[313] Technasia Sets...
OK, after following the link on Technasia's site you wind up here: http://www.ejay.co.uk/netradio/channels_single_techno.php?menue_name=techno% 20orbit# (you'll probably have to cut n' paste that, sorry) After that you can't directly access the set...it seems they have rotating sets by multiple residents including Technasia. If anyone can figure out if there are archives on this site let me know as the layout of this site is damned confusing. However a short clip of their live PA @ I Love Techno can be found on this page... http://www.technasia.com/technasia/events/live.html Cheers, m* - Original Message - From: "Mark S Flintoft" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; "Grammenos, Peter" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> Sent: Friday, April 12, 2002 2:25 PM Subject: Re: [313] Technasia... > I remember seeing a link to one on > http://www.technasia.com/technasia/welcome.html > > Love those guys... > > m* > - Original Message - > From: "robin pinning" <[EMAIL PROTECTED]> > To: "Grammenos, Peter" <[EMAIL PROTECTED]> > Cc: <313@hyperreal.org>; <[EMAIL PROTECTED]> > Sent: Friday, April 12, 2002 10:17 AM > Subject: RE: [313] Technasia... > > > > > > > > does anyone have a recent online technasia set i can listen to ? > > > > > > the future mix cd isn't really mixed as such, which is a shame. > > > > yeah i'd like to hear a proper dj mix too > > > > robin... > > > > > > > > > > > > > > -Original Message- > > > From: Michael D Tyrer [mailto:[EMAIL PROTECTED] > > > Sent: Friday, April 12, 2002 2:38 AM > > > To: [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED] > > > Subject: Re: [313] Technasia... > > > > > > > > > 4 wots it worth - we saw these Charles Siegling/Technasia in Belgium a > few > > > weeks back at the Fuse Club and were very impressed. We thought it was > one > > > of the better sets we had recently heard. > > > > > > Well, well worth booking. > > > > > > - Original Message - > > > From: "Gerald" <[EMAIL PROTECTED]> > > > To: <313@hyperreal.org>; <[EMAIL PROTECTED]> > > > Sent: Friday, April 12, 2002 12:44 > > > Subject: [313] Technasia... > > > > > > > > > > Is anyone interested in booking these guys in North America? > > > > There are still a few open dates on their tour. > > > > > > > > If so, drop me a line. > > > > > > > > Cheers! > > > > > > > > G > > > > > > > > - > > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > > > > > > > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > robin... > > -- > > Dr. Robin Pinning | E: [EMAIL PROTECTED] > > Manchester Computing, University of Manchester, | T: +44 161 275 7028 > > Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 > > --www.mrccs.man.ac.uk- > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Alan Sanctuary/Detroit DJ...
Seems to me the rap for Detroit DJs not showing up for gigs lies with shady promoters/clubs either completely deceiving the unknowing punter or not following through in a proper fashion with arrangements (a la Alan Sanctuary). I am sure the inimitable Ms. Gavoor has an opinion on this as well... Just my opinion, m* Btw...I heard that Carl actually played an event in Colorado the night of the 'Spend The Night' fiasco and was never actually booked by Alan. Anyone have any info on that? - Original Message - From: "Fred Heutte" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, April 12, 2002 3:28 AM Subject: Re: [313] Richie/NYC/TechnoNYC/Function... > OK, everyone knows Alan Sanctuary is a greedy jerk, but what was *this* > little slur all about: > > "In the end, Mr. Craig and Mr. Saunderson arrived for their gigs > (miracle of miracles! Detroit followers will know what I am talking > about), with Carl "spending the night" -- in bed -- and Saunderson > kicking it in the Shelter office." > > http://www.villagevoice.com/issues/0215/romano.php > > That would be writer Tricia Romano talking (not the loquacious Alan > Sanctuary). But then, accuracy never has to be all that big a concern > for a gossip column. > > To my knowledge Mr. Craig and Mr. Saunderson have *always* carried > through on their commitments. And as a matter of fact, I don't know > of any well known Detroit DJs who don't -- and I want to see proof > before I believe any of it about Mr. Atkins, which is where that > criticism is usually aimed (or mis-aimed, based on the vast amount of > mis-information about how many promoters actually operate). > > Just ask Mr. Larkin, who as I recall did a pretty long European swing > a few years ago and got stiffed by the tour manager. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ALL AREA ACCESS PASS
> It's not a press pass, to my understanding, it's a vip card. you'll be able > to get into special areas where cardholders can't... like vip rooms in > clubs... Assuming people/events actually honor the passes it sounds like good value to me...especially if you don't have any local/industry connections. lates, m*bookinghisflightaswespeak* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Technasia...
I remember seeing a link to one on http://www.technasia.com/technasia/welcome.html Love those guys... m* - Original Message - From: "robin pinning" <[EMAIL PROTECTED]> To: "Grammenos, Peter" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org>; <[EMAIL PROTECTED]> Sent: Friday, April 12, 2002 10:17 AM Subject: RE: [313] Technasia... > > > > does anyone have a recent online technasia set i can listen to ? > > > the future mix cd isn't really mixed as such, which is a shame. > > yeah i'd like to hear a proper dj mix too > > robin... > > > > > > > > > -Original Message- > > From: Michael D Tyrer [mailto:[EMAIL PROTECTED] > > Sent: Friday, April 12, 2002 2:38 AM > > To: [EMAIL PROTECTED]; 313@hyperreal.org; [EMAIL PROTECTED] > > Subject: Re: [313] Technasia... > > > > > > 4 wots it worth - we saw these Charles Siegling/Technasia in Belgium a few > > weeks back at the Fuse Club and were very impressed. We thought it was one > > of the better sets we had recently heard. > > > > Well, well worth booking. > > > > - Original Message - > > From: "Gerald" <[EMAIL PROTECTED]> > > To: <313@hyperreal.org>; <[EMAIL PROTECTED]> > > Sent: Friday, April 12, 2002 12:44 > > Subject: [313] Technasia... > > > > > > > Is anyone interested in booking these guys in North America? > > > There are still a few open dates on their tour. > > > > > > If so, drop me a line. > > > > > > Cheers! > > > > > > G > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > robin... > -- > Dr. Robin Pinning | E: [EMAIL PROTECTED] > Manchester Computing, University of Manchester, | T: +44 161 275 7028 > Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 > --www.mrccs.man.ac.uk- > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fw: [313] strings of life
> > No, i think he means that remix Terrence Parker and others played last > year at DEMF too. It was quite a nice remix, but i still don't know who made > it, or on what label it was released. Well as I've said before I think it's that white label that was released around this time last year. It had 2 different mixes both featuring jazzy piano riffs - it has a sticker on it saying 'Derrick May Strings Of Life 2001' (dunno if that is the one TP was playing or not). The only other semi-recent mixes I know of are the one Tarantella and Redanka did (surprisingly not too bad;) which was never released afaik, an Ashley Beedle remix http://www.dancetracks.com/audio/31992.ram and that awful Plank 15 one with the King Unique remix of Jaguar on the flip. But Dan has a point it could easily be Salsa Life - which mixes nicely with that white label btw - due to Maarten's characterization of the track as being 'Latin-like'. My .02 cents... m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Richie/NYC/TechnoNYC/Function...
Hey Dave, > http://www.villagevoice.com/issues/0215/romano.php Excellent article! Thanks for posting it:) I for one feel the need to beat Alan to a pulp next time I see 'im, Hee eheee heee and I didn't even have to shell out any cash for that fiasco!;-) God damn that was one infuriating night! BTW... Function absolutely rocked it at Kazu and Masa's (Vinyl Market NYC) new TechnoNYC party at Filter 14 here in NYC last night. Dave dropped brilliant 313-type dark Techno for a solid 2 hours...think Ruskin, Surgeon, Denham type stuff. I highly recommend all the NY heads check out this party in future weeks. The system is really great, it wasn't too crowded and the drink prices are quite reasonable...had Grammenos and I sweating it out on the Dance floor until 3:30;-) Cheers, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Dan Bell Vs. Josh Wink - legalities
>> ['superfreak' is licensed) Ok...I take this to mean the track is licensed to Ovum... Did the guy mention whether or not Dan would be receiving his due or not? Laters, m*hopelessly-hoping* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fw: [313] Richie/NYC/TechnoNYC/Function...
This bounced last time so I am giving it another try...sorry if anyone gets it twice. m* - Original Message - From: "Mark S Flintoft" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; "313" <313@hyperreal.org> Sent: Thursday, April 11, 2002 1:29 PM Subject: [313] Richie/NYC/TechnoNYC/Function... > Hey Dave, > > > http://www.villagevoice.com/issues/0215/romano.php > > Excellent article! Thanks for posting it:) > > I for one feel the need to beat Alan to a pulp next time I see 'im, Hee > eheee heee and I didn't even have to shell out any cash for that fiasco!;-) > God damn that was one infuriating night! > > BTW... Function absolutely rocked it at Kazu and Masa's (Vinyl Market NYC) > new TechnoNYC party at Filter 14 here in NYC last night. Dave dropped > brilliant 313-type dark Techno for a solid 2 hours...think Ruskin, Surgeon, > Denham type stuff. I highly recommend all the NY heads check out this party > in future weeks. The system is really great, it wasn't too crowded and the > drink prices are quite reasonable...had Grammenos and I sweating it out on > the Dance floor until 3:30;-) > > Cheers, > > m* > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Bell vs Wink
> Hans Veneman wrote on Thu, 11 Apr 2002 about following: > > > KJ emailed Ovum about this issue. If you want to read Josh Wink's reaction > > to Dan's letter, go here: > > http://technotourist.org/modules.php?op=modload&name=News&file=article&sid=1 > > 65&mode=flat&order=0 I'll bet Josh said the same thing about 'Lil Louis before he was forced to own up to the similarities of How's Your Evening So Far to French Kiss... Cool thing about that release was it had the orginal FK on the flip thereby educating the kids who thought Wink had done an original tune;-) Lates, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Letter from Daniel Bell / Mike Ink/Alter Ego...
> i'm not sure if that will enough time for mark to download the tracks w/ his > 56k modem ;) Too true Mr. Grammenos... Not all of us are lucky enough to have a high speed connection provided by our employer!;-PP To keep things sorta 313 related...anyone else diggin Mike Ink/Alter Ego's 'Space Marines' on Art Of Perception?? I just picked it up yesterday and have listened to it like 3 times today...nice stuff, deep dubby Techno and a bit of electro goodness:) Peace... m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FWD: Letter from Daniel Bell
Yeah as soon as someone locates an MP3 for the track please post it to the list:) Peace, m* - Original Message - From: "Wes" <[EMAIL PROTECTED]> To: "Yair Etziony" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, April 10, 2002 2:32 PM Subject: RE: [313] FWD: Letter from Daniel Bell > Is the track on Audiogalaxy definitely DBX's "Superphreak"? I haven't had > a chance to listen, but a couple of people on global-techno > are wondering if it's mislabeled, as the similarities aren't > particularly pronounced (apart from the 808 etc.) Anyone know for sure if > that is indeed the DBX track in question? > > Wes > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] strings of life
Could be that 2001 Remix that was released on White label last year, it has strong piano riffs on it... Cheers, m* - Original Message - From: "Maarten Baute" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, April 05, 2002 2:27 PM Subject: [313] strings of life > me and my questions... > > So, i heard this remix of strings of life this saturday (played by smos and > baby b, two belgian dj´s). It sounded very new, happy and latin-like (with > e-piano).. Does anyone have a clue wich remix this could be? > > Another Question: > Is the record "Pepe Bradock - Atom Funk" ever remixed? > I heard Derrick May play a track with the same sounds... > > Thanks, > Maarten > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] - Forced Exposure...
Order is placed Thanks for the prompt responses sos and Pete=) Cheers, m* - Original Message - From: "SOS" <[EMAIL PROTECTED]> To: "Mark S Flintoft" <[EMAIL PROTECTED]> Sent: Friday, April 05, 2002 2:14 PM Subject: Re: [313] - Forced Exposure... > They are oh so cool > s.o.s > At 02:14 PM 4/5/2002 -0500, you wrote: > >Anyone have any experience dealing with these folks?? > > > >They have something I REALLY want but I don't wanna get jerked around... > > > >Any feed back would be greatly appreciated:) > > > >Thanks in advance... > > > >m* > > > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] - Forced Exposure...
Anyone have any experience dealing with these folks?? They have something I REALLY want but I don't wanna get jerked around... Any feed back would be greatly appreciated:) Thanks in advance... m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] dj technical Q about mixers.
Hmmm, I have a PMC 270A which I like a lot, I haven't tried the PCV 275 but as far as I know it's the same thing just with digital faders. The DJM 500 has more inputs but I agree the knobs and faders don't have quite as nice a feel. They both have effects send and return if I am not mistaken. The cue level meter on the Vestax is awfully handy. Are you buying this new or used? The Vestax should be WAY cheaper if you're buying new, which is what made my mind up!;-) Go with the one you like the feel of better:) Laters, m* - Original Message - From: "Yair Etziony" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, March 25, 2002 1:55 PM Subject: [313] dj technical Q about mixers. > hey i have the option to choose between 2 mixers (this is for home use). > 1.pioneer djm500 - i like this one but he feels kinda softie to me. > 2.vestax pcv 270 - this one is more riggid but i don`t know. > i would like to hear you views about it:) > > kind regards > Yair. > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Put A New Ear On.
> > i am enthusiastic to hear of other members' encounters with the > > "rediscovery event Some stuff I have come across in my own collection in the last year or so... Total Planet Refreshment Birds of Pressure Kanzleramt KA 10 (tweaky Heiko Laux stuff from '96.) Ron Maney & Cari Lekebusch Intensity Hybrid Hyb 016 (another track from 96...B side is brilliant.) Black Mass Black Mass Foundation Sound Works FD 001 (yet another one from '96! Double pack of nice Tribal Techno cuts.) Pure Science The Evolution EP Re-Hab Music RHB 003 (Totally forgot about this one until I came across it about year ago in a stack of records from, you guessed it... '96. I have been offered $500 for this one by a certain big name NYC jock...I like it way too much to sell though. Prototypical Tech House - the good kind that is;-) Syndromeda Minimal Damage Vol 1 Club Craft Club 08 (another one from that '96 stack! Nice minimal Mills-ish stuff from Justin Drake and Clive Henry before they became Peace Division...really nice stuff.) This thread has inspired me to do the yearly run through of the collection...be nice if I could unearth some more forgotten treasure... Laters, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Minimal Techno / SCSI-9...
> SCSI-9 is Anton Kubikov and yes, he rocks. Also check the equally talented > fellow-Russian Lazyfish. Gotcha... SCSI9 Vs. Lazyfish is the EP I have on Salo;-) Nice stuff... > > I dont think anyone's mentioned Thomas Brinkmann in this thread yet, he is > one of the best in my book. I agree...there is usually at least one of his tracks in my bag, and his Rosa CD rarely leaves my CD-Changer. Lates, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Fw: [313] Minimal Techno / SCSI-9...
> >>>SCSI-9 I have an EP by him (them?) on Salo...like it much. Anyone have any info or thoughts on them?? Some minimal stuff I have been playing lately... Gez Varley G7 Overdrive Billy Delessandro Sonic Revolution EP Fortcetracks G-Man Avanti Force Inc. Laters, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] PAs / Kitten and The Hacker / Joel Mull
PL>>And I just had a thought that perhaps this is another reason why electro-pop is blowing up- because they always have singers (and often good-looking women for maximum audience response from predominantly-male music-geek community - adult, miss kitten, peaches, chix on speed :) I think you have a point there Peter... I went to see Kitten and The Hacker here in NYC at Fun not too long ago and I have to say that while technically it was the most boring PA I think I have ever seen the crowd really seemed to get off on it. I would definitely say having Kitten up there was a factor in the crowd reaction. I enjoyed it too as I am a big fan of both Kitten + The Hacker, but I mean it lasted maybe 15 or 20 minutes, Hacker seemed to have everything stored in something the crowd couldn't even see (they were up on a tall platform kinda thing), and I swear after the song started and he had tweaked one or two knobs the man basically just stood there. Gotta say Ulysses' electro>DEEP House>Techno and back again set made the night...that and hearing Frank Sinatra performed live;-) I have always enjoyed PAs in intimate spaces more than those in bigger venues... The best PA I saw last year was Joel Mull at Guernica. I was sitting (with fellow 313ers Pete Grammenos and Alex Lugo) about 2 feet from Joel for the first 15 minutes of his set and it was really cool to watch him punch patterns into the MPC virtually non-stop. I would have loved to watch him through his entire set but I had to get up and get down along with the rest of the crowd. Yeah that's right people DANCING during a PA!!;-) BTW...this was in the early morning hours of September the Eleventh 2001. To go from the high of that night to the low of later that morning was quite a thing Peace, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] What would you do to get D. May at *your* party?
>From http://www.tranzfusion.net/shownews.asp?newsid=923 : "Now, 15 years on, Transmat is celebrating it's 15th Anniversary. An anniversary of techno you may call it. In the year 2002 Transmat is set to release whole new era of producers and up and coming DJ's, including Australia's very own Microworld." Yeah! More Microworld...it's about time!=) Nice piecea spell check wouldn't have gone amiss though;-) m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Blaze
Anyone know if Mood II Swing has ever recorded anything with Blaze??
That'd be a killer combo!:)
Laters,
m*
- Original Message -
From: "Jonny McIntosh" <[EMAIL PROTECTED]>
To: "Odeluga, Ken" <[EMAIL PROTECTED]>; "laura gavoor"
<[EMAIL PROTECTED]>; "[EMAIL PROTECTED] Org" <313@hyperreal.org>
Sent: Wednesday, March 06, 2002 8:03 AM
Subject: [313] Blaze
> > An outfit called Phase II in the late 80s/early 90s, had substantially
the
> > same members
>
> Most famously, Reachin'. From around the same time check out their other
> work on labels like Quark "If You Should Need A Friend", Movin' (check
> Before The Storm's "I Got The Music" and aforementioned Phase II
"Reachin'")
> or Easy Street (my favourite Blaze track from this era's In-Sync feat
Jerry
> Edwards' "Sometimes Love").
>
> > in collaboration with Dave Lee (who one could say is a well-known 'Brit
> Fad
> > freak', but I wouldn't dream of it ;o). The rest of the tracks were
mostly
> > by Blaze under different names. I can post details Weds.
>
> Dave Lee (aka Joey Negro), I think, is about as far removed from a fad
freak
> as you can get! I don't know of anyone as deep in the disco spirit as this
> man. Sure, he's had his pop hits, but this man is disco through and
through.
> Success or no.
> Check out his excellent Sunburst Band releases on his own label Z, or many
> of his wicked remakes.
>
> > I've come across the names Hedge, Milan, Herbert so often on 'anonymous'
> > disco-house records from the early '90s, I've almost stopped noticing.
>
> Far from "anonymous disco house", Blaze are, if any group are, the most
> deserving of a chapter to themselves in the big ol' book o' house, from
the
> 90s. Check out any of their classic work for Shelter, Funky People,
Simplex,
> Area Code ("Love For You" never leaves my bag). Their production of Debbie
> Pender's "Movin' On", alongside fellow New Jersey musicians, Smack and
Kerri
> Chandler, helped define that UK garage sound (like it or no). Check out
the
> comps on Easy Street, Blaze Productions vols 1 & 2 to see how massive they
> were in
> the 90s. Those signature Moog solos on "Moonwalk" and others are far from
> "anonymous disco" :) A closer analogy would be with "That's The Way OF The
> World" era EW&F, I reckon.
>
> Funnily enough, Blaze themselves are probably entirely unaware of their
> influence. They admit to knowing hardly anything about contemporary house
> music (KDJ? who's that?) beyond what they get at the Shelter. Or so said
> Timmy Regisford. Apparently they have a massive loft studio in New York,
> which they rarely get out of.
>
> Oh, and their Motown album was heralded by Motown execs - after they
dropped
> them! - as one of the best 20 albums (I think) that the label had
released!
>
> Of course, Blaze didn't stop making fine music in the 90s! They're at it
> more than ever now.
>
> Jonny.
>
>
>
> -
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>
>
-
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[313] - 313 Living....
Hey 313ers familiar with day to day life in the D... I am considering a move (January 2003) to the to hopefully finish my undergrad degree for good, and to work on music. Any information on schools and jobs, as well as any and all advice is welcome. Thanks in advance... m* Upcomming gigs... 02.28.02 - Untitled @ Angel w/ Dan Asti 03.11.02 - Sticky Kitten @ Level-X w/ Miss Dinky + Dan Asti 03.14.02 - vOID (Residency) w/ guests Dan Asti and Cedric 03.24.02 - Sticky Kitten Night @ Idlewild w/ Nils, G-Ron and Dan Asti 03.28.02 - vOID (Residency) w/ guests Iain Catling and Cedric _ Mark S. Krüx Cel - 917.817.3989 DJ / Photographer Fax - 877.485.3477 [EMAIL PROTECTED] [EMAIL PROTECTED] _ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Alcohol-free / Hawtin review...
> it's funny isn't it but i suspect a booze-less club over here would > immediately arouse the suspicions of the authorities... > > a cultural difference i guess Ohh but they do... one of the drawbacks of going to DT's Friday night party, and there are quite few these days unfortunately, is that there are always a few undercover cops cruising around trying to spot dealers. Not to mention the paranoid bouncers who routinely throw innocent people out because they were thought to be doing some sort of drug. Any club with no booze is automatically suspected of heavy drug 'infiltration'and those suspicions are generally spot on, for better or worse. Honestly I'd rather be in a club where people (not candi-ravers;) are on e than a club rammed with drunks. I went to the Tronic party at Baktun tonight and danced to Richie Hawtin, Magda, and Miss Honey Dijon until 4AM...only problem was the number of idiots from parts unknown who got pissed, sweaty, jumped around at what they perceived to be an appropriate moment, SLAMMED into unsuspecting punters constantly AND stepped on people's feet whilst they were dancing. I just got finished cleaning my Nikes and am decidedly in an anti-booze mood just now;-) I am a drinker, but being totally inconsiderate of one's fellow revelers is never cool imho. Laters, m* btw...first hour of Hawtin's set kinda bored me but the second got a little housier and more interesting. Magda rocked it as usual! Honey really surprised me and played really hard, impressive. Was surprised to notice Richie using the same laptop (Sony VAIO) I use and love! - Original Message ----- From: "robin pinning" <[EMAIL PROTECTED]> To: "Mark S Flintoft" <[EMAIL PROTECTED]> Sent: Tuesday, March 05, 2002 5:06 AM Subject: Re: [313] Portal > > > > robin... > > > > > and yes i am aware the paradise garage and studio 54 (and the warehouse?) > > > were alcohol free > > > > Pete kinda beat me to it, but here is what I think he meant to say;-) : > > > > Here in NYC the original Sound Factory and Shelter were also alcohol free. > > Vinyl (home to Body and Soul, DT's Be Yourself @ Vinyl, as well as being > > the old Shelter) is still alcohol free - though not by choice our former > > dictator Bennito Giulinani helped them to make that choice;-) > > > > Any other famous booze-less clubs around the world? > > > > Intrigued, > > > > m* > > > > > > robin... > -- > Dr. Robin Pinning | E: [EMAIL PROTECTED] > Manchester Computing, University of Manchester, | T: +44 161 275 7028 > Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 > --www.mrccs.man.ac.uk- > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] KMS and Carl in NYC....
Friday March 15th @ Club Shelter Carl Craig and KMS upstairs... Jef K and Paul Slater downstairs... Just a little advance warning to 212-313 peeps, if you haven't heard already. Getting very excited, m* _ Mark S. Krüx Cel - 917.817.3989 DJ / Photographer Fax - 877.485.3477 [EMAIL PROTECTED] [EMAIL PROTECTED] _ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Portal
> When I watched Pump Up The Volume, it did say that Paradise served > non-alcholic drinks but once in a while they would "spike the punch". Yeah but with LSD or MDA, not booze;-) m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Portal
> and yes i am aware the paradise garage and studio 54 (and the warehouse?) > were alcohol free Pete kinda beat me to it, but here is what I think he meant to say;-) : Here in NYC the original Sound Factory and Shelter were also alcohol free. Vinyl (home to Body and Soul, DT's Be Yourself @ Vinyl, as well as being the old Shelter) is still alcohol free - though not by choice our former dictator Bennito Giulinani helped them to make that choice;-) Any other famous booze-less clubs around the world? Intrigued, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Charles Siegling / Claude Young...
> also claude young played his own remix of technasia's > force last week in leeds. that should be out soon. cracking. NICE!!! Should be interesting to say the least...one of my favorites remixing another of my favorites:) Laters, m*drooling* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] The Great White Hype...was IT'S ABOUT TIME!!!
> The music is the truththat is all I know. However, I'm not the only one > firing off cannons. Recently while watching CNN, there was a news segment > covering Elton John FLAMING the music industry for lowest common denominator > marketing. He said that the good musicians and music were actively being > passed over in favor of the rubbish msuic the industry was putting out...He > was speaking up for amazing and plentiful songwriters that were not being > given the medium to express and were languishing from lack of support and > felt that it was detracting from the quality of human existence. Yeah it's amazing how readily the AOL using hordes devour the crap served up to 'em just because MTV or fuckin' Access Hollywood tells 'em too. Has anyone else noticed the overabundance of covers making supposedly 'innovative' new artists famous (see Alicia Keys, Orgy, Alien Ant Farm etc...). Where the Hell is the originality??? Seems to me people are just too lazy to expend the effort and seek out something truly different and interesting... Whatever happened to thinking for one's self, hmmm?? I have to walk past MTV every afternoon on the way to work... The little brainwashed tykes obediently huddled behind the police barriers, just waiting to catch a glimpse of Carson whatsisname and whichever boyband of the moment happen to be appearing on TRL, truly make me ill. Laters, m* 'I feel sorry for anyone who only listens to one type of music...' - Ice-T - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] old school?
I completely agree George... I don't see why most DJs these days feel the need to pigeonhole themselves into one particular genre...god forbid they should drop a track that deviates even slightly from their chosen sub-sub-genre. That is just boring imo. Mix it up for God's sake, this shit is supposed to be fun! Cheers, m* - Original Message - From: "Jones, George" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, March 01, 2002 9:04 AM Subject: RE: [313] old school? > There are still DJ's that mix up different types of music in a manner you > describe. It's getting rarer to see someone like this, but it still happens > (insert shameless plug for myself!). I think that DJ's have gotten > themselves stuck in this "I will only play [X thpe of music] and if you're > coming to see me that's all you'll get." mode. Personally, I think people > WANT more variety and, back in 1987-1993, that's exactly what most Detroit > DJ's gave the crowds. I cam into DJ'ing in 1990 from working with Gary > Chandler, Rob Brown, and Charles Henderson at a car audio shop (the last two > you probably wouldn't know unless you live and breathe local detroit DJ's). > Back then, no one played just 1 type of music. We all played house, hip hop, > miami bass, techno, or whatever; that was the norm. In the few shows I've > done in the last year, I watch the crowd react with an "Oh-no-he-didn't!" > attitude if I mixed some extra crusty NWA or World Class Wreckin Cru into an > electro mix or "Blow Your House Down" over anything. I never stopped mixing > music genere's, it's not necessary. People like it, I can't understand why > anyone would stop doing it. > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] (313) Fade In Techno / re-edits
Exactly my point Tristan... As anyone who knows me knows I am long-time fan and friend of one D. Tenaglia. Though I am disappointed with the progressive shite he's been playing of late - thankfully here in NYC @ Vinyl he doesn't actually play as much of that as I'm told he does abroad. Danny has been doing subtle re-edits, with Pro-Tools, of all manner of tracks, burning them on CD-R and using them in his sets for like 4 years now. I love it when I hear something out on the dancefloor that I love and it's just a bit different (and a lot of times even better)! At this point I would say he spins about 50% CDs and most of them are tailored by him, for him, as well. A couple of DT's edits that stand out in my mind are a nice one of Microworld's Signals, and a version of the original mix of Plastic Dreams that ditches all the cheesy piano crap at the end and stretches the 'good' part out quite a bit. It's a great way to mark yourself out from the pack IMHO - even if the only ones picking up on it are the few of us really know the music. Once I actually get my Sony VAIO set up right I plan on burning some edits of my own. I quite fancy extended versions of some of my favorite Mills tracks. With all the bickering over this thread I feel I oughta reiterate my feeling that I look on mixing tracks with a fade-in as a challenge. Yeah it's a pain in the ass to get it right, but when you do manage it, it feels (and sounds) pretty damn nice!=) The trick I use if the monitors are too damn loud, and others use as well I am sure, is matching BPMs in the middle of the track and then pumping the gain and/or the levels up to cue the beginning of the track up, then turning 'em down to where they oughta be as you bring the track in. Having said that, on those nights I am not really on it I would appreciate having a more 'friendly' version available;) Dave Clark wrote: >>Try going to some of those glitchy German (Villalobos, Isolee) or West Coast (Twerk, Safety Scissors) guys and mixing those, when you come back to techno things suddenly seem a -lot- easier. I have to agree with that completely Dave...I would add Brinkman to that list as well;-) If you're making an un-mixed compilation for yourself, which I do from time to time as it's nice to hear the whole track, the fade-in tracks are actually preferable to those that bang in from the start. Sorry if this post isn't terribly coherent but I am a little drunk and tired... Cheers, m* NP - http://www.klubradio.de/rams/robhood.ram (So nice!) > Wow, that's a really good idea! To take it a step further (or maybe not as > far actually), you could sample 1-bar loops of all your DJ-unfriendly > tracks, then burn them to CD. Bring it with you wherever you go, then you > could loop the 1 bar, mix it in, then "double up" with the actual track > (which would make the cue point mostly irrelevent), or you could have all > three tracks in the mix (or whatever the context demands). This way when you > know you're playing a booth with a CD-player, you can bring your > DJ-unfriendly records too. Just a thought... > > I don't really find this to be a huge issue, but sometimes I screw up my > sets of 32 if I rush to find the cue point and it *is* annoying. When I make > tracks without a fade in, I try to get a discernable beat with a good cue > point in there by the 8th or 16th bar b/c I want to make my tracks > listenable and DJable. > > Tristan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] (313) black water with vocals?
Wibo>>> Last weekend I heard Claussell play the vocal mix. It blew me away. Exactly, at the right time in the right place it is that sort of a track for me. 'Halo effect', 'tacked on' feeling and all;-) I don't like the track because it's from Octave One, and I don't like it because it's perfectly produced (it's not)...I just like it. m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] black water with vocals?& Sexy Adventures of orietta St.cloud
Dunno what to tell you Ken... I like the vocal, the full one on the concept release that is. I make no apologies for liking it either. I understand the track is getting played a lot on your side of the pond and I would imagine hearing it all the time would become quite tiresome. Personally I would like a dub version of the vocal as the original is a just too much if I am not in the mood for it. I'm not saying it's my favorite Octave One track though, not by a long shot. I love the Burden's productions as a general rule and choosing a favorite would be hard, it's just something that moves me. Laters... m* - Original Message - From: "Odeluga, Ken" <[EMAIL PROTECTED]> To: "Ja'Maul Redmond" <[EMAIL PROTECTED]>; "[EMAIL PROTECTED] Org" <313@hyperreal.org>; "Mark S Flintoft" <[EMAIL PROTECTED]> Sent: Thursday, February 28, 2002 2:19 AM Subject: RE: [313] black water with vocals?& Sexy Adventures of orietta St.cloud > Mark, > Ask yourself this: If Anyone other than Octave 1 had done this vox version, > how much would you respect it? My suspicion is that the 'halo' effect of it > being O1 engendered by the superb body of work which the brothers have > previously supplied, helps some to see this as outstanding. I disagree > (although I haven't heard the new mix apparently recorded here - a few days > ago) ... O1 and others have done and can do much better ... > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] RE: (313) Fade In Techno
Hey Wibo... You could always throw the track into Sound Forge, re-edit it so that it's more 'DJ friendly' and burn it to CD... Just a thought, m* - Original Message - From: <[EMAIL PROTECTED]> To: "Jongsma; K.J." <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, February 27, 2002 8:43 AM Subject: [313] RE: (313) Fade In Techno > Mills has a few excellent hard tracks (especially those early Axis records) that > really would become instant classics and favorite DJ tools if they would just > start from 1 and not with a fade in... And it's not only Mills I am talking > about. > > W > > -Original Message- > From: "Jongsma; K.J." <[EMAIL PROTECTED]> at INET-1 > Sent: Wednesday, February 27, 2002 12:52 PM > To: Lammerts, Wibo; "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]> at INET-1 > Cc: 313@hyperreal.org at INET-1 > Subject: RE: [313] Fade In Techno > > > It is not difficult to understand. You are assuming that all techno(related) > tracks are all made for DJ's. I don't think that people like drexciya are > DJ's or make there music for DJ's. They music because of the music and not > fot DJ's. > > [EMAIL PROTECTED] > > > > -Oorspronkelijk bericht- > > Van: robin pinning [mailto:[EMAIL PROTECTED] > > > > i am with you all the way on this. tracks that fade in are > > impossible to > > mix in correctly, unless you want to ruin the natural flow > > and structure > > of your mix. > > > > drexciya (and related projects) do this a lot too and i've never > > understood it. > > > > robin... > > > > > > > A lot of the old records by Mills have tracks on them that > > do not start at > > > normal volume levels, but somehow the track gets faded in. > > (And not only > > > Mills of course) > > > > > > Am I the only one who thinks of this being a real drag? I > > really like a > > > specific track from AX009 but I find it really impossible > > to mix when there > > > is a monitor speaker blasting in my left ear. These are the > > type of records > > > that cause major trainwrecks in my DJ sets! > > > > > > I consider most of Mills' stuff being really DJ friendly, > > but why does he > > > produce his tracks this way? Also, anyone got tips on > > dealing with this? > > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > -- > DISCLAIMER > > De gemeente Almelo aanvaardt voor haar medewerkers geen enkele > aansprakelijkheid voor eventueel onjuist, onrechtmatig of > ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). > > Dit e-mail bericht is door de gemeente Almelo gecontroleerd op > de aanwezigheid van eventuele virussen. Wij kunnen echter geen > garantie afgeven dat al onze e-mail berichten volledig virus > vrij zijn. Het is daarom verstandig uw binnenkomende e-mail > berichten zelf op de mogelijke aanwezigheid van virussen > te controleren. > -- > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > - > ATTENTION: > The information in this electronic mail message is private and > confidential, and only intended for the addressee. Should you > receive this message by mistake, you are hereby notified that > any disclosure, reproduction, distribution or use of this > message is strictly prohibited. Please inform the sender by > reply transmission and delete the message without copying or > opening it. > > Messages and attachments are scanned for all viruses known. > If this message contains password-protected attachments, the > files have NOT been scanned for viruses by the ING mail domain. > Always scan attachments before opening them. > - > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] black water with vocals?
Duff vocal?? Frankly I quite like it and have played it out quite a bit What is the general consensus on this though? I am intrigued... Cheers, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fade In Techno
I second that! YMC's Orange Lady (my favorite track of 99 BTW) is one with that gradual fade in thing - really a challenge mixing them things in;-) Cheers, m* - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, February 27, 2002 5:10 AM Subject: [313] Fade In Techno > Hi all, > > A lot of the old records by Mills have tracks on them that do not start at > normal volume levels, but somehow the track gets faded in. (And not only > Mills of course) > > Am I the only one who thinks of this being a real drag? I really like a > specific track from AX009 but I find it really impossible to mix when there > is a monitor speaker blasting in my left ear. These are the type of records > that cause major trainwrecks in my DJ sets! > > I consider most of Mills' stuff being really DJ friendly, but why does he > produce his tracks this way? Also, anyone got tips on dealing with this? > > W > > > -- > The information in this Internet email is confidential and may be > legally privileged. It is intended solely for the addressee. Access > to this Internet email by anyone else is unauthorised. > > If you are not the intended recipient, any disclosure, copying, distribution > or any action taken or omitted to be taken in reliance on it, is prohibited > and may be unlawful. When addressed to our clients any opinions or advice > contained in this Internet email are subject to the terms and conditions > expressed in any applicable governing ING terms of business or > client engagement letter. > > Visit us at www.ing.com > > -- > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Rother...
>What about Anthony Rother? I haven't heard anything of him since 2000 ... He did 2 EPs as Family Lounge for Kanzleramt, Get Pretty Baby and Still Pretty Baby...I like 'em both. I still find myself playing Redlight District a fair bit too... Laters, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] tod sines and charles noel.
Todd is not only a really nice guy his live PAs are very interesting and his DJ sets eclectic... Dunno about Charles though. Go I say! =) Cheers, m* - Original Message - From: "Super Coffee Beans" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, February 15, 2002 1:32 PM Subject: [313] tod sines and charles noel. > i really like both artists as producers but never got any chance to hear > them spin\i have a chance to see them both, dj\live set. r they any good? > i really like noel as a producer i have most of his style. > BTW - his last EP sure is kicking! > should i stay or should i go? > y > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Missile (was:RE: (313) Liberators)
I picked up... The Hacker Nothing Lasts RMX Missile M 46.5 Not long ago and like it. There have been around 5 releases since, one by Frankie Bones if memory serves, can't say as I've heard them though. m* - Original Message - From: <[EMAIL PROTECTED]> To: "Ian Cheshire" <[EMAIL PROTECTED]>; "'Odeluga; Ken'" <[EMAIL PROTECTED]>; "Tim Maughan" <[EMAIL PROTECTED]>; "[EMAIL PROTECTED] Org" <313@hyperreal.org> Sent: Friday, February 15, 2002 5:38 AM Subject: [313] Missile (was:RE: (313) Liberators) > Aaaah those early Missile records. Missile 1 is still my favorite! I haven't > seen a new Missile record in ages! Does the label still exist? Is Tim Taylor > still running it? And, most importantly, will the Pump panel ever re-surface? > > W > > -Original Message- > From: Ian Cheshire [mailto:[EMAIL PROTECTED] > Sent: 15 February 2002 09:19 > To: 'Odeluga, Ken'; Tim Maughan; [EMAIL PROTECTED] Org > Subject: RE: [313] Liberators > > > Yep i agrree I have played alongside Chris Liverator and he certainly keeps > the crowd high and fueled on Octane gas > > I like his style although and he even slips the odd classic in, like the old > trancey > Pump Panel tune on Missile.. > > > - > ATTENTION: > The information in this electronic mail message is private and > confidential, and only intended for the addressee. Should you > receive this message by mistake, you are hereby notified that > any disclosure, reproduction, distribution or use of this > message is strictly prohibited. Please inform the sender by > reply transmission and delete the message without copying or > opening it. > > Messages and attachments are scanned for all viruses known. > If this message contains password-protected attachments, the > files have NOT been scanned for viruses by the ING mail domain. > Always scan attachments before opening them. > - > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] surveillance recordings?
> Gary R kindly pointed out to me that there are actually some hidden links > down the left side of the web page - including MP3 versions of the tracks on > the EP... Yeah I noticed them as well...still not too heavy on info though is it? The Agents link sent me to page that couldn't be displayed*, might be some artist info on that. I did send a mail to their 'propaganda' mail address with a request for some info...we'll see if I get a reply or not. Cheers, m* *BTW...If you haven't already seen it check out http://www.thispagecannotbedisplayed.com for a laugh. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] surveillance recordings?
TC> I picked up a great 12" in Rubadub yesterday by DFA (Deterministic Finite > Automata), snappily titled 'Microstructural Chracterization' on Surveillance > Recordings from Detroit. 3 tracks of minimal but extremely soulful and > melodic electronic house/techno, very very nice indeed. Just wondering if > anyone had any more info on DFA or the Surveillance label, and if there's > any other recommended material worth checking out? Hey Tom, If you recall I put it in my top 10 for 2001...can't say as I know anything about the artist or label though... TC> Their website (http://www.surveillancerecordings.com/) looks great but > there's no actual content... I found http://www.surveillance.net doing a quick search but that is another label altogether...though also from Detroit, and also techno. Seems strange that there are two Techno labels in the same city with the same name! Lemme know if you find out anything! It would be nice if someone could shed some light on the subject. Ohhh and for something in a similar vein you should check out AJ Hunter's Pressure Point EP on Parotic Music, track it down and you'll find it's well worth the effort... It's probably the most interesting record I bought all of last year, seriously deep Techno/House with a Chicago feel and intriguing programming - the record has such a beautifully textured sound to it (if that makes any sense;-) Cheers, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] - Adult Only # 12 and 313?
Well once again I can't sleep, and as I often do when that happens I started playing some records. The last record I pulled out was... Vinyl Line West Station Adult Only AO 12 (though it says AO11 in the run-out) I usually play the B side which is a nice smooth house cut co-produced by C. Carrier and one of my favorite house producers Jef K called Stamper Square... Anyways long story short, this morning I decided to play the A side and in the first breakdown of the first track there is a computer sounding female vocal that states 'Enter Area Code 313' before the track kicks back in... It's kind of strange as the label art is what appears to be Osaka Japan's subway system, while the info side has a few generic skyscrapers on it. So I am wondering, what this little 313 snipet is doing on a record with no obvious 313 ties (at least to my over-tired brain;)? The track titles are A1 West Station, A2 Ladbroke Groove and B1 Stamper Square...any Detroit signifigance to those?? Is Osaka's area code 313 too??;-) Not that I actually expect any answers, I just thought I'd share... Off to try and get some zzs, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: Tresor : True Spirit
>>The three CDs and two double-EPs of TRUE SPIRIT This may be wishful thinking but I read this as saying that in addition to the 3 CDs there will be 2 12" double-packs released as well?? Pleaas tell me I am right on this!!;-) m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] uk-tech-house
> The mix Francis did for DJ Mag this past year was quite nice. > I believe all tracks were Euka tracks They were actually all tracks distributed by Intergroove...some from Eukahouse, but also some from Clip, Intensiv and Plastic City...decent CD if memory serves. Cheers, m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] 2001 Favorites....
Well I have been lagging on this but here are 10 of my favorite records of 2001 in no particular order... Jill Scott Scott Free White Max Ernst 46 Valentino EP Max Ernst & Friends Max E 8 AJ Hunter Pressure Point EP Parotic Music PAR 9 DFA Microstructural Characterization Surveillance SURV 007 James Ruskin Into Submission Tresor Tre 173 Genie & Laurent Ho Winter Activities ANLX ANLX 10 Africanism Les Enfants Du Bled Yellow YP 055 Jeff Mills The Electrical Experience Purpose Maker PM-014 Safety Session Maru Part 1 Drumcode DC 23 Larry Heard Direct Drive Track Mode TM 032 Happy 2002 y'all... m* - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
Well it doesn't say on the record...Discogs.com says they're both untitled, but Sonic Groove's site has it listed as I posted it. Dunno really...isn't that half the fun?? Cheers, m* - Original Message - From: "Niko Tzoukmanis" <[EMAIL PROTECTED]> To: "Mark S Flintoft" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, January 25, 2002 5:19 AM Subject: Re: [313] inside out > isn't that bside track called > 'funky, funk, funk' > > At 05:04 25.01.02 -0500, you wrote: > >Reese Bassline / Inside-Out Fragile FRG-04 > > > >A Bassline > >B Inside-Out > > > >m* > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] inside out
Reese Bassline / Inside-Out Fragile FRG-04 A Bassline B Inside-Out m* - Original Message - From: "Maarten Baute" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 25, 2002 4:43 AM Subject: [313] inside out > Could someone please mail me the tracklisting of the "inside out ep" from > Kevin Saunderson (as reese) on Fragile? > > Thanx a lot, > Maarten > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
313?
Sam wrote... >so to help the list enter a new and exciting era of >on-topic discussion, i will ask the question what is >your favorite mixtape or live dj set on cd and why? 'Bout time we got back on topic!=) 313 related... Stacey Pullen's Essential Mix from 99 (?) :just a beautiful mix of House and Techno by the master... Derrick May Welcome to The Future from Paradiso (sp?) Amsterdam :lots of energy. Non 313 related... Danny Tenaglia's Global Underground Athens 2XCD :so dark, moody and perfect... Any of the Late Night Session's CDs on MOS :the perfect post-club chill out CDs. laters, m* NP - Pure Science Africa Re-HabCan you say beautiful percussion?;)
Subject: NY weekend of May 12th
>That's not the question though: I heard something about Richie H and John A >playing Twilo on Friday 11th? Is that correct? C'est vrai...I think I am getting too old for the 'super-club' thing so I'll be at Vinyl for Danny Tenaglia, as usual, where I can dance (most times anyhow;) without being hit in the face with a glowstick or having my feet trod upon;). Plus Richie's nights at Twilo are $35.- and my ass is broke. >Saturday is the Tresor-party so that's fixed. I wouldn't be caught dead at that party...Limelight is nasty, it's $35, and the acoustics are awful in there (it is/was a church remember;). Different strokes for different folks though... I'll be at the Dietrich Schoenemann gig at The Pyramid that night if I am in town, much better crowd IMHO. Then again I may go check out Felix... >Is Body&Soul still running on Sunday? Yeeesssgo early I hear it's crowded these days. >Other stuff going on in NY? Ricardo Villalobos is at Baktun on the 10th... On the 11th Assault is at The Knitting Factory... And Felix Da Housecat is at Centro-Fly on the 12th... How long you gonna be here for? Cheers, m*
[313] things that have been knocking my eardrums to the floor
Just thought I would add my .01 before heading out for the weekend. One release that is totally rockin' me just now Code and Structure Vol 2 Eruptive --- Dark Tribal Tech Madness! http://209.237.157.45/ram/76350.RAM Laters all:) m* NP - Black Mass Visionary Foundation Sound Works
Re: [313] in an attempt....
Alrighty I'll join in on this. In no particular order... Mano Calda Move Clap Stomp Test Pressing Neanderthal Caveman/Cavewoman White Exit Strategy Sleepwalking Intrinsic Design Didier Sinclair Lovely Flight Eukahouse Christian Bloch Checkmate Deep Night Essentials Gideon Jackson Hardcore PlayerWiggle Whatever Girl I know You CanWhite Jeff Mills Jet SetPurposemaker V/A Te Hau / Te Anuanua Taka Ubu Pixels Shaboom And one more for good measure;) Essa Under ConstructionPaper Recordings See y'all at DEMF=) m*
Re: [313] men from the nile?
Men From The NileWatch Them ComeUndaground Music Therapy UTR-001 written by Roy Davis & Peven Everett, lead vocals by Peven Everett. Not sure of the original release date...it was awhile ago though. Personally I like the original and DJ Pierre mixes best. The label is run/owned by Ron Trent and Odell Braziel Jr, thus the prescription connection. Cheers, Mark* - Original Message - From: "glyn" <[EMAIL PROTECTED]> To: "Mark S Flintoft" <[EMAIL PROTECTED]>; "313" <313@hyperreal.org>; <[EMAIL PROTECTED]>; "Phonopsia" <[EMAIL PROTECTED]> Sent: Tuesday, February 06, 2001 8:20 PM Subject: Re: [313] men from the nile? > hey, on a (possibly) ron trent/chicago-related note... > > i've recently been digging the jazzanova remix of men > from the nile's "watch them come", and was wondering > who did the original (and on what label, when did it > come out, etc.) i seem to remember it having > something to do with the prescription/clairaudience > posse, but i could be wrong. > > glyn > > __ > Do You Yahoo!? > Yahoo! Auctions - Buy the things you want at great prices. > http://auctions.yahoo.com/ >
Re: [313] Re: Chuggles info...
No complete discog that I have come across but I did find this... From http://www.kingstreetsounds.com/new/labels/Prescription/prescription.html and http://kingstreetsounds.com/new/catalog/catalog_main.html Afro Nova Ep - Afro Nova EP PRODUCER: Ron Trent & Anthony Nicholson RELEASE DATE: 6/29/98 PR-5010 Indigo Rites of Passage PRODUCER: Ron Trent PR-5019 Konfusion Kidz - Konfusion Kidz PRODUCER: Ron Trent & Anthony Nicholson RELEASE DATE: 7/20/98 PR-5011 Kurt Harmon - Keep Me Coming Back PRODUCER: Ron Trent & Anthony Nicholson RELEASE DATE: 10/5/98 PR-5012 Angora - Enchantment PRODUCER: ROY DAVIS JR. & PEVEN EVERTT RELEASE DATE: 4/5/99 PR-5015 Lamagra feat. Roland Clark - Sacrifice PRODUCER: Roland Clark & Philip Damien REMIXES: Ron Trent 7/26/99 PR 5017 Ron Trent - Feel The Rhythm PRODUCER: Ron Trent REMIXES: Paul Johnson RELEASE DATE: 6/7/99 PR-5016 USG feat. Minica Elam - Life 4 Living PRODUCER: Ron Trent & Anthony Nicholson RELEASE DATE: 2/8/99 PR-5014 Sundiatta O.M. - Paradise PRODUCER: Ron Trent & Sundiatta O.M. RELEASE DATE: 7/3/2000 PR-5020 "I desire for people to be happy by experiencing the surreal rooms of understanding music and sound" - Ron Trent In 1993 Prescription Records started in the minds of Ron Trent and Chez Damier a.k.a. Anthony Pearson between the cities of Chicago, Detroit, and New York City. These guys laid the groundwork of traveling, recording, and divisions in each city before actually creating the infra-structure of what is now known as Prescription Records. In 1997 Prescription Records went on hiatus and officially returned in 1998 under Ron Trent's direction. Prescription Records is pressed and distributed through King Street Sounds . The sound of Prescription Records is continously evolving and encompasses electronic fusion of organic materials. Organic being defined as natural elements of life and sound. Prescription Records is a musical platform that caters to the needs of many through various forms of music, especially in the capacity of a musical healing. Ron Trent's vision for Prescription Records is for the label to develop into an "urban world music" label inclusive of "sounds from the city". Ron Trent was originally born in Massachussetts and raised in Chicago, Illinois. He began DJing in 1982 at the young age of nine years old. It was in 1987 when Ron Trent began his career as a professionial DJ. Today, Ron Trent is known as an international DJ, Producer and founder of Prescription Records. Ron Trent has found inspiration through various artists and producers such as Lonnie Liston Smith, Pat Methany, Azymuth, Imagination, Leon Ware, and Fela just to name a few. Ron Trent's interest in DJing originated in his appreciation of DJing as an art form. Ron later began to admire "the euphoria that was created in the art of DJing." Ron Trent presently has produced and remixed a catalog of approx. 35-45 singles and has toured to various countries across the world. When asked if he had any advice or something to share with other up-coming in the industry he responded, "Follow that which is yours." Continously striving for new platues upon each release of Prescription Records, Ron Trent has also proven to be successful through his skills of DJing and producing. You can look forward to hearing much more about Ron Trent in the time to come through his imprint known as Prescription Records, his DJing, and his production. Then there is this...from... http://www.dancetracks.com The Answer World,Sky & Universe Prescription House MUS-12-D 21517 $6.49 The Grand Lodge Of Luxor EP V/A Prescription House MUS-12-D 20593 $13.99 I Wouldnt DPac / Terramce FM Prescription Recs House MUS_12_d 20484 $15.99 I Feel The Rhythm Ron Trent Prescription House MUS-12-D 19610 $5.99 Life 4 Living The Asiatic Jazz Prescription House MUS-12-D 17800 $5.99 Make It Happen Sundiata O.M Prescription House MUS-12-d 9031 $10.99 Que Tal America A Man Called Adam Prescription House MUS-12-d 8054 $10.99 Space And Time Heaven And Earth Prescription House MUS-12-d 6313 $12.99 I Remember Dance Chuggles Prescription House MUS-12-d 4326 $12.99 Come Together Sundiata OM Prescription House MUS-12-d 2550 $5.99 The Relics EP Abacus Prescription House MUS-12-D Incomplete, of course, but it's a start... peace, m* - Original Message - From: <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, February 06, 2001 5:30 PM Subject: Re: [313] Re: Chuggles info... > anywhere I can get a Prescription discography >
Chuggles info...
Here is the info on the record... Chuggles 'Revisited' Side A : Chuggles (Extended Mix) Side B : Chuggles (Division and North Mix) Chuggles (Bonus Mix) Written by Chez Damier, Ralph Lawson, and Carl Produced by Chuggles Published by Distance Music KDR - 002 Scratched in the run-out is "I've Been Changed" "3 mxs+prod. by Chuggles. Infamous Prescription label group featuring Chez Damier is back. Soulful, deep and disco edged Chicago house, with slicing strings and gritty vocal sample on the A-side. B-side feat. a bass heavy big groovy dub, and bonus mix with sassy added female vocal." http://www.cdrecordrack.com/JShop/watts_newus01.html I do know of another Chuggles record - aside from those you mentioned - called Deep Alarm on 20/20 Vision, A-side : Deep Alarm; B-side : Deep Beats. Plus I found this in Carl Finlow's discog on the http://www.dj-agency.com site... Wulf+Bear Chuggles Perscription, this might just be the track in question?? Maybe somone else can provide us with more info... Cheers, m* - Original Message - From: "tristan watkins" <[EMAIL PROTECTED]> To: "Mark S Flintoft" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, February 06, 2001 3:29 PM Subject: Re: [313] New KMS/Inner City imminent > More info on the Chuggles please. Is it revisiting "I > remember dance", "Thank you", or that other one? Or > are there more than three Chuggles tracks? > > Tristan > > --- Mark S Flintoft <[EMAIL PROTECTED]> wrote: > > Original Message > > Date: Tue, 6 Feb 2001 10:05:48 -0500 > > To: "313" <313@hyperreal.org> > > From: "ani" <[EMAIL PROTECTED]> > > Subject: Re: [313] New KMS/Inner City imminent > > Message-ID: [EMAIL PROTECTED] > > > > >we have this record too. the shake mix is my > > personal favorite. > > > > >ani > > >record time > > >[EMAIL PROTECTED] > > >icq# 33610265 > > >ph 810.775.1550 > > >fax 810.775.5830 > > > > > > Picked this up a couple of weeks ago here in NYC at > > Sonic Groove. I like > > all the tracks but have to agree with Ani and say > > that the Shake dub is my > > favorite too. Well worth picking up:) > > > > Some other tracks, recently purchased, that I am > > really diggin'... > > > > Quiet DazeViewing a Decade EPTransmat > > (Instant classic IMO, > > especially 'The Scenic Route') > > StrandMessage OneFrictional (Brilliant, > > nice and deep) > > ChugglesRevisitedKid Dynamite (Chez Damier, > > nuff said) > > ShakeNatural ElectronicsFrictional (More > > good stuff from Shake) > > Construction KidzSnapshotzChoke (Nice late > > night type stuff)
Re: [313] New KMS/Inner City imminent
Original Message Date: Tue, 6 Feb 2001 10:05:48 -0500 To: "313" <313@hyperreal.org> From: "ani" <[EMAIL PROTECTED]> Subject: Re: [313] New KMS/Inner City imminent Message-ID: [EMAIL PROTECTED] >we have this record too. the shake mix is my personal favorite. >ani >record time >[EMAIL PROTECTED] >icq# 33610265 >ph 810.775.1550 >fax 810.775.5830 Picked this up a couple of weeks ago here in NYC at Sonic Groove. I like all the tracks but have to agree with Ani and say that the Shake dub is my favorite too. Well worth picking up:) Some other tracks, recently purchased, that I am really diggin'... Quiet DazeViewing a Decade EPTransmat (Instant classic IMO, especially 'The Scenic Route') StrandMessage OneFrictional (Brilliant, nice and deep) ChugglesRevisitedKid Dynamite (Chez Damier, nuff said) ShakeNatural ElectronicsFrictional (More good stuff from Shake) Construction KidzSnapshotzChoke (Nice late night type stuff) Cheers, m* np Maddkatt Courtship My Life Is Muzik (Cevin Fiusher's Mix) FFRR _ Mark S. Krüx Cel - 917.817.3989 DJ / Photographer Fax - 877.485.3477 [EMAIL PROTECTED] [EMAIL PROTECTED] _
Incorrect link for Kevin Saunderson DEMF Track IDs...
Oooops!! that link ought to be... http://proto.groovetech.com/mk-demf.rxml?file=/demf/mainstage/day3/demfstage day3-kevinsaunderson.rm Still 15:00 minutes and the track mixed in at 31:12 and fully pumping by 32:30 though...actually an entire set list would be nice, not as though that'll happen;) Granted the stuff from the first link I posted is damn good too... Sorry for any confusion!!=) Peace, Mark* NP - CARI LEKEBUSCHEXOTIXC EP H-PRODUCTIONS > > -Original Message- > > From: Mark S Flintoft [mailto:[EMAIL PROTECTED] > > Sent: Thursday, January 18, 2001 2:14 AM > > To: 313@hyperreal.org > > Subject: [313] Kevin Saunderson DEMF Track IDs... > > > > > > http://proto.groovetech.com/mk-demf.rxml?file=/demf/mainstage/day3 > > /demfstage > > day3-kevinsaunderson2.rm > > > > The one he brings in around 15:00 and the track mixed in at 31:12. > > > > Thanks in advance, all you insightful folks!=) > > > > Cheers, > > > > Mark* > > > > PS - Please e-mail any responses direct as I am on the digest:) > > _ > > > > Mark S. Krüx Cel - 917.817.3989 > > DJ / Photographer Fax - 877.485.3477 > > [EMAIL PROTECTED] > > _ > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > >
Kevin Saunderson DEMF Track IDs...
http://proto.groovetech.com/mk-demf.rxml?file=/demf/mainstage/day3/demfstage day3-kevinsaunderson2.rm The one he brings in around 15:00 and the track mixed in at 31:12. Thanks in advance, all you insightful folks!=) Cheers, Mark* PS - Please e-mail any responses direct as I am on the digest:) _ Mark S. Krüx Cel - 917.817.3989 DJ / Photographer Fax - 877.485.3477 [EMAIL PROTECTED] _
Made In Detroit Ford Focus / Pu-Bahs...Revolution.
Those interested in seeing the Made In Detroit Ford Focus concept car (previously mentioned by Mr. Deason) should check out http://www.autoweek.com it's on their homepage (the silver panel-van looking thing at the top of the page). As far as the use of No UFOs for that commercial I say good for Juan if he can make a few bucks on the deal...good for me cause it's one less commercial I'll have to fast-forward through;) At least Juan is lending his sound to a quality product - despite what the eloquent Dr Styles would have you believe the Focus is a quality bit of kit (I hope he was joking about Pontiac though, those cars really do suck;) Your resident auto-geek, Mark* PS - Just thought I'd point out that the free CD that comes with this month's Revolution Magazine has The Sandwiches video on it. I haven't had a chance to try it yet but supposedly it's on there... _ Mark S. Krüx Cel - 917.817.3989 DJ / Photographer Fax - 877.485.3477 [EMAIL PROTECTED] _
Alternatives...was GrooveTech.
Dance Tracks just had their site redone by some mates of mine and it is miles better than the new GT site...give it a try, The search engine is great. They don't stock a lot of Techno, but what they do have is top-notch. http://www.dancetracks.com/ Peace, Mark* _ Mark S. Krüx Cel - 917.817.3989 DJ / Photographer Fax - 877.485.3477 [EMAIL PROTECTED] _
Dee-lite/Dimitris...
KJJ >Tis is the dutch Dimitri. Dimitri from Amsterdam he bills himself as I believe...I heard him spin at that beach party at WMC '99 and was not impressed. Dimitri From Paris was much more impressive when I saw him spin at one of the Respect is Burning parties at Twilo. Lots of French house with some NYC favorites... Peace, Mark* PS - Towa Tei and Lady Miss Kier were definately the best thing about Dee-lite...Kier used to come out to Disco 2000 at Limelight, when I worked there long ago, and dance with the kids...how cool is that? The Infinity Within CD was pretty good but what I remember most is that it had a recycled cardboard jewel case, very unique...I got it around here somewhere;)
Re: [313] best dj???
These are the guys who have most influenced me... 1. Danny Tenaglia 2. Masters at Work 3. Angel Moraes 4. Derrick Carter 5. Derrick May There are SO many others, but you said 5 so I'll leave it at that. Peace, Mark* _ Mark S. Krüx Cel - 917.817.3989 DJ / Photographer Fax - 877.485.3477 [EMAIL PROTECTED] _
Francois K....
He is also one of the men behind the brilliant Wave label - I think;-) Peace, m*
Re: (313) f*cked up!
WORD...I've seen 'em both and as much as I hate going along with the crowd - on anything - ...my answer is also Mr. May;) Peace, Mark* - Original Message - From: trak head <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Wednesday, April 26, 2000 3:38 PM Subject: Re: (313) f*cked up! > If the two are both spinning- > > That is the biggest no-brainer > > Derrick. > > Now, It were Paperclip Peeps or Innerzone Orchestra, uh > Hm, > Derrick anyway, > > Just my opinion. > > T > > On Wed, 26 Apr 2000 15:45:48, Jason wrote: > > > Location: Glasgow > > > > Date: 13th May 2000 > > > > Derrick May - Temple club > > > > Carl Craig - Bugged out, QM > > > > who would you go and see? > > > > jason > > > > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
(313) - Comin From Tha D, WMC 2000 in RA....
For all of you who couldn't get down to Miami this year I just i'd thought I'd let y'all know that the Comin From Tha D, WMC 2000 party is now available in the archives in real audio on http://www.digitalnoise.com Nicely seperated into sections by performer... A poor substitute for being there, but it sounded pretty damn good as I slogged away at work until about half an hour ago=) Off to Be Myself @ Vinyl, Mark* NP - My feet runnin' out tha door;)
(313)Not filmed in Tha D....
Anyone remember The Kentucky Fried Movie?? During the Bruce Lee spoof the Villain condemns some guy"Send him to Detroit" and the guards drag the guy out screaming. Pretty good indication of Detroit's awful rep during the 80s... Good thing we know better. Wish someone would send me to Detroit;) I'd be screamin' for joy... Science, Motor...Here I come=)!!! Cheers, Mark* BTW - What part of Die Hard II was filmed in Michigan?? - Original Message - From: Roberto Ty <[EMAIL PROTECTED]> To: Diana Potts <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> Sent: Sunday, April 16, 2000 5:46 PM Subject: Re: (313) filmed in Tha D-Ferris Beuler > Since this has been a topic of late, I got this from a friend at the > Michigan Film Office. It's an official list of feature films in > Michigan. I know that it was mentioned that a lot of films are made > outside like Hollywood, but today that's different. Many of the films > today are being shot in Canada due to the weaker Canadian dollar and the > numerous discounts being offered by the film companies there. It's > making it tough for US crews to get the work, but there are some coming > up to look out for here in Michigan. For example, '61, the new Billy > Crystal directed HBO flick, Chasing Sleep w/ Jeff Daniels and Gil > Bellows (filmed in Jackson and Stockbridge) and Nobody Knows, just > wrapped last weekend, small budget, but with a # of B list actors: Barry > Corbin (Maurice on Northern Exposure), Bruce Campbell, Ralph Waite (dad > on Walton Family), Larry Drake (LA Law, also numerous villains including > the Darkman bad guy). Anyone catch the movie "Groove", a documentary on > raves? I've seen a few newsclippings, but haven't seen if it's going to > be released anywhere. It did well at Sundance and I think was eventually > picked by Sony? > > > 1946 This Time For Keeps MGM > 1959 Anatomy of a Murder Universal > 1960 Where the Boys Are MGM > 1973 Scarecrow Warner Bros. > 1978 Blue Collar Universal Pictures > 1978 The Betsy Allied Artists > 1979 Hardcore Columbia > 1979 Jimmy B. & Andre Georgian Bay TV Movie > 1980 Word of Honor Georgian Bay TV Movie > 1980 Somewhere in Time Universal > 1981 Continental Divide Universal Pictures > 1981 The Land Walt Disney/Epcot > 1981 Assignment Berlin Muse Productions > 1981 Tom Edison Ohio Production Company > 1982 One Step Closer Steve Binder Productions > 1983 Tiger Town Thompson Street Films > 1983 Tough Enough American Cinema > 1983 XYZ Murders Renaissance/Pressman > 1984 Beverly Hills Cop Paramount Pictures > 1985 Secret Honor Cinecom International > 1985 The Carrier Swan Productions > 1985 Singing Birds Sparkle Films > 1985 Checkpoint New Film Group > 1986 Rosary Murders Take One Productions > 1987 Beverly Hills Cop II Paramount Pictures > 1987 Collision Course DeLaurentis Film Group > 1987 Hemingway Daniel Wilson Production > 1987 Action Jackson Lorimar > 1987 Midnight Run Universal Pictures > 1988 Moontrap Shapiro Glickenhaus Ent. > 1988 Chameleon Street Prismatic Films > 1988 American Cops AM Trading, Inc. > 1988 American Beauty Marcello Productions > 1988 Singapore Harbor Cine-Makers, Inc. > 1988 Young at Heart Sue Marx Film, Inc. > 1988 Tanner HBO/Darkhorse > 1989 American Cops II AM Trading, Inc. > 1989 Prancer Orion > 1989 Presumed Innocent Warner Bros > 1989 Lunatics Renaissance Pictures > 1989 Roger and Me Warner Bros. > 1990 Die Hard II 20th Century Fox > 1991 Truth or Dare Miramax > 1991 Only the Lonely 20th Century > 1991 Zebrahead Triumph > 1992 Hoffa 20th Century > 1992 Aspen Extreme Hollywood Pictures > 1992 Crossing the Bridge Outlaw > 1993 The Paraclete Immigrant Films > 1993 True Romance Warner Brothers > 1993 One Room Castle Zone V Productions > 1994 Renaissance Man Touchstone > 1994 Judicial Consent Prelude Pictures > 1994 Cobb Warner Bros > 1994 Four Corners of Nowhere Chapter II Productions > 1994 Lost on the Bohemian Road Bohemian Productions > 1995 Hatred of a Minute Darkart Productions > 1995 Mosquito Mosquito Motion Pictures > 1995 Sleeping Bear Brauer Productions > 1996 Flirting With Disaster New Line > 1996 Full Blast Sound Bites > 1996 The Incorporated Make Believe Productions > 1996 Get the Hell Outta Hamtown Princess Cowboy Productions > 1997 In the Woods Katharsys Productions > 1997 Four Way Stop Chicken City Films > 1997 Grosse Pointe Blank Caravan Pictures > 1997 Polish Wedding Addis-Wechsler/Lakeshore Entertainment > 1997 Reach the Rock Hughes Productions > 1997 Tainted Am I Wrong Productions > 1998 All of It All of It Productions > 1998 The Big One Dog Eat Dog/BBC > 1998 Out of Sight Universal Pictures > 1998 Postmark Paradise Motion Picture Makers > 1998 Stardust Cireel Films Ltd. with Zone V Productions > 1998 The Last Big Attraction Hopwood Productions, Inc. > 1999 Detroit Rock City New Line Cinema > 1999 Love and Action L & A Productions > > > > > > Diana Potts wrote: > > > > Some one directly involved with the Farris Beuler Day's Off (sp?) film was > > from Detroit. > >
(313) - Stereo, Monteal....
Anyone have contact info for Stereo in Montreal?? Thanks in advance, Mark* NP - Octave One - The Resolution - 430 West
Re: (313) track id
Thomas Bangalter / Trax on Da Rocks Vol 1 - What to do - Roule 301 Peace, Mark* - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, April 14, 2000 7:54 AM Subject: RE: (313) track id > Thanks for this - aha, at last a chance to id a track > I've been after for ages. > It's the one around 18 mins... "I don't know why..". > Anyone please? > > Cheers, > > Dan > > http://www.geocities.com/Paris/1267/index.html > > New MP3 com site: > > http://www.mp3.com/DanButler > > > > -Original Message- > > From: Blair McBride [SMTP:[EMAIL PROTECTED] > > Sent: Thursday, April 13, 2000 9:09 PM > > To: 313@hyperreal.org > > Subject: (313) track id > > > > a dj set by dj bone at: > > > > http://www.technologix.org/ram/events/blue/blue2.ram > > 30:46 minutes into the set. dpe track!! > > > > blair > > __ > > Get Your Private, Free Email at http://www.hotmail.com > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
(313) - The Lights, The Heat....The Jaguar....
"The lights, the heat, the strobes, the sweatLet's all live the fantasylet's all BE the fantasy." The thread on Stacey Pullen and his Black Flag001 release touched on the origin of this sample, but I don't recall it being resolved. I was listening to Kenny Hawkes' (Paper Recordings/UK) set from WMC 2000 on http://www.raveworld.net today and at around 29 minutes in he brings in Knights of The Jaguar (pitched down of course;) w/ the above mentioned vocal on top of it. BTW Mr Bucknell and Mr. Sicko oughta dig Kenny's set, I heard a few of those 808 cowbells y'all dig so much in there somewhere:) So now I'm all curiousjust how many tracks contain this sample?? Where is it taken from?? I know I have one of the tracks, from like 95, but for the life of me I can't remember which one, and worse yet I can't find the damn thing!! Any help in aiding my sieve of a memory would be greatly appreciated=) Thanks in advance, Mark* NP - Boo Williams - No Mans Land - Residual _ Mark S. Krüx Cel - 917.817.3989 DJ / Photographer Fax - 877.485.3477 Managing Editor - http://www.in-sitemagazine.com [EMAIL PROTECTED] [EMAIL PROTECTED] _
Re: (313) who is 16b?
Secrets is a personal favorite of mine...Brilliant Track. 16B aka. - Omid Nourizadeh Eye Q (6), Alola (2) 1998 Sounds from Another Room Eye Q (Album) 1996 Secrets Alola 1997 Trail of Dreams Stronghouse 1997 Voices in the Sky Alola 1997 Water Ride Eye Q 1998 Black Hole Eye Q 1998 Falling Eye Q 1998 Water Ride (Remixes) [#2] Eye Q 1998 Water Ride (Remixes) [#1] Eye Q As far as where he's from and RA samples...you're on your own... Peace, Mark* - Original Message - From: vidal vargas <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, April 07, 2000 2:11 PM Subject: (313) who is 16b? > can anyone tell me there aliases? > record labels they have or have been released on? > where they're from? > and maybe some RA samples > > thanks > vidal > __ > Get Your Private, Free Email at http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: (313) Jaguar: The Detroit Connection.
*Sorry to continue this thread...but n8 is obviously quite worked up. What say we not beat anyone down? It was not my intention to advocate purchasing the offending record as a means of clearing it from store shelves. It has however been done. That the record in question was purchased in bulk, by a single shopper at one NY store, is a fact. For whatever reason the record seems not to have been restocked - this is a good thing IMHO. Am I allowed to be pleased by Jaguar's absence from my line of sight while shopping? I think so. Am I happy that the record is not on the shelves where naive youngsters might get their hands on it?:) Yup. Just be grateful I've not mentioned who is rumored to have done the purchasing. I refuse to pass along ridiculous speculation. The injustice of the UR v sony/bmg drama pisses me off as much as anyone, if not more. Excuse me for bringing a little levity to an otherwise grim situation. Peace, Mark* NP - Aztec Mystic - Knights of the Jaguar - UR -4% _ Mark S. Krux Cel - 917.817.3989 DJ / Photographer Fax - 877.485.3477 Managing Editor - http://www.in-sitemagazine.com [EMAIL PROTECTED] [EMAIL PROTECTED] _
Re: Sv: (313) Jaguar: The Detroit Connection.
For those non auto-enthusiasts on the list, the 'Shaguar' in the Austin Powers films is an E-Type. Personally I prefer the C and D types to the over hyped E-Type...the cars I mean. Happy to report the BMG/Sony release seems to have disappeared from the stores here in NY...I've heard tell there was someone buying them all up, presumably to burn them. Whomever he/she is...Thank You!! Mark* - Interesting note...the famed leaping cat hood ornament is no longer used in europe. It's reserved for us nostalgic/cheesy americans=) - Original Message - From: Otto Koppius <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, March 13, 2000 12:27 PM Subject: Re: Sv: (313) Jaguar: The Detroit Connection. > [EMAIL PROTECTED] wrote: > > > > > In fact the notorious trance mix is actually called the 'E-Type' > > > mix. > > > > E-Type is the name of a horrible, long-haired euro-dance > > producer who had a few MTV hits last year. One must > > assume that 'E-Type Mix' means that he did the remix. > > I wondered about the same thing, but the eurodance E-Type is from > Sweden, whereas this E-Type is/are from Germany. And like urban fox > said, E-Type is a Jaguar type anyway, which makes for a logical > explanation. > > Otto >
(313) - OT - Loft Classics...
Just picked up Vol 14 of the series w/ High Priestess on it... I know I should know this, but does anyone know who the artist was?? Or the Label?? Thanks in advance, Mark*
(313) - Planet E Compost and Giant Steo in Miami...
For anyone who hasn't already heard...peace - Mark* === A very special night on PLANET E MONDAY MARCH 27th 2000 with interplanetary control agents the masked avenger WMC exclusive set CARL CRAIG amazon knight WMC exclusive set ROLANDO nerd avenger in his Miami WMC exclusive live debut RECLOOSE Chi town mathematician in his Miami WMC exclusive live debut COMMON FACTOR with vocalist JOHN REDMAN jazz master GLENN UNDERGROUND the mole MIKE OAGENT X¹ CLARK the enforcer DEGO (4 hero) Lady of soul HANNAH Plus Some very super special straight from the black hole of space and Owe ain¹t telling no-one who they" and Othey ain¹t playing no where else" @ RED SQUARE 411 Washington Avenue, Miami Beach, FL, 33139-6617, USA (near 5th Street) 9 pm 4 am (times subject to change) Ticket info TBA === Compost Records, Stud!o K7, Revolution Magazine & Soundbreak.com present A special Miami WMC event on Two Floors ! On the COMPOST FLOOR * Rainer Truby * Jazzanova * Michael Reinboth (Beanfield ) and * Christian Prommer & Roland Appel ( Fauna Flash / Truby Trio) Plus on the K7 Floor Kruder & Dorfmeister - A Guy Called Gerald Live w/ Kier and Louise Rhodes - The Smith & Mighty Soundsystem - Stereo MC's - Terranova - Monday March 27rd 2000 @, Shadow Lounge,1520 Washington Ave, Miami Beach, Florida, Miami Tickets $15 advance $20 day of show available via select Miami record shops Free to first 200 Miami WMC badge holders === Maxi Records, Giant Step Records and Kimco present in association with Yellow Productions and Release (San Francisco) The Sixth Annual Sunset Poolside Soiree @ Raleigh Hotel, 1775 Collins Ave, Miami Beach, FL With DJs * Norman Jay * Gilles Peterson * Pete Heller * Julius Papp * Ron Trent * Bob Sinclair and * DJ Yellow SUNDAY MARCH 26th >From 6 pm Until 11 pm. Tickets $10 Donation This is a charity event for children in need with 100 % of proceeds going to WAR CHILD USA (www.warchild.org). The money raised at this event will go to music education programs. This event is expected to sell out, so we recommend you buy your tickets in advance and come early. SPONSORS : Spin, Quiksilver, ASCAP and Bacardi Tickets on sale from March 1-23 at: New York Dancetracks (212) 260-8729 www.dancetracks.com Los Angeles - Wax Records (323) 932-6211 www.waxrecords.com San Francisco - Release (415) 674-9208 email: [EMAIL PROTECTED] London - Black Market 171.287.1932 www.blackmarket.co.uk France/Switzerland/Germany Imperiale Productions 41.1.450.4535 email: [EMAIL PROTECTED] Tickets on sale from March 23-26 in Miami at: Yesterday & Today, 1614 Alton Road (305) 534-8704 / Grooveman Records, 1543 Washington (305) 535-6257 and Uncle Sam's, 1141 Washington, (305) 532-0973
Re: (313) - Urban Breakdown Tour/Green Velvet....
Ooops:) It's kickin' as we speak...sorry i just got home. Peace y'all... Mark* NP - Doc Martin at Roxy...workin' 3 decks...pretty good... - Original Message - From: Elliot Taub <[EMAIL PROTECTED]> To: Mark S Flintoft <[EMAIL PROTECTED]> Sent: Friday, February 18, 2000 11:36 PM Subject: Re: (313) - Urban Breakdown Tour/Green Velvet > What day is the party? > Friday, the 18th? (ie today?) > e > > Mark S Flintoft wrote: > > > Slightly off topic but... > > > > For all you Green Velvet fans in NYC area (and those elsewhere w/ Real > > Audio capability)... > > > > Urban Breakdown Tour: @ Roxy NYC > > > > DOC MARTIN > > GREEN VELVET aka CAJMERE > > DJ SNEAK > > JUNIOR SANCHEZ > > STEVE LORIA > > EMILY > > > > The broadcast will start at approximately 11pm EST and will go to at > > least 3am EST (NYC local time). To tune in, point your browser towards > > http://www.digitalnoise.com > > > > Emily is one of the best NYC house DJ/remixers. > > > > Peace - Mark* > > > > *Cajmere will also be spinning at The Subliminal Sessions at the beautiful > > new Centro-Fly (the old Tramps) on Mar 9th. > > > > NP - Mathias Heillbronn - Spread Yourself - (DJ Emily > > mix)...Dp... > >
Re: (313) Ritchie Hawtin New Years track title?
Aldo at Throb - http://www.throb.com/ 14th St btwn. second and third aves - here in NY ordered me a replacement copy a couple of years ago...he's a good guy if anyone can get it for you he can. Peace - Mark* One of my all time favorite tracks:) - Original Message - From: James Bucknell <[EMAIL PROTECTED]> To: jonathan morse <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Thursday, February 17, 2000 8:07 PM Subject: Re: (313) Ritchie Hawtin New Years track title? > > > it's out of print, but you can pick up what i presume are bootlegs at rock and > soul on 7th ave. in new york. > > > > > > jonathan morse <[EMAIL PROTECTED]> on 02/17/2000 07:40:00 PM > > To: 313@hyperreal.org > cc:(bcc: James Bucknell/Magazines/Hearst) > Subject: Re: (313) Ritchie Hawtin New Years track title? > > > > > >Can anybody tell me the name of the track Ritchie Hawtin opened with at > >Motor Lounge on New Year's? Thanks. > > > >[EMAIL PROTECTED] > > jaydee "plastic dreams" > > > > > > >
(313) - Urban Breakdown Tour/Green Velvet....
Slightly off topic but... For all you Green Velvet fans in NYC area (and those elsewhere w/ Real Audio capability)... Urban Breakdown Tour: @ Roxy NYC DOC MARTIN GREEN VELVET aka CAJMERE DJ SNEAK JUNIOR SANCHEZ STEVE LORIA EMILY The broadcast will start at approximately 11pm EST and will go to at least 3am EST (NYC local time). To tune in, point your browser towards http://www.digitalnoise.com Emily is one of the best NYC house DJ/remixers. Peace - Mark* *Cajmere will also be spinning at The Subliminal Sessions at the beautiful new Centro-Fly (the old Tramps) on Mar 9th. NP - Mathias Heillbronn - Spread Yourself - (DJ Emily mix)...Dp...
Re: (313) 'cracker' GodFather's ...
I agree w/ Laura 100%. Just thought I'd bring this up... Wasn't the term 'cracker' house mentioned previously on the list?? Seems apropos here=) **So as to keep this post on the 313 tip... I'm gonna buy a pile of vinyl this weekend. Anyone have any recomendations for me on good techno released in the last couple of months - that I might not otherwise think of?? Thanks in advance... Mark* Been beatin' my head against the wall since Sat...I missed out on Mr. Parrish's set Sat night you see...Damn!! Thanks to Diana and Ana for making me jealous:) _______ Mark S. Flintoft 917.817.3989 Managing Editor http://www.in-sitemagazine.com ___ - Original Message - From: laura gavoor <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Monday, February 14, 2000 11:32 AM Subject: Re: (313) GodFather's of Techno- mp3.com > Whoever these foo's are they are about to get a beat down from the tru FOLKS > that have given them a reason to wake up and breathe in the morning. Not > only is this insulting to my integrity as a person actively involved in > forwarding Detroit's music...this is sum white boy propaganda technique > which should fail miserably y'all. > > Do ya hear me? > > These so-called "Godfathers of Techno" sound like sum white supremicists > who are attempting to be controversial to further their careers. Shut 'em > down...disrespectful sods. > > Righteously yours, > L > > > >From: "Scott D Pruett" <[EMAIL PROTECTED]> > >To: 313@hyperreal.org > >Subject: (313) GodFather's of Techno- mp3.com > >Date: Mon, 14 Feb 2000 10:37:01 -0500 (EST) > > > > > > > >Perhaps this mp3.com page has been discussed before...and I hope this is a > >joke. Otherwise its pretty blasphemous to Detroit Techno. The use of the > >Rebel flag and everything it represents is rather tastless. > > > >Check it out: http://artists.mp3s.com/artists/59/godfathers_of_techno.html > > > > > >-Scott > > > > __ > Get Your Private, Free Email at http://www.hotmail.com > >
(313) - Alton Miller...
ALTON MILLER SPACES & PLACES EP TRACK MODE RECORDINGS Any thoughts?? Peace - Mark* Mr. Miller was a treat last week @ Foundation's party. See y'all there for Theo tomorrow...
Re: (313) The instant globalisation of music?
Another thought... Funkmaster Flex, Red Alert et al receive records months before anyone else, so naturally there will be a lag before they hit stores in NYC let alone Holland:) Also the majors probably only like to concentrate their marketing and PR on releaseing on one continent at a time - much like movie studios. Later - Mark* - Original Message - From: Otto Koppius <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, February 10, 2000 3:45 PM Subject: Re: (313) The instant globalisation of music? > (trust me, it will make sense below (well, hopefully anyway)) > > Andrew Duke wrote: > > > [Bobby] Konders has always been a big fan/proponent > > of roots and culture. > > He has a show dedicated to it on Hot97, the main hiphop/r&b radio > station in New York City, on Sunday afternoon. Also, I seem to remember > that around lunch time on weekdays they have a 'classics' show with lots > of great old electro, but I'm not sure whether that was Hot97 or another > station. > > Anyway, about Hot97: I was in NYC from July-September last year and > listened to it quite a bit. One thing that struck me in the last one/two > months or so, is the number of hiphop and r&b tunes that are new in the > charts or on the radio here in the Netherlands (and I presume in most of > Europe) that were in heavy rotation on Hot97 three to six *months* > earlier. > > Some examples, some slighty more recent than others: > Donell Jones - "U know what's up" (v. good r&b tune, btw) > Montell Jordan - "Get it on tonite" (ditto) > ODB - "Baby I got your money" > 702 - "You don't know" (313 relevance courtesy of TP: Mark Kinchen > produced this) > Kelis - "Caught out there" aka 'I hate you so much right now' > > This several-month-lag between the US and Europe surprises me. > > With house and techno, if a track is not just on promo/white anymore and > is out officially, it's *out*. Worldwide. There may be a delay of a few > weeks, but certainly not months. Why this difference? > > I can think of a few (partial) explanations: > - Hiphop and r&b are much more controlled by major labels. They probably > have a marketing strategy in which this lag is purposefully built in. > The rationale for it is unclear to me though. > - House and techno rely much more on grassroots marketing through > word-of-mouth, reviews on mailing lists like these and others. Word > travels fast (especially in an IT-savvy community like this one), so > this creates instant demand for a track. Hence stores everywhere > ordering it. > - Word travels fast, but so do DJs (got any more travel stories Alan? :) > Get a hot track in the right hands and within a few weeks it will have > enough frequent flyer miles to forget which timezone it is in... Again > instant near-global demand. > > Any thoughts? > > Otto >
Re: (313) The instant globalisation of music?
>Also, I seem to remember > that around lunch time on weekdays they have a 'classics' show with lots > of great old electro, but I'm not sure whether that was Hot97 or another > station. Old School At Noon w/ cool DJ Red Alert...brilliant stuff. > With house and techno, if a track is not just on promo/white anymore and > is out officially, it's *out*. Worldwide. There may be a delay of a few > weeks, but certainly not months. Why this difference? > Any thoughts? Those of us that are into House/Techno are more willing to pay a higher price for imports before they're *officially* released than Hip Hop/R and B fans. Just a thought. Peace - Mark*
(313) - Mill's in NYC...
Just thought I'd let any NY 313ers who don't already know... March 10th JEFF MILLS DAVID HOLLANDS @TWILO Peace - Mark*
(313) - Juan Is The Teacher...430 West Party...
MAAS - Juan Is The Teacher - Soma 038 Anyone know the story behind this track? (Besides the obvious:) >Twilo 2K will host the 430 West release party in New York City with >DJ Rolando and 430 West DJ Lawrence Burden on Wed. Jan 26 >Twilo - January 21st >RICHIE HAWTIN aka PLASTIKMAN >DECKS, EFFECTS AND 909 >DAVID HOLLANDS Any NY 313 peeps goin' to either/both of the above events?? --Also I know it's totally off-topic, but has anyone else heard that Cookie Monster Hip Hop track?? It's too funny - w/ cameos by Big Bird and others...anyone know who's responsible...Cyclone? Too tired to type - Mark* _______ Mark S. Flintoft 917.817.3989 Managing Editor http://www.in-sitemagazine.com ___
Re: (313) personal favs of 1999
It is contained on the 3X12" as well as the CD. Later - Mark* - Original Message - From: *** ASKEW <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, January 10, 2000 1:18 AM Subject: (313) personal favs of 1999 > Greg wrote: > Markus Nikolai 'Bushes (Freaks Turning Yellow Speakeasy)' [Perlon] > > >Is this the same mix as is on the Farina san fran sessions release? > >Also, can anyone tell me if this bushes track is on the LP release? > >I've tried to search for it and nothing lists the tracks on the LP > >release. I've heard one mix of this song onperlin, and frankly I don't > >like it, but the mix on the farina CD is pretty smooth. > > I'm not familiar with the Farina mix-CD, and I don't have the Markus Nikolai > LP... but I do know of four other versions of the 'Bushes' track. > > The first house mix of the track came out on the 'Superlongevity' 2LP > various artists comp. (Perlon 10). This version is simply entitled 'Bushes' > and is a nice Herbert/Cologne-styled house track, built around guitar and > vocal loops. > > Markus Nikolai's 'Passion' 12" (Perlon 12) has three more mixes of the > track. 'Bushes (Zero Volt)' is a short acoustic pop-song (presumably where > all the samples/vocals have been taken for the house mixes). > 'Bushes (Freaks Turning Yellow Speakeasy)' is a house remix by Justin Harris > and Luke Solomon... which lays most of the original vocals over a new catchy > arrangement. 'Bushes (Freaks in Outer Space Dub)' is an instrumental version > of the first Harris/Solomon mix... with a slightly different arrangement. > > hope this helps! > ~Askew > __ > Get Your Private, Free Email at http://www.hotmail.com > >
Re: (313) re: Stacey Pullen
- Original Message - From: Brian Tang <[EMAIL PROTECTED]> > Agreed. The Respect nights tend to have quite good music with the > exception of the headliner. > > I mean at the previous one, the crowd was eating up the extremely awful > set of Dmitri from Paris, and then left in droves when Theo Parrish came > on. The 70's soul might of been a bit unorthodox, but was much better > then anything Dmitri spun. > MSF - Too right! It's nice how it clears out after the Headliner, more room to shake one's ass! The Respect nights are always seem to bring out the finest ladies in Manhattan - I guess it's the french thing! Gil'br's set was pretty dope the night Dimitri was there. Look out for the one year anniversary party commin' up soon. Cheers - MSF* Now back to the 313 ---- Mark S. Flintoft917.817.3989 Managing Editor http://www.in-sitemagazine.com ---
Re: (313) re: Stacey Pullen
There's a bunch of Stacey mixes on BetaLounge. Cheers - MSF* Mark S. Flintoft917.817.3989 Managing Editor http://www.in-sitemagazine.com --- - Original Message - From: Cyclone Wehner <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, September 30, 1999 10:21 AM Subject: Re: (313) re: Stacey Pullen > Has Stacey Pullen done any radio in Perth or elsewhere in Australia other > than Melbourne? In theory he would have had time to do some over there (or > in Adelaide) during this week. Just wondered. Anyone tune in and hear the > Kiss FM show in Melbourne? It went for an hour. And I missed it. Damn. > > Cheers > > C > > > Don't worry Dave, we know you're a nice guy too. :) > -- > >From: "Dave Clark" <[EMAIL PROTECTED]> > >To: "313" <313@hyperreal.org>, [EMAIL PROTECTED] > >Subject: Re: (313) re: Stacey Pullen > >Date: Thu, Sep 30, 1999, 12:43 PM > > > > >On 30 Sep 99, at 0:28, Mark S Flintoft wrote: > >> - Original Message - > >> From: Cyclone Wehner <[EMAIL PROTECTED]> > >> > Why "choice words"? > >> > I think that's cruel myself - he is such a sweet sensitive >guy! I > >> > don't > >> think he was playing from anywhere but the >heart myself. > >> > >> No Doubt! - MSF* > > > >I suppose it's best I say this now: there's a possibility I'm talking > >through my hat and the guy never said anything to pullen. It was > >second hand information (albeit from a reliable source) so as soon > >as I see this guy, I'll get all the details! If he didn't, well I guess it's > >the stocks for me :) > >Also I'm not saying that it was right to go up to him either... but I > >can understand it. > > > >Anyway, Alton Miller, GU and Chris Gray, all coming to perth soon. > >Should be a summer of house music! :) > > > >Dave > > > >_ > >Do You Yahoo!? > >Get your free @yahoo.com address at http://mail.yahoo.com > > > > >
Re: (313) re: Stacey Pullen
Got it. You would have loved Sven Love and Jef K's set @ Twilo the night the Jaxx played. Those 5 hours more than made up for the Jaxx's crappy 40 minute re-hash of their album - now that shit was dep! - Original Message - From: Dave Clark <[EMAIL PROTECTED]> To: Mark S Flintoft <[EMAIL PROTECTED]> Sent: Thursday, September 30, 1999 8:19 AM Subject: Re: (313) re: Stacey Pullen > On 30 Sep 99, at 7:53, Mark S Flintoft wrote: > > > So what exactly were you lookin' for... I know the deepness - which > > you term as what exactly?Anyway I'm interested in an Aussie definition > > of Deep. > > Hmm, hard to say. I don't think I've tried to define it come to think > of it... I dunno... I guess I could do it by example - for house music > you could definitely see Theo Parrish as deep - Chris Gray... > umm.. GU... etc etc It doesn't work so well by example, but I'm > driving at deep as something that's not hugely pumping, something > that you can listen to on the headphones whilst relaxing or > whatever, something that doesn't only sound good whilst being > played loud on a big system. Something that you can listen to a > few times, many times and still hear new things. Or just something > to break up the beats, something to tone it down a little and give > the dancers a break. Ya know what I mean? :) > > >I agree when > > someone has 4 hours to work w/ he should build iit up break it down > > and generally mix it up a bit(thus my previous question). > > Yeah, that was my main qualm. Plus the music just wasn't very > interesting. > > Dave > > _ > Do You Yahoo!? > Get your free @yahoo.com address at http://mail.yahoo.com > >
Re: (313) re: Stacey Pullen
- Original Message - From: Cyclone Wehner <[EMAIL PROTECTED]> > Why "choice words"? > I think that's cruel myself - he is such a sweet sensitive >guy! I don't think he was playing from anywhere but the >heart myself. No Doubt! - MSF* -------- Mark S. Flintoft917.817.3989 Managing Editor http://www.in-sitemagazine.com ---
Re: (313) re: Stacey Pullen
- Original Message - From: Dave Clark <[EMAIL PROTECTED]> >Basically at this gig the local dj's far outshone > the hired help. I know many people at this gig, myself included, > came away dissappointed by what was on offer. Sorry to hear about your recent disappointment w/ Stacey. We @ IN-SITE love Mr. Pullen and found his recent NYC shows (Twilo and The Cooler) to be faultlessly deep. Mike Bindra-Twilo's manager-was "blown-away", and for those of you who know Mike that is saying a lot! As far as the Jaxx being cheese, well we're all entitled to our opinions. I happen think the Jaxx's production work has always been brilliant (although the current stuff is over played and over hyped) but they are not the DJ's they once were (anyone who saw them spin @ their London club a few years ago will know what I'm talking about). I recently had the misfortune to see them play @ Twilo - talk about crap they spun for maybe 45 min.s to an hour and only played one track that was not their own - major letdown! I saw them in London years ago and was really impressed, they spun all night mixing in tons of different styles, but all on a deep tip. Sorry for the off-topic digression! Cheers - MSF* PS - that chiapet record is the shit! God I fuckin' love YoshiToshi! -------- Mark S. Flintoft917.817.3989 Managing Editor http://www.in-sitemagazine.com ---
Re: (313) Innerzone Orchestra live in NYC
From: Brian Tang <[EMAIL PROTECTED]> >>what kind of turnout do you think he was expecting in the >>middle of a hurricane?? The storm never really kicked up in Manhattan and by the evening it wasn't even raining so... Personally I was surprised they went ahead w/ the event at all, everything else in the city was closed or cancelled. - MSF*
Re: (313) Innerzone Orchestra live in NYC
Yeah I went and took pictures - despite Floyd (DigitalNoise broadcast the event and will undoubtabley add it to their archives eventually). Something tells me Carl wasn't too pleased w/ the low turn-out as the Innerzone set was way too short. One of Carl's keyboards fell over and took ages to set-up again plus the sound was shite all night! Having said that it was worth sitting through Herbaliser's boring set to hear DJ Krust and MC Dynamite(who had a sound system vs. the decks problem which forced Krust to be a little ginger w/ his mixes, but slammin' non the less!) Cheers - MSF* -------- Mark S. Flintoft917.817.3989 Managing Editor http://www.in-sitemagazine.com --- - Original Message - From: Otto Koppius <[EMAIL PROTECTED]> To: 313 <313@hyperreal.org> Sent: Friday, September 17, 1999 3:16 PM Subject: (313) Innerzone Orchestra live in NYC > Any 313-ers that were there care to do a review? > > I was dying to go there, but all the roads in my area (Westchester > county) were flooded due to our friend Floyd and there was no way I > could get to the city :( > > Otto >
