Re: [313] 313?

2001-05-04 Thread Jorge Velez
I totally love this Derrick May live in Belgium mix I pulled offa Napster. 
Also the Rolando mix CD. As for  not-really-313 mix CD's:

A Basement Jaxx Radio 1 mix I have from '99 is hot, and a drum n' bass
mix that DJ Empress (NYC) hit me off with last week rocks-- relentless and 
beautifully mixed.


Jorge



   now i know that someone will argue that this stuff
is somehow relevant to 313 but i don't give a shit.
it's an irrevalent argument.
   so to help the list enter a new and exciting era of
on-topic discussion, i will ask the question what is
your favorite mixtape or live dj set on cd and why?
-sam

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Fwd: The state of the raver scene...

2001-04-24 Thread Jorge Velez





For your viewing pleasure/nightmares when you get the time. Some of these
pictures are a must -- mind you, the subtitles need help...

http://www.jalapeno.org/rra/


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Re: [313] Di Giorgio

2001-04-20 Thread Jorge Velez
Yeah - DiGiorgio rocked it last night. Nice to see a big turnout for the 
event.


and thanks for the good review! I have a few tracks on SUNRUNNERS as Duermo, 
and I'm proud to be on ism. Swingsett and J Warrin - the label
heads - are two of the most musically forward thinking people I know, and I 
think it reflects in the label's output. Watch out, cuz NYC's

coming with the new stuff in a big way.

peace,
Jorge






That party was probably thrown by ism records (ism/Esho Thursdays 121
St.Marks Place near Ave. A)... check out their new CD Sun Runners mixed by
DJ Swingsett. Very cool mix of deep house sounds, freestyle breaks, dub.
Here's my review of it (http://www.toastmag.com/24/rev_04.html#rev14):

Various Artists
Sun Runners
(ism Records)
New York's DJ Swingsett showcases some previously unreleased tunes from 
his,

and J.Warrin's, ism Records. Sun Runners is an eclectic mix of sambas, East
Coast jazz/funk/house blends, floor rumbling drum & bass, fresh breakbeat
excursions, Japanese Koto music, and dub that would drive the Mad Professor
crazy. No, you didn't read it wrong I did list Japanese Koto music. 
That
would happen to be "Vida Blue" by Beatboxes at Dawn. It's a weave of big 
and

mental boom-boom beats and the gentle court music of Japan and it's that
kind of stick-your-neck-out approach that makes the ism Record label a hot
spot for innovation. Wally & Swinsett's "Dropera" pushes the beats into
weirdness until you think it's almost lost the plot, then they drop a big
ol' bassline in and it just jells into funky chunks. Dub tracks, like
Motopsyco and Cassien's "Water Tree," are used to dunk listeners deeper 
into

the mix. Actually, it's difficult to call any one track dub, house, or
breakbeat. DJ Swingsett and J. Warrin have made it their purpose to break
out of the mental walls that confine creativity, exploration, and good
music. With ism Records, we've got plenty of good music in our future.
[MEK]
www.ismrecords.com



From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] Di Giorgio
Date: Fri, 20 Apr 2001 18:09:42 GMT

Checked out Kirk Di Giorgio last night in NYC. He was playing a small
loungy party called "ism", I believe. My man was rippin' it with deep,
eclectic housey flavors. He even dropped the lovely "Burning" by Pepe
Braddock... Respect.

Nice to see some quality music in NY. The nightlife gets pretty dry here.

-J

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Fwd: NYC 313-ers -- Can't Miss This

2001-04-18 Thread Jorge Velez





Hello friends...
PLEASE JOIN US THIS THURSDAY - APRIL 19 - FOR OUR  FREE Party at...

** OPENAIR **
121 St. Mark's Place (at Ave. A)
Beautiful bar, atmospheric computer art, light installations and an amazing
sound system...all served with Hot Sake!!

ism Records and Esho Recordings
in association with Ubiquity Recordings and Listen.com,
IRMA Records USA and Turning Point Productions present
our special guest all the way from London...

KIRK DEGIORGIO (aka Off World Ensemble  and  As One)
( Ubiquity-singles,remixes and LP due in June; Mo' Wax-LPand remixes,
Clear Recordings-LP&singles; Talkin' Loud-remixes only- )
This gifted veteran producer will be playing a rare NYC DJ set
with his unique blend of breakbeat, soul, and organicfuturejazz.
Don't miss your chance to hear one of the world's most innovative
electronic/dance producers
Its going to be something truly fresh and original.
* Kirk will be spinning from 12midnite to 1:30am *

HERE'S HIS BIO AND MORE INFO...
> Kirk Degiorgio is one of the most sought-after mixers/producers in 
today's

> eclectic dance music scene. Steering away from musical cliches and
sticking
> to his soul-boy roots, he has managed to maintain his musical integrity
over
> 8 years and 5 albums. In 1999 Kirk started work on a new musical 
project,

> which will finally see completion and full length release on Ubiquity in
> late 2001 under the name As One.
>
> Ubiquity will release the As One "Another Revolution" 10" in June 2001,
and
> the "21st Century Soul" album in the late Fall.
>
> While working on this new album Degiorgio has completed critically
acclaimed
> remixes for 4 Hero, Beanfield, Azymuth, Tony Allen, and even the 
Newcleus
> classic "Jam On Revenge." He recently released a mixed CD called "The 
Soul

> of Science" (Obsessive Records) featuring unreleased Herbie Hancock
> soundtrack material, future jazz, and classic soul. Degiorgio currently
uses
> As One, Elegy, Esoterik, Critical Phase, Family Values, Super-A-Loof 
(with
> Jamie Odell), and The Off World Ensemble as recording aliases. He has 
also

> established himself as a club DJ /radio personality in London, where he
> regularly hosts the R Solution show on Kiss FM.
>
> Degiorgio was raised in Ipswich, England, a town also once home to
> experimental producers like Photek, Patrick Forge (Da Lata), and members
of
> The Black Dog. In 1992 Degiorgio recorded his first release on B12
Records.
> Shortly after this debut he founded the ART label releasing early 
material

> by artists such as Carl Craig, Aphex Twin, and The Black Dog. Degiorgio
> recorded material under the names As One and Future/Past for ART, Planet 
E

> and R&S before signing As One to New Electronica for the albums
Reflections
> and Celestial Soul, which both made the Muzik Top 30 albums for 1994/5.
> Further albums for Clear (UK) and Shield (France) eventually secured
Kirk's
> reputation as a producer with a unique, individual sound, often
> incorporating jazz, soul, and funk elements into electronic tracks.
> Degiorgio's sound, as to be heard on the upcoming As One album, is warm
> techno with real soul and often based outside of the constraints of the
> straight 4/4 beat. His style can be partly traced to his main musical
> influences: P-Funk, Motown, early hip hop, Detroit techno, and mid-60's
Blue
> Note.
> Degiorgio's pioneering approach led to his first major release in 1997 
for

> the Mo' Wax label, for whom he also remixed the Carl Craig classic
> "BugInTheBassBin". The Planetory Folklore album on Mo' Wax was a great
> commercial and artistic success which together with several hi-profile 
TV

ad
> soundtracks gave Degiorgio a wider exposure. Infact his success as a
> composer of soundtrack/advertising material (he's completed work for
Adidas,
> Fanta, Michelen, and Microsoft) has given him the freedom to take other
> musical experimentations to new heights.
>
> For a (massive) full discography, plus info on Kirk Degiorgio, his
favourite
> tracks, and a guide to the recordings of Sun Ra and Blue Note see
> www.kirkdegiorgio.com
__

Joining Kirk on this THURSDAY at OPENAIR are two other very special
guests...
FABRIZIO(IRMA Records, Melting Pot)
&
TOMMY'Smokes'TODISCO(Turning Point, Melting Pot)
Fabrizio has been DJ'ing in NYC for the past 10 years, settling here after
growing up in Italy.
He has a wide range of influences and superbly mixes Nujazz styles, with
elements of AfroBeat, Latin and Brazillian flavors, along with deep jazzy
house.
Tommy "Smokes" Todisco has been DJ'ing for over 15 years in the finest
Italian and NYC clubs.
His recent Friday night set on the main floor at Centro Fly was a 
refreshing

mix of deep soulful breaks and various styles of house. He had the club
bumpin' and it will work for you too...
* Fabrizio and Tommy will be gracing the decks from 1:30am - 3am *

Opening the 

Re: [313] Freep Article 2

2001-03-30 Thread Jorge Velez
Oof. Just read the lineup. Anyone else out there feel that overall it's a 
little hurtin'? Who *are* some of these folks? And why  DiGiorgio and 
Jazzanova 2x on the same day? Couldn't they find anyone else to fill those 
slots?
Sorry. Rainy and damp in NYC and in a bitchy mood. Maybe Happy Hour will get 
the grinch out of me.


peace,

Jorge
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Re: [313] The spam must never stop flowing

2001-03-22 Thread Jorge Velez

Remember how Godzilla would throw a train into the side of a mountain?
I have only been to one (1) of Juan's sets where he didn't wreck. That was 
his tag team with Derrick May at Vinyl here in NY a couple of years back. 
Awesome. Besides that, he is a very, very bad man to the EQ's and 
turntables. Very bad.


Jorge





is Juan really that bad a DJ?  i have his MasterMix on WaxTrax and the
mixing is shady and dodgy at times...  but i read the allmusic.com review 
of

it and i got the impression from there that he's not bad live.  i've never
seen him before so i can't comment.

any thoughts?
Mike


From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313] The spam must never stop flowing
Date: Thu, 22 Mar 2001 15:40:57 -0500

SUNDAY, SUNDAY, SUNDAY!

SEE

Juan Atkins as he MANGLES the turntables in this

<>

Juan will amaze with his SKZ on the one and two!!!

SUNDAY, SUNDAY, SUNDAY!

B  THRE!


hahahahahahahaha!




"Mike Taylor" <[EMAIL PROTECTED]> on 03/22/2001 03:37:35 PM

To:   [EMAIL PROTECTED], 313@hyperreal.org
cc:
Subject:  [313] The spam must never stop flowing



gees, can you at least be kinda subtle and only post about your event 6
times a week.

next thing you know there will be a TV commerical with the guy who does 
all

the voice overs for monster truck shows.

>From: THEMUSIC MUST NEVER STOP FLOWING <[EMAIL PROTECTED]>
>To: 313@hyperreal.org
>Subject: [313] get your tickets for juan atkins April 7th at discount
price
>Date: Thu, 22 Mar 2001 15:36:15 -0500
>
>the originator juan atkins show is on and you can be there for $10 just
>call and say you hear it from the 313 and get your tickets. place 39940
>ford rd canton 2 blocks e of i 275 call 734-464-8447
>
>GET INTERNET ACCESS FROM JUNO!
>Juno offers FREE or PREMIUM Internet access for less!
>Join Juno today!  For your FREE software, visit:
>http://dl.www.juno.com/get/tagj.
>
>-
>To unsubscribe, e-mail: [EMAIL PROTECTED]
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Mixed Up Without A Tracklist

2001-03-04 Thread Jorge Velez

Need the tracklisting for "Mixed Up In The Hague" . I remember
someone posting a link to it a while back, but - don't
have it anymore. Could someone send / post it. Cheers!


Jorge
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Re: [313] Electro

2001-02-09 Thread Jorge Velez

"MIXED UP IN THE HAGUE, Vol.1" by i-F is full of great old electro-y
Eurodisco and straight up electro tracks. A great mix CD.

Any comps of '80s American electro are usually a sure bet (can't think of 
any names off hand, but will get back to you). Even the cornier old school 
electro is pretty great.


Drexciya, Drexciya, Drexciya. Those guys are good. *smirk*

peace,

Jorge








 ...er...also Twilight 76


d

--- Nick Walsh <[EMAIL PROTECTED]> wrote:
> And what about Bunker, Plasmek, Electronic
> Corporation
> etc... There's loads of new electro about... If you
> wanna check old stuff... Twilight 22...
>
> Nick (Dj Pacific:)
>
> --- diana potts <[EMAIL PROTECTED]> wrote: >
> some
> of my favorite electro stuff comes from Adult,
> > LeCar and the Ersatz Aduio camp
> > (http://www.ersatzaudio.com)
> >  I also highly suggest Ectomporph and some of the
> > electro releases from NYC's Spelunk Records as
> well
> > as
> > some of the music DJ Godfather put out under his
> > many
> > alias' for production (sektor 17, i think) and
> > always
> > Mr.Will Web and AUX 88 and Drexciya:).
> Dopplereffect
> > is always classic ("i want to be a porno-star")
> too
> > as
> > well as the early cybotron & bambaataa material.
> >
> >  For a well put together history check out (copy
> and
> > paste link into):
> >
>
http://www.ele-mental.org/ele_ment/think/original/think.html
> >
> >
> > electric boogaloo,
> > diana
> >
> > __
> > Do You Yahoo!?
> > Get personalized email addresses from Yahoo! Mail
> -
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> > a year!  http://personal.mail.yahoo.com/
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Re: [313] live on the puters

2001-01-26 Thread Jorge Velez












If it's crowd reaction you're talking about, setting up long breakdowns and
pumping your fist in the air when the kick comes in seems to work pretty 
well,

even if it's a cheap trick.

The true heads aren't swayed by cheap theatrics, but then they'll be with
you if the tracks are tight, even if all you do is hide under a table and
tweak knobs.
kent williams -- [EMAIL PROTECTED]
http://www.cornwarning.com -- Iowa's First Techno Record Label
http://www.mp3.com/chaircrusher -- tunes



I'm doing my first ever set in a couple of weeks, Powerbook playing my 
tracks straight off Logic and tweaking them live with Pluggo. It doesn't 
matter to me that I'll have a few seconds of space in between songs. I think 
of it as time to let the listener clean their aural palate, so to speak ; ). 
What matters is that the tracks are "tight" before I even go in and mess 
with them.


Jorge
++-

SUNRUNNERS -

continuous mix by DJ Swingsett featuring

new tracks by yours truly as DUERMO,

DJ SPINNA,

JAYMZ NYLON,

TWILIGHT CIRCUS,

DJ SWINGSETT/J WARRIN

and others - out NOW

*www.ismrecords.com*


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Re: [313] MAKING traffic ON topic

2001-01-04 Thread Jorge Velez

i think in the past people used to go out to listen to music and perhaps
to take some drugs.
today, many of my generation go out to take drugs and perhaps to listen to
some music.

peter


A valid point. I also, going back to Lester's question, think the particular 
drugs that are used owe more to an age difference. The few places I go to 
here in NY - mainly deep/tracky house nights - cater to an "older" crowd 
(late 20's to mid-30's) who prefer drinking or toking than being "off their 
heads" on E or  K. I also don't see anyone crashed out in front of the 
speakers on these nights, whereas it's still a common sight at some of the 
bigger techno nights. Though that seems to be changing, too (for the 
better). E in NY at the moment appears to be more the party drug of choice 
for those who didn't grow up in / with dance culture.  I know less and less 
people who  grew up with this culture who continue to use it.


Jorge



++-
SUNRUNNERS -
continuous mix by DJ Swingsett featuring
new tracks by yours truly as DUERMO,
DJ SPINNA,
JAYMZ NYLON,
TWILIGHT CIRCUS,
DJ SWINGSETT/J WARRIN
and others - out NOW
*www.ismrecords.com*

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OT: Performing Live With A Laptop

2001-01-04 Thread Jorge Velez

Sorry about the off topic thread, but the tech-gear list has been
way too quiet lately and I'm in a bind:

Does anyone have experience using a laptop (particularly
a Mac Powerbook) in a live setting/performance? It's
coming down to the wire for me - I'll need to take my
machine out in March and make folks move, but I'm a
bit freaked. Never done this before...

Please respond privately, and I apologize again
for the bandwidth use.

Jorge
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Re: [313] boards of canada +

2000-12-12 Thread Jorge Velez

Same goes for a show like this in NYC. Any NY 313-ers think it would
be great to see B0C here? WARP just opened a NYC office, so here's to hoping 
they'll have something up their anorak sleeves for the coming year.


Jorge




Acts like Kid 606 cost about 1/4 the amount of any of
the warp/rephlex artists you mention here.  I'm sure
many folks would be interested in seeing a show such
as the one you propose, but it would require major
promotion, needless to say.

-joe

p.s. aphex and some other rephlex heads are going on a
US tour this winter anyway.


--- "Dr. Robot" <[EMAIL PROTECTED]> wrote:
> 313'ers,
>
>
> i was interested in finding out how many of you guys
> are into boards of
> canada. if ya are, i figure we need to get a mass
> email together to write to
> the motor to try to pull these guys in to detroit to
> play a show. i
> personaly think that would be an opertunity of a
> life time but maybe its
> just me. maybe we can pull together some kind of
> warp/rephlex show here in
> detoit with all the all stars (autechre, aphex twin,
> jamie lindell, bogdan
> raczynski, u-ziq, etc.)
>
> now, i know i cant be the only warp head out there,
> and to be quite honest,
> i dont see why we couldnt bring these guys out if we
> can pull in acts like
> funkstorung and kid 606.if a show if this calibur
> were to ever exist, how
> many of you would be there?
>
> thanks,
> mike
>
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Re: [313] musical question ... minimal classical

2000-11-21 Thread Jorge Velez

Could anyone please point me in the direction of some
kind of minimal experimnetal classical music?
It would be greatly appreciated.

thx.




there's so many ways to go with this: Schoenberg, Reich, Glass,
uh... Gavin Bryars  BUT
start off with Erik Satie. You can get decent
budget priced Naxos versions of his complete piano
works at most big chain stores. Challenging, lovely
stuff - and a big influence on people like Eno
who in turn has influenced people like D. May, who
in turn is one of the reasons for this list (wanna
keep topics in 313-land, ya know).  ; )

  Satie's influence is *all over* contemporary electronics based
 music.

  peace,

  Jorge

--+++---
SUN RUNNERS compilation on *ism records*
Out November 21.
Tracks by yours truly as DUERMO, Twilight Circus,
DJ Spinna, Swingsett/JWarrin and others. Check It.
-

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Another Necessary Spam

2000-11-10 Thread Jorge Velez

Sorry, y'all. I just received this myself and felt it needs to
be passed along. Hopefully this election weirdness will be
resolved and I can quit sending this sort of thing:


<< Today is the deadline to do this, so please read this and send it today.

--

>  You can read the article on CNN's web site where it states that 
"Officials
>in Palm Beach announced 19,120 ballots in the presidential race were 
tossed

>out"
>http://www.cnn.com/2000/ALLPOLITICS/stories/11/09/election.president/index.h
>tml#1
>
>19,120 votes from Palm Beach County, Florida are being thrown out from the
>Florida election due to poor ballet design, on these ballets two 
candidates

>were selected, Gore and Buchanan.
>
>Click the link below to send an email to Clay Roberts, Director of the
>Division of Election in Florida asking for a re-vote of the Presidential
>race in Palm Beach County:
>
>  http://www.workingforchange.com/activism/action.cfm?ItemId=9237
>
>Deadline: November 9, 2000
>Please forward this message.
>Urge Florida to Ensure Integrity of Presidential Vote
>The election of Al Gore or George W. Bush as President may depend on the
>resolution of voting irregularities in Florida. Reports from Palm Beach
>County indicate that a confusing ballot set-up in that county led to
>thousands of votes mistakenly going to Pat Buchanan instead of Al Gore.
>There are reports of other voting irregularities as well. Florida Governor
>Jeb Bush, brother of George W. Bush, has recused himself from 
investigating

>these problems.
>Florida's Division of Election Director, Clay Roberts, presides over
>elections in Florida, and must bear responsibility for the integrity of 
the
>results to be reported by that state. Call on Director Roberts to ask for 
a

>re-vote of the Presidential race in Palm Beach County.
>
>Click the link below to send an email to Clay Roberts, Director of the
>Division of Election in Florida asking for a re-vote of the Presidential
>race in Palm Beach County:
>
>  http://www.workingforchange.com/activism/action.cfm?ItemId=9237
>
>
>If you visit the site
>http://www.workingforchange.com/activism/action.cfm?ItemId=9237 and can't
>get through, their server crashed.
>
>It seems that the traffic on the site is so heavy, that the send button 
now

>hangs and gives an error message. If you have trouble, please just cut and
>paste the text below into an email message and send it, along with your 
name

>and address, to [EMAIL PROTECTED]
>
>Here's the text of the letter:
>
>Dear Election Director Roberts:
>
>The integrity of the 2000 Presidential election now rests in your hands.
>Please use the full power of your office to call for a re-vote of the
>Presidential race in Palm Beach County.  Governor George W. Bush's ability
>to govern will be greatly hindered if the presidential race is decided by
>voting irregularities in Florida.




--+++---
SUN RUNNERS compilation on *ism records*
Out November 21.
Tracks by yours truly as DUERMO, Twilight Circus,
DJ Spinna, Swingsett/JWarrin and others. Check It.
-

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Re: [313] New music format/EAR/Kevin Shields

2000-11-09 Thread Jorge Velez


And if you haven't checked out My Bloody Valentine, it is more ahead of 
it's

time than most (if not ALL) techno IMHO and i don't think anyone will ever
match it.




If you mean by "match it" that no one will ever be able to emulate the 
classic MBV sound - well, what would be the point? Any attempt to emulate a 
wholly unique work will just look/sound silly in the long run. Being 
influenced is a completely different matter, though.



Please reply if you think anything else (especially techno) compares to MBV



What's the criteria? "Timelessness"? Sonic adventurousness?
It could be many :  Derrick May's classic work , Autechre, Brian Wilson's 
work up to "Smiley Smile", Sun Ra, Ar Kane's "69" ? Hell,

even "Kid A" comes close at times...




--+++---
SUN RUNNERS compilation on *ism records*
Out November 21.
Tracks by yours truly as DUERMO, Twilight Circus,
DJ Spinna, Swingsett/JWarrin and others. Check It.
-

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Re: [313] New music format

2000-11-09 Thread Jorge Velez


hmmm... so Kevin didn't spend the whole of the last decade "building a 
studio" then - he did work on some released music at some point! ;)





He mixed a track on the latest Primal Scream record . It's nothing special. 
He also played guitar on the album and toured with them to support it. The 
sad thing is he seems to have become so caught up in listening to drum n' 
bass (read this in an interview) that he was trying to move MBV in more of a 
d n' b direction, most of the band members split for other pastures, and it 
just became a case of misguided genius. Kind of like Prince.


J

-
SUN RUNNERS compilation on *ism records*
Out November 21.
Tracks by yours truly as DUERMO, Twilight Circus,
DJ Spinna, Swingsett/JWarrin and others. Check It.
-


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Re: [313] New music format

2000-11-09 Thread Jorge Velez



E.A.R. *is* Sonic Boom's project, but Mr. Shields has assisted
him - on the first album , at least - along with Kevin Martin.

I saw Sonic do a performance here in NYC a couple of years back where
all he used were about six Speak - N - Spells, all hotwired to create 
different tones and vocal sounds, along with an effects processor. The wall 
of sound he created was awesome.


There are photos from this performance at www.djphotos.com , if
anyone's innerested.

peace,

Jorge





Tristan wrote:


E.A.R. (Expierimental Audio Research) was a strange ambient project from
Kevin Shield of My Blood Valentine once upon a time. Kinda spotty stuff.
Could this be related to hiim?


i think E.A.R was the handywork of Pete Kember (aka Sonic Boom), and not
Kevin Shields.  oops, not all that Detroit related... never mind eh.



rob

ps:  also non-313 - the Blue Jam cd on Warp is hilarious.  insanely dark
humour... buy buy buy.

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+8 // M_nus Records Party In NYC October 19th

2000-10-18 Thread Jorge Velez

 Thursday October 19 2000
   (10 pm -- ?)

* THEOREM (M_nus Records)

* CLARK WARNER  (+8 // M_nus Records)

* SATAMILE (Satamile Records)

* P.JAY  (Nyex)

Visuals By P.J.net // Feedbuck  and others

$10  //  $5 with flyer   ---  BAKTUN 418 W 14th Street )

Xtra 1100 Watt Sub Bass Enforcement

Call:  212.604.4496 for updates
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Re: [313] Infiniti feat.: Juan Atkins Never Tempt Me

2000-10-07 Thread Jorge Velez

Just listening to the various remixes of "Never Tempt Me". (Tresor 132)
The second track (Flowing Mix) by Thomas Fehlmann has its points but I 
still

like the original best.  Anybody have any comments about the CD?

mediadrome



If you're referring to the insanely slept on and badly (non?) promoted 
SKYNET album, I personally
think it's mostly an awesome piece of gorgeous funky, melodic, deep techno. 
Granted, a couple of the tracks feel like exercises

in "repeating the groove", but even those have a strange kinda
charm. I think it's one of the most slept on techno albums yet,
and it pretty much matches, and often surpasses, M500's DEEP
SPACE in its grooviness,

cheers,
j
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Re: [313] website for Larry Heard

2000-10-03 Thread Jorge Velez

is there a good website for Larry Heard and his catalog???


thanks,
five




Try

http://www.33rpm.com/larryheard/intro.html



J.
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Re: [313] Kid A

2000-10-03 Thread Jorge Velez

I had the joy of purchasing the new Radiohead album last night. Highly
recommended and I guarentee is destined to be looked upon as a classic
album. Worth every penny.

Peace,

Kyeo




I absolutely second that. Somebody's been listening to Autechre in that 
band. Great record.


j
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Re: [313] digweed

2000-10-02 Thread Jorge Velez


the scoop on them is...I'd rather be trapped on an airplane listening to 
the

mouths of screaming babes while 100 people line up on a chalk board
scrapping their nails down it, while singing operatic Eminem and Ted Nugent
(to put some 313 content in) songsthan listen to that poster/pretty boy
trance crap.





...to put it lightly.

but, hey...to each his/her own!tra la la, skippity doo:)
d



Oh, Diana. You have not known hell unless you have spent 3 hours in a packed 
Roxy (NYC) with Mr. Paul Oakenfold and the masses who love him. 3 hours of 
thump without a hint of funk. I would rather french a lemur than go through 
a night of trance again. No joke. ; )


J
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Carl Craig/Moodymann in NYC : Opinions?

2000-10-02 Thread Jorge Velez

Alright, NY area 313-ers. Any opinions on the
show last Friday?

My opinion?  Moodymann's set was sloppy, self indulgent and
somehow   interesting, for the first 20 mins.
Plus, i thought
his c. 1982 Prince-isms behind the mic were
pretty funny. But I expected something tighter.


Carl Craig's set was a joy to hear and watch,
but unfortunately he went on waaay too late and
any energy I had for dancing was sapped. Great to
see him do a "live" E2-E4, though.

Some folks i spoke to afterwards hated the show,
  though. One said it was overall so sloppy in execution

that its no wonder Americans ( I'm assuming my friend
who made this comment was referring to the US record
  buying public) don't take 313 music/

artists seriously.

 Jorge

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Re: [313] Re: anyone know? - urb dont know

2000-08-29 Thread Jorge Velez
I have to disagree. I think URB has done a pretty admirable job of covering 
the trendy and the not-so-trendy, (Black, White, japanese or Drexciyan ;) ) 
with equal attention. Check out last year's Innovators issue. I have yet to 
see another "Future Music" magazine -- XLR8R included -- put out an issue 
like that one, where the great choice of "innovators" selected was matched 
by some high quality writing.  If I have one  - uh - issue with URB it's 
that they can be a tad Left-Coastcentric, and that I rarely read a negative 
or even highly critical review of new music.


peace,
Jorge





From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED], [EMAIL PROTECTED], 
[EMAIL PROTECTED]

CC: 313@hyperreal.org
Subject: Re: [313] Re: anyone know? - urb dont know
Date: Tue, 29 Aug 2000 16:29:36 EDT

Hi all,

I USED to be a reader of URB magazine. I think they do have an interest in
Future Music Culture but it seems to be White Future Music Culture.  It 
seems
to have lots of tidbits about this and that but very white. There is a 
whole
heritage of stuff that should be covered in -depth around this music. I 
think
Derrick described his music as "Kraftwerk meets Funkadelic in the 
elevator."

Carl Craig said they wanted to make music that wouldn't be classified as
"ghetto", funny but Detroit Techno seems to be ghettoized. Like it's
something for white people or music obscurists... I don't know

It seems to me that the overall lack of American media coverage on Detroit
techno has a lot to do with racism. If Juan, Derrick or Kevin were white I
really believe them, their work, and things like the DEMF would have more
respect.  I think the DEMF was a great thing and I just regret that I 
wasn't

there but thank God for archived webcasts.
I think the Detroit News gave it its biggest coverage to my knowledge and
even some that was suspect.

Peace,
Five

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Re: [313] Live In Detroit 1999 Tracklisting.

2000-08-29 Thread Jorge Velez
Anyone willing to trade a copy of this for something? Or anyone know where 
I can purchase a copy?


J.





From: "Jonny McIntosh" <[EMAIL PROTECTED]>

To: <313@hyperreal.org>
Subject: [313] Live In Detroit 1999 Tracklisting.
Date: Tue, 29 Aug 2000 13:55:41 +0100

A few people wanted to know about the track listing for Theo Parrish's Live
In Detroit 1999 tape. I've just listened to it again (after trying last 
week
only to find the tape was swapped by my girlfriend for the Little Prince, 
in

french, which was nice, but not much of a groove). I haven't done all the
house tracks, cause I don't know them all. I know all the disco/boogie
except the one that Discocaine sampled on "Back to back", if anyone can ID
this, let me know. If anyone, out of gratitude, wants to reward me for 
this,

I don't have either "Overyohead" or the one sided Summertime 12" thing. If
anybody should find a spare copy of either, let me know, and I'll sort out
reimbursment by way of cash or exchange. Here's the patchy listing:

1.  Theo Parrish
2.  Theo Parrish
3.  Herbie Hancock - Stars In Your Eyes
From the Monsters LP, which is crap, also available on a 12".
4.  Players Association - Hustlin'
From their first LP.
5.  Larry Heard?
6.  ??*
7.  Old Trax thing, sounds like a dub of something well known?
8.  Five Special - Why Leave Us Alone
Fairly easily found 12"
9.  Cameo - It's Serious
Very easy to find 12"
10. Fingers Inc. - Washing Machine
11. Theo Parrish
12. Body & Soul type thing.*
13. Theo Parrish - the best he's done, IMO, is this Overyohead?
14. Apparently on a Salsoul subsidary, I know Discocaine sampled it for 
Back

to Back.
If anyone knows what this is, let me know.
15. Theo Parrish.
16. Theo Parrish.
17. Whatnauts - Help Is On The Way
Quite hard to find, though try www.raregrooves.co.uk , they had a
special on it a while back.
18. Made In The USA - Shake Your Body
On De-Lite. The 12" is quite sought after, the LP's middlingly easy to
find. I've got a spare 7", if anyone is desperately after it.
19. Marvin Gaye - Heavy Love Affair
From the In Our Lifetime LP, which is good.
20. Bumblebee Unlimited - Lovebug
Reissued on Unidisc, also on rare Red Greg 12" and album. It's Leroy
Burgess, Patrick Adams etc.
21. Roy Ayers - Can't You See Me
On 12", also available on some comp, apparently.

One of the tracks marked with an asterisk is by Kings Of Tomorrow under a
pseudonym that I cannot remember off the top of my head, but they used the
same name for the "Rude Movements EP" on Yoshitoshi- I can't remember which
track it is, either. Sorry. Similarly I haven't written what tracks are
which for the Theo Parrish ones, partly because I am lazy and can't be
bothered to check when I get home and partly because I don't have all the
Sound Signature twelves to know. (hint hint).

Enjoy,

Jonny.



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Re: [313] paperclip people live

2000-08-28 Thread Jorge Velez

From: Klaas-Jan Jongsma <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: [313] paperclip people live
Date: Mon, 28 Aug 2000 16:18:25 +0200

It was indeed a nice DJ set but it wasn't really live. He had some
equipment on stage but hitting the play button on your MPC and
missing and talking into the mic. isn't really a live set, isn't it?


Would you consider someone sitting/standing onstage behind, say, a  laptop 
and hitting certain keys in order to get the sounds out to not constitute a 
"live act"? Maybe the laptop/MPC has to be understood as a newer type of 
instrument which demands  different sort of expectations when viewed in a 
live context. Let's face it: the majority of  instruments behind  313 type 
music don't lend themselves to  real dynamic visual displays of technique. 
Remember the days of the guitar-style synth...; )

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Get Thee To CD Now, Now

2000-08-25 Thread Jorge Velez

Giorgio Moroder's "From Here To Eternity" on sale there for $12.
If you don't have this, get it. Some of his best work.


Jorge

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Re: [313] for producers

2000-08-23 Thread Jorge Velez


I'm assuming you're talking about REASON. Yeah, it makes my mouth water. 
Almost *too much* good stuff in one box, and all for around $400! Can't wait 
to try this out.


Jorge

 
   www.mp3.com/milkish
 



From: [EMAIL PROTECTED]
To: <313@hyperreal.org>
Subject: [313] for producers
Date: Wed, 23 Aug 2000 13:37:26 EDT

for the producers on this list, might wanna check out this sitethis new 
program claims to be able to do everything a producer could possibly 
imagine.


www.propellerheads.se

it's in beta testing phase.

anywho, check it out!

-ruth

www.ugsoundmgmt.com
[EMAIL PROTECTED]


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Re: [313] Cosmopolis and Frank Heiss

2000-08-15 Thread Jorge Velez
Heiss has done a bunch of productions with some of Cologne's finest (Dr. 
Walker, Khan). I recommend his CD as Tube ("Alive") on the US Liquid Sky 
label.


Jorge


 
   www.mp3.com/milkish
 

From: "peter mueller" <[EMAIL PROTECTED]>

To: "313 hyperreal" <313@hyperreal.org>
Subject: [313] Cosmopolis and Frank Heiss
Date: Tue, 15 Aug 2000 12:58:43 +0200


can anyone provide me with some information of the two above mentioned djs?
they're playing at a local club next weekend and i've never heard of them
befor, so any info would be appreciated.

thanks for your time

peter


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Re: [313] landcrusing

2000-08-12 Thread Jorge Velez
I recommend it. CC had said at the time of release that  the record was an 
attempt at paying homage to *all* his influences (Kraftwerk, Prince the geeetars>,his Detroit peers, et. al). The production values are high, so 
that was a bit off putting to some. Whatever. It's a great record.


peace,

Jorge



 
   www.mp3.com/milkish
 



From: Mike Taylor <[EMAIL PROTECTED]>
To: "'313'" <313@hyperreal.org>
Subject: [313] landcrusing
Date: Sat, 12 Aug 2000 16:56:57 -0400

Hello,

I just recieved this review from the S://kimo mailing list, I thought
fellow list members would be interested. Also, I have not heard this
release, is it essential? I have heard mixed reviews and I would like a
few more opinions.

"CRAIG, CARL: Landcruising CD (BLANCO Y NEGRO/WEA) $17.25
Now available as a mid-line reissue, this is Carl Craig's debut full
length album, originally issued on the now-doomed UK WEA-associated
Blanco Y Negro label in 1995. A concentrated, fully developed album
(not a collection of previously released singles), Craig went all out
to record one of the classic, defining records of Detroit-originated
electronic music. A controversial record upon release (obvious guitar
textures can be heard sampled; the overall sound is much more
luxurious and sophisticated than usually expected from Detroit techno
productions; it didn't contain any of Carl's numerous popular tracks
under prior alias'; and, it was released on a label of dubious
credibility w/ major label distribution), it is full of epic tracks
and is a crucial document in Craig's career overview.. It has never
been distributed in any proper sense in the US and remains largely
unheard by Craig followers who are much more familiar with his Planet
E/SSR output. Ripe for rediscovery."

Take care,
MT

NP : All the Pretty Things : Involve 05 : beautiful...

--
 Michael Taylor : [EMAIL PROTECTED]

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Re: [313] Re: Ax-020-Innovators

2000-08-11 Thread Jorge Velez

Wee Papa Girls?  Aggh! The foulness.
I'd love to hear these mixes, see what Reese did,
'cause the WPG
alone were hard to deal with.

BTW,
Any NY 313ers going to hear Kevin at CentroFly on
the 24th?




From: Peter B Leidy <[EMAIL PROTECTED]>
To: justice 808 <[EMAIL PROTECTED]>
CC: 313@hyperreal.org
Subject: Re: [313] Re: Ax-020-Innovators
Date: Fri, 11 Aug 2000 13:08:25 -0400 (EDT)


> >Wee papa girls -"" Kevin Saunderson RMX -Again I don't bother with 
the

> >title. I remember this one had some awful 303 (???), somekind of
> >acid-attempt tried.
>
> Are you kiding me??The Master Reese mix of The Wee Papa Girls "Heat It
> Up"(Jive)is one of my fave remixes of all time!I thought the 303 line 
was

> pretty good,and the remix as a whole was a groundbreaking one(one of the
> first records 2 totally strip everything out of the original).Awesome
> remix.I think there was also mixes by Chicago Mike "Hitman"Wilson.
>

I love that mix too, I have another wee papa girls track w/ KMS production
on an old Jive records house comp- track was called "we know it". both are
fun tracks- and they mix with lots of stuff 'cause theres the detroit
beats/percussion, the chigaco acid bass, and the hiphop vocals. I think on
that same Jive comp. was one of the worst adonis song i've ever heard, and
also samantha fox :)

-p


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Re: [313] Steve Arrington!

2000-08-11 Thread Jorge Velez

'sokay.
I'd seek out the stuff he did as a member of SLAVE instead. There's a 
greatest hits out that has all you'll need. Keep Funk Alive.


jorge


 
   www.mp3.com/milkish
 




From: "justice 808" <[EMAIL PROTECTED]>

To: 313@hyperreal.org
Subject: [313] Steve Arrington!
Date: Fri, 11 Aug 2000 17:53:33 BST

Sorry for being totally off topic,but I had the chance to by a old Steve
Arrington album today(think it was called "Songs In The Key of Life" or
something like that)but I passed on it.A friend told me his early stuff is
worth picking up,and I seem 2 remember Steve's name being mentioned on  
this

list a few years back.So, should I have bought it??What's his best stuff??


Justice
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CHECK IT OUT

2000-08-10 Thread Jorge Velez


www.djphotos.com


Timothy Soter's(URB/Mixer/Vibe)photo site has been
  updated with his most recent shots of the good, rad and ugly
 in electronic music as they do their thing in NYC.





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Re: [313] Fwd: Prince speaks

2000-08-09 Thread Jorge Velez
Thanks for posting this. As cheesy as the man may have gotten over the 
years, he's still a big part of where the 313 sound came from, so it's

still cool to hear his opinions and (occasionally) his music. This comes
from someone who's first self purchased 45 (w/ paper route money) was
"Controversy", wy back in Dem Days.

J.


 
   www.mp3.com/milkish
 





From: "Diana Potts" <[EMAIL PROTECTED]>

To: 313@hyperreal.org
Subject: [313] Fwd: Prince speaks
Date: Wed, 09 Aug 2000 01:15:40 GMT

Pardon the previous, I got a bit trigger happy.

Fellow 313er, Alex H., sent this to me. Though it is not _directly_ 313
related I thought it deals with some topics we've discussed on this
list,from a man who has had such a part (what kind is matter of opinion) in
music history (I dont know about you, but 'Manic Monday' brigtened my days
as a youth:).

Sorry, for the large post. Just delete it,instead of flaming me.


d



The truth from the artist formerly known as the artist formerly known as
Prince. (In his special numeric "language" and all...)

http://www.npgonlineltd.com/freedomnews.html

4 The Love of Music:
2 Very Different Approaches

  Real music lovers do not simply consume music. Real music
  lovers develop a special relationship with the works of the
  artists they like. At some point of their xploration of the
  music of a new artist, usually something "clicks" and triggers
  a whole process of discovery which involves wanting 2 hear
  everything the artist has ever put out (including b-sides,
  non-album contributions, etc.), wanting 2 hear it in the best
  possible conditions, wanting 2 hear live renditions of the
  music — and wanting 2 share this discovery with other
  people. They also feel that things like album packaging r an
  integral part of the musical experience, that the artwork, in
  so far as the artist has been involved in it, is an integral part
  of the artistic statement of a specific release and they want
  2 own an original copy of it so that they can xamine it from
  all angles, in search of clues, or bits of in4mation which
  might enhance their understanding and appreciation of the
  music.

  On the other hand, some people just consume music. They
  want a copy of a song bcuz everyone else is in2 the song.
  They don't really care about top-notch sound quality, as long
  as it is more or less "CD quality." They don't really care
  about the rest of the contents of the album bcuz all they
  really like is the hit single that every radio station and music
  TV station is playing non-stop. They just want 2 b able 2
  listen 2 the track over and over again until they wear it out,
  they effectively consume it — and then turn 2 something
  else. They r not really interested in music as an art 4m, but
  rather as a 4m of disposable entertainment —always
  looking 4 the latest hit which is going 2 displace the
  previous chart topper in their social environment, so that
  they r sure they stay "hip" 2 the latest trend.

  Those r 2 very different approaches 2 music. The trouble
  with the current system is that it is primarily designed 2
  meet the needs of music consumers and not of music
  lovers. There is some overlap, of course, and sometimes
  real musicians enjoy a fair amount of commercial success
  which indicates that they r benefiting from the system
  designed 4 music consumers, that their music is not only
  appealing 2 music lovers, but also 2 music consumers. This is
  fine with them as long as they don't have 2 compromise
  their artistic integrity. Un4tunately, once u become part of
  the music consuming system, u have 2 obey very different
  rules and many artists r, understandably, not comfortable
  with this, which creates all kinds of tensions after they have
  xperienced a certain amount of commercial success.

  A Fundamental Hypocrisy

  The fundamental hypocrisy of the music industry (and of
  some artists) in the current debate over the MP3 4mat,
  Napster and other 4ms of online xchange of music is that
  they r talking about copyright, intellectual property and
  other such noble concepts when the only thing that they r
  actually trying 2 protect is the commercial value of their
  musical "product."

  It's indicative, 4 xample, that, in a recent interview with the
  Los Angeles Times, Time Warner President Richard Parsons
  would make comments such as these:

An increasing number of young people don't buy
albums, so we are not only losing that
immediate revenue. They are also growing up
with a notion that music is free and ought to be
free.

  This statement deals with the relationship between music
  and the public from a purely commercial point of view.
  Nowhere in his statement is there any indication that what
  might happen with young people xchanging music is that
  they might develop a real appreciat

Re: [313] Sean Deason "Allegory and Metaphor"

2000-08-07 Thread Jorge Velez

From: Kent williams <[EMAIL PROTECTED]>
To: 313 list <313@hyperreal.org>
Subject: [313] Sean Deason "Allegory and Metaphor"
Date: Mon, 7 Aug 2000 09:13:31 -0500 (CDT)

Sean came to Iowa City to spin last year and dropped me a copy of this.
It is a remarkably smooth and deep exploration of techno. which has some
bumping tracks, but also some pieces that are incredible 4 am chill 
material.


Having grown up with techno in Detroit, this record has the traits of a
classic jazzy techno track -- Kevin Saunderson comes to mind more than,
say, Jeff Mills.  But Allegory and Metaphor is beyond that a very personal
work. It really does what art is supposed to -- express what is unique
about Sean as an artist, instead of striving merely to conform to 
conventions

of the form.

I personally want this record to be a big success, if for no other reason
than to make it possible for Sean to give more of his time to music, 
because

with "Allegory and Metaphor" he's only just gotten started.

kent williams -- [EMAIL PROTECTED]
http://www.mp3.com/chaircrusher -- tunes
http://www.live365.com/cgi-bin/directory.cgi?autostart=chaircrusher -- mix





I was in a local used clothing shop with a friend yesterday afternoon and 
they were playing some lovely, almost baroque techno. I asked what it was 
and the cashier tells me "the new Sean Deason". After reading so much about 
it here I was glad to finally get a "glimpse" of it. Will be buying it, 
definitely.


On another note: NYC 313'ers should get over to Kim's Underground as they've 
got a pile of
Dan Curtin's "Pregenesis" CD on sale in their used bin (though the CD's are 
new)very cheap. It's highly recommended. I've been digging it nonstop.


peace,
Jorge

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Re: [313] Patrice Rushen

2000-07-28 Thread Jorge Velez

From: sean deason <[EMAIL PROTECTED]>
To: james duncan <[EMAIL PROTECTED]>, <313@hyperreal.org>
Subject: Re: [313] Patrice Rushen
Date: Fri, 28 Jul 2000 09:33:55 -0400

since you brought her up. my memory has gone a bit foggy: what was the
Patrice - Prince connection again? Anyone recall? I know there was one but
cant seem to access that area of my memory :^)
sean



I remember seeing her playing keys for him on Saturday Night Live, doing 
"Electric Chair" off the BATMAN album. There's an earlier link between the 
two - but I gotta check my Prince bio to find that out.


Jorge



 
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Re: Detroit in The Face

2000-07-27 Thread Jorge Velez
I've got an issue of The Face c. 1989 that has Depeche Mode hanging in 
Detroit w/ Derrick May. Great photos in that one. Don't know if anyone 
mentioned this in the past thread.


Jorge


 
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Re: [313] Astrology/Techno (Was Moronic)

2000-07-22 Thread Jorge Velez

From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: 313 Detroit <313@hyperreal.org>
Subject: Re: [313] Astrology/Techno (Was Moronic)
Date: Sat, 22 Jul 2000 13:24:31 +0900


>>>Decisions, decisions, the latent Gemini in me can't make up its mind.
>>
>>How many ppl on this list and prolific techno artists are gemini's?

I'm not but should have but was born a few weeks later, I am not sure how
premature/late births affect it. I am a Leo (though in in a few
interpretations Leo/Cancer cusp) and there are no Leos making techno/
electronic music that I know of apart from Carl Cox. We're supposed to get
on well with Geminis but they just beguile me, which isn't a bad thing 
since

I like being beguiled.

I have this theory that we're partly socialised into signs but then there
are some commonalities that can't be explained.

A lot of those daily readings are dubious though - how many times have you
been promised a grand romance/holiday (BOTH OF WHICH I WANT NOW) and they
ain't come? I was recently asked to make one up for a fashion magazine (I
didn't) and I found out that a mate of mine did them for a leading women's
mag when the regular guy (I'd love to tell you what he did before he 
retired

and took up this column but it could get out and I'd be in trouble, it's
hilarious mind) couldn't get around to it. Neither had backgrounds in
astrology and were just using their creativity. So approach with caution.

What is surprising though is how universal astrology is. If you talk star
signs with people from different backgrounds (crossing race, creed, colour,
nationality, gender, etc) you will usually find common ground. In this
Claude Young (Cancer) interview I did recently he said that everytime he
logs onto his e-mail he checks out his daily chart and it's usually not far
off the mark.

Cheers

Cyclone





Gemini here. STONE Gemini (May 31). Can't say much about how this 
influences the stuff I make, except maybe that my head's usually in 5 
places at once and maybe all the things I pick up on come through in the 
music.


I try not to think I'm superstitious, but just about everyone I've told I'm 
a Gemini waaay after they've gotten to know me says they could've guessed 
immediately. And their reasons why are usually - freakily - similar. Who 
knows?


Jorge

P.S. On another thread note: Let's hear/read opinions on Rob Hood's new one.
Besides a couple of early reviews, everyone's been silent.
I'm sure  many of you have bought it. What's the consensus?

I think it's one of the best 313 releases in a long time. While not in the 
stylistic vein he's recognized for, it holds up, for me, as a deep, very 
funky and very nostalgic series of exercises in Detroit techno.And it flows 
as an album, too. Been playing it every day.


my 2 centavos.

 
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Re: [313] Juan/Swayzak

2000-07-19 Thread Jorge Velez

From: Mike Wells <[EMAIL PROTECTED]>
To: "Joshua M. Hill" <[EMAIL PROTECTED]>, 313@hyperreal.org
Subject: Re: [313] Juan/Swayzak
Date: Tue, 18 Jul 2000 14:46:40 -0700 (PDT)

How about posting a review of the show afterwards?
Swayzak isn't coming to SF until Aug. and I'd love to
hear about their set and Juan's.

thanks!  -Mike




Swayzak did a live PA at P.S. 1 ( an old school building converted into a 
contempo art museum in Queens, NY. The DJs/acts every Saturday thru the 
summer play in a sand filled space complete w/ beach umbrellas and chairs! 
Fun.) a couple of Saturdays back. Off the hook. I totally recommend checking 
them out when they're in your neck...


Jorge



 
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Re: [313] IF Mixed up in the Hague

2000-07-13 Thread Jorge Velez

Here you go:

http://fly.to/panamamix






 
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Re: [313] John Byrne (was Alan Oldham comics)

2000-07-12 Thread Jorge Velez

From: "*** ASKEW" <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: [313] John Byrne (was Alan Oldham comics)
Date: Wed, 12 Jul 2000 09:57:57 PDT

Jorge wrote:

what didn't you dig about Eshun's book? I thought it was pretentious
doodoo at first, then found it fascinating.


I've got nothing against Kodwo or Dan... more power to them.

I was just trying to lighten the thread a little. :)

Besides, there's quite a few comic-book influences in Detroit techno... the
Punisher, Vision, Nannytown, the Molemen... just to name a few.

Kinda works in with Kodwo's black science fiction angle.


cheers
~Askew




Definitely. I'd love to see what Marvel would do with "Suburban Knight" : ). 
Or a UR comic.


Jorge

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Re: [313] John Byrne (was Alan Oldham comics)

2000-07-12 Thread Jorge Velez

From: "*** ASKEW" <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: [313] John Byrne (was  Alan Oldham comics)
Date: Wed, 12 Jul 2000 08:34:56 PDT


Second: does anyone know of any good books about techno in particular,
or electronic music in general? I've read "Techno Rebels" by Dan
Sicko, "More brilliant than the Sun" by Kodwo Eshun and "Space is the
place" by Szwed (about Sun Ra)...


pffft* Kodwo Eshun.
Dan Sicko... who's he?

Try 'X-Men' 108-143 by John Byrne. The collected trade paperbacks of these
issues should be easy to get. Some of the best techno books ever!


Ha!  :)
~Askew

Try  - if you can find them - The Incal series by Jodorowsky and Moebius. 
Let's see Neuromancer by William Gibson (I know, cliched.Still, it's a 
fun read.


Hey, ~Askew: what didn't you dig about Eshun's book? I thought it was
pretentious doodoo at first, then found it fascinating.

Jorge

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Which Jay Denham?

2000-07-11 Thread Jorge Velez

Hey, folks.


Currently listening to Abe Duque's DiskoB mix Cd and there's this Jay Denham 
piece on there, "False Hopes", I'm really feeling.  Can anyone recommend a 
particular EP/CD of his stuff? Cheers.


Jorge

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Re: [313] DUB I massive or minute..?

2000-07-10 Thread Jorge Velez

From: "FRED MCMURRY" <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] DUB I massive or minute..?
Date: Mon, 10 Jul 2000 11:33:43 PDT

Dub records doesn't really do dub music. They are more into the IDM click
and clack sounds with ambient melodies underneath. From everything I've
heard it's not the super bass heavy sound typical of dub music. However, 
the

NUMMER EEN compilation is excellent..in fact I've been listening to it for
the last week nonstop, yes buy it. I've been especially drawn to
Funckarama's tracks. But don't confuse dub records with having elements of
dub music...it doesn't.
If you are looking for dub music go for Elektrolux records (elektrolux.com)
(check out Synchromatic Dubsters, Dr. Scissors, Dub Mix Convetion, Jammin
Unit), Dubhead records (dubhead.dircon.co.uk), Sountern Dub records,
anything by Burnt Freeman, the Bush Chemists, Aramagideon, Sly and Robbie
(of course)...this is just scraping the surface of the good dub.

Fred


I recommend Kit Clayton's "Nek Sanalet" album on ~scape (Pole's label). Some 
very deep dub textures/effects blended with Clayton's

signature electronics. Noice.

Jorge 
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From: "The [Quad]" <[EMAIL PROTECTED]>
To: 313 <313@hyperreal.org>
Subject: [313] DUB I massive or minute..?
Date: Sun, 09 Jul 2000 20:00:46 -0700

I've read several artists/releases from this label (DUB) championed on the
313...
DURACEL, for one, and yet I have no knowledge of the "sounds" to be
expected...
Would the dub be of the spacious, minimal-type or maybe the heavy,
gut-churning
kind..?
Better still-can my question be answered with a purchase of the "NUMMER
EEN"
CD comp..?

Me And My Arrow,
J. E. v.F-B. B.








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Re: [313] Carl Craig & Friends in NYC 7.13.00

2000-07-10 Thread Jorge Velez

From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: [313] Carl Craig & Friends in NYC 7.13.00
Date: Mon, 10 Jul 2000 12:18:51 EDT

For you New Yorkers out there, I thought you might want to check this...

Carl Craig & Friends
(featuring members of Innerzone Orchestra)
plus opening act
@ The Knitting Factory
Doors at 9pm
Tickets are $15.00

The Carl Craig & Friends performance takes the far reaches of what 
Innerzone
Orchestra is and leaps further out into the open expanse of live 
electronics,
organic instrumentation and improvisation, without a net.  Accompanied by 
the

talents of ex-Sun Ra and current Innerzone drummer/percussionist Francisco
Mora, plus an assemblage of other like-minded musicians and DJ's, expect a
melange of electronic soundscapes, percussion, free jazz, spoken word,
turntablism, dance beats of many origins and permutations, and most of all,
the unexpected.  As has always been the case during his musical career, 
Carl
Craig & Friends looks to challenge his audience's preconceptions even 
further.





I hope Carl shows up this time. The Knitting Factory hosted the same thing 
last winter and Carl couldn't make it(snowed in). It ended up being Jonah 
Sharp, Mora, Taborn and another musician who's name I forget. Ok in parts, 
but mostly an aimless mess. Anyone going on the 13th?


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Re: [313] DJ Spooky/Dave Clarke

2000-07-10 Thread Jorge Velez

From: [EMAIL PROTECTED] (Andrew Duke)
Reply-To: Andrew Duke Cognition/In The Mix <[EMAIL PROTECTED]>
To: "...IDM list" <[EMAIL PROTECTED]>
Subject: [313] DJ Spooky/Dave Clarke
Date: Sun, 09 Jul 2000 08:44:36 -0300


My question after all this blather:  was last night an atypical DJ
Spooky
set, or is he truly someone who shouldn't be DJing?

Thanks. Andrew Duke
--



Doesn't sound like an "atypical" Spooky set - and I've seen a few of them - 
and by this I mean I'm surprised he didn't break out way more records than 
the ones mentioned.


Fatboy Slim??!

He's also been known to break out the double bass and play it/play with it, 
along with finger piano. Spooky's a nice enough guy. I've just come to the 
conclusion that he's wy in his own head and those that choose to follow 
will. He's also got a great PR agent, methinks.


mis dos centavos.


Jorge

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AXIS 20 -- opinions?

2000-06-30 Thread Jorge Velez

So, what do you all think of Axis 20?

I've been playing this thing nonstop since I got it. Some
of the best 313 I've heard in *ages*.

Jorge

 
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Re: [313] axis 20

2000-06-29 Thread Jorge Velez

From: "Jwan Allen" <[EMAIL PROTECTED]>
To: 313@hyperreal.org
CC: [EMAIL PROTECTED]
Subject: [313] axis 20
Date: Wed, 28 Jun 2000 18:59:15 -0400

Has anyone been able to snag a copy yet? This record looks to be the minmal 
nation of the next year (in terms of limited quanities)



Jwan Allen
www.hypervinyl.com
[EMAIL PROTECTED]
_



Yup. Just bought myself a copy, along with the "Humana EP", a couple of 
hours ago. Called "Every Dog Has Its Day". Sounds fantastic, though I've 
only given both of the Axis 20 12"s a cursory spin each. Taping

"Humana" as i write.

According to the folks at Sonic Groove, where I bought it, Axis 20 is 
extremely ltd. edition.


Jorge



 
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Sequencers and Music

2000-06-23 Thread Jorge Velez

Hey, folks.

Just came across this person's college paper
on sequencers and their use/effect on
music composition. Looks great.
For the geeks like me who drool over
this sorta thing (I need to get out more),
it's at

http://www.dan98.demon.co.uk/textdoc.htm


peace and have a great weekend,

Jorge

PS. I downloaded a D.May set offa Macster last night "Live at FUSE
March 1999 Part 1" anyone know where this was, and does anyone
have access to Part II? Part I is definitely bumpin' (sounds taken right off 
the mixer).


 
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Infiniti : Overlooked?

2000-06-22 Thread Jorge Velez

I'm listening to "Skyway" at the moment and wondering: why the hell
didn't the SKYNET album get a *massive* push from the press
and record label? It's really an amazing piece of work, IMHO. Any ideas?

Jorge

 
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Re: [313] M500's "The Passage"

2000-06-21 Thread Jorge Velez

woops...the other track on that apollo record was not "warning" (which was
off his deep space album), but "vessels in distress" Juan's vocals are
real nice on this record.


Thanks. I gotta track this one down now.


Jorge

NP: Vangelis - SOIL FESTIVITIES
   AR Kane -I
   Mr. Fingers - INTRODUCTION




 
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"History Of House" publisher's address

2000-06-20 Thread Jorge Velez
I posted a comment re: this book earlier today. If anyone wants to learn 
what all your favorite 313 producers (and Larry Heard, Kraftwerk,  and many, 
many others) had to say about where they were coming from - musically and 
conceptually, in their own words - back in the day, I seriously recommend 
this book.Highly.


Sanctuary Publishing Ltd.
The Colonnades
82 Bishop's Bridge Rd.
London W2 6BB
tel: +44(0) 171 243 0640


There's a US/Canada distributor # (no address given):

Music Sales Corporation
1 800 431 7187

Good luck!

Jorge



 
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M500's "The Passage"

2000-06-20 Thread Jorge Velez

I've got this on a weird little comp. c.'93 (can't remember
the title offhand - something like "Techno Fever" or thereabouts...).
It's one of my absolute fave M500's - unlike anything else Juan had done up 
till then. Anyone know how many versions exist of this track, if any?


Jorge



 
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Re: [313] [was] Innovator Vs. Red Planet [now is] manners, and hodge podge

2000-06-20 Thread Jorge Velez

The Yardbirds may have beaten the Beatles to the punch, and Brian Williams
get's into the mix with Pet Sounds.

Hate to be a stickler, but it's "Brian Wilson".


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Re: [313] Old recording techniques...

2000-06-20 Thread Jorge Velez

From: c myster <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: [313] Old recording techniques...
Date: Wed, 21 Jun 2000 01:37:29 -0500

What  impresses me is the attention to Detail.
Derrick would would actually Splice peices of tape and
insert it backwards to give it that backspin sound.  If you've worked
with
Linear analog tape or even fixing old eaten cassette tapes, you can
respect the
amount of tedious time that went into it.

mystro


While we're on this thread, I would recommend "The History Of House" book 
that came out a couple years ago. I think it's a UK release through The Mix 
magazine, so you could probably get it from them. The interviews in there 
are priceless, and the  Detroit ones are from the heyday (88-89). From what 
you learn about the technology Atkins, May, Saunderson (even Larry Heard, 
Li'l Louis, man! down to Kraftwerk)had to work with to come up with such 
timeless music, you have to wonder why there's so much garbage  - along with 
some good stuff - now that we have *way* better tools to work with!


My 2 centavos.

JVelez

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Re: [313] Mixed Up in the Hague Vol. 1

2000-06-14 Thread Jorge Velez

From: "jim proffit" <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: [313] Mixed Up in the Hague Vol. 1
Date: Wed, 14 Jun 2000 08:23:11 PDT

Nathaniel Hovan wrote:


Can anyone help me with artists and/or labels for these songs off >i-F's
Mixed Up
in the Hague Vol. 1 CD?  These are the tracks I'm stuck on:

-Primitive World
-World Invasion
-Manmade
-Spacerwoman
-Robot is Systematic
-Super Shuffle
-Take A Chance
-Dirty Talk
-Living Up
-Feel The Drive
-Catch
-Influence


Haven't heard that mix. Here's some tracks anyway...


Patrick Cowley-Primitive world (Megatone)

Man Parrish-Man made (Importe/12)

'Lectric workers-Robot is systematic (Discomagic)

"Take a chance"... Uh, it's by some of these bands I guess:

Bizzy & co.
Malcolm J. Hill
Mr.Flagio (my guess is it would be this. Vocoder classic...)(Squish)

Klein & MBO-Dirty talk (Zanza)

Doctor's cat-Feel the drive (Discomagic)

"Catch"... I guess it's by Sun La Shan...? Silly song. (Superradio)


-Proffit



While we're on this subject: who did the electro version of   
"BladeRunner"?  And has anybody heard the Anthony Rother CD yet?


 
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RE: [313] Craig Taborn

2000-06-08 Thread Jorge Velez

From: "Scott MacInnis" <[EMAIL PROTECTED]>
To: "Intermodal" <[EMAIL PROTECTED]>
CC: "313" <313@hyperreal.org>
Subject: RE: [313] Craig Taborn
Date: Thu, 8 Jun 2000 13:39:35 -0400

Is he the same guy that played w/Aril Brika & Spacetime??


> > Out of curiosity, what else has Taborn done outside of IO, and does he
> have any releases. > take care,
> mike
>
>  Yeah, he's on Francisco Mora's album, released by Planet E

"side label" Community Projects. Supposed to be a
good record. Here's an All Music link to Taborn:


 http://allmusic.com/cg/x.dll?p=amg&sql=B215082


   hope this helps


   Jorge

 
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Re: [313] Dj software and Recycle

2000-06-08 Thread Jorge Velez
I was on the verge of buying Cubase when I was shown the light that is 
LOGIC. The manual is scary as hell, but once you watch the thing in action 
it's something else. Up till now I've used outboard stuff sequenced with an 
MMT8 a-la-old-school, but I can't wait to get Logic and Reaktor in my 
Powerbook and try to get the funk a flowin'.


Jorge



 
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Re: [313] Previous v Present turnouts in Detroit

2000-06-06 Thread Jorge Velez

From: "Holly C MacDonald-Korth" <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] Previous v Present turnouts in Detroit
Date: Tue, 6 Jun 2000 12:15:48 -0400

>>>I'm certain that Derrick May didn't became didn't become to be known 
because

of his DJ skills. The lines between musical artist and DJ once again become
blurred.>>>

are you kidding me? derrick has spun some of the best sets i have ever 
heard in

my life...

and he damn well better have been known for his dj skills cause he hasn't
produced a record of his own in what, 10 years?

have you listened to the mix-up cd? that's how he really sounds, and if he
didn't, then he was having an off day...

i wish he hadn't played so hard at demf, i like his salsa-ier and housier 
sets

better, but he still rocked it... and i think he should have closed out the
event, not rich..

peace,
holly




I second that! I had the good fortune to be in the booth watching
Derrick spin a set a couple of weeks back. It was a sight to behold. And 
funky as hell. He rocked it.
A good friend of mine, who happens to also be a very skilled DJ, was 
watching in awe. Said Derrick was the best techno DJ he'd ever 
heard/watched. You'd have to put up an extremely convincing - make it  
airtight-  argument for me to think he's not at the top of the game.


peace,
Jorge






 
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Re: [313] Larry Heard "Alien" - Get It While You Can!

2000-06-02 Thread Jorge Velez

From: "Jorge Velez" <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED]
Subject: [313] Larry Heard "Alien" - Get It While You Can!
Date: Thu, 01 Jun 2000 23:22:11 EDT

Hey, all youse Larry Heard fans:


Hurry up!
Tower Records' site (www.tower.com) has got a dwindling supply
of "Alien" CD's on sale for a whopping $17.99!!  I ordered mine
today.I think they're in extremely limited supply (unless I got the last
one).

Go get 'em, kids!


Jorge



 
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Sorry. The URL should read

www.towerrecords.com

Jorge




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Larry Heard "Alien" - Get It While You Can!

2000-06-02 Thread Jorge Velez

Hey, all youse Larry Heard fans:


Hurry up!
Tower Records' site (www.tower.com) has got a dwindling supply
of "Alien" CD's on sale for a whopping $17.99!!  I ordered mine
today.I think they're in extremely limited supply (unless I got the last 
one).


Go get 'em, kids!


Jorge



 
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Re: [313]Larry Heard!!!!

2000-06-02 Thread Jorge Velez

From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313]Larry Heard
Date: Thu, 1 Jun 2000 19:26:07 EDT

In a message dated 6/1/00 9:07:16 AM Pacific Daylight Time,
[EMAIL PROTECTED] writes:


apparently there's a new larry heard out on moods and grooves. it's meant 
to

be
fantastic. anybody know anything about it? is it a limited editions? when 
is

it
out?
james

Hi-His new LP has one song that is amazing-a vocal like i have never
"heard"-and gives any other vocal track a run for its money...as for the
rest...it's a little light-hearted, but okay..not techy at all..a little
jazzier than the law should allow...but it is worth it for the one vocal-
kat,CA

-Just bought the "Missing You" 12'' today. Beautiful. Side A is an almost 8 
minute vocal, the B is an "Instrumental". Worth it. Find it and love it!


peace,
Jorge






 
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Re: [313]Larry Heard!!!!

2000-06-01 Thread Jorge Velez

Speaking of Mr. Fingers, would anyone out there be willing to
share some of their Heard material with a fan?  I've got "Introduction", 
"Dance 2000 Pt. 1" and assorted Chicago Trax stuff. Anyone have 
"Sceneries...", "Another View", "The It?"?


peace,

Jorge

 
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How Many Wiggins?

2000-05-31 Thread Jorge Velez

Whew. I'm almost embarrassed to ask this one, but:

how many versions of "Wiggin" exist? I only know of  Juan Atkins' remix on 
"Innovator". Fiendin' for any others. And, please, cut a non-djing-D- 
Techno-lovin'-fool a little slack? Please?


peace,
JVelez

 
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Re: [313] DEMF-Electronic FAMILY REUNION!!!!

2000-05-31 Thread Jorge Velez

Beautifully said. Wish I was there more and more each day.

Next year.


JVelez



 
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Re: [313] industrial vs. hip hop and Astrelwerks

2000-05-26 Thread Jorge Velez

From: Tom Lawton <[EMAIL PROTECTED]>
To: [EMAIL PROTECTED], 313 Detroit Techno Mailing List 
<313@hyperreal.org>

Subject: Re: [313] industrial vs. hip hop and Astrelwerks
Date: Fri, 26 May 2000 20:18:35 +0100

In message <[EMAIL PROTECTED]>,
[EMAIL PROTECTED] messed around with filters and compression to
make the sounds now known as:
>>I don't see how anybody, fan or producer, can come into techno via 
hip-hop.

>
>Speedy J?
>
>Ben Sims?
>(not sure about Ben...)
>
Dave Clarke was a hip-hop DJ before he turned to all things techno, and
that'd definately explain his wikkid turntablesque skills of late.

TTFN,
--
Tom Lawton
ICQ:21604785

"A penny saved is ridiculous"

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Autechre have also cited hip hop as their earliest influence, esp. Mantronix 
and the Mantronik produced Just Ice album. Title of this one escapes me. Was 
it "Back To the Old School"? One of my adolescence hallmarks (among others 
;) ), listening to that stuff...


Jorge
 
   www.mp3.com/milkish
 


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Have Fun

2000-05-26 Thread Jorge Velez


Hello, all!

I'm new to 313. Glad to finally make myself a part of this.

I just want to wish everyone a great time at the DEMF.  I envy all of you 
who are going.


BTW, anyone from the NYC area stick around at CentroFly long enough this 
past Tuesday to dig Derrick May's set? Off the hook, IMHO.


peace.





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