think you're "right" about race, take a step back and realize it's like driving. Everybody think's their views about race are "right". Clearly, somebody's gotta be "wrong" if somebody's "right", and it could be you. So please, take that into consideration before you start flaming someone on this list who is probably on a completely different page of the racism learning curve. This is an international community after all and race relations are different everywhere. End rant. If anyone wants to flame me now, please take it private. That's my point anyway. So, hoping to actually get back to 313, I checked out supershere.com as suggested recently, and there are some nice sets from Carl Craig, Derrick May, Colette, Derrick Carter, Mouse On Mars and others. Well worth a visit. Focus! Tristan __ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/
planned dj sets, derrick may
what is the general concensus on laying out your whole set ahead of time. I think every time i have seen derrick may play he has played the same tracks in the same order for the mostpart. Here at the esi fest in lansing i swear he played the same set as the demf (for the most part). not to show any disrespect but you even see those guys out there with pitch speeds and other records listed. to an extent its cool when your picking up skills but what if your the "inovator". I myself feel inclined to play what come to mind, granted a couple of steady mixes, is'nt that what makes a dj an artist? jim
