Re: [313] Luke Slater the Pop princess

[Tom Robbins/Tom Magic Feet]

> i agree totally.  The thing that bothers me about all this electro just
blowing up right now is that it *is* just a fad.  *sigh* i just don't know.
I don't mind dj's bringing in some of the older stuff into their sets, but
now everybody and their brother is moving to produce electro tracks.  In all
honesty, i have to agree with richie on this one;  as much fun as it is to
explore older ideas, they are still just older ideas.  we're practically
digging up a rotting dead horse for one last kick in the nuts.  I'm still
looking to see what's next.

- I'd have to disagree. First of all, it isn't really electro blowing up
right now, it's electro-pop - as in 'electronic pop', not electro as pop
music. People are already confusing the two, but it's an important
distinction. Stuff like Miss Kittin & The Hacker, Felix da Housecat etc
isn't electro, it's techno with a different attitude and sound. The likes of
Tiga are more electro, granted, but the vocals add the pop edge that the
purist electro doesn't have. Secondly, the people leading this scene are the
people who've been doing it for a while - I-F being the perfect example:
he's been pushing a kind of disco-tinged techno/electro sound for years.
Same with Dopplereffekt & many more of the electro crew - at it for years. I
think it's just that the climate is right now for this robotic, synthetic
pop sound  -and by extension, for electro

With all due respect, the above statement about 'everybody & their brother'
makes it sound like every techno/electronic producer out there is suddenly
making electro instead. And they're not. People like The Advent and many
many more have been slipping electro onto their b-sides for years. Same with
the electropop producers - Hell et al have been doing it for years, it's
just now everyone has cottoned on. The(ahem) dogs are just having their day,
that's all.

I don't think electro is about 'older ideas' any more than techno is - look
at us, for example, all on this list discussing music for which the
blueprint was laid down just a few years after electro's was. Aren't we just
doing the same? Techno took up electro when hip-hop dropped it and has kept
it moving forward. In fact, you might say modern electro is more
forward-looking than techno right now: no-one makes electro tracks that go
'wicky-wicky-wack' any more, but plenty of people make still techno that
sounds like it came out of Detroit fifteen years ago. Which I don't have a
problem with per se, btw, as long as they do it well.

I also don't think the current electropop thing is as retro as people seem
to think it is. Which 80s band do Adult sound like, for example? I think
they just sound like Adult. I think people are confusing simplicity in the
music for retro. And even if people are looking backward, it's to the pop
side of things, not electro. And come to think of it, why not? Pop was
better then, with more character. Nowadays it's all just bullsh*t rap/r&b
(Oooh, a tabla! All hail King Timbaland!), 'garridge', euro trance drug toss
and nu-metal noisy rubbish. It's all cack. (Or am I just getting old?)
(Don't answer that).

Finally, 'Retro'/nostalgia is running through all aspects of the current
dance scene - there are 'ardcore nights going off in the UK, hip-hop
rediscovered its old school a few years ago with Jurassic, endless 'classic
house' compilations etc. Right now on UK TV they're advertising a classic
electro compilation. Good. About time 'the kids' learned there's more to
dance than what Radio 1 pump out.

Right, I'm done. For the moment. Now to try and install this damned
broadband software again. I may be some time...

TOM


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[313] Fw: Sonar 2002 Programme Preview

[Tom Robbins/Tom Magic Feet]

- Original Message -
From: Georgia
To: [EMAIL PROTECTED]
Sent: Thursday, March 14, 2002 7:51 PM
Subject: Sonar 2002 Programme Preview

SONAR, 9th Festival of Advanced Music and Multimedia Art of Barcelona
JUNE 13.14.15. 2002

SONAR 2002 PROGRAMME PREVIEW

For the ninth consecutive year, SÓNAR is once again an essential venue for
those wishing to discover the latest trends in electronic music. A meeting
point, highly receptive to the pulse of the avant-garde, that offers to a
varied public the formats of a sound laboratory, a leisure area, a museum, a
conference and professional convention hall. Music, audiovisual arts,
digital creation and thought converge in this absolutely essential event.

As in previous editions, SÓNAR once again anticipates and offers a detailed
scan of avant-garde creation of our times and opens the way to proposals
that have a specific and seminal impact on electronic culture. The programme
is open, rich in nuances and for another consecutive year embraces different
artistic manifestations (music, film and electronic art), patent testimony
to the ever increasing promiscuity amongst disciplines.

Sound manipulation and rhythm research, the new forms of landscaping and a
spirit for experimentation are the defining characteristics of a new
generation of artists whom SÓNAR BY DAY has opted for. The repertoire of
artists -Cex, Dntel, Lali Puna, Donna Regina, Static, Isan, Wobbly, Balago-
come from fields such as indie, pop, experimentation or contemporary music,
and coincide in their use of digital tools with which they produce pieces
beyond classification by means of microscopic sounds, glitches and abstract,
highly emotive melodies.

Within the music programme of SÓNAR2002, the showcases and SONARLAB standout
once again as presentation formats for the work of record labels and
artistic collectives. In this editions SÓNAR will offer an overview of the
productions and latest releases of renowned international labels -Morr
Music, City Centre Offices, Staalplaat, Karaoke Kalk- with special emphasis
on the Californian electronic scene represented by Musork, Tigerbeat6 and
Plug Research. Special mention must be given to the participation of record
labels from countries that normally have limited resources for promoting
their national production such as Escuadrón Sudaca (Venezuela).

Convinced that leisure and experimentation are not necessarily antagonistic,
SÓNAR BY NIGHT once again opts for a programme full of stylistic nuances
that go beyond the usual club context. Its three stages  -SONARCLUB,
SONARPARK Y SONARPUB- will offer very adventurous proposals such as Andy
Votel or Sirconical as well as great names of dance music such as Richie
Hawtin, Carl Cox or Óscar Mulero. Other highlights are the appearance of the
kings of techno-pop Pet Shop Boys,  the live soundtrack from the film by
Jean Painlevé "The Sounds of Science" which will be interpreted by Yo La
Tengo, and the dj set performed by the British Alison Goldfrapp.

Although SÓNAR dedicates most of its programme to concerts and Dj's, the
rest of its activities are directly linked to musical creation either
through their implicit subject matter or because various artistic
disciplines coexist in the same support. All the activities combined in
their diversity, and especially SonarMatica, the multimedia area, are
fundamental ingredients that endow the festival with character, variety and
a differentiated personality.

After having previously presented the creative realities of Barcelona,
Berlin and London, SONARMÁTICA2002 now turns its eye to Helsinki. A guided
tour through the most breakaway and original activities that take place in
the Scandinavian capital, with a special emphasis on the area of digital
creation and new technologies. In this section, some of the highlights are
the installations of Tommi Grönlund and Petteri Nisunen as well as the works
of the Katastro.fi collective, one of the most influential and innovative
multimedia art platforms on the European scene.


SÓNAR 2002 PRE-LINE UP (14.03.02):

CONCIERTOS
PET SHOP BOYS (UK)
YO LA TENGO (USA)
TUXEDOMOON (MEX)
LAMB (UK)
RADIOBOY (UK)
ANTI-POP CONSORTIUM (USA)
S.I. FUTURES(UK)
JANEK SCHAEFER (UK)
YASUNAO TONE (USA)
CRISTIAN MARCLAY (USA)
WAGON COOKIN' (E)
TITO + ZBIGNIEW KARKOWSKI (E)
PANSONIC + PEACHES (FIN/GER)
COLOMA (GER)
TIGA (CAN)
CROSSOVER (USA)
AGUSTÍ FERNÁNDEZ + AXEL DÖRNER (E)
G:EL (FR)
BALAGO (E)
M83 (FR)
DOCTOR L (FR)
CONGOSOUND (E)

DJ SETS
JEFF MILLS (USA)
CARL COX (UK)
RICHIE HAWTIN (USA)
ARTHUR BAKER (UK)
ROGER SANCHEZ (USA)
FUNK D'VOID (UK)
OSCAR MULERO (E)
ALISON GOLDFRAPP (UK)
MR SCRUFF (UK)
MR. LEN (USA)
NACHO MARCO (E)
SIDERAL (E)
BROOKS (UK)
SOUL OF MAN (UK)
D' WACHMAN (E)

SHOWCASES
MUSORK (USA) presents
AGF (GER) (live)
TIMEBLIND (live)
FULL SWING (Dj)
GOLD CHAINS (live)

PLUG RESEARCH (USA) presents
CHESSIE (live)
SAFETY SCISSORS (live)
DNTEL (live)

MORR MUSIC (GER) presents
ISAN (live)
MANUAL (live)
LALI PUNA (live)
THOMAS MORR (Dj)

NI

Re: [313] Luke Slater the Pop princess

[Tom Robbins/Tom Magic Feet]

Which of course nicked the melody from  Tears For Fears 'Mad World' - 80s!


> I have a preference for his deepest stuff on Peacefrog etc too, but I
really
> loved All exhale (one of my all-time fave killer singles IMHO) and a good
> part of that album... if he remains in that vein, I'll probably love it !
> Gwendal
>
> > > In the new Urb he discusses his latest album which
> > apparently is 80's pop
> > > musicish.  what do you guys think of Luke moving in that direction?
> >
> > a cynic might suggest bandwagon jumping as electro-pop seems to be the
> > latest fad (at least for london based media). i haven't heard
> > it yet so it
> > might be really good and as i have a strong preference for
> > that particular
> > type of music i may even buy it. any release date?
>
>
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Re: [313] Luke Slater the Pop princess

[Tom Robbins/Tom Magic Feet]

Well, I really like the album, although it took a few plays. I think the new
single, 'Nothing At All' is about the weakest track on there though (rubbish
mixes too), so try not to write it off because of that. He's got the former
singer from The Aloof doing vocals on most of the tracks and Carl Finlow
(SCSI/20:20/Voicestealer etc) had some input too. Only 3 or 4 of the tracks
could be said to be actual electropop anyway, as opposed to pop, which is a
description he's comfortable with. I've interviewed him for the Slut (next
issue) about it and he said one track was kind of a personal tribute to
Visage. He's wound up Planetary Assault Systems permanently now, though.

- Original Message -
From: Jayson B. <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Thursday, March 14, 2002 5:30 PM
Subject: [313] Luke Slater the Pop princess


> In the new Urb he discusses his latest album which apparently is 80's pop
> musicish.  what do you guys think of Luke moving in that direction?
>
> _
> Get your FREE download of MSN Explorer at
http://explorer.msn.com/intl.asp.
>
>
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[313] Fw: Warp Magic Bus Tour

[Tom Robbins/Tom Magic Feet]

In May this year Warp will be closing the office and heading for the open
road in what will be the first ever Warp Records collective tour. We will be
travelling around Europe in a specially constructed  'magic bus', which we
have commissioned artist Alex Rutterford to design.

This tour will feature a string of amazing shows, with a strong online
presence, unique visuals and will include exclusive Warp Films screenings.
A special 'Magic Bus' site will be updated regularly as the tour progresses
and exclusive merchandise and a 'Warp Magic Bus' CD will be available.

Our intention is that the shows will halt time and space and allow people to
experience the 'magic' that has kept Warp pushing the boundaries of music
and art over the last 12 years. We see this tour as an opportunity to
directly connect with the many people around Europe who have been moved by
our music.
This "magic" will be used for one of the purposes it was originally created
for, to draw humans into the moment, and remind us that life is a complete
fu*king miracle.

Label boss Steve Beckett and some of the artists will be available for
interviews before and during the tour. In addition mixes will be available
for radio promotion and it will be possible to record some of the shows.

Up to the minute information can be found at www.warprecords.com/tour - this
will include details of our soon to be confirmed leaving party in London.

European Dates  UK Dates

Sat  13th April Athens Showcase (tbc)

Wed   8th  May  Hamburg
Thur   9th  May  Cologne
Fri  10th May  Dresden
Sat  11th May  Berlin
Sun  12th May  Munich
Tues  14th May  Vienna
Wed  15th May  Zurich
Thur  16th May  Turin
Fri  17th May  Rome
Sat  18th May  Bologna
Sun  19th May  Fribourg
Tues  21st  May Marseille
Wed  22nd May  Barcelona
Thur  23rd May Bordeaux
Fri  24th May  Rennes
Sat  25th May  Strasbourg
Sun  26th May  Paris
Thur   30th May  Manchester (tbc)
Fri  31st May  Glasgow
Sat  1st June  Newcastle
Sun 2nd June  Leeds (tbc)
Fri 7th June  Dublin
Sat 8th June  London (tbc)


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[313] Fw: VOODOO LAST RITES

[Tom Robbins/Tom Magic Feet]

VOODOO LAST RITES
- Original Message -
From: voodoo records
To: PRESS MAILOUT
Sent: Thursday, March 14, 2002 4:12 PM
Subject: VOODOO LAST RITES


YOU'LL MISS US WHEN WE'RE GONE!

AFTER NINE YEARS OF TOP CLASS CLUBNIGHTS, WORLD RENOWNED TECHNO NIGHT,
VOODOO, WILL BE CLOSING IN JUNE 2002. THE CLUB HAS SEEN EVERY TECHNO
LUMINARY GRACE IT'S DECKS OVER THE YEARS AND HAS BEEN A CONSTANT SOURCE OF
QUALITY AND HEDONISM.

STARTED IN APRIL 1993, THE EVENT HAS HAD MANY 'LIVES' AT MANY VENUES ACROSS
LIVERPOOL, HAS FEATURED DJS SUCH AS DAVE CLARKE, CHARLIE HALL, KRIS NEEDS,
DARREN PRICE & DAVID HOLMES AMONGST IT'S ONE TIME RESIDENTS, SEEN TRENDS
FALL AND RISE BUT REMAINED 100% UNDERGROUND THROUGHOUT. NEVER WAVERING WHILE
COMBINING THE SCENES BIGGEST PLAYERS WITH THE BEST UP AND COMING ARTISTS
PROVIDING, A VITAL LIFEBLOOD TO THE ENGLISH TECHNO WORLD. WITHOUT OUTLETS
FOR UP AND COMING ARTISTS LIKE VOODOO, THE BIGGER MORE COMMERCIAL NIGHTS
WOULD NOT HAVE THE NEW DJS TO KEEP THEIR LINE UPS FRESH!

IT WILL BE A SAD DAY WHEN VOODOO FINALLY CLOSES, AS IT'S BEEN SUCH A HUGE
PART OF SO MANY PEOPLES LIVES, FROM THE PROMOTERS TO DJS TO STAFF AND MOSTLY
THE DEDICATED CLUBBERS - ALL OF WHOM COMBINE TO MAKE VOODOO THE SPECIAL
ENTITY IT IS.

 IN 2001, VOODOO SPAWNED IT'S VERY OWN RECORD LABEL, WHICH HAS SO FAR SEEN
RELEASES FROM BEN SIMS, SPACE DJZ, RUDE SOLO, CRAIG WALSH, UMEK, IGNITION
TECHNICIAN AND THE MARK THE END OF AN ERA A SPECIAL EP TITLED 'F**K THE
MAINSTREAM" WILL BE RELEASED IN JUNE, JUST IN TIME FOR THE QUEEN'S JUBILEE.
WATCH OUT FOR NEWS ON THIS SOON.

 9 YEARS IS A LONG TIME FOR AN UNDERGROUND CLUBNIGHT TO RUN AND VOODOO
INTENDS TO GO OUT WITH A SERIES OF BANGS.
THE FUTURE WILL SEE MORE WORK & RELEASES ON THE VOODOO RECORDS LABEL AND A
WELL EARNED BREAK FOR THE CLUBS PROMOTERS!

TO QUOTE THE END OF DAVID LYNCH'S ELEPHANT MAN - NOTHING EVER DIES.

TO CELEBRATE VOODOO'S PASSING THERE WILL BE FOUR FINAL EVENTS OF
UNPARALELLED MADNESS...


FRIDAY 19TH APRIL
THE 9TH BIRTHDAY
VOODOO 3 LAUNCH
ANDREW WEATHERALL
STEVE SHIELS
LEE GROVES

(LONG SERVING REGULAR ANDREW WEATHERALL RETURNS TO PLAY ANOTHER AND FINAL
GENIUS SET AT VOODOO. ANDREW HAS BEEN A MAJOR FORCE AT VOODOO SINCE 1994 AND
HIS RUDE SOLO TRACK - VOUS DO FUNK? FOR LAST YEAR'S VOODOO2 EP IS A FITTING
HOMAGE TO THE CLUB)


FRIDAY 17TH MAY
KNE'DEEP TOUR
DJ RUSH
DJ BONE

(FINALLY CHICAGO, CROSS DRESSING, TECHNO, 'MUTHAFU*KER' - DJ RUSH MAKES HIS
VODOOO DEBUT - JUST IN TIME, WHILE DETROIT'S DJ BONE RETURNS AFTER HIS
GLORIOUS DEBUT IN 2001)


MONDAY 3RD JUNE
FU*K THE MAINSTREAM EP LAUNCH
STEVE SHIELS

SPECIAL GUEST

RICHIE HAWTIN

(HAWTIN, ONE OF VOODOO'S LONGEST SERVING REGULAR GUESTS - DEBUT '94 - MAKES
A FINAL APPEARANCE TO SUPPORT THE LAUNCH OF THE FAREWELL VOODOO "FU*K THE
MAINSTREAM" EP)


FRIDAY 21ST JUNE
THE LAST EVER VOODOO
DAVE CLARKE
ADE FENTON

(DARK LORD OF VOODOO - DAVE CLARKE PERFORMS AN EMOTONAL FAREWELL CEREMONY ON
THE SUMMER SOLSTICE TO MARK THE END OF A CLUBNIGHT WHERE THERE IS A SPECIAL
BOND BETWEEN THE CLUBBERS AND DJ, SO MANY TOP NIGHTS HAVE BEEN IN THE HANDS
OF DC, WHO WILL BE SUPPORTED BY ATOMIC JAM'S ADE FENTON WHO'LL BE PROMOTING
HIS FORTHCOMING RELEASE ON VOODOO RECORDS. THIS WILL BE ONE EMOTIONAL
FAREWELL AND NO ONE BETTER THAN DAVE CLARKE TO SAY GOODBYE)

ALL EVENTS ABLY SUPPORTED BY OUTSTANDING RESIDENTS STEVE SHIELS & LEE GROVES
PLUS GUESTS.

FOR FURTHER INFORMATION PLEASE REPLY TO THIS MAIL.


VOODOO-OUT.


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Re: [313] Space Dj´z

[Tom Robbins/Tom Magic Feet]

That's the name of the mix CDs series, although T-1000's came before the
Space DJz one. I'd agree with BT on the Space DJz mix; good, worth having,
but not *amazing*.

TOM


Subject: RE: [313] Space Dj´z


hehe...I wonder who named their release that first. T-1000 or Space Dj's..

-Original Message-
From: Martijn de Blaauw [mailto:[EMAIL PROTECTED]
Sent: Thursday, March 14, 2002 5:22 AM
To: 313@hyperreal.org
Subject: [313] Space Dj´z


Hello,

I saw a copy of a mixalbum by the
SPACE DJ'Z called ´THE LAST DJ'Z ON EARTH´
in a shop today..the tracklisting looked
quite cool..anybody any info on this???

Thanks,

Martijn

Searchline IIC
Van Breestraat 154
P.O. Box 9292
1006 AG Amsterdam
The Netherlands
Tel: +31 (0)20 578 86 86
Fax: +31 (0)20 662 92 81
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[313] Arpanet

[Tom Robbins/Tom Magic Feet]

Just received a new Dataphysix/Dopplereffekt-related LP project:

Arpanet: Wireless Internet (Virgin)
Released 22/4/02 (UK)

It's all themed around the idea of wireless communication and after a couple
of listens I'd say it was pretty good, apart from the truly terrible spoken
intro. Very Dopplereffekt/Japanese Telecom, really, but slightly distinct as
well.

On Virgin though, I wasn't expecting that.

TOM


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[313] Fw: VOODOO NEWS FLASH! CLOSING DOWN COUNTDOWN.

[Tom Robbins/Tom Magic Feet]

- Original Message -
From: voodoo records <[EMAIL PROTECTED]>
To: PRESS MAILOUT <[EMAIL PROTECTED]>
Sent: Friday, March 08, 2002 3:24 PM
Subject: VOODOO NEWS FLASH! CLOSING DOWN COUNTDOWN.


> VOODOO WOULD LIKE TO ANNOUNCE THE CLOSURE OF THE LONG RUNNING CLUBNIGHT IN
> JUNE 2002. WE WILL BE CELEBRATING THE PAST 9 YEARS WITH SOME KILLER EVENTS
> AND FAVOURITE DJS, CULMINATING WITH THE LAST EVER VOODOO ON THE SUMMER
> SOLSTICE FRIDAY JUNE 21ST WITH VOODOO'S DARK LORD - DAVE CLARKE.
>
> MORE NEWS SOON.
>
> VOODOO-OUT.
>
>


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Re: [313] secondhand (was Blaze - "25 Years Later" - available on CD at . . . . . . .

[Tom Robbins/Tom Magic Feet]

Speaking of finding rarities, I've just this afternoon been poking around a
secondhand dance shop near me and found a copy of Rob Hood 'The Protein
Valve' on M-Plant for £3. £3! And I didn't have a bean on me... so I hid it
at the back of the stack.

Also found a cool bass 12" by the Unknown DJ on Techno Kut for £1. I love
secondhand shops, you just never know what you're going to find.

- Original Message -
From: Rob Theakston <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, March 06, 2002 1:56 PM
Subject: RE: [313] Blaze - "25 Years Later" - available on CD at . . . . . .
.


> I agree. 21st century music is a world class place to find stuff. I think
> I've picked up over half of my Patrick Adams collection from that place at
> amazingly reasonable prices. And their service is top notch too.
>
>
> -Original Message-
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: Wednesday, March 06, 2002 8:55 AM
> To: 313@hyperreal.org
> Subject: [313] Blaze - "25 Years Later" - available on CD at . . . . . .
> .
>
>
> Greetings Cats!
>
> Although it will be difficult, it's not impossible to find Blaze's "25
Years
> Later" album on vinyl. However, if you check with www.NetSounds.com or
> www.GEMM.com, you will find a couple of stores who have limited copies of
> the
> CD in stock. I would always suggest you begin your search for classics at
> www.21centurymusic.com (New Jersey, USA). They have one of the best
> selections of EXTREMELY RARE pieces!
>
> The track listing for "25 Years Later" is as follows:
>
> We Must All Live Together
> I Wonder
> Gonna Make It Work
> All That I Should Know
> Lover Man
> Missing You
> Get Up
> So Special
> Miss My Love
> You Don't Really Love Me
> Anything For Your Lovin'
>
> Released on Motown Records in 1990
> Catalog number (vinyl) MOT-6301
> Much respect to Timmy Regisford who was one of the project's executive
> producers.
>
> I hope this helps!
>
> peace & respect,
>
> TP
>
>
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[313] UK TV heads up

[Tom Robbins/Tom Magic Feet]

Tonight on BBC1 at 10.45: When Disco Ruled The World

Previews seem mixed, but it might be worth a look. Apparent Giorgio Moroder
is one person interviewed.


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[313] Square City - Sketches Of The City

[Tom Robbins/Tom Magic Feet]

Just a quick plug for listmember Dan Butler's debut CD, 'Sketches Of The
City' by Square City which is coming out on the underrated Pagoda label.
Really impressive stuff, very detailed, cosmic and deep techno with a strong
313 influence, but not a slavish copy at all, and thoroughly recommended. By
me. If you like Fabrice's LP, I think you'll definitely like this. What a
pool of talent this list is, eh?

More info from www.pag-records.com , release date is down as 25th March.

Right, that's £20 you owe me, Dan.


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[313] Fw: TRESOR NEWS MARCH 2002

[Tom Robbins/Tom Magic Feet]

TRESOR RECORDS NEWS
www.tresorberlin.de
[EMAIL PROTECTED]

MARCH 2002

Here's another painless update with the latest, including:

1. Club 11th birthday lineup
2. New music updates
3. Musik und Maschine update
4. insightful propaganda
5. "True Spirit" tour schedule


.. . . . . . . . . . . . . . . . .


TRESOR CLUB 11th BIRTHDAY
The old bunker turns eleven years-old the weekend of March 15-16. Presented
by Flyer UpDates Berlin, the confirmed lineup is here:

Wednesday 13 March
Globus:  "Tresor wird 11 ­ True Spirit 2002!"
Miss 85 B (Die Freizeitgestaltung / Berlin)
Dave DK (Sender Berlin / Berlin)
Duffy (Berlin)
Luke (Sender Berlin / Berlin)

Tresor:  "New Faces All Stars!"
Liquid Sky live PA! (Berlin)
Lako (Berlin), Subtronic (Berlin),
Micha Stahl (Berlin)



Thursday 14 March
Globus:  "Tresor is 11 ­ True Spirit 2002!"
Thomas Fehlmann (Ocean Club, Tresor Rec. / Berlin)
2raumwohnung DJ Set (Berlin)
Nolan (Flyer UpDates Team / Berlin)
3amtoby (Flyer UpDates Team / Berlin)

Tresor:  "Tresor is 11 ­ True Spirit 2002!"
Rush (Pro-jex, K¹nee Deep / Chicago)
Recyver Dogs live PA (Berlin)



Friday 15 March
Globus: "Tresor is 11 ­ True Spirit 2002!"
Joey Beltram (STX Rec., Tresor Rec. / NYC)
Sender Berlin live PA (Tresor Rec., unGleich / Berlin)
Dash (Rampe D / Berlin)
Wimpy (Electric Ballroom / Berlin)

Tresor: "Tresor is 11 ­ True Spirit 2002!"
Tanith (Timing / Berlin)
Wolle (Tekknozid / Berlin)



Saturday 16 March
Globus: "Tresor wird 11 ­ True Spirit 2002!"
John Acquaviva (Definitive, +8 / Ontario)
Djoker Daan (Bpitch Control / Berlin)
Senze (grow! Rec. / Berlin)

Tresor: Tresor wird 11 ­ True Spirit 2002!
Neil Landstrumm live PA (Tresor, Scandinavia / Edinburgh)
Dave Tarrida (Tresor, Sativae / Barcelona)
Marc Snow (Boston - Berlin)
Wake Up:  Mack


.. . . . . . . . . . . . . . . . .


SENDER BERLIN
Originally bred in Tresor Club's "Headquarters" night backdrop, Sender
Berlin's HendriX, Stassy and Luke are back with their follow-up album to
1999's "Spektrum Weltweit" (Tresor 111).
Entitled "GESTERN HEUTE MORGEN", their atmospheric and dubby electronic
journey samples their worldwide impressions since "Spektrum Worldwide",
including parts of their stunning BBC John Peel Session broadcast from
2000..
With just about everybody recording in Germany's new capital these days,
Sender Berlin remain a courageously unique and rare find.

"Gestern Heute Morgen" is slated for April release.


.. . . . . . . . . . . . . . . . .


MUSIK UND MASCHINE 2002
The 3rd annual Musik und Maschine Conference will be held here in Berlin
July 10-12, 2002 to coincide with Love Parade that same weekend. The
recently-launched website (musikundmaschine.com) highlights this year's
Musik und Maschine conference greatly expanded scope and aims, this time
inviting the general music public to participate in stands and discussion
events in addition to the annual conferences and award ceremony.
Musik und Maschine GmbH was founded in 2000 by Axis Records' Jeff Mills and
Tresor club/label founder Dimitri Hegemann to focus upon, discuss and
commemorate Techno and Electronic Music.

(www.musikundmaschine.com)

.. . . . . . . . . . . . . . . . .


MUSIC (NEW FOR MARCH):
___

"TRESOR - TRUE SPIRIT" triple-CD (Tresor 185)
39-track triple-CD compilation featuring Jeff Mills, X-101, Maurizio, Blake
Baxter and many more.

"TRESOR - TRUE SPIRIT" double-EP pt. 1 (Tresor 185)
7-track vinyl double-EP compilation featuring Jeff Mills, X-101, Maurizio,
Blake Baxter and many more.

"TRESOR - TRUE SPIRIT" double-EP pt. 2 (Tresor 186)
8-track vinyl double-EP compilation featuring Marshall Jefferson, Juan
Atkins, Joey Beltram, K.Hand and many more.

ANGEL ALANIS and REES URBAN (Tresor 188)
"BASTARD TRAXX VOL. 1" EP
4-track vinyl EP



MUSIC (OUT NOW):
___

BLAKE BAXTER: "DEEP IN THE GROOVE" (Tresor 184)
5-track vinyl remix EP

DREXCIYA: "DIGITAL TSUNAMI" (Tresor 182)
4-track vinyl EP

DREXCIYA: "HARNESSED THE STORM" (Tresor 181)
10-track CD, 7-track double-EP vinyl


.. . . . . . . . . . . . . . . . .


TRESOR "TRUE SPIRIT" TOUR SCHEDULE:
*(subject to updates and alteration)

March 2002:
08.03.: Rex Club / Paris, France
09.03.: AD Libitum / Bordeaux, France
13.03.-16.03.: Tresor / Berlin, Germany - 11th Club Birthday/Record Release

April 2002:
12.04.: Phonodrome / Hamburg, Germany
20.04.: Distillery / Leipzig, Germany
27.04.: Zoom / Nürnberg, Germany
27.04.: H.de.M. / Hannover, Germany

May 2002:
03.05.: U60311 / Frankfurt, Germany
04.05.: Loft Club / Lausanne, Switzerland
10.05.: Reaktor / Amsterdam, Holland
11.05.: Tresor /Berlin, Germany
18.05.: Rohstofflager / Zurich, Switzerland
18.05.: Ultraschall / München, Germany
24.05.: Hirsch / Nürnberg, Germany

June 2002:
01.06.: Spektrum at MTW/Offenbach, Germany
08.06.: Achter Mai / Chemnitz, Germany
13.06.: Moog / Barcelona, Spain
29.06.: Palazzo / Bingen, Germany

July 2002:
10.07.-14.07.: Loveparade at Tresor / Berlin, Germany

August 2002:
02.-04.08.: 

[313] Fw: Leftfield RIP (OT)

[Tom Robbins/Tom Magic Feet]

Thought some people might be interested in this, if they haven't already
heard...

(In a pathetic, desperate effort to keep on topic, did Leftfield ever get
remixed by any 313 artists? I can't think of any meself.)



Sent: Monday, March 04, 2002 4:55 PM
Subject: Leftfield RIP


For Immediate Release

LEFTFIELD R.I.P

After 12 years of sonic experimentation, Paul Daley & Neil Barnes have
decided to pull the plug on Leftfield. Both parties will be pursuing solo
projects so Leftfield fans should not be down hearted. This should be seen
as a new beginning in an on going  process.

The platinum selling duo  have been responsible for re-defining dance music,
as well as producing and remixing artistes from John Lydon to Roots Manuva
to David Bowie. They have decided to end the partnership amicably  after
they felt it could not be taken any further.

Formed in 1990 with the release of the seminal 'Not Forgotten' single,
Leftfield's career is a list of formidable achievements. The famous duet
with John Lydon on 'Open Up' caught the mood of the nation and the impact of
their debut 'Leftism' album, released in January 1995, was seismic. It is
still referred to as the greatest dance album of all time. Their platinum
selling follow-up 'Rhythm And Stealth' debuted at number one and featured
the mighty 'Phat Planet' single. Their live show with its famous sound
system helped to redefine the role of live dance music and after gigs
throughout Europe, they are still officially the loudest band ever to play
Brixton Academy. The remix work in the early party of their career and the
success of their own Hard Hands label should also be keenly remembered.

Leftfield. Gone but not forgotten.

Paul Daley - "Thanks to everyone from fans to promoters to DJ's and to
listeners who have supported us over the years. THIS IS NOT THE END!"

Neil Barnes - "Leftfield was always about pushing the boundries of sound  as
far as we could. I'm pround to be a part of this.  Thanks to all the  people
we have worked with over the years and to everyone that promoted &  bought
our records. THE END IS JUST THE BEGINNING."


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[313] Mills' UK dates

[Tom Robbins/Tom Magic Feet]

And now for something a little less stupid: Mills's UK dates for the summer
which came into my possession today. No, I don't have any more details, so
there's no point asking.

1st May 2002 - Royal Festival Hall, London
24th May 2002 - Tribal Sessions, Manchester
25th May 2002 - Shine, Belfast
31st May 2002 - Pressure @ The Arches, Glasgow
1st June 2002 - Homelands, Winchester
1st June 2002 - fabric, London
2nd June 2002 - Redbox, Dublin


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[313] Mills & Peel - the dirty truth revealed on UK TV

[Tom Robbins/Tom Magic Feet]

Anybody in the UK see 'Room 101' on BBC2 last night? For those that don't
know it, the show is all about well-known people talking about their pet
hates in an effort to persuade the presenter (Paul Merton) to consign them
to oblivion in the imaginary Room 101.

Anyway, last night John Peel was the guest celebrity and at one stage he was
talking about - and I forget why - beards. What he said went something like
this (from memory):

"Usually I look much better with a beard, but there's a terrible photo of
me, which I think I have the only copy of, fortunately. You see, there's a
wonderful DJ called Jeff Mills and last year I was at a festival in
Barcelona - Sonar, it's called, a dance music thing - and I had my photo
taken with my arm round Jeff's shoulders. He's quite a short man, you see.
But I'd had a few drinks and somehow my beard looked so dishevelled that in
the photo I look like some kind of sex tourist with my arm round my latest
'find'. I look like I'm about to say something like 'Look at the little
poppet I picked up!'"

Well, it made me laugh anyway.


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Re: [313] The Great White Hype...was IT'S ABOUT TIME!!!

[Tom Robbins/Tom Magic Feet]

Seconded! I was thinking of writing a full response to the post, some of
which I thought was accurate and some of which I thought was way off target.
Then I saw this. If you're going to casually toss language like this around,
Laura, don't expect me to give a damn what you think.

> > These type Brit-fad faggots
>
>
> ease off the homophobic language.
>
>
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[313] Fw: LOST: Easter Sunday 31 March Line-Up

[Tom Robbins/Tom Magic Feet]

LOST
EASTER SUNDAY 31 MARCH
10PM - 6AM
RIVERSIDE WAREHOUSE LOCATION

RED.
DERRICK MAY (EXCLUSIVE UK DATE)
JUAN ATKINS (EXCLUSIVE UK DATE)
STEVE BICKNELL

BLUE.
PHIL ASHER (RESTLESS SOUL)
KIM BILIR (CLUBTRACKS/COSMIC RECORDS)
GLYNE BRAITHWAITE
MARIO

FURTHER INFO & RESERVATIONS - 020 7791 0402
[EMAIL PROTECTED] / http://www.lost.co.uk

On Easter Sunday last year, LOST threw one of their now traditional parties.
Their guests on the night were DERRICK MAY and KEVIN SAUNDERSON - two of
Detroit's legendary 'Belleville Three'. Playing back to back, the pair gave
a master class in crowd rocking - a history lesson in classic material,
melded with the finest cutting edge examples of this music we call techno.
This year, DERRICK MAY returns. How often do you hear the phrase 'needs no
introduction'? - this has rarely been truer than with this man - TRANSMAT
founder, the man behind the RHTYHIM IS RHYTHIM project, life-changing DJ.
true Innovator. Derrick will be accompanied by fellow pioneer, 'MAGIC' JUAN
ATKINS - the third member of the infamous Motor City triumvirate. From his
earliest production classics with CYBOTRON and MODEL 500, the path of techno
is inseparable from that of JUAN ATKINS. LOST are pleased to have him back
for what will be his first LOST appearance in six years. DJing along with
Derrick and Juan in the RED room will be STEVE BICKNELL. Steve's current
S.B. Project release on LOST CLUBTRACKS is 'Primitive Streak Redefined',
which includes definitions courtesy of Steve Bicknell& Santos Rodriguez.

KIM BILIR hosts the BLUE room. Kim Bilir is the name of a productions
project on the CLUBTRACKS division of COSMIC RECORDS, whose DJ
representation is provided by Steve Bicknell, playing an alternative house
set tonight. LOST welcomes back PHIL ASHER. Phil played at the very first
LOST and was resident in the house room at LOST in the early nineties and at
BURUNDI parties. A core member of the Restless Soul collective, he is often
referred to as the Godfather of the broken beat scene. Expect a set of
proper house music, presented in his inimitable fashion. He will be joined
by GLYNE BRAITHWAITE and MARIO.

Further info re: LOST, COSMIC RECORDS, LOSTMAIL record shop and COSMIC
RECORDS EUROPEAN TOUR DATES  - 020 7791 0402 - email: [EMAIL PROTECTED]

LOST is an independent promotions and production set up with no sponsors or
financial backers and is thereby responsible to no-one other than those who
choose to work with them and those who choose to attend their events and buy
their music - to all those who have supported us  - THANKS  - LOST


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[313] Sunglasses At Night, Nottingham, UK: 7th March

[Tom Robbins/Tom Magic Feet]

(If anyone on 313 is on any other lists relevant to electro/synth pop/Ed
DMX/Rephlex etc (see below), I'd be very grateful if you could forward this
on. And of course, I just can't WAIT to hear what [EMAIL PROTECTED] thinks! :-)

--- transmission begins --

As seen in The Face and the Nottingham Evening Post.

  ^  
 \SUNGLASSES/
   \ AT NIGHT  /
 --

Fortnightly Thursdays
from
Thursday 7th March 2002

MOOG
Newdigate Street, off Alfreton Road,
Canning Circus, Nottingham

8-12pm
FREE ENTRY
_

An evening of new & old synth pop, electro,
synthetic disco & ersatz funk through a wide-angle lens

Playing the music of
New Order . Kraftwerk . Fischerspooner . LFO
Miss Kittin & The Hacker . Grace Jones . Adult . i-f
Gary Numan . Daniel Wang . DMX Krew . Cybotron
Human League . Cabaret Voltaire . Ladytron . Pet Shop Boys
Soft Cell . Felix Da Housecat . Dopplereffekt . Cameo
Depeche Mode . Mantronix . Detroit Grand Pubahs
_

Your hosts:

Tom Magic Feet [Jockey Slut/The Guardian]
New Wave Dave & occasional guests
_

Forthcoming dates:

 March 

*Thurs 7th March: NWD & TMF

--

*Thurs 21st March: TMF & NWD

- April -

*Thurs 11th April: Ghostly International present:

'TANGENT 2002: DISCO NOUVEAU' LP promotion
With special guest ED DMX
[Rephlex/Breakin/Gigolo etc]
+ Free CDs & posters to be given away on the night

Tangent 2002: Disco Nouveau (Ghostly International)
"A compendium of the robot disco sound seen through
the eyes of 14 contemporary electronic musicians."
Featuring exclusive tracks by DMX Krew, Adult, I-F,
Ectomorph, Susumu Yokota, Daniel Wang & more.
Released May 2002
More information, MP3s etc from www.ghostly.com

--

*Thurs 25th April: NWD & TMF

--

Remember: all the above nights are FREE ENTRY

_

TMF & NWD's Hot 20 for March:

Parallax Corporation: Fear/Lift Off (Viewlexx)
New Order: Here To Stay (London)
Northern Lite: Treat Me Better (City Rockers)
Pluxus: Agent Tangent (Rocket Girl)
Capri: Deformator Plus (International DeeJay Gigolos)
SI Futures: Eurostar mixes (NovaMute)
Netzwerk Florida: Netzwerk Florida (Psi49Net)
Crème De Menthe: Plastique (Optimo Singles Club)
Adult.: Run Run Crying (Ersatz Audio)
It & My Computer: Sur Une Cigarette (Crème/Bunker)
Japanese Telecom: Virtual Geisha LP (International DeeJay Gigolos)
'Lectronix: Windowshopping In The Mirror (Throbdisk)
Man Parrish: Hip Hop Re Bop mixes (Breakin)
Detroit Grand Pubahs: After School Special (Jive Electro)
Luke Slater: I Can Complete You (Mute)
Perspects: They Keep Dancing (Ghostly International - from Disco Nouveau)
Anthony Rother: Little Computer People [Rother remix] (Psi49Net)
Human League: All I Ever Wanted [Alter Ego remix] (Klang Electronik)
Bobby Conn: Winners [Adult. remix] (Thrill Jockey)
Tiga & Zyntherius: Sunglasses At Night [TGV mix] (City Rockers)

Ten older tracks you may hear:

Malcolm McLaren & The World Famous Supreme Team: Buffalo Gals
New Order: Confusion
Yazoo: Goodbye 70s
Kraftwerk: Tour De France
Alexander Robotnick: Problemes d'Amour
LFO: LFO [Leeds Warehouse mix]
Model 500: Night Drive Thru Babylon
Throbbing Gristle: Hot On The Heels Of Love
Cameo: She's Strange
Information Society: Running
_

"For me, sunglasses are eye makeup, even at night"
- Grace Jones

- transmission ends -


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[313] Fw: Jeff Mills: Archiv 4

[Tom Robbins/Tom Magic Feet]

Artist: Jeff Mills
Title: Late Night
Label: Tresor
Ca. No: 56183-6
Release: April 2002
Distribution (UK): SRD

 TRACKLIST

A1 "Late Night" (Mills Mix)(4:49)
A2 "Late Night" (4:39)
B1 "Basic Human Design" (5:52)

The Tresor Archiv series continues to roll on, unearthing previously
unavailable or deleted material from the depths of the vault.

This latest release features a long-missing track from Jeff Mills - a remix
of the classic "Late Night" from 1993. The original version appeared on
Mills' debut album "Waveform Transmission Vol. 1" (1992!), but his "Mills
Mix" remix has remained one of Tresor's most infamous 'lost tracks'. It is
believed that the last DAT of the remix was destroyed in a Chicago basement
flood. However, in October 2001, the track was re-mastered by Moritz Von
Oswald at Berlin's Dubplates & Mastering. This is the first time this
long-lost Classic has been available on Tresor.

The B-Side "Basic Human Design" is actually an instrumental version of
"Spider Formation" (from Axis Records AX-009), originally found on "Waveform
Transmission Vol. 3" but mastered and cut at D&M; Berlin by Moritz Von
Oswald (one half of Maurizio).

 *** Jeff Mills' "Late Night" (Mills Mix) also appears now for the first
time on CD format via "Tresor - True Sprit" (Tresor 185, ca.no. 56185-2).

Jeff Mills plays Homelands on 1st June.

LATE NIGHT: meaning  deep or deeper in the night.

Mid-Town Manhattan, New York, the summer of 1993 shortly after I moved from
Detroit. I just started my DJ residency on Friday nights at the Limelight
called "Future Shock." As I was beginning to get used to the rush of New
York, my tensions from culture shock of moving from Detroit, a smaller city
with less than a million people to New York City, the Metropolis, I had
began to relax again as my fondness for those infamous New York Nights was
beginning to grow. It was a unique time. The sound of Rotterdam was the
favorite Techno style, the beats were dark, fast and lethal but, still
green. It was the summer: DJ Hell and Patrick Pulsinger had moved to
Manhattan and every week, the Limelight was in competition with the
Palladium and flew in Techno Artists from Europe to perform. I can remember
a lazy afternoon Richard (Aphex Twin) and crew flew in from London and all
of us eating takeaway barbecue chicken on the roof of Lord Mike's apartment.
Then, the daytime was only a cocktail for the night.

In those days on Friday night, the Limelight would reach its high intensity
level around 3:00am onward until the end of the night. High meaning, full
capacity, swinging cage dancers, the rave flares of Authur's odyssey
lightening and the ritual microphone introductions by Romeo Romeo were in an
extreme level. As for the music program, it was the honorable duty of DJ
Repete and myself to keep the beats right. What I loved the most was later
in the night, around 5:30am. The time when the out-of-town tourists and the
club trendy had tired left the dancefloor, the music we played got a bit
more daring, a lot deeper and all existing dancers on the dancefloor were
more alert and sensitive to new sounds. It was the feeling of this
timeframe that I tried to capture through the track "Late Night."

In those days of my transition from Detroit to New York and not exactly
aware of my permanent living situation, I was a bit reluctant to move all
of my studio and equipment to New York at one time. So, from each weekly
trip back to Detroit to fulfill my duties at Underground Resistance, I began
to take one piece of equipment at a time. My ability to create the
more complex tracks was gradual and slow. Nevertheless, within the weekdays
I would have the enormous urges to compose music so, I would try to record
with what I had at the time. Which was only a Roland 16 track mixer, Yamaha
DX100 keyboard, Yamaha Sequencer, Roland TR-909 drum machine, no monitor
return speakers (I mixed through headphones) and one of those new gadgets, a
portable DAT recorder that I bought down on Canal Street in SOHO. The day I
purchased the DAT recorder was a productive one, I remember recording about
15 tracks within a few hours, "Late Night" among other Waveform Transmission
Vol. 1 tracks were created on this evening.

Unsatisfied with the beginning of the only mix of "Late Night", I can
remember deciding to fade in the level from silence for an introduction,
thus discovering a technical trait that I was use on numerous tracks in my
recording career. Tresor Records, Berlin later released this track on
Waveform Transmission Vol. 1 a few months later with a later sublicense to
Pow Wow Records in the US. The Pow Wow Records remixes included a few DJ
Pierre mixes as well as a more aggressive remix by myself.


BASIC HUMAN DESIGN: meaning the most basic form of human.
(1 head w/brain, two arms and two legs). Can't remember the year but, it was
at the beginning of the first wave of TechnoTrance. I was spending lots of
time in Germany, Switzerland and France at the time. Guys like Cosmic

[313] Rother

[Tom Robbins/Tom Magic Feet]

Not sure if this was mentioned, but given the recent talk of him on here,
here's some info I just received about the Psi49Net comp coming this or next
month:

ANTHONY ROTHER pres.
ELEKTRO COMMANDO/WELCOME TO PSI CITY3xLP/CD
(PSI49NET - LABEL COMPILATION)

Now here is what all die hard electro heads have waited for: 'Electro
Commando 1 - Welcome To Psicity'. Anthony Rother and Germany's most prolific
electro label PSI49Net finally open their vaults to present the ultimate
electro collection of new and unreleased material. Two CDs, 25 tracks (most
of them unreleased!), introducing lots of new LITTLE talent and projects as
well as some of the recent highlights that have gained the label such an
enormous reputation worldwide. Both as an artist/producer and a&r for the
label, Anthony Rother once again proves to be the man with the midas touch
and the driving force of the genre. 'Electro Commando 1' includes some of
the greatest moments of the label's discography such as Rother's very own
remix of "Little Computer People", his visionary and genre defying
"Simulationszeitalter", "Froyd's "Kleiner Engel", and on top of that some
excerpts of the highly acclaimed Netzwerk series (Netzwerk Florida, Netzwerk
Europa and Netzwerk Frankfurt). And if these were not enough to put together
a compilation more than worthy, this double cd offers more than fifteen
unreleased tracks! Regarding these new projects CD 1 starts off with Rother'
s anthemic 'Psicity' title tune, followed by truly refreshing material by
upcoming artists such as Psylocity (check out their breathtaking "machine"),
Labor E, Christian Berg, Boris Divider and Studio 3, to be completed by
Rother's much sought after "God Of The Gods". The second CD features not
only the newest Netzwerk Frankfurt outing entitled "A661", Psylocity's
haunting "Psylocity and Friends" and Froyd's weird "Weisses Rauschen
 (Psych. Mix), but also great efforts by Anthony's new signings Mulletronic,
Frequenzberater, Növö, Si-Com (with an impressing slo mo-electro cut called
"Lost Pli") and Muzzfuzz ("Like You", simply beautiful!) that will
definitely create a buzz within the worldwide electro community. PSI49Net is
proud to welcome these new inhabitants to downtown and uptown Psi City. A
turning point for Anthony Rother and his label, and a must have release for
all hardcore PSI-followers as well as fans of electronic music in general.
Essential!

label: PSI49NET
format: TRILP/CD
style: ELEKTRO
distributor: EFA





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[313] Every Dog... Vol 3!

[Tom Robbins/Tom Magic Feet]

Look what landed in me box today... [voice of Homer] , new
Mills...[drool]...

Millsart: Every Dog Has Its Day Vol 3 (Axis)
2x12", AX-026, released 15 April 2002

No tracklisting, unfortunately, but it does come with a prime slice of
'Mills-speak'.


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[313] Fw: Black Dog News

[Tom Robbins/Tom Magic Feet]

Black Dog NewsBy sheer coincidence, this turned up just now.

- Original Message -
From: Alessandra
Sent: Thursday, February 21, 2002 3:55 PM
Subject: Black Dog News

Electronic mavericks The Black Dog have unveiled a cheeky new website to
coincide with the release of their album, Unsavoury Products (out late April
2002 on Hydrogen Dukebox). Visitors to www.unsavouryproducts.com can feast
on an enormous resource of cool stuff available from Unsavoury Products
Online, The Black Dog¹s global merchandising wing and exclusive supplier of
Unsavoury coffee, perfume, adult toys, tea mugs, retro '70s washers,
post-modern doorknobs and the like. Also available: information on the album
and it¹s co-conspirators and a mine of associated Black Dog propaganda.
Funny and informative. And very Black Dog. Go see.


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Fw: [313] brinkman - rosa cd

[Tom Robbins/Tom Magic Feet]

> anyone heard the new Soul Center 3 yet???

I've got it, I loved it and gave it  for Jockey Slut's March ish. Very
funky minimalism, with Isaac Hayes samples in there. I'd recommend it. It's
on Novamute, btw, with a robot dog on the cover.

I also have The Black Dog LP but haven't got around to it yet... if I do
I'll try and post a reaction (even though it's not exactly 313 related,
although come to think of it, neither is Brinkmann!).

TOM


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Re: [313] Good CD's?!?!?

[Tom Robbins/Tom Magic Feet]

I really hope there's some serious irony going on here, but terrifyingly I
can't be sure.


>
> Andrew WK - Party Hard!!! (Where are my f*cking acid wash jeans!?!?)
>
>
> YES YES YES YES YES YES ANOTHER DETROIT PRODUCT ROCKS
OUT!!
>
>
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Re: [313] Rob Hood mix CDs?

[Tom Robbins/Tom Magic Feet]

It's called Caught In The Act: Robert Hood Mix and it's on Logistic Records,
from France. I dunno when it's out because the promo they sent me didn't
come with any info, in fact it might be out already, but check
www.logisticrecords.com.

It's got about 12 Hood trax out of 27 altogether and is bookended by a
couple of Wu-Tang kung-fu dialogue samples. It's also very full on and full
speed, but very impressively mixed.

TOM

- Original Message -
From: ryan burns <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, February 20, 2002 5:16 AM
Subject: Re: [313] Rob Hood mix CDs?


>
> when did hood release a mix cd?  does anyone have info on it...
>
> ryan
>
>
> >From: "Tom Robbins/Tom Magic Feet" <[EMAIL PROTECTED]>
>
> >Anyone know of any Robert Hood mix CDs released in the past, prior to
this
> >new one on Logistic?
> >
> >
> >-
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[313] Rob Hood mix CDs?

[Tom Robbins/Tom Magic Feet]

Anyone know of any Robert Hood mix CDs released in the past, prior to this
new one on Logistic?


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[313] car boot purchases

[Tom Robbins/Tom Magic Feet]

Picked up a few  interesting things at car boot sales & secondhand stores
recently, and not one cost more than 50p!

Model 500: True Techno EP (Network 1992)
- The run-out bears the inscription 'True techno not breakbeat heresy'! Bit
inflammatory or what?

Techno 2: The Next Generation (10)
- only on tape, but a top compilation album nonetheless.

Icon: Generator/So Special (Rham!)
- bought this because I knew A Guy Called Gerald released through Rham!
Unfortunately it turned out to suck, bigtime.

Teutonic Beats Vol 2 (EG 1989)
- picked this up because I noticed names like Westbam, Moritz Von Oswald,
Jorg Burger, Wolfgang Voight (Mike Ink), Din (the Chain Reaction guy?) and
Thomas Fehlmann on there, plus a nodto Alex Paterson, but it turned out to
be a load of dreadful piano rave nonsense. Proof if it were ever needed that
everyone goes through a learning curve! Anyone elseheard it?

Cabaret Voltaire: Keep On remixes (Parlophone/EMI)
- includes Mayday mix!

Also bought a 7" of Musique 'In The Bush' with a Francois K remix, Donna
Summer, Hamilton Bohannen... all good stuff!


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Re: [313] Fw: Tresor : True Spirit

[Tom Robbins/Tom Magic Feet]

That's how it reads to me, although I guess they might have trouble
squeezing all those tracks listed for the CDs onto eight sides of vinyl!

TOM


> >>The three CDs and two double-EPs of TRUE SPIRIT
>
> This may be wishful thinking but I read this as saying that in addition to
> the 3 CDs there will be 2 12" double-packs released as well??
>
> Pleaas tell me I am right on this!!;-)
>
> m*
>
>


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[313] Fw: Tresor : True Spirit

[Tom Robbins/Tom Magic Feet]

Tresor presents.
TRUE SPIRIT
FEATURING EXCLUSIVE, UNRELEASED, AND DELETED TRESOR CLASSICS FROM JEFF
MILLS, MAURIZIO, JOEY BELTRAM, BLAKE BAXTER, MODEL 500 AND MANY (MANY) MORE.

 Artist: VARIOUS
Title: TRUE SPIRIT
Label: TRESOR
Cat. No: 56185-2/6
Distribution: SRD (UK)
Release: 25 MARCH 2002

Tresor: A Decade of Techno History. TRUE SPIRIT is the definitive historical
guide of the Berlin label's vital contributions to the Electronic
Underground. The exclusively designed digi box includes a 48-pages booklet
with details about the history of Tresor club and label, the artists, photos
and tracks. The three CDs and two double-EPs of TRUE SPIRIT present the
label's greatest moments featuring first-ever CD appearances of previously
vinyl-only tracks by Jeff Mills, Model 500 aka Juan Atkins, Joey Beltram,
The Advent, Blake Baxter and Surgeon as well as hard to find classics by
Underground Resistance/X-101, Maurizio, Cristian Vogel, Marshall Jefferson,
K.Hand, Eddie Flashin' Fowlkes, Robert Hood, Neil Landstrumm, 3MB and Bam
Bam. 38 tracks (3.5 hours!) of pure Techno and House from one of the most
influential labels in Electronic music ever.

Of note to all Tresor fans and music collectors will be the exclusive,
previously unreleased Jeff Mills track 'The Hypnotist' and first-time
appearances of Mills' 'Late Night (Mills Mix)', Joey Beltram's 'Ball Park
(DJ Rush First Bass Mix)', the Tiny Robot (aka Daniel Bell) debut, Mike
Dearborn's rare remix of Joey Beltram's 'Game Form', Optic Nerve's
'Premonition', K.Hand's 'Mystery' and many more hard-to-find and extremely
rare collector titles.

To mark the release of this monumental compilation, Tresor will be
celebrating fittingly in the manner they know best - throwing a four day
party between March 13-16th. Artists confirmed at this stage include DJ
Rush, Neil Landstrumm (live), Dave Tarrida (live), Daniel Bell and Joey
Beltram.

CD1 (70 minutes)

a01 X-101 "Sonic Destroyer" (5:00)
(1991) Tresor 001/out of print

a02 Jeff Mills "Hypnotist" (4:32)
(1991) TRESOR EXCLUSIVE

a03 Eddie "Flashin'" Fowlkes "420-Low" (5:30)
(1992) Tresor 003

a04 Blake Baxter "Ghost" (5:24)
(1992) Tresor 002, 149

a05 Maurizio "Ploy" (Strategic Mix) (5:40)
(1992) out of Tresor print

a06 Bam Bam "Wheres Your Child" (5:11)
(1994) Tresor 030, 165

a07 Vainqueur "LYOT" (Maurizio Mix) (7:00)
(1993) Tresor 013/out of Tresor print

a08 The Vision "Projectile Darts" (5:05)
(1993) Tresor 017

a09 3 Phase feat. Dr. Motte "Der Klang der Familie" (6:35)
(1992) Tresor 006/out of Tresor print

a10 System 01 "Drugs Work" (4:41)
(1992) Interfisch 01730/Tresor 028/out of print

a11 Ingator "Skyscratch" (Mano Mano) (5:32)
(1992) Tresor 005

a12 Clock DVA "The Hacker" (7:23)
(1988) Interfisch 01701

CD2 (76 minutes)

b01 Jeff Mills "Late Night" (Mills Mix) (6:50)
(1993) TRESOR EXCLUSIVE

b02 Joey Beltram "Ball Park" (DJ Rush First Bass Mix) (6:13)
(1998) TRESOR EXCLUSIVE

b03 Cristian Vogel "Absolute" (7:03)
(1996) Tresor 022

b04 The Advent "Sketch O Matic" (5:09)
(1999) Tresor 124/CD premiere

b05 Fumiya Tanaka "Drive #5" (Edit) (5:17)
(2001) Tresor 176

b06 James Ruskin "Version" (4:17)
(2000) Tresor 145

b07 Karl O'Connor "Guiltless" (4:55)
(1999) resor 123, 147

b08 Sterac "Liteon" (5:18)
(2000) Tresor 143/CD premiere

b09 Transllusion "Transmission of Life" (4:26)
(2001) Supremat 03

b10 Drexciya "Lost Vessel" (5:53)
(1999) Tresor 129

b11 Surgeon "Intro" (Version II) (4:51)
(1997) Tresor 085/CD premiere

b12 Neil Landstrumm"Tension In NY" (4:06)
(1997) Tresor 082

b13 Tobias Schmidt "Wagging Tail" (4:06)
(2000) Tresor 158

b14 Cristian Vogel "General Arrepientase" (5:44)
(1999) Tresor 110, 120

CD3 (76 minutes)

c01 Blake Baxter "One More Time" (Red Planet Remix) (5:56)
(1992) out of print/CD premiere

c02 Marshall Jefferson "Floating" (8:35)
(1996) KTM 03/out of print

c03 3MB feat. Juan Atkins "Die Kosmischen Kuriere" (5:39)
(1994) Tresor 009/out of print mix

c04 K.Hand "Mystery" (4:38)
(1993) Tresor 013/out of print

c05 Tiny Robot "Theme From Tiny Robot" (5:09)
(2001) Tresor 187/CD premiere

c06 Eddie Fowlkes & Blake Baxter "Wisdom" (5:54)
(1992) Tresor 007/out of print

c07 Model 500 "Light Speed" (7:22)
(1995) Tresor 035, 164

c08 Optic Nerve "Premonition" (6:12)
(1994) Tresor 024/out of print

c09 Infiniti "Raindrops" (5:07)
(1996) Tresor 048, 052

c10 Robert Hood "Quartz" (6:30)
(1995) Tresor 032, 166/CD premiere

c11 Santonio "Deep Cover" (House Mix) (5:16)
(1994) Tresor House 04/out of print

c12 3MB featuring Eddie Fowlkes "Illuminism" (Sun Electric Edit) (6:21)
(1993) Tresor 013/out of print

c13 Joey Beltram "Game Form" (Mike Dearborn Remix) (4:15)
(1995) Tresor 033/exclusive mix


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Re: [313] Glastonbury homepage

[Tom Robbins/Tom Magic Feet]

Oops! The URL Colette meant to give was
http://www.glastonburyfestivals.co.uk/

I am planning to go to Glasto this year, as it happens (and would urge
anyone who hasn't been to go at least once in their life too), and would
indeed love to see the 'Werk there, but the fact is there are rumours every
festival season about them appearing here there and everywhere. If I
remember right, they were supposed to appear at the last couple of Sonars,
for example. I'm just glad I got to see them at Tribal Gathering a few years
ago.

TOM


Subject: RE: [313] Kraftwerk @ Glastonbury


> 28th, 29th and 30th June
>
> You can get info from their website www.glastonbury.co.uk though tickets
are
> not on sale yet.
>
> -Original Message-
> From: John Osselaer [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, January 29, 2002 4:47 AM
> To: [EMAIL PROTECTED]; [EMAIL PROTECTED];
> 313@hyperreal.org
> Subject: Re: [313] Kraftwerk @ Glastonbury
>
>
> When is Glastonbury being held? How's lodging around that time in the
> neighbourhood?
>
> No time to waste!
>
> John
>
>
> >From: "Toby Frith" <[EMAIL PROTECTED]>
> >Reply-To: "Toby Frith" <[EMAIL PROTECTED]>
> >To: "Jonny McIntosh" <[EMAIL PROTECTED]>, <313@hyperreal.org>
> >Subject: Re: [313] Kraftwerk @ Glastonbury
> >Date: Tue, 29 Jan 2002 12:29:21 -
> >
> >Also heard they could be doing Sonar - never believe until you've got the
> >tickets in your hand with their name though.
> >
> >
> >- Original Message -
> >From: Jonny McIntosh <[EMAIL PROTECTED]>
> >To: <313@hyperreal.org>
> >Sent: Tuesday, January 29, 2002 12:23 PM
> >Subject: [313] Kraftwerk @ Glastonbury
> >
> >
> > > Just heard from a friend that Kraftwerk are playing at Glastonbury
this
> > > year. I don't have any source to confirm, mind you.
> > >
> > > Jonny.
> > >
> > >
> > >
> > > -
> > > To unsubscribe, e-mail: [EMAIL PROTECTED]
> > > For additional commands, e-mail: [EMAIL PROTECTED]
> > >
> >
> >
> >-
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[313] Fw: HOMELANDS IS HERE: line-up announced

[Tom Robbins/Tom Magic Feet]

HOMELANDS
Saturday 1st June 2002, 1pm - 6am
The Bowl, Matterley Estate, Near Winchester, Hampshire

Muzik Live Arena
Basement Jaxx
Special Guest to be announced on Pete Tong's Essential Mix Show Feb 22nd
Oxide & Neutrino
Soft Cell
Roger Sanchez
Stanton Warriors
More massive live acts and DJs to be announced.

Essential Mix Main DJ Arena
Pete Tong
Seb Fontaine
Tiesto
Fergie
More DJ's to be announced.

Slinky Arena
Judge Jules
John 00 Fleming
Lisa Lashes
Armin Van Buuren
Ferry Corsten
More acts and DJs to be announced.

The End Techno Arena
Jeff Mills
Laurent Garnier
Richie Hawtin
Mr. C
More acts and DJ's to be announced.

Retro Arena
Graeme Park
Paul Taylor
Rick James
Alison Limerick - live
More acts and DJs to be announced.

Space Arena in association with Excession and The Face magazine
Sasha
Jon Digweed
Steve Lawler
Nick Warren
Rui Da Silva
More Acts and DJ's to be announced.

Movement / The End Arena
Roots Manuva
Roni Size
MC Dynamite and Krust
Suv and Die
DJ Marky
Dillinja and Lemon D
More acts and DJ's to be announced.

Subliminal / Back 2 Basics / Underwater Arena
Erick Morillo
Darren Emerson
Lottie
Yousef
Ralph Lawson
More acts & DJs to be announced.

The Gilles Peterson Worldwide Arena in association with Time Out Magazine
Zero 7 (live)
Kruder & Dorfmeister
Feat. MC Sugar B.
Plus special guest Stereotyp (live)
Gilles Peterson
More acts and DJ's to be announced.

Radio 1 Outdoor Stage
Carl Cox
Judge Jules
Seb Fontaine
Dave Pearce
Tim Westwood

The Bacardi B-Bar
Jon Cutler
Matthias Heilbronn
Phil Asher
Stuart Patterson
Kenny Hawkes
Matt Caseli
Rob Da Bank
Rob Wood
Benjie B

Tickets & Info:

Tickets £49.00 adv (subject to booking fee and conditions)

Available from all Ticketmaster outlets in selected Virgin stores, Tower
Records & Waitrose stores nationwide and online at
http://www.meanfiddler.com http://www.homelands.co.uk &
http://www.ticketmaster.co.uk

National Credit Card Hotline 08701 500 044 (24hrs) calls charged at national
rate
HOMELANDS Recorded Info Line 09063 656 200 calls cost 60p per min
Mean Fiddler Info Line 020 8963 0940  (Mon - Fri 10am - 6pm)
Tickets available at face value for cash from all Mean Fiddler Box Offices

License granted
No under 18's
Artists not in order of appearance
Bill subject to change


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Re: [313] Bobbins

[Tom Robbins/Tom Magic Feet]

Oh, let's not go down that road again...

...at least, not unless you have access to a large amount of capital and
want to co-own a musik mag?

- Original Message -
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Friday, January 25, 2002 4:33 PM
Subject: Re: [313] Bobbins

> Sorry to kiss a**e, but, yeah it was a great little mag.
> It's been a long long time since I saw a copy though, 3/4 years?
>
>
>
>
> [EMAIL PROTECTED] on 25/01/2002 16:17:30
> To:   Alex Bond/UK/INF/PwC
> cc:   313@hyperreal.org
>
>
> Subject:  Re: [313] Bobbins
>
>
>
> I do and I thought it was great
>
>
>
>
> [EMAIL PROTECTED] on 25/01/2002 04:19:47 PM
>
> To:   313@hyperreal.org
> cc:
>
> Subject:  [313] Bobbins
>
>
> Memo from Alex Bond of PricewaterhouseCoopers
>
>  Start of message text 
>
> Mr Magic Feet will not thank me for saying this, but he nearly shares his
> name with a little bit of English rhyming slang.
>
> E.g.
>
> "What do you think of that dope new So Solid mix little Johnny?"
>
> "It's f***in Tim Robbins that mate"
>
> By the way Tom, what happened to the rather excellent little magazine you
> used to do?
> Any other 313ers remember that?
>
> - End of message text 
>
> This e-mail is sent by the above named in their
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> behalf of PricewaterhouseCoopers.
>
> PricewaterhouseCoopers may monitor outgoing and incoming
> e-mails and other telecommunications on its e-mail and
> telecommunications systems.
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> The information transmitted is intended only for the person or entity to
> which it is addressed and may contain confidential and/or privileged
> material.  Any review, retransmission, dissemination or other use of, or
> taking of any action in reliance upon, this information by persons or
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received
> this in error, please contact the sender and delete the material from any
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>
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>
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>
>
>
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==
>
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> - End of message text 
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Fw: [313] Will any of you...

[Tom Robbins/Tom Magic Feet]

Surely listmember Prof. Sicko should just publish his paper online, or
better still, on this list, once all the brow-furrowing is over?Maybe Adam
Miller could be persuaded to do the same...

TOM


> > So still need someone who's going to kindly give us even the most
> sketchiest
> > of reports back please please please ... in the name of anorak-dom at
> least!
> > :o)
> >
> > Shorter Oxford English Dictionary: Anorak - noun; colloquial; (UK) an
> > obsessive about a particular hobby or pastime, e.g. angling, philately,
> > Detroit techno.
> >
> > Have a nice weekend all.
> >
> > K
> >
> > >-Original Message-
> > >From: glyph1001 [mailto:[EMAIL PROTECTED]
> > >Sent: Friday, January 25, 2002 2:34 PM
> > >Cc: '313@hyperreal.org'
> > >Subject: Re: [313] Will any of you...
> > >
> > >
> > >Uh...I take that lie back: my lift to the event backed out on me last
> > >min, so somebody else will need to do the reporting.
> > >
> > >=(
> > >
> > >Grand opening, Grand closing,
> > >
> > >Glyph.
> > >
> > >
> > >
> > >glyph1001 wrote:
> > >
> > >> I'll be going...it'll be VERY interesting.  =)
> > >>
> > >> Glyph
> > >>
> > >> Pryor, Ryan N wrote:
> > >>
> > >>> 313'ers be attending this?
> > >>>
> > >>> Critical Studies:Humanities Lecture Series "Detroit Sound"
> > >>> Lecturing from 1:00 - 4:30 pm
> > >>> Adam Lee Miller-Adult.
> > >>> Carl Craig-Planet E
> > >>> Rita Sayegh
> > >>> Dan Sicko
> > >>>
> > >>> Location-DeSalle Auditorium, Cranbrook Art Museum, Bloomfield Hills,
> > >>> Michigan
> > >>> Open to the public on a first-come, first-served basis with museum
> > >>> admission
> > >>>
> > >>> For more information and directions:
> > >>> http://webserver.cranbrookart.edu/site/events_info_frameno.html
> > >>>
> > >>>
> >
>>> -
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> > >>>
> > >>
> > >>
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Re: [313] string 'n' pad

[Tom Robbins/Tom Magic Feet]

Personally I enjoyed Alex's post, if only for the outstanding use of the
word 'bobbins', one of my favourite English colloquialisms and one I've
hardly heard since the great days of Madchester. Discuss.

And if you ask me, he's right about that garage/2-step bobbins too. So Solid
my a**e. Bunch of TWOCers, the lot of 'em. Oops... :-)

TOM

> -Ursprüngliche Nachricht-
> Von: <[EMAIL PROTECTED]>
> An: <313@hyperreal.org>
> Gesendet: Freitag, 25. Januar 2002 14:19 RON
> Betreff: [313] string 'n' pad
>
>
> > Memo from Alex Bond of PricewaterhouseCoopers
> >
> >  Start of message text 
> >
> > Ok, I'm new to this mail service, so I'm not familiar with the topics
you
> > discuss.
> >
> > But, surely if you subscribe to a mail service like this, you have more
> > than a passing interest in music from Detroit?
> > How on earth did anyone ever confuse Kevin Saunderson and Alex Reece???
> I'm
> > gobsmacked.
> >
> > Also Drum and Bass. A load of ex-ravers who discovered a few techno
> records
> > round about 1993, what are most of 'em doing now?
> > Speed bloody Garage, 2-Step, what ever you want to call it.
> >
> > Alright, there's a few D+B producers who can cut it (Photek/Dillinja?)
but
> > overall, I have to say it's bobbins, and barely worth a discussion, that
> > music is full of people just trying to make a fast buck (I don't blame
'em
> > for that) but really, is it 'music'?
> >
> > - End of message text 
> >
> > This e-mail is sent by the above named in their
> > individual, non-business capacity and is not on
> > behalf of PricewaterhouseCoopers.
> >
> > PricewaterhouseCoopers may monitor outgoing and incoming
> > e-mails and other telecommunications on its e-mail and
> > telecommunications systems.
> > 
> > The information transmitted is intended only for the person or entity to
> > which it is addressed and may contain confidential and/or privileged
> > material.  Any review, retransmission, dissemination or other use of, or
> > taking of any action in reliance upon, this information by persons or
> > entities other than the intended recipient is prohibited.   If you
> received
> > this in error, please contact the sender and delete the material from
any
> > computer.
> >
> >
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[313] Re: wash your mouth out, young man [was: stacey pullen - electric relaxation

[Tom Robbins/Tom Magic Feet]

How are all these naughty s & f-words getting through the 313 filter?!? Tsk
tsk.

- Original Message -
From: :P <[EMAIL PROTECTED]>
To: Toby Frith <[EMAIL PROTECTED]>; <313@hyperreal.org>; Niko
Tzoukmanis <[EMAIL PROTECTED]>
Sent: Friday, January 25, 2002 3:01 AM
Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation


> hmmm
>
> maybe he had issues with the motor or was just being a crabby fuck and
> decided to stick it to the crowd.
>
> seriously tho guys, skill wise and selection wise, I dont think he lives
up
> to his name.
> but he got that name somehow and I realize some peoples  forte is
> production.
>
> it seemed as soon as I got dancing, he'd pull the bass drum or slow the
> record all the way down and stop it.
>
> thats fucking evil for a DJ to do IMO.  I like to dance.
>
> then again, I was the only guy at motor that was like "fuck you bad boy
> bill" when he played there last.  totally an mtv type crowd
>
> -Joe
>
> --
>R17 is not a fixed velocity, but it is clearly far too fast.
> --
> - Original Message -
> From: "Toby Frith" <[EMAIL PROTECTED]>
> To: ":P" <[EMAIL PROTECTED]>; <313@hyperreal.org>; "Niko Tzoukmanis"
> <[EMAIL PROTECTED]>
> Sent: Thursday, January 24, 2002 9:56 AM
> Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric relaxation
>
>
> > I'm not flaming - it may be that when he's played there that's
happened -
> > just every time I've seen him he's been technically superb and more
> > importantly, has got everyone moving!
> >
> >
> > - Original Message -
> > From: :P <[EMAIL PROTECTED]>
> > To: Toby Frith <[EMAIL PROTECTED]>; <313@hyperreal.org>; Niko
> > Tzoukmanis <[EMAIL PROTECTED]>
> > Sent: Friday, January 25, 2002 2:55 AM
> > Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric
relaxation
> >
> >
> > > well OK then, since I was promptly attacked by several people, let me
> > > qualify my statement:
> > >
> > > when you play at the motor and you actually make the crowd MOAN
because
> > you
> > > keep taking the bass drum out and slowing records all the way down,
you
> > are
> > > a shitty DJ.
> > >
> > > I have given him at least 4 trys now.
> > >
> > > I shit you not, the people at the motor collectively moaned because
he's
> > not
> > > able to mix without removing the bass drum...  maybe I caught him on 4
> bad
> > > nights, but then again, john acquaviva over the years has raised my
> > > expectations of DJs.
> > >
> > > no more flames, I wouldnt blast all of you for not liking a certain
> > music..
> > > even my own.
> > >
> > > -Joe
> > >
> > > --
> > >R17 is not a fixed velocity, but it is clearly far too fast.
> > > --
> > > - Original Message -
> > > From: "Toby Frith" <[EMAIL PROTECTED]>
> > > To: ":P" <[EMAIL PROTECTED]>; <313@hyperreal.org>; "Niko
> Tzoukmanis"
> > > <[EMAIL PROTECTED]>
> > > Sent: Thursday, January 24, 2002 9:41 AM
> > > Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric
> relaxation
> > >
> > >
> > > > Bit harsh to say he's a bad DJ - he plays a variety of different
> sets -
> > > > I've seen him a few times and he's always got an unexpected surprise
> up
> > > his
> > > > sleeve. Lovely variety in his sets is reflected by the material he
> > > releases.
> > > > His last LP has grown on me in the last couple of months.
> > > >
> > > >
> > > >
> > > > - Original Message -
> > > > From: :P <[EMAIL PROTECTED]>
> > > > To: <313@hyperreal.org>; Niko Tzoukmanis
> > > > <[EMAIL PROTECTED]>
> > > > Sent: Friday, January 25, 2002 2:31 AM
> > > > Subject: Re: [313] RE: (313) RE: (313) stacey pullen - electric
> > relaxation
> > > >
> > > >
> > > > > is Staceys release work good?
> > > > >
> > > > > his the shittiest DJ I've even gone to see 3-4 times
> > > > >
> > > > > -Joe
> > > > >
> > > >
> > --
> > > > >R17 is not a fixed velocity, but it is clearly far too fast.
> > > >
> > --
> > > > > - Original Message -
> > > > > From: "Niko Tzoukmanis" <[EMAIL PROTECTED]>
> > > > > To: <313@hyperreal.org>
> > > > > Sent: Thursday, January 24, 2002 7:43 AM
> > > > > Subject: RE: [313] RE: (313) RE: (313) stacey pullen - electric
> > > relaxation
> > > > >
> > > > >
> > > > > > r&s still exists, latest releases afaik is
> > > > > > air frog 'bon voyage' with a remix by...
> > > > > > stacey pullen ;O)
> > > > > >
> > > > > > At 12:41 24.01.02 -, you wrote:
> > > > > > >Wow, the end of an era then. Best see if I can stil pick up
that
> > 'Ten
> > > > > > >years...' comp from about 2 yeras back.
> > > > > > >
> > > > > > >>-Original Message-

[313] Sunglasses At Night, Nottingham UK, 7th Feb 02

[Tom Robbins/Tom Magic Feet]

__

*SUNGLASSES AT NIGHT*
__

Thursday 7th February 2002

@ Moog bar, Nottingham
8-12pm
FREE ENTRY

Next date: Thurs 7th March & fortnightly thereafter
__

An evening of new & old synth pop, new wave, electro,
disco nouveau & ersatz funk through a wide-angle lens

Playing the music of
New Order . Kraftwerk . Fischerspooner . LFO
Miss Kittin & The Hacker . Grace Jones . Adult . i-f
Gary Numan . Daniel Wang . DMX Krew . Cybotron
Human League . Cabaret Voltaire . Ladytron . Pet Shop Boys
Soft Cell . Felix Da Housecat . Dopplereffekt . Cameo
Visage . Mantronix . Detroit Grand Pubahs . Radiohead
__

On the 1s, 2s & MP3s:

New Wave Dave [NDC]
Tom Magic Feet [Jockey Slut/iDJ/Overload/Groove]

In the future, there will be guests.
__

MOOG 
Newdigate Street,
off Alfreton Road,
Canning Circus,
Nottingham

An unpretentious, friendly bar with comfortable
sofas & fine beverages at reasonable prices

Sunglasses, skinny ties etc. strictly optional
Robots must be accompanied 
__

"I wear my sunglasses at night/so I can watch/
you weaving me your storylines"
Tiga & Zyntherius: Sunglasses At Night
(International DeeJay Gigolo Records) 
__

Saturdays @ Moog: 
DJ Cal Gibson
[Neon Heights: Glasgow Underground/Afro-Art Records]

Fridays @ Moog:
Big Daddy DJ squad - hip-hop & funk

- message ends -


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Re: [313] The Headstart eFlyer 26/01/02 / Octave 1

[Tom Robbins/Tom Magic Feet]

Blackwater is getting a UK release through a label called Concept and has
big name DJs like Rampling etc playing it, which is why it's thought it may
chart. I think it's out here next week. Good news for those that still want
to buy it 'cos it'll be cheaper.

I thought the Saunderson remixes were OK, but I preferred the original
myself. You can't beat a good vocal techno anthem, though.

TOM

>
> surely blackwater has passed it's peak without charting?
>
> anyway what about Inner City, they've been on TOTP many times have they
> not?
>
> not that i'm picky or anything :) (i won't even go into the innacuracies
> of the headstart press-release)
>
> what do people make of the KSR rmxs of the track then (wow musical
> content on 313)?
>
>
>
> robin...
>
>
>
> -
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>
>


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Re: [313] FA: ebay spam (Shari Vari 2x12 White Label)

[Tom Robbins/Tom Magic Feet]

Try as I might, I can't see the problem here. The guy's paid for the record,
so it's his to do with as he likes: sell, give away, review, use as frisbee,
whatever. He could snap it over his knee if he felt like it, that's his
right. Loads of people buy and sell records for a living, that's part of the
scene, just as it it is in all other musical genres. In fact, they provide a
real & valued service to collectors. Someone somewhere will buy this from
him and be glad of it, and if they do pay more than the shop price (which
can vary wildly from store to store anyway) no-one will have twisted their
arm and they will probably consider it worth it anyway in order to get a
promo copy of a major release. Finally, it's not like he's stopping anyone
else owning it - anyone who wants it will have the opportunity to buy it
upon its official release.

If someone IS at fault here then maybe it's the store Matthew bought his
white from. Did they pay for their promo? My understanding is that some
distributors/labels charge shops for promos, some don't. If they didn't,
then they are the ones making a dodgy profit (and even then I wouldn't knock
'em for it, it's hard enought to make a living selling this music and to a
large extent they - the shops - are the ones keeping it alive and viable).
If they did, then surely everyone - label/artist, distributor, shop,
customer - got their piece of the pie? And it ain't often that happens.

Fact: pretty much every DJ, journo etc out there sells on their unwanted
promos, 99% of which will have been unsolicited anyway. It's part of the
biz. That's all.

Flame on.
TOM



>
> >With all due respect, I was merely trying to put the record in the hands
> of someone that would really get some use
> >out of it by playing it out.
>
> AND make some extra money for yourself at the same time!  Chances are that
> anyone who would have picked it up in the store would have wanted it for
> themselves anyway (not to sell and make extra money).  Sh*t, at least
> publish a review of it before selling it - that way you give back
> *something* to the company who's toes your stepping on.
>
> >Sorry if I offended you by trying to put your record in the hands of
> someone that would play it-- its what I do for >a living.
>
> So, you consider yourself a distributor?
>
> MEK
>
>
>
>
>
>
> "Matthew Mangold"
> <[EMAIL PROTECTED]To: "313"
<313@hyperreal.org>, "Puzzlebox Records"
> three.com>   <[EMAIL PROTECTED]>
>  cc:
> 01/13/02 10:59 AMSubject: RE: [313] FA:
ebay spam (Shari Vari 2x12 White Label)
>
>
>
>
>
>
>  I knew when I saw it in the store
> that there were lots of people on the 313 list that would
> love to get their hands on a copy, and I, myself, would not
> play the piece. So I *BOUGHT* it, because, in the almost
> four years that Ive been selling records here in Detroit, I
> have not ONCE received a white label from Puzzlebox.
> On the other hand, labels and artists that DO personally
> give me promo white labels, like Mike Grant, KDJ, Plus 8/
> M-nus, and Planet-E, I do keep in my personal collection,
> and would not think of auctioning them off. Sorry if I offended
> you by trying to put your record in the hands of someone
> that would play it-- its what I do for a living.
>
> Matthew
>
> -Original Message-
> From: Puzzlebox Records [mailto:[EMAIL PROTECTED]
> Sent: Saturday, January 12, 2002 3:55 AM
> To: innercity records; 313
> Subject: Re: [313] FA: ebay spam (Shari Vari 2x12 White Label)
>
>
> And They Claim to have love for the music. We at Puzzlebox probably gave
> him the white label before its released in a few weeks and this is the
> love we get.
>
> Puzzlebox Records
> All things will come to pass
>
> Thanks for the real support InnercityRecords and the real 313 'rs
>
> innercity records wrote:
>
> >scandalous.
> >
> >- Original Message -
> >From: Matthew Mangold <[EMAIL PROTECTED]>
> >To: 313 <313@hyperreal.org>
> >Sent: Saturday, January 12, 2002 6:17 AM
> >Subject: [313] FA: ebay spam (Shari Vari 2x12 White Label)
> >
> >
> >>ebay item #1501390504 A Number of Names - 'Shari Vari' (2x12) PBX-6
WHITE
> >>LABEL (Original and Remixes)
> >>
>
>http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1501390504&r=0&t=0&s
>
> h
> >
> >>owTutorial=0&ed=1011419608&indexURL=0&rd=1
> >>
> >>
> >>
> >>-
> >>To unsubscribe, e-mail: [EMAIL PROTECTED]
> >>For additional commands, e-mail: [EMAIL PROTECTED]
> >>
> >>
> >
> >
> >-
> >To unsubscribe, e-mail: [EMAIL PROTECTED]
> >For additional commands, e-mail: [EMAIL PROTECTED]
> >
> >
>
>
>
> -
> To unsubscribe, e-mail: [EMAIL PROTECTED]
> For additional commands, e-mail: [EMAIL

Re: [313] drexciya LP

[Tom Robbins/Tom Magic Feet]

My first thoughts were similar, that it was OK and no more, but repeated
listening gradually changed my mind. I think it needs really careful
attention to be appreciated fully, but now I've come to the conclusion that
it's really good. It's all in the detail, basically, and a step up
production-wise, too.

I just received Fabrice Lig's LP on F Com on promo, it's coming out in
mid-March. Had quite a few tasty things recently, actually, really must post
up a list...

TOM

> > I heard an advance of the album last week, and sadly this could be said
> for
> > the whole thing. Like you say, not actually bad, and still very
Drexciyan
> > (you know what I mean...), but not actually anything special. Drexciya
by
> > numbers, so to speak.
> >
> > Is Fabrice's album on general release? Where?
> >
> > -s
> >
> > _
> > MSN Photos is the easiest way to share and print your photos:
> > http://photos.msn.com/support/worldwide.aspx
> >
> >
> > -
> > To unsubscribe, e-mail: [EMAIL PROTECTED]
> > For additional commands, e-mail: [EMAIL PROTECTED]
> >
> >
>


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Re: [313] A Number Of Names - 'Sharevari' re-release

[Tom Robbins/Tom Magic Feet]

> Jsut wondering if anyone knows about the re-release of the 1981 electro
classic 'Sharevari' by A Number Of Names? It was originally out on Capiccio
and now supposedly on Puzzlebox with new remixes.
>
> If anyone knows any info(distributor/shop that can get it), it would be
greatly appreciated.

Dunno about distribution on the Puzzlebox release, but it looks like Hell
has jumped in and licensed it for Gigolo, so that should be easy enough to
pick up when it arrives as G releases are widely available. Full Gigolo
mailout text below.

Cheers!
TOM



Getting Giggy for 2002...

So just before the christmas break:
-Hell was voted as best A&R at the German Dance Awards on the 12th Dec.
-The Emerge track from Fischerspooner was the music for a commercial of a
major french bank from 17th of december on.
-Club-Villa celebrated its 1st anniversary on the 21st of december with DJ
Hell, Dr. Motte & Vitalic (live), it was mental!

January/February/March 2002 New releases:
Orlando Voorn presents Fix Flash with Remixes by S. Pascalidis and Naughty
(12inch) Gigolo72
Capri EP (12inch) Gigolo 84
Linda Lamb - Hot Room with a Remix by Tiga (12inch) Gigolo 87
American Gigolo Mix CD by Tiga Gigolo 85
Chris Korda - When it rains EP (12inch) Gigolo 86
A Number of Names - Sharevari Remixed (12inch) Gigolo 88
Vitalics remix of Miss Kittin and The Hacker`s '1982'
Romina Cohn (12inch) Gigolo 83
Plastique de Reve (12inch)
(all dates to be confirmed!)

-Check out the website of Intersection: www.intersection.com and listen to
the Hell driving mix from mid February
-Watch out for the new Collete cd (cool designer boutique in Paris)
featuring some of our new and up and coming Gigolo releases available from
March

Later in the year:..
-Gigolo exhibition opening in Berlin in April then moving on to London,
featuring all of our artists and artists we have worked with, photographers,
magazines etc. Also featuring past and future videos and new releases. Later
in the evening there will be live acts by gigolo artists.
-Music and Machine festival in Berlin taking place in mid July.

-The Gigolo compilation number 6 mixed by DJ Hell to be released in early
summer.
-New album by Tuxedomoon to be released in the summer
-Savas Pascalidis album released on Gigolo
-New album by DJ hell
-Gigolo book following the accounts and life of a stripper in LA
-Release of `sunglasses at night` by Tiga in the UK

Watch out for Vitalic. The `Poney EP´, his first relaese on gigolo was a
massive success, check out the website to hear other great sounds at:
www.vitalic.org
Vitalic will be playing in the UK very soon, the dates are to be
confirmed...

Tours - GIGOLO DJs:
DJ HELL (Munich, Germany):
Fr.08.02. Police Night @ VILLA  / Traunstein, Germany
Sa.02.03. Art Space / Geneva
Fr.08.03. Casino / Berlin with Dr.Motte
23.- 27.03. GIGOLO SHOWCASE @ MIAMI Winter Music Conference,
Florida / date TBC
Sa.30.03. GIGOLO Night @ New York City, TBC

ACID MARIA (Karlsruhe, Germany):
Sa.12.01. Sternradio / Berlin
Fr.18.01. Prison Club / Landau
Sa.19.01. Cembrankeller / Linz
Fr.25.01. Suite 15 / Regensburg
Sa.26.01. Ultraschall / Muenchen
Sa.09.02. Braconia Hall / Gadsdorf
Sa.16.02 Stahlwerkhalle / Hennigsdorf
Fr.22.02. Suite 15 / Regensburg
Sa.23.02. Ultraschall / Muenchen
Fr.01.03. Fusion Club / Münster, Germany
Sa.02.03. Stadthalle Friedland / Neubrandenburg near Berlin

ELECTRIC INDIGO (Vienna, Austria):
Fr. 11.01 Suite 15 / Regensburg
Sa. 12.01. Weetamix / Geneva
Fr. 18.01. Villa / Traunstein
Tu. 22.01. Flex  / Vienna
Fr. 01.02. Piu / Sabadell, Spain
Sa. 02.02. Lo-Li-Ta / Barcelona, Spain
Fr. 08.02. Phonodrome / Hamburg
Fr. 15.02. Bordeaux, France
Sa. 16.02. Bretagne, France
Tu. 26.02. Flex / Vienna
Sa. 23.03. ART House / Thessaloniki, Greece TBC


MISS KITTIN (Geneva- Berlin, France):
Th.10.01. Grenoble, France
Fr. 11.01. Neon Special @ Rubin / Hamburg
Sa.12.01. Weetamix / Geneva, CH
Fr. 18.01. Suite 15 / Regensburg
Sa. 19.01. Toni Molkerei / Zürich
ALL FEBRUARY OFF!!!
Fr. 01.03. Glasgow School of Arts / Glasgow
Sa. 02.03. Matrix / Berlin
Th. 07.03. Le Klub / Nice, France TBC
Sa. 09.03. Toni Molkerei / Zürich
Sa. 16.03. Palazzo / Bingen, Germany


FILIPPO "NAUGHTY" MOSCATELLO (Berlin, Germany):
Fr. 18.01. Dance with the aliens @ Ostgut / Berlin
Fr.01.02. Rubin / Hamburg TBC
Sa.09.02. Street Event / Tenerife
Sa.13.02. Pfefferbank / Berlin
Fr. 01.03. Aberdeen TBC
Sa. 02.03. Glasgow TBC
Sa.16.03. SMS Winterzirkus / near Erfurt, Germany

ROMINA COHN (Buenos Aires, Argentina):
Fr. 22.02. Thessaloniki, Greece
Sa. 23.02. OPEN / still available!!
Fr.01.03. Female Pressure Party @ Rubin / Hamburg TBC
Sa.02.03. OPEN / still available!!

ROK (Berlin, Germany):
Fr.11.01. Club Japan / Barcelona
Sa.12.01. Atomic, Gotha
Di.22.01. Flex / Vienna
Sa.09.02. Flashback / near Erfurt; Germany
Fr.15.03. Prison Club / Landau a.d.Isar, Germany
Fr.22.03. Hirsch / Nürnberg
Sa.23.03. "Melt!" @ Alter Schlachthof / Dresden

SONJA MOONEAR (Geneva, Switzerland):
Sa. 02.03. Matrix / Berlin with DJ Miss K

Re: [313] Circle dancing [was Detroit club & drug culture in UK press]

[Tom Robbins/Tom Magic Feet]

> The description of the Motor was pretty funny.  I guess the Brits haven't
ever heard of circle dancing!

So what is it? Some kind of country music/line dancing derivative? Yee-haw!


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[313] Detroit club & drug culture in UK press

[Tom Robbins/Tom Magic Feet]

http://www.guardian.co.uk/drugs/Story/0,2763,628867,00.html


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[313] Fw: LOST: Jeff Mills returns for an exclusive New Year's Eve date

[Tom Robbins/Tom Magic Feet]

LOST
Presents
Chairoscuro Incorporating the Interaction of Colour

With Jeff Mills (exclusive UK date)
and Steve Bicknell
More DJs t.b.c.

New Years Eve
31 December 2001
A Central London Warehouse/Studio Location
11PM - 7AM

Jeff Mills (Axis, Purpose Maker, Tomorrow) returns to the UK for the first
time in over 2 years for what is set to be a memorable New Year's Eve Party
and a DJ set interspersed with exclusive preview film footage. Lost resident
Steve Bicknell also spins.

More artists and DJs to be confirmed.

Ticket price: £tba

INFO & RESERVATIONS 020 7791 0402
Email: [EMAIL PROTECTED]

[EMAIL PROTECTED] 

LOSTMAIL- titles from LOST RECORDINGS, COSMIC, CLUBTRACKS, I.D. (entity), la
mascarade/lost music. Axis & many more available via LOSTMAIL, P.O. BOX
3716, London E1 0RS

Out now; Cosmic; cos026; Through Tongue & Skin by Mist
Coming soon: Lost Recordings Redefined#2 LROO2R - How Can We Know? -. S.
Bicknell; Life; Karakter; Spirit with new definitions.





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Re: [313] Pump up the Volume

[Tom Robbins/Tom Magic Feet]

Yeah, best thing on TV about this ever! I was surprised no-one commented on
last week's 2nd segment (mind you, neither did I...) seeing as that was
where Detroit came into play. Having said that, Derrick May and Kevin
Saunderson were both featured but Juan Atkins wasn't mentioned at all. Also
interesting about last week's was a former UK Chief Constable admitting that
the police wilfully broke the law to try and stop parties going off.

Last night's was pretty much excellent too, although you could tell that the
timeline (1990-present) had been extended because the made some pretty big
jumps. I think they gave the Happy Mondays rather too much credit for
'bringing house to the masses' early on, for one thing and I really don't
think that that Leftfield/Lydon record was anywhere near as important as
they made it seem. What struck me about the part about Beltram and 'Energy
Flash' was that it was a good example of how a record could get noticed
initially for its novelty value - the 'Ecstasy' sample - but then go on to
be recognised as a classic for its musical qualities.

And if there's one club I regret never going to, it's Rage. Watching last
night's programme reminded me that I gave my copy of Goldie's 'Terminator'
to a now ex-girlfriend! It was also interesting when Goldie said that his
whole thing at one time was to freak out Derrick May wth his music. And
Pierre made a good point about music and sounds being "like shareware", so
he was happy that other people had picked up on his ideas and done them
their own way. Finally, Daniel Pemberton's title music was cool too - very
reminiscent of brittle early Chicago house.

Yup, best house programme ever without a doubt. Unfortunately I didn't video
it, I can't. I would imagine that it will be repeated soon on E4, though, as
it's had a very positive reaction in general, so there's the chance for
someone to get it all on tape and get a copy off to, um, whoever it was on
this list who said they could convert the tape for US machines.

TOM

NP: David Donohoe: First Course In Hygiene (D1) - good stuff.

Subject: [313] Pump up the Volume


> Just watching tonights episode, pretty mad.
>
> Hearing Joey Beltram talk about how he couldn't understand how he got
labeled as a techno producer after making Energy Flash and that to him it
was just a house tune. I think it really says a lot for the New York sound
of the time. When I interviewed Frankie Bones he said that none of the music
from Detroit really began to filter into NY until the early 90s and that all
the early Nu Groove stuff that they all did really was concieved in
isolation from techno.
>
> I have to say, its a pretty good programme and has been telling it pretty
much how it was, even if Derrick May did slate England for labelling music
too much :)
>
> Stewart
>
>
> ___
> Never pay another Internet phone bill!
> Freeserve AnyTime, for all the Internet access you want, day and night,
only £12.99 per month.
> Sign-up at http://www.freeserve.com/time/anytime
>
>
>
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Re: [313] Hot Lizard-the theme

[Tom Robbins/Tom Magic Feet]

Just to correct a couple of details: Hot Lizard were Nottingham DJs Paul
Wain and Gary Marsden while Pacific was owned by Justin Deighton. Justin has
a new mix CD coming out on a label called Product Deluxe (which I am
guessing he owns now instead of Pacific) that includes 'The Theme', so maybe
he's planning to re-release it. It'll be worth watching the new label if
only because he used to have a knack of persuading some excellent producers
to contribute remixes - Claude Young being another example.

Right, let's have a blast of this here new Drexciya album...

TOM



> afraid the info i have is limited. the duo behind hot lizard were
> responsible for the british label pacific, which is now, unfortunately,
> defunct. artists such as ian o'brien, sunrise society, charles webster and
> sterac recorded for the label. melodic, deep techno was their bag, but i
> suppose people would now call it 'tech-house' (in fact, 'the theme' - the
> original version - is now considered a tech-house classic). 'the theme'
> double pack has remixes by carl craig (which he put on his dj kicks cd),
> charles webster and mark broom. the original, imo, ain't up to much, but
> craig's mix is amazing (all 11 minutes of it). wally's grooveworld in
> belgium had copies of it (think they still do). hope that helps.
>
>
> >From: Sam Karmel <[EMAIL PROTECTED]>
> >To: 313@hyperreal.org
> >Subject: [313] Hot Lizard-the theme
> >Date: Sun, 25 Nov 2001 05:48:55 -0800 (PST)
> >
> >I heard "the theme" by Hot lizard on the Carl craig dj
> >kicks cd and liked it...
> >
> >Just wanted to know about hot lizard in general?
> >
> >Thanx
> >
> >Sam
> >
> >__
> >Do You Yahoo!?
> >Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month.
> >http://geocities.yahoo.com/ps/info1
> >
> >-
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Re: [313] For those in the U.K.

[Tom Robbins/Tom Magic Feet]

Can't remember, Steve something-or-other, but the dialogue from his
anti-Disco burn-in appears on the latest Parallax Corporation CD from I-F,
and probably about a hundred others as well.


Subject: Re: [313] For those in the U.K.


> What was the name of that DJ who led the "Disco Sucks" movement in that
> Baseball Stadium?  I can't believe that sort of thing would have happened
in
> 1976.
>
>
>
>
> - Original Message -
> From: Tom Robbins/Tom Magic Feet <[EMAIL PROTECTED]>
> To: 313 mailing list <313@hyperreal.org>
> Sent: Wednesday, November 14, 2001 9:57 AM
> Subject: Re: [313] For those in the U.K.
>
>
> > Yeah, it was cool. What I particularly liked was that all the talking
> heads
> > used (Marshall Jefferson, Chip E, Derrick May, Larry Sherman, Earl
Smith,
> > various clubgoers etc) were people who were actually there and part of
it,
> > not just pundits and commentators. The narrative was a bit overblown
> > occasionally, though.
> >
> > I think the last quarter, which as I remember followed the section about
> > house's transition to vinyl via Jesse Saunders' 'On And On', was
basically
> > about Phuture discovering acid and Marshall Jefferson releasing 'Move
Your
> > Body'. The argument was that House was now poised to - dum dum der! -
take
> > over the world!
> >
> > On the whole, they stuck to the main players/clubs: Disco, Paradise
> > Garage/NYC, Warehouse/Knuckles, Muzic Box/Ron Hardy (I never knew Muzic
> Box
> > was spelled with a Z), Trax, Jesse Saunders/Vince Lawrence, Marshall J
> etc.
> >
> > My favourite bit was when Saunders and Lawrence told how they went down
to
> a
> > record shop with a thousand copies of 'On And On' and offered them to
the
> > buyer. They expected to sell the guy a few copies and to have to haggle
> over
> > the price; instead he took them all at the price they named. "He wrote
out
> a
> > cheque for $4000 on the spot. We went back outside, got in the car and
> > screamed!"
> >
> > I'll be watching next week. By the way, I'll be getting all the music
> > channels on cable soon - what, if any, shows cater to the
> > underground/electronic/dance fan?
> >
> > TOM
> >
> >
> > Subject: Re: [313] For those in the U.K.
> >
> >
> > > Did anyone see "Pump up the Volume" last night?
> > >
> > > I thought it was well made, although I'll readily admit that I have
> little
> > > knowledge of the early roots of house music.  Good to see Del Boy May
> > > getting a few words in there. I missed the last quarter though, anyone
> > care
> > > to enlighten on the content?
> > >
> > >
> > > www.bleep43.co.uk
> > >
> > >
> > > - Original Message -
> > > From: Mann, Ravinder [CCS] <[EMAIL PROTECTED]>
> > > To: 'Jason Donnelly' <[EMAIL PROTECTED]>
> > > Cc: '313' <313@hyperreal.org>
> > > Sent: Tuesday, November 13, 2001 11:01 AM
> > > Subject: RE: [313] For those in the U.K.
> > >
> > >
> > > > Jason,
> > > >
> > > > Is this a series of programmes or a one of production ?
> > > >
> > > > Rav
> > > >
> > > > > -Original Message-
> > > > > From: Jason Donnelly [SMTP:[EMAIL PROTECTED]
> > > > > Sent: Tuesday, November 13, 2001 9:07 AM
> > > > > To: 313@hyperreal.org
> > > > > Subject: [313] For those in the U.K.
> > > > >
> > > > > If this has been posted already, sorry, I only get the digest.
> > > > >
> > > > >
> > > > > >Tonight on Channel 4 at 11.05 p.m.
> > > > > >PUMP UP THE VOLUME
> > > > > >A TIME TO JACK!
> > > > > >
> > > > > >Pump Up the Volume traces the history and evolution of house
music
> > from
> > > > > >its underground roots in Chicago and New York right up to its
> > explosion
> > > as
> > > > > >a global commercial phenomenon. The series features the key
> players,
> > > > > >punters and places that made this sound happen.
> > > > > >
> > > > > >Travelling between Chicago and New York, the first programme goes
> > right
> > > > > >back to the roots of house in 1976. House grew from disco and
then
> > > moved
> >

Re: [313] For those in the U.K.

[Tom Robbins/Tom Magic Feet]

Yeah, it was cool. What I particularly liked was that all the talking heads
used (Marshall Jefferson, Chip E, Derrick May, Larry Sherman, Earl Smith,
various clubgoers etc) were people who were actually there and part of it,
not just pundits and commentators. The narrative was a bit overblown
occasionally, though.

I think the last quarter, which as I remember followed the section about
house's transition to vinyl via Jesse Saunders' 'On And On', was basically
about Phuture discovering acid and Marshall Jefferson releasing 'Move Your
Body'. The argument was that House was now poised to - dum dum der! - take
over the world!

On the whole, they stuck to the main players/clubs: Disco, Paradise
Garage/NYC, Warehouse/Knuckles, Muzic Box/Ron Hardy (I never knew Muzic Box
was spelled with a Z), Trax, Jesse Saunders/Vince Lawrence, Marshall J etc.

My favourite bit was when Saunders and Lawrence told how they went down to a
record shop with a thousand copies of 'On And On' and offered them to the
buyer. They expected to sell the guy a few copies and to have to haggle over
the price; instead he took them all at the price they named. "He wrote out a
cheque for $4000 on the spot. We went back outside, got in the car and
screamed!"

I'll be watching next week. By the way, I'll be getting all the music
channels on cable soon - what, if any, shows cater to the
underground/electronic/dance fan?

TOM


Subject: Re: [313] For those in the U.K.


> Did anyone see "Pump up the Volume" last night?
>
> I thought it was well made, although I'll readily admit that I have little
> knowledge of the early roots of house music.  Good to see Del Boy May
> getting a few words in there. I missed the last quarter though, anyone
care
> to enlighten on the content?
>
>
> www.bleep43.co.uk
>
>
> - Original Message -
> From: Mann, Ravinder [CCS] <[EMAIL PROTECTED]>
> To: 'Jason Donnelly' <[EMAIL PROTECTED]>
> Cc: '313' <313@hyperreal.org>
> Sent: Tuesday, November 13, 2001 11:01 AM
> Subject: RE: [313] For those in the U.K.
>
>
> > Jason,
> >
> > Is this a series of programmes or a one of production ?
> >
> > Rav
> >
> > > -Original Message-
> > > From: Jason Donnelly [SMTP:[EMAIL PROTECTED]
> > > Sent: Tuesday, November 13, 2001 9:07 AM
> > > To: 313@hyperreal.org
> > > Subject: [313] For those in the U.K.
> > >
> > > If this has been posted already, sorry, I only get the digest.
> > >
> > >
> > > >Tonight on Channel 4 at 11.05 p.m.
> > > >PUMP UP THE VOLUME
> > > >A TIME TO JACK!
> > > >
> > > >Pump Up the Volume traces the history and evolution of house music
from
> > > >its underground roots in Chicago and New York right up to its
explosion
> as
> > > >a global commercial phenomenon. The series features the key players,
> > > >punters and places that made this sound happen.
> > > >
> > > >Travelling between Chicago and New York, the first programme goes
right
> > > >back to the roots of house in 1976. House grew from disco and then
> moved
> > > >underground to a primarily gay, black and Latino club scene. This
> produced
> > > >some of the greatest, pioneering musical innovators and DJs of the
> times,
> > > >including Derrick May, Farley 'Jackmaster' Funk, and Marshall
> Jefferson.
> > > >
> > > >By focusing on the key clubs and their creators, Pump Up the Volume
> gives
> > > >a taste of their recipe for success - non-stop dancing, drugs,
dramatic
> > > >DJs, and musical experimentation - which paved the way for house
music
> and
> > > >club culture. The programme also features Joey Beltram, DJ Pierre,
> Steve
> > > >'Silk' Hurley, Jamie Principle, and Joe Smooth.
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >
> > > >talk21 your FREE portable and private address on the net at
> > > >http://www.talk21.com
> > > >
> > > >
> > > >___
> > > >global-techno mailing list
> > > >[EMAIL PROTECTED]
> > > >http://lists.ffwd.cx/mailman/listinfo/global-techno
> > > >
> > > >FFWD internet - web hosting, custom programming and more -
www.ffwd.cx
> > >
> > >
> > > -
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> >
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> >
>
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