Re: [313] domu+archive+neroli
---you'll find the latest news about the neroli and archive releases on www.neroli.it thanx e __ Do You Yahoo!? Send FREE video emails in Yahoo! Mail! http://promo.yahoo.com/videomail/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] WDET Top picks for 2001 and Top 300 Detroit artists
Ummm, what the subject header says :) http://wdetfm.org/content/special_feature.php I'm sure there's plenty of house and techno artists that are not on the list, but people here feel *should* be on the list, but in any case it's good to see Terrence Parker being mentioned (even if it is as a 'Techno DJ Producer' and not 'House DJ Producer'). Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] test - ignore this
[313] every dog vol 3
on the most recent Bent Crayon mailout: MILLSART: Every Dog Has Its Day Vol. 3 2x12 (AXIS). In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to reconize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day. jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Makes no sense whatsoever. Unfortunately Mills influenced a whole generation of producers to put this sort of gibberish on the back of their album sleeves. Jason Donnelly [EMAIL PROTECTED] on 08/01/2002 11:26:30 AM To: 313@hyperreal.org cc: Subject: [313] every dog vol 3 on the most recent Bent Crayon mailout: MILLSART: Every Dog Has Its Day Vol. 3 2x12 (AXIS). In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to reconize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day. jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Makes no sense whatsoever. i thought that, but then i thought maybe it was a zen trick to empty your mind. Unfortunately Mills influenced a whole generation of producers to put this sort of gibberish on the back of their album sleeves. what would you rather be written? hmm i think we (313) may have had this discussion before. :) robin... MILLSART: Every Dog Has Its Day Vol. 3 2x12 (AXIS). In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to reconize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] every dog vol 3
Great music, but I wish someone would deal with his grammar before publishing his notes. It's embarrassing. Might be due to the fact that they're usually put out by companies in countries where English is language II ... -Original Message- From: Jason Donnelly [mailto:[EMAIL PROTECTED] Sent: Tuesday, January 08, 2002 11:27 AM To: 313@hyperreal.org Subject: [313] every dog vol 3 on the most recent Bent Crayon mailout: MILLSART: Every Dog Has Its Day Vol. 3 2x12 (AXIS). In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to reconize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day. jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Yes, I think that we have been here before. Am I the only one who gets slightly irritated by people thanking God for their musical abilities? It's completely unnecessary. Besides, what the lord giveth, the lord taketh away. robin pinning [EMAIL PROTECTED] on 08/01/2002 11:45:11 AM Please respond to [EMAIL PROTECTED] To: [EMAIL PROTECTED] cc: Jason Donnelly [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] every dog vol 3 Makes no sense whatsoever. i thought that, but then i thought maybe it was a zen trick to empty your mind. Unfortunately Mills influenced a whole generation of producers to put this sort of gibberish on the back of their album sleeves. what would you rather be written? hmm i think we (313) may have had this discussion before. :) robin... MILLSART: Every Dog Has Its Day Vol. 3 2x12 (AXIS). In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to reconize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day. -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
Here's one I'll never forget: Blake Baxter presents '313' (Tresor, '96) Detroit as a city is a forgotten place but it can develop a new urban role... (or very close). That's Detroit as a city mind, not as a pumpkin. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, January 08, 2002 11:33 AM To: Jason Donnelly Cc: 313@hyperreal.org Subject: Re: [313] every dog vol 3 Makes no sense whatsoever. Unfortunately Mills influenced a whole generation of producers to put this sort of gibberish on the back of their album sleeves. Jason Donnelly [EMAIL PROTECTED] on 08/01/2002 11:26:30 AM To: 313@hyperreal.org cc: Subject: [313] every dog vol 3 on the most recent Bent Crayon mailout: MILLSART: Every Dog Has Its Day Vol. 3 2x12 (AXIS). In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to reconize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day. jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] --- --- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. === === - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
Here's one I'll never forget: Blake Baxter presents '313' (Tresor, '96) Detroit as a city is a forgotten place but it can develop a new urban role... (or very close). That's Detroit as a city mind, not as a pumpkin. not as a state of mind? :) robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
Very good. -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: Tuesday, January 08, 2002 11:58 AM To: Odeluga, Ken Cc: [EMAIL PROTECTED] Org Subject: RE: [313] every dog vol 3 Here's one I'll never forget: Blake Baxter presents '313' (Tresor, '96) Detroit as a city is a forgotten place but it can develop a new urban role... (or very close). That's Detroit as a city mind, not as a pumpkin. not as a state of mind? :) robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
I wasn't suggesting insincerity, just that if you believe in God (or a god) then it's between you and him, and there's no need to hand out the credits. Bit like a over-long Oscars acceptance speech. robin pinning [EMAIL PROTECTED] on 08/01/2002 12:04:06 PM Please respond to [EMAIL PROTECTED] To: [EMAIL PROTECTED] cc: Subject: Re: [313] every dog vol 3 Yes, I think that we have been here before. Am I the only one who gets slightly irritated by people thanking God for their musical abilities? It's completely unnecessary. Besides, what the lord giveth, the lord taketh away. it only irritates me if it seems insincere (cos eveyone does it to seem deep that particular artist does too), i guess if it's heartfelt then i don't mind. how you can tell if it's sincere or not i don't know :) robin... -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Well, since others are throwing around their opinions about this, I guess I'll toss mine out there. I enjoy writings like this. The concept of time and its existence have perplexed intelligent minds for forever (if forever exists). Without time there is no forever and with forever there is no need for time. Without forever there is time. If time exists, who created it--man or greater? What is the definition of existence? Does this email exist? Prove it! I know this sounds like a bunch of ranting about nothing, but topics such as this are interesting to me and many other people :) TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
The grammar isn't to the point where it bothers me.I'd have to read it directly from the record and not Jason's retyping it to actually analyze it though. Maybe Jeff should hire an editor to fend off grammatical analysts! ;) On Tue, 08 January 2002, robin pinning wrote: Well, since others are throwing around their opinions about this, I guess I'll toss mine out there. I enjoy writings like this. The concept of time and its existence have perplexed intelligent minds for forever (if forever exists). Without time there is no forever and with forever there is no need for time. Without forever there is time. If time exists, who created it--man or greater? What is the definition of existence? Does this email exist? Prove it! :) I know this sounds like a bunch of ranting about nothing, but topics such as this are interesting to me and many other people :) i'm with you, i think the grammer on mills stuff is a little irritating but i guess that must be deliberate. robin... TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] every dog vol 3
meant to say before everyone on the list hits the bent crayon site for a copy, 'every dog vol 3' was listed in the 'forth coming titles' section, so you might want to pre-order with John C to avoid the rush when its eventually released. also worth a mention, and ready to ship is: MR FINGERS: Amnesia 2LP (JACK TRAX). UK reissue of this Chicago house classic, originally issued in 1988; licensed from Trax, in original color sleeve. The classic Mr Fingers LP featuring all his finest early works. Tracklisting: A1 Can You Feel It, A2 Washing Machine, A3 Beyond The Clouds, B1 Slam Dance, B2 Stars, B3 Waterfalls, C1 Lets Dance All Night, C2 Bye Bye, C3 For So Long, D1 Amnesia, D2 Mystery Of Love, D3 The Juice. 16.99 jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] [MELBOURNE] HEADSPACE 02 saturday 19th jan
=== Kinda on topic as this is a very 313music friendly event it's in Melbourne Australia though.. === saturday 19th January 2002 H E A D S P A C E 02 the dub tech joint underground party returns dub room djs: delivering more bass-heavy slabs of theo retischecho laden dub glitch funk tech heaven. paluka dark networkentry rear of 467 victoria st abbotsford (melb) dj delayfrom 10:30pm - all night $10 entry. $7 concession. tech room djs: $7 if you email us at [EMAIL PROTECTED] bagsfor updates and discounts toupee filling the musical void for deep techno and humdrum pure dub. A small cosy warehouse party. zog an apparat/zog joint production more info at http://koan.net/headspace/ as it becomes available -- HEADSPACE 02 PARTY sat 19th jan http://koan.net/headspace/ zog music info at http://www.zog.net.au/ calg101 locked groove record now for sale! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
The grammar is not the point at all ... (but it is just as bad in the origianl notes as in the transcript, I'm afraid) The point is whether we really think Jeff is adding a great deal to the history of Western philosophy with all this? Of course the validity of temporality (or not), the beauty of the oppressed and rejected are noble topics and further, this is not to suggest there's some sort of elitism about who can make a point or write anything on a particular subject ... but at the end of the day (upon which a dog will have his) facile, primary school sentiments are easily recognisable as just that. -Original Message- From: T.J.Johnson [mailto:[EMAIL PROTECTED] Sent: Tuesday, January 08, 2002 1:17 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: [313] every dog vol 3 The grammar isn't to the point where it bothers me.I'd have to read it directly from the record and not Jason's retyping it to actually analyze it though. Maybe Jeff should hire an editor to fend off grammatical analysts! ;) On Tue, 08 January 2002, robin pinning wrote: Well, since others are throwing around their opinions about this, I guess I'll toss mine out there. I enjoy writings like this. The concept of time and its existence have perplexed intelligent minds for forever (if forever exists). Without time there is no forever and with forever there is no need for time. Without forever there is time. If time exists, who created it--man or greater? What is the definition of existence? Does this email exist? Prove it! :) I know this sounds like a bunch of ranting about nothing, but topics such as this are interesting to me and many other people :) i'm with you, i think the grammer on mills stuff is a little irritating but i guess that must be deliberate. robin... TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
... The Everydog Has It's Day CD edition out on Musicman last year was a different item? -Original Message- From: Jason Donnelly [mailto:[EMAIL PROTECTED] Sent: Tuesday, January 08, 2002 1:42 PM To: 313@hyperreal.org Subject: [313] every dog vol 3 meant to say before everyone on the list hits the bent crayon site for a copy, 'every dog vol 3' was listed in the 'forth coming titles' section, so you might want to pre-order with John C to avoid the rush when its eventually released. also worth a mention, and ready to ship is: MR FINGERS: Amnesia 2LP (JACK TRAX). UK reissue of this Chicago house classic, originally issued in 1988; licensed from Trax, in original color sleeve. The classic Mr Fingers LP featuring all his finest early works. Tracklisting: A1 Can You Feel It, A2 Washing Machine, A3 Beyond The Clouds, B1 Slam Dance, B2 Stars, B3 Waterfalls, C1 Lets Dance All Night, C2 Bye Bye, C3 For So Long, D1 Amnesia, D2 Mystery Of Love, D3 The Juice. 16.99 jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
The grammar is not the point at all ... (but it is just as bad in the origianl notes as in the transcript, I'm afraid) The point is whether we really think Jeff is adding a great deal to the history of Western philosophy with all this? hmm, does that matter? the text JM provides is surely just setting the stage for the music to follow. to get you in the right frame of mind to get (grok) what JM wants you to take from the music. robin... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
On Tue, 08 January 2002, Odeluga, Ken wrote: ... but at the end of the day (upon which a dog will have his) facile, primary school sentiments are easily recognisable as just that. Whoops! Recognizable. ;) So the point is, that whoever recognizes Jeff's discussion topics are smarter than he is? I don't get it. I'm probably missing your point. Anyways... One good thing about Jeff's grammar: He doesn't use a thesaurus when he writes. He actually may, but what I'm actually trying to say is, he doesn't use huge words that only 4 people use on a regular basis, just to try to sound intelligent. Grammar and vocabulary are not the only contributors to one's intelligence, as many of you know. So, to try to pick apart someone's brain and basing an opinion about his/her intelligence on grammar and discussion topic choice is just as elementary as Jeff's discussions about time/space theories. =) TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every dog vol 3
hmm, does that matter? the text JM provides is surely just setting the stage for the music to follow. to get you in the right frame of mind to get (grok) what JM wants you to take from the music. robin... I agree whole-heartedly! The text is there to try to get the listener into the same state of mind Jeff was in when he created the tracks, perhaps! He does a great job too. I don't think he is trying to prove to people how smart he thinks he is. Duh! I can't believe I just said Duh! Remember that from 6th grade all you Gen-Xers?!?!?! TJ www.wireframerecords.com www.mp313.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Is there anyone who...
...has a recordcompany on this list? Maybe interested in releasing my music perhaps? www.mp3.com/micaelforsberg or maybe give me som comments about my music or recordlabels that might find my music interesting. Best regards Micael Forsberg
Re: [313] every dog vol 3
I've actually been thinking about offering my services as a liner notes writer to detroit influenced artists. Taking the liner notes from EVERY DOG HAS ITS DAY away from the context of the album makes it even more apparent that techno artists need real writers if they are serious about taking their artform and making it into a long term life altering movement. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
time exists to organise the universe's knowlege -- Mensagem original --- De : Jason Donnelly [EMAIL PROTECTED] Para: 313@hyperreal.org Cc : Data: Tue, 08 Jan 2002 11:26:30 + Assunto : [313] every dog vol 3 on the most recent Bent Crayon mailout: MILLSART: Every Dog Has Its Day Vol. 3 2x12 (AXIS). In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to reconize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day. jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Boston Area 313'ers
I'm (Giles Dickerson / flatplastic.com) going to be spinning at the Phoenix landing on Mass Ave. in Central Square, Cambridge tomorrow night (Wednesday) and you can expect a healthy dose of all things deep, soulful, and mind altering. Expect a heavy swing in your thing. Check http://www.redlightproductions.com for more info - click on wednesdays (I did the fliers btw) - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) every dog vol 3
So what can we expect? Another 2 slabs of old, dusty tracks? W -Original Message- From: Jason Donnelly [EMAIL PROTECTED] at INET-1 Sent: Tuesday, January 08, 2002 11:26 AM To: 313@hyperreal.org at INET-1 Subject: [313] every dog vol 3 on the most recent Bent Crayon mailout: - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
I don't think that musicians need writers to transform their work into something that is more meaningful. Most music is equivocal, and it is this that has imbued it with so much power and meaning throughout history. If an artist wants some sort of narrative to their work, you'd expect that they would be able to string a few sentences together themselves. Lester Kenyatta Spence [EMAIL PROTECTED] on 08/01/2002 04:03:44 PM To: Jason Donnelly [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: [313] every dog vol 3 I've actually been thinking about offering my services as a liner notes writer to detroit influenced artists. Taking the liner notes from EVERY DOG HAS ITS DAY away from the context of the album makes it even more apparent that techno artists need real writers if they are serious about taking their artform and making it into a long term life altering movement. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
On Tue, 8 Jan 2002 [EMAIL PROTECTED] wrote: I don't think that musicians need writers to transform their work into something that is more meaningful. Most music is equivocal, and it is this that has imbued it with so much power and meaning throughout history. If an artist wants some sort of narrative to their work, you'd expect that they would be able to string a few sentences together themselves. Well yes and no. The bottom line is that the music should speak for itself...it really doesn't NEED notes right? I've got the cd, and it would've STILL been played at full blast for nine hours straight on the way home from the demf, without the notes. But if you're going to add another layer to it...why not use a WRITER? This is the jazz model more or less...and it works. Wynton Marsalis doesn't write his liner notes...Stanley Crouch does. Now in some cases the artist is a qualified writer in his/her own rightbut I'd argue that these cases are the minority. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
what´s the problem ? interesting thoughts - written in a simple understandable way - don´t know if someone else would write down those thoughts - language will be moving along and the advanced definitions of how people should communicate - seperating the classes will be gone tommorow so why you worry about this ? m planetz2002 -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
Well, yes I see your point. The same could be said for classical music. Very few musicians have presumed themselves to be good writers as well. But as a music enthusiast, I am interested in how the music came about, not in a set of imposed ideas about what the music means. alastair Lester Kenyatta Spence [EMAIL PROTECTED] on 08/01/2002 04:26:07 PM To: [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: [313] every dog vol 3 On Tue, 8 Jan 2002 [EMAIL PROTECTED] wrote: I don't think that musicians need writers to transform their work into something that is more meaningful. Most music is equivocal, and it is this that has imbued it with so much power and meaning throughout history. If an artist wants some sort of narrative to their work, you'd expect that they would be able to string a few sentences together themselves. Well yes and no. The bottom line is that the music should speak for itself...it really doesn't NEED notes right? I've got the cd, and it would've STILL been played at full blast for nine hours straight on the way home from the demf, without the notes. But if you're going to add another layer to it...why not use a WRITER? This is the jazz model more or less...and it works. Wynton Marsalis doesn't write his liner notes...Stanley Crouch does. Now in some cases the artist is a qualified writer in his/her own rightbut I'd argue that these cases are the minority. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
I think some people are slightly embarrassed by the futurist philosophy/mythology that sometimes informs techno and look upon it with the same disdain as punks did on some of the excesses of progressive rock, musical or otherwise. Personally, I like some decorations, so to speak...be they heartfelt, insightful, tongue-in-cheek or just plain pretentious rubbish. Its always intriguing at the very least. From: [EMAIL PROTECTED] To: Lester Kenyatta Spence [EMAIL PROTECTED] CC: 313@hyperreal.org Subject: Re: [313] every dog vol 3 Date: Tue, 8 Jan 2002 08:30:30 -0800 Well, yes I see your point. The same could be said for classical music. Very few musicians have presumed themselves to be good writers as well. But as a music enthusiast, I am interested in how the music came about, not in a set of imposed ideas about what the music means. alastair Lester Kenyatta Spence [EMAIL PROTECTED] on 08/01/2002 04:26:07 PM To: [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: [313] every dog vol 3 On Tue, 8 Jan 2002 [EMAIL PROTECTED] wrote: I don't think that musicians need writers to transform their work into something that is more meaningful. Most music is equivocal, and it is this that has imbued it with so much power and meaning throughout history. If an artist wants some sort of narrative to their work, you'd expect that they would be able to string a few sentences together themselves. Well yes and no. The bottom line is that the music should speak for itself...it really doesn't NEED notes right? I've got the cd, and it would've STILL been played at full blast for nine hours straight on the way home from the demf, without the notes. But if you're going to add another layer to it...why not use a WRITER? This is the jazz model more or less...and it works. Wynton Marsalis doesn't write his liner notes...Stanley Crouch does. Now in some cases the artist is a qualified writer in his/her own rightbut I'd argue that these cases are the minority. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
On Tue, 8 Jan 2002, james boylan wrote: I think some people are slightly embarrassed by the futurist philosophy/mythology that sometimes informs techno and look upon it with the same disdain as punks did on some of the excesses of progressive rock, musical or otherwise. You're right. Personally, I like some decorations, so to speak...be they heartfelt, insightful, tongue-in-cheek or just plain pretentious rubbish. I do too. I think it creates an overall vibe that I find enjoyable. Its always intriguing at the very least. I just wish it were done better. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ericfiedel
armin wrote: anyone heard the new eric and/or fiedel? comments? you mean the smith hack LP? when i heard it first i immediately thought: it's a _real_ cooperation of eric (errorsmith) and soundhack; a mixture of eric's rather experimental, harsh, sometimes industrial sounds, and soundhack's gorgeous cut-up disco/funk monster tracks __ the result is right in the middle of both. one or other of the tracks will work perfectly on the dancefloor; other tracks will make dancing people slow down and look confused. for me the music is just much fun to listen to, and i will love to play it here and there and see what happens :) see http://www.smith-n-hack.de/ for more details and short mp3's. ines -- http://www.circonium.de - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Mills' improvisational grammar
Currently between my shoulder blades: Theories and subjects of substance is the elementary element that fuels the minds within our axis. If publicly wearing such word salad at least once a week for three years isn't a sign of love I don't know what is . . . - Brian balistic Prince http://www.bprince.com - art and techno - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] test
[313] Metropolis film soundtrack
I'm sure this was covered already I got DVD copy of Metropolis, and want to synch up the Mills soundtrack to the film. The film is nearly 2 hours long, but the soundtrack is only 1 hour long. Any suggestions? Thanks in advance, Vince Woolums - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Metropolis film soundtrack
Mills took his own cuts and snips of the movie and his version was only an hour long. I don't think the Lang estate gave him the rights to put out his version, yet anyway. Nor do I think they were entirely happy with the parts he extended / cut out. There's an article my g-friend and i wrote after the screening of metropolis by mills here in nyc - http://www.pgeb.com/muzak/mills.html -pete -Original Message- From: Vince Woolums [mailto:[EMAIL PROTECTED] Sent: Tuesday, January 08, 2002 1:30 PM To: 313 List Subject: [313] Metropolis film soundtrack I'm sure this was covered already I got DVD copy of Metropolis, and want to synch up the Mills soundtrack to the film. The film is nearly 2 hours long, but the soundtrack is only 1 hour long. Any suggestions? Thanks in advance, Vince Woolums - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] test delete me
I said delete me NOW _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: FW: [313] every dog vol 3
On Tue, 8 Jan 2002, Odeluga, Ken wrote: Great music, but I wish someone would deal with his grammar before publishing his notes. It's embarrassing. Might be due to the fact that they're usually put out by companies in countries where English is language II ... Mills isn't stupid or illiterate. I've thought often I could punch up his pronouncements, but I believe he's saying exactly what he means to say. I thought his Every Dog 3 essay was actually pretty sneaky and clever. He's talking as directly as he can about what, to my mind, is the central theme of his music. Just because someone's writing is difficult doesn't mean it's bad. If you want to deal with artists who are easy to understand, check out David Lee Roth. If anyone wants me to annotate that little essay for them, I will. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
But if you're going to add another layer to it...why not use a WRITER? I don't know that we're supposed to take it that seriously. I think it's just supposed to come off as whimsical stoned nonsense. hire a copywriter, and then you just get *insincere* whimsical stoned nonsense. (please see backs of countless '60's psychedelic-era albums with 'hip' notes from the band's manager etc.) k - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] every dog v3
It is not an issue of Jeff Mills intelligence, it is a matter of style and art. The problem that I have always had with his notes is that it is a second rate attempt to write like Buckminster Fuller. The difference is that Fuller had a distinct and somewhat confusing style of discourse because he wanted to convey a very specific objective message about his experiences in 'universe'. Fuller's style might be harder to navigate at first, but once you understand the style it becomes a very elegant and direct way to communicate ideas. Mills on the other hand, writes in a style that might very well appear to be similar, but utterly lacks the directness and efficiency. There are definitely good ideas and concepts there, but they are all garbled and hidden by the affected writing style. If he really wanted to communicate ideas, he would do it as simply and as directly as possible. I have to agree with LKS on this one. If techno would like to be viewed as more than disposable culture, it really needs to properly curate itself. A good first step would be properly written liner notes that place the music in a historical context and provide a clear concept of what the music is about. Detroit does not have London and NYC to consistently lie about its cultural credibility through its mass media arms. There is no VH1 to pound the idea of the goodness and authenticity of Detroit in a way there is for classic rock. There will not be a Derrick May: Behind The Music in the US. I have to agree with LKS. I have read his posts to 313 and Afro-Futurism over the years and he is usually right on the money. As far a liner-note writers go, you could do a lot worse than LKS. Take care, Mike Taylor _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Track ID please
Hello dear 313'lers can anybody tell me which record Claude Young plays on the new Double Mix CD of Rok/Claude Young-Berlin,Detroit. It is number 10 of the Claude Young mix cd, right before he plays the Jeff Mills track. Thanx in advance Arne Arne Weinberg GROUND ZERO Rec. / STARBABY Rec. / PROPAGANDA Rec. ** - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] changing subscriptions
hi everyone-- can someone tell me how to change email addresses for this list? I'm having a ton of trouble resubscribing from a different account. any help is good. thanks, ken _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
The grammar is not the point at all ... (but it is just as bad in the origianl notes as in the transcript, I'm afraid) The point is whether we really think Jeff is adding a great deal to the history of Western philosophy with all this? Of course the validity of temporality (or not), the beauty of the oppressed and rejected are noble topics and further, this is not to suggest there's some sort of elitism about who can make a point or write anything on a particular subject ... but at the end of the day (upon which a dog will have his) facile, primary school sentiments are easily recognisable as just that. If you buy CDs to be touched deep down inside by the liner notes, you will most likely be disappointed. if you want to read about time and space, get a book by carl sagan or stephen hawking. turn to mills when you want hard techno. I personally think mills is being a bullshit artist because his writings sound a lot like your average guy trying to project intelligence through abstract CD liner rantings. dont get me wrong, he can write whatever he wants on cds and records, and I encourage him to do so. I just know better than to waste my time reading that wankery. remember, time and space = stephen hawking, banging techno = mills. I haven't slept in a while tho so I might just be grouchy :\ -Joe - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] changing subscriptions
At 21:27 8-1-02 +, kenneth taylor wrote: can someone tell me how to change email addresses for this list? I'm having a ton of trouble resubscribing from a different account. The only way is: - unsubscribe the old address - subscribe the new address On hyperreal there's no such tool like in Yahoogroups. Or you should write the moderator of this list and ask him politly to change your e-mail address. R. --- f:un[x]iun http://www.funxiun.com Weblog, Webcam, Technomusic and more ... --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
whaaa this is funny I remember a quote from Drexcya about why they give that much interviews (not) it's to cult or not to cult Mad'R jullie zijn een stelletje droogkloten zonder dat je het zelf door hebt - Original Message - From: [EMAIL PROTECTED] To: Lester Kenyatta Spence [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Tuesday, January 08, 2002 5:14 PM Subject: Re: [313] every dog vol 3 I don't think that musicians need writers to transform their work into something that is more meaningful. Most music is equivocal, and it is this that has imbued it with so much power and meaning throughout history. If an artist wants some sort of narrative to their work, you'd expect that they would be able to string a few sentences together themselves. Lester Kenyatta Spence [EMAIL PROTECTED] on 08/01/2002 04:03:44 PM To: Jason Donnelly [EMAIL PROTECTED] cc: 313@hyperreal.org Subject: Re: [313] every dog vol 3 I've actually been thinking about offering my services as a liner notes writer to detroit influenced artists. Taking the liner notes from EVERY DOG HAS ITS DAY away from the context of the album makes it even more apparent that techno artists need real writers if they are serious about taking their artform and making it into a long term life altering movement. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
It's usually sincerely meant. Why dhouldn't they? You don't have to read it, right? :) -- From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Re: [313] every dog vol 3 Date: Tue, 8 Jan 2002 10:43 PM Yes, I think that we have been here before. Am I the only one who gets slightly irritated by people thanking God for their musical abilities? It's completely unnecessary. Besides, what the lord giveth, the lord taketh away. robin pinning [EMAIL PROTECTED] on 08/01/2002 11:45:11 AM Please respond to [EMAIL PROTECTED] To: [EMAIL PROTECTED] cc: Jason Donnelly [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] every dog vol 3 Makes no sense whatsoever. i thought that, but then i thought maybe it was a zen trick to empty your mind. Unfortunately Mills influenced a whole generation of producers to put this sort of gibberish on the back of their album sleeves. what would you rather be written? hmm i think we (313) may have had this discussion before. :) robin... MILLSART: Every Dog Has Its Day Vol. 3 2x12 (AXIS). In time, all wrongdoings are eligible for correction. Even in the eye of a storm, we must endure the invalid as a objective fragment in the existence of mankind. Effortlessly, time passes over and onto, without you and without us. On it, we mark the acceptance of the new with the chance to begin again and give away the hand of the past, free of unadmissibles. Those who are punctual are thieves of time. Robbing from reserves of time that have been designated for nothing. In time, time tells truths or at least the truths you've been waiting for. Time is the oldest living thing we own. Its rate of speed is constant and in all, infinite. Some never have enough time, which are those people that are quick to reconize those who waste it. Is time or is it not? It has been said that seconds, minutes, hours, days, weeks, months, years, decades and centuries are just about all the average human can imagine and plan for. Millsart believes not. All that is needed to calculate is that 'one of these days is none of these days'. Now that you've read this, please be advised that Every Dog Has Its Day. -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every dog vol 3
i am not saying nothing about mills. but sagen and hawking? i would touch their stuff about time too. martin heidegger -time and being sounds better. or henri Bergson. *BTW* i am really like the music mills but it got nothing to do with that. A - Original Message - From: :P [EMAIL PROTECTED] To: Odeluga, Ken [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, January 08, 2002 11:30 PM Subject: Re: [313] every dog vol 3 The grammar is not the point at all ... (but it is just as bad in the origianl notes as in the transcript, I'm afraid) The point is whether we really think Jeff is adding a great deal to the history of Western philosophy with all this? Of course the validity of temporality (or not), the beauty of the oppressed and rejected are noble topics and further, this is not to suggest there's some sort of elitism about who can make a point or write anything on a particular subject ... but at the end of the day (upon which a dog will have his) facile, primary school sentiments are easily recognisable as just that. If you buy CDs to be touched deep down inside by the liner notes, you will most likely be disappointed. if you want to read about time and space, get a book by carl sagan or stephen hawking. turn to mills when you want hard techno. I personally think mills is being a bullshit artist because his writings sound a lot like your average guy trying to project intelligence through abstract CD liner rantings. dont get me wrong, he can write whatever he wants on cds and records, and I encourage him to do so. I just know better than to waste my time reading that wankery. remember, time and space = stephen hawking, banging techno = mills. I haven't slept in a while tho so I might just be grouchy :\ -Joe - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis film soundtrack
i don`t get how u can cut an hour from a film like metropolis a - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 'Vince Woolums' [EMAIL PROTECTED]; 313 List 313@hyperreal.org Sent: Tuesday, January 08, 2002 8:56 PM Subject: RE: [313] Metropolis film soundtrack Mills took his own cuts and snips of the movie and his version was only an hour long. I don't think the Lang estate gave him the rights to put out his version, yet anyway. Nor do I think they were entirely happy with the parts he extended / cut out. There's an article my g-friend and i wrote after the screening of metropolis by mills here in nyc - http://www.pgeb.com/muzak/mills.html -pete -Original Message- From: Vince Woolums [mailto:[EMAIL PROTECTED] Sent: Tuesday, January 08, 2002 1:30 PM To: 313 List Subject: [313] Metropolis film soundtrack I'm sure this was covered already I got DVD copy of Metropolis, and want to synch up the Mills soundtrack to the film. The film is nearly 2 hours long, but the soundtrack is only 1 hour long. Any suggestions? Thanks in advance, Vince Woolums - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis film soundtrack
As I understand it, they are making a longer version, so more music will be composed. It was originally done for possibly playing at a party as a backdrop. It works really well! -- From: Analog Headz [EMAIL PROTECTED] To: Grammenos, Peter [EMAIL PROTECTED], 'Vince Woolums' [EMAIL PROTECTED], 313 List 313@hyperreal.org Subject: Re: [313] Metropolis film soundtrack Date: Wed, 9 Jan 2002 9:19 AM i don`t get how u can cut an hour from a film like metropolis a - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 'Vince Woolums' [EMAIL PROTECTED]; 313 List 313@hyperreal.org Sent: Tuesday, January 08, 2002 8:56 PM Subject: RE: [313] Metropolis film soundtrack Mills took his own cuts and snips of the movie and his version was only an hour long. I don't think the Lang estate gave him the rights to put out his version, yet anyway. Nor do I think they were entirely happy with the parts he extended / cut out. There's an article my g-friend and i wrote after the screening of metropolis by mills here in nyc - http://www.pgeb.com/muzak/mills.html -pete -Original Message- From: Vince Woolums [mailto:[EMAIL PROTECTED] Sent: Tuesday, January 08, 2002 1:30 PM To: 313 List Subject: [313] Metropolis film soundtrack I'm sure this was covered already I got DVD copy of Metropolis, and want to synch up the Mills soundtrack to the film. The film is nearly 2 hours long, but the soundtrack is only 1 hour long. Any suggestions? Thanks in advance, Vince Woolums - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Simple Request
Greetings, Where can I purchase a DEMF 2000 poster? Any assistance would be greatly appreciated. Thanks in advance. Ciao, Joel Fernandez. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Metropolis film soundtrack
there are a few versions of metropolis around (including a colored version). i rented one that seemed to be maybe 1/2 hour longer than the cd. and for the most part i could kinda figure out when the music was in time. i thought the music was perfect for the movie too. i remember mention a while ago that it was gonna get a dvd release but i don't know if that's true or not. kaojyan As I understand it, they are making a longer version, so more music will be composed. It was originally done for possibly playing at a party as a backdrop. It works really well! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Detroit club drug culture in UK press
Excuse me, don't you mean 'real football'? Liverpool FC are hard as hell ;) - Original Message - From: Sunlight Data [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, January 07, 2002 12:18 PM Subject: Re: [313] Detroit club drug culture in UK press Anyway, the good small record shops are in the lower Haight -- Tweekin, Zebra, Open Mind -- and the cool bars like the Top, Niki's and Mad Dog in the Fog, where the expatriates from the UK and Ireland watch soccer (er, football) via satellite on the telly. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
