Re: (313) Blaze
the best blaze track by miles: black rascals 'keeping my mind' (sumo) james > From: [EMAIL PROTECTED] > Date: Tue, 4 Nov 2003 11:38:20 + > To: 313@hyperreal.org > Subject: Re: (313) Blaze > > > Hey Chris. > >> I was wondering whether any of you can tell me what are the ESSENTIAL > tracks released by Blaze > > there's loads! I prefer their older stuff... but theres loads of good > recent stuff too. > best thing to do, go see duncan at work, he'll sort you out, he has loads > of the old wicked chit > > Basic Blaze LP > Funky People ep > moonwalk on nuphonic > directions on spiritual life > Lovely Day on simplex > > are all quality, off the top of my head. but, really ask dunc, he knows a > load more than I do. > > hope it helps a little. > > alex > > > > > > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring > > > >
Re: (313) fave Paul Johnson tracks
the ep with flange beat on dancemania. all four tracks are killer. james > From: [EMAIL PROTECTED] > Date: Fri, 17 Oct 2003 18:29:40 -0700 (PDT) > To: [EMAIL PROTECTED] > Cc: 313@hyperreal.org > Subject: (313) fave Paul Johnson tracks > > On Fri, 17 Oct 2003 02:50:48 -0500, "Cobert, Gwendal" > wrote: > >> I wouldn't mind somebody saying what are his most >> interesting / best releases etc, BTW... >> Gwendal > > I'd say mine would probably be "Just Whistle" on > Relief; actually all his Relief records are super. > Andrew Duke > > out now: Environmental Politics http://and-oar.org > Take Nothing For Granted http://acidfake.tk > Sprung http://bip-hop.com > http://warprecords.com/mart/music/release.php? > cat=BLEEP12&fc_type=CD > *Canadian electronica album of the year nominee* > More Destructive Than Organized http://staalplaat.com > Highest Common Denominator http://pieheadrecords.com > Physical and Mental Health http://dialrecords.com > 74'02 (split with Hypo) http://tsunami-addiction.com > Waveforms: Halifax Electronic Music Compilation > http://cognitionaudioworks.com >
Re: (313) Cajual / Relief
it's being slowly re-released. i saw day by day in a shop today. and brighter days has been re-released. plus stay around james > > > > - Original Message - > From: Chris Anglesey <[EMAIL PROTECTED]> > To: <313@Hyperreal.ORG> > Sent: Saturday, October 11, 2003 1:10 PM > Subject: (313) Cajual / Relief > > >> >> Hello 313 Peepz, >> >> I was hoping that some of you good folks could help me out with some > record >> buying info. >> I like some of the Cajual & Relief stuff / tracky, disco-sampled house > that >> i've heard and could use >> some tips regarding the ESSENTIAL stuff released on these labels. I was >> spinning techno-only >> around the time that these labels were hot and, as a consequence, probably >> missed out on many gems. >> >> Any help much appreciated. >> Chris. >> >> >> >> >> > >
(313)Strings of Life, Danny Krivit edit
Strings Of LifeRythym Is Rythymbootleg Danny Krivit editIbadan? noticed this in a francois k setlist for deepspace. is this released? james
Re: (313) fantastic vinyl in NYC?
sonic groove on carmine (not far form nyu) vinly mania on carmine dancetracks on 1st and 3rd(?) rock n soul near macys, 462 7th ave james > From: Thomas I Ainslie <[EMAIL PROTECTED]> > Date: Sat, 20 Sep 2003 13:22:48 -0500 > To: 313@hyperreal.org > Subject: (313) fantastic vinyl in NYC? > > hello all, > > i've just recently moved from the detroit burbs to the heart of Manhattan for > grad school. i'm missing Record Time and Encore somethin' awful. would > anyone be able to recommend some good places to find records in New York? i'm > interested in good electronic music and good used records. and cheap would be > even better. > > thanks in advance > > tom > >
Re: (313) old house track heard on wdtr - "words"?
it's on one of the musicbox re-edits. james > From: "Bill Van Loo" <[EMAIL PROTECTED]> > Date: Thu, 7 Aug 2003 17:57:16 -0700 > To: [EMAIL PROTECTED],"Bill Van Loo" > <[EMAIL PROTECTED]>,313@hyperreal.org > Subject: Re: (313) old house track heard on wdtr - "words"? > > Alright, that makes a lot of sense. I thought I heard live bass in > there as well... > > peace, > > Bill > >> "Wordy Rappinghood" by Tom Tom Club - band that Tina > Weymouth formed >> excellent album, very rhythmic >> came out in 1981 >> >> it's got a little thing in there with a guy yelling "James > Brooon! >> Jmes Brown!" >> >> MEK >> >> >> >> "Bill Van Loo" >> <[EMAIL PROTECTED]To: 313@hyperreal.org >> org> cc: >> Subject: (313) old house track heard > on wdtr - "words"? >> 08/07/03 06:46 PM >> >> >> >> >> >> >> Hello, y'all. >> >> I was listening to WDTR's house show this afternoon on my way >> home and heard Al Ester drop this track that I'm looking for more >> information on. I'm assuming it's an old track, it's got a >> spoken-word/rap vocal where each line is "words are...> blank>". Live bass, sounds like live timbales at points... >> >> any ideas? c'mon you old-school house heads! >> >> Thanks, >> >> Bill >> -- >> http://www.chromedecay.org >> >> >> >> > > -- > http://www.chromedecay.org >
Re: (313) Where can I buy Moxie 003?
which one is 3? the once in a lifetime release, or is that 2. savage records in aust have some for sale for aust$5 (that's US$2.50) so even with shipping you might come out ahead. can't find their address, but savage records australia in a search engine should do it. james > From: [EMAIL PROTECTED] > Date: Thu, 7 Aug 2003 15:47:54 +0100 > To: 313@hyperreal.org > Subject: (313) Where can I buy Moxie 003? > > > > > ** > Entertainment UK Limited > Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. > Registered in England Numbered 409775 > > This e-mail is only intended for the person(s) to whom it is addressed and may > contain confidential information. Unless stated to the contrary, any > opinions or comments are personal to the writer and do not represent the > official view of the company. If you have received this e-mail in error, > please notify us immediately by reply e-mail and then delete this message from > your system. Please do not copy it or use it for any purposes, or > disclose its contents to any other person. Thank you for your co-operation. > ** > > I thought I had it ordered from Rushhour, then they realised it's O.O.S! > > It's on back order for me but I wondered if anyone knows a place where it's > in stock now? Gemm lists Moxie 002 but not 003. > > Thanks, > Gary. > > > >
Re: (313) OT: CD is the new vinyl apparently...
he's not being lazy, rather, it's the opposite. he's saying he can do much more cutting it up, dj tricks, etc. with the cd than with vinyl. > From: "Paul Hudson" <[EMAIL PROTECTED]> > Date: Thu, 7 Aug 2003 14:30:48 +0100 > To: <313@hyperreal.org> > Subject: RE: (313) OT: CD is the new vinyl apparently... > > "But the convenience far outweighs the little sound that you may be > missing." > > Kinda sums it all up for me. > The "little sound" is the whole point of music for me. > Welcome to todays lazy socity... > > Oh and the other thing that annoys me is how much the BBC always pushes > these technologies from big companies. This isn't news, it's just doing > their advertising for them. Anyway, I'd better not get into a rant > about the tabloid style BBC news as I'll being going on for ever! >
Re: (313) Walter Gibbons
let me rephrase then, a record company recently released a mix of walter gibbons that consists of salsoul classics. james > From: "Warren Day" <[EMAIL PROTECTED]> > Date: Mon, 28 Jul 2003 10:14:55 +0100 > To: "James Bucknell" <[EMAIL PROTECTED]>, > <[EMAIL PROTECTED]>, <313@hyperreal.org> > Subject: RE: (313) Walter Gibbons > > He died in 94! > > -Original Message- > From: James Bucknell [mailto:[EMAIL PROTECTED] > Sent: 29 July 2003 01:11 > To: [EMAIL PROTECTED]; 313@hyperreal.org > Subject: Re: (313) Walter Gibbons > > not online, but i think he released a mix cd recently; maybe of salsloul > classics. i saw the vinyl release, but the tracks are mixed on the > vinyl. so > i didn't buy it. but i seem to remember it was old disco tracks. > james > >> From: [EMAIL PROTECTED] >> Date: Mon, 21 Jul 2003 13:05:58 -0500 >> To: 313@hyperreal.org >> Subject: (313) Walter Gibbons >> >> Anyone know where there are DJ mixes of Walter Gibbons online? >> Deephousepage - had what looks like two (but I actually think it might > be >> the same one) >> >> #920 & 190 - but they both say Walter Gibbons Live @ Yellow, Japan, > early >> 90s which leads me to think they might be the same mix (haven't > listened >> yet) >> I'd love to find some old Galaxy 21 sets. >> >> MEK >> >> >> > >
Re: (313) Vestax or Technics
i really like the sound of records played at minus 8. and believe me--i've got plenty of records. > From: "Langsman, Marc" <[EMAIL PROTECTED]> > Date: Mon, 28 Jul 2003 10:11:31 +0100 > To: "'Sakari Karipuro'" <[EMAIL PROTECTED]>, 313 > <313@hyperreal.org> > Subject: RE: (313) Vestax or Technics > > >> not to diss anyone personally, there is ABSOLUTELY no need for pitch >> above +4% or less than -2%. if you come into such situation you don't >> have enough records with you. > > There is if you play GheTToStyle thankyou very much !!! > .. Oh yeah and that involves having far too many records ! > > Peace, > marc > > -- > This message is intended only for the personal and confidential use of the > designated recipient(s) named above. If you are not the intended recipient of > this message you are hereby notified that any review, dissemination, > distribution or copying of this message is strictly prohibited. This > communication is for information purposes only and should not be regarded as > an offer to sell or as a solicitation of an offer to buy any financial > product, an official confirmation of any transaction, or as an official > statement of Lehman Brothers. Email transmission cannot be guaranteed to be > secure or error-free. Therefore, we do not represent that this information is > complete or accurate and it should not be relied upon as such. All > information is subject to change without notice. > >
Re: (313) Walter Gibbons
not online, but i think he released a mix cd recently; maybe of salsloul classics. i saw the vinyl release, but the tracks are mixed on the vinyl. so i didn't buy it. but i seem to remember it was old disco tracks. james > From: [EMAIL PROTECTED] > Date: Mon, 21 Jul 2003 13:05:58 -0500 > To: 313@hyperreal.org > Subject: (313) Walter Gibbons > > Anyone know where there are DJ mixes of Walter Gibbons online? > Deephousepage - had what looks like two (but I actually think it might be > the same one) > > #920 & 190 - but they both say Walter Gibbons Live @ Yellow, Japan, early > 90s which leads me to think they might be the same mix (haven't listened > yet) > I'd love to find some old Galaxy 21 sets. > > MEK > > >
Re: (313) on a deep house quest
try the new brennan green on modal. james > lrh > > > >> >> From: [EMAIL PROTECTED] >> Date: 2003/07/18 Fri PM 03:24:27 EDT >> To: 313@hyperreal.org >> Subject: (313) on a deep house quest >> >> looking for some new house 12" (or double 12" for that matter) >> >> specifically something with lyrics that actually carry some weight to them >> - something beyond "my love will lift you up" or "love will set you free" >> etc. >> if that is how the lyrics go then it better be damn good delivery/singer >> and music >> >> curious to see/hear what other people have or like >> >> doesn't have to be strictly Detroit but should sit well next to it >> >> NY/Detroit - Body&Soul/Zanzibar a plus >> >> MEK >> >> >> >> >> > >
Re: (313) recent 3 chairs record
i'm about as nostalgic as they come--i think it all went downhill after nu groove folded and i don't think dance music sounds right if it it wasn't recorded onto a four track. the problem with the recent three chairs is that it's not nostalgic enough. it sounds too modern for me--it sounds like tech-house. but, i've not had a proper listen, because i literally can't play the record. when i couldn't play the first record, i bought another one hoping for a better pressing. neither is playable and they cost me $21 each. james. > From: [EMAIL PROTECTED] > Date: Fri, 4 Jul 2003 10:52:05 +0100 > To: 313@hyperreal.org > Subject: Re: (313) recent 3 chairs record > > >> im not fealing this record either. > > Wow! You're kidding...?! > > We're feeling this big time in Manchester. I guess we must be too nostalgic > maybe? > > > _ > > - End of message text > > This e-mail is sent by the above named in their > individual, non-business capacity and is not on > behalf of PricewaterhouseCoopers. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring > > > >
Re: (313) recent 3 chairs record
i've got two copies i don't want. the music doesn't interst me. the long track sounds like a bit of late 90s tech-house. plus, i can't even play the thing--the needle will not sit in the groove. james > From: "Thomas D. Cox, Jr." <[EMAIL PROTECTED]> > Reply-To: <[EMAIL PROTECTED]> > Date: Thu, 3 Jul 2003 11:19:14 -0400 > To: <313@hyperreal.org> > Subject: (313) recent 3 chairs record > > i cant find this either. WTF? anyone got any ideas where i can > find it? anyone know what US distributors picked this or that > detroit beatdown up? > > tom > > > andythepooh.com > > > > >
Re: (313) Was (Not Was)--listen like thieves
talking of was not was. i have 'listen like thieves' by was not was on a
bootleg ('underground house dance classics'. on the a side it has the black
dog (re-edit) of virtual. on the b side it has the poets 'emotion' and
listen like thieves)
it's a beautiful piece of deep house, one of my favourites.
is this a remix?
everytime i come across a legit copy of listen like thieves it doesn't sound
anything like the copy i have. que?
james
Re: (313) We never know
one compilation that has d may's remix is harry the bastard presents club h can't remember if it's vol1 or 2. james > From: "Jonny McIntosh" <[EMAIL PROTECTED]> > Date: Mon, 30 Jun 2003 17:49:47 +0100 > To: "Placid" <[EMAIL PROTECTED]>, "Mathieu Roussotte" <[EMAIL PROTECTED]>, > "[EMAIL PROTECTED] Org" <313@hyperreal.org> > Subject: Re: (313) We never know > > Mine's on Creative out of Italy, too. It's been issued at various points on > compilations, though I can't say which off the top of my head. > >> Saw it on gemm recently.. But I thought I got it on creative.. An italian >> label..never seen it on buzz... >> >>> is somebody know where iI can catch on vinyl >>> >>> D.May mixes of sueno latino (on buzz rec ?) > > >
Re: (313) Third Earth Graphics
excellent. but when does the world get to see your abdul haqq artwork, patrick? james > > Hi All, > I thought I'd pass on Abdul Haqq's new website, which showcases all his > amazing artwork. > > Go check it out and send him a note! > > http://www.thirdearthgraphics.com > > Peace, > Patrick. > Southern Outpost > >
Re: (313) Re: Thomas Dolby was Re: those moxie things
i interviewed thomas dolby a few years back for harper's bazaar. at that point he had a software development company in san fransisco. they'd developed some internet sound ap. james > From: robin pinning <[EMAIL PROTECTED]> > Reply-To: [EMAIL PROTECTED] > Date: Thu, 26 Jun 2003 16:10:04 +0100 (BST) > To: "Odeluga, Ken" <[EMAIL PROTECTED]> > Cc: 313@hyperreal.org > Subject: RE: (313) Re: Thomas Dolby was Re: those moxie things > >> >> Strange, didn't realize that his dad was *that* Dolby. Not sure if that's >> the case. >> >> If so, why did Dolby Labs conduct a long-running litigation on him for the >> use of his real surname, 'Dolby'? Virtually finished his career. >> >> Know what he does now? >> >> Makes stings/jingles for consumer/business electronic appliances (like >> mobile 'phones). >> >> www.lexiconmagazine.com/NWC/Now/dolby.html > > well from that link his real name aint Dolby... > > also i see he nicked the name of his company from Tom Churchill's label :) > > looks like he got his sound stuff accepted into Java so he isn't doing too > bad... > > robin... > >
Re: (313) those moxie things
that sounds like the masters at work remixes of once in a lifetime james > From: "David Powers" <[EMAIL PROTECTED]> > Date: Wed, 25 Jun 2003 15:25:00 - > To: [EMAIL PROTECTED], 313@hyperreal.org > Subject: Re: (313) those moxie things > > Was that a regular release? > > I bought a white label dub of Once In A Lifetime in San Fransisco a while > back, but all it says on the record is "TALKING HEADS". > > It was two sided dif version each side. >
Re: (313) police arresting dj's
no surprise to me--australia has little in law to protect the rights, civil and otherwise, of it's citizens (we lack what to americans seem like the most basic of rights--speech, free assembly etc.) in the past, this hasn't been a significant problem because governments have acted in relatively good faith (unless you were aboriginal). however, the australian government is no longer acting in good faith. we now have a particularly mean-spirited reactionary government that is more than willing to toady to foreign governments or international corporations at the expense of our national interests and personal rights. added to that is a police force whose level of corruption and abuse makes it more third world than first world. james > From: senslo <[EMAIL PROTECTED]> > Date: Wed, 25 Jun 2003 17:37:33 +1000 (EST) > To: 313@hyperreal.org > Subject: (313) police arresting dj's > > http://www.smh.com.au/articles/2003/06/24/1056220597879.html > > ... didn't imagine this would be happening in Austraila > > http://mobile.yahoo.com.au - Yahoo! Mobile > - Check & compose your email via SMS on your Telstra or Vodafone mobile. >
Re: (313) Homelands Warning
a tactic recomended in australia (where the dogs are on trains, wandering the streets) is to put bong water in a spray pack and spray on poles etc at dog level. at a festivcal you might even have the chance to spray some on the cops. > From: "m a t t [d]" <[EMAIL PROTECTED]> > Date: Fri, 23 May 2003 15:58:36 +0100 > To: "313 List" <313@hyperreal.org> > Subject: Re: (313) Homelands Warning > > hehe, well they were on the local South Today news this morning, saying that > even if people are caught with an amount of anything which may under normal > circumstances result in a ticking off - in this case they will be escorted > off the premises. > > those dogs are v.perceptive too! > > have fun and be safe :) > > matt > > --- > [EMAIL PROTECTED] > > > > - Original Message - > From: "Langsman, Marc" <[EMAIL PROTECTED]> > To: "'Martin'" <[EMAIL PROTECTED]>; "Langsman, Marc" > <[EMAIL PROTECTED]>; "313 List" <313@hyperreal.org> > Sent: Friday, May 23, 2003 3:56 PM > Subject: RE: (313) Homelands Warning > > >> >> Surely that would involve them atrresting most of there punters ? >> >>> -Original Message- >>> From: Martin [mailto:[EMAIL PROTECTED] >>> Sent: Friday, May 23, 2003 4:38 PM >>> To: Langsman, Marc; 313 List >>> Subject: Re: (313) Homelands Warning >>> >>> >>> Be-aware that sniffer dogs will be working this event, so if >>> you have anything in your pockets that you shouldn't, you >>> will be arrested. >>> >>> >>> >>> >>> 23/5/03 2:37 PM Langsman, [EMAIL PROTECTED] >>> Anyone heading to homelands tommorow wanting to do a 313 >>> meet get in touch ! Jeff Mills essential mix here I come!!! [w00p!] Peace-out, Marc >>> -- This message is intended only for the personal and >>> confidential use of the designated recipient(s) named above. If you are not the >>> intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly >>> prohibited. This communication is for information purposes only and should >>> not be regarded as an offer to sell or as a solicitation of an offer to buy >>> any financial product, an official confirmation of any transaction, or as >>> an official statement of Lehman Brothers. Email transmission cannot be >>> guaranteed to be secure or error-free. Therefore, we do not represent that >>> this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. >>> >>> >> >> -- > >> This message is intended only for the personal and confidential use of the > designated recipient(s) named above. If you are not the intended recipient > of this message you are hereby notified that any review, dissemination, > distribution or copying of this message is strictly prohibited. This > communication is for information purposes only and should not be regarded as > an offer to sell or as a solicitation of an offer to buy any financial > product, an official confirmation of any transaction, or as an official > statement of Lehman Brothers. Email transmission cannot be guaranteed to be > secure or error-free. Therefore, we do not represent that this information > is complete or accurate and it should not be relied upon as such. All > information is subject to change without notice. >> >> >> > >
Re: (313) US stores
sonic groove, dancetracks, and sattelite in new york all have fine internet
ordering (not as good as some european sites) but postage from the states
always seems more expensive.
if you want to buy vinyl there really isn't any cheaper alternative than
ordering from europe.
but at $20 a record, it has to be something really really special.
unfortunaltey, as a dj you can't just buy sure fire classics, you have too
take chances etc.
vinyl has pretty much priced itself out of the market for me i australia.
final scratch and broadband seem the only way to go here. or cd djing.
james
>
> hey,
>
> I know europe has numerous internet records stores to choose from - time
> and money depending - but i'm short in seeing quality US stores. Is there a
> cheaper alternative for those in the southern hemisphere to get US vinyl
> through EU stores?
>
> Help would be great. I'm finding that if we order through stores here it
> takes twice as long for $2 less. Could just be Sdyney that lags.
> Melbourne's much better and Perth has been getting it all fine thanks to
> the likes of Ben Stinga.
>
> Cheers, Dave
>
>
>
> Private and Confidential
>
> Any views or opinions expressed in this communication are those of the
> individual sender, except where the sender specifically states them to be
> the views or opinions of Westpac Banking Corporation ABN 33 007 457 141
> ("Westpac"). Any unauthorised form of reproduction of this message is
> prohibited. Westpac does not guarantee the security of any information
> electronically transmitted. Westpac does not accept responsibility for any
> improper or incomplete transmission of the information contained in this
> communication, nor for any delay in its receipt. Please note that Westpac
> reserves the right, in its absolute discretion, to refuse to act upon any
> instruction, order or direction received via the internet ("internet
> instruction") or, pending further enquiry, to defer acting upon any
> internet instruction.
>
>
>
>
Re: (313) Derrick May interview @ TechnoTourist.org
the little bmw convertible? it looks so small in the midwest. it'll disappear in a snow drift. but i guess it's all charivari and european. james >> http://technotourist.org/modules.php?op=modload&name=Sections&file=index&req= >> viewarticle&artid=29 >>> >>> Or go to http://technotourist.org/ and follow the links. >> >> An really long interview, the way I like it! >> >> Starts with a very funny note: >> < I get a hold of Derrick while he's driving through Detroit. > Immediately >> the conversation gets interrupted. Derrick: "Hold on second." I > clearly hear >> Derrick talking to a guy about his car: 'It's a demon on wheels. > I'm not >> getting rid of it, I'm collecting them."> >> >> Thanks John! >> Maarten >> >> > > > > andythepooh.com > > > > >
Re: (313) house recommendations?
early (first 15 or so) svek releases might interest you. minimal, dubby, snythetic. the first brommage dub release (sK013) is really good and has been re-released very recently. impossible to find the early stuff on vinly. the first 'lords of svek' cd is agood comp of the early sound, very different to their later releases. james ' > From: Matt Hellige <[EMAIL PROTECTED]> > Date: Mon, 19 May 2003 09:00:07 -0500 > To: 313@hyperreal.org > Subject: Re: (313) house recommendations? > > [David Powers <[EMAIL PROTECTED]>] >> Hi listmembers, >> >> I'm also looking for more house. However, I have some very specific tastes >> as far as house, and it seems to be rather hard to find house records that >> work for me. >> >> Basically, I am looking for house that is more synthetic rather than organic >> sounding, mostly non-vocal, stuff that can work on the dance floor, and not >> too smooth-jazz or disco sounding. Examples of stuff I might play in a house >> tempo sets currently tend to include some minimal stuff, sometimes thx (Dale >> Lawrence stuff) some of the Perlon and Akufen stuff, an old dbx track here or >> there, certain UR house tempo tracks, some synthy stuff like the Heiko Laux >> "Walkout" ep I got last year, sometimes a Kevin Saunderson track from Faces >> and Phases, sometimes some electro-type stuff that is at the right tempo, and >> some tribal house usually that has a synthetic edge. Anybody got any ideas? >> Stuff like John Acquviva plays is often cool, or micro-house that isn't too >> abstract, to deeper stuff but with real sick analog synthesizer type things >> and not too downtempo. Artists and eps, and not just labels please! >> > > Do you like Hakan Lidbo? I think you might... What about Steve Bug? > Since you want specific records, the first one that occurs to me is > Egoexpress, "Here Comes the Night." > > Matt > > -- > Matt Hellige [EMAIL PROTECTED] > http://matt.immute.net >
Re: (313) DJ BOX Warning
i've got a trick as well, on a trip from new york to australia i was assured by the airline that i could insure my record box at the check-in desk. they were wrong, couldn't be done. i said, without insurance they don't leave my arms. of course the records were way overweight for hand luggage. so my girlfriend and i were bumped to business for a 24 hour flight, because business had more generous hand luggage allowance. james > From: "Alex Bates" <[EMAIL PROTECTED]> > Date: Wed, 14 May 2003 18:49:50 +0930 > To: "313@Hyperreal.Org" <313@hyperreal.org> > Subject: FW: (313) DJ BOX Warning > > > i took a bag of about 150 records as hand luggage when i flew from heathrow > to australia.. theres a little trick involved... > > ab > > -Original Message- > From: Odeluga, Ken [mailto:[EMAIL PROTECTED] > Sent: Wednesday, May 14, 2003 6:50 PM > To: Cyhl; 313 Hyperreal. Org > Subject: RE: (313) DJ BOX Warning > > > Is it really not poss to carry it as hand luggage? Might get searched seeing > as it looks strange and will be heavier than most hand luggage, but that's > better than it getting nicked. What else do you need to carry on you? Phone, > toothpaste (maybe) wallet, passport? The rest can go in your big cases. > > --- > Incoming mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.449 / Virus Database: 251 - Release Date: 1/27/2003 > > --- > Outgoing mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.449 / Virus Database: 251 - Release Date: 1/27/2003 > > --- > Outgoing mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.449 / Virus Database: 251 - Release Date: 1/27/2003 > >
(313)track id. 'Nothing's Been the Same...'
touching disco number from a frankie knuckles @ the wharehouse mix on deephouse pages. if the vocals aren't enough, i'll find the link. "nothing's been the same ever since you came my baby" could be a minimal dub mix, maybe an accapella over a kick drum. thank james
Re: (313) nuphonic 4 - 2xLP
can't confirm the danny wang story. but it sounds plausible. balihu has reelased material that was originally slated for release on nuphonic. one of brennan green's balihu releases was meant to come out on nuphonic. james > From: "Jonny McIntosh" <[EMAIL PROTECTED]> > Date: Mon, 12 May 2003 17:32:27 +0100 > To: <313@hyperreal.org> > Subject: Re: (313) nuphonic 4 - 2xLP > > I don't know, to be honest. Nuphonic, apparently, were sitting on a whole > load of Russell stuff which they planned to release. Now they've gone bust I > hope someone somewhere still will. (There are some curious rumours as to why > they went down...) Also, I think I heard tale that Danny Wang was going to > release the remix of Block 16's "Elektrokution" that he did on Balihu? Can > anyone confirm? > >> i'm not really a fan of the label, but I bought this whole compilation >> double pack online just because it had this one Arthur Russell track that > is >> really amazing >> >> then when the records arrive - it turns out that the a side that is meant > to >> have the Russell track on it, is exactly the same as the b flip side on > the >> same piece of wax - annoying !!! >> >> does anyone onlist own this dbl pack and can tell me whether this was a >> general mispress, or was i just a victim of incidental badluck? > > >
Re: (313) Pulsation mixes - M.Clark & N.Talley
people with norm talley mixes can 'spam' me anytime. thanks james > From: "Thomas Van Steen." <[EMAIL PROTECTED]> > Date: Thu, 8 May 2003 01:43:24 +0200 > To: <313@hyperreal.org> > Subject: Re: (313) Pulsation mixes - M.Clark & N.Talley > > Hi all, > > I'm the webmaster of Pulsation.com . > Pulsation is a non-commercial website created in 1996. It's entirely > not-for-profit and generates no income for me. > I broadcast mixes (mainly from Detroit) > Recently, i suffer of a disc crash and i lost my list (with nearly 2000 > subscribers) :( > I tried to reconstruct my list with my outlook adress book and some > different backup listings that i have. > Also I salvaged some emails from 313 list (lots of 313 people were > subscriber of my list and i tried to get emails from people that i thought > that they was subscribers). > Perhaps, I was too large in my recovery. > So, if you have received my last newsletter and you weren't a subscriber > before, i'm very sorry for the inconvenience. > To remove your email address from my list, you can click on the link at the > end of my newsletter or send me an email at [EMAIL PROTECTED] . > In this case, you will disturb no more by my emails. > > Sorry again > > Thomas Van Steen. > [EMAIL PROTECTED] > http://www.pulsation.com > > > > > - Original Message - > From: [EMAIL PROTECTED] > To: 313@hyperreal.org > Sent: Wednesday, May 07, 2003 9:14 PM > Subject: Re: (313) Pulsation mixes - M.Clark & N.Talley > > > that is what I thought until, i recieved one on my work account. > i do not use this account, it's only work. > i never send to public list with it and ususally only send fwd messages to > this > account with it. maybe that is how they got it? > > scotto >> could be from a different list. They managed to get my yahoo email address >> somehow. >> >> >> >>> I dont know how they got my work address but they did? yep indeed, I hate that ! but the set by fabrice lig is pretty cool :) ::) wrote: > yep, some jerk is trolling the list for email addresses. I just got the > "offending" email too. > > > - Original Message - > From: <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Tuesday, May 06, 2003 7:22 PM > Subject: (313) Pulsation mixes - M.Clark & N.Talley > > > > >> Dumped into my mail box today... >> >> >> >> >> MIKE CLARK - Deep Reflections >> Music style : Soulful House >> Length : 77:43 >> http://www.pulsation.com/mixes/mikeclark.php3 >> >> NORM TALLEY - Vibin' >> Music style : Soulful House >> Length : 61:17 >> http://www.pulsation.com/mixes/normtalley.php3 >> >> NORM TALLEY - Old Skool Klassics >> Music style : Dance Music classics >> Length : 45:45 >> http://www.pulsation.com/mixes/normtalley.php3 >> >> >> >> >> >> >> >> >> > > > > >>> >> >> >> -- >> [EMAIL PROTECTED] > > >
(313) where???? (was electro house is taking over in OZ)
where is metro area stuff being played in australia, who is playing it? in the year i've been in sydney i haven't even heard any american house music, let alone decent house of the metro area variety or any early 80s disco stuff. please let me know, i won't be back in new york for a few more months and i'm very very desperate for a dance. james > > every time i go out to little bars and things all i hear is metro area > sounding stuff, that wicked electro/synthy house. > > is it just here that this is happening? (australia) or is electro house > taking over the world? > > i love the stuff but i fear that it will become over played and get into the > top 40 with really cheesy stuff that tries to emulate the proper atrists in > this genre... > > ab > --- > Outgoing mail is certified Virus Free. > Checked by AVG anti-virus system (http://www.grisoft.com). > Version: 6.0.449 / Virus Database: 251 - Release Date: 1/27/2003 > >
Re: (313) artists vs. bootlegging
like most djs, i've got a large pile of bootlegs. everything from love is the message to derek may's wildtime remixes and the automan series. my favourite record stores have a special bootleg section, categorized by the different bootleg series. bootlegs are an important part of my record collection and any set i play. james > From: "Matthew MacQueen" <[EMAIL PROTECTED]> > Date: Thu, 10 Apr 2003 15:33:07 -0500 > To: "Innes Macnee" <[EMAIL PROTECTED]>, <313@hyperreal.org> > Subject: RE: (313) artists vs. bootlegging > >> i can see why kenny is pissed off about this-he's started a >> label and put out a limited pressing to see how it does and some >> f#ckers decide to bootleg it and make some money > > Exactly. A footnote: > > Why is the UR S.I.D. series special? I mean, MOST of the releases (not all > IMHO) are excellent music, first and foremost. But as a secondary factor: > it's because you can only get them new from the Submerge store. They are less > widespread. > > Also you don't see people bootlegging the UR S.I.D. records because they know > UR has eyes and ears everywhere (aka - Operatives) ;) and they defend their > independence and control of distribution in a militant manner. It's not > perfect, but it's worked thus far. > > I don't see any problem UR seeking out who booted the KDJ stuff, because it > could happen to UR too. If the artists stick together and 'protect the hive', > a swarm is always more lethal than a single bee. > > peace, > Matt MacQueen >
Re: (313) what to do iNYC? HELP
static was at baktun, which is now closed. james > From: "Stephen Hart" <[EMAIL PROTECTED]> > Date: Wed, 09 Apr 2003 12:45:49 -0400 > To: 313@hyperreal.org > Subject: (313) what to do iNYC? HELP > > Hey, > > I am going to NYC this coming weekend, staying in Manhattan, and as I have > never been there before, I know practically nothing about where to go to > hear good music and enjoy decently priced drinksI realize NYC is > expensive as hell, BUT, I was hoping someone might have a few suggestions > for me. I know my cousin has played out in NYC more than a few times > (Static was the name of the weekly even, I thinkI dunno the venue > though). ANYWAYS, could someone please help a Detroiter out in his > adventures to the big BIG city? > > Thankz > > _ > MSN 8 with e-mail virus protection service: 2 months FREE* > http://join.msn.com/?page=features/virus > >
Re: (313) Online record stores again!!
i think i can explain. temple records closed about 8 months ago. james > From: FC2 Richards <[EMAIL PROTECTED]> > Date: Wed, 2 Apr 2003 12:06:15 - > To: "'313@hyperreal.org'" <313@hyperreal.org> > Subject: (313) Online record stores again!! > > > Temple records...I now have a 25% fill rate from them. I ordered about a > year ago from them and got 1 of 2 records, and a couple of weeks ago I > orderd 2 more and got zero...that sucks, because the web page looks so nice! > > jeff >
Re: (313) Norm Tally
i thought norm talley's set at demf 2, on the opening morning, was my favourite of the official lineup. james > Subject: (313) Norm Tally > > hi all > > i finally bought a copy of "city boy players feat eddie fowlkes" yesterday, > although it's been out for 4 years now, and damn, that album is dynamite!! > > i see that "the love song" is produced by Norm Tally. > > does anyone have a discog of his? i've heard a few of his records, and is it > just me, or is he one of the most under-rated stars of the detroit > techno/house scene? he hardly seems to get a mention. his tracks are great > and his deep house sets are awesome!!! i feel that he just doesn't get the > attention he deserves. what are the thoughts of ppl that actually live in > detroit? > > i'd love to see him make the trip to australia one day, so any aussie > promoters out there, do yourself, or me ;-), a favour, and get him out here. > > cheers > > nath > >
Re: (313) Any techno near Harrisburg?
harrisburg is only a couple of hours drive from both new york and philapelphia. people from the philadelphia area throw raves in the pocono mountains (where harrisburg is). so new york is your best bet for records and parties.. althought the mutter museum of medical oddities in philladelphia is worth a visit. james > From: "Collin Chen" <[EMAIL PROTECTED]> > Date: Wed, 12 Mar 2003 23:53:53 +0800 > To: <313@hyperreal.org> > Subject: (313) Any techno near Harrisburg? > > HI all, > > I need some pointers as i will be in Harrisburg in Pennsylvania for 2 weeks > in April. May i know where is a nearest to buy good US techno records and > hopefully parties to go? > > I hope to hear from any listers regarding and meet up on weekend will be > cool. > > Your techno friend from Singapore but in China now, > > Collin Chen > >
Re: (313)On and On (was Fw: CHICAGO VS. DETROIT WMC EVENT!)
i can't find a track listing on the king street site or any record store sites. but there are seven real audio tracks, and it looks like it has all three original mixes. i think the original has three mixes? james > From: "Maarten Baute" <[EMAIL PROTECTED]> > Reply-To: "Maarten Baute" <[EMAIL PROTECTED]> > Date: Tue, 11 Mar 2003 08:39:51 +0100 > To: "James Bucknell" <[EMAIL PROTECTED]>, "313" <313@hyperreal.org> > Subject: Re: (313)On and On (was Fw: CHICAGO VS. DETROIT WMC EVENT!) > >> can't wait to get my hands on this. the re-release sounds excellent (there >> are real audio clips at king street)--even the mixes sound true to the >> original spirit. 808 cowbells and handclaps--aaah! > > So the original is on it? > > That would be great! > > Cheers, > Maarten >
Re: (313)On and On (was Fw: CHICAGO VS. DETROIT WMC EVENT!)
can't wait to get my hands on this. the re-release sounds excellent (there are real audio clips at king street)--even the mixes sound true to the original spirit. 808 cowbells and handclaps--aaah! james > From: "Phonopsia" <[EMAIL PROTECTED]> > Date: Mon, 10 Mar 2003 23:22:29 - > To: "313" <313@hyperreal.org> > Subject: (313) Fw: CHICAGO VS. DETROIT WMC EVENT! > > Celebrating the re-release and remixes of the very 1st House record "ON & > ON" by Jesse Saunders. (Broken Records BR-0201-1, distributed by > KingStreetSounds.com), also the release of 3000 Magazine which is > distributed by submerge.com. > > >
Re: (313) Insuring Records
when i insured my records i photographed each disc with my digital camera as a record of what i own. insurance companies are notorious with coming up with excuses not to pay. and i doubt you kept all the receipts. ask what they will except as proof of ownership when talking to them. james > From: Placid <[EMAIL PROTECTED]> > Date: Mon, 10 Mar 2003 12:31:26 + > To: 313 <313@hyperreal.org> > Subject: (313) Insuring Records > > If i lost my records and in the remote possibitility of still wanting to > stay alive... i would have no chance of getting them back.. some money > would help... > > can anyone recomend any insurance > > Uk based preferably but any info welcome > > Placid > -- > http://www.acid-house.net > > Everything you wanted to know about acid house > >
Re: (313) virgo four (was A late 80's jackin chicago acid mix)
do you know who you are has been repressed. the quality is much better. it's quite playable. gramaphone records or sonicgroove should have it. so so beautiful. i love melancholy house. james > From: "Maarten Baute" <[EMAIL PROTECTED]> > Reply-To: "Maarten Baute" <[EMAIL PROTECTED]> > Date: Thu, 6 Mar 2003 16:32:24 +0100 > To: "Placid" <[EMAIL PROTECTED]>, "313" <313@hyperreal.org> > > Tell me something. I have this pressing from "virgo four - do you know who > you are" (wich is the best chicago house track of all time in my opinion) > wich is more noise than music! > > Too bad. > > Playlist from your mix looks tasty though. > > Cheers, > Maarten > >
Re: (313) re: Subject: cleaning records
any water used in cleaning records should be distilled water. tap or bottled water has crap in it. james > From: "David Hampson" <[EMAIL PROTECTED]> > Date: Tue, 4 Mar 2003 17:11:23 - > To: <313@hyperreal.org> > Cc: <[EMAIL PROTECTED]> > Subject: (313) re: Subject: cleaning records > > Best thing is to be very careful with them so you don't ever have to clean > them! Here is what I do: > > I find light dust or finger marks you can get off with a silicone impregnated > cloth (you can get these from some good vinyl stores and many bad ones too). > If you have heavy dust rinse or soak in cold water first (to remove particles > that may scratch the surface), stand upright to leave to dry then use your > silicone cloth again to wipe. Remember to avoid getting water on the label! > > If there is more than just dust and light fingermarks you can either use > isopropyl alcohol (you can buy this from chemists or buy it from record stores > at higher prices in bottles marked "record cleaner") but I personally use the > cheaper method of water plus washing up liquid - spray on, leave for a minute > then use a soft cloth to clean, then rinse or soak in cold water until there > are no more suds then stand upright and allow to dry. > > If it is very very dirty (food stains, ingrained dust etc) first spray on a > heavy soap solution to allow ingrained dust to be dissolved or to float out of > the grooves, rinse and then clean again. > > I've seen the staff in Reckless Records in London using lighter fuel to clean > records but I'm not 100% sure whether or not this is good for your records - I > personally would not put it near my records! However it is very very useful > for taking off those annoying price stickers which tend to destroy your > sleeves when you try to remove them - simply spray the label until it is > soaked and leave it until the fuel has just evaporated, then the sticker will > come off easily (if it doesn't give it another coat and it should come off > easier next time) (note - if you are removing many labels in a non-ventilated > room it may do some good to have some ambient music available)... Top tip 2 - > you can also use the lighter fuel to regenerate your marker pens - simply > spray into the pen tip, put lid back on and leave overnight and it doubles the > life of the marker pen, thus saving you the cost of the tin of fuel :) > > David > > - > Subject: cleaning records > Message-ID: <[EMAIL PROTECTED]> > > probably been asked a million times but whats the best stuff for cleaning > records...also does putting weights on the end of the tone arms make the > record wear out faster??? > - > >
Re: (313) cleaning records
use methylated spirits or rubbing alcohol (isopropyl) mixed with distilled water 1 part to 5. doesn't need to be precise. place mixture in a spray bottle. spray onto a lint free clothe and wipe the record. for those in the states, there are two types of rubbing alcohol, make sure it is isopropyl. the distilled water is sold in the supermarket or car accesory stores. james > From: Ralf Gill <[EMAIL PROTECTED]> > Date: Tue, 4 Mar 2003 16:21:52 +1300 > To: "'313@hyperreal.org'" <313@hyperreal.org> > Subject: (313) cleaning records > > > probably been asked a million times but whats the best stuff for cleaning > records...also does putting weights on the end of the tone arms make the > record wear out faster??? > >
Re: (313) Osunlade
chives of freedom sounds welsh? the leek's just a jumped up chive, isn't? > From: "m a t t [d]" <[EMAIL PROTECTED]> > Date: Thu, 27 Feb 2003 19:10:08 - > To: "[EMAIL PROTECTED] Org" <313@hyperreal.org> > Subject: Re: (313) Osunlade > >> Chimes of Freedom? I have been hearing that as Chives Of Freedom. oops > > Here's the tracklists of two of those albums... > > VA "Offering" Tracklist > > [01] Osunlade-Intro Jungle Sounds > [02] Mettle Music-Tranquility 2001 (Ambient Mix) > [03] Boobjazz-Midnight ceremony (Osunlade's Black Messiah M > [04] Osunlade ft Nadirah Shakoor-Tree of life > [05] Faze Action-Samba (Scat dub) > [06] Jazzanova ft Vikter Duplaix-That night (Wahoo mix) > [07] John Beltran-Bota foga > [08] Truby Trio-Alegre > [09] Osunlade presents-Cantos a Ochun et Oya (Re-worked) > [10] Jackie & Roy-Don't be blue (Slow and Local mix) > [11] Gregory-Damelo > [12] Osunlade presents-Beats de los Muertos Africa > [13] Trackheads-Our music > [14] Savannah-Night of music > [15] Atelewo-Chimes of freedom > > Osunlade - Yoruba Records Presents El Primer Ano Tracklist > > > 01 Native Tongue > 02 Power to Conquer > 03 Closer I Get > 04 Feets don't Fail > 05 The Way > 06 I don't Know > 07 Aldeia de Ogum > 08 Ochun's Arrival > 09 Cantos a Ochun et Oya (frank feliciano mix) > > Also I really recommend > Osunlade-Live_At_Kinky-Bologna_(Dj_Set_Part_1_From_Weekendance)-Live-2002-oo > ze. If you can get hold of it :) > > matt :) > . > [EMAIL PROTECTED] > >
Re: (313) FK & Traktor
no need to take a deep breath. final scratch for the mac is slated for release in april. http://www.native-instruments.com/traktorfs.info "NI and Stanton have taken the next step towards the future of DJing: the upcoming generation of Stanton¹s Final Scratch System is powered by TRAKTOR¹s professional-quality audio engine. This combination results in a unique DJ product for the Mac OSX platform that combines vinyl-based control of digital files, including audio CDs, with TRAKTOR¹s unrivalled sound quality and ease-of-use." james > From: "Phonopsia" <[EMAIL PROTECTED]> > Date: Mon, 24 Feb 2003 23:49:46 - > To: "313" <313@hyperreal.org> > Subject: (313) FK & Traktor > > While I'm posting, I remembered that when Francois K played Fabric last > month, he was using Traktor, not Traktor 2, and thought I should clarify the > hypothesizing that went around after his Australia gigs. So if any of you > were waiting on Final Scratch for Mac or Traktor 2 with that news in mind, > you may want to take a deeper breath. ;) It was just Traktor, ie, the > interface was clearly the first one, and there were no discs on platters or > anything... Oh, and if it interests anyone, and if memory serves, his first > four tracks were from Traktor and CD. > > Tristan > === > Text/Mixes: http://www.phonopsia.co.uk > Music: http://www.mp313.com > Contact: [EMAIL PROTECTED] > > >
Re: (313) Track id requested
what's the url? tracks with the word 'jack' in it are the best tracks of all. james > From: "Fabrizio Nahum" <[EMAIL PROTECTED]> > Date: Fri, 21 Feb 2003 19:06:37 +0100 > To: <313@hyperreal.org> > Subject: (313) Track id requested > > Hello, > > can someone please id the track that comes in at 16:43 in the Merrick Brown > @ Into Deep 01.23.03? > the vocals go "bout ready to jack" several times and then "about to jack - > alright -alright - lets jack". > I have already asked about this track here - but it isn't Chip E "time to > jack" > > thanks > fab > > >
Re: (313) playlists and conversations
the reason for putting the year of release in a track listing is the same reason that track listings mention the artist, title, record label and mix. it's information that is useful for those that want to track it down. james > | > | > | > From: [EMAIL PROTECTED] > | > Date: Mon, 17 Feb 2003 07:29:39 -0500 > | > To: 313@hyperreal.org > | > Subject: (313) playlists and conversations > | > > | > For the person giving the years on his playlists, isnt that very > | > fuggin geeked out? and all these techno conversation about what is > | > techno, they all suck. Go to Submerge or something and ask mike > | > banks.The basic fact is there is good music and bad, and > | > acoustic music and electronic music. Thats it. Cant you guys go > | > back to talking about new records and old records? what is this > | > shiznit? You guys bore everyone! And of course Missy Elliot is at > | > least a little techno. That isnt just hand drums behind her > | > vocals. And Adam beyer is also techno, its just pounding. Its > | > obviously not Rhythim is Rhythim , but no disrespect. Id rather > | > use this list to find out dj dates for Derrick May or any other > | > non-half-azzed dj, so if anybody knows, where and when is Derrick > | > playing, in the US or abroad??? And everybody quit the shiznit, > | > save it for your toilets > | > | >
Re: (313) apparently there's been an update
i'm way underwhelmed--carl craig using flash to say 'site under construction, come back later'. typical flash usage--zero content, coupled with lacklustre and dull graphics/animation. james > From: "Rob Theakston" <[EMAIL PROTECTED]> > Date: Mon, 17 Feb 2003 16:30:52 -0500 > To: <313@hyperreal.org> > Subject: (313) apparently there's been an update > > http://www.planet-e.net > > >
Re: (313) Robotman - Hypnofreak
when you wear one side out, you still have the other. why doesn't moodyman do that instead of putting out onesided releases? james > > I believe that was 12DEF013...but I think mine has Do Da Doo on both > sides...is it a mispress?? > > Jeff > > -Original Message- > From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED] > Sent: Sunday, February 02, 2003 10:47 PM > To: 313 > Subject: Re: (313) Robotman - Hypnofreak > > >> Hi all, >> >> Just got a copy of the Minus/plus 8 duo release FUSE "NT" b/w Robotman >> "Hypnofreak" in the Steve Bug remix. I was wondering whether the original > of >> "Hypnofreak" was ever released? Also, the record states that Robotman is >> actually an alter ego of Richie Hawtin, but I thought it was someone else? > > Hypnofreak is released on Definitive somewhere in 1992, well i asum > that is 'normal' release. It has hypnofreak on 1 side and do-da-doo > on the otherside. Hypno-freak is co-produced by Richie Hawtin. Can't > quit remember if Robotman is Eddie 'evil' Richards or Richard Michaels > > -- > [EMAIL PROTECTED] >
(313)Code Assualt (was Fw: Jeff Mills Crate Diggin')
do you mean code assault action/code assault on technica records, 1989? i found a pile of 10 sealed copies in an old apartment building in brooklyn nearly two years ago. i only took three copies. if anybody wants to find out if the other seven are still there go see cisco at whatever that record store is on west 28st between 6 and 7th. it might be called downtown records, it mainly sells hip hop. the guys used to have a big store. they downsized in the early 90s. all the stock that wouldn't fit into the new store they dumped in an old apartment building in brooklyn that cisco owns. when the most recent economic boom made even apartments in outer brooklyn rent for a lot, he decided it was time to empty the records out of the apartments. around about that time, i walked into the store. apartment after apartment piled three feet high with records. oh yeah, ask to see the gold record of africa bambaata's planet rock hanging on the wall of their office! james > > I can imagine that the stuff he did with that semi-industrial group (can't > remember the name sadly) is pretty rare. > > Axis 009A and B are difficult to get hold of in the UK. > > Every Dog has its Day vol 1 LP is virtually gold dust nowadays. > > > > > *** > This e-mail is from Telegraph Group Ltd. - 1 Canada Square, Canary Wharf, > London E14 5DT. > Registered in England No 0451593. > This message, its contents and any attachments to it, are private and > confidential. Any > unauthorised disclosure, use or dissemination of the whole or any part of > this message (without > our prior consent in writing) is prohibited. If you are not the intended > recipient of this message > please notify us immediately. No contracts may be concluded on behalf of > Telegraph Group > Limited by means of email. > > *** > > - Original Message - > From: "Robert Taylor" <[EMAIL PROTECTED]> > To: "'Tom Robbins/Magic Feet'" <[EMAIL PROTECTED]>; "313 mailing > list" <313@hyperreal.org> > Sent: 03 February 2003 10:10 > Subject: RE: (313) Fw: Jeff Mills Crate Diggin' > > >> Step To Enchantment (Stringent) >> Man From Tomorrow >> The Extremist >> The Hacker >> Manlike >> DNA >> Reverting >> The Bells >> Alarms >> jeez, when to stop? >> >> -Original Message- >> From: Tom Robbins/Magic Feet [mailto:[EMAIL PROTECTED] >> Sent: Monday, February 03, 2003 9:57 AM >> To: 313 mailing list >> Subject: (313) Fw: Jeff Mills Crate Diggin' >> >> >> Would any 313ers care to suggest any Mills trax for this list? (see below) >> Please send to me & I'll forward them on to the guy. >> >> TOM >> >>> Hi Tom, hope you are well. >>> >>> I was just hoping that I could pick your brains regarding Jeff Mills, as >> he is the subject for Crate Diggin' in the March magazine. I need to >> spotlight his ten biggest/most collectable tracks and remixes, so am > asking >> people to let me know which tracks they think should definitely be > included. >> I also need to recommend books etc where fans & collectors can find out >> more, so if you can think of any good suggestions, they would be much >> appreciated too. >>> >>> Cheers for your assistance, >>> >>> Many thanks and kind regards, >>> >>> >>> Darren. >>> >>> >>> >> >> >> Any views or opinions are solely those of the author and do not > necessarily >> represent those of Channel Four Television Corporation unless specifically >> stated. This email and any files transmitted are confidential and > intended >> solely for the use of the individual or entity to which they are > addressed. >> If you have received this email in error, please notify >> [EMAIL PROTECTED] >> >> >> > >
Re: (313) Suburban Knight
i've always loved house and techno for their minimalism--a few bits of roland equipment and a four track reel to reel. i find most contemporary tracks to be as overproduced as any bit of prog. house/trance. it's a challenge to spend any money when i go record shopping. instead, i've taken to re-editing older tracks and saving my money for final scratch. james > >> Wibo Lammert: >>> As to the Mastering: Those first 2 transmats of his sounds like sh*t. That >>> Dark Energy doublepack sounds a whole lot better. >> >> Gotta disagree wth u for the first time old bean (let's not make a habit of >> this ;-) - My opinion is that 'Art of Stalking' along with many other >> seminal Detroit techno (which implies a particular period) benefitted, >> purposefully or not, from the ironic lack of the latest technology at all >> points of the production process. Those trax sound grimy, glitchy, scratchy >> and minimal, sometimes even the sequencing is a bit suspect. But somehow (I >> admit, I'm not sure how) often, all those elements came together to form an >> unmistable kind of human touch which proved there really was a ghost in the >> machine (called soul.) >> k >
Re: (313) DJ Skull - Stomping Grounds
you're not going to hold onto 'when will i be free' on majestic? that's a beautiful track. james > From: Jkenjar <[EMAIL PROTECTED]> > Date: Fri, 31 Jan 2003 10:05:28 -0600 > To: "Jongsma, K.J." <[EMAIL PROTECTED]>, 313 <313@hyperreal.org>, Andrew > <[EMAIL PROTECTED]> > Subject: RE: (313) DJ Skull - Stomping Grounds > > New guy here again. > > DJ Skull's Graveyard Orchestra appeared on an earlier double entitled Hard > Drive. I've always liked that track. I used to be such a Skull fanatic, but > Graveyard is the only track I'm holding on to by him. > I'm actually letting go of all my other skull tracks to anyone who is > interested. > bye- > (p.s.) The festival--this year--be there or be square. simple as that > jasonk > >
Re: (313) CC Workout CD
it's easy to put the track marks in. just rip the mix in your fav audio program, add the track marks and burn. james > From: "Fabrizio Nahum" <[EMAIL PROTECTED]> > Date: Wed, 29 Jan 2003 15:10:35 +0100 > To: <313@hyperreal.org> > Subject: Re: (313) CC Workout CD > > Thanks for the answers guys. Even though i find can appreciate the artistic > concept i still find it damn annoying! I mean you gotta reserve some > dedicated time just to listen to all the tracks on the cd. > > >>> >>> hi, >>> i recently got the workout mix cds and to my shock/horror discovered it > to >>> be one endless track instead of being split into individual tracks. > Needless >>> to say listening to cds can be a little annyoing if all you wanna do is >>> listen to track 8 and 12. >>> i this a mastering mistake or was it planned? >>> >>> ciao >>> fab. >>> >>> >>> >> > > >
Re: (313) final scratch on mac! - FK in Sydney
the sound system at gas (where fk played sat) is absolutely crap. that's why he sounded crap on the eqs and echo/delay. on the vinyl sound system at body and soul, fk's use of the eqs was beyond reproach (which can't be said for joe claussel, he gets a wee bit carried away). anyway, we were there from 2.30 till 5.30 and danced the whole three hours. james > > I was less than impressed with the night to be honest. Mixing quite ropey > at times, however I found from about 3 to 4.30 was the best - left > shortly afterwards. > > Nice to hear tunes like Maurizio's M4.5, Baby Wants to Ride by Frankie > Knuckles, Miura by Metro Area and Signals by Microworld. He played very > differently to what was heard in Melbourne. Blackwater (vocal mix) by > Octave One seems to go down a treat, especially since it's been placed on > several Ministry Of Sound compilations (not that it didn't before). > > Certainly not the best technical skills, and overworked the EQs and > echo/delay effects. Further to that, I was dissapointed with his > programming as this is what he is reknowned for, but instead of going in > one direction, he flailed all over the place, probably in an effort to > hold the floor which had many types of punter... and there was that song > that was on a TV commercial for Intel... > -- > > Benn Glazier > [EMAIL PROTECTED] > http://www.royaltech.net > http://dj.royaltech.net > > -- > http://fastmail.fm - Email service worth paying for. Try it for free >
Re: (313) blaze
not an album, but a e.p. black rascals 'keeping my mind' on sumo. one of the great deep house tracks. i've always thought it weird that blaze has become popular in the last few years when their production in the last five years or so seems but a mere shadow of their early work. but i guess that's just my personal taste. james > From: "Maarten Baute" <[EMAIL PROTECTED]> > Reply-To: "Maarten Baute" <[EMAIL PROTECTED]> > Date: Sat, 11 Jan 2003 18:42:49 +0100 > To: <313@hyperreal.org> > Subject: (313) blaze > > Hi, > > can someone point me out wich albums from Blaze are essential? > And I don´t mean stuff like "my beat" or "do you remember house". > > I mean the deeper stuff... > > thanks, > Maarten > > > --- > Do you know these tracks? > http://www.morthenkiang.com/samples > (Sound fragments taken from various mix tapes.) > > >
(313) final scratch on mac!
francois k played sydney last night using a titatium powerbook and two turntables. looks like final scratch has been ported for mac osx! so, anybody want to buy a few thousand classic chicago/detroit/new york house and techno records? james
Re: (313) ron hardy track id
sounds most like j.m. silk 'i can't turn around' (rca, 1986)--the insane mix, using doubles maybe. fairly easy to get a copy. or else it's an unreleased mix. james > From: [EMAIL PROTECTED] > Reply-To: [EMAIL PROTECTED] > Date: Wed, 8 Jan 2003 22:58:43 +0100 > To: 313@hyperreal.org > Subject: (313) ron hardy track id > > hoi all > i can finally stream now .. so get ready for some track id requests ;) > first one: > ron hardy #702B on deephousepage.com - > http://www.deephousepage.com/ronhardy0702d.ram - about 16:05 .. killer love > can't turn around version, over 8 minutes long .. ?? > thanks > a >
Re: (313) FAVORITE HOUSE LABELS contest
> Catagory 1: Favorite House Label in the World > 1) trax > 2) nu groove > 3) balance/prescription > > > Catagory 2: Favorite House Label from Detroit > 1) KMS > 2) planet e > 3) moods and grooves
Re: (313) track id
i've never even heard of the acid mix. is it also on undergorund? james > From: P dircon <[EMAIL PROTECTED]> > Date: Thu, 02 Jan 2003 15:19:07 -0800 > To: James Bucknell <[EMAIL PROTECTED]>, Fabrizio Nahum > <[EMAIL PROTECTED]>, <313@hyperreal.org> > Subject: Re: (313) track id > > Did any one pick up the acid mix of time to jack... Rockin. > >> sounds like chip e (as the godfather of house) 'time to jack' (underground >> records, 1986). >> >> james >> >> >> >>> From: "Fabrizio Nahum" <[EMAIL PROTECTED]> >>> Date: Thu, 2 Jan 2003 12:59:44 +0100 >>> To: <313@hyperreal.org> >>> Subject: (313) track id >>> >>> hi, after doing some fruitless research ive decided to ask you guys >>> i heard this classic chi/deep/acid house song on pirate radio that had these >>> male vocals saying "bout ready to jack" and also "time to jack" (IIRC) >>> >>> dicogs.com and allmusic.com where of no help. can someone identify this >>> track please? >>> >>> oh and btw, HAPPY NEW YEAR! >>> >>> fab. >>> >>> >> > >
Re: (313) track id
sounds like chip e (as the godfather of house) 'time to jack' (underground records, 1986). james > From: "Fabrizio Nahum" <[EMAIL PROTECTED]> > Date: Thu, 2 Jan 2003 12:59:44 +0100 > To: <313@hyperreal.org> > Subject: (313) track id > > hi, after doing some fruitless research ive decided to ask you guys > i heard this classic chi/deep/acid house song on pirate radio that had these > male vocals saying "bout ready to jack" and also "time to jack" (IIRC) > > dicogs.com and allmusic.com where of no help. can someone identify this > track please? > > oh and btw, HAPPY NEW YEAR! > > fab. > >
Re: (313) Semi-annual MK Thread, Now on SK, was - Re: (313)playlist WNUR Chicago - 20 Dec. 2002
the track is abacus 'black thanx' on airtight. james > From: "Tristan Watkins" <[EMAIL PROTECTED]> >> 'somebody new' is essential. >> you can here it on a mix of mine at hyperreal: >> > http://djsets.hyperreal.org/listen.cgi?listen_to=2000!BUCKNELL_JAMES.rm >> >> it's the second last track, before 'promised land'. > > Thanks! I am sold. What is the track that comes in around the 50 minute > mark, which cites all the African American activists, like Richard Wright > and Prof. Griff, etc? I should know this too... > > Tristan > === > Text/Mixes: http://phonopsia.tripod.com > Music: http://www.mp313.com > Contact: [EMAIL PROTECTED] > > >
Re: (313) Semi-annual MK Thread, Now on SK, was - Re: (313) playlist WNUR Chicago - 20 Dec. 2002
'somebody new' is essential. you can here it on a mix of mine at hyperreal: http://djsets.hyperreal.org/listen.cgi?listen_to=2000!BUCKNELL_JAMES.rm it's the second last track, before 'promised land'. james > From: "Tristan Watkins" <[EMAIL PROTECTED]> > Date: Tue, 31 Dec 2002 03:04:03 - > To: "Matthew MacQueen" <[EMAIL PROTECTED]>, "[EMAIL PROTECTED] org > [The Music Institute] \(E-mail\)" <313@hyperreal.org> > Cc: "Dave Siska \(E-mail\)" <[EMAIL PROTECTED]> > Subject: (313) Semi-annual MK Thread, Now on SK, was - Re: (313) playlist > WNUR Chicago - 20 Dec. 2002 > > Thank you Matt for always forwarding these playlists. I always find > something unexpected to feast my ears on. What on earth is this? > > MK - Somebody New [Music Institute Goodbye Mix] (KMS '89) > > Discogs.com says it's a Scott Kinchen remix, and there seems to be a ton of > other stuff by him as well??? Did he just ride MK's coat tails or are there > essentials in his discography as well? How essential is this record and does > anyone know where I could hear it? I assume it must be golden with a title > as risky as that. > > Tristan [wipes away the drool] > === > Text/Mixes: http://phonopsia.tripod.com > Music: http://www.mp313.com > Contact: [EMAIL PROTECTED] > > >
Re: (313) End of the night (from Jason Brunton)
i'd be happy to hear those tracks played together at any time of the night. nice! james > From: "Sean Creen" <[EMAIL PROTECTED]> > Date: Wed, 18 Dec 2002 09:04:22 - > To: "313 mailing list" <313@hyperreal.org> > Subject: (313) End of the night (from Jason Brunton) > > Jason Brunton asked me to forward this to the list... > > -- Forwarded Message > From: [EMAIL PROTECTED] <[EMAIL PROTECTED]> > Date: Sun, 15 Dec 2002 20:49:00 + > To: <313@hyperreal.org> > Subject: Re: (313) end of the night > > End of my night: > > Orlando Voorn- Future City > R-Tyme- R-Theme > UR- CodeBreaker > Bam Bam- Give It To Me > Mr Fingers- Closer > > Preferably one after the other! (one more tune! one more tune! one more tune > etc!) > > Jason Brunton > Iridite > > -- End of Forwarded Message > >
Re: (313) Future Sound compilation on Rephlex
that'll be the west side remix of the classic 'don't lead me' by house master baldwin and paris grey. this mix isn't on the original 1987 release and i've never come across a copy of this mix (except on the rephlex comp.) which came out in 1993. i know kool kat released an e.p. with three mixes of 'don't lead me', i don't have it at hand, but i'm nearly certain that the west side mix isn't one of them. i've a few sealed copies of the original. i open one every now and then to smell the air of chicago in 1987. james > From: Erik Jälevik <[EMAIL PROTECTED]> > Date: Mon, 16 Dec 2002 16:53:33 - > To: <313@hyperreal.org> > Subject: (313) Future Sound compilation on Rephlex > > I've got a CD compilation called The Best of Future Sound Records which came > out on Rephlex in 94 on which the tracklisting seems to be wrong. There are > 9 tracks on the disc but only 8 are listed on the cover. Track 4 is a really > nice old-school Detroit type track and I'm trying to find out what it really > is. The cover says Terry Baldwin "Delta House" but that's clearly wrong as > that's the track after. Anyone have this who knows? > > Thanks. > >
Re: (313) Another bootleg - Good Girls
i picked up 4 jazz funk classics at demf 2. james > From: "The Armchair DJ" <[EMAIL PROTECTED]> > Date: Sat, 7 Dec 2002 18:08:11 -0800 > To: <313@hyperreal.org> > Subject: RE: (313) Another bootleg - Good Girls > > Carl & Co. sold copies of the original 12 (plus copies of 4 Jazz-Funk > Classics and other rare early Planet E goodies) from their stockpile for I > think $5 a pop at their tent during the first DEMF. Talk about a bargain! > > Brian > > -Original Message- > From: Dinâmica [mailto:[EMAIL PROTECTED] > Sent: Wednesday, December 04, 2002 6:10 AM > To: 313@hyperreal.org > Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED]; > [EMAIL PROTECTED] > Subject: RE: (313) Another bootleg - Good Girls > > > > > Yes, please more details on this bootleg??? > Have been looking for it for 6 years and don't have the US$125 to spend on > it... > > Cheers, > > Hupert > > > >
Re: (313) Re: K Alexi
there are some nice remixes of my medusa on radikal records, as well. james > From: <[EMAIL PROTECTED]> > Date: Tue, 3 Dec 2002 15:18:22 +0100 > To: 313@hyperreal.org > Subject: (313) Re: K Alexi > > Anyone ever hear the remixes of My Medusa that came out on Ugly Records? There > were mixes from K himself, Fat Filters (whose now recording as Splinterfaction > on my label) and Future Monument. > > Dont think these got about too much at the time. > > Stewart > - Original Message - > From: Brendan Nelson <[EMAIL PROTECTED]> > To: Jongsma, K.J. <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; > <313@hyperreal.org> > Sent: Tuesday, December 03, 2002 2:11 PM > Subject: RE: (313) k alexi > > > And don't forget "Essence Of A Dream"... > > > ___ > Freeserve AnyTime, only £13.99 per month with one month's FREE trial! > For more information visit http://www.freeserve.com/time/ or call free on 0800 > 970 8890 > > >
Re: (313) New Beat/Saunderson etc
i have a belgium pressing of rock to the beat with an aggressive 303 acid line and someone chanting 'aceeed'. the track on the flip is called 'saigon nightmare'. if you want the label details i'll hunt it out. james > Subject: (313) New Beat/Saunderson etc > > I'm currently researching an article on the Belgian New Beat scene and I > found a listing for a 1988 cover of Reese & Santonio's 'Rock To The Beat' on > Speed Recs with vocals credited to Jade4U and Nicky Trax. Anyone heard this? > What's it like? > > Also, anyone remember what R&S was called before it became R&S? The first > five records (by Code 61 and B-Art) listed in the discography on Amazing > Discogs have the catalogue numbers LCE001-5. > > Come to think of it, if there are any New Beat experts on the list, I'd love > to hear from you. > > TOM > >
Re: (313) rhythm tracks?
here are the details on the two jive releases: jive rhythm tracks vol 2, (jive 1295-1-J 1982) more jive rhythm tracks (jive va66003 1982) farley put out two rhythm track e.ps on trax in 1986, funkin with the drums, and funkin with the drums again. relief records continued the chicago tradition with a number of releases that had sample based rhythm tracks. dj tools v.4 has italo disco classic klein and the mbo used for rhythm tracks. a rhythm track is just another name for bonus beats. and the best mix on a 12" is the bonus beats. james (bonusbeats) > > Cool... can you post the info on the record labels themselves? Do they have > 'catalog numbers' as such? Or is the actual year on any of them? > > peace, > Matt MacQueen > > -Original Message- > From: Rc [mailto:[EMAIL PROTECTED] > Sent: Sunday, December 01, 2002 3:28 PM > To: 313 > Subject: (313) rhythm tracks? > > > i've got a few rhythm tracks on vinyl - most notably jive rhythm tracks 1 > and two and mix your own stars - I know these were very popular mix tool > especially for the early-mid 80s chicago djs. > > are there any more I should know about? does anyone know more history about > these very anonymous productions? on the jive tracks some rhythm tracks are > the basis of Grandmaster Flash's "The Message" and Soft Cells "Tainted Love" > - which came first the rhythm track or the full production? so many > questions.. > > rc > >
Re: (313) old house accapella albums
dancetracks in new york always have a comprehensive collection of accapella bootlegs. they have a website, i don't know if the accapella stuff is up there. worth taking a look. james > From: "Recoil >" <[EMAIL PROTECTED]> > Date: Sat, 30 Nov 2002 09:48:06 -0500 > To: 313@hyperreal.org > Subject: (313) old house accapella albums > > i'm trying to source an old house acapella album that i heard a while ago - > no idea what series it is from or what it is called > > but it must have come out in the late 80s or something > > anyway, it was full of vocal smaples that were later used in hardcore/jungle > tunes > > among them - the female vocal sample "everyday of my life" used by > Reinforced in 93 > > can anyone point me in the right direction as to what this one might be?, or > other good house acapella albums? > > cheers > > Liam > > Recoil live on Interface > *Astral Physics* every Tuesday 7-9 PM (EST) > http://interface.pirate-radio.org/thesite/index.html > > *** > > ICQ - 98984143 > > *** > > > > > > _ > MSN 8 with e-mail virus protection service: 2 months FREE* > http://join.msn.com/?page=features/virus > >
Re: (313) Who used the 303 first..
ALEXANDER ROBOTNICK used the 303 with squiggle oncan't remember the track name, came out as a bootleg as 'love robot'. that is early 80s, and should be included in any histroy of 303 use. the swah pixies, an australian outfit that was part of the severed heads/sydney industrial scene, used one in 82. i can't remember if they released any recordings with the 303 on it. if so, it would have been released on m squared. is ian andrews still on the list? he should know if anybody in sydney in those days released 303 tracks. my 303+606 noodlings from the mid 80s are on a four track real to real in the cupboard somehwere. james > > = > > Re: Who discovered the 'Acid House' squiggle on the TB303? > > > I always thought it was Spanky and Pierre but nope, it was a UK band called > Section 25 on Factory Records (New Order,Joy Division,Happy Mondays etc). > They were one of the first people in the UK to buy one (the TB 303 was only > available to buy between 1982 and 1983 - only 20,000 were made!). > Anyway - just before Section 25 went on a major North American tour they > purchased a 303, did a bit of 'tweaking', found the squiggle and > incorporated it into their live set - specifically 'Looking from a Hilltop' > (one of Derrick May and Juan Atkins all time favourite tracks, and a massive > Paradise Garage and Warehouse favourite) and 'Beating Heart' which had an > extended remix made using the 303 in 1983! > > Section 25 toured the States extensively between 1983 and 1985 specifically > Chicago, Detroit and New York showcasing this new sound and tracks from > these dates can be heard on their 'Deus Ex Machina' live CD. The version of > 'Hilltop' sounds totally Acid House - they're using an 808, 303 and a Juno > 106 which became a standard Acid set-up by the Chicago crew. > So this story about the 'squiggle' being discovered in Pierre/Spank's > bedroom is totally blown out of the water! > > For more details go to www.section25.com and check out their biography - > specifically 18. 'Second US Tour' - and their live kit list. > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > > >
Re: (313) more bootlegs
juno (juno.co.uk), smallfish (www.smallfish.co.uk), or rushhour (www.rushhour.nl), usually get these in. there are copies of automan 4 and 5 sitting in record stores in sydney. james > From: Elliot Taub <[EMAIL PROTECTED]> > Date: Tue, 26 Nov 2002 17:29:41 -0500 > To: "313@hyperreal.org" <313@hyperreal.org> > Subject: Re: (313) more bootlegs > > Anyone know where I can find a copy of these to buy? Al the shops in New > York are out of them. > > e > > > Scatalogics > 3240 46th ST #2B > Astoria, NY 11103 > > www.scatalogics.com > >> From: armin holzgethan <[EMAIL PROTECTED]> >> Reply-To: [EMAIL PROTECTED] >> Date: Tue, 26 Nov 2002 23:09:46 +0100 >> To: "313@hyperreal.org" <313@hyperreal.org> >> Subject: Re: (313) more bootlegs >> >>> Automan 1 - Laid Back: White Horse (b/w ?) >> >> Automan 2 - nightlife unlimited - peaches & prunes, klein mbo - klein >> mbo theme >> Automan 3 - ? >> Automan 4 - kebekelektrik - war dance, ? - wanna be your lover, klein >> mbo - wonderful >> >>> Automan 5 - Charlie: Spacer Woman (b/w ?) >> >> sound & pressing are good > >
Re: (313) Re: [313] Musicbox Vol.2
here's the tracklisting peut etre on and on (?) leatherette (warm leatherette by grace jones?) rappinhhood (tom tom club) doughnut dog (that cat stevens track, also on the freddy fresh abstract funk comp) sampling dance powerpill who made on and on? it's a really good track. i was expecting what is generally claimed to be the first house record--'on and on' by vince lawrence and jesse saunders on jes say records. james > From: "jurren baars" <[EMAIL PROTECTED]> > Date: Tue, 26 Nov 2002 19:34:32 + > To: 313@hyperreal.org > Subject: (313) Re: [313] Musicbox Vol.2 > > 'Die Domina' is by manuel gotschening(?) i think. > > volume 1 also has another liaisons dangereuses track: 'peut être pas' [in a > somewhat different spelling] > > the bootlegs come from the uk, and are not really ron hardy re-edits from > what i've heard, just records ron hardy used to play a lot. the re-edits > might have been inspired by ron's though. > > jurren > > > > > _ > Add photos to your e-mail with MSN 8. Get 2 months FREE*. > http://join.msn.com/?page=features/featuredemail > >
Re: (313) more bootlegs
picked up #5 yesterday. the flip is 'dance to the beat'. don't know the producer/artiste. i have 2, 4, and 5. the pressing/sound on all are good, while the track selection is superb. james > From: armin holzgethan <[EMAIL PROTECTED]> > Reply-To: [EMAIL PROTECTED] > Date: Tue, 26 Nov 2002 23:09:46 +0100 > To: "313@hyperreal.org" <313@hyperreal.org> > Subject: Re: (313) more bootlegs > >> Automan 1 - Laid Back: White Horse (b/w ?) > > Automan 2 - nightlife unlimited - peaches & prunes, klein mbo - klein > mbo theme > Automan 3 - ? > Automan 4 - kebekelektrik - war dance, ? - wanna be your lover, klein > mbo - wonderful > >> Automan 5 - Charlie: Spacer Woman (b/w ?) > > sound & pressing are good >
Re: (313) re: best decks
jeebers--it's bad to slow a record by dragging your finger against the platter? does the same apply to speeding the record up by twisting the spindle? i just watched what dj pierre did and tried to do the same. so how are you meant to slow a record on the 1200s without touching the platter? james > From: "seth redmond" <[EMAIL PROTECTED]> > Date: Wed, 20 Nov 2002 11:49:45 + > To: [EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org > Subject: RE: (313) re: best decks > > I'm still undecided on whether the torque is better or worse. Although it > seems logical to get as much as possible, when I tried mixing on Vestax I > missed the ability to drop a record back into time by dragging my finger > across the edge of the plate as I could with 1200s; although unexpectedly > had no trouble moving back to technics again. > I am pretty convinced that once I got out of this habit (bad for the motor > in any case) I wouldn't mind. The only thing I am sure I would miss on > technics is the +10 pitch control. I never had to use the +50's but I've > often found that I was agonisingly just-out-of-range on the technics and had > to piss about subtely speeding the other record up / down > > it's not the first time I've heard doubts about the build quality, but don't > know anyone who's had them long enough for it to be an issue. their mixers > have always been pretty nice mind. > > -s > >> From: "Neil Wallace" <[EMAIL PROTECTED]> >> To: "'Langsman, Marc'" <[EMAIL PROTECTED]>,"'seth redmond'" >> <[EMAIL PROTECTED]>,<313@hyperreal.org> >> Subject: RE: (313) re: best decks >> Date: Wed, 20 Nov 2002 10:49:55 - >> >> >> I got one pdx 2000 (as it was all I could afford at the time) and I >> really love it: -50% is actually really useful as use you can mix things >> at half tempo to do some weird x2s, having a reverse button is also very >> useful and yes they seem to have quite a lot more torque - which may not >> be a good thing if you play out a lot as after using vestax technics >> feel very light and you need to use a much gentler touch and yeah >> skipping is virtually non existent which I believe is due to the tonearm >> being designed to produce no lateral force perpendicular to the tonearm >> instead all the forces run parallel to the tonearm (or that's the theory >> anyway) >> Build quality wise I would say that echnics still have the edge insomuch >> as touching the deck with the needle on the record doesn't seem to make >> a noise thru the speakers whereas at high volumes if you tap the vestax >> you can hear the tapping. >> > > _ > Add photos to your e-mail with MSN 8. Get 2 months FREE*. > http://join.msn.com/?page=features/featuredemail > >
Re: (313) b-boys & b-girls @ DEMF #2 ....
don't know about the detroit breakers, i didn't see any at demf #2. but at new york house nights--like louie vega's 'dance ritual' night at vinyl--there were quite a large group of people breaking. they were really good. it was a surprise to see people breaking to a masters at work tribal flute cut and not the jonzun crew. james > From: [EMAIL PROTECTED] > Date: Tue, 19 Nov 2002 16:06:10 -0600 > To: 313@hyperreal.org > Subject: (313) b-boys & b-girls @ DEMF #2 > > I seem to remember that at practically ever stage I was at there were at > least two circles going with a fair number of people breaking it down. Some > were really battling and some were just letting loose and having fun. I'm > curious as to how many active crews are there in the Detroit area and do > they attend many of the techno events. Any weblinks? > > MEK > > >
Re: (313) nightclubs - the good, the bad, the ugly
the anchorage, inside the pylons of the brooklyn bridge! crap sound as it echoes, but what a place, 100 foot vaulted brick ceilings, walls 15 feet thick. plus you get to walk home over the brooklyn bridge as the sun is rising. the brick works in sydney park, sydney is the best illegal outdoor site i've seen. although the spot under the george washington bridge on the hudson river in new york is pretty amazing, just a shame about the pys trance, 16 year olds on angel dust, having to run across about 18 lanes of freeway traffic to get there, and dudes threatening to throw you into the hudson if you don't hand over your money. lovely view. james > From: "Tristan Watkins" <[EMAIL PROTECTED]> > Date: Wed, 13 Nov 2002 17:26:40 - > To: <313@hyperreal.org>, <[EMAIL PROTECTED]> > Subject: Re: (313) nightclubs - the good, the bad, the ugly > > For (I think) pretty obvious reasons, most of the best venues tend to be > overun with a clientelle that makes them less desirable to go to. But, if > we're just talking about the space itself, these are 4 of my favorites (3 > big, one small): > > The Limelight in NYC: I love the maze-like effect as you wander through the > back, and the main dancefloor is magnificent. It's just a beautiful space. > Sound there can be iffy at times, but generally I enjoy it. > > Nation (former home of Buzz) in DC: The venue is so sick. The clientelle and > the music was often lacking. The front room, where they normally play drum > 'n bass, has bars on either end with a circular DJ booth in the middle, > which works so well for drum 'n bass. I often took refuge here when the main > room was a dissapointment. The outdoor deck would usually feature house, or > something less mainstream (in DC anyway) than progtrance/dnb. I loved to > spend time out there in the Summer, especially when I first arrived in DC, > with the view of the capitol building, a good dancefloor vibe and amazing > weather. You have to love listening to house outdoors at night. The main > room is really impressive. I always thought the sound with a bit too > ecstacy-tweaked-crisp for me, and there were very few DJs I wanted to see in > there, and those I did want to see often dissapointed. Also, when the floor > is packed with drooling kids every weekend, you tend to find a different > space. But, it's impressive for the good design, and with a slightly > different EQing it would sound great in there. > > The End in London: This sound system is so sick. I know some people who > don't like it but I think it depends who you see spinning on it, b/c they > have separate PA settings for all the regular performers. I like the setup > of the entire club. Clearly there are sometimes issues with the crowds > there, but the space itself rocks, purely because of the focus on the DJ and > the sound quality. > > The Blue Room in DC: Pure class. It's small, lots of wood every where. Free > entry. Great selection of beer and some good food. Nice outdoor deck. Both > floors are smooshed full of people whenever they're open and eveyone is > always having a great time. The sound downstairs sucks. The sound upstairs > is too loud for the space. None of it matters because the people, the beauty > of the space, the beverages and the music always make it a great experience. > I would go there on my own a lot this Summer and wound up meeting tons of > people every time I went because I knew whoever I met at the Blue Room would > be cool. It's the right spot in the right part of DC, with the right music > to attract the best people. > > You wouldn't think it to look at the first three, but I much prefer small > clubs. > > Tristan > = > Text/Mixes: http://phonopsia.tripod.com > Music: http://www.mp313.com > Contact: [EMAIL PROTECTED] > > New Mix in mp3, 'Live in Iowa City' available for > a short time from http://phonopsia.isoprax.com > > >
Re: (313) Listmember's sites
while on the subject...i'm looking for a new host for my site. any suggestions for a cheap host that allows downloads of mp3s? james > From: diana potts <[EMAIL PROTECTED]> > Date: Wed, 13 Nov 2002 13:23:13 -0800 (PST) > To: 313@hyperreal.org > Subject: (313) Listmember's sites > > > Most of the ppl on here are "technies" (me not > included) so there's, IMHO, some really good > programming and creative work going on amongst > members.(I do check out ppl's sites in their sig) > > Anyhow, if you've skipped over this listmember's > site, might I suggest you check it out during an > 'attention span shortage' moment at work. From the > nose down he's a dead ringer for Matthew Hawtin > (there's your 313). > > http://www.11235813.com/ > > any others? > > d > > __ > Do you Yahoo!? > U2 on LAUNCH - Exclusive greatest hits videos > http://launch.yahoo.com/u2 >
Re: (313) Betalounge track id - Ulysess, Kenny Larkin, Sean Deason @ Allegory & Metphor NYC
that's rob hood 'red passion 2' on duet. beautiful track. james > From: [EMAIL PROTECTED] > Date: Tue, 12 Nov 2002 21:13:14 -0600 > To: 313@hyperreal.org > Subject: (313) Betalounge track id - Ulysess, Kenny Larkin, Sean Deason @ > Allegory & Metphor NYC > > @ 1:18:49 > > http://www.betalounge.com/stuff/allegory8-25-00.ram > > slamming set! > > I'm sure I'll have more tracks to id as I listen to this > > thanks > MEK > > > > >
Re: (313) Re: how about some more vegan food? as we get REALLY OT
hangawai is sublime. this is where margie and i had our final meal in new york before moving to australia. that should tell you high i regard it. james > From: Elliot Taub <[EMAIL PROTECTED]> > Date: Tue, 12 Nov 2002 16:49:57 -0500 > To: "Grammenos, Peter" <[EMAIL PROTECTED]>, "'[EMAIL PROTECTED]'" > <[EMAIL PROTECTED]>, <313@hyperreal.org> > Subject: (313) Re: how about some more vegan food? as we get REALLY OT > > Probably enough has been said about this, already, but just to help inform > any vegan techno heads out there who make it to the Big Apple: > > 1. Hangawai on 32nd St. b/w 5th and park is probably the only Korean > Vegetarian restaurant, anywhere. Its also supposed to be amazingly good, > though a bit expensive. I haven't been there, yet, though. > > 2. Quintessence on 10th St B/W 2nd Ave and A is Raw Foodist (i.e. nothing is > cooked at all). Went there with Mr. Todd "Planet E" Sines, himself. It was > quite good, but I wanted to get a hot dog afterwards b/c I was still hungry. > > And last, but not least: > > 3. H&M Dairy Restuarant on 2nd Ave b/w 7th St and St. Mark's place. This is > one of my favorite restaurants in New York. Its not Vegan, though, its an > old-fashioned Kosher Dairy Restaurant: i.e. Milk, Fish, and Veggies. No Beef > or Chicken. Its cheap and very filling, even for a carnivore like myself... > and I have a reputation for eating a lot. > > As my grandmother used to say: > "Eat! Eat! Its Good for you!" > > e > > > Scatalogics > 3240 46th ST #2B > Astoria, NY 11103 > > www.scatalogics.com > >> From: "Grammenos, Peter" <[EMAIL PROTECTED]> >> Date: Tue, 12 Nov 2002 16:29:07 -0500 >> To: "'Elliot Taub'" <[EMAIL PROTECTED]>, "'[EMAIL PROTECTED]'" >> <[EMAIL PROTECTED]>, 313@hyperreal.org >> Subject: RE: how about some more vegan food? as we get REALLY OT >> >> >> LOL! It's true i am a vegan poseur but i know what's good >> and what's not regardless.. if u think kate's is bad then >> i'de love to hear your opinion on Teany's. Bleh. >> >> So mr. taub enlighten us on good vegan eats in nyc?! >> >> Sorry for the OT folks, but food is just as important >> as music for us ny'ers ;) >> >> -p >> >> -Original Message- >> From: Elliot Taub [mailto:[EMAIL PROTECTED] >> Sent: Tuesday, November 12, 2002 4:09 PM >> To: Grammenos, Peter; '[EMAIL PROTECTED]'; 313@hyperreal.org >> Subject: how about some more vegan food? as we get REALLY OT >> >> >> Pete! Kate's Joint sells sawdust, not food. You can't possibly like that >> place! Its, in my opinion, the worst Veggie restaurant in NYC. Angelica's >> Kitchen is alright. I haven't eaten at TeaNY. >> >> Still, neither of us are Vegan, so we're used to the fats and flavors of >> meat and milk. It probably distorts our recommendations to our Vegan >> compatriots. >> >> e >> >> >> Scatalogics >> 3240 46th ST #2B >> Astoria, NY 11103 >> >> www.scatalogics.com >> >>> From: "Grammenos, Peter" <[EMAIL PROTECTED]> >>> Date: Tue, 12 Nov 2002 16:03:38 -0500 >>> To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]>, 313@hyperreal.org >>> Subject: RE: (313) ...enough eminem, how about some more vegan food? >>> >>> >>> You can't be serious! Try kate's joint or Angelca's Kitchen then >>> tell me it's still good. Geez. >>> >>> -Original Message- >>> From: e. [mailto:[EMAIL PROTECTED] >>> Sent: Tuesday, November 12, 2002 4:04 PM >>> To: 313@hyperreal.org >>> Subject: RE: (313) ...enough eminem, how about some more vegan food? >>> >>> >>> moby's restaurant it's called "TeaNY" ... on rivington st b/w ludlow >>> and orchard >>> ...and may i add that it's actually quite good ... been there many times >>> >>> >>> _ >>> >>> eric schulte >>> creative + web development >>> >>> p.718.753.6814 >>> [EMAIL PROTECTED] >>> http://www.11235813.com > >
Re: (313) ...enough eminem, how about some more vegan food?
what about the vegan bakery on 8th st and A? jeebers! james > From: "Grammenos, Peter" <[EMAIL PROTECTED]> > Date: Tue, 12 Nov 2002 12:18:53 -0500 > To: 'Collin McKinney' <[EMAIL PROTECTED]>, "'313@hyperreal.org'" > <313@hyperreal.org> > Subject: RE: (313) ...enough eminem, how about some more vegan food? > > > moby knows the importance of a good(?) vegan meal ... he opened up > a vegan rest in the L.E.S right around the corner from his loft. > i heard from a few people that the food is over-hyped and pretty bland. > > 'you are what you eat' i suppose ;) ok enough cheap shots at moby. > > as for todd's vegan pancackes, i tried making them this past weekend and > have this one thing to say : make sure you don't overdue the cardomon and > crush it well before adding it! > > > -pete > > -Original Message- > From: Collin McKinney [mailto:[EMAIL PROTECTED] > Sent: Tuesday, November 12, 2002 11:53 AM > To: '313@hyperreal.org' > Subject: (313) ...enough eminem, how about some more vegan food? > > > > Seriously, how can one properly enjoy a good bassline or some well > programmed, shuffling percussion on an empty stomach? > > "The War For Disco Truth Has Begun" - Bobby O. > >
Re: (313) Hip Hop and Techno (was 8-Mile)
there isn't much crossover in the birthplace of hip hop in the south bronx/upper manhattan. when i'd go to the police athletics league gym on 118st and manhattan ave. any house, electro or techno cds i put on promptly got thrown off and replaced by hot 97 (bringing you blazin hip hop). i declined to dj at our block party because it was patently obvious that nobody was interested in hearing anything but hip hop (and the electric slide, of course). but block parties are a genre of their own. james > > >>> I know plenty of current hip hop fans who are also massively into techno. >>> Its certainly not true to say that hating techno is an ingrained part of the >>> culture, as was suggested in the original post. >>> Also, we need to be clear here on whether were talking about B-boys or Puff >>> Daddy fans... >>> >>> Sean. >> >> >> >> >> >> >
Re: (313) Rhythm & Sound: Aground/Aerial
both tracks are beat driven, with a small bit of faint vocals. i really like it--better than than the last couple of releases. james > From: Ivan Tomasevic <[EMAIL PROTECTED]> > Date: Mon, 11 Nov 2002 13:34:01 +0100 (CET) > To: 313@hyperreal.org > Subject: (313) Rhythm & Sound: Aground/Aerial > > > i need a review of this record. is it as good as their previous releases ? > is it beat driven, or is it more like ambient dub? > > thanks > > ivan > > -- > > > >
Re: (313) interesting, as always!
acid has saved many a soul. james > From: Samuel Hobbs <[EMAIL PROTECTED]> > Date: Mon, 11 Nov 2002 21:38:03 -0800 (PST) > To: 313@hyperreal.org > Subject: (313) interesting, as always! > > the following is absolutely the truth: > > tonight i was doing my normal job to augment graduate > school, which is working with autistic kids doing > highly regimented behavioral modification therapy > called applied behavior analysis. i was extremely > stressed out because the kid was hitting himself and > he pissed on my new steve madden shoes, so i decided > to pop in a cd into the old cd player. the cd i chose > was plus 8 classics vol. 1, it being the handiest and > in my coat. > > the kid immediately stopped hitting himself and began > following verbal directions to complete the discrete > trials i was really suprised and decided to stop > the cd. he started hitting himself again! so i put > the cd back on. he stopped hitting himself again. > not wanting the kid to start hitting himself again i > left the cd on for the rest of the shift. > > now, i've had a couple of days to digest this. i > decided that the heavy bass kick and textural acid > lines provided some high level of stimulation. the > only problem with the whole situation is that he's now > fixated on the song with the vocal "vortex" and the > squelching acid line. i had to give the cd to the > kids parents for them to burn and bring back the next > session. > > so any other suggestions for music to accompany > applied behavior analysis? apparently my client has a > hankerin' for acd!!! > > -sam > > __ > Do you Yahoo!? > U2 on LAUNCH - Exclusive greatest hits videos > http://launch.yahoo.com/u2 >
Re: (313) Electro..
freddy fesh 'abstract funk..' compilation has cod 'in the bottle' plus quadrant six 'body mechanic'. > From: Robert Taylor <[EMAIL PROTECTED]> > Date: Thu, 7 Nov 2002 15:56:23 - > To: "'Matthew MacQueen'" <[EMAIL PROTECTED]>, 313@hyperreal.org > Cc: [EMAIL PROTECTED] > Subject: RE: (313) Electro.. > > Yep that DJ Kicks CD is very special: C.O.D.'s In The Bottle is my > highlight > > -Original Message- > From: Matthew MacQueen [mailto:[EMAIL PROTECTED] > Sent: Thursday, November 07, 2002 3:53 PM > To: 313@hyperreal.org > Cc: [EMAIL PROTECTED] > Subject: RE: (313) Electro.. > > >> This looks quite a good electro comp (on the older tip). >> There's a couple of proto-techno classics on there too > >> http://www.souljazzrecords.co.uk/beat.htm > > yup, compiled by Kurtis Mantronik... I heard it last weekend and it's good! > > For Electro comps I also usually recommend the Andrea Parker DJ Kicks CD... > from 98 or so? Cool eclectic electro-ish mix with Bambaata, Man Parrish, > Space DJz and plenty of 313 from the likes of 69, Drexciya, Model 500, > Dopplereffekt, etc. Great disc for driving. > > > peace, > Matt MacQueen > > > Any views or opinions are solely those of the author and do not necessarily > represent those of Channel Four Television Corporation unless specifically > stated. This email and any files transmitted are confidential and intended > solely for the use of the individual or entity to which they are addressed. > If you have received this email in error, please notify > [EMAIL PROTECTED] > > >
Re: (313) un:warp (off-topic)
place the warped record in a tightly packed record crate for a week or so. works a treat. james > From: "Niko Tzoukmanis" <[EMAIL PROTECTED]> > Date: Wed, 6 Nov 2002 16:12:21 +0100 > To: <313@hyperreal.org> > Subject: (313) un:warp (off-topic) > > hi all > i know we've had this several times > before, but how can i unwarp records > (using a heating preferredly...) > thanks for any help > niko > >
Re: (313) ot politics
don't try coming to australia on a boat--they'll sink your boat, lie about it, lock you up in the middle of the desert or pay a small impoverished pacific island to lock you up, and then send you a bill for the lot. oh yeah, if you have a kid they'll kick you out of the country but keep the child. plus they'll charge you $20 to buy a record. what about new zealand. anybody know how recloose is finding it? james > From: "Jonny McIntosh" <[EMAIL PROTECTED]> > Date: Wed, 6 Nov 2002 13:41:03 - > To: "J. T." <[EMAIL PROTECTED]>, <313@hyperreal.org> > Subject: Re: (313) ot politics > > dunno, but bear in mind that when you arrive we will lock you up > >> when does the boat leave, somebody save me a seat >> $*I^%O%*^& >> >> jt > > > >
Re: (313) twosim re-release
well that sparked my curiosity, tell me more about this twoism. james > From: "Mesu Kasumai" <[EMAIL PROTECTED]> > Date: Tue, 05 Nov 2002 16:26:21 -0500 > To: [EMAIL PROTECTED], 313@hyperreal.org > Subject: (313) twosim re-release > > an exciting day for anyone who is interested, warp records is re-releasin > twoism, startin with pre orders taken today via warpmart. i guess that means > no more copies going for over 1000 dollars on ebay. and it also looks like > theyre still goin to use the artwork, taken from outpost zeta. cant get > enough of those cheesy 70s sci-fi flicks. > > > regards, > mike > www.8bitpeoples.com > www.fulcruminn.net > > > > > _ > Choose an Internet access plan right for you -- try MSN! > http://resourcecenter.msn.com/access/plans/default.asp > >
Re: (313) deep house (was 100 BEST DJ IN THE WORLD (Mills)
i'm a deep house (among other genres) dj who moved (back) to sydney after 10 years in new york. i can't get a booking playing deep house here. i get booked to play techno and electro. the stuff that people in sydney call deep house has nothing to do with the stuff i play. i go to nights billed as deep house here and they're playing progressive. laylo and bushwacka are't deep house, and nor are peace division. i hope someone can prove me wrong and tell me where they're playing real house in sydney, i realy really want to go dancing. maybe melbounre is better (i did get booked to play a house set in melbourne at a club called honkytonks, but my records box never showed up). james > From: "Cyclone Wehner" <[EMAIL PROTECTED]> > Date: Tue, 05 Nov 2002 03:20:59 +1100 > To: 313 Detroit <313@hyperreal.org> > Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) > > I had a feeling my 'sleep house' would get me into trouble. > > ;) > > I am just so frustrated that here in Australia house promoters want to book > these new school house DJs who play so smooth you wanna bring a pillow and > drink cocoa yet they don't wanna book great DJs from the US as they're not > hip (well maybe West Coast). You just know that they were into Sasha, not > Kevin Saunderson and Mayday, back in the day. They play great records (eg > Classic) just very boringly. It's... nice. > > There's one particular don of sleep house from the UK but I don't wanna get > in trouble. > > If you're getting that kinda response then you're not playing sleep house. > > Sleep house DJs don't mess with the EQs much or anything much like that, > it's all about The Mix. It's not a performance, it's not innovative, it's > just immaculately boring. I can't think of any 313 sleep housers. > >> From: "Jonny McIntosh" <[EMAIL PROTECTED]> >> Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) >> Date: 05/11/2002 2:16:38 >> To: "313 Detroit" <313@hyperreal.org> >> >> Personally, I like to get the dancers dancing and the 'spotters 'spotting: I >> like having the whooping, screaming, yelling, jacking, climbing the walls >> AND the googly eyed "what's he doing?!? What's that record?!" You don't have >> to dance to recognise that it's a pretty similar achievement: everyone comes >> away saying, damn he/she banged it out - *that's* what I'm after. >> >> As to how you do it, do it any way you want to. I used to do tricks far more >> than I do now, I now never scratch beyond the odd second copy doubling up, >> and I pretty much conform to Cyclone's "sleep house" school of DJing. I >> certainly *wouldn't* say that the mix supercedes the records - quite the >> opposite - and in any case, it's just something that I have observed works >> better for the music I play. Some of the "sleep house" gang would say that >> mixing it up in the Mills style is mix over content, but they'd be equally >> wrong. It's horses for courses, and I suppose a good DJ will adapt >> accordingly. In my case, it's certainly not lack of skill - I'm relying on >> some charity here :) - nor is it some deeper than thou homage to the house >> canon, it just works for me. Not to say there aren't style over content DJs, >> but they're the *real* boring ones. >> >> All just IMHO. >
Re: (313) to move or not to move.
when people find out that i dj, it's not uncommon that they say they don't like dance music. i then ask where they've been dancing, what clubs, what djs. they usually reply that they don't go dancing, they just listened to dance music at a friends place, on the radio etc. that's when i point out that it's called dance music, not 'sitting on your ass at home' listening music. sure you can listen to it at home, but the place it makes sense, and the place to judge it, is on a dancefloor. you can send a dance floor into convulsions with just an 808 rhythm track. put that on the home stereo and most people will think it sounds dull repetitive and boring. and that's why i'm calling it dance music. just try shooting me. one of the major problems with comtemporary dance music is that a lot of it is actually made for listening, not dancing. there's a bigger market for record companies making listening music. i'm referring to all the crap mix cds, like the global series etc. james > From: Anya Stang <[EMAIL PROTECTED]> > Date: Mon, 4 Nov 2002 16:09:05 + > To: 313@hyperreal.org > Subject: (313) to move or not to move. > > Whoever coined the term "dance music" should be shot. ; ) > > That a certain kind of music makes _you_ want to dance Robert, doesn't > necessarily mean that _every_body feels the same, has to dance to it. > For example, All who know me know that I totally love to dance, and > appreciate it when the music gets me going and I can lose myself on > the dancefloor. > But I can just as well spend the night at a club and hardly move > a foot - just cos I don't feel like it. Or whatever the reason might be. > In whatever mood I'm in, I don't expect others to feel the same way > as I do - as long as they don't jump on my feet when I just feel like > head-nodding, and don't get in my way when I wanna dance. It goes > without saying that the same applies to myself. > And I know that Jeff was not trying to be pretentious, it was simply > his way of getting his point across innit. : ) Which he did really > well imo. No need to jump on him like that. > Ah fekk Mondays... > > Has anyone seen that there's a new Clicks'n'Cuts out on Mille Plateaux? > What's it like? And Mike Shannon's album Slight Of Hand? > Cheers, > > Anya *dancing home now* ; ) > >> From: Robert Taylor <[EMAIL PROTECTED]> >> Date: Mon 04/Nov/2002 15:37 GMT >> To: "'Mxyzptlk'" <[EMAIL PROTECTED]>, >> Toby Frith >> <[EMAIL PROTECTED]>, >> Cyclone Wehner <[EMAIL PROTECTED]>, >> 313 Detroit <313@hyperreal.org> >> Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) >> >> F*** ART, LET'S DANCE. I didn't get to the end of that piece I almost fell >> asleep trying to get to grips with its faux-intellectual weightiness. >> Don't be so pretentious ferchrisakes it's dance music! > > ___ > Freeserve AnyTime, only £13.99 per month with one month's FREE trial! > For more information visit http://www.freeserve.com/time/ or call free on 0800 > 970 8890 > > >
Re: (313) [313] ugly edits - theo parrish.
if you like the ugly edits make your own. just download pro tools (there is a free version that has everything you need for an edit) and cut and paste. it's really simple. james > From: "Lee Herrington IV" <[EMAIL PROTECTED]> > Date: Sun, 27 Oct 2002 19:56:30 -0500 > To: "313" <313@hyperreal.org> > Subject: (313) [313] ugly edits - theo parrish. > > > hi folks. a few days ago i was at bent crayon[cleveland, ohio record > shop]... just shuffling through the stacks. at the end of my digging, and > as i was making my purchase, i was offered the chance to lay hands upon and > play the 2nd and 3rd "ugly edits" EP's. damn! it's some brilliant > material! i am by no means a funk and disco historian so it was a wonderful > opportunity to hear some great cut-ups. sadly, the EP's were not for > sale... part of john's private collection. i just wish to convey that it's > a D A M N shame that these titles are not readily available to those of us > who A L S O know. i mean, i understand the legalties that one has to > consider when releasing a work that is sick with uncleared, and i guess > fairly obvious samples... but i promise, i won't tell anybody where i got > the record from. i'll only play it through headphones, late at night. > right now, there are auctions involving these very releases... the > bidding is up to $35.00+ with several days to go until closing. fah! oh > well. wouldn't it be great if releases by artists like theo and kenny and > keith and shake and so forth were actually mass-produced like so many > britney spears records. imagine stepping into a rite-aid and picking up > "shades of jae" on mint vinyl for a few bucks. that and a cold yoo-hoo > would be sweet. : ) > sorry for the rant.. i'm just a tad frustrated. curse you.. i mean "happy > listening" you "ugly edits" owners. > peace > lrh > >
Re: (313) Record cleaners
use a mixture of alcohol and distilled water with a ratio of 1 to 10. place the mixture in a spray bottle, spray a little on a cleaning pad. type of alcohol to use: isopropyl(sp?) (which is sold as rubbing alcohol in the states) or methylated spirits. james > From: Placid <[EMAIL PROTECTED]> > Date: Thu, 24 Oct 2002 16:51:59 -0700 > To: 313 <313@hyperreal.org> > Subject: (313) Record cleaners > > Need to clean some of mine up... What do u recommend > > Placid > -- > http://www.acid-house.net > > Everything you wanted to know about acid house > >
(313) Kraftwerk in Perth
someone was asking a while back--yes, kraftwerk will be playing in perth for big day out. and they'll be selling their own line of kraftwerk 'tour de france' cycling clothes! anybody seen these? james
Re: (313) ben liebrand?
but does he have same style of station ids as the hotmix 5? so, how do you say 'wbmx...aint no jive...' in dutch? james > From: Rc <[EMAIL PROTECTED]> > Date: Mon, 21 Oct 2002 21:48:52 +1000 > To: 313 <313@hyperreal.org> > Subject: (313) ben liebrand? > > been listening to a few of liebrand's "grandmixes". must say i'm very > impressed - kinda like Holland's version of the Hotmix 5 - except it's just > one dude.playing less chi-house/d techno but more italo > > he did some cool remixes in the 80's and then disappeared.. > > does anyone know what happened? or have any of the dutch 313ers had the > pleasure of seeing him play out? > > rc > >
Re: (313) Fingers
that confuses things even more. my copy of rhythm control has 'can u feel it' with the chuck roberts vocal over the top. it sounds the same as the trax release. it's the b side inside cut. mine's a green label, black text, four tracks, 1987, no cat # that i can see, on catch a beat records. the tracks are a)my house radio edit, my house long version, b)my house dub mix, my house acapella. although the acapella is no acapella, it's larry heard. on my copy 'acapella' has been crossed out with pen. james > > Thytrhm controll release has the vocals but it's part of a completely > different track... > > No larry heard in sight... > > I can mp3 it for u if u want... > >> that can't be right. >> the rhythm control release has larry heard's 'can u feel it' with the chuck >> robert's speech over the top. >> it's the same version as the trax release. >> james >> >>> From: Placid <[EMAIL PROTECTED]> >>> Date: Tue, 15 Oct 2002 13:29:58 -0700 >>> To: "[EMAIL PROTECTED] Org" <313@hyperreal.org> >>> Subject: Re: (313) Fingers >>> >>> Just for the record, it's Chuck Roberts, not Chuck D on that release on Juno. His is the "In the beginning there was..." version that came out on the UK label Desire originally. J >>> For the record. That speech was originally on Rhythm controll - my house >>> released in 1987 on catch a beat records.. >>> >>> Larry heard took it and stuck it over can u feel it... >>> >>> >> > >
Re: (313) Fingers
that can't be right. the rhythm control release has larry heard's 'can u feel it' with the chuck robert's speech over the top. it's the same version as the trax release. james > From: Placid <[EMAIL PROTECTED]> > Date: Tue, 15 Oct 2002 13:29:58 -0700 > To: "[EMAIL PROTECTED] Org" <313@hyperreal.org> > Subject: Re: (313) Fingers > > >> >> Just for the record, it's Chuck Roberts, not Chuck D on that release on >> Juno. His is the "In the beginning there was..." version that came out on >> the UK label Desire originally. >> >> J >> > For the record. That speech was originally on Rhythm controll - my house > released in 1987 on catch a beat records.. > > Larry heard took it and stuck it over can u feel it... > >
Re: (313) Fingers
it was larry sherman, not larry heard, that put can u feel it and the chuck roberts vocal together. james > From: Placid <[EMAIL PROTECTED]> > Date: Tue, 15 Oct 2002 11:48:44 -0700 > To: "[EMAIL PROTECTED] Org" <313@hyperreal.org> > Subject: Re: (313) Fingers > > Wasn't chuck d the guy who did the 'I am the creator, and this is my > house.. Speech that larry heard ripped for the can u feel it track... > > I'm sure its chuck roberts > >> Just seen this in Juno mailshot Chuck D mix ?? not Chuck D from P.E. >> anyone ? >> >> >> ""MR FINGERS: The Complete Can You Feel It (Trax US) >> 12": Can You Feel It (original instrumental, Robert Owens mix, "Martin >> Luther King" mix, Chuck D mix) (TX 476) [6.99]"" >> >> Thanks >> >> Rav >> >> >> >> > >
(313) deep house download help
i'm having trouble downloading mp3 files from deep house pages. i'm on a mac using explorer. the mix isn't downloded by the downlaod manager. instead it seems to end up in the cache as a useless, non mp3 file. anybody had similar problems? any suggestions? thanks james www.jbucknell.com
Re: (313) kraftwerk
kraftwerk are confirmed for the big day out in australia. february i think. this comes from ken west the promoter. james www.jbucknell.com > From: [EMAIL PROTECTED] > Date: Mon, 30 Sep 2002 11:39:18 +1000 > To: 313@hyperreal.org > Subject: (313) kraftwerk > > > some pics from the paris show > > http://kraftwerk.technopop.com.br/pictures_2000years.php#Paris-2002 > > the website says that they might come to australia later in the year ! woo > hoo ! > > p > >
Re: (313) RE: [313] What would you consider to be your rarest 313 record?
how about 312? i've two test pressings of ron trent's 'altered states' on gherkin records. james www.jbucknell.com > From: "Joseph Ross Lynn IV" <[EMAIL PROTECTED]> > Date: Thu, 26 Sep 2002 20:58:25 -0400 (EDT) > To: [EMAIL PROTECTED] > Cc: 313@hyperreal.org > Subject: Re: (313) RE: [313] What would you consider to be your rarest 313 > record? > > Okay this maybe among the most rare. > Dopplereffekt put out a 7" prior to any 12" releases. I don't actually own > it. > The copy I've seen belongs to a friend, who also owns a 12" by a > pre-drexciyan - It must date back to the 80's, and features some of the same > drum programming heard years later on the Wavejumper EP. Personally I've > always > kept an eye open for the Psychofuk 12" on matrix, first shown to me years ago > by a fellow listmember. > J > > > > >> >> I managed to get my hands on a white label of Drama #1 "funky souls" not a >> clue if that's rare or not but I think it may be. >> >> Trevor Wilkes >> inyerear.com >> - Original Message - >> From: "Pryor, Ryan N" <[EMAIL PROTECTED]> >> To: "'logic7'" <[EMAIL PROTECTED]> >> Cc: <313@hyperreal.org> >> Sent: Thursday, September 26, 2002 7:24 PM >> Subject: RE: (313) RE: [313] What would you consider to be your rarest 313 >> record? >> >> >>> You can still purchase this record @ www.ghostly.com for $5.50. >>> I'd hardly consider it "rare". >>> >>> -Original Message- >>> From: logic7 [mailto:[EMAIL PROTECTED] >>> Sent: Sunday, September 22, 2002 6:42 PM >>> To: '313 Detroit' >>> Subject: Re: (313) RE: [313] What would you consider to be your rarest >>> 313 record? >>> >>> >>> Lessee... Matthew Dear/Daisha (Dave "Disco D" Shayman) - "Hands Up For >>> Detroit" (Ghostly International GHS-001) >>> >>> >> >> > > > -- > Knecht > > >
Re: (313) Whatever happened to...
the burrel brothers released tracks after the demise of nu groove. i have one or two, but they're buried deep. i'll say a prayer for you, a burrel release (as equation) on nu groove, was been re-released on tu chicks last year. as for some favourite nu groove releases: project 86 'total recall' basil hardhouse 'city streets' the sound vandals 'on your way' 33 1/3 queen searhin e.p. i hate the title track--it just sounds like bad new york hard house to me. but the other 5 cuts are brilliant deep house. james www.jbucknell.com > Nu Groove... Probably one of the best labels ever... > > The Burrell Twins? They have proven to be truely gifted when it comes to > producing house... My guess is that they only produced for NuGroove? Didn't > they do anything more after the label died? > > Frank & Karen Mendez? Nu Groove? Why did they stop with the label? What are > they doing now? > > Wanting to know whatever happened to the good old days, > > W >
Re: [313]phunky acid bubblebath (was Can anyone id this)
do you remember who played at these parties? james www.jbucknell.com > From: "Chau, Dang" <[EMAIL PROTECTED]> > Date: Thu, 19 Sep 2002 07:54:47 +0800 > To: 313 <313@hyperreal.org> > Subject: RE: [313] Can anyone id this > > ha ha this reminds of the phunky acid bubblebath parties in sydney from back > when... > > members of the house - "these are my people" - not sure which mix > > original track was released on shockwave but this mix (by UR?) came out on the > TrueLove label (though i've only ever seen this as a white label so not sure > if this ever got a proper release) > btw there's also another release on Truelove with different set of mixes by UR > as well > > > -Original Message- > From: [EMAIL PROTECTED] > [mailto:[EMAIL PROTECTED] > Sent: Thursday, 19 September 2002 7:34 > To: Placid; 313 > Subject: Re: [313] Can anyone id this > > > that's an old UR record from like 1990 . I think it might be the one on > Shockwave - can someone else expand on that??? > > rc > > on 19/9/02 8:11 AM, Placid at [EMAIL PROTECTED] wrote: > >> http://www.teklan.pwp.blueyonder.co.uk/dara.ram >> >> For a friend >> >> >> Placid > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > > This message is for the named person's use only. It may contain sensitive and > private proprietary or legally privileged information. No confidentiality or > privilege is waived or lost by any mistransmission. If you are not the > intended recipient, please immediately delete it and all copies of it from > your system, destroy any hard copies of it and notify the sender. You must > not, directly or indirectly, use, disclose, distribute, print, or copy any > part of this message if you are not the intended recipient. CREDIT SUISSE > GROUP and each legal entity in the CREDIT SUISSE FIRST BOSTON or CREDIT SUISSE > ASSET MANAGEMENT business units of CREDIT SUISSE FIRST BOSTON reserve the > right to monitor all e-mail communications through its networks. Any views > expressed in this message are those of the individual sender, except where the > message states otherwise and the sender is authorized to state them to be the > views of any such entity. > Unless otherwise stated, any pricing information given in this message is > indicative only, is subject to change and does not constitute an offer to deal > at any price quoted. Any reference to the terms of executed transactions > should be treated as preliminary only and subject to our formal written > confirmation. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: 28 SEPT. JEFF MILLS / STEVE BICKNELL...
maybe francois k was just trying to correct the balance of genre shifting between cities. durring the mid 90s in new york there seemed to be a lot of techno djs coming to new york and playing second rate garage/body and soul styled sets. it seems to have tapered off after that. but rob hood always tries to play hip hop sets in new york (or is that how he starts his sets everywhere?) james www.jbucknell.com > > 'a change is as good as a rest.. > > Very dissapointed with f.k I kmew he wasn't going to body and sould esque > but he was just banging aprt from 4 or 5 toons... > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] 68 minutes of solid, tumping acid house
pierre and spanky (as the coming down band) also have a track called slo mo acid. it's on the acid trax vol 1 comp released by fierce records. james www.jbucknell.com > From: Placid <[EMAIL PROTECTED]> > Date: Wed, 11 Sep 2002 12:08:55 -0700 > To: 313 mailing list <313@hyperreal.org> > Subject: Re: [313] 68 minutes of solid, tumping acid house > > Dj esp - slo mo acid came out on acid for all definitive records 3 12" > compilation > > Kicks ass big time !!! > >> i have been wondering what the first track on this mix is for like 7 >> years now! could you tell me what it is please?! thanks for another >> great (so far) high-quality mix (thank you for the high bitrate as well) >> sounds like i'm going to listening to it as much as the last one! >> keep them coming... >> >> best regards... >> > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
