(313) 3 mixes for download
Hi all, Apologies if I've posted any of these before, I can't actually remember. Got a selection of mixes for download. Here are the links and tracklists. If any of the links are broken please go to http://www.arcart.org/hearmixes.htm to grab the files. incorrect mix a mash up of genres and moods http://www.trinityofvitriol.co.uk/audio/Max%20Duley%20-%20incorrect%20mix.mp3 Bedouin Ascent - Screw Mobile [Debugged] (No Immortal) Richard Devine - Patelle (Warp) Universal Indicator - Green (Rephlex) Susumu Yokota - Unravel (Leaf) Fast - Fast (Stealth Sonic) Candy Chang - Desk Lamp Intercom (Red Antenna) RAC - Quexos (Warp) The Evader - No Hats Required (Cosmic) As One - Shambala (Reflected by Balil) (New Electronica) Pole - Strand (Kiff) Troubleshooter - Nuclear Fusion (Modern Love) Jello - Chamchimzee (Autechre Ultramatique 6 mix) (Peacefrog) X-102 - Rhea (Tresor) Boards Of Canada - Basefree (Warp) Robert Hood - Invincible (M-Plant) Freeform - Spoob (Skam) Like A Tim - Dope Duck (DJAX-UP-BEATS) Hi-Ryze - Riches Deep (New Electronica) Autechre - Left Blank (Warp) Redshift - Rendevous With Bass (Stuff) Bitstream - Crab Nebula (City Centre Offices) Reload - Phase 4 (Infonet) Ceephax Acid Crew - Seasick Acid (Breakin') Redcell - Fear (B12) Jackson - Radio Caca (Sound Of Barclay) Kraftwerk - The Robots (EMI) St Etienne - Your Head My Voice (Voix Revirement) (Heavenly) Jeff Mills - Theme From 2000 (Gigolo) The Bug - F*ck Y-Self (Rephlex) Archetype - Indigenous Phonetic (Theory) Ricardo Villalobos - I Try To Live (Can I Live) (Playhouse) Drexciya - Aquatacizem (Underground Resistance) Balil - Nort Route (New Electronica) Scanner - Full Fathom (New Electronica) unbeat mix a chilled selection of soundscapes and beats. http://www.trinityofvitriol.co.uk/audio/Max_Duley_-_unbeat_mix.mp3 Vainquer - Elevation part 3 (Chain Reaction) Gas - Pop (Mille Plateaux) Psyche - Neurotic Behaviour (New Electronica) Geoff White - Microdubs (Edit) Vulva - Omnec Onec (Reflective) Susumu Yokota - Circular (Leaf) Gas - Pop (Mille Plateaux) Freeform - Craving For Grey (Nonplace) Psi Performer - 1968 (Kanzleramt) Sierra Romeo - Carcass ([FFWD:) D'Arcangelo - Phlexio 14 (Rephlex) Bedouin Ascent - Tomb Of Eagles (Rising High) Jello - Chamchimzee (Peacefrog) Orb - We're Pastie To Be Grill You (Island) Bola - Vespers (Skam) Scanone - The Missing Pixel (Blasé) Bitstream - Radiotherapy (Modern Love) Aphex Twin - On (28 mix) (Warp) Orb - O.O.B.E. (Big Life) Boards Of Canada - Happy Cycling (Warp) Psychick Warriors Ov Gaia - The Challenge (part 2) (KK) Paddington Breaks - Daytime TV (Ill) Kirlian - Test (Disko B) Push Button Objects - Twisted (Skam) Walker Khan - Radiowaves 9 (Rising High) Psi Performer - 1972 (Kanzleramt) +One - Arabesk (Defocus) Sun Electric - Newambi (RS) Startled Insects - Desert (Island) Reload - The Enlightenment (Infonet) Jesus Jones - Zeroes Ones (Aphex Twin reconstruction #2 mix) (Food / EMI) Proton Radio mix tougher techno beats http://www.trinityofvitriol.co.uk/audio/Max_Duley_-_Proton_Radio_mix_-_(August_2003).mp3 Gas - Pop (Mille Plateaux) Makaton - The Eternal Host (Rodz-Konez) Paul Bailey - Uganda Waragi (1881) Max Duley - Stop/Go (Kne'Deep) Oscar Mulero - CV Is Dead (Warm Up Recordings) Steve Stoll - Model T (Nova Mute) Mescalinum United - We Have Arrived (Aphex Twin remix) (RS) Max 404 - Trapped (Florence remix) Eevo Lute Musique British Murder Boys - Learn Your Lesson (Counterbalance) Andrew McLauchlan - Unbreakable (Molecular) 65D Mavericks - Convert (Blueprint) Ozy - Timendurancelevatorock (Force Inc.) Phylyps - Axis (Basic Channel) Storm - No More Words part 4 (Djax-Up-Beats) 7th Plain - Lost (GPR) Source - untitled (RS) Dr. Fernando - 1-3h(n) (Music Man) Infiniti - Game One (Metroplex) Planet Gong - Aircheck (Djax-Up-Beats) Paul Bailey - Sending Out An SOS (1881) Ratio - untitled (Central) Sierra Romeo - Saranp ([Fwd:) hope you enjoy. --
Re: (313) Plastikman - Closer
Copied and pasted from another forum, here's my take on it Just listened to this for the first time and it was a terrible disappointment. It had a few moments, but at least until track 6 I could hardly believe how devoid of substance it was. I don't think it sounds a lot like any of the previous Plastikman albums, but then there's no reason why it should...I always thought it was pretty sad that he got some sort of backlash when Consumed came out cos it didn't sound like all the other stuff. Plastikman always had an innovative edge that pushed things in a different direction with each chapter, but to me this album sounds like it was made by someone who'd heard all the previous PM work and wanted to make something that sounded like it was made by the same person, although that hardly makes sense as it was in fact made by the same person. It just sounds to me like imitation rather than innovation. Imitation of his own past masterpieces, perhaps, although I also hear strains of Taylor Dupree, 12K style dry, bitty minimalism...just not done very well at all, and with some rather nauseatingly bad use of delay effects. The production is kind of hard to deal with, with a lot of very dry and tight kick drums (that would in fact sound excellent on a club rig, so no real complaints there). That said, it has no space to it, it's very...close. I just could not connect with it until he started to bring in some atmosphere in track 6 or 7. If I had to compare it to a previous album it's definitely most similar to Consumed, which instantly became my favourite PM album when I first heard it (only last year)...but this one has none of the depth, character or atmosphere of that album. It doesn't sound like he's really tried very hard...or tried at all. The album, from what I hear (and as the name might suggest) is supposed to be the best ever glimpse into the mind of Mr Hawtin...sounds to me like he really needs a rest. I've seen a bunch of reactions to it so far...everything from shit, to going to be a classic, to very good. Personally, I'd buy some of the tracks if they came out on 12 vinyl (track 8 in particular is very good) but overall I'd be loth to shell out for the whole album as it's really not got much going for it. That last track, as has been mentioned, is a definite taste of the PM of old, but I've already got several albums of that stuff. h, I really was looking forward to this album, but it doesn't even approach the levels of what I was expecting. Anyway, these are all just my opinions after one listen. Perhaps parts of it will grow on me, and I'll still definitely go along if he does a Plastikman live show.
Re: (313) Best lines to the DJ
About 10 years ago, half way through Vainqueuer Lyot (Maurizio mix, natch), I had a tap on my shoulder and a glammed up lady asked me if I had any M-People. Nice, as they are one of my most detested musical incarnations. Obviously, I said no. Returning to what I was doing, I was tapped from behind again a few minutes later, so the lady could inform me that you don't know your arse from your elbow!, and then she marched towards the exit. Nice. .. -- XS2Mail: Check your mail anywhere http://www.xs2mail.com/
(313) .mp3 mix
Hi all, Here's a mix I did. Hope the long link doesn't break. If it does you can reach it through the site anyway. Mix: http://www.arcart.org/audio/mixes/Max_Duley_-_Learning_Process_section_3_.mp3 Tracklist: TERRACE - INTO DEEP SPACE (ORLANDO VOORN mix) (EEVO LUTE) LIKE A TIM - GROANING (DJAX-UP-BEATS) MODEL 500 - STARLIGHT (RS) RICK WADE - PRIME TIME (FUNKY CHOCOLATE) HIROAKI IIZUKA - PHYS (CODA) ULTRAHIGH - DO IT TWICE (FORCE INC.) SURGEON - untitled (COUNTERBALANCE) UR - THE ILLUMINATOR (UNDERGROUND RESISTANCE) ROBERT HOOD - SEARCH (HARDWAX) PSI PERFORMER - 1992 (KANZLERAMT) PETER BENISCH - FASTER THAN LIGHT (EEVO LUTE) BANDULU - DOWNWARD GLANCE (INFONET) AIR LIQUIDE - LIQUIDE AIR (XENON remix) (BLUE) GEOFF WHITE / MATHIAS SCHAFFHAUSER - SCUIGL RE. (EDIT) PENINSULA - MY LITTLE FILTERSHOP (EEVO LUTE) STEWART WALKER - OCEAN DRIVE (FORCE INC.) FLORENCE - A TOUCH OF HEAVEN (EEVO LUTE) THE MARTIAN - SEASON OF THE SOLAR WIND (RED PLANET) JOSH ONE - CONTEMPLATION (KING BRITT mix) (ELECTROMATRIX) BALLET MECHANIQUE - VINYL VOYAGE (EEVO LUTE) As with all the other mixes I post, there are better quality 192kbps versions available from me on soulseek and now also soulseek isle. This method allows you to both get a higher quality sound and allows me to keep transfers under my limit. Of course it also means you have to wait longer to get it but if you're patient it's OK. Up to you, I don't mind. Cheers, Max -- http://www.ARCart.org -- -- XS2Mail: Check your mail anywhere http://www.xs2mail.com/
RE: (313) Like A Tim interview online
Cheers. Like A Tim has done some excellent music over the years. Any idea how old he is? He looks about 20 in those pics but he's been releasing for about a decade or so. Love this image from his site: http://home.wanadoo.nl/like/parijs.jpg Date: Wed, 25 Jun 2003 13:18:00 +0200 To: 313@hyperreal.org From: ko broken electronica industries [EMAIL PROTECTED] Subject: Like A Tim interview online Message-ID: [EMAIL PROTECTED] hi, for those interested, there's a little Like A Tim interview online at this adress: http://www.klangforschungost.org/artists/likeatim/likeatim_interview.html happy reading, derb
Re: (313) track ID
ermnot only have I had the track ID'dembarrassingly I already own it. In case anyone is interested, it's Surgeon, Midnight Club tracks 1 on Counterbalance, and it rocks. Date: Fri, 06 Jun 2003 11:49:42 +0100 To: 313 313@hyperreal.org From: Max Duley / ARCart [EMAIL PROTECTED] Subject: track ID Message-Id: [EMAIL PROTECTED] Hi all, Tried to ID this clip for someone last night, I didn't know it but it's damn good and instantly entered my own wants list. Hope someone here can help. the link is on this page: http://www.theonlyremedy.co.uk/z_arcart/id.htm It's the one called snoosk unknown, at the bottom of the page. Feel free to have a go at any of the others while you're there. Thanks, Max -- http://www.ARCart.org
(313) track ID
Hi all, Tried to ID this clip for someone last night, I didn't know it but it's damn good and instantly entered my own wants list. Hope someone here can help. the link is on this page: http://www.theonlyremedy.co.uk/z_arcart/id.htm It's the one called snoosk unknown, at the bottom of the page. Feel free to have a go at any of the others while you're there. Thanks, Max -- http://www.ARCart.org -- -- XS2Mail: Check your mail anywhere http://www.xs2mail.com/
RE: (313) Re: Suburban Knight
Ken, I suffered the same confusion recently. Steve Bicknell caned this super dark track at Lost in 1995/96. One night I asked him what it was and he showed me the record. I subsequently bought the Transmat repress with the black label, and myself and all my friends have forever thought that the Art Of Stalking was this dark, stormy track (that Mr Bicknell did an edit of on his Message double pack on Cosmic). A few weeks ago a friend bought the PF LP and I was interested to note that they'd printed the sleeve wrong...with Art of Stalking on it, despite the fact they'd put The Worlds on instead. Subsequent discussions revealed the truth. It's interesting to wonder what we were talking about in any conversations I've had in the past about that track. http://www.overloadmedia.co.uk/phpBB/viewtopic.php?t=4815 Date: Mon, 19 May 2003 15:33:27 +0100 To: Placid [EMAIL PROTECTED], 313 mailing list 313@hyperreal.org From: Odeluga, Ken [EMAIL PROTECTED] Subject: RE: (313) Re: Suburban Knight Message-ID: [EMAIL PROTECTED] OK Paul, so you're saying that the remix was on the original, I guess? I've even had people nudge me whilst at a party, saying Hey! 'Art Of Stalking', yet it sounds nothing like the version I know! k
RE: (313) Every Dog 4
The Axis 33 is something of a jive bunny style (not really) megamix of Axis, Purpose Maker Tomorrow material put together by Claude Young across 2 sides of vinyl. It's very good...not a record to DJ with (unless you're playing to people who've never heard any Mills material). Claude seems to have picked most of my favourite Axis/Mills moments of all styles, ambient, beat driven etc which is just fine with me. I ordered 2 copies for myself and a friend, a couple of days later it was listed as sold out. My friend already knows of someone who paid ?40 for it second hand... Regarding Every Dog...I listened through #4 at home (not my copy) then pulled out my copy of #3 which I'd only played once since I got it a year or so ago. I just can't tell the difference enough to justify picking it up. It's all good stuff, all very worthy, but all the tracks seem based on the same sounds as the other volumes, and nothing stands out. My fave pieces are on #2, although I don't know #1. If there's another I hope it's different. I'm sure I read somewhere that the Every Dog material is old, from the early-mid 90s. I I think I read that in a Robert Hood interview...in the printed version of Overload? Am I hallucinating or can anyone confirm? Sorry if this has been covered in detail already. - Original Message - From: Wibo Lammerts [EMAIL PROTECTED] To: 'Odeluga, Ken' [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, May 09, 2003 2:04 PM Subject: RE: (313) Every Dog 4 Another Every Dog... is it worth getting? And on the Axis tip... I heard about this Claude Young record on Axis? Only 100 copies worldwide available? What;s the story on this?
RE: (313) Surgeon questions
regarding the Nitzer Ebb track he played, it could be one of those mentioned (I don't know the remixes or the originals) but it could well be something he's put together himself purely for using with Final Scratch, some of his edits for that purpose are wonderfully confusing. Regarding the 30 minutes of Surgeon @ ATP played on John Peel's show...it's available on soulseek. I have it and can share it, message user name urban myth and I'll add you to my list. I've not given it a listen yet...but I was at ATP and it was definitely one of the best sets I've ever experienced.
Re: (313) Max Duley contact
Hi Maarten... I replied to your mail today. Sorry for the delay, I've been out of town (went to catch Robert Hood tear it up @ Atomic Jam - absolutely brilliant!!). Cheers for the track ID, I've already located and ordered a copy of the record and updated the web page with the details. http://www.theonlyremedy.co.uk/z_arcart/id.htm Max Date: Sun, 23 Mar 2003 13:45:11 +0100 To: 313@hyperreal.org From: Maarten Baute [EMAIL PROTECTED] Subject: Max Duley contact Message-ID: [EMAIL PROTECTED] I tried to mail Max Duley the past 4 days to give him a track id.. but [EMAIL PROTECTED] doesn4t seem to work... so Max.. contact me please. Cheers, Maarten --- name that tune... http://www.morthenkiang.com/trainspotting.html --
(313) more track IDs
Hi all, Thanks to all those who helped out with my last batch...in the past few weeks I've got hold of a handful of records I've wanted for so so long, including my holy grail, which turned out to be a Holy Ghost track. I've uploaded a whole load more tracks, again all dating back to the early 90s. Some of the original batch are still there too as I'm still after IDs on them. Any help would be greatly appreciated. Here's the link to the page: http://www.theonlyremedy.co.uk/z_arcart/id.htm Cheers, Max --- http://www.ARCart.org ---
(313) RE: more track IDs
It seems the server went down over night so if any of you tried you may have got a dead page. It's back up now. -Original Message- From: Max Duley / ARCart [mailto:[EMAIL PROTECTED] Sent: 21 March 2003 01:27 To: 313 Subject: more track IDs Hi all, Thanks to all those who helped out with my last batch...in the past few weeks I've got hold of a handful of records I've wanted for so so long, including my holy grail, which turned out to be a Holy Ghost track. I've uploaded a whole load more tracks, again all dating back to the early 90s. Some of the original batch are still there too as I'm still after IDs on them. Any help would be greatly appreciated. Here's the link to the page: http://www.theonlyremedy.co.uk/z_arcart/id.htm Cheers, Max --- http://www.ARCart.org ---
(313) RE: more track IDs (please!)
Sorry to keep sending this but I messed up half the links. That'll teach me to try techy stuff at 2 in the morning. They're all fixed now, plus I've added info on those clips ID'd so far. Here's the link to the page again: http://www.theonlyremedy.co.uk/z_arcart/id.htm Cheers, Max --- http://www.ARCart.org ---
(313) one for the spotters.
I've uploaded some .mp3 clips which I'm trying to ID, thus hopefully allowing me to start searching for records that I've been wanting for up to 12 years. This is some of the earliest techno I heard, and at the time I wasn't a collector so edited the tapes to remove the DJ's voices (the bits when they gave the details...doh!!! For years since I've been wanting to know what they are but have only now got the technology to do this. The links are on this page: http://www.theonlyremedy.co.uk/z_arcart/id.htm Thanks in advance for any help. Max --- http://www.ARCart.org ---
(313) online mix and site update
Date: Wed, 26 Feb 2003 10:12:05 - To: [EMAIL PROTECTED] Org 313@hyperreal.org From: Odeluga, Ken [EMAIL PROTECTED] Subject: ARC, ARCart, AR(CANE) Message-ID: [EMAIL PROTECTED] The return of the ARC (webpage). http://www.arcart.org/ More than worth a look. k -- Cheers Ken... as Ken says the http://www.ARCart.org site has been redone to look just a bit less crap than it did before. Anyone who already followed Ken's link and joined the legions of people complaining about getting stuck in the pop up window - it's been fixed now. Newest feature is the hear section which finally has audio files to preview forthcoming releases and also a new mixes section. I've uploaded a 1hr 51min .mp3 mix to the site. It's 89Mb at 112kbps, but if you want a better quality 192kbps version you can download it from me on soulseek, just message user name urban myth and I'll add you to my download list. Here's the direct link to the mix: http://www.arcart.org/all_audio_files/mixes/Max_Duley_-_shoddy_mix_-_(Januar y_2003).mp3 Here's the tracklisting: http://www.arcart.org/hearmixestracklist.htm Hope folks enjoy it. Max ---
Re: (313) Matt Cogger
Matt Cogger did several albums, I believe. I have one of them, which is mostly excellent: http://www.discogs.com/release/73987 and I've heard others which are also very cool. This story is very very vague, but I'll recount what I can remember of it: an acquaintance of a friend of mine happened to be talking to a guy working behind a bar somewhere in London some years ago (is that vague enough for you?!?). Anywayfrom what I remember they somehow got onto the subject of electronic music and the barman mentions he used to make it..turns out it's Matt Cogger. He tells this fella he's not doing it anymore and he had to sell his studio, possibly for financial reasons, I forget. The fella hearing this story was running a label and wanted to get Cogger to use shared gear to make some new music, as he was into his previous work. I have no idea how true that is or if true, whether anything came of itbut it's certainly true that I was told the story. -- Date: Thu, 06 Feb 2003 12:22:28 + To: Jongsma, K.J. [EMAIL PROTECTED] From: Jason Brunton [EMAIL PROTECTED] CC: 313 313@hyperreal.org Subject: Re: (313) Matt Cogger Message-ID: [EMAIL PROTECTED] Hi KJ, His track banangate which appeared on the Virtual Sex album also came out as 12 on Buzz- worth hearing. There was also an extremely good track of his remixed by Derrick May on a really rare ART CD comp which came out around 92- only heard it twice- totally incredible as I remember Cheers Jason I've got this, it was a Metroplex sampler and was then licensed to Peacefrog i think, but was never fully released on either, though correct me if thats wrong. I think only one of the cuts was by Atkins, it also had Mind you Don't trip by Neuropolotique (amazing track!), Sonar 123 by Shake and Starlight by Infiniti (Atkins). The Surkit track was by Reel By Reel. That whole compilation was pretty brilliant actually! What happened to Matt Cogger i got some records of him on Irdial (i love that 'Menage a Trois' record) and the Mind You don't trip. Has he done anything else worth listening to?
Re: (313) plink plonk
yeah, as has been said it's Mr C's label. I've been after the Kenny Larkin remix of L.A. Synthesis' Agoraphobia on Plink Plonk for years Date: Mon, 20 Jan 2003 17:36:41 -0600 To: 313@hyperreal.org From: ryan burns [EMAIL PROTECTED] Subject: plink plonk Message-ID: [EMAIL PROTECTED] who owns the lable plink plonk? any one have any coments on Underground Science Reflected with the kenny larkin rmx. or the stacey pullen 12. its under a different name though
Re: (313) What! Nothing about Lost? (rant)
From: techno [mailto:[EMAIL PROTECTED] Could you go to a black neighborhood and show people your dance moves with out getting laughed at? No way. I couldn't show anyone anywhere my dance moves without getting laughed at. Lucky for me then that I don't care about what I look like when I'm dancing, I care what I FEEL like, and I care what I'm dancing to, and I care who I'm with. All that impressing people with your moves is for fake trendy ass superficial people. If you're one of them, I reckon YOU SUCK.
Re: (313) UK related posts
thought I'd add my bits to the slurry of London/UK related posts: Lost xmas party - one of the most enjoyable for years. A couple of hundred people jammed into a bar, grooving non stop to the Wizard, Bicknell and Slater practically tagging on the decks, dropping some real party music. Half the fun for me was seeing Steve and Sheree having such a great time themselves rather than having to deal with the stress of running a huge night with the hassle that goes with it - they certainly deserved to let their hair down at this one - and both Jeff and Luke were grinning away all night too. Great to see all the DJs getting EQUAL appreciation from the crowd as imo they all did a sterling job. That was supposed to have been my first sober night for a week, but that lasted about 20 minutes. Mills @ Fabric - after 60 minutes of dropping classics (I really don't care to hear Blackwater or Jaguar once this year), which I utilised to avoid the sardine can atmosphere on the dancefloor, it was with pleasure that I saw the largely clueless Fabric crowd thin out as Jeff started to begin his set proper and take it deeper, dropping old faves such as Kat Race Seawolf and loads of unfamiliar stuff. Highlight of the night for me was when he played the whole of Filter King from 69's Sound On Sound - awesome. Still, I think the atmosphere was sorely lacking and it was probably one of the sets that I'd put into the lower regions of Mills sets - of sets in recent years I found his set at Lost's August party to be far superior in terms of energy and madness - though not in variety. Rolando and Brendan on 31st Jan - looks like there is to be no let up this year when it comes to having to choose between different parties on the same night. Never woulda happened in 2001!! Same night, Mr VelcroFastener plays live @ SCAND, also Carl from LA Synthesis DJing at the same night along with others too. And that's right round the corner from where the Outlet Collective will be hijacking the 333 Club all night. Decisions, decisions. RE: Hood in the UK - after being sorely disappointed at Hood NOT doing his semi-live thing in November (thus going to the Seed recs party instead - good move!!!), I am so looking forward to this. The last techno set that truly blew me away was Hood doing this at the End in what1999? 2000, maybe? Whatever, it was totally amazing, and anyone who gets a chance to see this in any part of any country should not miss it. There's something so pure about what Hood does, it's an almost unattainable vibe, and the memories of him working the decks and a rack of gear+909 on the side, freaking out, with his wife mopping his brow with a towel, while the crowd dissolved into hysteria, it's just not been matched since, and everyone who was there that I know has practically been sat waiting ever since for something to come along and match it. I have HIGH hopes for this, and look forward to a London date being announced, otherwise I'm up to Leeds for the first decent line up they've had for goodness knows how long.
RE: (313) UK related posts
oh, and just one more thing.do all those attending ATP know that Public Enemy were recently confirmed to play?? An interesting and exciting addition to the already fascinating and highly eclectic line up.
Re: (313) Phonopsia
Gotta agree with Ken and Toby here, Tristan moved through genres with a seamlessness and motion that I've only heard from someone like Francois Kevorkian. Certainly not the only remarkable set that night, but as it resides in the part of my memory that's most intact, it gets a special mention. And that Kurbel track raised more than a few eyebrows, I've forwarded the details to someone I know who was particularly curious about it. Massive props to the Bleep43 crew for the sweetest, most hassle free NYE party for years.
RE: (313) Ian Cheshire
Date: Fri, 27 Dec 2002 11:23:00 - From: ian cheshire Subject: RE: (313) Ian Cheshire Max, I forgive you for spitting, and thanks for the phone call, you are a gentlemen after all :) Millions (well..several) would disagree. Couldn't ask for a more gracious response than that. Congrats to you and yours. Many thanks to the Slices crew, if I had the slightest memory of what actually happened that night, I'm sure I'd remember my first London gig since 199something with much fondness.as it is I remember very little (or nothing). If it was anything as excellent as the previous Slices parties, then it was another one of those highlights of 2002.I'll get some of that regressive therapy stuff to try to re-experience the whole thing. My kidneys are calling mebut in the meantime I'd like to add to Ian's shout out to Chris Finke, while I remember pretty much zero of the night as a whole, I do seem to remember being pushed about the dancefloor in an enthusiastically not-falling-over-very-much way through much of Chris' set. Been waiting some years to hear him, and to share the decks that night with his and so many good sets was an honour. Bring on NYE.
Re: (313) Legendary UK radio DJ signs to Fabric
When it becomes a viable commercial venture. Date: Sat, 09 Nov 2002 23:46:11 +1100 To: 313 Detroit 313@hyperreal.org From: Cyclone Wehner [EMAIL PROTECTED] Subject: Message-Id: [EMAIL PROTECTED] Hmmm, when is Fabric gonna do a 313 related mix, I wonder?
Re: (313) Out of Print...
True, most Axis releases are still in print. What I would like are some of the pressings which NEVER saw proper release at all, and there are quite a few of them, I believe. The only one I've heard, which I would love to get hold of, is Axis 800 - Time Machine EP. That has an amazing track on it that's not been on anything else. I'd love that. I know two folks that were sent it but I doubt anyone got one by any other means. I've never even knowingly heard the Inner Sanctum release. Who did it? It wasn't Mills or Hood, was it? Or was it? Date: Fri, 20 Sep 2002 20:33:09 +0200 To: FC3 Richards [EMAIL PROTECTED] From: [EMAIL PROTECTED] (Stefan) CC: '313@hyperreal.org' 313@hyperreal.org Subject: Re: (313) Out of Print... Message-ID: [EMAIL PROTECTED] Hello FC3, Friday, September 20, 2002, 7:40:05 PM, you wrote: FR OK, here is a somewhat difficult question to get answered... FR What records on the Axis label are out of print for sure...these are the FR ones that I think are, but not completely sure... FR 001 HM Tranqualizer EP FR 003 Inner Sanctum FR 006? Robert Hood Minimal Nation (this being the hardes to find, I FR guess...I can't seem to get my hands on it) FR now I am not for sure, but want to know. I just saw Inner Sanctum for sale FR on ebay for $20.00, and it sparked my interests...so has the rare record FR thread. overpriced! AFAIK *ALL* Axis-records are still kept in print!!! exceptions are: 002 - never got released properly 006 - HM - Drama EP - got substituted by 006M, which is still available 007 - Robert Hood - minimal nation - OOP, but re-released on Hood's own M-Plant, though with 2 track changes [IIRC] 019 - From the 21st century 2x12 - Promo only, got substituted by 19b, which contains 2 tracks of the former [IIRC] some catalogue numbers are still 'missing', but can't check which ones now... don't pay more than the usual $7-10 for any other AXIS/PURPOSE MAKER/etc! FR as for the UR records that are out of printweren't the dub plates broken FR on accident?? that what 'Submerger' of Submerge told me once. they don't seem to repress them, another reason maybe be that 'Fury' isn't one of their best... [though I kinda like it] -- Best regards, Stefanmailto:[EMAIL PROTECTED]
Re: Re[2]: (313) Out of Print...
The only one I've heard, which I would love to get hold of, is Axis 800 - Time Machine EP. do you know if the tracks on this are different from the CD-release? Yes, different to the CD release. I'm not sure how many tracks are on it, because I've only heard one of them. There may be only one.
[313] Re: rob hood
He's certainly played at least one hip hop record in every set I've heard him play - usually the first track. Date: Thu, 19 Sep 2002 00:30:19 +1000 (EST) To: 313@hyperreal.org From: =?iso-8859-1?q?Tom=20Serna?= [EMAIL PROTECTED] Subject: rob hood Message-ID: [EMAIL PROTECTED] but rob hood always tries to play hip hop sets in new york (or is that how he starts his sets everywhere?) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] 313 Party Live set
He's OK. As long as he is not making or playing records. I really would advise buying a ticket to the End, going to Slices before hand, and going to the End to catch Jeff. From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Wednesday, September 18, 2002 1:06 PM Nothing wrong with Mr. C if you ask me - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] one year later
h, Chris Korda, I caught his live set @ Sonar 2001. Now there is a guy who really needs the shock tactic visual element...to distract people from the fact that his music is so lame. Irritating is about as accurate as I can get. -- Date: Mon, 2 Sep 2002 08:13:03 +0100 To: [EMAIL PROTECTED] Org 313@hyperreal.org From: Odeluga, Ken [EMAIL PROTECTED] Subject: RE: [313] one year later Message-ID: [EMAIL PROTECTED] Sam Eilola: Subject: Twin tower porn music: I Like to Watch on 9-11 The music from Chris Korda's infamous I Like to Watch video will ... Hmmm. *Not* quite what I had in mind. But it's a point of view ... any others? k - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Lost Weekend
Carl Craig @ PP was just brilliant. That tiny pitch black room has the best sound system in London, forget Fabric and it's body sonic room, this little room fills nicely with people having their guts squeezed by bass. It's the only place I feel comfortable without my ER-25s firmly in place, cos the sound is just so clean. Carl played such a great set, it was so varied, and as ever @ PP one felt one was experiencing something special and exclusive. He played jazz, funk, house, techno, ambient, some electro and african tribal stuff. Awesome from start to end. There was a 25 minute or so period, from when he played 69, on through to Fix Flash and beyond, when the crowd was just mental, but they were pretty mad the whole time, even when he played the strings mix of Jaguar (the only time I've ever heard that track played when it wasn't just for impact/effect).. with the crowd gasping for a beat, only for him to play an old heavy chorded ambient remix of his from yonks ago which went on for another 10 minutes or so. Magic. The resident DJ was also excellent, but I forget his name. Anyway, that night was definitely one of the best music nights out for a long time. I really enjoyed Lost, but not until about half way through Bicknell's set. Du-Kru, who I think are excellent and have seen them play brilliantly, were lacklustre, and I'm not surprised given that they were stuck in the corner of the large main room with the volume knob set to about 1.5. Should have been in the smaller room I reckon. Fumiya, well I dunno what happened to him,but it's the first time I've heard him play badly. He was really bad,didn't seem to notice one deck skipping constantly, bland tracks, bad mixes. What happened? Seriously, the only time I've ever felt like I couldn't follow a DJ was when I played after Fumiya in Tokyo last year, but this time I was not impressed one bit. As I said, Bicknell's set seemed to start off where Fumiya's finished, but developed nicely. People complain about him letting tracks play and then cutting straight to another, but I always loved that in his style, and he played some wicked tracks. Jeff played the best I've heard him since about '97. Not as good as then by a long way, but he certainly rocked and I was not disappointed. I liked the way he let tracks play rather than quickfire mixing, I like to listen to tracks for a while. Plenty of what the f**k? moments, some nice breakdowns, a great vibe, lots of lovely sweating. A great night out indeed. Not too sure about the rapid return in a month though. The last one was a month ago, this is the first time Lost parties have been a month apart for maybe 6 or 7 years. Interested to know who Ken's names are. Nice to see you again Ken, (and Toby of course). RE: other DJs, I agree, but Lost is their party and I'd never presume to tell them how to run it, after all they've been running one of the worlds most revered techno night for 10 years now, they must know what they're doing. Attendance is still strong, which is a paradox in the London environment. How they've managed it for so long is totally beyond me. Max --- http://www.ARCart.org --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Lost
The first time Du Kru played Lost, they played the main room before John Kennedy - @ the Works in Vauxhall before Kevin Derrick. They really are a very good band, very interesting and the perfect warm up band for the perfect warm up DJ (!!!). A lot of people might disagree though They played the back room at the one or two parties Lost did @ Mass last year - the Rob Hood/Rush and Burden/Pennington nights. I think they also played on NYE, but I didn't get there till 2am and was already far too drunk to see, think or anything else. Date: Thu, 8 Aug 2002 16:19:36 +0100 To: [EMAIL PROTECTED] Org 313@hyperreal.org From: Odeluga, Ken [EMAIL PROTECTED] Subject: RE: [313] Lost Message-ID: [EMAIL PROTECTED] Afaik, DU KRU only ever play the second room. They sound bizarre (both by description and by sound) and they are, but as the evening wears on, they seem to get better and more fitting every time you visit the second room, funny that! They're really a perfect band for Lost: very freaky, don't take themselves too seriously, anywhere but in a pit of headz they would be recognized as bloody good musicians, which they are. Most importantly, they're a welcome contrast to the machine-generated music of the main room. But at the same time they do play Future Music albeit with a Jazz-tinge. Balance is a good thing. Another Lost asset. (This club owes me so many beers the way I talk it up! But then, I'm not alone am I? ) k - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] decent P2P programs?
I've been on soulseek for about a week and a half now, and it's taking it's toll on a 56k user. I've had very little sleep, as maintaining the connection on my pc is hard, but it's really good. there is a vast amount of stuff to be had. I'm also only really into getting DJ sets, with the occasional try before buy track download. Am currently waiting for 1 Derrick Carter set, 2 live Coil performances, 1 Stacey Pullen set, 1 Terrence Parker set, Autechre live @ Sonar 2000, Steve Bicknell set, 1 Atmosphere track 2 Steve Reich pieces. Of course, I don't expect to have all that for at least a week on my connection, but it'll be worth it and there's plenty more to come. Someone mentioned winmx, I haven't used it but a friend was telling me about it. It has a feature that AG had, which means that if you start downloading a file from someone and they go offline, if any other user online holds the same file, it will continue getting the same file from that other user, so you could end up getting one download from many peoples' computers. With slsk once you initiate a download, you are dependant on the owner being online at the same time as you, which means that downloading a 160Mb set on a 56k connection can take a very, very long time. I just wish I'd had a music capable PC before AG died, it sounds like it was great. Date: Fri, 26 Jul 2002 15:38:50 -0400 To: '[EMAIL PROTECTED]' [EMAIL PROTECTED], 313@hyperreal.org From: Grammenos, Peter [EMAIL PROTECTED] Subject: RE: [313] decent P2P programs? Message-Id: [EMAIL PROTECTED] Use SoulSeek.org -p -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, July 26, 2002 3:34 PM To: 313@hyperreal.org Subject: [313] decent P2P programs? after the fall of Audiogalaxy I haven't been able to find another decent file share program. I've used LimeWire but can't find diddly on it. Kazaa and Kazaalite, while I'm able to find what I'm looking for, load spyware and so far also a couple of viruses (luckily I have Ad-aware and good virus protection - but the pop up Russian porn windows aren't appreciated here at work). Please help, I just want to be able to download some decent mix sets, live tracks, and the occasional old school hardcore punk rock tune - what are some P2Ps that are free of the add-ons? MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] electro sets online?
There are also several excellent electro mixes available as mp3s from http://www.electroradio.com They are big files but they are well worth it. I recommend the Silicon Scally, Weatherall and Dr Indulgent sonic colonic mixes. The reason I only recommend those 3 is they are the only one's I've heard, and they are all cool. I'm currently downloading 2 more. Really good stuff, for the first time ever I find myself enjoying electro. I've realised the reason I could never get into it before is that I just can't dance to itlistening at home it suddenly works for me. ho-hum.. I've got a couple of superb techno mixes from this site: http://www.adapteri.com/betoni/mixes.htm so far I have #1 #27 and have listened to them several times now. These 2 mixes are very minimal and atmospheric, nice and smooth. Date: Tue, 23 Jul 2002 09:51:57 -0400 To: 313@hyperreal.org From: Gerald Subject: Re: [313] electro sets online? Message-ID: [EMAIL PROTECTED] You can also check out http://www.prolectric.com There's a couple of mixes online. One from Cryogenetic (Twilight 76), and 1 from myself. :P Cheers! G [EMAIL PROTECTED] wrote: I'm looking for some electro sets online - besides what is available on Groovetech. I'd like to hear some deep Kraftwerk style stuff in addition to the electrofunk of - say - DJ D'Jital? MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: tinnitus - potential treatment (TRT)
Hi Michael, I'm really sorry but time constraints at the moment prevent me from even reading half my emails let alone replying in full or reading related sites. Get the plugs, remember they also prevent gradual irreversible hearing loss that is very hard to detect over the years, as well as reducing the post-party ringing and hopefully the onset of tinnitus. The first time you take them out on the dancefloor having been in a club for 5 hours, you'll understand, and you'll put them straight back in!!! I know several DJs that, having had them for a while, won't enter a club without them already in, and some of them keep them in while actually playing too. Take care, I will read all that stuff when I get some time. Max --- http://www.ARCart.org -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 28 March 2002 19:36 To: 313@hyperreal.org Cc: [EMAIL PROTECTED] Subject: tinnitus - potential treatment (TRT) So I've made an appointment with an audiologist for my problem with tinnitus and was scanning the American Tinnitus Association (again) for just general info and came across this Look for a healthcare professional who is aware of the latest treatment options, like masking or Tinnitus Retraining Therapy,... I was curious about what Tinnitus Retraining Therapy (TRT) is, thinking it might be similar to what was in that last 313 post on the disorder and the studies going on in Germany (http://www.newscientist.com/news/news.jsp?id=ns2065) - sorry I don't remember who posted that but thanks! Anyway - I looked up TRT on Google and came across this http://www.earaces.com/TRT.htm Looks like tinnitus is a natural condition - not an actual threat to your hearing (in most cases). It's more of a maladaption of a natural reaction to a perceived threat. Still, wear earplugs when you are in loud environments! If you are concerned about tinnitus go to the last link and check it out. Hey Max - let me know what you think of all this ok? I'm dropping the $120.00 next week on some of those custom earplugs. MEK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fade in techno
There was a thread on this subject last year on the g-tech list. Funnily enough I used Axis 9 as an example of the merits of fade-ins rather than as a negative. I've copied it over from the archives: it can make a track for me. Sometimes it can give an indication of the intended mood of a track. For example, like I said before if a track fades in it can project the feeling that it is not just a 5 minute piece, but a part of a bigger whole. Again it depends on how you view the genre. If I could give a classic example, the first track on the beige side of Axis 9 fades in and out, and is perfect in that context. It could have just boosted off from a solid start, but then you would KNOW exactly where the piece starts, you are not left to imagine what has happened before or after the part you actually hear, the part of the journey that you were not consciously travelling. from another post in the same thread: I recently got given some new records on a couple of prominent labels associated with very loop based 4:4 tracks, and at home mixing them I am amazed at how ridiculously accurate my mixes sound. This is because it is SO easy to mix tracks that run to this over familiar formula. 2:4 4:4 8:4 there is no room for error. I'm not saying error is desirable, nor that I don't make or play tracks with that structure, but to me a whole set of that stuff without variation is just unbearably boring. To me that rigid loop stuff is just pure body music, and I like techno to stimulate my mind while my body is distracted by dancing. If I want a pure body effect I'll dance to house, it's more fun and interesting. So going back to the title of the post, what is techno to you? Is it a kit to be put together like something from IKEA, all the bits made the same so they fit..neatly...together? or what? Is criticising a techno artist for fading in a track (or adding an unusually structured section, or sticking an extra beat/bar in somewhere) not slightly barbaric? I mean, is techno not supposed to challenge conventional art forms? Indeed, is techno not art? Would you refuse to look at a great painting if you didn't like one particular brushstroke, just because it challenges the way you need to interact with it? Or would you take the challenge and learn to adapt to new or more complex situations because it can take you and your audience to another level on the techno experience? After all, we are only talking about cueing up to a kick drum aren't we? It's not that much of a challenge!! http://www.ARCart.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] hearing loss?
I have a small article on hearing loss and protection on my website, along with some info on how to get the best earplugs. Several DJs I know wear the ER-25 plugs while playing with headphones, as well as at all other times in loud environments: http://www.arcart.org/earplugs - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] about the members
OK then, Max Duley, male, 27, living in west London, UK. Making and DJing music but not making a living from it. Being made redundant from crappy office job working for America's most respected company. Released somewhere between 15-20 EPs since 1998 plus some other stuff. List member for just under 1 year. Max --- http://www.ARCart.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] mysterious mag mystifys
Yeah I can remember that magic feet magazine used to think it was ok but could never find it very easily. Whilst on the nostalgia trip does anyone remember the old fanzine that the droid used to put out forget its name was it overload or something like that please advise or I will go insane Overload was the first printed mag from the UK that touched Magic Feet for quality, which unfortunately went out of print. Tom Robbins, who founded Magic Feet and is, I believe, a subscriber and contributor to this list, is/was also a significant contributor to Overload magazine. Overload has tragically gone out of print but is still alive in electronic form at http://www.overloadmedia.co.uk It has some seriously excellent interviews on the site, with people such as Rob Hood, Blake Baxter, Alan Oldham, Lawrence Burden and many more Detroit and elsewhere people(some of which were conducted by yet another list subscriber/contributor John Osselaer, and are brilliant, truly revelatory pieces), plus some other 313 guys and much much more techno/non-techno related stuff. Max --- http://www.ARCart.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] www.indymedia.org
http://www.zmag.org also has some very insightful articles from some people (noam choamsky for instance) whose voices aren't getting much pub in the mainstream media. I spent the whole day at work reading these sites. Everyone should read these. Thanks. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] WTC
It's all too horrible and too powerful to take in right now. There's already too many recriminations flying around. Concentrate on supporting those in immediate need. Thoughts of hope and relief for the survivors, deepest condolences to all those effected and their friends and families. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] My Japan report
I wrote a diary style narrative of my recent DJ trip to Japan: It's long, and does not concentrate on techno, but if you decide you want to read it the address is: http://www.arcrecords.freeserve.co.uk/japanreport.htm Max --- http://www.ARCart.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: Tanaka Drive EP on Tresor
Also I haven't heard Unknown Possibilities Vol. 2 yet(slack and lack of resources). Any comments Max or someone?... I have no idea if/when it's out, but it is along the same lines as the EP. Lots of rolling kicks, shuffly percussion, a few odd vocal samples. One or two different versions of a couple of the tracks on the EP. I'm gigging with Fumiya in Tokyo in 2 weeks...really looking forward to that. Max --- http://www.ARCart.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] West London sound???
'scuse me, but what is the West London sound? I live in west London and I have never heard of it. Are you talking about 2-Step, or UK Garage as it is now more commonly known, or something completely different? Max --- http://www.ARCart.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] protect your hearing!!!
Dear all, Perhaps off topic, but I am sure it is relevant to some of you, if not all. I hope that some of you have already beaten me to it, but for those of you still not using protection, I have put some info about the musicians earplugs I just bought on my website on this page: http://www.arcrecords.freeserve.co.uk/earplugs.htm Sorry I don't have contact info for countries other than the UK, but I am sure that the audiologist can put you in contact with people in other countries. Feel free to contact me direct if you need more information and think I might be able to give it to you. Take care, Max --- http://www.ARCart.org - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] question on sampling
Question: What are the legal rules guarding the practice of sampling? Is it at all based on the length of the sample used? I'm just curious, for I have a good idea for my first techno track (though its realization will undoubtedly take place somewhere far in the future), and the piece's essential characteristic is a certain soundbite from a certain celebrity. These days you can get sued for sampling just about anything. Music is totally copyright, no matter how much you take. James Brown has a staff scouring for samples of his work, and he's made much more from being sampled than he did from his own releases (or so I hear). Speech is less likely to get you in trouble but not necessarily free to sample. Certain recordings are copyright. Anything on TV, film, CD, basically anything that has been published. I remember ORB got in trouble for using the interview in Little Fluffy Clouds.some country singer I think. There is a pretty in depth article in the archives of Sound on Sound magazine http://www.sospubs.co.uk you need to do a search as there's no exact url within the site. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] re: vogel / dave clarke
how about 2 years ago dave cost aprox £1300-1500 to play which was too much even then. now since he's signed to ffrr and has remixed such classix as zombie nation and released 2 records he now charges £2500-3000 and cliche time--he aint as good as he used to be What? You mean there was a time when he was good? When was that?
RE: [313] Orlando Voorn revisited
whilst Voorn just strolled along with his on a sort of personal airport trolley. Where can I get one? At an airport. I got one at Luton airport, and it helped me avoid a view bruises. Forget boxes though, they hurt, vicious things. Get one of those big bags, they are much easier to carry and you can walk on the plane with them so the airline won't lose your records. Bonus. Heard Voorn with Rush a couple of years back. Nice set, pretty house orientated, but nothing amazing.
RE: [313] re: vogel / dave clarke
I had the temerity to be standing in the DJ box at Voodoo while he was trying to get through. It's a big area (and I was doing the lighting). and his set was crap... oh, surprise!!
RE: [313] Fabric - May
That's interesting, because it means Stacey Pullen will be both playing in London and Detroit at the same time :) Nah, he said he was missing the first day of DEMF but was playing later on. People in London on that night may also be interested to know that Baby Ford and Oliver Ho will also be playing with Stacey at Fabric.
RE: [313] Interesting Insight
i don't know whether he wrote it for the ad, but it was released in the UK under the name tyre trax after the ad was aired over hear. It had been around for a couple of years on the 3rd Caustic Window EP on Rephlex.
RE: [313] faceless techno b******s
Actually I had Africans in mind - and I did not know Mike Banks had Indian blood (that's what you are referring to, right ?) Hence the Native American references on the Red Planet releases, perhaps?
RE: [313] Interesting Insight
Aphex Twin doing a Pirelli ad? Does anyone remember that? It was really good. It had Michael Johnson (I think) sprinting across a large flat surface with a thin layer of water on it, with one of the most mental tracks from the early Caustic Windows release slamming to the rhythm of his strides. I heard Richard got paid a vast amount of money for that, and he didn't even write it for the ad.
RE: [313] t-1000 last dj on earth
In that case you should be looking out for 'Theory of Interpretation' mixed by Ben Sims. Now, I sticked out my head once on this list saying that Mr. Sims could beat Mr. Mills behind the decks resulting in a much too long thread... That's why I was a bit disappointed Ben didn't really mix the cd as furiously as he does when playing out. But, it still remains a very good cd for those who like loops and tools. No less than 33 tracks (incl. looked grooves) on there. The cd contains twelve new interpretations of Theory tracks and two unreleased tracks. The mixcd should be out mid May. It's a great CD, I like it a lot. I mentioned to Ben that I thought it didn't seem to represent his ability as a DJ, which as John says, are absolutely awesome, in fact I have never seen ANYONE with such complete and total control over 2 decks let alone the 3 that Ben usually populates so easily. He put me firmly in my place saying that it is not meant to represent his DJ skills, but to represent the Theory label. I think he's done that perfectly. He hinted also that there may actually be a Sims mix CD proper at some point.
