ADVENT in SF

2001-03-19 Thread hans kaufmann
Cisco's set on Friday night was off the hook.  Firstly I'll state the
drawbacks:  Laptop.big deal he made the tracks and it was flawless, but
I miss live programming-which no one seems to do anymore  anyway.  Alesis
Airfx thing..First time I've seen anyone use it.  It's a wierd little
device and it was kinda goofy at first but it might be fun to play with.  
Otherwise He rocked the place for close to an hour and a half in a small
tight sweaty conditions.  I havn't had that much fun in a long time.


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ADVENT/live in SF friday

2001-03-15 Thread hans kaufmann
To any one in SF The Advent Will be playing live tomorrow @ club 6 for the
last maze party from 9:30 to 2:00 




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Re: [313] Domingo Yu

2001-03-06 Thread hans kaufmann
Domingo is the man.  He used to be a DJ in the Hip hop scene in Ann Arbor
under the name Chino. He met up with some of the guys from UR and has been
getting his techno style on.   He's on Urban Slang with Mark Flash and DJ
Marquis.  Definitely a sweet combination of styles mixing the hi-tech funk
and house  with hip-hop, Ritmo Latino, etc, etc.  Definitely an up and comer
with big time potential ala' Rolando.  Everything else I could tell you is
top secret.
Anyone interested in booking him or finding out more can get ahold of me in
Private
Hans

Hans Kaufmann
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San Francisco, CA 94117
(415)885-3422
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On Tue, 06 Mar 2001 13:28:00 -0500, T Thompson wrote:

  Does anyone have info on this guy? I know I've seen his name up here
before. 
  I caught him in Chicago last weekend and he was off the hook. He was all 
  over the place, but it worked. Red Planet, Mos Def, Celia Cruz, etc. Real

  nice mix. I didn't get a chance to talk with him, but I know he's from 
  Detroit.
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Re: [313] WMC Line up Update

2001-02-15 Thread hans kaufmann
I'll be there with Bells on.  Conferences Rule!.  A friend of mine went to
the DJ Expo in SF yesterday and got me a bunch of stickers and these
fantastic Rane fridge magnets that were little mini mixers.  They came in
like 4 variety making kitchen mixing with component mixers while ordering
pizza more reality than ever.
Hans
 

On Thu, 15 Feb 2001 15:40:57 -0600, atomly wrote:

  On Thu, Feb 15, 2001 at 12:49:30PM -0800, nancy mitchell wrote:
   who on this list is going?
  
  I believe I am.  It should be a jam.
  
  -- 
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European Promoter Contacts

2001-02-06 Thread hans kaufmann
Attention Euro 313
Anyone willing to offer up some promoter contacts in Europe that would be
into booking Twonz and other less known and underappreciated Detroit Techno
guys.
Please Respond in Private



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Re: [313] Events in SF?

2001-01-29 Thread hans kaufmann
SF feb 3rd
Independant Music Distro all techno Party
@ Integral concepts every 1st Saturday
Nikola 
Arturo Garces
Lucas Rodenbusch aka E.B.E.
Club 6 60 6th st. 10-2
should be off the hook local guys bangin it
Soundworks is good but you gotta get there before Andre and Nik buy up all
the stuff.  also be sure to check out Housewares which has a new revamped
techno side.  Nik bought almost all of submerge's catalogue a few weeks back
Hans



On Sun, 28 Jan 2001 12:27:40 -0800 (PST), [EMAIL PROTECTED] wrote:

  I'm going to be in the San Francisco for the next few weeks.  Anyone
  know of any good musical events in the bay area during february? 
  Thanks in advance...
  
  Also, any hints about favorite clubs / record stores would be welcome.
  
  
  =
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Re: [313] john howard

2000-12-29 Thread hans kaufmann
John's a really nice guy plays the disco like everyone else in SF.
Occasionally plays the drummy dubbier latin stuff,  depends on the mood. 
Kind of the local hero type guy who everyone who tries starting up a new
show books to play the opener.  He's been around in the SF house scene for
quite a long time.  It's not too bad the first time you hear it but when you
realize every DJ mixes the same and plays the tracks with no balls it gets
old.
On Sat, 30 Dec 2000 03:23:24 +1100, Cyclone Wehner wrote:

  That CD is nice, tasteful. John is part of the new wave of cool West
Coast
  house (not tech-house) DJs - along with Miguel Migs of Naked Music (cult
  fave here), Marques Wyatt, H-Foundation, etc. He also did a nice
percussive
  house track Spacewalk on the Om Lounge 3 comp.
  
  i know nothing about techno/house BUT
  
  i know i like john howard
  i would say he would be playing west coast housey stuff - nice and
mellow
  etc, very smooth
  
  check out his cd 'san fransisco sessions vol 2' its not bad, but doesnt
come
  close to vol 1 - mark farina :)
  
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Re: [313] best christmas present for a dj

2000-12-20 Thread hans kaufmann
Get Blaine the DJ Barbie


On Tue, 19 Dec 2000 21:13:04 -0800 (PST), turgan savas wrote:

  ok 
  i know this is one hell of a lame topic.
  But i really need recommendations of cool but -cheap-
  presents for my dear dj friends.
  A cool thing that you would love to receive.
  They spin house, disco house, san francisco based
  stuff like siesta...
  
  also anyone know where i can find tshirts of siesta
  music?
  
  thanks
  
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Attn. East Coast and Midwest Promoters

2000-12-09 Thread hans kaufmann
Hi,
I'm looking to get some of my artists booked away from the west coast so
they can get some recognition in the rest of the country.  If anyone does
any quality shows and wants some top flight talent please contact me.  Or if
you have any contact info for some promoters could you please contact me.

Thanks 
Hans

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Twonz on Groovetech/track ID

2000-11-30 Thread hans kaufmann
One damn fine set check out the archive from Nov 22 in the San Francisco
Archives.  I love that opening track Interview I think it's called anyone
know who did it. 







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Twonz in SF tuesday

2000-11-20 Thread hans kaufmann
After an off the hook show last friday twonz will be kickin down a set at An
Siban in SF tuesday night 1176 sutter crossing @ polk.


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Paging Laura Gavoor

2000-10-18 Thread hans kaufmann
I want to ask you some professional advice =o)

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Re: [313] the D label/SF shows

2000-10-17 Thread hans kaufmann
Those guys are all the next wave of Detroit, and deserve some serious
recognition on this list since they are the future-represent and show some
support. Check out www.paxahau.com , which is the same guys.  You'll find
out more about some of them and hear some badass mix sets.  

For those of you on the West Coast who are interested in seeing some D
artists live please check out the following upcoming events in San
Francisco.

Good Music-Saturday October 21st, 2000
Rex aka XXX (d-records, Detroit USA)
Mystic Bill (HPS, Chicago)
Tape (www.paxahau.com, Detroit/Oakland)
plus Spun, Needles and Silverman 250 capacity show show up early PS it'll go
from 10-about 8 am
It's at a downtown art gallery (shhh that's a secret)
415-289-2056 call for info

This Friday the 20th - maze @ Club 6, 60 6th Street 
California Techno w/
Safety Scissors and Kit Clayton 
Also Nov. 17th
Maze W/ Ben Sims and Tape from Paxahau.com 

Oh yeah Kenny Larkin is playing with DJ Pierre and EBE - Optimal @ 174 King
Street saturday the 21st too, but you should go see Rex and Tape if you
can't do both.

e-mail me if you have any questions
Hand

On Tue, 17 Oct 2000 20:47:19 +0300 (EEST), Sakari Karipuro wrote:

  howdy, 
  
  i've got few 12s by this mystery label D - music is really innovative
  and funky detroit techno, but i've never heard of the artists before and
  there seems to be connection to hawtin  co, since D website is
  http://d.m-nus.com/. website itself is annoingly slow flash stuff and
  offers very little information about the label. anybody knows anything
  about this label? some of the tracks really sound like hawtin just jammin
  live... 
  
  / sakke
  -- 
  work  http://www.teraflops.com/
  personal  http://www.vip.fi/~sakke/
  
  
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Re: [313] (relatively) unknown detroiters

2000-10-12 Thread hans kaufmann
Those guys get play and recognition in the housey house world already, I
wanna see the following get some props.

Bone
Twonz
all the guys named Mark-Floyd, Flash, etc.
Carlos Souffant
all the guys on www.Paxahau.com 
Derick Plaslaiko
and on and on

These are the future of Detroit and should get more attention.
Hans
On Thu, 12 Oct 2000 12:32:45 -0400, record time wrote:

  hi all,
  
  i think there's a lot of artists/djs in detroit that don't have the
  name recognition or hype that gets attached to some of the bigger
  names.  a few people come to mind (yes, they're all house):
  
  theo parrish (people in the uk are just getting turned on to him)
  alton miller
  mike huckaby
  mike clark
  kenny dixon
  and probably a dozen that don't come to mind right now...
  
  my $0.02
  
  ani  :)
  
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Who want Ben Sims?

2000-10-04 Thread hans kaufmann
Hey Everybody,
I'm trying to hook up a gig with Ben Sims for the 17th of November but they
want me to find him a US date for the 18th to make it worthwhile.  If anyone
is interested please contact me ASAP.  

Hans






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SF's poorest planned weekend ever

2000-08-15 Thread hans kaufmann
Ok I'm sitting here finding myself absolutely aggravated by this friday
night in the city by the bay, and the fact that none of the techno
promnoters in this city bothered to check with anyone else before booking
shows.  

Stacy Pullen and Derrick May and Gemini are all playing a new party.

Listen.com is throwin a party with Mr. Alan Oldham 

Maze has Layo and Bushwacka from England

Carlos Souffant is comin to hang out and play the Manhattan Lounge.

No why the hell do I have to go months without a decent techno show and then
out all of the damn sudden there are 4 worthwhile if not really good shows
in the same night?

I'm gonna kick it with carlos and if he's not done too late maybe go see
T-1000.  why in the hell couldn't anyone have done anything next week.  

Sorry to Gripe
Hans





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SF's poorest planned weekend ever

2000-08-15 Thread hans kaufmann
Ok I'm sitting here finding myself absolutely aggravated by this friday
night in the city by the bay, and the fact that none of the techno
promnoters in this city bothered to check with anyone else before booking
shows.  

Stacy Pullen and Derrick May and Gemini are all playing a new party.

Listen.com is throwin a party with Mr. Alan Oldham 

Maze has Layo and Bushwacka from England

Carlos Souffant is comin to hang out and play the Manhattan Lounge.

No why the hell do I have to go months without a decent techno show and then
out all of the damn sudden there are 4 worthwhile if not really good shows
in the same night?

I'm gonna kick it with carlos and if he's not done too late maybe go see
T-1000.  why in the hell couldn't anyone have done anything next week.  

Sorry to Gripe
Hans





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New York Aug. 18-20th

2000-08-09 Thread hans kaufmann
Does anyone know of any good Techno events happening in the big apple the
weekend of the 18th.  Thanks in advance.  Please respond in private.
Hans





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Re: [313] Older people's views on detriot?-demf

2000-06-26 Thread hans kaufmann

My Mom (over 50 but fighting) went and loved it while I was stuck in SF
wishing I was there.  She goes out to the old people clubs where they play
la bouche and other cheese dance pop, but loves house I have played,
although she liked Rolando's Aztec Mystic mix the best.  She also said she
thought mdma sounded pretty neat after the reading the Time article a few
weeks back.  Parents just aren't the same as they used to be methinks.  

On Sat, 24 Jun 2000 16:43:34 PDT, Diana Potts wrote:

  
  
  On the DEMF tip there were tons of older people getting down and loving

  the music. Lots of parents of performers totally getting into the beats
and 
  vibe. It was so great to see...and lets not forget all the little kids
too 
  shakin their little legs.
  
  
  
  d
  
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Re: [313] FW: Groove

2000-06-22 Thread hans kaufmann
If anyone sees it and notices a kid in an orange shirt and green hat acting
foolishly and trying to get in front of the camera too much it's me so let
me know, since I wouldn't see it unless I knew I had a guest cameo.

On Thu Jun 22 15:54:55 2000, [EMAIL PROTECTED] wrote:

  i saw it here in ny the first weekend it was out...  it was kind of funny
(but i went with a whole bunch of post-rave people)...reminded me of an
updated Thank God It's Friday (the old Donna Summer movie?).
  
  any one else's thoughts?
  
  In a message dated Thu, 22 Jun 2000  2:14:30 PM Eastern Daylight Time,
John Bush [EMAIL PROTECTED] writes:
  
Groove is coming to the Michigan Theater in Ann Arbor
   July 28-31, and will be showing at 9:30 p.m. each night.
  
  Has anyone seen this yet?  Any thoughts?  The only reports I hear are
from
  big-media outlets, so when they trumpet it as the first true rave
movie,
  it makes me more than just a bit uncomfortable...  Still, it should be
  interesting -- and if you *had* to do a trance soundtrack (and I'm sure
they
  did), you could definitely come up with some cheesier people than the
names
  that show up here: John Digweed, Hybrid, Hardkiss...
  
  I believe the director Greg Harrison is an MSU graduate, for what it's
  worth...
  
  
  John.
  
  
  
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Re: [313] carl craig at cranbrook

2000-06-22 Thread hans kaufmann
It may not be the same reference but Pink Floyd had done the same thin in
London @30 years prior.  They had set up 360 speakers at 1 degree intervals
in a large cirucular auditorium.  Each speaker had a different tone so the
same sort of effect would occur.  fascinating concept.  

On Thu, 22 Jun 2000 15:39:19 EDT, detroit science wrote:

  was there also... unfortunately, i sat on the right side of the
auditorium, 
  right next to one of the surround speakers.  the best place to be was 
  directly in the middle, as carl was controlling the feeds sent to each 
  speaker and to get the full impact of the effect you needed to be in the 
  middle.
  
  i forget who/what exactly was the inspiration, but if i remember
correctly 
  it had to do with an installation that had been done over in europe 
  somewhere.  the installation featured different feeds going to speakers 
  placed within a venue, so that the listener created his own mix by moving

  around the area.
  
  i believe carl was controlling the feeds from recloose and his own gear -

  not sure about the drummer.
  
  anyone remember more details?
  
  take care,
  linda g
  
  mailing list http://www.onelist.com/community/detroitscience
  science office 313-534-7420
  science fax 313-534-5155
  mobile 313-790-7300
  pager 800-200-5176
  www.detroitscience.com
  was at that gig too...It was Carl, the drummer that he worked with on
  Innerzone Orchestra and Recloose (DJ Bubbilicious at the time).  To be
  honest, I don't remember it being terribly enjoyable but it was
definitely
  interesting and innovative.  A lecture on Techno by Motor's Adriel was 
  cool.
It definitely preceded the innerzone lp and was a testament to Carl's
  creativity...
  
  Sam Valenti IV
  Ghostly International, LLC
  
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RE: [313] Frankfurt scene (was : 'Trying to recreate something that's long gone')

2000-06-16 Thread hans kaufmann
Panytech (sammy and Zip) and Dimbiman and Markus Nikolai from perlon Records
swing back and forth between Frankfurt and Berlin, mostly residing am main
 
On Fri, 16 Jun 2000 17:25:32 +0200, Ross, Jurri wrote:

  How 'bout Thomas Heckmann
  
  -Original Message-
  From: Todd Smith [mailto:[EMAIL PROTECTED]
  Sent: vrijdag 16 juni 2000 20:22
  To: Nick Walsh
  Cc: 313@hyperreal.org
  Subject: Re: [313] Frankfurt scene (was : 'Trying to recreate something
  that's long gone')
  
  
  Could have sworn Gaetek was Italian no? Other conform artists, Advent
  (UK) Qmen (Italy), Marco Carola (Italy).  I think David Squillace is the
  only person from Germany who has produced on this label.  Actually just
  confirmed Conform is Gaetek's label from Italy.
  todd
  [EMAIL PROTECTED]
  
  Nick Walsh wrote:
  
   --- Gwendal Cobert [EMAIL PROTECTED] wrote:  
   inextricably linked. The  Frankfurt-Berlin-Detroit
 Trans-Atlantic connection
ho ho... I'm not trying here to add a point to this
ongoing thread, but just
curious : I still have some difficulty attaching the
artists to city
scenes - Detroit I see - Berlin I see (basically I
would put there Tresor,
Basic Channel, Chain Reaction...), but Frankfurt -
what are the most famous
artists and labels from this city ?
  
   Famous artists and labels from Frankfurt? Hmmm...
   Gaetek is from Frankfurt and so are all the other
   Conform artists... I think
  
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Re: [313] Dj software and Recycle

2000-06-08 Thread hans kaufmann
I met a kid who works for digidesign and he had mentioned that one can
beta-test Pro Tools for them.  There is no additional compensation but you
do get it for free.  Something to look in to.


On Thu, 8 Jun 2000 11:07:37 -0700 (PDT), [EMAIL PROTECTED] wrote:

  On Thu, 8 Jun 2000, pooper scooper wrote:
  
   Recycle for waves and cubase for midi...
  
   Recycle is something completely different.  It doesn't do sequencing 
  at all.  It's a tool to automatically chop loops and sound peaks, and
either
  save them as individual wav files or drop them to a sampler as a bank.
  
   Or Vegas and Acid...
  
   Neither does MIDI AFAIK.  Vegas is a much more featurely wav sequencer
  than Acid and is really fun to use, but doesn't have the
auto-beatmatching
  features that Acid has.  The two make a good combo: match tempos in Acid
if you
  need to, export the individual channels as .wavs, and then sequence them
up in 
  Vegas.
  
   Some house producer friends of mine use Vegas as their main sequencer.  
  They write a bunch of MIDI loops in Opcode Vision (no huge reason to use
this
  sequencer, but they're used to it and it works for what they do).  They
record
  the loops to the computer then do the arrangement in Vegas.  Then they
jam over
  the whole thing with live vocals, flutes, Rhodes, Moog, etc, recording it
in
  Vegas.  Then they can edit and sequence the live stuff in too.  Pro-tools
for
  poor people, basically.
  
   OB-313: If you're got a nice sound card, I would think Vegas would be a
  pretty fun thing to use to make 313-style music.  It eliminates the
problem of
  having to sync up a bunch of old analog gear, and it's fun to jam with to
make
  your tunes sound spontaneous.  To me, using Logic feels a bit anal -
which is
  fine for some kinds of music, but not really what I like about Detroit.
  
   J
  
  
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Re: [313] detroit vs. bay area, fila brazillia

2000-06-05 Thread hans kaufmann
Since I live in SF and pormote clubs here I get to put my 2 cents in. If a
good Detroit or Chicago house Dj shows up at a club (Gemini and K Hand and
Theo Parrish come to mind) they play the same flacid boring ass shit that
all the locals do.  no crescendos, no valleys sterile.  As far as the events
you listed below I can guarentee they are places you wouldn't want to be
besides being huge and full of drugged out rave babies saying hella left
and right, you will find out how lame Dj's can be.  In an effort to please
the crowd almost every Detroit Dj that's played out here (with the exception
of TP and the Detroiters I've had play, Rolando, Bone, transmat etc.) plays
shit they think the crowd will like and not what heads wanna hear.  Juan
won't show up-he's up to 4 no shows since I've been here.  Ritch @1015 (same
crowd as a candy rave older age) was playing to the cheese crowd with brief
intervals of goodness (and you will lose respect for John Aquaviva if you
hear one of his sets at 1015 as well).  Trust me on this one I've made the
mistake of going to shows like this when I first moved here and while it
sounds good on an 11x17 super glossy flyer covered with pretty pictures and
telling you about edible fruit alters floral arrangements what lights they
have and how they will have free glowsticks you will be sorely dissapointed.
If you want to see good music you have to get lucky sometimes.  Techno is
very hard to get although Shake is scheduled at my friend's club in 2 weeks
and I'm trying to get Marco Carola for July.Stick to Maze Staple and
Urban Development to avoid dissapointment in SF 



On Sun, 4 Jun 2000 13:45:14 -0700 (PDT), Tim Pratt wrote:

  after spending more than three days immersed in detroit techno
  last week, i'm spending this weekend in the San Francisco Bay
  area looking for jobs and whatnot.
  The interesting thing is how so different the two scenes are.
  Bay area is known for such a wide diversity of sounds, which i
  can definitely appreciate, but the two big scenes of late seem
  to be the turntablism/hip-hop thing and the trance stuff.
  last night i was listening to this late night radio show called
  subsonic and it was pretty cool, though a bit heavy on the
  trance stuff. to me, trance hasn't evolved much since its first
  heyday in the 93-95 amid the Goa and happy hardcore trends.
  anyway, despite the fact that trance is more popular in the West
  (John digweed is spinning tues, for example), i did notice a few
  interesting detroit names on some flyers on picked up at a head
  shop in Mountain View (basically, Silicon Valley):
  Quest July 1, Santa Clara Fairgrounds, San Jose -- Richie
  Hawtin with .. Terry Francis, Kevin Yost, Dieselboy, J Majik,
  Fierce, Dara, Sage, Christopher Lawrence, Joshua Ryan, Taylor,
  Doran, Mars, etc. www.silverpearl.com
  Metropolis June 17, Santa Clara Fairgrounds -- Stacey Pullen
  ...with Gene Farris, DJ Dan, Sandra Collins, Angel Alanis, De La
  Soul, Rahzel (roots), danny tha wildchild,
  www.clockworkeventz.com
  Cyberfest July 22 -- Santa Clara -- Juan Atkins . . . with
  Paul Oakenfold(! ugh!!), Carl Cox, ED Rush  Optical, Digital
  Underground, Aphrodite, Mix Master Mike, Wish Fm, dave ralph, 
  bt. www.coolworldprod.com
  
  lastly, anyone into fila brazillia??? very cool stuff. any
  downtempo fans?
  detroit still rules
  
  timmmiP
  
  
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Re: [313] industrial vs. hip hop

2000-05-26 Thread hans kaufmann

I really like this, can we have a seven degreees of Techno game?  I choose
Punk  Hardcore.  I was in Germany at a giant open air fest called Strange
Noise in the Black Forest in Germany to see a couple Hardcore bands
(Snapcase and Rikers I believe)  The first night was a big silly rave party.
I know quite a few kids in Detroit who were into punk throughout their teens
and suddenly got into techno.  None of us liked ravers though.  I think it
had something to do with the beats.  Don't forget that Motor used to be the
Falcon Club, one of my favorite places to be during high school.  And theres
a semi-fabled history at St. Andrews for both music forms.  The more I think
about it the more similarities pop up.  





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Perlon SF Saturday the 20th

2000-05-18 Thread hans kaufmann
For all the Bay area Tech heads be sure to check out our show this Saturday

SATURDAY MAY, 20TH
Urban Development presents:
3 phat live sets from [PERLON] recording artists
Markus Nikolai
Pantytech
Dimbiman
also playin will be UD's 
Andre Lucero and Gouracandra
with Special guest Spun

$20 tickets available at BPM records on Hayes (yeah it's more costly than
usual but so are plane tickets and artist fees)
It's going to be a small private (read: illegal but the cops don't look for
us so we don't get busted)location so be sure to get a ticket.
Space is limited to max. 300 heads.
We don't card but it tends to be 21+ techheads.  
Semi-full bar and top quality sound.
See you there
Hans






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Perlon SF Saturday the 20th

2000-05-17 Thread hans kaufmann
For all the Bay area Tech heads be sure to check out our show this Saturday

SATURDAY MAY, 20TH
Urban Development presents:
3 phat live sets from [PERLON] recording artists
Markus Nikolai
Pantytech
Dimbiman
also playin will be UD's 
Andre Lucero and Gouracandra
with Special guest Spun

$20 tickets available at BPM records on Hayes (yeah it's more costly than
usual but so are plane tickets and artist fees)
It's going to be a small private (read: illegal but the cops don't look for
us so we don't get busted)location so be sure to get a ticket.
Space is limited to max. 300 heads.
We don't card but it tends to be 21+ techheads.  
Semi-full bar and top quality sound.
See you there
Hans






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Re: [313] re: trancey-trance

2000-05-16 Thread hans kaufmann
At the club I worked for last year, we booked all the above mentioned London
Liberating Nasty Bastards.  The occasionally interesting loop got really
monotonous and I think the best word to describe it is Sterile.  Now while
anything remotely related to techno is more palatable than flat ass house
and skygrabber bouncy mono kicked synth pop without vocals, it's still
flacid.  Does anyone have an explanation for the consummate mediocrity en
vogue?  I was thinking that either theres a lack of desperation for the pure
love of music (read they wanna get laid) or that it has something to do with
blandness of food consumed.  Give Me Rolando and some spicy ass BBQ anyday!
Hans



On Tue, 16 May 2000 15:46:14 GMT, Seth Redmond wrote:

  eh?
  
  I've unfortunately spent several nights listening to liberators, dave the

  drummer et al. foisting this bleepy crap on an invariably
  drugged-to-the-eyeballs crowd, since it is now being played in previously

  good clubs, and though Roland the Bastard does have a cool-as-fuck name,
the 
  music is tedious in the extreme...
  
  america gives us proper techno, and then some years later we take all the

  funk out of it and send it back as acid trance...and people actually like

  it?
  
  
  
  Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com
  
  
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Re: (313) f*cked up!

2000-04-26 Thread hans kaufmann
Question? Does Derrick actually show up or does he only bail on American
shows?  Go to see Carl just in case.

On Wed, 26 Apr 2000 15:45:48, Jason wrote:

  Location: Glasgow
  
  Date: 13th May 2000
  
  Derrick May - Temple club
  
  Carl Craig - Bugged out, QM
  
  who would you go and see?
  
  jason
  
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RE: (313) New album/Romeo

2000-04-19 Thread hans kaufmann
Kid Rock is a rich white kid!  Anyone who's ever bought a car from Bob
Ritchie Ford in the Northern suburbs of Detroit has contributed to his now
meteoric, non-deserving, Bon-joviesque rise to MTV superstardom.  Lil' Bobby
Ritchie Jr. got all his gear and money to make demos from papa.  So he's not
really white trash but claims to be, sort of the white CB4 in real life. 
God I long for those days when he tried to get one half of St. Andrew to Say
KID and the other to say ROCK to dead silence.  Almost as funny as my
friend body slamming som kid to the floor because he had never been near a
pit before.
No Respect for the True artists in their homes 


On Wed, 19 Apr 2000 09:55:03 -0700, Merrick McCartha wrote:

  I saw Romeo Must Die.  I'm sorry folksit IS a good flickworth
  renting at least.  Soundtrack is great and Jet Li does a great job for
  someone new to 'English-on-film'.  I'm not sure why people are bashing
it.
  Can one of you fill me in on the grievances?
  
  Sean.you lost me on the (even if it's not a fictional film on the
  bombing of Kid Rocks trailer park) joke.inside joke?
  
  anyways.as far as RMDremember this..Maurice steals the
  show!!!
  
  
  
  
  MORPHEUS:It's that feeling you have had all your life.  That feeling
  that something was wrong with the world.  You don't know what it is but
it's
  there, like a splinter in your mind, driving you mad...
  ..But what isit?
  
  -- The Matrix
  
  *
  Merrick McCartha
  Design Engineer 
  Space Electronics Inc.
  email: [EMAIL PROTECTED]
  Phone: (858) 452-4167 x198 
  Fax: (858) 452-5499
  
  
  -Original Message-
  From: sean deason [mailto:[EMAIL PROTECTED]
  Sent: Wednesday, April 19, 2000 6:42 AM
  To: [EMAIL PROTECTED]
  Cc: [EMAIL PROTECTED]; 313@hyperreal.org
  Subject: Re: (313) New album/Romeo
  
  
  New album?!! hell I havent heard the Progress album yet! man am I falling
  behind.
  Alan: big hint in that last line directed at you (man am I subtle or
what?
  :^)
  Okay Alan, on your recommendation alone I'm gonna check out Romeo Must
Die
  it
  sounds pretty cool (even if it's not a fictional film on the bombing of
Kid
  Rocks trailer park). I've been a huge fan of Jet Next Best Thing to
Bruce
  Li
  ever since he kicked Mel and Danny's asses in LW4 (the only good thing
about
  that entire movie). The Black Mask was a bit too Green Hornet/Batman for
me
  (even had a cute reference to Kato) but Jet still shined like a star.
  sean
  
  [EMAIL PROTECTED] wrote:
  
   Hey Alan,
  
   What's the story on that new album of yours? When will you start
working
  on
   it and who is going to release it? I hope Tresor is, I get all their
stuff
   on promo. I really liked 'Progress' and I hope some new material is
coming
   soon.
  
   John
  
   P.S. Are you in Detroit around the time of Carl's festival?
  
   -Original Message-
   From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
   Sent: Wednesday, April 19, 2000 2:29 PM
   To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
   Cc: 313@hyperreal.org
   Subject: (313) Romeo Must Die (was: replace barbie with ken)
  
   In a message dated 4/19/00 8:09:44 AM, [EMAIL PROTECTED] writes:
  
I've been wanting to see Romeo Must Die for a while now, but the
  reviews
   are so
  
   mixed I don't know what to do. How many of you saw it and thought it
was
   The
  
   Shit' (©2000 Sean Deason/Matrix records) 
  
   I saw it and whoever didn't like it is *full* of shit (neatly
avoiding
   trademark hassles by not using the 'the' prefix). Jet's fight scenes
were
  a
   little Jackie Chan/found- objects-as-weapons-esque, but the film
overall
  was
  
   noirish and very stylized and Aaliyah was incredible. The plot became
   transparent in the third act of the film but it looked so good, it
didn't
   matter. Its Romeo and Juliet subtext was a bit of a stretch, too; in
  this
   movie, they weren't lovers (I still like the visually tricked-out Baz
   Luhrmann alternate-Earth version with Leo and Claire Danes though). The
  film
  
   was set in San Fran and why am I talking about this movie on 313 ?
  
   Alan
   (woken up by upstairs neighbor's mini-revival meeting; wait till I
start
   working on my album)
  
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  --
  sean deason
  matrix records
  p.o. box 343
  dearborn, mi 48121-0343
  ph/fax: 313.582.3410
  cell: 313.522.3505
  email: [EMAIL PROTECTED]
  profile: seandeason.metrotimes.com
  
  
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Re: (313) movies that were filmed in Tha D

2000-04-14 Thread hans kaufmann
With a girlfriend in the Motion picture (ok so it's TV)industry I'm privy to
some wierd info. For the most part very few movies are actually filmed on
location.  Detroit Rock City was filmed in Buffalo for Fuck's sake.  The
amount of shit that a production crew has to go through is pretty ridiculous
as there are so many thing that they have to have and have accounted for. 
Nearly all of the equipment (ie. Steady Cam operators, Post Production, etc.
etc.) is in LA as well as experienced people to handle all aspects of
production and logistical issues.  Smaller films can film on location but
it's still a pain in the ass.  Movies like the Bridge, Dertoit Rock City ,
and Bird on a Wire Contain stock footage of the city but it's somewhat
irrational for a film company to actually shoot there.  It's not so much an
issue of authenticity but logistics.  Remeber in Bird on a Wire Mel Gibson
and Goldie Hawn took a Ferry from the D to Racine Wisconsin in 2 hours (I
think the Ontarians should be pissed about that).  And besides why does
location of where it was filmed matter if there are indoor shots.
As a side note the reason that Detroit has produced such great art over the
years (IMO) is that there ain't shit to do but focus on your art.  They film
shit in San Francisco and LA all the time (I've seen my old apartment in
Flashback).  But this is a place where artist come to die it's beautiful
here but is there anything being produced musically worth a shit no.  Any
great art no.  An artist friend of mine who went to CCC in the D but lives
her now calls it the place where artist's come to die.  If you want to see
tha D go home and visit your folks.  Be proud of what's been produced in tha
D-even if it is some dorky white kid from Romeo that happens to be the most
famous at the moment.  
Desperation is the only cause of greatness
Hans


On Fri, 14 Apr 2000 00:02:26 -0500, Phonopsia wrote:

  Roger  Me is filmed in Flint and Detroit. But a documentary...
  
  The new John Frankenheimer film, Reindeer Games is set in the upper
  peninsula of Michigan. Don't know where it was filmed...
  
  There was a gangsta/mafia flick with Nicholas Cage and Michael Rappaport
  (Dick Richey) that came out two or three years ago - really sucked. This
was
  set in Detroit.
  
  Was The Equalizer set in New York or Detroit? I can't remember.
Probably
  wasn't filmed there at any rate.
  
  Can't forget the Beverly Hills Cop series... Not sure if these were
filmed
  in Detroit.
  
  An addendum: almost everything is filmed off site. Northern Exposure
was
  shot in Washington, not Alaska, most of the X-Files were filmed in
  Vancouver. Most American movies and television are filmed in Hollywood,
  except for establishing shots. This doesn't include Scorcese and Woody
Allen
  (and a few others).
  
  One thing I've noticed: Detroit seems to be a lot less prominent in the
  American national media in the 90s than it was in the 80s. Probably
because
  decline is more newsworthy than reconstruction??? Don't really know
enough
  about it to say, and I don't pay enough attention to the news anyway, so
  this may be completely off base.
  
  Regardless, filmmakers always seem to have a distinct purpose in mind
when
  shooting/setting a film in Detroit. There is a distinct mood associated
with
  Detroit in the American consciousness.
  
  My filmic $.02
  
  Tristan
  ==
  PHONOPSIA[EMAIL PROTECTED]
  http://www.geocities.com/SunsetStrip/Lounge/5102/index.htm
  FrogboyMCI on AOL Instant Messenger
  
  New mix, Propper Techno and new Album, Québécois, online now.
  -Original Message-
  From: [EMAIL PROTECTED] [EMAIL PROTECTED]
  To: [EMAIL PROTECTED] [EMAIL PROTECTED]; 313@hyperreal.org
  313@hyperreal.org
  Date: Thursday, April 13, 2000 3:47 AM
  Subject: Re: (313) movies that were filmed in Tha D
  
  
  
  In a message dated 4/13/00 2:30:46 AM, [EMAIL PROTECTED] writes:
  
   in dan sicko's book he mentions that robocop was one of many films
which
  were set in detroit but not filmed in the city. what films were actually
  filmed in the city?
  
  blair 
  
  There was this made-for-cable movie with Bonnie Bedelia (Bruce Willis'
wife
  in the Die Hard flicks) about five years ago that was actually filmed
on
  location here. The old Hudson's building (RIP) and Old County Building
were
  used (Bedelia's character was a judge).
  
  Parts of Out of Sight (Clooney and Lopez) were filmed here, not just
  exteriors.
  
  Exteriors and establishing shots for the now-defunct CBS TV series EZ
  Streets (Ken Olin) were filmed here.
  
  The opening sequence of Beverly Hills Cop was shot here, the bit that
ran
  under the credits. None of the actual narrative, though.
  
  Polish Wedding (Liam Neeson and Claire Danes) was actually filmed in
  Hamtramck.
  
  I didn't see Grosse Pointe Blank but I heard most of it was filmed
here.
  
  Ice Cube's character in Three Kings was a Detroiter.
  
  Weren't 

Re: (313) Rave betty Barbie and DJ Ken

2000-04-14 Thread hans kaufmann
Jesus do we always have to have this whiny ass discussion.  Let's make the
distinction please as to the difference between the Rave scene and  this
mystical Utopian non-existant past that seems to fit so fondly in everyones
mind.  Raves and the trendy (it's a fashion and drug culture not a music
culture stop deluding yourself-who the hell doesn't listen to music on
drugs!)have, do, and will suck (opinions-assholes you know the cliche).  The
phenomena of the 80's in England where the Drug and Fashion culture that
later becam raving wasn't based on the music from this list until several
years after the Acid Houses Incantation.  The Rave merely became a vehicle
for Techno. Futuristic beats sound pretty cool on drugs no.  As Dan Sicko
pointed out most of the Artist you guys idolize on this list (jesus! they
just make music) couldn't get heard anywhere and the rave was the only place
to play the music of their lives.  I'm personally glad that ferngully and
re-disco are the only thing you can hear at a rave, I don't have to go to be
annoyed with anyone.  I can get my friends together throw an intimate 300
person party  with great artist who ain't gettin booked at a rave cause they
have talent and then I can have a genuine good time (not to mentioned we
dress well).  Every other week someone in New York, LA, or San Fran is
posting about quality small techno events. It can be hard because of the
fees that must be paid to the Detroit Artists who have been getting way more
fame/respect/money in Europe and recently australia are so high.  It would
be nice if some of the artist would do some favors and come play for less
than their Euro Cost.  To build and maintain a lasting you have to maintain
the core audience that will stick around.  So if anyone knows any cool ass
artist (the Burdens have offered) want to come out here hang out with some
deprived Tech-heads and rock a small house party let me know.  God I
remember only 4 years ago seeing Claude Young Tag for 4 Hours with Mike
Clark in a Basement in Lansing.  Fuckin Quality.  The kids are all wrong big
deal but unless we snag a few of em an educate em about the history and
tradition then there will be no more music being made (in case you havn't
noticed some of the artists are like ballplayers gettin over the hill) and
all you'll have are achives of this list.  
Goddamn Ravers 
Hans
Punk Rock boy who likes the damn beats
  
On Fri, 14 Apr 2000 14:36:31 -0400, Dann W wrote:

   Oh, stop whining
  
  Didn't mean for it to come off in a whining tone but... anyway.
  
   it's how you present yourself.
  
   Good point, i agree.
  
   Many of us who came up in the early days listened, observed, paid
  attention,
   respected the people who had been before us and learned about the music
  and
   the scene.
  
  As do I, and a lot of my friends.  I really do wish I could have
experienced
  the scene when it was a little more pure.  Unfortunately that's not a
  possibility.  I love the music, so I put up with the shit and make the
best
  of it.  Yeah, the scene sucks now but people need to try not to
generalize.
  Theres new school kids out there got the love as well.
  
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Generation Hurl

2000-04-13 Thread hans kaufmann
A glaring example for all to see that either A. the world or B. Rave/Club/No
Quality DJ culture is about to shoot itself in the foot and go away for
another 10-20 years.  Jesus it's bad this time.  Worse than the  Earring
Magic Ken they recalled a few years back  after they realized he was gay. 
The worst part about this is that he's a eurofag with bad hair (if anyone is
whiney and gets offended sorry)
-

  http://www.generationgirl.com/catalog/blainecat.asp
  






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Re: (313) Real Audio Mixes

2000-04-12 Thread hans kaufmann
Anyone Mention Detroit based
www.paxahau.com
streaming broadcasts sundaze 12noon-12mid
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Re: (313) Track ID

2000-04-03 Thread hans kaufmann
wasn't that a live crew cut from 87'? hehehe

On Fri, 31 Mar 2000 22:30:49 +0200, Tobias von Hofsten wrote:

  I know you love to share your knowleadge
  This one´s kinda nasty though so pleace forgive my language. Here goes:
  
  Male singer over a horny housegroove:
  
  Ready or not, here it comes...  ...something...
  Here´s your chance to suck my dick... and put it on a mission. (?)
  Gonna be fuckin´ up and down. Come, come, come, come, come...
  
  So, sweet! It´s a gottahave-track for me. Anybody?
  /Tobias
  
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Re: (313) NY Times Electronic Article

2000-03-22 Thread hans kaufmann
It's almost annoying to see so many posts on a lame ass NY Times article. 
We all have noticed how utterly retarted the Rave scene has become (or
always was in my opinion).  But Techno (and all ther sub-genres because I
refuse to use that god forsaken Electronica word) in general is now an
officially established ass sucking mainstream phenomenom and it has been
progressing that way for years.  And if you'll take a short look back into
history you'll see what occurs whenever any music based Scene become a
mainstream chunk of popular culture (punk, Disco, even late 80's Hair
metal).  YOU GET SHIT AND IT DIES OFF INTO OBSCURITY! The desperation and
the heart are lost from the music and all the bandwagon hoppers make it
annoying for the old schoolers to go out to hear what they love.  Money
and record labels have forced it's way into it and it's impossible for any
of us to go see if say Jeff Mills still has it or if he sucks now (I'm
curious) but his goddamn fees are too much, so I doubt I'll ever know. Who
the fuck cares if so and so get's the recognition they deserve, they are
artists and the fact that there is this list devoted to knowing what color
every Detroit Dj's shoe's were at such and such show should let you know
that they get true recognition from those who know.  FUCK the Mainstream
Media-it's all lies anyway.  Fuck the suck ass Dj's and Producer's who get
huge off a name or a cheesy MTV track (or showing some tit like DJ Rap). 
I'm gettin annoyed as fuck by hearing a shitty jungle track on every car
commercial or Pantene Pro V's House tracks.  But hey it's ultra popular and
the quality is dying for the sake of quantity and you'll keep gettin more
and more nostalgic.  I could go on bitching forever but won't cause I have
to work.  So in Closing Fuck the New York Times.  Instead of bitching on
this list why don't we go write the truth and spread it.  Otherwise just sit
back and watch it all suck worse and worse until you wake up one day telling
you kids what is was like to be a Raver in the 90's (like your friends Hippy
mom did about the 60's)
Hans   

On Wed, 22 Mar 2000 08:57:32 PST, Diana Potts wrote:

  
  ...seems like a good 'first baby steps' kinda article. my only beef is
that 
  the author decided on Basement Jaxx as the highlight artist for
house...IMO 
  Basement Jaxx's tracks have less soul in their pinkie finger compared to
the 
  likes of KDJ, Terrence Parker or even the early Jon A./Definitive 
  Tracks...not to mention planetE releases. But perhaps those are left
better 
  untouched/tainted. Not to mention, with all due respect to Mr.Hawtin,
there 
  are OTHER detroit techno artists besides the said 4 and 
  him...coughAlanOldham...and others that its about time people learned
about.
  
  1monthcoutning
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Re: (313) chain reaciton

2000-03-21 Thread hans kaufmann
Perlon is it's own label based in Germany (Koln and Berlin).  We had them
place for us in September and have them again doing 3 live sets near the
beach in Santa Cruz next Month.  Their main artists are Markus Nikolai,
Pantytech and Mr. Dimbiman.  Great shit.
Hans 

On Tue, 21 Mar 2000 21:06:52 GMT, Nick Craddock wrote:

  Actually, that may be Perlon - with an 'L'.
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Re: (313) Ben Sims kicks ass???

2000-03-09 Thread hans kaufmann
I have to agree.  If you put enough pretty colors on a monster flyer. you
could throw a giant 10,000 head techno only party (as long as you have one
room full of ferngully 303 preset hell and kick drums over pop synth riff
remixes), while trying to do a techno based format for big people clubs has
been an utter pain in the ass.  We lost our space for our club out here for
bullshit reasons and had to cancel a show we had planned with Bone and
T-1000 (our former night is now an esdjco overly typical suck ass disco
house night).  The most unfortunate thing about it all is that no one really
wants to lose the money it cost to fly and house one of our detroit heros
out here to play for 200 kids and lose your ass.  The only draws that'll get
you more than 1000 heads are May and Ritchie go figure.  I've contemplated
going the route of LA and get some corporate sponsors and throw a giant show
with Mills but, the sad and hideous state of affairs would be that no one
would show up unless I booked Dickweed and Terry Mullan (or other $4000+
Rave circuit players) to get anyone to show up.  It sucks that the only way
to hear the music you love is to be the jackass who loses his rent money. 
Fuck it I've moving to Australia.  


On Wed, 8 Mar 2000 21:04:35 EST, [EMAIL PROTECTED] wrote:



  I don't think that the Rave Scene is necessarily a great place for 
  techno, although at the same time I do hope that techno DJs continue to 
  infiltrate the rave scene and bring their own sounds to those who will 
  listen--which is exactly why I play parties.
  
  The rave scene is what's keeping techno alive in the US, strangely
enough. I 
  hardly ever get booked at clubs. All the clubs want to hear is commercial

  Oakenfold bullshit or Eiffel 65 eurotrash pop (aside from Motor and
Science 
  of course *wink*). The funny thing about these candy kids is that they
*say* 
  they don't like techno until you light their asses up and rock some shit,

  then they're all over you...what kind of music is that ??? Then you
leave 
  the room and they're right back on that happy hardcore cartoon
shit...weird. 
  
  Just my 02.
  
  a. 





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Re: (313) Re: San Fran 2-12-00

2000-02-07 Thread hans kaufmann
Many apologies to those of you who can't take a joke.  I was simply making
an attempt to humor those of us in the bay area who are tired of the
constant bombardment of substandard music
(this is a place where you can have someone like Claude Young play and only
have 150 kids show up).  For those of you who have never been to the bay
area it is a place where the trendier bullshit fashion show aspects of
raving and clubbing are important than what's playing on the sound
system.  There are some good things out here musically but that is in a vast
minority and my comment was merely something for those who know to giggle
about.  And just to incur further hate mail for my own
amusement.what exactly is going to get ugly? Are you going to make
me wear a diaper, stick a pacifier in my mouth and force me to dance around
with glowsticks to ferngully trance or soulless disco house?  Now that's
fuckin ugly. 
Opinions are like assholes...

P.S. Farina's still pretty ok but if you ever see the Wicked crew play they
are really nothing to marvel atunless of course you are easily
impressed.  
 


On Mon, 07 Feb 2000 10:06:07 PST, Shane from PLURkids wrote:

  hans kaufmann [EMAIL PROTECTED] wrote:
  
  flavored Techno as opposed to the constant suck-ass bombardment of
cracker 
  house and trance you typically get
  
  
What exactly is cracker house? I REALLY hope you are not referring to

  San Francisco style house, ala' Farina, Jeno, Markie, Garth, etc, in a 
  derogatory manner - or this could get ugly...
  
  
  
  Shane
  PLURkids Productions
  Info 734.913.9672
  www.plurkids.com
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Re: (313) Groove review

2000-01-28 Thread hans kaufmann
I'm going to embarrass myself to prove a point.  Groove has to be a sucky
Movie plain and simple.  but I'll go see it to see if I can see my self. 
See a few months ago I met this girl at my club and she asked me if I would
be interested in going down and dancin or consulting or something for that
movie.  it was so lame.  I was there for one cheesy dance scene where they
expect you to dance to some suck ass trance then keep going while they cut
the soundtrack for some dialog shot then put it back on.  Took the dumbasses
15 time to get a shot right.  So I stayed for free food, endured one more
take then left.  I had no idea what to expect and honestly it was one of the
lamest experiences in my life.  It was over lit and they put in just about
every suck ass stereotypical rave thing you could imagine (shit-they had
boxes bulk pacifiers, cheesy alters and enough day-glow to make a blind man
see).  It'll be more authentic looking than GO but still cheesy as hell. 
But then again when has anyone ever made a feature film that accurately
portrayed a pop culture movement.  Those of us who care are too busy trying
to hold on to the integrity of the music and don't have time to learn how to
make films and write screenplays.or do we?
hans  


On Fri, 28 Jan 2000 10:26:46 -0500, Holly C MacDonald-Korth wrote:

  I second that... the review made it sound like the movie Go!... which had
to be
  in the top 10 WORST movies *ever* made...
  
  peace,
  h
  
  
  
  
  
  Diana Potts [EMAIL PROTECTED] on 01/28/2000 10:09:24 AM
  
   

   To:[EMAIL PROTECTED], 313@hyperreal.org

   

   cc:(bcc: Holly C MacDonald-Korth/IRM/FRBOG/US)  

   

   

   

   SubjectRe: (313) Groove review  

   :   

   

  
  
  
  
  
  
Im still waiting for the film that follows an exciting night of detroit
  old skoolers at the bar and thier night of caos following through to
their
  exciting weekly 9-5 jobs. I say the whole staff of Sigma 6 (errrm I mean
  Apnet) would be a good casting candidate. and how about the DJ who is
just
  tryin to pay the bills and take home a cute honey.
  
  From what the review says this film seems to focus on the younger still
  druggin crowd of rave-bring more bad and typical stereotypes to the
  scene,the music and the ppl involved??? Dont read me wrong-IM NOT DISSIN
a
  film I havent seen, as I look forward to seeing it. Im just trying to
think
  of all aspects.
  
  blahblahblah
  diana
  
  From: matrix [EMAIL PROTECTED]
  To: 313@hyperreal.org
  Subject: (313) Groove review
  Date: Fri, 28 Jan 2000 09:51:29 -0500
  
  Check out the review in The Toronto Star, the paper version comes
  complete with 4x6 photo from movie, + the headline which reads This
  Movie should do for Rave what Saturday Night Fever did for Disco!
  
 
http://www.thestar.com/thestar/editorial/entertainment/2128ENT09_MO-Howell28.html
  
  
  Cheers,
  
  Gerald
  
  
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