Re: (313) The Techno Wheel

2003-07-26 Thread spw
Music is human social expression through sound.
People intemperate music with trend in culture, for example electro/ '80s
music is considered socially acceptable especially on this mailing list in
comparison to old school techno.
Both are 80's dance music genre's that use the same concept is composition
style - drum machine + synthesizer + sequencer

The Detroit sound or what people identify as the Detroit sound is very '80s
in nature,
Rolandesque synthesizer stings/ chords with keyboard portamento.
Mixing Ron Trent Altered States with Anthony Philips 1984.


on 7/25/03 12:31 PM, [EMAIL PROTECTED] at
[EMAIL PROTECTED] wrote:

 
 Shake said to me last week that the only people interested in history are
 historians, I disagree :)
 
 I agree with Shake but then again, I love history too
 
 The amount of times we've played out at clubs and people have asked me
 what
 kind of dance music is this? or is this classed as techno?.
 
 I do know what you mean about putting things in a box but this is how the
 kids of today understand things and they are the ones who are going to be
 buying the tunes, the least we could do is give them a clue and keep it
 interesting.
 
 Kids of today??? F*ck man - this is how 99.9% of the people I know and
 talk to on a daily basis understand things.
 It ain't just the kids of today - LOL
 I get asked that question **almost every day** - if I had a dollar for each
 time someone asked me is this classed as techno or what kind of dance
 music is this... well, you know, I'd have enough money that I'd never have
 to cook at home.
 It isn't just kids of today that ask me this - unless you want to lump
 people in the age range of 23 to 50 into the category of kids of today.
 Personally, I don't care anymore for genres except in the very basic of
 descriptions. If people ask me those kinds of questions I tell them it's
 good dance music or tell them to call it whatever the hell they want. If
 they like it or not is all the matters. Actually, if I like it or not is
 all that matters first.
 
 
 Lets give them a box of cool stuff to download/read and if
 breaking it into waves or years makes it easier then I'm all for it.?
 
 hmmm, I'm pretty confident that if I did a search for something like this
 I'd come up with a few websites already, and some books, and a few magazine
 articles, and maybe even some very general/generic CDs as well that have
 done this.
 
 
 How cool would it be to have a disk like the one Greg Wilson sent you with
 all the mixes and interviews on about electro-funk :) Man, you'd be tooled
 up to win any argument with that kind of info
 
 My objective in listening and buying music isn't to win an argument. I
 think a historical/chronological order of music - while interesting from a
 anal trainspotting/educational point of view - would ultimately be
 counterproductive. People want to go out and have a good time, not be
 preached to. And sh*t, if they don't know what you're playing anyway do you
 think they'd suddenly have an epiphany and go Oh, he's playing classic
 techno from era 1985 to 1997 in order of artist's height from tallest to
 shortest. Wow what a genius!



Re: (313) The Techno Wheel

2003-07-26 Thread J. T.
what point was your post supposed to be making? totally went over my head i 
guess :P



Music is human social expression through sound.


wow, this reminds me of that part in 'adaptation' where nic cage starts off 
the orchid book with the history of the world...



People intemperate music with trend in culture, for example electro/ '80s
music is considered socially acceptable especially on this mailing list in
comparison to old school techno.
Both are 80's dance music genre's that use the same concept is composition
style - drum machine + synthesizer + sequencer


what is your point? what isnt socially acceptable as comparison? what are 
you trying to say? what does composition have to do with your point? it's 
obviously not uniquely 80's. and you left out the sampler..are you just 
trying to say detroit techno is 80's music and nobody but us crazy fans 
really like it cus its not trendy anymore?



The Detroit sound or what people identify as the Detroit sound is very '80s
in nature,
Rolandesque synthesizer stings/ chords with keyboard portamento.


huh? you dont prescribe a style of music to a particular time according to 
the instruments it uses. classical music! thats so 1400's!! all them violins 
and violas..
if people had studdenly stopped using those sounds at a particular time then 
you can make such a comment, but as long as they're still in widespread use, 
thats just ridiculous to say...does anybody say rock n roll is 50's music, 
gibson guitars and marshal drums and blah blah! yeah right hahaha. how do 
you ascribe a time frame to a music thats about as alive now as it ever was, 
it makes no sense. except from a marketing/'commercial standpoint.

i dunno what you're trying to say, anyways.

anyways the idea of doing a chronological mix seems pretty misguided to me 
because songs dont come out in the order they're made (ie you're gonna play 
a record released in 1987, followed by one made in 1988, but the one in 1988 
has music on it produced in 1986..)..music doesnt evolve or get released 
that linearly..i'd say just play it by ear and do a *roughly* chronological 
mix...i dont think its closeminded or stupid or anything its just one mix 
like you were saying..and besides i hear it done all the time..


jt

_
Add photos to your messages with MSN 8. Get 2 months FREE*.  
http://join.msn.com/?page=features/featuredemail




(313) The Techno Wheel

2003-07-25 Thread Martin

Shake said to me last week that the only people interested in history are
historians, I disagree :)

The amount of times we've played out at clubs and people have asked me what
kind of dance music is this? or is this classed as techno?.

I do know what you mean about putting things in a box but this is how the
kids of today understand things and they are the ones who are going to be
buying the tunes, the least we could do is give them a clue and keep it
interesting. Lets give them a box of cool stuff to download/read and if
breaking it into waves or years makes it easier then I'm all for it.

How cool would it be to have a disk like the one Greg Wilson sent you with
all the mixes and interviews on about electro-funk :) Man, you'd be tooled
up to win any argument with that kind of info


Last week in the studio, two of the DUST DJ's accused me of wanting to
reinvent the techno wheel, why? Well I was doing things that they considered
to be outside of what is deemed techno (one example would be a long snare
roll), for me this music has always been about innovation, ideas, great art
work, propaganda and the third record not about block building in Cubase or
Logic, I think Tom MagicFeet wrote an article about all this and about the
damage done my minimal techno - my point being 99% of the public think they
know what techno is, the truth is only 1% of what they know is true and that
would be the 4 to the floor side of it...we have no one but ourselves to
blame...

md



 hi martin,
 
 don't get me the wrong way, i think history of this stuff is very
 important and sometimes it's good to have this stuff down in a way that
 isn't jounalism with an agenda (see blogs stuff etc). i like the way
 you're headed with this tho.
 
 i'm complaining about waves in the same way i complain about genres, and
 microgenresi use em, as we all do, but it doesn't stop me thinking
 they prevent a certain creativity... (it's a mistaking the menu for the
 meal situation for me)
 
 peace
 
 robin...
 
 While I agree Robin, I'm not trying to make this into a year zero thing,
 no point really. What I'm interested in doing is getting a good list
 together of the players, doing a mix of the tunes and adding some biog info.
 
 We could always do a mix of tunes that influenced the first wave, there's
 plenty of references points and I know there's a couple of the early players
 lurking on the list, should be to hard. And if we through in a copy of
 Dan's book and a couple of articles for good measure, it should make it easy
 for people to get into the History and therefore push the present into the
 future.
 
 



Re: (313) The Techno Wheel

2003-07-25 Thread robin pinning

 I do know what you mean about putting things in a box but this is how the
 kids of today understand things and they are the ones who are going to be
 buying the tunes, the least we could do is give them a clue and keep it
 interesting. Lets give them a box of cool stuff to download/read and if
 breaking it into waves or years makes it easier then I'm all for it.

i see the angle you come from here (and i partially agree on the need) but
i'm not sure you encourage people to find their own things if you classify
it down and neatly package it like that...or give a good picture of how
things were (if indeed there is a single view on how things were...which
there isn't)

detroit techno (to me) is not _just_ about the tunes produced thereit
is more an approach to many different kinds of music and a way of playing
them. it'd be difficult to illustrate that easily to people not familiar
with the material, any kind of classification (into waves, or whatever) is
just trying to verbalise a feeling from a bunch of records

do i make any sense here or am i just griping cos it's pissing it down
in manchester. :)

all that said, if there is web-space for any of this stuff and someone
puts the effort in then it can't harm can it? at the very least it'll
spark some discussion...and maybe get a few more people listening to more
interesting music.


robin...





Re: (313) The Techno Wheel

2003-07-25 Thread Martin
written in a chilled voice, drinking tea

 
 I do know what you mean about putting things in a box but this is how the
 kids of today understand things and they are the ones who are going to be
 buying the tunes, the least we could do is give them a clue and keep it
 interesting. Lets give them a box of cool stuff to download/read and if
 breaking it into waves or years makes it easier then I'm all for it.
 
 i see the angle you come from here (and i partially agree on the need) but
 i'm not sure you encourage people to find their own things if you classify
 it down and neatly package it like that...or give a good picture of how
 things were (if indeed there is a single view on how things were...which
 there isn't)

One of the things I've been playing around with is the idea of a VS with a
couple of house DJ's up here, the idea being we play all the records in
chronological order, should make for an interesting night of music.

I would also argue that because there isn't enough quality history stuff
around it would only help encourage people to dip into the back catalogue as
well as purchasing new material.

There's a new generation coming that will never go into a record shop, own
decks, care about a 909 in mint condition, times move on - and we should
also. 

If you add new stuff on the same page it can only help. How many times have
you seen on this list new DJ's mentioned? Not many...Where are they or we
happy just to keep talking about the same old stuff? Lets get it out of the
way and focus on the present and future.

 detroit techno (to me) is not _just_ about the tunes produced thereit
 is more an approach to many different kinds of music and a way of playing
 them. it'd be difficult to illustrate that easily to people not familiar
 with the material, any kind of classification (into waves, or whatever) is
 just trying to verbalise a feeling from a bunch of records

I was just thinking of doing a mix not a brand, music with always be
subjective but there's no getting away from the facts or time they where
released and it's a great way to present things - think about the music not
the myth or politics :)



 
 do i make any sense here or am i just griping cos it's pissing it down
 in manchester. :)

You do, it pissing it down here as well - but then again that's normal

 
 all that said, if there is web-space for any of this stuff and someone
 puts the effort in then it can't harm can it? at the very least it'll
 spark some discussion...and maybe get a few more people listening to more
 interesting music.

I may need some help with some of the 12's but I'm up for itanyone else

Martin



RE: (313) The Techno Wheel

2003-07-25 Thread Odeluga, Ken
Martin, I think you could be somewhat slightly losing your grip on
feasibility or even desirability here: I mean listen to yourself:

One of the things I've been playing around with is the idea of a VS with a
couple of house DJ's up here, the idea being we play all the records in
chronological order, should make for an interesting night of music.

How desirable is that? Is that how your sets go? In chrono order?! It's
pretty anal isn't it?!?

Also, this whole idea of a sort of grandstand, to me is a bit poncey and
preachy, a bit like the BBC really - 'mission to explain'!!! It reeks of
patronization to say the least.

As we get older it's natural that we calcify in our views and in our views
about our deep felt experience. We sometimes come to believe that what we
experienced could be more important than what younger (note emphasis,
*younger*) folks are experiencing in their life of new and awe-inspiring
music today. I'm not for interpolating (i.e. butting in!) as if to say:
hey-up you lot, you don't know where it's at, listen to 'nude photo', et al.
How uncool would you have felt that to be at age 18?

Also remember, 'techno' or whatever you call it, has *always* been a cult,
always been an aquired taste. And it's always been quite literally
*difficult* to acquire, because the records have always been publicized in a
narrow, low key way, *if at all* and mostly printed in razor-thin volumes,
when compared to virtually any other genre.

Sorry for the rant and I don't wanna get at you, especially you as natch
it's folk like yourselveswho've always kept this damned thing alive - just
wanted to bring you to your senses - *but* I'm prepared to admit that it's
me who needs bringing to my senses 

-Original Message-
From: Martin [mailto:[EMAIL PROTECTED]
Sent: Friday, July 25, 2003 4:11 PM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) The Techno Wheel


written in a chilled voice, drinking tea


 I do know what you mean about putting things in a box but this
is how the
 kids of today understand things and they are the ones who are
going to be
 buying the tunes, the least we could do is give them a clue and keep it
 interesting. Lets give them a box of cool stuff to download/read and if
 breaking it into waves or years makes it easier then I'm all for it.

 i see the angle you come from here (and i partially agree on the
need) but
 i'm not sure you encourage people to find their own things if
you classify
 it down and neatly package it like that...or give a good picture of how
 things were (if indeed there is a single view on how things were...which
 there isn't)

One of the things I've been playing around with is the idea of a VS with a
couple of house DJ's up here, the idea being we play all the records in
chronological order, should make for an interesting night of music.

I would also argue that because there isn't enough quality history stuff
around it would only help encourage people to dip into the back
catalogue as
well as purchasing new material.

There's a new generation coming that will never go into a record shop, own
decks, care about a 909 in mint condition, times move on - and we should
also.

If you add new stuff on the same page it can only help. How many times have
you seen on this list new DJ's mentioned? Not many...Where are they or we
happy just to keep talking about the same old stuff? Lets get it out of the
way and focus on the present and future.

 detroit techno (to me) is not _just_ about the tunes produced thereit
 is more an approach to many different kinds of music and a way of playing
 them. it'd be difficult to illustrate that easily to people not familiar
 with the material, any kind of classification (into waves, or
whatever) is
 just trying to verbalise a feeling from a bunch of records

I was just thinking of doing a mix not a brand, music with always be
subjective but there's no getting away from the facts or time they where
released and it's a great way to present things - think about the music not
the myth or politics :)




 do i make any sense here or am i just griping cos it's
pissing it down
 in manchester. :)

You do, it pissing it down here as well - but then again that's normal


 all that said, if there is web-space for any of this stuff and someone
 puts the effort in then it can't harm can it? at the very least it'll
 spark some discussion...and maybe get a few more people listening to more
 interesting music.

I may need some help with some of the 12's but I'm up for itanyone else

Martin




Re: (313) The Techno Wheel

2003-07-25 Thread David Powers
What's wrong with minimal techno?
What kind of damage has it done?
~Dave

-- Original Message -
Subject: (313) The Techno Wheel
Date: Fri, 25 Jul 2003 11:50:10 +
From: Martin [EMAIL PROTECTED]
To: [EMAIL PROTECTED]



Shake said to me last week that the only people interested in history are
historians, I disagree :)

The amount of times we've played out at clubs and people have asked me what
kind of dance music is this? or is this classed as techno?.

I do know what you mean about putting things in a box but this is how the
kids of today understand things and they are the ones who are going to be
buying the tunes, the least we could do is give them a clue and keep it
interesting. Lets give them a box of cool stuff to download/read and if
breaking it into waves or years makes it easier then I'm all for it.

How cool would it be to have a disk like the one Greg Wilson sent you with
all the mixes and interviews on about electro-funk :) Man, you'd be tooled
up to win any argument with that kind of info


Last week in the studio, two of the DUST DJ's accused me of wanting to
reinvent the techno wheel, why? Well I was doing things that they considered
to be outside of what is deemed techno (one example would be a long snare
roll), for me this music has always been about innovation, ideas, great art
work, propaganda and the third record not about block building in Cubase or
Logic, I think Tom MagicFeet wrote an article about all this and about the
damage done my minimal techno - my point being 99% of the public think they
know what techno is, the truth is only 1% of what they know is true and that
would be the 4 to the floor side of it...we have no one but ourselves to
blame...

md



 hi martin,
 
 don't get me the wrong way, i think history of this stuff is very
 important and sometimes it's good to have this stuff down in a way that
 isn't jounalism with an agenda (see blogs stuff etc). i like the way
 you're headed with this tho.
 
 i'm complaining about waves in the same way i complain about genres, and
 microgenresi use em, as we all do, but it doesn't stop me thinking
 they prevent a certain creativity... (it's a mistaking the menu for the
 meal situation for me)
 
 peace
 
 robin...
 
 While I agree Robin, I'm not trying to make this into a year zero thing,
 no point really. What I'm interested in doing is getting a good list
 together of the players, doing a mix of the tunes and adding some biog info.
 
 We could always do a mix of tunes that influenced the first wave, there's
 plenty of references points and I know there's a couple of the early players
 lurking on the list, should be to hard. And if we through in a copy of
 Dan's book and a couple of articles for good measure, it should make it easy
 for people to get into the History and therefore push the present into the
 future.
 
 





Re: (313) The Techno Wheel

2003-07-25 Thread Martin
25/7/03 2:41 PM Odeluga, [EMAIL PROTECTED]

 Martin, I think you could be somewhat slightly losing your grip on
 feasibility or even desirability here: I mean listen to yourself:
 
 One of the things I've been playing around with is the idea of a VS with a
 couple of house DJ's up here, the idea being we play all the records in
 chronological order, should make for an interesting night of music.
 
 How desirable is that? Is that how your sets go? In chrono order?! It's
 pretty anal isn't it?!?

Not anal at all, I reckon it would be interesting and a challenge from a DJ
point of view, plus the music would be pretty cool Ken - it's only 5 hours
of music, not a life mission dude :) The drink would be flowing, the BBQ
would be cooking - should be a sweet party - lets keep it interesting *LOL*

 Also, this whole idea of a sort of grandstand, to me is a bit poncey and
 preachy, a bit like the BBC really - 'mission to explain'!!! It reeks of
 patronization to say the least.

I go back to what I mentioned earlier, when people ask what kind of dance
music is this - DJ hands punter a card with URL, punter grabs the info and
downloads - this is an information war! My stuff is always written in a calm
voice, but sure sometimes I end up sounding like a Tw*T - so be it :)
 
 As we get older it's natural that we calcify in our views and in our views
 about our deep felt experience. We sometimes come to believe that what we
 experienced could be more important than what younger (note emphasis,
 *younger*) folks are experiencing in their life of new and awe-inspiring
 music today. I'm not for interpolating (i.e. butting in!) as if to say:
 hey-up you lot, you don't know where it's at, listen to 'nude photo', et al.
 How uncool would you have felt that to be at age 18?

Your unlikely to see any youngsters in Sheffield at Techno do's Ken, it's
not interesting or happening enough and if they are their it to get pilled
into next week :(

 
 Also remember, 'techno' or whatever you call it, has *always* been a cult,
 always been an aquired taste. And it's always been quite literally
 *difficult* to acquire, because the records have always been publicized in a
 narrow, low key way, *if at all* and mostly printed in razor-thin volumes,
 when compared to virtually any other genre.

While I agree that it a cult, it should become a cult of personality, and
I've heard there's no decks in Heaven or Hell so all that music with never
be heard by a new generation, that's a crime - even if its only to stop them
making the same mistakes...

 Sorry for the rant and I don't wanna get at you, especially you as natch
 it's folk like yourselveswho've always kept this damned thing alive - just
 wanted to bring you to your senses - *but* I'm prepared to admit that it's
 me who needs bringing to my senses 

Feel free to go for it fella :)




Re: (313) The Techno Wheel

2003-07-25 Thread Martin
From Tom's review of Dan's book...

Moreover, there¹s little discussion of techno¹s bastard offspring, such as
gabber and trance. Yet if this book has a single overriding fault, it is
that too often Sicko fails to make connections or carry his themes through
boldly enough. 

He rightly describes minimalism¹s original impetus as an attempt to find the
lost funk in techno, but fails to point out that the hordes of minimal loop
records that followed have been techno¹s undoing and are probably
responsible for any current difficulties. He identifies commercially
successful groups like 808 State, The Prodigy and Underworld but fails to
underline that their success came only by adopting the kind of rock¹n¹roll
trappings many of the music¹s originators were trying to get away from in
the first place. And while he discusses genres like drum¹n¹bass, ambient and
post-rock, he cannot pin down their relationship with techno.

All the same, these are just personal observations, probably the kind of
thing Sicko intended to generate in the first place. With such a vast
subject, generalisations or omissions are inevitable and everybody with an
interest in the subject is bound to find something here to take issue with -
if the music didn¹t inspire debate and strong feelings it probably wouldn¹t
be worth listening to anyway. What¹s more, as I¹ve already pointed out,
ŒTechno Rebels¹ is not meant to be an encyclopaedia or a definitive history,
simply because such a work could probably never be completed...

md




25/7/03 2:55 PM David [EMAIL PROTECTED]

 What's wrong with minimal techno?
 What kind of damage has it done?
 ~Dave
 
 -- Original Message -
 Subject: (313) The Techno Wheel
 Date: Fri, 25 Jul 2003 11:50:10 +
 From: Martin [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 
 
 
 Shake said to me last week that the only people interested in history are
 historians, I disagree :)
 
 The amount of times we've played out at clubs and people have asked me what
 kind of dance music is this? or is this classed as techno?.
 
 I do know what you mean about putting things in a box but this is how the
 kids of today understand things and they are the ones who are going to be
 buying the tunes, the least we could do is give them a clue and keep it
 interesting. Lets give them a box of cool stuff to download/read and if
 breaking it into waves or years makes it easier then I'm all for it.
 
 How cool would it be to have a disk like the one Greg Wilson sent you with
 all the mixes and interviews on about electro-funk :) Man, you'd be tooled
 up to win any argument with that kind of info
 
 
 Last week in the studio, two of the DUST DJ's accused me of wanting to
 reinvent the techno wheel, why? Well I was doing things that they considered
 to be outside of what is deemed techno (one example would be a long snare
 roll), for me this music has always been about innovation, ideas, great art
 work, propaganda and the third record not about block building in Cubase or
 Logic, I think Tom MagicFeet wrote an article about all this and about the
 damage done my minimal techno - my point being 99% of the public think they
 know what techno is, the truth is only 1% of what they know is true and that
 would be the 4 to the floor side of it...we have no one but ourselves to
 blame...
 
 md
 
 
 
 hi martin,
 
 don't get me the wrong way, i think history of this stuff is very
 important and sometimes it's good to have this stuff down in a way that
 isn't jounalism with an agenda (see blogs stuff etc). i like the way
 you're headed with this tho.
 
 i'm complaining about waves in the same way i complain about genres, and
 microgenresi use em, as we all do, but it doesn't stop me thinking
 they prevent a certain creativity... (it's a mistaking the menu for the
 meal situation for me)
 
 peace
 
 robin...
 
 While I agree Robin, I'm not trying to make this into a year zero thing,
 no point really. What I'm interested in doing is getting a good list
 together of the players, doing a mix of the tunes and adding some biog info.
 
 We could always do a mix of tunes that influenced the first wave, there's
 plenty of references points and I know there's a couple of the early players
 lurking on the list, should be to hard. And if we through in a copy of
 Dan's book and a couple of articles for good measure, it should make it easy
 for people to get into the History and therefore push the present into the
 future.
 
 
 
 
 
 



Re: (313) The Techno Wheel

2003-07-25 Thread David Powers
Listen to what actual Detroit DJs play.  It isn't only a bunch of Detroit 
tracks.  For that matter, I think people like Plaslaiko and BMG with his laptop 
set are ahead of what most of the older guys do these days.  And they are not 
any wave, but they rock.

Detroit music is about attitude and also about an eclectic and international 
approach.  You have to understand it from the viewpoint of us people who are 
stuck in this sh*thole of the midwest.  Europe is a very far away place for us. 
 Americans are not cosmopolitan at all.  So the Detroit style of techno is 
about sweet Detroit records in part, sure, but also about getting out of here, 
about having an open minded attitude that tries to stay on top of what's 
happening on the other side of the ocean even though you are the only person 
that has ever heard of it.  And the other part about Detroit is, the hardness 
and the edginess, if you've actually been there you understand.  The softer 
moments of Detroit music need to be contextualized with the background of this 
edginess.  Sometimes I think people overseas create a version of Detroit that 
seems a bit less edgy.
  
I think that this whole idea is a bit silly.  Why not just play good records?  
How does it help Detroit music for you to make this artificial version of it?  
Make a new myth, make your own propaganda for your stuff, model after them if 
you want, but quit worshipping this stuff.  It's just music in the end.

On the other hand, if I was in the UK and you had this party, I would come and 
drink all your beer.

~Dave

-- Original Message -
Subject: Re: (313) The Techno Wheel
Date: Fri, 25 Jul 2003 15:54:03 +
From: Martin [EMAIL PROTECTED]
To: Odeluga, Ken [EMAIL PROTECTED],
313 313@hyperreal.org


25/7/03 2:41 PM Odeluga, [EMAIL PROTECTED]

 Martin, I think you could be somewhat slightly losing your grip on
 feasibility or even desirability here: I mean listen to yourself:
 
 One of the things I've been playing around with is the idea of a VS with a
 couple of house DJ's up here, the idea being we play all the records in
 chronological order, should make for an interesting night of music.
 
 How desirable is that? Is that how your sets go? In chrono order?! It's
 pretty anal isn't it?!?

Not anal at all, I reckon it would be interesting and a challenge from a DJ
point of view, plus the music would be pretty cool Ken - it's only 5 hours
of music, not a life mission dude :) The drink would be flowing, the BBQ
would be cooking - should be a sweet party - lets keep it interesting *LOL*

 Also, this whole idea of a sort of grandstand, to me is a bit poncey and
 preachy, a bit like the BBC really - 'mission to explain'!!! It reeks of
 patronization to say the least.

I go back to what I mentioned earlier, when people ask what kind of dance
music is this - DJ hands punter a card with URL, punter grabs the info and
downloads - this is an information war! My stuff is always written in a calm
voice, but sure sometimes I end up sounding like a Tw*T - so be it :)
 
 As we get older it's natural that we calcify in our views and in our views
 about our deep felt experience. We sometimes come to believe that what we
 experienced could be more important than what younger (note emphasis,
 *younger*) folks are experiencing in their life of new and awe-inspiring
 music today. I'm not for interpolating (i.e. butting in!) as if to say:
 hey-up you lot, you don't know where it's at, listen to 'nude photo', et al.
 How uncool would you have felt that to be at age 18?

Your unlikely to see any youngsters in Sheffield at Techno do's Ken, it's
not interesting or happening enough and if they are their it to get pilled
into next week :(

 
 Also remember, 'techno' or whatever you call it, has *always* been a cult,
 always been an aquired taste. And it's always been quite literally
 *difficult* to acquire, because the records have always been publicized in a
 narrow, low key way, *if at all* and mostly printed in razor-thin volumes,
 when compared to virtually any other genre.

While I agree that it a cult, it should become a cult of personality, and
I've heard there's no decks in Heaven or Hell so all that music with never
be heard by a new generation, that's a crime - even if its only to stop them
making the same mistakes...

 Sorry for the rant and I don't wanna get at you, especially you as natch
 it's folk like yourselveswho've always kept this damned thing alive - just
 wanted to bring you to your senses - *but* I'm prepared to admit that it's
 me who needs bringing to my senses 

Feel free to go for it fella :)






Re: (313) The Techno Wheel

2003-07-25 Thread Martin
Dave don't read too much into this, I did say it was only five hours of
music not a life mission...

25/7/03 3:39 PM David [EMAIL PROTECTED]

 Listen to what actual Detroit DJs play.  It isn't only a bunch of Detroit
 tracks.  For that matter, I think people like Plaslaiko and BMG with his
 laptop set are ahead of what most of the older guys do these days.  And they
 are not any wave, but they rock.

Sure, but lets hear about them and get the mixes up :)

 
 Detroit music is about attitude and also about an eclectic and international
 approach.  You have to understand it from the viewpoint of us people who are
 stuck in this sh*thole of the midwest.

You should try Sheffield or Manchester mate, it where Gods finger stopped
when he made this planet man :)


Europe is a very far away place for
 us.  Americans are not cosmopolitan at all.

What's with NYC then, 16 fing bucks for a beer...




So the Detroit style of techno is
 about sweet Detroit records in part, sure, but also about getting out of here,
 about having an open minded attitude that tries to stay on top of what's
 happening on the other side of the ocean even though you are the only person
 that has ever heard of it.  And the other part about Detroit is, the hardness
 and the edginess, if you've actually been there you understand.  The softer
 moments of Detroit music need to be contextualized with the background of this
 edginess.  Sometimes I think people overseas create a version of Detroit that
 seems a bit less edgy.

The waves things was only an idea to help get the music out there, kids want
it easy these days, making it harder only cost us bucks...

 I think that this whole idea is a bit silly.

Thanks, we brits are silly - check Monty Python :)


Why not just play good records?

Do that all day long, easy...

 How does it help Detroit music for you to make this artificial version of it?

? What by playing records in order for just one night, wish I'd never
mentioned it now LOL

 On the other hand, if I was in the UK and you had this party, I would come and
 drink all your beer.
 

Yeah right, you never been up north to a drinking party have you? But you
are welcome if you think you can hold a gallon, eat a ton of meat and blaze
away like a good 'en. Give me a shout if you are ever over or I'll drop you
a line when I'm back in Detroit - loser pays the tab... :)

md



Re: (313) The Techno Wheel

2003-07-25 Thread Michael . Elliot-Knight

There's a new generation coming that will never go into a record shop, own
decks, care about a 909 in mint condition...


sorry but that is such a BS statement. It can be argued then that there is
a new generation coming that will never go into an acoustic guitar shop or
care about a pre-war Gibson either.
This new generation has among it some people who will one day go into a
record shop, own decks and maybe even plunk down well over 10 grand for a
old classic guitar. I know when I was 15 I wouldn't have cared much about a
909 either - I was happy playing my Rickenbacher.
sure, the majority of the new generation won't ever go into a record shop
etc. but then again most of the people I know in my age bracket don't
either.
You're talking about very specialized areas of interest - I wonder if there
is a ballroom dancing email list that having a similar discussion about the
new generation?

MEK