Re: (313) Outkast Speakerboxxx/The Love Below
There is no way that this album won't impact the more dance-dedicated strain of electronic music, and intensely if justice there be. But I think it's important to find out: does Shake like it? B On Tue, 14 Oct 2003, Cyclone Wehner wrote: How good is this album? I read that Andre 3000 considers music in Europe to be more cutting-edge than the US, and is into Aphex Twin and so on. They sooo need to play Movement.
(313) pc laptops
Hi: Sorry for the inane, fairly off-topic question. You can reply privately perhaps, to spare the rest of the list. Does anyone have recommendations for pc laptops that are good for making electronic music? I know Macs are infinitely more popular, but with Max/MSP out for windows I'm kind of on the fence. And Buzz, which i like, doesn't exist for Macs. Ben
Re: (313) OT - where should I live?
Second that. Another good choice: Akron, Oh. Several excellent junkyards, Swenson's, Akron music, etc. Ben On Wed, 13 Aug 2003, Kookie wrote: Ann Arbor, Michigan 45 mins away from Detroit. Its a very artistic place, as its the campus of UofM. Home of ghostly and the biggest electronic music club in the region. It is kinda pricey, I will warn. It has a big indie rock scene too. - Original Message - From: Ryan Snowden [EMAIL PROTECTED] To: 'Erin Berg (WPL)' [EMAIL PROTECTED]; [EMAIL PROTECTED]; Dennis DeSantis [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, August 13, 2003 10:18 AM Subject: RE: (313) OT - where should I live? Hearhear!! |-Original Message- |From: Erin Berg (WPL) [mailto:[EMAIL PROTECTED] |Sent: 13 August 2003 15:22 |To: '[EMAIL PROTECTED]'; Dennis DeSantis |Cc: 313@hyperreal.org |Subject: RE: (313) OT - where should I live? | | |I would second that...I lived in Montreal for 5 years and it |was fantastic. The only thing is that sometimes the politics |can be a bit hard to deal with |- language wars, and the winters are damn cold. And if you |don't speak french it can be hard to get work. But, on the |positive side, its like living in a wicked European city only |you are in North America. The people are hip, the music scene |is supportive, tight and prolific, and housing is cheap. |Plus, you can eat the worlds best bagels and smoked meat until |you are ready to burst - every day, all day! | |Also, last time I checked working under the table wasn't too hard ;) | |Good Luck! | |-Original Message- |From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] |Sent: August 13, 2003 9:37 AM |To: Dennis DeSantis |Cc: 313@hyperreal.org |Subject: Re: (313) OT - where should I live? | | |Montreal. | |Yes I know, its a Canadian city, but you described it to the letter. | |K. | |- Original Message - |From: Dennis DeSantis [EMAIL PROTECTED] |Date: Wednesday, August 13, 2003 4:25 am |Subject: (313) OT - where should I live? | | Hi folks, | | With the summer coming to a close and no steady employment | presenting | itself here in Berlin, I'm probably going to be heading back to | the US | in the next couple months. | But where? For the past decade, I've been living wherever I was | going | to school, so I've never had to actually make a decision. | | What are the cool cities I may not have thought of, with (or near) | real | performing opportunities and a vibrant artistic (not just techno) | culture? | -- | Dennis DeSantis | www.dennisdesantis.com | | |
(313) work mix
dear friends: i need a good non-groovetech mix to listen to at work today, before visiting mi this weekend (!) any recommendations? no genre specifications, just something fun. also, if anyone wants to hang out in the next couple of days. . . ben
Re: (313) Tour de France 03 video
1) i saw the real tour de france the other day 2) kraftwerk, i think, inhabit cliches quite well. 3) kraftwerk doing basic channel seems very intriguing, innovative or not. ben On Tue, 8 Jul 2003, spw wrote: Their trying to sound like Basic Channel how disappointing. That sound is almost becoming a bad cliche. --- Hans Veneman [EMAIL PROTECTED] wrote: Hi, The video of Kraftwerk's Tour de France 03 is no online at kraftwerk.com: http://www.kraftwerk.com/video/TDF03_real.html Enjoy, Hans -- Hans Veneman [EMAIL PROTECTED] http://technotourist.org =
Re: (313) Music and the Mind
I cant find that book on amazon. . . any more info about it? It sounds pretty interesting. ask the guy on the msgboard about the publisher maybe. On Tue, 1 Jul 2003, jurren baars wrote: robin pinning wrote: Does anyone else have any books they could recommend? ok i found Kodwo Eshun: More Brilliant than the Sun to be pretty good. tho i didn't know all the music discussed which was a disadvantage. also stuff in there about alice coltrane which is interesting given carl craig's direction i guess. the style isn't for everyone but once you get into it it's inspiring in a funny kind of way. a cd with all the tunes discussed on there would have been a killer addition. i sort of had the same feeling when i read it 2 or 3 years ago, actually it pointed me towards records that are now some of my favorites. it's great as a reference-book, when out shopping. i've read it again a year and a half ago, and that was a pleasant surprise, as it read a LOT easier. [took me about 2 months to finish the first time, and less then a week on the beach the second time]. and i've been thinking about compiling a cd, to accompany the book, sort of chronologically, so you can actually hear what he's talking about. and add a booklet with pictures of the sleeves he mentiones would have been a nice addition aswell. [are you writing all this down mister publisher sir?] i myself have started on 'Before Motown, jazz in detroit 1920-1960' after it got mentioned on this list a couple of months ago [then found out that i had allready saved an earlier post about the book 2 years prior august 6, 2001] and 'A Love Supreme/the creation of John Coltrane's classic album' by Ashley Kahn. i enjoy reading 'A Love Supreme' more, but that's probably because 'Before Motown' is written really fact upon fact, sort of like a history book [probably because it is] but both are very interesting, and highly recommended. especially because both writers have had the fortune to interview many people from that era, so the insight comes straight from the source. every book about these same subjects, will probably have to really in large part on what's written in these books. and i saw another book mentioned by someone on the deephousepage messageboard: 'Black Machine Music Galactic Soul, From Disco, House to Detroit Techno' by Tsutomu Noda, anyone know this and care to enlighten all us ultra-313-techno-geeks if it's worth buying for the content, or if it's just something you gotta have because it says '...Detroit Techno' in the title? jurren _ Add photos to your e-mail with MSN 8. Get 2 months FREE*. http://join.msn.com/?page=features/featuredemail
RE: (313) Re: Thomas Dolby was Re: those moxie things
no one pays attention to me. On Thu, 26 Jun 2003, The REAL Mxyzptlk wrote: well from that link his real name aint Dolby... It's one of his surnames. Something like Thomas Morgan Dolby Robertson. I'm too lazy to look it up. j
Re: (313) Re: Thomas Dolby was Re: those moxie things
I wrote this several years ago, so please forgive any poor grammar or factual mistakes therein. http://www.umich.edu/~michind/82/side.html ben tausig On Wed, 25 Jun 2003, The REAL Mxyzptlk wrote: - Dolby was always looked over as a one hit wonder with She Blinded Me with Science... Back in the day most of the people really into collecting that ilk would probably have said that ...Science was a bit past his peak - which was (imo) The Golden Age of Wireless. ***What people often forget about Thomas Dolby is that he produced and cowrote the first two albums for Whodoni, who have gone on to be sampled quite often in electronic music. Andrew Or that his dad is *that* Professor Dolby (noise redux). And that he used to play keys in Lene Lovich's band and (I think) ex-Buggles (Video Killed the Radio Star) Bruce Wooley's Camera Club. jeff np- TD : Europa and the Pirate Twins
RE: (313) Soul Music (was some nonsense spw was going on about)
nonsense. On Mon, 23 Jun 2003, spw wrote: It's not only with dance music culture but with more mainstream music like rock, country (artist going back to blue grass, folk music roots) genres like neo-soul (coke classic commercials)electronica Pop artsit like Moby. Pick up and read magazines like Rolling Stone, Vibe, I'm sure youll have no problem spotting the word soul which is a common place cliche these days. Eddie Flashin' Fowlkes get's credit for using the term first with techno way before it became common place and trendy with dance music culture. He even had the concept of soulful house and tech-house down incoporating more sample happy/ natural sounding beats. --- Benn Glazier [EMAIL PROTECTED] wrote: I must pick up my latest copy of Muzik or MixMag so I can catch up with the latest trends. I didn't realise 'soul' wasn't trendy again until 1996. You can now imagine the despair that I face when I see my 'friends' next, now that I know I just wasn't cool in 1995. Oh the humanity! =
Re: (313) Eddie Friendster Fowlkes
*sigh* http://www.friendster.com/user.jsp?id=24118 ben tausig is on friendster and looking for all the things he says he's looking for. ben tausig On Mon, 2 Jun 2003, diana potts wrote: My addiction is Todd's fault too. I got signed on from a friend in DC-Jambi and then Todd is the one who hooked me in.crack feeder. welcome to the dark side. and write testimonials FOOLS! --- Gerald [EMAIL PROTECTED] wrote: Greg Earle wrote: And if you don't have a Friendster account ... well, you're missing out on the company of such list luminaries as Todd Sines, Titonton, Diana Potts, Fixer, Mr. Plaslaiko and Yours Truly. Add me to the list. Todd got me hooked on it a few weeks ago. here's my addy: [EMAIL PROTECTED] - if you wanna be my friend. ;) Cheers! G __ Do you Yahoo!? Yahoo! Calendar - Free online calendar with sync to Outlook(TM). http://calendar.yahoo.com
Re: (313) Detroit News offering fierce competition for The Onion
This is so 1986. On Mon, 12 May 2003, Rob Theakston wrote: This was sent from a sharp eyed co-worker of mine. I found it so totally awesome and science fiction like that I need to share it with each and every one of you. _ I can't believe this was printed, with a photo of the author no less... http://www.detnews.com/2003/editorial/0305/12/a15-160592.htm It's bad enough that most hip-hop pollution is coarse, uncivilized, unimaginative, endlessly repetitious and soul deadening. In heavy metal and punk acts, there was satanic, narcissistic navel contemplation through a drug-induced haze, pyrotechnics and smoke machines.
(313) Adult. review on Dusted
http://www.dustedmagazine.com/reviews/740
Re: (313) Frictional 003?
did 004 ever get distributed? i have not found it. On Fri, 9 May 2003, Tom Churchill wrote: I noticed on Discogs that there is not a third release listed for Shakes label. It skips from 002 to 004. Was this catalog # skipped? Didn't receive a proper release? As far as I know there is no 003 - I've never seen it and I have all the other Frictional releases... If Shake's lurking on the list maybe he can confirm? Cheers, Tom
Re: (313) Movement Membership?
they had the special access cards last year as well. just an extra way to make money, i think, for people too self-important to share bathrooms with the unclean masses. I can't imagine any afterparties worth attending would require a DEMF-sanctioned membership pass. On Tue, 6 May 2003 [EMAIL PROTECTED] wrote: I got this weird email thing from Remix magazine talking about Movement 2003: DEMF (which right away had me a bit miffed as to why they added the DEMF thing at the end) I followed several links and it brought me to a page that had this info: Plans are underway for the Remix Hotel Detroit as part of the DEMF. Keep checking back here for details - we'll post 'em as soon as they become available. Click here for more info on DEMF Check out the most recent Remix Hotel event in Miami during WMC by clicking here MOVEMENT 2003 MEMBERSHIP THE MOVEMENT SPECIAL ACCESS MEMBERSHIP CARD EXCLUSIVE ACCESS RIGHTS MULTI BENEFITS LIMITED QUANTITIES AVAILABLE Be Recognized as a Member of Movement 2003 Patrons who purchase Movement 2003 Memberships will receive access to designated areas of the plaza with ample space, restrooms and complimentary refreshments. Private Restrooms Get 15% off all Official MOVEMENT Merchandise Available at the Festival Including T Shirts, Stickers and more Receive Numerous Opportunities for Entertainment, Parties, Services, Gifts, and More Movement Members will receive preferred entry into sanctioned Movement Festival after partied and off-site events. Memberships purchased before Friday May 23 will cost $30 and can be pruchased on- line at www.movementfestival.com and at various outlets throughout the Metro Detroit area BUY A MOVEMENT 2003 BUTTON Buy a Movement Festival button for $3 and show your support for the Festival. Proceeds raised through this program will go to support the continuing growth of Movement Festival. Buttons available throughout the Metro Detroit area at various outlets. Movement is North America's largest free electronic music event. To deliver a strong program of international, national and Detroit based talent we require the continued support of our partners and our patrons. They seem to be quite confused as to the name of the event but I was wondering if they really are going to have member access cards and all the crap they say you can get with itsanctioned after party and off-site events?? What the hell is a sanctioned after party? I actually followed through to the link to see if they were really doing this but found no info on the Movement website. What the hell is Remix on about?! MEK
RE: (313) demf lineup
totally On Fri, 2 May 2003, Grammenos, Peter wrote: this is last years! -Original Message- From: 21st century soul [mailto:[EMAIL PROTECTED] Sent: Friday, May 02, 2003 3:06 PM To: 313@hyperreal.org Subject: (313) demf lineup SATURDAY MAY 25 DEMF STAGE Noon The Sundiata O.M. Ex-Spear-Re- Essence (live) 1:30 p.m. Electric Indigo 3:30 People's Movement (live) 5:30 Mike Grant 8:00 Mike Dearborn 11:00 Juan Atkins MOTOR/MILLER GENUINE DRAFT DJ TOWER Noon Jay Langa 2:00 DJ Zapp 4:30 Heather Heart 7:00 Steve Rachmad 9:30 Marco Carolla C-POP/DETROIT FREE PRESS STAGE Noon Short-E 1:00 John Collins 2:30 Reggie Curry 4:00 UFM featuring Billy Love (live) 5:30 Scott Grooves 7:30 Paul Johnson 10:00 Tim Baker REAL DETROIT WEEKLY/BACARDI UNDERGROUND STAGE Noon Erotek (live) 2:00 Mad Professor (live) 3:30 T. Linder 4:30 Deep Chord (live) 6:00 Jon Tejada 8:30 Cas Roc 10:00 DJ Drama SUNDAY MAY 26 DEMF STAGE Noon Gary Martin 1:30 TBA 3:00 Blake Baxter 5:30 Eddie Fowlkes 8:30 George Clinton MOTOR/MILLER GENUINE DRAFT DJ TOWER Noon Korie 2:00 Keith Kemp 4:30 Adam X 7:00 Bryan Zentz 9:30 DJ Krust C-POP/DETROIT FREE PRESS STAGE Noon Art Payne/Keith Martin 2:30 Rick Wade 5:00 Boo Williams 7:30 Ethan Kline 9:00 Kenny Dope REAL DETROIT WEEKLY/BACARDI UNDERGROUND STAGE Noon Brian Gillespie 1:30 Stewart Walker (live) 3:00 Waxmaster D Smooth 4:30 Derrick Thompson 6:00 Chaos (live) 7:30 Bone 10:00 Dave Clarke MONDAY MAY 27 DEMF STAGE Noon Roy Davis, Jr. 2:00 Green Velvet (live) 3:30 Alan Oldham aka T-1000 6:00 Advent (live) 7:30 X Ecutioners 10:00 Aux Men featuring A Number of Names (live) MOTOR/MILLER GENUINE DRAFT DJ TOWER Noon Dennis Cox 2:00 Frankie Bones 4:30 K. Hand 6:30 Ray Bone 8:00 Colin Dale C-POP/DETROIT FREE PRESS STAGE Noon Dwayne Jensen 2:30 Greg Collier 3:30 Melvin Hill 5:00 Mike Huckaby 7:30 Ron Carroll REAL DETROIT WEEKLY/BACARDI UNDERGROUND STAGE Noon Tang 2:00 Matt Clark 4:00 Black Bottom Collective 5:30 DJ Dangerous 8:00 Traxx
RE: (313) Yay!!!
On Fri, 2 May 2003, Grammenos, Peter wrote: Ben Bracken? not to be missed. seriously. he'll likely do an incredibly inventive laptop set, lots of tiny experimental sounds--probably not dancey though you never know. He's a sweet sweet person with myriad and amazing musical talents. Wolf Eyes? DEFINITELY not to be missed. Will absolutely be the surprise of the festival for a lot of people. They are noisy a la Throbbing Gristle. They build instruments and make a fantastic racket. They rock, basically. I'd gamble that their DEMF set will be talked about for many years. You're nuts if you miss it. Ben Sent: Friday, May 02, 2003 3:20 PM To: 313 Subject: (313) Yay!!! Everyone who I wanted to see in London in May is playing @ the Festival!!! Hell yes. This is a really excellent lineup. Tristan === Text/Mixes: http://www.phonopsia.co.uk Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
RE: (313) Here we go....
yeah? name one. On Thu, 1 May 2003, Grammenos, Peter wrote: -Original Message- From: Rob Theakston [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 12:10 PM To: 313 list Subject: RE: (313) Here we go it's a good idea, considering that no one has come up with an idea to transfer vinyl onto a CD yet. PG Huh? There are lots-of-ways to do this...
RE: (313) Here we go....
impossible. On Thu, 1 May 2003, Darren Longton (Marketing) wrote: Output to input, hit play, record, save, (encode/compress if needed) done;) -Original Message- From: Data General [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 12:21 PM To: Grammenos, Peter Cc: 'Rob Theakston'; 313 list Subject: RE: (313) Here we go yeah? name one. On Thu, 1 May 2003, Grammenos, Peter wrote: -Original Message- From: Rob Theakston [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 12:10 PM To: 313 list Subject: RE: (313) Here we go it's a good idea, considering that no one has come up with an idea to transfer vinyl onto a CD yet. PG Huh? There are lots-of-ways to do this...
RE: (313) Here we go....
now THAT makes sense. ok, sorry about the confusion. On Thu, 1 May 2003, Grammenos, Peter wrote: they sell these little pans the size of cd's.. what you need to do is take the record, melt it using any handy flame over 500degrees F you have lying around, put the remains in the pan and put it out on the windowsill to bake for a few hours... -Original Message- From: Data General [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 12:21 PM To: Grammenos, Peter Cc: 'Rob Theakston'; 313 list Subject: RE: (313) Here we go yeah? name one. On Thu, 1 May 2003, Grammenos, Peter wrote: -Original Message- From: Rob Theakston [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 12:10 PM To: 313 list Subject: RE: (313) Here we go it's a good idea, considering that no one has come up with an idea to transfer vinyl onto a CD yet. PG Huh? There are lots-of-ways to do this...
RE: (313) Here we go....
But actually this reminds me of a record put out by Nate Young of Wolf Eyes under the name Etan Gnuoy (i think). It's a shiny record cut down to cd size and packaged in a cd jewel case. Very confusing. not really 313 material, but a nice example of vinyl as art. On Thu, 1 May 2003, Quest Pond wrote: Start by trimming off the excess bits of vinyl around the label. This bit is mostly useless and contains wavy lines and fuzzy noise. Next you need to boost your laser power of the cd player to read the new cd sized vinyl as its denser then normal cd. Try maybe 500Volts instead of the usual 240v for your cd player. Now your you can place the vinyl in the cd player and its ready to play no problem Quest -Original Message- From: Data General [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 5:21 PM To: Grammenos, Peter Cc: 'Rob Theakston'; 313 list Subject: RE: (313) Here we go yeah? name one. On Thu, 1 May 2003, Grammenos, Peter wrote: -Original Message- From: Rob Theakston [mailto:[EMAIL PROTECTED] Sent: Thursday, May 01, 2003 12:10 PM To: 313 list Subject: RE: (313) Here we go it's a good idea, considering that no one has come up with an idea to transfer vinyl onto a CD yet. PG Huh? There are lots-of-ways to do this...
(313) electronic music in russia
I am going to Moscow/Petersburg/northeast of Moscow over memorial day and beyond. As loud as the UBS Warburg Ford Focus PCS Vision Main Stage can get, I don't think it will be quite loud enough to reach me. I'm wondering if, as a substitute, anyone knows of any Russian electronic musicians, clubs, or record stores i should check out. I'll be surprised if there is anything in Moscow and equally surprised if there isn't anything in St. Petersburg. I love you all. BenTausig
Re: (313) Rumors about demf
the only rumor i know to DEFINITELY be true so far is that a Drexciyan commando will be playing underwater on the underground stage. Bring your oxygen tank and your waterproof dancing clothes. On Fri, 18 Apr 2003, Matt Hellige wrote: Don't forget Jeff Mills live PA/DJ set for 6 hours EACH NIGHT on the main stage [Jim Bishop [EMAIL PROTECTED]] let's see the rumors flying around right now: speedy j, kooky scientist, luomo, vladislav delay live john acquaviva, richie hawtin, luciano, dandyjack, sammy dee and zip speedy j, kooky scientist, john acquaviva, richie hawtin in one room sammy dee, luciano, zip and dandyjack in the other 5th floor of ponchartrain completely reserved for richie afterparty with rich, speedy j, sammy dee and zip speedy j, kooky scientist, richie hawtin and john acquaviva on the pool deck of the ponchartrain. pole live in the underground speedy j live in the underground which ones are true? i know do you? -- Matt Hellige [EMAIL PROTECTED] http://matt.immute.net
RE: (313) Help Finding Electro Mixes
Ferenc did it as a live mix that you could listen to online via the hotmix site, but it never had and probably never will have a proper release, so far as i know. I also don't know whether the mix is up anywhere now. On Tue, 15 Apr 2003, Sean Creen wrote: There are two other electro comps that were recommended a while back, 'Mixed Up In The Hague' by I.F On a related note, the was talk quite a while back of a 2nd volume of Mixed Up In The Hague; anyone know what happened to that? Sean.
RE: (313) Shake in Holland _ in Paris
I'm writing an article on him for Dusted Magazine (dustedmagazine.com), if anyone feels like sending along any thoughts. On Mon, 14 Apr 2003, Kent williams wrote: THIS JUST IN: SHAKE IS THE BEST *reporters rush for the phones* Shake always manages to bring tears to my eyes. On Mon, 14 Apr 2003, Grammenos, Peter wrote: this is the same exact reaction thomas brinkman had when he heard shake play... interesting. i'de love to hear him play. but when he mixed in that tune or that record from it actually made sense. -Pete
(313) Brendan M. Gillen essay in Dusted
Ectomorph on Bicoastalism and Detroit: http://www.dustedmagazine.com/features/86 ben
Re: (313) CMJ chart rigging?
for unrigged college radio charts: www.dustedmagazine.com On Thu, 27 Feb 2003, Rob Theakston wrote: don't know how many people on here this will effect, but check this out: http://www.nypost.com/business/69567.htm this one's very in-depth http://www.eastbayexpress.com/issues/2003-02-26/feature.html/1/index.html
Re: (313) sleep music
the only record i can sleep to is Jan Jelinek, loop-finding jazz records. maybe autobahn, though i've never tried. maybe music for airports, though i've never tried. ben
Re: (313) Luomo/Vladislav Delay in NYC...
Anyone besides me go to this? I was really impressed: I'm not too familiar with Luomo as opposed to his Vladislav Delay stuff, so it was kind of novel being that dance-y. I really liked the way the vocals fit in. On Tue, 14 Jan 2003, [iso-8859-1] Mark S. Kr?x wrote: Luomo/Vladislav Delay when: Sun 1.19 (10pm) where: Piano's (158 Ludlow St, 212.505.3733) price: $3 links: Luomo Your guiltless Sunday night exploitation of the long weekend gets a little saucier with this rare and exclusive New York appearance of Vladislav Delay and his alter-ego Luomo. Under this guise, the Finnish producer supplants avant chops and blips for smooth digital house. Lengthy, twilight specter and sultry female vocalists not only made Luomo's one and only album, 2001's Vocal City, an entrancing favorite on the dancefloor, it seduced critics as well. For this gig, Luomo promises favorites from Vocal City and a preview of his upcoming album on the Force Trax label. (DB) www.flavorpill.net/current
Re: (313) japanese electronic artists - nobukazu takemura
did anyone mention kaito yet? On Tue, 21 Jan 2003, Jason Hogans wrote: i know that i'm crazy late, haven't checked my list mail in a few days: nobukazu takemura. i love him. sorry if someone mentioned him already. throw his name in google. he's got a tune, i believe its called sign, some ol' double time-1/2 time-timbaland 3003-vocoded insanity. i first heard it during his set @ demf 2001 it cracked my head. he does some ambient stuff, some glitchy stuff... pretty diverse. here's a nice busy (yet mellow?) tune of his called cogwheel. peep. http://www.thrilljockey.com/NobukazuTakemura-Cogwheel.mp3 tschuss! :brownstudy
RE: (313) Mayday (or Labor Day)
im waiting anxiously for rob theakston's opinion about this. On Fri, 17 Jan 2003, Grammenos, Peter wrote: Sources said the new DEMF contract does not involve a payment to May's group. The city had paid Pop Culture Media about $340,000 annually to produce the festival. Does this mean may has to foot the bill ? -p -Original Message- From: Ian [mailto:[EMAIL PROTECTED] Sent: Friday, January 17, 2003 7:51 AM To: The Music Institute Subject: (313) Mayday (or Labor Day) Techno star Derrick May has been offered a contract to produce the Detroit Electronic Music Festival, the Free Press has learned. http://www.freep.com/entertainment/newsandreviews/dmf17_20030117.htm -- Ian
(313) Tip!
I don't know if anyone will even be checking their e-mail today. anyway, i have kind of a stupid question. On Clone's website, and several others actually, the descriptions of records in the shop are often followed by the word Tip! What does that mean?? ben
(313) dj hell in the sunday nytimes:
well. . . Neglected Beats From Belgium By NEIL STRAUSS If you were asked to name your favorite musical style of the last quarter-century, you probably wouldn't mention Belgian new beat. The name itself smacks of trend marketing, as does that of the Belgian genre it grew out of, electronic body music. And, truth be told, new beat slipped through America faster than a broke student jumping a subway turnstile. The music was concocted in the days just before techno was exported from Detroit to Britain in the late 80's, when the electronic music white teenagers were dancing to was a mix of industrial, house, Eurodisco and new wave. New beat took all those pieces, smoothed out the edges and slowed it all down into cold yet sultry sequenced dance-floor anthems. advance this cause is DJ Hell's Electronicbody-Housemusic (React), a two-CD mix set. Years before the word electroclash ever came into use, DJ Hell (Helmut Geier), one of Munich's leading disc jockeys, formed a record company, International Deejay Gigolos. It has become one of the leading labels of its kind, releasing an array of retro-minded electro singles that walk the line between quality and kitsch (best represented on the compilation American Gigolo Mix). Taste and depth of knowledge are DJ Hell's fortes, amply shown on this mix set. The first CD focuses on house and electro, with pioneers like Derrick L. Carter and Bobby Konders mingling with acts who have newly arrived at dance via rock, like Mount Sims and The Juan MacLean. The second disc is the more interesting, looking back to the electronic body music of the 80's, which has dated remarkably well. Included are the lock-and-load rhythms of Headhunter and Masterhit from the Belgian industrial band Front 242 and the hammer-on-metal beat of The Bog by their fellow Belgians, Bigod 20. The early-80's minimal electro-soul of the German act Liaisons Dangereuses is also a nice surprise, along with the industrial dance music of Nitzer Ebb and Chris Cosey. Finally, just to ensure that no 80's white club subculture goes neglected, DJ Hell caters to the Goth set with a remake of the Bauhaus song Bela Lugosi's Dead.
Re: (313) ableton live 2.0 public beta out
how much is it again? b On Thu, 12 Dec 2002, ::) wrote: so buy the software. no one is telling anyone to pirate anything. its great stuff, you SHOULD be rewarding the developement of tools like this. then you have nothing to worry about. -Joe - Original Message - From: rob buse [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 4:59 PM Subject: RE: (313) ableton live 2.0 public beta out And they bring in the thugs with guns to make users show ID ? How could they get the artist or venue to stop ? I'm glad I write my own software .rob [EMAIL PROTECTED] wrote: I was told they carry around a laptop with names of registered users. -pete -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:33 PM To: Grammenos, Peter; 313@hyperreal.org Subject: Re: (313) ableton live 2.0 public beta out I wonder how you tell just by looking at the screen? - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 12, 2002 1:31 PM Subject: RE: (313) ableton live 2.0 public beta out I heard a funny store about abelton (well not funny for the artist). Apparently there are abelton software police that go to gigs and look over the shoulders of artists during performances. If it's an unlicensed copy, they stop the show! This happened to an artist in Berlin, Germany. Beware software crooks ! -Pete -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Thursday, December 12, 2002 4:28 PM To: 313@hyperreal.org Subject: (313) ableton live 2.0 public beta out I forgot to send this the other day, but there is a public beta of live 2.0 available for download from www.ableton.com -Joe ___ Sent through e-mol. E-mail, Anywhere, Anytime. http://www.e-mol.com data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
(313) Sad news
Stereolab's Mary Hansen Dead at 36 Ryan Schreiber reports: Mary Hansen, singer and guitarist for the experimental pop group Stereolab, died on Monday after being struck by a car while riding her bicycle in London. Martin Pike, co-owner of Stereolab's Duophonic Super 45's imprint with Tim Gane and Laetitia Sadier, was extremely saddened by the loss when we spoke with him via telephone this morning. It's incredibly tragic, said Pike. We're all going to miss her. It's just a bit too soon. Even though it happened on Monday, all of us only [recently] found out. We're all still very numbed by it all. The band's official statement reads: The suddenness of her death has shocked the band. Mary was a special person. Our thoughts are with her family and friends who will miss her greatly. Hansen, originally from near Brisbane, Australia, joined Stereolab in 1992 after the release of Peng!. She also contributed vocals to bands such as Moonshake and The Wolfhounds, and made appearances on releases by Mouse on Mars, Brokeback, and the High Llamas, whose Sean O'Hagan has been responsible for brass and string arrangements on many a Stereolab LP. Mary Hansen was 36.
Re: (313) 313 vinyl recommendations
the new amp dog night (kdj) on mahogani!! a must have b On Fri, 6 Dec 2002 [EMAIL PROTECTED] wrote: How about Every Dog Has Its Day 3 - if only for the last track? The vinyl is a bit pricey but worth every penny IMHO Dan -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: Friday, December 06, 2002 1:37 PM To: 313@hyperreal.org Subject: (313) Vinyl recommendations I'm going to go on a bit of a record-buying spree tomorrow - the first in several months in fact. I was wondering if anyone had any particular recommendations for essential records that have come out over summer/autumn this year? Aside from the obvious, of course, such as: - all the new UR/Los Hermanos/Red Planet things - The Robert Hood stuff on Peacefrog and Logistic - Metro Area album - Those Music Box bootlegs - The release on OurTime Anything else to add to my list? Thanks! Brendan data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
RE: (313) what the hell is this?
also well-worth checking is rob theakston's bio page. b On Thu, 5 Dec 2002, John Bush wrote: anyone on this list work with All Music Guide? explain please Man, I was picturing a photo of Johnny Mathis on Rob Hood's page before *ever* expecting to see a tidbit like that!! There are quite a few joke pages on AMG, if you know where to look -- it never hurts to plug into the search engine any of the bylines from the end of reviews, or such. Mine isn't much of a hoot, but Mr. Jason Ankeny's biography has one of my all-time favorite bits: In his off hours he continues to freelance for AMG, at least when not working on his pet project Tigga Please, a proposed live-action adaptation of the classic Winnie the Pooh series starring rapper Ol' Dirty Bastard as Christopher Robin. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, December 05, 2002 2:12 PM To: 313@hyperreal.org Subject: (313) what the hell is this? I was scanning various genres of music on allmusic.com and came across this - http://www.allmusic.com/cg/amg.dll?p=amgsql=Bzjuvadzkl8wj anyone on this list work with All Music Guide? explain please it's quite funny MEK data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
(313) the sh*t remix
here is mine http://www.weretwins.com/ch/theshit(typewriterversion).mp3 please tell me what it is that you think of it. b
Re: (313) Who used the 303 first..
isn't it possible that it was discovered independently by several different people? Marshall Jefferson has told the story of finding and liking the classic 303 sound before he knew anyone else was doing the same thing. On Wed, 27 Nov 2002, Toby Frith wrote: This is from a thread on the forums of www.discogs.com = Re: Who discovered the 'Acid House' squiggle on the TB303? I always thought it was Spanky and Pierre but nope, it was a UK band called Section 25 on Factory Records (New Order,Joy Division,Happy Mondays etc). They were one of the first people in the UK to buy one (the TB 303 was only available to buy between 1982 and 1983 - only 20,000 were made!). Anyway - just before Section 25 went on a major North American tour they purchased a 303, did a bit of 'tweaking', found the squiggle and incorporated it into their live set - specifically 'Looking from a Hilltop' (one of Derrick May and Juan Atkins all time favourite tracks, and a massive Paradise Garage and Warehouse favourite) and 'Beating Heart' which had an extended remix made using the 303 in 1983! Section 25 toured the States extensively between 1983 and 1985 specifically Chicago, Detroit and New York showcasing this new sound and tracks from these dates can be heard on their 'Deus Ex Machina' live CD. The version of 'Hilltop' sounds totally Acid House - they're using an 808, 303 and a Juno 106 which became a standard Acid set-up by the Chicago crew. So this story about the 'squiggle' being discovered in Pierre/Spank's bedroom is totally blown out of the water! For more details go to www.section25.com and check out their biography - specifically 18. 'Second US Tour' - and their live kit list. data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
RE: (313) books on techno
There's a book, I think I might have mentioned it a long time ago, called What Kind of House Party is This? Berkshire, England: Mind In You Publishing, from 1995. published by a British fellow named Jonathan Fleming who had little knowledge of electronic dance music in the states, but an interest nonetheless. and he travelled to chicago and detroit and new york doing interviews with a huge variety of house/techno/garage musicians including all the usual pioneering suspects. the interviews are very candid and unusual, and include a number of what I think would be considered shocking (to 313 and others) statements. I'm a bit suspicious of the factuality of it, being that its self-published and I've never heard anything else about the author, but it seems for the most part pretty legitimate. I have no idea unfortunately of how to get a hold of it other than borrowing. It's not a great narrative of techno's history, but it's some good and definitely unique insight. ben On Mon, 25 Nov 2002, Kim B wrote: Thanks for pointing out some books to read on the evolution of Techno. I found that one of the most amazingly written books on electronic music from the beginning is: Generation Ecstasy: Into the World of Techno and Rave Culture; by Simon Reynolds. The opening chapter which he refers to as the beginning is about the Detroit Three: Kevin Saunderson, Juan Atkins and Derrick May I found his writing style to be quite entertaining. He charts the timelines of Techno, House, Garage, Trance, Jungle, Gabber...etc. from North America to Europe. There are a lot of quotes from electronic music pioneers which he uses liberally throught his work. He covers not only partying, but radio stations, pressing, labels as well as style (like the mode of dress, and paraphenlia...) A great read IMHO. cheers K. _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE*. http://join.msn.com/?page=features/virus data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
RE: (313) Musicbox Vol.2
is either volume available anywhere not as a bootleg? On Tue, 26 Nov 2002, Matthew MacQueen wrote: The previous weekend I got a copy of the bootleg Musicbox Vol.2. It contains original 12 and edit versions of classics like Los Ninos del Parque, Sharivari, Die Domina, Tour de France, etc... Can anyone confirm or deny that the version of Die Domina on that bootleg is actually pressed at the wrong speed??? or is that the way Ron Hardy used to play it or what? Dr. Attaman had dropped that knowledge on me.. he's got an original. (Kraftwerk side project, right?) I am supposing there is a Vol.1. Can anyone confirm or deny? If you can confirm, what is the track listing? Yes there is... can't recall all the tracks exactly but there's a killer re-edit of Tom Tom Club's Wordy Rappinghood which to me is worth the expensive price. I was told that the vol. 1 are actually reel-to-reel re-edits that Ron Hardy made himself? (or were they just ones he played?) In general I think the cuts Vol. 1 are harder to find than the ones on Vol.2 Like, isn't Kraftwerk's 'House Phone' on Vol. 2? Like that is a great cut, ok, but you can find an original 12 of it anywhere for a fair price a great link on the Chicago's Music Box era and Ron Hardy era is (former 313'er) Jason's Martins site: http://www.suenomartino.net/ronhardy.htm and while you're there check out his incredible shots of the Detroit's Music Institute reunion party after DEMF 2001 http://www.suenomartino.net/musicinstitute.htm with killer photos too!! peace, Matt MacQueen data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
(313) message and method
Did anyone make it to this? Dan maybe? November 21, 2002 6pm:::MESSAGE AND METHOD Detroit's Impact on Modern Electronic Music Hosted by Dr. Stephen Pender of the University of Windsor Guest Speakers DAN SICKO author of TECHNO REBELS ALAN OLDHAM dj/producer Pure Sonik Recs. CORNELIUS HARRIS Underground Resistance location: Metroplex Room 2nd floor of Submerge 3000 E. Grand Blvd. DETROIT
(313) please
:: is the Metro Area APT party in NYC a monthly event? If so, what is the schedule etc? ben
Re: (313) Aphex Twin? Ectomorph?
the artists are marco passarani (not aphex twin), ectomorph, I-F, and I'm not sure of the fourth. this is an interview with Marco from about six months before the album was released: http://ear.d2b.org/marco_passarani.php?order=chronological He explains the anti-nuclear theme a bit. ben On 15 Nov 2002, Arne Weinberg wrote: Hello folks! I have a record that comes without any info about the artists and therefore I would like to ask all you trainspotters out there for a little bit of help. It is a 12 in clear vinyl with a big coloured Radioactivity sign on the labels. There is an info on the cover that tells: Mururoa - Stop it! All profit made from this EP by participating artists and record companies will be donated to charities that can help end nuclear weapons testing On the back of the cover are more infos in french, italy, english and dutch I really think that there are 4 different artists on this record like the cover also saysfrom different places around the world ( The hague, Detroit, London, Rome) have joined together One track sounds really like Ectomorph and another like Aphex Twin!! Does anybody know this record and can tell me more about it? Artists? Thanx in advance. Arne -- ??? www.arneweinberg.de STARBABY Rec. DOWN LOW MUSIC NATIVE Rec. KEYNOTE Rec. (ex-Ground Zero Rec.) ??? data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
Re: (313) Here We Go Again
where did you find the mahogani 12/where is it currently available? bentcrayon does not yet list it. ben On Wed, 13 Nov 2002, Rob Theakston wrote: Picked up the Mahogani 12 (which is pure Kenny all the way through) AND the new Theo Parrish Mix CD Contemporhythms. Anyone heard this yet? It's probably my favorite of the bunch, tying with Live in Detroit '99. rt data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
Re: (313) Essential reading...
I actually sort of dislike that book. It's true that it is historically smart, but it has an unfortunate pseudo-mystical approach and gets uneccessarily cynical at certain places. Plus it disses freeform radio. ben On Wed, 23 Oct 2002, Tom Robbins/Magic Feet wrote: I've got a copy and it's a good book. Yeah, much of it will be obvious/familiar to anyone who'd been DJing a while, but then there are plenty of things in there you won't have thought of too, and let's face it, there are loads of aspiring DJs out there who need a book just like this. The authors are very much concerned with promoting DJing as an extension of a love of music and not a career path. They just recognise that a lot of people start for the *wrong* reasons and need some pointers. Trust me, it's worth reading. The authors know their onions (even if they are Dad house mafiosa :-). TOM I'm sure the only way you can learn how to mix is just do it yourself and keep trying but I'm sure it's entirely possible to learn some useful tips on programming and the business by reading a few books about it - the more input you get from as many people as possible the more chance you have of becoming a good DJ surely? What I don't like is reading books telling me how to become a successful DJ - I don't need to be told what music to play and how to get gigs in big clubs - surely most people DJ because it's fun, not because they envisage a career and a jetset lifestyle? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, October 23, 2002 4:44 PM To: Langsman, Marc Cc: 313@hyperreal.org Subject: Re: (313) Essential reading... I laughed at first but then... the authors are the same that wrote Last Night a DJ Saved My Life which is a fantastic book on the history of the DJ - without seeing the book in person I'd assume it's probably not too bad. MEK Langsman, Marc [EMAIL PROTECTED]To: 313@hyperreal.org .COMcc: Subject: (313) Essential reading... 10/23/02 11:29 AM Saw this in the bookshop round the corner to my office today http://www.amazon.co.uk/exec/obidos/ASIN/0593049667/ref=sr_aps_books_1_1/202 -3520456-9580619 was p!ssing myself for about 15mins :] -- -- -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
(313) a construction
This song is an interpolation of the last meeting of the Amalgamated League of Spies, union 114, which occurred December 13, 1971. www.weretwins.com/ch/skipping.MP3 thanks to C.L. Franklin cockroachhuxtable
RE: (313) Metro Area interview
speaking of, i just got metro area #4 and i'm floored. My favorite of theirs yet, though i still havent' heard #1. but i have a question: for the a-side we are told to listen at 45rpm, which sounds right, but then the b-side sounds way more like it's supposed to be played at 33. Is it possible to make vinyl in such a way that one side is 45 and the other 33? Or do you have to slow down/speed up one of the sides in production? ben On Sun, 13 Oct 2002, J. T. wrote: yeah i know lots of people who still prefer morgan's earlier techno stuff..i like it as much as anything else he's done. that some producers could've made a career out of; unfortunately, except for some of the other Environ material, it looks to have been a bit of a one-off. Maybe I'm just a sucker for that sound, but no not a one off at all, morgan does brilliant techno on ep's like: quadrilocular - metamorphic '94 etymon - metamorphic '95 environ 1,2,3,4 an ep on the defunct multiplex (denmark) i'm forgetting the title of..very good.. 2 records on fragmented, both excellent.. 21/22 trace elements 3 and yeah a track or two on those 21/22 fusion tapes.. suggesting this is blackmail material is insane, they are some of the dopest melodic techno songs ever made..i dont think morgan looks down on the old stuff just moved on, and really i think the stuff he is doing on metamorphic lately and recent remixes arent that much removed from his old sound... the only one morgan did that is blackmail material is under the name ghee, a track that came out on an australian label and is some really goofy stuff...im probably gonna get in trouble for mentioning it! darshan had a few solo releases as well...he has come a long way.. jt _ Join the world?s largest e-mail service with MSN Hotmail. http://www.hotmail.com data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
Re: (313) is bmg still on wcbn 88.3
generally Carlos Souffront does Crush Collision these here days. b On Fri, 20 Sep 2002, DJ HEAT wrote: does anyone know __ Do you Yahoo!? New DSL Internet Access from SBC Yahoo! http://sbc.yahoo.com data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED]
[313] james duncan/metro area in nyc
So I went to that show last night, and really really liked James Duncan. Morgan Geist played for a bit, and he's super impressive, but James Duncan was pulling out some really weird, seemingly old records that I didn't recognize at all. The tracks he played were really soulful, often with female vocals, and the music kind of sounded like a cross between michael jackson and YMO. Not quite disco, but I couldn't put my finger on what era or place these songs came from. Is anyone familiar with him in general? Does he produce? Know anything about the records he drops? thanks, ben - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] your most soulful DJ?
carlos souffront shake On Fri, 9 Aug 2002 [EMAIL PROTECTED] wrote: Also - maybe it's not just one person - give me a list of top 5, 10... whoever you'd pay time and again to see because you know you're going to walk out floating on clouds I'm really curious (and it'll give me a list of people to check out possibly) MEK Michael.Elliot-Knight @fallon.com To: 313@hyperreal.org cc: 08/09/02 02:36 PMSubject: [313] your most soulful DJ? Hey all- I know it's a big and open question to ask but I'm curious to hear who - in your own opinion- is the most soulful DJ. What I mean is - for you who is the one whose got it and manages to bring it to your heart every time. And I'm talking only DJs here. Now I know that people will want to argue about what is soulful and what isn't - personally I don't care - and I really don't want to hear any negative comments please - I'm just interested in the positive. I don't want to see this go down as a Richie Hawtin doesn't play soul music thread - if your grandma is the most soulful let me know and I'll respect your opinion. Give some examples or details if you want. I'm not looking to stir up controversy - just want to see who makes the list(s). Please keep this a fun discussion (argue off list). MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] the drexciyan star
While I think the new record is pretty good, this is what drexciya did to get a star in their name: http://home.columbus.rr.com/starfaq/#two not too mysterious after all. i like The Quest-era thematics much better. b - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] another track id
for a song with a male voice singing the refrain I wanna go down on you b - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] lalala
my cherie amour, maybe? ben On Mon, 29 Jul 2002, Sakari Karipuro wrote: Lester Kenyatta Spence wrote on Mon, 29 Jul 2002 about following: what is the name of the stevie wonder song that has the latin flavor and the hook lalala? one track comes to my mind, another star but i'm not 100% sure. as i haven't heard the original.. i only have the great cover version by kathy sledge (of sistes sledge) with production by roger sanches (he used to do some really wicked stuff many years ago) sakke -- Progressive clubs are pathetic two years behind the times. - Dave Angel 1993 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] force inc/mille plateaux top releases
snd stdio mille plateaux, if it's not already on yr order! akufen my way force-inc b On Thu, 25 Jul 2002, Greg Lee wrote: Hey, Just wondering what everyone's favourite releases are on these group of labels? Filling out an order and have room for a little bit of experimentation. greg lee kamloops, bc - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] tresor interview
an interview i did with carola stoiber of tresor in March: http://dustedmag.com/features/2 the site is also worth checking out in general; lots of reviews of techno and otherwise. b - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Senor Coconut
speaking on atom heart(tm), does anyone know whether he was involved in the DOS Tracks record? (the album is called :) i think) also, since the Rather Interesting pressing was a re-release, who put out the original? b On Tue, 25 Jun 2002, Paul Wise wrote: I love his trans europe express It's atom heart isn't it G... just found this out today :-( Oh well, it's too late for me, but for any Brits out there who care, Mr. Coconut is playing live this week: DAVID BOWIE'S MELTDOWN at the ROYAL FESTIVAL HALL, LONDON, UK WEDNESDAY, 26th June, 8pm - ROYAL FESTIVAL HALL, London, UK THURSDAY, 27th June, 6.45pm - THE BALLROOM, London, UK FREE!!! FRIDAY, 28th June, 7pm - THE BALLROOM, London, UK FREE!!! The Royal Festival Hall and the Ballroom are both in the main South Bank Centre building (Belvedere Road, London SE1 8XX) More info at: http://www.atom-heart.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] italy
Hi, I'm going to Italy in a week; any recommendations for record shops, clubs, shrines to various patron saints of electronic music? I'll be in Rome for most of the trip but also travelling aimlessly for a few days. thanks b - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Italo disco top fives anyone?
Art Bell, the late night talk show host who does a lot of stuff on EVP's, ghosts, conspiracies c., sometimes uses Giorgio Moroder's THE CHASE in the background behind different segments. Not quite as rare, i know, but kind of funny for 2002. ben On Fri, 21 Jun 2002, Matthew MacQueen wrote: automat - droid (italo before italo was italo! covered umpteen times, and apparently appeared early on as the theme to a brazillian tv news show...nice!! Funny you mention the TV thing, last time I was scouring Gramaphone in Chicago for used italo, Andy Moy (one of the oldest school employees there, really nice guy too) was telling me that back in the early 80's on ABC Sports they were used to use italo tracks by Trilogy and Dharma to use as intro music to the sports shows... so appropriate that for that highghtened dramatic cheese factor ... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] please help (Sharevari lyrics)
possible revisions?? Some bread and cheese and fine white wine Designer sheets(chic?) are a matter of time (??) Could these(this?) be the real thing Or is this just another fling? Seen by millions nationally (L'oumo Vogue, Playgirl, G Quarterly) Because it's (he's) down on his (ettiquete?) Shari vari is really it *chorus* Shari Vari Shari Shari Vari Smoking on his cigarette Listening to his car cassette Cruising with his hot playmate In his Porsche Nine Two Eight Heading for the heighest heights For the climax of the night The people there they just won't quit Because the music is really it *chorus* Shari Vari Shari Shari Vari *chorus* Shari Vari Shari Shari Vari Smoking on his cigarette Listening to his car cassette Cruising with his hot playmate In his Porsche Nine Two Eight Heading for the heighest heights For the climax of the night The people there they just won't quit Because the music is really it *chorus* Shari Vari Shari Shari Vari Cheers, R. --- f:un[x]iun http://www.funxiun.com Electro, Techno and more ... --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] don't make estate tax permanent (not off-topic)
the estate tax doesn't even come close to affecting the middle class. you need to make upwards of $200,000 for it to be levied upon you. whether gw has it in mind or not, such activity ends up affecting minorities disproportionately, because they are clustered in lower tax brackets and do not see any repeal. please consider reading Thomas Sugrue's The Origins of the Urban Crisis: Race and Inequality in Postwar Detroit. It is rife with such examples of government policy intended to benefit large corporations and wealthy individuals who will ostensibly then pay the community back in kind by providing jobs, funding the arts, and remaining loyal to the region that gave them a break. but they never do, and this story is a big part of detroit's situation. tax breaks for the rich will never ever trickle down to the poor. abolishing the estate tax is a true waste of your money as a taxpayer. ben On Wed, 12 Jun 2002 [EMAIL PROTECTED] wrote: Yeah, but isn't what is really hurting agricultural families is corporate farming? it will also prevent the current middle class from acquiring the wealth they need to make the leap to being rich. I have a problem with this - making the leap to being rich means someone else is making the fall to being poor - that money has to come from somewhere. What is wrong with being middle class? Why is accumulating more privately held wealth seen as progress? MEK Holly MacDonald-Korth To: 'Lester Kenyatta Spence' [EMAIL PROTECTED], 313@hyperreal.org [EMAIL PROTECTED]cc: .comSubject: RE: [313] don't make estate tax permanent (OT) 06/12/02 12:06 PM sorry to do this. but i strongly disagree. it greatly hurts agricultural (farmers) families. it also disincents anyone to work hard, becuase so much is taken away at the end. granted, the rich will get richer. but that will happen no matter what. it will also prevent the current middle class from acquiring the wealth they need to make the leap to being rich. -Original Message- From: Lester Kenyatta Spence [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 12, 2002 10:25 AM To: 313@hyperreal.org Subject: [313] don't make estate tax permanent (OT) sometime soon, the senate is going to vote on whether to make the repeal of the estate tax permanent. this tax, paid only by the wealthiest of the wealthy upon inheritance, if repealed permanently would further increase the gap between the wealthy and the rest of us. i don't usually ask people on the various lists i participate in to call their senators, but i feel very strongly about this. if you have a bit of time to call or email your senators, and you believe the estate tax should NOT be repealed permanently, please contact your senator: http://www.senate.gov/contacting/index_by_state.cfm If you want information about the estate tax (albeit from my viewpoint) check out: http://www.responsiblewealth.org/action_alerts/index.html please feel free to forward. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] dfa records
Anyone know anything about this label? their site is http://www.plantain.net/recording/records.html but it doesn't have a lot of into. i heard three of the 12s all of which were excellent, including a morgan geist version of the rapture's house of jealous lovers. ben - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] OT: globalization [was: sumberge.panel]
something that could be stopped if only we got enough people to sign petitions. brian -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Wednesday, June 05, 2002 7:15 AM To: 313@hyperreal.org Subject: [313] submerge.panel yeah this is a little late but. i was at the submerge panel saturday morning of demfit had a very pro technology flavor to it...imo that is rather problematic since technology has played a _large_ part in the rising levels of inequality both in the united states (the income of the poorest 20 percent of households has fallen in real terms by about 15 percent in the last 25 years) as well as in developing countries (increases in technology have led to globalization which has led to dramatic increases in inequity in these countries)..i understand that the panelists were not there to speak on such things but all of us have a responsiblity to understand our place in the world back to the music kathleen mail2web - Check your email from the web at http://mail2web.com/ . - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _,.., /_/_/_/_/_/_/_/_/ jamie /| /_/_/_/_/_/_/_/,-' hurlbut / / /_/_/_/_/_/_/,-'/ / /_/_/_/_/_/_,:../ / |,' hurlbotics.com |/ ' - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] akufen
! That's really funny that you call it timeless. I just reviewed that record for next week's dustedmag.com and the review was about it being a timeless album. It is, though. It's really funky in a way that doesn't scream 2002! The samples are taken from broadcasts picked up on a shortwave radio in northern canada, and transformed into pseudo-house, pseudo-giorgio moroder dance hits. I second the high recommendation! More on the topic of detroit, i just got the arpanet record. Upon one listen I was very pleased! Nothing I wouldn't have expected. . . ben On Fri, 24 May 2002, Zachary Lubin wrote: highly recommended.. akufen-my way force inc. really inspirational production and some timeless pieces. = zachary lubin zacharylubin.com __ Do You Yahoo!? LAUNCH - Your Yahoo! Music Experience http://launch.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] akufen
it is! On Fri, 24 May 2002, Grammenos, Peter wrote: Just curious, is the song Deck the house on there? If not, I am going to have to ask a certain someone for my record back ;) 313 Related --- T-10 hours till i'm in the D and off to the UR Cabaret -Pete -Original Message- From: Mxyzptlk [mailto:[EMAIL PROTECTED] Sent: Friday, May 24, 2002 12:01 PM To: Zachary Lubin; Global Techno; 313 List Subject: Re: [313] akufen At 09:41 AM 5/24/2002, Zachary Lubin wrote: highly recommended.. akufen-my way force inc. really inspirational production and some timeless pieces. Track 7 is incredible. [EMAIL PROTECTED] has some nice, rare stuff by him, Brinkmann and the whole Mutek crowd. Some 12s, some cdrs. Mostly unreleased and very limited runs. jeff - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fwd: too much gear
plus the first guy has a dog. ben On Fri, 17 May 2002, Eric Scuccimarra wrote: Not sure about this one... This one looks like less stuff crammed into more space. I think that the first guy actually has a lot more. At 03:06 PM 5/17/2002 -0400, :P wrote: nope, Amanda has him completely beat http://www.cikira.com/GearPile.html now that I think about it, I should thin my studio out too :) -Joe - Original Message - From: Mike Taylor [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, May 17, 2002 2:44 PM Subject: [313] Fwd: too much gear http://acapella.harmony-central.com/Forum7/HTML/009209.html this guy has the most ridiculous studio I have ever seen. mt _ Join the world's largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Baby Ford / Zip
I don't agree with this. In terms of substances, illegal drugs are illegal everywhere, more or less regardless of the city you're in. any number of individual and cultural factors lead people to choice between different kinds of drugs when they go out. to me, that's just one among a great number of reasons why demand for certain styles of dj-ing goes way beyond alcohol age limits. ben On Thu, 16 May 2002 [EMAIL PROTECTED] wrote: I think there actually is some truth to this, and it's not necessarily a bad reflection on European DJs. The most plausible theory I've heard is that it's to do with the higher age limit for buying alcohol in America. Americans from 18-21, when they go out to a club, can't (legally) drink, and so to them it's more of a directly musical experience - they want a DJ to actually keep them interested throughout the night, and are less fussed about being able to dance, so a culture has evolved whereby American DJs with good track selection but no deck skills often don't go down well with the 18-21 club audience, which is sober enough to pay attention to what's going on. In Europe, the younger audience is more likely to be drunk, and therefore less likely to notice an unoriginal or even slightly bad mix - they want to dance, not watch DJs perform. If any evidence could be found backing up this theory, it might involve looking at the more 'debauched' scenes in US dance music history, such as the Loft and the Paradise Garage, where copious amounts of drugs and drink led to a culture where crowds revered DJs whose mixing skills were actually pretty crappy. I've seen certain Detroit bass DJs, with excellent skills, lose the crowd here really badly because people don't really want to watch some insane skills, and find it hard to keep the rhythm with a DJ who's constantly doing tricks and never letting a record run for a while. In the sphere of techno, particularly, the whole notion of a techno DJ doing deck tricks has always been a slight novelty - I remember seeing Claude Young in London about eight years ago, and people were shocked into silence even by backspins, let alone beat-juggling or crab scratching! I loved it myself... but there just isn't the call for hotshot deck tricks in the DJ trade over here, really. The main questions seem to be, i) does he choose good tracks?, and ii) can he play for two straight hours with no major f*ckups? Brendan -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 16 May 2002 16:40 I think fans of Detroit techno get spoiled by the incredible skills Detroit DJs have. Its something far more important to Detroit DJ culture than European DJ culture (yes, there are a lot of exceptions) uh...that why i said there are a lot of exceptions. It's still one of the lamest comments I've ever seen posted on 313. What is this theory based on ? Legal Disclaimer This message contains confidential information and is intended only for the individual named. If you are not the named addressee you should not disseminate, distribute or copy this e-mail. Please notify the sender immediately by e-mail if you have received this e-mail by mistake and delete this e-mail from your system. mail transmission cannot be guaranteed to be secure or error-free as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. The sender therefore does not accept liability for any errors or omissions in the contents of this message that arise as a result of e-mail transmission. If verification is required please request a hard-copy version. This message is provided for informational purposes only. our website at: http://www.widelearning.com Wide Learning is a trading name of Wide Multimedia Ltd Registered office: 33-41 Dallington Street, London EC1V 0BB Company number: 3339664 VAT number: 690 8399 83 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] motor detroit
On Tue, 14 May 2002, :P wrote: can anyone tell me whats happened with this place? they suddenly turned into a trance club... they really quit getting good techno talent really suddenly.. is there any other clubs in detroit that are picking up the slack? whats the atmosphere like at porter st? I have no input about Motor, but my one experience at Porter St. (shake, about a month ago) was great! The sound system is nice, the atmosphere is tasteful and good for dancing, and from the periodic updates i get about their shows it seems like they're pretty seriously committed to bringing in quality people. I've definitely been wanting to go again since the first time i went. ben - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Eminem/PSB/gay rapper...
Don't know if this is who you're referring to, but on the subject of gay hip hop there was a cd by a group called ghetto rainbow that came out (no pun intended) about a year ago. i see their website is still up, too . . . http://www.ghettorainbow.com ben On Sat, 27 Apr 2002 [EMAIL PROTECTED] wrote: Don't remember the magazine (XXL or something) but there is a gay rapper who is out and is very explicit about his wants and needs. Wish I remembered his name - I'll see if I can find the article. MEK sean deason [EMAIL PROTECTED]To: Phonopsia [EMAIL PROTECTED] .netcc: Cyclone Wehner [EMAIL PROTECTED], 313 Detroit 313@hyperreal.org Subject: Re: [313] Fw: Moby Responds To Eminem... 04/26/02 09:17 PM Please respond to seandeason whoa! how'd you make the jump from Moby to PetShopBoys?? To tie it all together: word is that the PetShopBoys have a video/song about a gay rapper who is an Eminem satire. I'm not making this up. and isnt PSB playing the State Theater in Detroit? glanced at the schedule briefly on MTV.com. thats where I got the gay rapper info thingy too :^) sean deason Phonopsia wrote: - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Friday, April 26, 2002 12:54 PM Subject: Re: [313] Fw: Moby Responds To Eminem... Yes, but have you seen what Eminem raps about not only Moby but 'techno'? I almost posted it but I didn't wanna spark off another 313 debate. He should know better with his connections. Yeah. Wasn't he spotted at The Wizard gig in Daytwah? I'm interested to hear the new Moby. I'd hate to revisit the thread from the last time around, but he can make good music and it would be nice to see him veer back towards his roots. I played his remix of the Pet Shop Boys Miserablism a couple of weeks ago, and I periodically revisit his Ambient album. All-told, I love his political persona, even if I haven't liked his music in a while. Anyone else see The Pet Shop Boys are playing St. Andrews (I think) on the Monday of DEMF? I think it conflicts with the finale. Such poor timing... I'd love to see Neil Tennant wandering about Hart Plaza in a Behavior-era opera gown. :) Tristan --- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Shake interview w/ Metrotimes
Is this show 21 and over, does anyone know? thanks ben On Thu, 18 Apr 2002, Bill Van Loo wrote: Thanks for the link, Keleigh. I'm planning on going to Porter Street for the first time tonight to see Shake. I'd urge anybody else in the area to go check this out, too. I feel bad that I haven't been able to make it out to Porter Street yet, but this is definitely one that's got me excited. I think Shake may be my favorite Detroit DJ, actually. He's definitely in my top 3. Go see support this man if you like a DJ with a sense of adventure. BVL -- http://www.chromedecay.org www.metrotimes.com -- click on 'Shake' under frontpage pic. reminder: Shake will be djing tonight at Mixworks, 1400 Porter ST. 10p. thanks. _ Join the world?s largest e-mail service with MSN Hotmail. http://www.hotmail.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- http://www.chromedecay.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FW: DEMF- Larry Heard, Moodymann, Hanna...
Where does this come from?? ben On Sat, 6 Apr 2002, Otto wrote: Just when you thought they couldn't top last year's lineup... That's it, I'm booking my flight. Otto - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] SHAKE - Unsterilized Session [Frictional]
Shake's Assimilated 12 from 2000 has never failed to blow my mind. Not once. I've tried to listen to it casually but it's impossible. It always grabs me and I have to stare at the speakers or something. Does frictional have a webpage, by the way? ben On Tue, 19 Mar 2002, Jonny McIntosh wrote: Does Shake ever disappoint? Frictionalized and your little black robot have been staples in my sets/mixtapes for the past few months. I beleive that shake is one of the more underrated prodcers out there.He may not be as popular as some, but his tracks are timeless. Waiting for Russell, and tracks for my father still kill each time I hear them. Definitely. Shake's out on his own and, to my mind, the best example of techno as modern jazz. Maybe not in sound, but definitely in spirit, which is more important anyway. I'm still looking for a copy of Waiting For Russell, so if anyone's got a spare... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Adult 7
I found the new 7 a bit disappointing. One of the tracks, modern romantics, is an (imo) inferior mix of a plasma co. song and the other one just didn't catch me. But then I also heard a 12, which i think is also new (i don't own it, someone played it for me) and it was outstanding! It had a Solvent remix, the original track, and one or two other remixes as well. ben On Fri, 15 Mar 2002, Sean Creen wrote: Has anyone heard the new Adult 7?? I ordered 3 copies from Record Time, but they havn't shown up yet. Mine turned up yesterday; only got a chance for a quick listen last night - it may start a new craze for electro line-dancing! I liked it, but its not their best by a stretch. My copy of Every Dog #3 also arrived, and on first listen it just about justifies the outrageous price tag. It pretty much carries on from the previous volumes - definite shades of R=R in there Sean. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Detroit techno thesis
Dear 313, I have recently (today) finished the rough draft of my thesis on Detroit techno. It deals with some of the things that are brought up so often on this list, particularly race. I interviewed some incredible people including Dan Sicko, Brendan Gillen, and Anthony Shakir, and I dug through a lot of old archives and microfilms. It can get kind of theoretical at points, but I guess that's the way it goes with academic work. Still, I did my best to make it readable. Please consider this my contribution to the many threads on techno and race. And if you feel like it, let me know what you think. I'm open to revisions and suggestions. http://www.umich.edu/~btausig/thesis.htm sincere thanks to everyone, ben tausig - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Regarding Business
the spotlight. No one is denying anyone their right to listen to what they want but don't forget the history. I spoke with a Black rocker in NYC and he told me that many A R men didn't know what to do with Black guys playing soulful rock music. The record executive behind Digable Planets told them they were not hard translate black enough for hip-hop. So Juan is in the same position.. I don't have time to break this down anymore but Juan is not crying he's simply commenting on the truth; the music business is run by a bunch of culturally biased and/or ignorant people who have definite ideas about the value of the music based on their racist crap. if anyone does not understand where I'm coming from I will make one more post I don't have a lot of time to keep repeating this tired story. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] electro stuff
It's a good mixture of mostly old but some new. I'm pretty sure there's an official list online somewhere. some of the great tracks on there: Pluton and Humanoids-World Invasion A Number of Names -Sharivari Alden Tyrell-Love Explosion Charly-Spacerwoman Alexander Robotnik Problems D'Amour Klein and MBO Dirty Talk ???Robot is Systematic Sun La Shan Catch Q-The Voice of Q Giorgio Moroder The Chase Man Parrish Manmade Not all Italian disco, though certainly leaning that way. On the subject of that i-f mix, does anyone know if there are plans for more panama records releases? ben On Thu, 21 Feb 2002 [EMAIL PROTECTED] wrote: funsters i am really digging the i-f mix up in the hague CD (thanx aly!) i am wondering if anyone can tell me where when the tracks come from, most of them sound quite old but you never can tell sometimes. also here in oz the issue of XLR8 (not a bad mag - sure is a nice change from the UK press. funny to see full page ads for a stacey pullen tour...) that's just hit the shops (actually from nov 01) has a feature on contemporary electro artists like andrea parker, j saul kane anthony rother. after hearing some stuff on mo wax i kinda lost interest in new electro cos it seemed kinda trip hoppy missing all the things i liked about it, but but the stuff that on the i-f CD is lotsa fun. so feel free to recommend any other artists who might be making similarly cool stuff i might enjoy, thanx a bunch. spacerwoman by charly is so cool! p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: Dopplereffekt identity?
and he played a live set in Detroit last year. ben On Mon, 4 Feb 2002, Dan Sicko wrote: Shoot ... Gerald's been on the cover (or back cover?) of Dopplereffekt 7s ... that much isn't a mystery anyway! :) -d At 2:52 PM +0100 2/4/2002, bart wolff wrote: Well...scan the picture and put it on the list...the mysterie of at least one of the drexciya members is known AND this whole mueller/signor coconut/dopplereffect/etc thing is solved... My worthless two pfennigen...eeeh...euro-cents... From: diana potts [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] Re: Dopplereffekt identity? Date: Mon, 4 Feb 2002 04:55:58 -0800 (PST) Dopplereffekt, I always thought, is a Detroiter named Gerald (don't know his last name), who used to be a member of Ectomorph and in and out of Drexciya too (I -think- on the latter) and his girlfriend (sorry to refer to her that way but I don't know her name). I have a picture of him (if I am making the right connection) doing one of the last PAs he would do with Brendan as Ectomorph at the release party for Beyond The Third Wave. d __ Do You Yahoo!? Great stuff seeking new owners in Yahoo! Auctions! http://auctions.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] B - Out _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: about the members
It looks like I'm only the second youngest on the list name:ben tausig age:21 job(s): student at UofMichigan in Ann Arbor music director at wcbn in Ann Arbor peripherally involved with We're Twins records. bands: cockroach huxtable, the most dangerous game of cat and mouse band listmember for: a year? maybe a little less. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Will any of you...
I'm not sure if i missed a thread, but did anyone end up going to this? ben On Fri, 25 Jan 2002, Pryor, Ryan N wrote: 313'ers be attending this? Critical Studies:Humanities Lecture Series Detroit Sound Lecturing from 1:00 - 4:30 pm Adam Lee Miller-Adult. Carl Craig-Planet E Rita Sayegh Dan Sicko Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills, Michigan Open to the public on a first-come, first-served basis with museum admission For more information and directions: http://webserver.cranbrookart.edu/site/events_info_frameno.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] R.U.R.
Dear 313, I composed some electronic music for a performance of the play R.U.R which is happening this weekend. If anyone lives in or near ann arbor and is interested in coming, read below. It's free, as well. ben Robots of the world, unite and see this play! Karel Capek's play R.U.R. will be performed Nov. 30, and Dec. 1 and 2 at the Media Union's Video Studio on North Campus. Written in 1920's Czechoslovakia, this sci-fi play introduced the word and concept of robot to the world. R.U.R. expresses anxieties of increased mass production and industrialization in its contemporary society with a hilarious and intelligent plot. Fri and Sat at 8 pm and Sun at 2. Because this is a univeristy event, it is free of charge! Directed by Rebecca I. Fried, with an original electronic musical score by Benjamin Tausig. This production is in association with the RC Drama Concentration and WCBN, FM Ann Arbor. for more information contact [EMAIL PROTECTED] Come see what happens when Robots take over the world! _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] record collection for sale online-hundreds of records
she On Tue, 27 Nov 2001, Scotto wrote: Yes and he is A+ scotto - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org; [EMAIL PROTECTED]; [EMAIL PROTECTED] Sent: Tuesday, November 27, 2001 2:48 PM Subject: Re: [313] record collection for sale online-hundreds of records Anyone purchased records from Manika before? Feedback? Thanks, VA - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] record stores in DC
Hmm. . . Not much. . . d.c. cd's on 18th and u(?) has a small selection. It's not their specialty, but i've found some interesting things there. There's another store whose name i forget. . . it's on connecticut less than a block north of dupont circle. I don't think they carry vinyl, but their cds are great and perhaps ocassionally rare. ben On Mon, 26 Nov 2001, Rusty Blasco wrote: Does anyone know of anything exciting happening at Buzz, or anywhere else in DC for that matter, the weekend of December 7 (which happens to be approximately a week and a half from today)? I'll be staying with a good friend until Sunday and would love to take advantage of whatever may be on the menu. Also, any recommendations for music stores that supply an adequate share of techno? Thanks for your input. Rusty _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Human League
The album is called Secrets t'aint half bad. -b- On Thu, 15 Nov 2001 [EMAIL PROTECTED] wrote: New single out by the Sheffield synthpop group - if you like International Gigolo DJs/DJ Hell/Beroshima/Morgenstern you will love this! Sorry can't remember (just heard it this morning) the title but it's great 80s synth music done by a proper 80s synth group. MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] data general=== ==www.umich.edu/~btausig=== [EMAIL PROTECTED] [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
