Re: [313] may's djing
I don't know about elsewhere but encores are traditional in Australia. It gives people the chance to give props to the DJ. If there's no screaming for encores, it's seen as a diss to the DJ. Jeff Mills, Derrick, Stacey, all have done them. And lo behold local DJs coming on after who don't give the DJ a chance to do them. Then it's ice grill time. People leave. -- From: David Gillies [EMAIL PROTECTED] To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] may's djing Date: Wed, 27 Feb 2002 12:41 PM To me the point of having a DJ is having someone create something over a matter of hours. So playing one record over the monitors seems a particularly bizarre way of doing an encore... He'd been playing overtime from what I remember. The security in the place turned off the sound system. The monitor was all that was running. Nobody wanted to go home. That was a seriously AWESOME night. Probably one of the best nights of my life. I doubt I'll ever experience anyting like that ever again. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] may's djing
I've seen DJs play overtime before, but an encore seems a bit bizarre to me considering that what a good DJ does can't be done in the few minutes an encore usually gets. At 12:41 PM 2/27/02 +1100, David Gillies wrote: To me the point of having a DJ is having someone create something over a matter of hours. So playing one record over the monitors seems a particularly bizarre way of doing an encore... He'd been playing overtime from what I remember. The security in the place turned off the sound system. The monitor was all that was running. Nobody wanted to go home. That was a seriously AWESOME night. Probably one of the best nights of my life. I doubt I'll ever experience anyting like that ever again. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] may's djing
I've seen DJs play overtime before, but an encore seems a bit bizarre to me considering that what a good DJ does can't be done in the few minutes an encore usually gets. Maybe encore is the wrong word. It was more like people wouldn't leave, just kept dancing, so he just kept playing. Security cut the sound. People still wouldn't leave, they wanted more It was that good a night people just wanted to keep dancing. He'd weaved his magic over the last 4 or 5 hours or whatever it was, and people were still entranced. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] touch:feb28:heckle jeckle:jan d
:touch /v/ to leave a mark or impression :thursday:[february 28] : :heckle jeckle :jan d : :the ghostly glass room: :sam valenti IV :rob theakston :matthew dear : :the necto :516 e. liberty, ann arbor :18+ 9p :www.thenecto.com : :coming up: :mar 07: misstress barbara - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing
I've never heard of a DJ getting an encore in the US, except for the Jeff Mills Liquid Room CD which I also thought was bizarre. The closest I've ever come was Doc Martin at Twilo sometime in 95 (right after it turned from the Sound Factory). They kept trying to turn on the lights and turn off the system and every time they did it he would throw on an even better record and everyone would start dancing and they'd turn the lights off for another 10 minutes or so. But I've never heard of a DJ getting an encore in this country at least. As I said in a previous email it seems very bizarre to me since it takes a good DJ hours to do anything worth listening to and I don't see how that can be replicated in a few minutes in an encore. I don't find the idea of a crowd wanting a DJ to continue strange - that was happened lots of times - but I find that people generally get annoyed if the music stops playing so that the DJ can bask in the glow of the crowd or the MC is announcing the DJs or anything like that. So here I think people would get more annoyed if a DJ stopped playing to wait for the crowd to ask them for an encore than if a local DJ kept the music going. Just something I found a bit strange. Eric At 12:40 PM 2/27/02 +1100, Cyclone Wehner wrote: I don't know about elsewhere but encores are traditional in Australia. It gives people the chance to give props to the DJ. If there's no screaming for encores, it's seen as a diss to the DJ. Jeff Mills, Derrick, Stacey, all have done them. And lo behold local DJs coming on after who don't give the DJ a chance to do them. Then it's ice grill time. People leave. -- From: David Gillies [EMAIL PROTECTED] To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] may's djing Date: Wed, 27 Feb 2002 12:41 PM To me the point of having a DJ is having someone create something over a matter of hours. So playing one record over the monitors seems a particularly bizarre way of doing an encore... He'd been playing overtime from what I remember. The security in the place turned off the sound system. The monitor was all that was running. Nobody wanted to go home. That was a seriously AWESOME night. Probably one of the best nights of my life. I doubt I'll ever experience anyting like that ever again. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing
Rob Hood in Toronto back in '98lights on still playing, he wouldn't leave no matter what was said..just kept playingneedless to say...SWEET Trevor Wilkes inyerear.com - Original Message - From: Eric Scuccimarra [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED]; 313 Detroit 313@hyperreal.org Sent: Tuesday, February 26, 2002 8:55 PM Subject: Re: [313] may's djing I've never heard of a DJ getting an encore in the US, except for the Jeff Mills Liquid Room CD which I also thought was bizarre. The closest I've ever come was Doc Martin at Twilo sometime in 95 (right after it turned from the Sound Factory). They kept trying to turn on the lights and turn off the system and every time they did it he would throw on an even better record and everyone would start dancing and they'd turn the lights off for another 10 minutes or so. But I've never heard of a DJ getting an encore in this country at least. As I said in a previous email it seems very bizarre to me since it takes a good DJ hours to do anything worth listening to and I don't see how that can be replicated in a few minutes in an encore. I don't find the idea of a crowd wanting a DJ to continue strange - that was happened lots of times - but I find that people generally get annoyed if the music stops playing so that the DJ can bask in the glow of the crowd or the MC is announcing the DJs or anything like that. So here I think people would get more annoyed if a DJ stopped playing to wait for the crowd to ask them for an encore than if a local DJ kept the music going. Just something I found a bit strange. Eric At 12:40 PM 2/27/02 +1100, Cyclone Wehner wrote: I don't know about elsewhere but encores are traditional in Australia. It gives people the chance to give props to the DJ. If there's no screaming for encores, it's seen as a diss to the DJ. Jeff Mills, Derrick, Stacey, all have done them. And lo behold local DJs coming on after who don't give the DJ a chance to do them. Then it's ice grill time. People leave. -- From: David Gillies [EMAIL PROTECTED] To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] may's djing Date: Wed, 27 Feb 2002 12:41 PM To me the point of having a DJ is having someone create something over a matter of hours. So playing one record over the monitors seems a particularly bizarre way of doing an encore... He'd been playing overtime from what I remember. The security in the place turned off the sound system. The monitor was all that was running. Nobody wanted to go home. That was a seriously AWESOME night. Probably one of the best nights of my life. I doubt I'll ever experience anyting like that ever again. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing
What they normally do is pull out a quirky record, or a favourite, something special - this is what I notice Derrick does. Stacey pulled out a drum 'n' bass record once, he dug real deep to find it. These were at the Innovator parties here and the promoter Richard M always instructed his staff to let the DJ go over if he wanted to and to allow them do an encore. It's a symbolic thing and it's a nice gesture - DJ etiquette!. It's in the context of the night. In text it may sound strange. It's not as naff as below, it's like the music stops, people holla, 'one more, one more' and the DJ finally relents and maybe plays a track or mixes for a few more minutes, this way the crowd thanks the DJ and the DJ thanks the crowd, it's about the love, man! It's often spontaneous and fits in with the mood of the night - especially when you consider at the end of a 3 hour set the loyal kids are remaining. I guess it depends on how you view the DJ - as a performer/shaman or just some MF playing records. -- From: Eric Scuccimarra [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED], 313 Detroit 313@hyperreal.org Subject: Re: [313] may's djing Date: Wed, 27 Feb 2002 12:55 PM I've never heard of a DJ getting an encore in the US, except for the Jeff Mills Liquid Room CD which I also thought was bizarre. The closest I've ever come was Doc Martin at Twilo sometime in 95 (right after it turned from the Sound Factory). They kept trying to turn on the lights and turn off the system and every time they did it he would throw on an even better record and everyone would start dancing and they'd turn the lights off for another 10 minutes or so. But I've never heard of a DJ getting an encore in this country at least. As I said in a previous email it seems very bizarre to me since it takes a good DJ hours to do anything worth listening to and I don't see how that can be replicated in a few minutes in an encore. I don't find the idea of a crowd wanting a DJ to continue strange - that was happened lots of times - but I find that people generally get annoyed if the music stops playing so that the DJ can bask in the glow of the crowd or the MC is announcing the DJs or anything like that. So here I think people would get more annoyed if a DJ stopped playing to wait for the crowd to ask them for an encore than if a local DJ kept the music going. Just something I found a bit strange. Eric At 12:40 PM 2/27/02 +1100, Cyclone Wehner wrote: I don't know about elsewhere but encores are traditional in Australia. It gives people the chance to give props to the DJ. If there's no screaming for encores, it's seen as a diss to the DJ. Jeff Mills, Derrick, Stacey, all have done them. And lo behold local DJs coming on after who don't give the DJ a chance to do them. Then it's ice grill time. People leave. -- From: David Gillies [EMAIL PROTECTED] To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] may's djing Date: Wed, 27 Feb 2002 12:41 PM To me the point of having a DJ is having someone create something over a matter of hours. So playing one record over the monitors seems a particularly bizarre way of doing an encore... He'd been playing overtime from what I remember. The security in the place turned off the sound system. The monitor was all that was running. Nobody wanted to go home. That was a seriously AWESOME night. Probably one of the best nights of my life. I doubt I'll ever experience anyting like that ever again. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] may's djing (was Lost - further details)
IMO You people are crazy. I live in Detroit and most any time I hear him spin or see him he's a total ass. I am not much for his DJing, maybe he just likes to be wasted when he DJs Detroit. allnight [EMAIL PROTECTED] 02/26/02 09:24 AM man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] may's djing
I've never heard of a DJ getting an encore in the US, except for the Jeff Mills Liquid Room CD which I also thought was bizarre. The closest I've ever come was Doc Martin at Twilo sometime in 95 (right after it turned from the Sound Factory). They kept trying to turn on the lights and turn off the system and every time they did it he would throw on an even better record and everyone would start dancing and they'd turn the lights off for another 10 minutes or so. Orlando Voorn got a (well deserved) standing ovation- well actually there were a lot of people falling about but I've never heard of a falling ovation- when he played in Glasgow last June Jason Brunton - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] (was) may's djing -now encore's
(I only ever give mho btw - before u strike up those flamethrowers!) The missed point here, possibly because of cultural differences is that an encore (and I'm only talking about Europe) has got very little to do with a dj being taken by surprise at the strength of feeling he's created - if s/he is any good at all, an encore is a thing which the spinner expects and an on-time finish is as sure a non-verbal 'did u like it?' as the actual question itself asked over talkover - now that WOULD be strange! -Original Message- From: Eric Scuccimarra [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 1:56 AM To: Cyclone Wehner; 313 Detroit Subject: Re: [313] may's djing I've never heard of a DJ getting an encore in the US, except for the Jeff Mills Liquid Room CD which I also thought was bizarre. The closest I've ever come was Doc Martin at Twilo sometime in 95 (right after it turned from the Sound Factory). They kept trying to turn on the lights and turn off the system and every time they did it he would throw on an even better record and everyone would start dancing and they'd turn the lights off for another 10 minutes or so. But I've never heard of a DJ getting an encore in this country at least. As I said in a previous email it seems very bizarre to me since it takes a good DJ hours to do anything worth listening to and I don't see how that can be replicated in a few minutes in an encore. I don't find the idea of a crowd wanting a DJ to continue strange - that was happened lots of times - but I find that people generally get annoyed if the music stops playing so that the DJ can bask in the glow of the crowd or the MC is announcing the DJs or anything like that. So here I think people would get more annoyed if a DJ stopped playing to wait for the crowd to ask them for an encore than if a local DJ kept the music going. Just something I found a bit strange. Eric At 12:40 PM 2/27/02 +1100, Cyclone Wehner wrote: I don't know about elsewhere but encores are traditional in Australia. It gives people the chance to give props to the DJ. If there's no screaming for encores, it's seen as a diss to the DJ. Jeff Mills, Derrick, Stacey, all have done them. And lo behold local DJs coming on after who don't give the DJ a chance to do them. Then it's ice grill time. People leave. -- From: David Gillies [EMAIL PROTECTED] To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] may's djing Date: Wed, 27 Feb 2002 12:41 PM To me the point of having a DJ is having someone create something over a matter of hours. So playing one record over the monitors seems a particularly bizarre way of doing an encore... He'd been playing overtime from what I remember. The security in the place turned off the sound system. The monitor was all that was running. Nobody wanted to go home. That was a seriously AWESOME night. Probably one of the best nights of my life. I doubt I'll ever experience anyting like that ever again. _ Chat with friends online, try MSN Messenger: http://messenger.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Back To May's djing - uncut opinions
An elaboration on 'total ass' would be helpful - it's quite hard to be a TOTAL ass in a DJ booth, there's really not much to do but play! Plus your experiences of him being 'wasted when he DJs Detroit' I eagerly await. -Original Message- From: Catherine Eberhardt [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 3:07 AM To: 313@hyperreal.org Subject: Re: RE: [313] may's djing (was Lost - further details) IMO You people are crazy. I live in Detroit and most any time I hear him spin or see him he's a total ass. I am not much for his DJing, maybe he just likes to be wasted when he DJs Detroit. allnight [EMAIL PROTECTED] 02/26/02 09:24 AM man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] Back To May's djing - uncut opinions
-Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 9:10 AM To: Catherine Eberhardt; [EMAIL PROTECTED] Org Subject: RE: [313] Back To May's djing - uncut opinions An elaboration on 'total ass' would be helpful - it's quite hard to be a TOTAL ass in a DJ booth, there's really not much to do but play! Plus your experiences of him being 'wasted when he DJs Detroit' I eagerly await. -Original Message- From: Catherine Eberhardt [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 3:07 AM To: 313@hyperreal.org Subject: Re: RE: [313] may's djing (was Lost - further details) IMO You people are crazy. I live in Detroit and most any time I hear him spin or see him he's a total ass. I am not much for his DJing, maybe he just likes to be wasted when he DJs Detroit. allnight [EMAIL PROTECTED] 02/26/02 09:24 AM man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: RE: [313] may's djing (was Lost - further details)
thats your opinion and fair enough but a bit harsh don't you think? I mean he's allowed to do what he wants , he mnay think your a total ass...and thats his opinion :) -Original Message- From: Catherine Eberhardt [mailto:[EMAIL PROTECTED] Sent: 27 February 2002 03:07 To: 313@hyperreal.org Subject: Re: RE: [313] may's djing (was Lost - further details) IMO You people are crazy. I live in Detroit and most any time I hear him spin or see him he's a total ass. I am not much for his DJing, maybe he just likes to be wasted when he DJs Detroit. allnight [EMAIL PROTECTED] 02/26/02 09:24 AM man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live by spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear about them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Sunglasses At Night, Nottingham, UK: 7th March
(If anyone on 313 is on any other lists relevant to electro/synth pop/Ed DMX/Rephlex etc (see below), I'd be very grateful if you could forward this on. And of course, I just can't WAIT to hear what [EMAIL PROTECTED] thinks! :-) --- transmission begins -- As seen in The Face and the Nottingham Evening Post. ^ \SUNGLASSES/ \ AT NIGHT / -- Fortnightly Thursdays from Thursday 7th March 2002 MOOG Newdigate Street, off Alfreton Road, Canning Circus, Nottingham 8-12pm FREE ENTRY _ An evening of new old synth pop, electro, synthetic disco ersatz funk through a wide-angle lens Playing the music of New Order . Kraftwerk . Fischerspooner . LFO Miss Kittin The Hacker . Grace Jones . Adult . i-f Gary Numan . Daniel Wang . DMX Krew . Cybotron Human League . Cabaret Voltaire . Ladytron . Pet Shop Boys Soft Cell . Felix Da Housecat . Dopplereffekt . Cameo Depeche Mode . Mantronix . Detroit Grand Pubahs _ Your hosts: Tom Magic Feet [Jockey Slut/The Guardian] New Wave Dave occasional guests _ Forthcoming dates: March *Thurs 7th March: NWD TMF -- *Thurs 21st March: TMF NWD - April - *Thurs 11th April: Ghostly International present: 'TANGENT 2002: DISCO NOUVEAU' LP promotion With special guest ED DMX [Rephlex/Breakin/Gigolo etc] + Free CDs posters to be given away on the night Tangent 2002: Disco Nouveau (Ghostly International) A compendium of the robot disco sound seen through the eyes of 14 contemporary electronic musicians. Featuring exclusive tracks by DMX Krew, Adult, I-F, Ectomorph, Susumu Yokota, Daniel Wang more. Released May 2002 More information, MP3s etc from www.ghostly.com -- *Thurs 25th April: NWD TMF -- Remember: all the above nights are FREE ENTRY _ TMF NWD's Hot 20 for March: Parallax Corporation: Fear/Lift Off (Viewlexx) New Order: Here To Stay (London) Northern Lite: Treat Me Better (City Rockers) Pluxus: Agent Tangent (Rocket Girl) Capri: Deformator Plus (International DeeJay Gigolos) SI Futures: Eurostar mixes (NovaMute) Netzwerk Florida: Netzwerk Florida (Psi49Net) Crème De Menthe: Plastique (Optimo Singles Club) Adult.: Run Run Crying (Ersatz Audio) It My Computer: Sur Une Cigarette (Crème/Bunker) Japanese Telecom: Virtual Geisha LP (International DeeJay Gigolos) 'Lectronix: Windowshopping In The Mirror (Throbdisk) Man Parrish: Hip Hop Re Bop mixes (Breakin) Detroit Grand Pubahs: After School Special (Jive Electro) Luke Slater: I Can Complete You (Mute) Perspects: They Keep Dancing (Ghostly International - from Disco Nouveau) Anthony Rother: Little Computer People [Rother remix] (Psi49Net) Human League: All I Ever Wanted [Alter Ego remix] (Klang Electronik) Bobby Conn: Winners [Adult. remix] (Thrill Jockey) Tiga Zyntherius: Sunglasses At Night [TGV mix] (City Rockers) Ten older tracks you may hear: Malcolm McLaren The World Famous Supreme Team: Buffalo Gals New Order: Confusion Yazoo: Goodbye 70s Kraftwerk: Tour De France Alexander Robotnick: Problemes d'Amour LFO: LFO [Leeds Warehouse mix] Model 500: Night Drive Thru Babylon Throbbing Gristle: Hot On The Heels Of Love Cameo: She's Strange Information Society: Running _ For me, sunglasses are eye makeup, even at night - Grace Jones - transmission ends - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fade In Techno
Hi all, A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? W -- The information in this Internet email is confidential and may be legally privileged. It is intended solely for the addressee. Access to this Internet email by anyone else is unauthorised. If you are not the intended recipient, any disclosure, copying, distribution or any action taken or omitted to be taken in reliance on it, is prohibited and may be unlawful. When addressed to our clients any opinions or advice contained in this Internet email are subject to the terms and conditions expressed in any applicable governing ING terms of business or client engagement letter. Visit us at www.ing.com -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno
[EMAIL PROTECTED] wrote: I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? Purpose Maker tracks don't fade in because they're dj tools. Axis tracks sometimes do fade in because they are music! Just take the extra time to mix them - its worth it... Sean. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno
No Wibo, you're not thae only one! I only own one Mills record myself but I've heard friends moaning about the fade in starts to some of Mills' records. Wasn't there a post only yesterday that explained why he did this? Is this a co-incidence? Am I going mad??? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno
I second that! YMC's Orange Lady (my favorite track of 99 BTW) is one with that gradual fade in thing - really a challenge mixing them things in;-) Cheers, m* - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, February 27, 2002 5:10 AM Subject: [313] Fade In Techno Hi all, A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? W -- The information in this Internet email is confidential and may be legally privileged. It is intended solely for the addressee. Access to this Internet email by anyone else is unauthorised. If you are not the intended recipient, any disclosure, copying, distribution or any action taken or omitted to be taken in reliance on it, is prohibited and may be unlawful. When addressed to our clients any opinions or advice contained in this Internet email are subject to the terms and conditions expressed in any applicable governing ING terms of business or client engagement letter. Visit us at www.ing.com -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno
just play the dj pierre mixes instead. they're some of my favourite tracks. james www.jbucknell.com Unsatisfied with the beginning of the only mix of Late Night, I can remember deciding to fade in the level from silence for an introduction, thus discovering a technical trait that I was use on numerous tracks in my recording career. Tresor Records, Berlin later released this track on Waveform Transmission Vol. 1 a few months later with a later sublicense to Pow Wow Records in the US. The Pow Wow Records remixes included a few DJ Pierre mixes as well as a more aggressive remix by myself. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno
hi wibo, i am with you all the way on this. tracks that fade in are impossible to mix in correctly, unless you want to ruin the natural flow and structure of your mix. drexciya (and related projects) do this a lot too and i've never understood it. robin... A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno
I'm confused by this thread. I can understand why people mixing a lot of loops might complain about fade ins, but it sounds a bit strange coming from Djs who play Mills and Drexciya records. Do you guys always mix a record right from the start, or what's the problem with selecting a more mixable part of the record? Its important to remember that these tracks aren't just made for mixing and any that are tend to be lacking IMO... Sean. robin pinning wrote: hi wibo, i am with you all the way on this. tracks that fade in are impossible to mix in correctly, unless you want to ruin the natural flow and structure of your mix. drexciya (and related projects) do this a lot too and i've never understood it. robin... A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fade In Techno
It is not difficult to understand. You are assuming that all techno(related) tracks are all made for DJ's. I don't think that people like drexciya are DJ's or make there music for DJ's. They music because of the music and not fot DJ's. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: robin pinning [mailto:[EMAIL PROTECTED] i am with you all the way on this. tracks that fade in are impossible to mix in correctly, unless you want to ruin the natural flow and structure of your mix. drexciya (and related projects) do this a lot too and i've never understood it. robin... A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Lady Aida interview @ technotourist dot org
Hi, I'm always a bit confused about how I feel on these practises. I've seen it happen before: D.J. or producer or singer gets famous easily by being friends with the right people at the right time, (sometimes good looks are are great help in this) get noticed by the larger ignorant crowd and media by playing commercial crap music and when at the righ momentum they get educated, miraculously develop a sense of taste and decide to break with the past and now all of a sudden expect the true people to take them seriously. That's the negative point of view. On the other side, the good taste was probably always there, it just needed some time to surface. And at least the person in question has seen the light (some people never do). We've seen it happen with big names like: Madonna George Michael Robbie Williams And now with 100% Isis (and I bet there are more examples from the underground) My dilemma is: I really have respect for Madonna, George and Robbie. Is there something wrong with me? Joost -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: dinsdag 26 februari 2002 09:28 To: bart wolff; 313@hyperreal.org Subject: RE: [313] Lady Aida interview @ technotourist dot org Her latest mix-cd called ´reformations´or ´transformation´(i believe?) is quite good, as mentioned already, deep/dark/funky techno and no more clubby stuff, she broke with that kind of sound and scene... What´s next..dj Joost van Bellen playing Awakenings??? -Oorspronkelijk bericht- Van: bart wolff [mailto:[EMAIL PROTECTED] Verzonden: dinsdag 26 februari 2002 9:57 Aan: 313@hyperreal.org Onderwerp: Re: [313] Lady Aida interview @ technotourist dot org Well, i am not a fan of 100%isis, but i must say, that a year or so, she has stunned me a few times with a very good, pumping, minimal techno set Yes i know, all the Dutch on the list find that hard to believe, and so do i...but it's a fact At 25-2-2002 + 16:00, you wrote: Following on from that, maybe some of the Dutch and Belgian contingent on here may be able to help... I heard a mix by a female Dutch DJ called 100% Esis (or something like that) on London's Kiss FM a couple of years back which mixed the likes of 16b, Mills and others in a quick half hour mix. Anybody heard of her or seen her play? Cheers Toby - Original Message - From: Jongsma, K.J. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, February 25, 2002 3:48 PM Subject: [313] Lady Aida interview @ technotourist dot org Hi, We have added an interview with one of Hollands leading techno DJ's, Lady Aida to our website. She is an excellent DJ, she writes her column for a big dutch music magazine and her clubnight (Fluid) in her hometown Eindhoven is one of the longest running clubnights in Holland. For those of you who don't have a clue who she is (proberly 95% of you :)) we have added to DJ mixes from her to our website. One of them is recorded live at Fluid, the other one shows the state of the dutch techno scene, so one mix with only dutch artists. read and listen here: http://technotourist.org/modules.php?op=modloadname=Sectionsfile=indexr eq =viewarticleartid=10 or: http://technotourist.org and click on 'Interviews' and select 'Lady Aida' Enjoy! [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] .. . :: http://nomorewords.net B - Out _ Send and receive Hotmail on your mobile device: http://mobile.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands,
Re: [313] Rare Detroit techno for auction on Ebay
hey - why do you think everyone's selling it? ;) on 27/2/02 9:58 am, Jason Brunton at [EMAIL PROTECTED] wrote: http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItemsuserid=digital_sou l include=0since=-1sort=2rows=25 Loads of rare stuff including the recently discussed Deepside remixes of The Art of Stalking, the 313 Detroit comp on Infonet and stuff from Kenny Larkin, Carl Craig, Nexus 21, Orlando Voorn, Blake Baxter and more Cheers [EMAIL PROTECTED] www.digital-soul.co.uk Can everyone please stop selling loads of amazing Techno on e-bay when I've got no MONEY- it's driving me up the wall!!! :) Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno
i've been here before on the global techno list. to say that these records are not dj records is a little odd (soz kt), and what has loops got to do with it? it doesn't matter whether you play loops or not there is a natural structure to music that, if you follow it, will make the mix sound 'right' (and be better to dance to) a fade in obfuscates the search for that initial beat to catch and if you want to do that quickly then that ruins the track for me (try doing doubles half a beat out with a fade in start...not easy) _BUT_ we should agree to disagree on this one as we could argue to the cows come home and it won't change my mind. although i can see that the artists might do this so that you start on one of their tracks or stop and play the track from the fade in so that the track isn't a track but a song and given the 'proper' attention. peace robin... I'm confused by this thread. I can understand why people mixing a lot of loops might complain about fade ins, but it sounds a bit strange coming from Djs who play Mills and Drexciya records. Do you guys always mix a record right from the start, or what's the problem with selecting a more mixable part of the record? Its important to remember that these tracks aren't just made for mixing and any that are tend to be lacking IMO... Sean. robin pinning wrote: hi wibo, i am with you all the way on this. tracks that fade in are impossible to mix in correctly, unless you want to ruin the natural flow and structure of your mix. drexciya (and related projects) do this a lot too and i've never understood it. robin... A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] robin... -- Dr. Robin Pinning | E: [EMAIL PROTECTED] Manchester Computing, University of Manchester, | T: +44 161 275 7028 Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 --www.mrccs.man.ac.uk- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno
I'm confused by this thread. I can understand why people mixing a lot of loops might complain about fade ins, but it sounds a bit strange coming from Djs who play Mills and Drexciya records. Do you guys always mix a record right from the start, or what's the problem with selecting a more mixable part of the record? Its important to remember that these tracks aren't just made for mixing and any that are tend to be lacking IMO... Sean. I second (and third!) both the above and KJ's post Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] titonton dj-set online ++ amsterdam
just added a mix set from the man duvante, titonton http://www.rushhour.nl/broad.html also other amsterdam, paradisco3000 attractions coming up: next week: 08/03/2002 Omoa night feat. Recloose, Ayro (live), a.o. further on: 05/04/2002 Wonderful w/ Dj Spinna Bobbito 10/05/2002 Ron Trent 24/05/2002 Norma Jean Bell LIVE all in Paradiso, Amsterdam.. . and queensday? .. . :: http://nomorewords.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Pow Wow records - was RE: [313] Fade In Techno
:I'm not going mad, here it is ... : :Unsatisfied with the beginning of the only mix of Late Night, I can :remember deciding to fade in the level from silence for an introduction, :thus discovering a technical trait that I was use on numerous tracks in my :recording career. Tresor Records, Berlin later released this track on :Waveform Transmission Vol. 1 a few months later with a later sublicense to :Pow Wow Records in the US. The Pow Wow Records remixes included a few DJ :Pierre mixes as well as a more aggressive remix by myself. ive got a mills 12 on pow wow (i cant remember if its this one or not) but it is the crappest pressing ive ever heard in terms of volume - seriously its only got a couple of tracks on it but it is about half the volume of most albums! i did get it second hand so it could concievably be a result of some serious abuse but i doubt it - has any one else got any pow wow records to confirm/deny their crapness cheers neil - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Pow Wow records
ive got a mills 12 on pow wow (i cant remember if its this one or not) but it is the crappest pressing ive ever heard in terms of volume - seriously its only got a couple of tracks on it but it is about half the volume of most albums! i did get it second hand so it could concievably be a result of some serious abuse but i doubt it - has any one else got any pow wow records to confirm/deny their crapness cheers neil I used to have this same record with the same problem Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Off Topic - Brussels this w/e
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** Apologies for the off topic topic but I need to know of any post club places to either party or just chill out this Sunday morning. I will be at the Fuse club until 7:00 am but then have three hours to kill before heading back to London. I don't really want to roam the streets so if anyone has any good suggestions then that would be much appreciated. Martijn kindly sent me a link to www.partyguide.be but unfortunately I can't understand the lingo. Thanks, GG - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] DJ Encores.....
I had the pleasure of attending Body and Soul a few years ago on the night of Francois K's 40th birthday - it finished bang on the stroke of 11pm so as not to get in trouble with the authorities over the licence.The crowd weren't having it though - everyone was screaming and shouting for an encore (such was the quality of the previous 8 hours) but no way was it happening.So what did they do?First someone started drumming out a beat on top of a speaker,then a few more joined in,then someone started singing and before you knew it people were dancing again! I've never seen anything like it - it was 11.20 before they managed to get us out.. The contents of this message and any attachments are confidential and are intended solely for the attention and use of the addressee only. Information contained in this message may be subject to legal, professional or other privilege or may otherwise be protected by other legal rules. This message should not be copied or forwarded to any other person without the express permission of the sender. If you are not the intended recipient you are not authorised to disclose, copy, distribute or retain this message or any part of it. If you have received this message in error, please notify the sender by telephone (+44-20-7002-4000) and destroy the original message. We reserve the right to monitor all e-mail messages passing through our network. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] may's djing
That makes a lot more sense... I've seen that happen before. At 12:56 PM 2/27/2002 +1100, David Gillies wrote: I've seen DJs play overtime before, but an encore seems a bit bizarre to me considering that what a good DJ does can't be done in the few minutes an encore usually gets. Maybe encore is the wrong word. It was more like people wouldn't leave, just kept dancing, so he just kept playing. Security cut the sound. People still wouldn't leave, they wanted more It was that good a night people just wanted to keep dancing. He'd weaved his magic over the last 4 or 5 hours or whatever it was, and people were still entranced. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DJ Encores.....
Now this makes sense to me... People don't want to stop dancing so either the DJ keeps playing despite the clubs protests or something like this happens. I guess my confusion over it is more about the DJ as rock star thing which I guess is the case in Europe but is not so much here. To have a DJ expecting an encore seems to me to be just a huge ego thing. And in the US I guess that while people often go to clubs to hear particular DJs the DJ is not the focus of the evening (with certain notable exceptions). The DJ is still providing music for people to dance to - not acting as a performer for people to watch. I'm also assuming that the headlining DJ will not be the last DJ of the night, which I usually find to be the case with exceptions in clubs where the headlining DJ plays all of the next day (like Tenaglia at Vinyl and Vasquez from back in the Sound Factory days). So the thought of a DJ stopping the music when they are done to give the crowd a chance to ask for an encore rather than letting the next DJ continue to play music and not breaking the groove strikes me as slightly egotistical. Probably just a cultural thing I guess. On a related note is Body Soul still going on? I know that Shelter closed and then moved and reopened or something but is Body SOUL still going on or has that ended? Eric At 12:47 PM 2/27/2002 +, Kerr Graham wrote: I had the pleasure of attending Body and Soul a few years ago on the night of Francois K's 40th birthday - it finished bang on the stroke of 11pm so as not to get in trouble with the authorities over the licence.The crowd weren't having it though - everyone was screaming and shouting for an encore (such was the quality of the previous 8 hours) but no way was it happening.So what did they do?First someone started drumming out a beat on top of a speaker,then a few more joined in,then someone started singing and before you knew it people were dancing again! I've never seen anything like it - it was 11.20 before they managed to get us out.. The contents of this message and any attachments are confidential and are intended solely for the attention and use of the addressee only. Information contained in this message may be subject to legal, professional or other privilege or may otherwise be protected by other legal rules. This message should not be copied or forwarded to any other person without the express permission of the sender. If you are not the intended recipient you are not authorised to disclose, copy, distribute or retain this message or any part of it. If you have received this message in error, please notify the sender by telephone (+44-20-7002-4000) and destroy the original message. We reserve the right to monitor all e-mail messages passing through our network. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: Jeff Mills: Archiv 4 - New??
I know you say this version is unearthed but I have always wanted to know what the version was that Carl Cox (believe it or not) used on his first 'Fact' mix project. It certainly wasn't the version on Waveforms 1. Scott M - Original Message - From: Tom Robbins/Tom Magic Feet [EMAIL PROTECTED] To: 313 mailing list 313@hyperreal.org Sent: Tuesday, February 26, 2002 3:53 PM Subject: [313] Fw: Jeff Mills: Archiv 4 Artist: Jeff Mills Title: Late Night Label: Tresor Ca. No: 56183-6 Release: April 2002 Distribution (UK): SRD TRACKLIST A1 Late Night (Mills Mix)(4:49) A2 Late Night (4:39) B1 Basic Human Design (5:52) The Tresor Archiv series continues to roll on, unearthing previously unavailable or deleted material from the depths of the vault. This latest release features a long-missing track from Jeff Mills - a remix of the classic Late Night from 1993. The original version appeared on Mills' debut album Waveform Transmission Vol. 1 (1992!), but his Mills Mix remix has remained one of Tresor's most infamous 'lost tracks'. It is believed that the last DAT of the remix was destroyed in a Chicago basement flood. However, in October 2001, the track was re-mastered by Moritz Von Oswald at Berlin's Dubplates Mastering. This is the first time this long-lost Classic has been available on Tresor. The B-Side Basic Human Design is actually an instrumental version of Spider Formation (from Axis Records AX-009), originally found on Waveform Transmission Vol. 3 but mastered and cut at DM; Berlin by Moritz Von Oswald (one half of Maurizio). *** Jeff Mills' Late Night (Mills Mix) also appears now for the first time on CD format via Tresor - True Sprit (Tresor 185, ca.no. 56185-2). Jeff Mills plays Homelands on 1st June. LATE NIGHT: meaning deep or deeper in the night. Mid-Town Manhattan, New York, the summer of 1993 shortly after I moved from Detroit. I just started my DJ residency on Friday nights at the Limelight called Future Shock. As I was beginning to get used to the rush of New York, my tensions from culture shock of moving from Detroit, a smaller city with less than a million people to New York City, the Metropolis, I had began to relax again as my fondness for those infamous New York Nights was beginning to grow. It was a unique time. The sound of Rotterdam was the favorite Techno style, the beats were dark, fast and lethal but, still green. It was the summer: DJ Hell and Patrick Pulsinger had moved to Manhattan and every week, the Limelight was in competition with the Palladium and flew in Techno Artists from Europe to perform. I can remember a lazy afternoon Richard (Aphex Twin) and crew flew in from London and all of us eating takeaway barbecue chicken on the roof of Lord Mike's apartment. Then, the daytime was only a cocktail for the night. In those days on Friday night, the Limelight would reach its high intensity level around 3:00am onward until the end of the night. High meaning, full capacity, swinging cage dancers, the rave flares of Authur's odyssey lightening and the ritual microphone introductions by Romeo Romeo were in an extreme level. As for the music program, it was the honorable duty of DJ Repete and myself to keep the beats right. What I loved the most was later in the night, around 5:30am. The time when the out-of-town tourists and the club trendy had tired left the dancefloor, the music we played got a bit more daring, a lot deeper and all existing dancers on the dancefloor were more alert and sensitive to new sounds. It was the feeling of this timeframe that I tried to capture through the track Late Night. In those days of my transition from Detroit to New York and not exactly aware of my permanent living situation, I was a bit reluctant to move all of my studio and equipment to New York at one time. So, from each weekly trip back to Detroit to fulfill my duties at Underground Resistance, I began to take one piece of equipment at a time. My ability to create the more complex tracks was gradual and slow. Nevertheless, within the weekdays I would have the enormous urges to compose music so, I would try to record with what I had at the time. Which was only a Roland 16 track mixer, Yamaha DX100 keyboard, Yamaha Sequencer, Roland TR-909 drum machine, no monitor return speakers (I mixed through headphones) and one of those new gadgets, a portable DAT recorder that I bought down on Canal Street in SOHO. The day I purchased the DAT recorder was a productive one, I remember recording about 15 tracks within a few hours, Late Night among other Waveform Transmission Vol. 1 tracks were created on this evening. Unsatisfied with the beginning of the only mix of Late Night, I can remember deciding to fade in the level from silence for an introduction, thus discovering a technical trait that I was use on numerous tracks in my recording career. Tresor Records, Berlin later released this track on Waveform Transmission
RE: [313] Fade in techno
There was a thread on this subject last year on the g-tech list. Funnily enough I used Axis 9 as an example of the merits of fade-ins rather than as a negative. I've copied it over from the archives: it can make a track for me. Sometimes it can give an indication of the intended mood of a track. For example, like I said before if a track fades in it can project the feeling that it is not just a 5 minute piece, but a part of a bigger whole. Again it depends on how you view the genre. If I could give a classic example, the first track on the beige side of Axis 9 fades in and out, and is perfect in that context. It could have just boosted off from a solid start, but then you would KNOW exactly where the piece starts, you are not left to imagine what has happened before or after the part you actually hear, the part of the journey that you were not consciously travelling. from another post in the same thread: I recently got given some new records on a couple of prominent labels associated with very loop based 4:4 tracks, and at home mixing them I am amazed at how ridiculously accurate my mixes sound. This is because it is SO easy to mix tracks that run to this over familiar formula. 2:4 4:4 8:4 there is no room for error. I'm not saying error is desirable, nor that I don't make or play tracks with that structure, but to me a whole set of that stuff without variation is just unbearably boring. To me that rigid loop stuff is just pure body music, and I like techno to stimulate my mind while my body is distracted by dancing. If I want a pure body effect I'll dance to house, it's more fun and interesting. So going back to the title of the post, what is techno to you? Is it a kit to be put together like something from IKEA, all the bits made the same so they fit..neatly...together? or what? Is criticising a techno artist for fading in a track (or adding an unusually structured section, or sticking an extra beat/bar in somewhere) not slightly barbaric? I mean, is techno not supposed to challenge conventional art forms? Indeed, is techno not art? Would you refuse to look at a great painting if you didn't like one particular brushstroke, just because it challenges the way you need to interact with it? Or would you take the challenge and learn to adapt to new or more complex situations because it can take you and your audience to another level on the techno experience? After all, we are only talking about cueing up to a kick drum aren't we? It's not that much of a challenge!! http://www.ARCart.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Kym Mazelle Taste My Love
Any thoughts on what'd be a fair price for this? I have looked for it for a while and have been quoted at $85 for a copy. This seems like too much, but maybe it isn't. Let me know off list. Thanks, Jonny - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 16 / 32 beats (was: RE: (313) Fade In Techno)
Well, I could take this to another level by saying that all records that I play out are records that are produced in a strict 16 or 32 beat counter (I don't know if this is clearly explained to everyone, I mean records in which nothing new pops up until the end of the 16 or 32 counts). Really DJ friendly stuff, and NOT necesarrily boring. Most of the Drexciya shit does not fit in my set, so I only play it at home. W -Original Message- From: Sean Creen [EMAIL PROTECTED] at INET-1 Sent: Wednesday, February 27, 2002 11:54 AM To: [EMAIL PROTECTED] at INET-1 Cc: Lammerts, Wibo; 313@hyperreal.org at INET-1 Subject: RE: [313] Fade In Techno I'm confused by this thread. I can understand why people mixing a lot of loops might complain about fade ins, but it sounds a bit strange coming from Djs who play Mills and Drexciya records. Do you guys always mix a record right from the start, or what's the problem with selecting a more mixable part of the record? Its important to remember that these tracks aren't just made for mixing and any that are tend to be lacking IMO... Sean. robin pinning wrote: hi wibo, i am with you all the way on this. tracks that fade in are impossible to mix in correctly, unless you want to ruin the natural flow and structure of your mix. drexciya (and related projects) do this a lot too and i've never understood it. robin... A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) Fade In Techno
Mills has a few excellent hard tracks (especially those early Axis records) that really would become instant classics and favorite DJ tools if they would just start from 1 and not with a fade in... And it's not only Mills I am talking about. W -Original Message- From: Jongsma; K.J. [EMAIL PROTECTED] at INET-1 Sent: Wednesday, February 27, 2002 12:52 PM To: Lammerts, Wibo; '[EMAIL PROTECTED]' [EMAIL PROTECTED] at INET-1 Cc: 313@hyperreal.org at INET-1 Subject: RE: [313] Fade In Techno It is not difficult to understand. You are assuming that all techno(related) tracks are all made for DJ's. I don't think that people like drexciya are DJ's or make there music for DJ's. They music because of the music and not fot DJ's. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: robin pinning [mailto:[EMAIL PROTECTED] i am with you all the way on this. tracks that fade in are impossible to mix in correctly, unless you want to ruin the natural flow and structure of your mix. drexciya (and related projects) do this a lot too and i've never understood it. robin... A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) Fade In Techno
whoop!! and there goes the crossfader it's so easy i can mix every record ;) At 27-2-2002 +0100 14:43, you wrote: Mills has a few excellent hard tracks (especially those early Axis records) that really would become instant classics and favorite DJ tools if they would just start from 1 and not with a fade in... And it's not only Mills I am talking about. W -Original Message- From: Jongsma; K.J. [EMAIL PROTECTED] at INET-1 Sent: Wednesday, February 27, 2002 12:52 PM To: Lammerts, Wibo; '[EMAIL PROTECTED]' [EMAIL PROTECTED] at INET-1 Cc: 313@hyperreal.org at INET-1 Subject: RE: [313] Fade In Techno It is not difficult to understand. You are assuming that all techno(related) tracks are all made for DJ's. I don't think that people like drexciya are DJ's or make there music for DJ's. They music because of the music and not fot DJ's. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: robin pinning [mailto:[EMAIL PROTECTED] i am with you all the way on this. tracks that fade in are impossible to mix in correctly, unless you want to ruin the natural flow and structure of your mix. drexciya (and related projects) do this a lot too and i've never understood it. robin... A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] .. . :: http://nomorewords.net
[313] ot : OP-ART FA + more
Ive got a pretty big list of stuff for sale at the mo. including Autechre / Plug / OP-ART / Mike Paradinas etc. etc. If youd like a look please check it out at www.i123.co.uk thanks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] black water with vocals?
i was in hmv on saturday and heard black water with a (IMHO) pretty duff female vocal slapped on top - what is this? neil - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] black water with vocals?
that's kevin saunderson's wife, ann. i believe it is out on 430 west. -Original Message- From: Neil Wallace [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 11:26 AM To: 313 Subject: [313] black water with vocals? i was in hmv on saturday and heard black water with a (IMHO) pretty duff female vocal slapped on top - what is this? neil - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] black water with vocals?
Wednesday, February 27, 2002, 9:25:37 AM, a knob was tweaked and out came: NW i was in hmv on saturday and heard black water with a (IMHO) pretty duff NW female vocal slapped on top - what is this? Was it the Ann Saunderson vocal mix? Just open your heart, open your mind, let the love flow let the sun shine? That's been out for a while now. - Brian balistic Prince http://www.bprince.com - art and techno - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] black water with vocals?
i've even heard it on daytime radio 1 here in the UK. which was pretty cool and weird. on 27/2/02 4:29 pm, Brian 'balistic' Prince at [EMAIL PROTECTED] wrote: Wednesday, February 27, 2002, 9:25:37 AM, a knob was tweaked and out came: NW i was in hmv on saturday and heard black water with a (IMHO) pretty duff NW female vocal slapped on top - what is this? Was it the Ann Saunderson vocal mix? Just open your heart, open your mind, let the love flow let the sun shine? That's been out for a while now. - Brian balistic Prince http://www.bprince.com - art and techno - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] black water with vocals?
Blackwater - Kevin Saunderson Remix on Concept. E-Dancer Vocal Mix E-Dancer Dub Mix Chase the Blues Instrumental Mix The original has vocals by Kevin's wife Ann as well, as far as I remember. At 11:27 AM 2/27/2002 -0500, Rob Theakston wrote: that's kevin saunderson's wife, ann. i believe it is out on 430 west. -Original Message- From: Neil Wallace [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 11:26 AM To: 313 Subject: [313] black water with vocals? i was in hmv on saturday and heard black water with a (IMHO) pretty duff female vocal slapped on top - what is this? neil - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] black water with vocals?
That's the mix Lawrence Burden plays on the 430 West comp. Personally, I think the vocal sounds alright but I appreciate that the die-hard techno heads out there would write it off as cheese instantly. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Lady Aida interview @ technotourist dot org
Nah, there's nothing wrong with ya. Sometimes, in order to 'break in' certain measures have to be taken. Surely,there's plenty of ways to go about it and your explanation is one. If you want to suffer through, you can. Or if you want to play to it and change your style later on, that's a great way too. This also occurs in the movie industry where an indie producer may work his way up to notoriety and financial award by producing a money-making film and then down the road he/she will have the clout and freedom and most importantly THE MOOLAH to do serious/experimental films. This may not sit well with alot of people but its just how the world works from my observation. Laters, g Ploegmakers, Joost wrote: Hi, I'm always a bit confused about how I feel on these practises. I've seen it happen before: D.J. or producer or singer gets famous easily by being friends with the right people at the right time, (sometimes good looks are are great help in this) get noticed by the larger ignorant crowd and media by playing commercial crap music and when at the righ momentum they get educated, miraculously develop a sense of taste and decide to break with the past and now all of a sudden expect the true people to take them seriously. That's the negative point of view. On the other side, the good taste was probably always there, it just needed some time to surface. And at least the person in question has seen the light (some people never do). We've seen it happen with big names like: Madonna George Michael Robbie Williams And now with 100% Isis (and I bet there are more examples from the underground) My dilemma is: I really have respect for Madonna, George and Robbie. Is there something wrong with me? Joost -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: dinsdag 26 februari 2002 09:28 To: bart wolff; 313@hyperreal.org Subject: RE: [313] Lady Aida interview @ technotourist dot org Her latest mix-cd called ´reformations´or ´transformation´(i believe?) is quite good, as mentioned already, deep/dark/funky techno and no more clubby stuff, she broke with that kind of sound and scene... What´s next..dj Joost van Bellen playing Awakenings??? -Oorspronkelijk bericht- Van: bart wolff [mailto:[EMAIL PROTECTED] Verzonden: dinsdag 26 februari 2002 9:57 Aan: 313@hyperreal.org Onderwerp: Re: [313] Lady Aida interview @ technotourist dot org Well, i am not a fan of 100%isis, but i must say, that a year or so, she has stunned me a few times with a very good, pumping, minimal techno set Yes i know, all the Dutch on the list find that hard to believe, and so do i...but it's a fact At 25-2-2002 + 16:00, you wrote: Following on from that, maybe some of the Dutch and Belgian contingent on here may be able to help... I heard a mix by a female Dutch DJ called 100% Esis (or something like that) on London's Kiss FM a couple of years back which mixed the likes of 16b, Mills and others in a quick half hour mix. Anybody heard of her or seen her play? Cheers Toby - Original Message - From: Jongsma, K.J. [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, February 25, 2002 3:48 PM Subject: [313] Lady Aida interview @ technotourist dot org Hi, We have added an interview with one of Hollands leading techno DJ's, Lady Aida to our website. She is an excellent DJ, she writes her column for a big dutch music magazine and her clubnight (Fluid) in her hometown Eindhoven is one of the longest running clubnights in Holland. For those of you who don't have a clue who she is (proberly 95% of you :)) we have added to DJ mixes from her to our website. One of them is recorded live at Fluid, the other one shows the state of the dutch techno scene, so one mix with only dutch artists. read and listen here: http://technotourist.org/modules.php?op=modloadname=Sectionsfile=indexr eq =viewarticleartid=10 or: http://technotourist.org and click on 'Interviews' and select 'Lady Aida' Enjoy! [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For
[313] black water with vocals?
The first promo copy I got of this about 4 months ago had this vocal mix on. I had always assumed it was the vocal mix that had caused it to become such as big hit in the first place as the vocals do make it more commercially uplifting. I personally can't see why the instrumental version has been picked up on as I really dont think its anything special. Liked it when I first heard it, but only because it reminded me of very old techno, but got bored of it quickly. It certainly isn't the best track Octave One have ever done (that honour possibly belongs to 'niccolette' imo) and so I really dont understand why that track inparticular amidst all the electronic music that comes from Detroit is suddenly deemed chart and major record store worthy, how do these things happen? Did Pete Tong play it on Radio 1 once or something? Then again it always seems to me that it is never the best of any artist or genre that becomes commercially representative of it. Is S-Express the best Acid tune ever? Is 'Jaguar' The best UR tune ever? No, but because of the seemingly random mechanics of the commercial dance industry, these tunes end up getting held up above the rest, doomed to appear on endless 'best ever in the world part 34...etc' compilations for the rest of eternity, when they are anything but!. I for one can't really figure it out. Stewart ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] black water with vocals?
Wasn't the Blackwater with vocals the original? I have the release on 430 west by Octave One with the instrumental on one side and Ann Saunderson singing vocals on the other side. IMO - those vocals are excellent. If you're talking about a vocal that just says, balckwater over the background, that's very E-dancer sounding - it's actually the e-dancer remix also out on 430 west. Those vocals are pretty hairy IMO. There's also a new Octave one remix of the tune that is supposed to be the strings remix. Haven't heard it, but Mike Taylor was supposed to play it on his show last weekend - maybe he can shed some light. Dennis -Original Message- From: Brian 'balistic' Prince [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 10:29 AM To: Neil Wallace Cc: 313 Subject: Re: [313] black water with vocals? Wednesday, February 27, 2002, 9:25:37 AM, a knob was tweaked and out came: NW i was in hmv on saturday and heard black water with a (IMHO) pretty duff NW female vocal slapped on top - what is this? Was it the Ann Saunderson vocal mix? Just open your heart, open your mind, let the love flow let the sun shine? That's been out for a while now. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] New York City
Hi all, Some friends and I are making a trip to New York (from Detroit) for a nice 4 day vacation and I was wondering if any of you can throw some recommended spots my way. I picked up a couple of tickets to go see Hawtin on the 2nd and as of now that seems to be the only plan (aside from record shopping). Any help will come appreciated. Regards, -Rudy- __ Do You Yahoo!? Yahoo! Greetings - Send FREE e-cards for every occasion! http://greetings.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Dirk Diggler + Dub Taylor this week
Does anyone know who's booking these guys in NYC? - Giles D I G I T A S // B O S T O N -- Giles Dickerson Art Director 800 Boylston Street Boston, MA 02199 -- mobile 617 899 9635 office 617 369 8601 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] Back To May's djing - uncut opinions
It's not really much to talk about, it's just May. The last time I saw him his set was ok, but why does he always have to play that cheesy latino stuff? Off the tables, he was running around hitting on every woman in the building like a perverse hormone-driven teenage boy. I've seen him probably 5 or 6 times in and around Detroit. Every time I have seen him he is nothing to get excited over. It's not a horrible set or anything, but I know it could be a lot better. Odeluga, Ken [EMAIL PROTECTED] 02/27/02 04:06 AM An elaboration on 'total ass' would be helpful - it's quite hard to be a TOTAL ass in a DJ booth, there's really not much to do but play! Plus your experiences of him being 'wasted when he DJs Detroit' I eagerly await. -Original Message- From: Catherine Eberhardt [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 3:07 AM To: 313@hyperreal.org Subject: Re: RE: [313] may's djing (was Lost - further details) IMO You people are crazy. I live in Detroit and most any time I hear him spin or see him he's a total ass. I am not much for his DJing, maybe he just likes to be wasted when he DJs Detroit. allnight [EMAIL PROTECTED] 02/26/02 09:24 AM man i dont just respect him. in fact i never meet anyone who feels the way i do about his tracks. he is by far my bigest influence in producing as well. it would be a dream to me if i could only see him. but i really dont like some styles of eletronic music. at the same time that good techno is maybe the most important thing in my life, dancing tribal techousy is something that i just cant stand. but u bet i respect derrick may or anyother famous dj who spin for living. if i had the oportunity of live y spining records i would also play all the christian smith discography. but i think im free to say that i dont like tribal techouse. whatever.. i stil have my hope of seeing the man spin and listen to something like Icon or Ilusion. take care u all. love henrique Good??? and commercial? well everyone has their off days, I am sure you do too..so lets be kind to all those who do mix as , well we all have off days.. Well I have had the pleasure and he plays three decks like a wizard.. great choice of music and styles, very good all round three deck mixer... So yeah he is more than good, but then that's my opinion.. -Original Message- From: allnight [mailto:[EMAIL PROTECTED] Sent: 26 February 2002 13:10 To: 313@hyperreal.org Subject: [313] may's djing (was Lost - further details) you people mean that derrick may's djing is good? man that would make me happy, since i'm a gigant fan of his work.. the mixed sets i could check out of him were anything but good.. but who knows.. maybe in detroit his sets can sound from a detroit artist. the last mix i heard from him was depressing. even M4J (a pop eletronic band from brazil, leaded by dj MauMau whos totaly comercial) appear in that mixed set. any coments about his djing in detroit? -- Mensagem original --- De : John Bush [EMAIL PROTECTED] Para: Toby Frith [EMAIL PROTECTED],313 313@hyperreal.org Cc : Data: Tue, 26 Feb 2002 07:57:40 -0500 Assunto : RE: [313] Lost - further details Oooh, at least one 734 313'er will be in England round then -- I'm leaving Detroit on March 28 and getting back April 10 (though, granted, I did just see Derrick last month). If there are any other intriguing shows happening anywhere in England around these dates, I'd love to hear aout them -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: Tuesday, February 26, 2002 6:37 AM To: 313 Subject: [313] Lost - further details Juan Atkins Derrick May Sun 31 March no venue as of yet - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) Fade In Techno
I am not normally too bothered by fade ins on records as most of the time you can get around it. But yopu have hit a raw nerve with one record I have always wished wouldn't fade in. That record is the UR - Turning Point release. The track with the distorted funked out organ sound. The name escapes me now though. I also remember when Antonio Fargas (Huggy Bear) presented the 'top ten soul records of all time' for Channel 4 in the UK. He quipped, Man, I hate fade outs!. Scott M - Original Message - From: [EMAIL PROTECTED] To: Jongsma; K.J. [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, February 27, 2002 1:43 PM Subject: [313] RE: (313) Fade In Techno Mills has a few excellent hard tracks (especially those early Axis records) that really would become instant classics and favorite DJ tools if they would just start from 1 and not with a fade in... And it's not only Mills I am talking about. W -Original Message- From: Jongsma; K.J. [EMAIL PROTECTED] at INET-1 Sent: Wednesday, February 27, 2002 12:52 PM To: Lammerts, Wibo; '[EMAIL PROTECTED]' [EMAIL PROTECTED] at INET-1 Cc: 313@hyperreal.org at INET-1 Subject: RE: [313] Fade In Techno It is not difficult to understand. You are assuming that all techno(related) tracks are all made for DJ's. I don't think that people like drexciya are DJ's or make there music for DJ's. They music because of the music and not fot DJ's. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: robin pinning [mailto:[EMAIL PROTECTED] i am with you all the way on this. tracks that fade in are impossible to mix in correctly, unless you want to ruin the natural flow and structure of your mix. drexciya (and related projects) do this a lot too and i've never understood it. robin... A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: New York City
if you're looking for something to do in new york, try frank's in brooklyn- tonight around 11pm metro area will be djing. no cover, cheap drinks, and cheap women. http://newyork.citysearch.com/profile/11351270/ -ana Date: Wed, 27 Feb 2002 09:52:54 -0800 (PST) To: 313@hyperreal.org From: Rudy Delgado [EMAIL PROTECTED] Subject: New York City Message-ID: [EMAIL PROTECTED] Hi all, Some friends and I are making a trip to New York (from Detroit) for a nice 4 day vacation and I was wondering if any of you can throw some recommended spots my way. I picked up a couple of tickets to go see Hawtin on the 2nd and as of now that seems to be the only plan (aside from record shopping). Any help will come appreciated. Regards, -Rudy- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] black water with vocals?
Duff vocal?? Frankly I quite like it and have played it out quite a bit What is the general consensus on this though? I am intrigued... Cheers, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) Fade In Techno
Hey Wibo... You could always throw the track into Sound Forge, re-edit it so that it's more 'DJ friendly' and burn it to CD... Just a thought, m* - Original Message - From: [EMAIL PROTECTED] To: Jongsma; K.J. [EMAIL PROTECTED]; [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, February 27, 2002 8:43 AM Subject: [313] RE: (313) Fade In Techno Mills has a few excellent hard tracks (especially those early Axis records) that really would become instant classics and favorite DJ tools if they would just start from 1 and not with a fade in... And it's not only Mills I am talking about. W -Original Message- From: Jongsma; K.J. [EMAIL PROTECTED] at INET-1 Sent: Wednesday, February 27, 2002 12:52 PM To: Lammerts, Wibo; '[EMAIL PROTECTED]' [EMAIL PROTECTED] at INET-1 Cc: 313@hyperreal.org at INET-1 Subject: RE: [313] Fade In Techno It is not difficult to understand. You are assuming that all techno(related) tracks are all made for DJ's. I don't think that people like drexciya are DJ's or make there music for DJ's. They music because of the music and not fot DJ's. [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: robin pinning [mailto:[EMAIL PROTECTED] i am with you all the way on this. tracks that fade in are impossible to mix in correctly, unless you want to ruin the natural flow and structure of your mix. drexciya (and related projects) do this a lot too and i've never understood it. robin... A lot of the old records by Mills have tracks on them that do not start at normal volume levels, but somehow the track gets faded in. (And not only Mills of course) Am I the only one who thinks of this being a real drag? I really like a specific track from AX009 but I find it really impossible to mix when there is a monitor speaker blasting in my left ear. These are the type of records that cause major trainwrecks in my DJ sets! I consider most of Mills' stuff being really DJ friendly, but why does he produce his tracks this way? Also, anyone got tips on dealing with this? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Live Dirtyradio Tonight
Tonight at 6pm pacific time (gmt-8:00) tune in to dirtyradio (http://www.dirtyradio.net) for another night of Thrift-Store Radio with my good pal JP, spinning all his wierd and wonderful records rescued from the forgotten bins of suburbia, followed by the techno/house mix-up by me, Tyler Hanel, spinning both fresh and classic techno, electro, and house tracks, starting at 7pm pacific. Straight out of deepest, darkest Leucadia, California. Check the website at: http://www.dirtyradio.net or go straight to the broadcast: http://www.dirtyradio.net/listen.pls Also, Dirtyradio is streaming 24/7 now, with the automated mp3 playlist, when we are not doing live shows. Give it a listen and tell us what you think. Thanks! Tyler Hanel [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] black water with vocals?
They also just recorded a version with live strings and percussion that should be out soon. On Wed, 27 Feb 2002, Rob Theakston wrote: that's kevin saunderson's wife, ann. i believe it is out on 430 west. -Original Message- From: Neil Wallace [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 11:26 AM To: 313 Subject: [313] black water with vocals? i was in hmv on saturday and heard black water with a (IMHO) pretty duff female vocal slapped on top - what is this? neil - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] black water with vocals?
r they like trying to make this record into this years jaguar??? Y ps-i like the ann saunderson vocal version:) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 10:20 PM To: Rob Theakston Cc: Neil Wallace; 313 Subject: RE: [313] black water with vocals? They also just recorded a version with live strings and percussion that should be out soon. On Wed, 27 Feb 2002, Rob Theakston wrote: that's kevin saunderson's wife, ann. i believe it is out on 430 west. -Original Message- From: Neil Wallace [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 11:26 AM To: 313 Subject: [313] black water with vocals? i was in hmv on saturday and heard black water with a (IMHO) pretty duff female vocal slapped on top - what is this? neil - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Dirk Diggler + Dub Taylor this week
re: Does anyone know who's booking these guys in NYC? Viktor Mizo and Christian Smith Tronic Treatment parties http://www.tronictreatment.com/proof/progress.jpg in this link it's Vik up front and Christian in the middle at Baktun(the new venue)... http://www.ofoto.com/PhotoView.jsp?UV=304836953538_31224184303US=0Upost_si gnin=BrowsePhotos.jsp%3FshowSlide%3Dtrue%26m%3D15057254303%26n%3D766571450c ollid=64926254303photoid=85926254303
RE: [313] black water with vocals?
I like the record as well, I like the vocal on it though it's not the best vocal I've ever heard, or even that great of a vocal but it's pretty good. As someone already said the record isn't even one of Octave One's best so I'm not sure what the big deal is. Is it being hyped up in Europe or something? I don't think I've heard it outside of my home in NY... Eric At 10:28 PM 2/27/2002 +0200, Yair Etziony wrote: r they like trying to make this record into this years jaguar??? Y ps-i like the ann saunderson vocal version:) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 10:20 PM To: Rob Theakston Cc: Neil Wallace; 313 Subject: RE: [313] black water with vocals? They also just recorded a version with live strings and percussion that should be out soon. On Wed, 27 Feb 2002, Rob Theakston wrote: that's kevin saunderson's wife, ann. i believe it is out on 430 west. -Original Message- From: Neil Wallace [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 11:26 AM To: 313 Subject: [313] black water with vocals? i was in hmv on saturday and heard black water with a (IMHO) pretty duff female vocal slapped on top - what is this? neil - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Thurs, Feb 27 at Quest: Mike Geiger and Gabe Real
Thursday, Feb 27 2002 Motor Productions Proudly Presents Ferndale's all House Music Night: QQQ Q QQ QQ QQ Q Q Q QQ Q Q Q Q QQ Q QQ Q Q Q Q QQQ Q QQ QQ Q Q Q Q Q Q QQ Q QQQ QQ Q QQ This week: Quest Resident: Gabe Real Special Guest: Mike Geiger and your Hostess: Miss Michelle $5, Doors at 9 PM, 21+ with ID please Q (the club) 141 West Nine Mile Rd, Ferndale 313.438.4105 (the SW corner of 9 mile rd and Woodward) We would like to thank everyone who came out last week to make the kick off a great success and we are looking forward to seeing u there this week. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Agents of cHange/Disco Nouveau
Here's apiece I write for Urb if anyone cares. It addresses two of this list's favorite subjects, and one of rob's favorite subjects. www.urb.com click: massv agents of change/disco nouveau - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] black water with vocals?
The original of this track didn't have vocals on it and was named as The Untold on the Black Water EP on 430 West. The other side of the EP has tracks called Black Water and Black Waters but they are different tracks. The version with the vocals came out on Concept/430 West, who put out the Burden mix cd also _ Join the worlds largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] black water with vocals? Sexy Adventures of orietta St .cloud
I'm not a big fan of the vocal black water track. It doesn't sound like the vocals were written with the track. It sounds like an add on instead of a completely new mix. Also,, I must say that i'm disappointed with the soundtrack to the comic book. with a few exceptions the c.d. sounds like outakes instead of fresh material. The Marco Passarani track is the obvious stand-out. And Although,,, mills, walker,and the advent add some good tracks,, All together they don't make a good soundtrack. -Original Message- From: Mark S Flintoft [mailto:[EMAIL PROTECTED] Sent: Wednesday, February 27, 2002 2:52 PM To: Brian 'balistic' Prince; Neil Wallace Cc: 313 Subject: Re: [313] black water with vocals? Duff vocal?? Frankly I quite like it and have played it out quite a bit What is the general consensus on this though? I am intrigued... Cheers, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] CDs
This is a late reply to the thread about new CDs ... Just wanted to mention there are reviews of the new Aardvarck album on Delsin and Tim Koch on deFocus up on www.techno-rebels.com -d - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] titonton dj-set online ++ amsterdam
rsel wrote: just added a mix set from the man duvante, titonton http://www.rushhour.nl/broad.html anybody know if there are any more/better quality encoded sets of titonton's floating around? his sets always know my proverbial socks off. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] titonton dj-set online ++ amsterdam
yeah- titonton is one of my favorites. and i've never heard a recording that comes close to what he can do. both times he's played for me the dats came out fucked, and the one mix he's given me (double edged sword) just doesn't do him justice. On Wed, 27 Feb 2002, glyn wrote: rsel wrote: just added a mix set from the man duvante, titonton http://www.rushhour.nl/broad.html anybody know if there are any more/better quality encoded sets of titonton's floating around? his sets always know my proverbial socks off. glyn - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ELECTRONICS, BODIES and PICTURES, SATURDAY MARCH 2nd 2002, ART SYSTEM TORONTO CANADA
An evening of ELECTRONICS, BODIES and PICTURES dj / laptop geeks / performance art / video - - - 9.00pm video pop chart: Open video screening bring your tapes 5min max 10.30pm live electronic music: ohvov the blameshifter naw djs: skeeter neurotek - - - SATURDAY MARCH 2nd 2002 at the ART SYSTEM 327 Spadina Ave. Second Floor [EMAIL PROTECTED] - - - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
