RE: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-24 Thread Susan B. Farmer

Quoting otsisto [EMAIL PROTECTED]:


One of them was already brought forth and shot down which was the Donor in
the birth of Mary fresco. the red and white outfit Though I still think the
gold thingies are more of a tassel then a dag.
The other one I think I did not save the url because I think it was a Salome
character and I was not interested in the period at the time. It may have
been dags and not gores. So my apologies for not being able to produce the
picture to help in this matter. I usually save things for myself as I know
that I can not teach worth anything and my organizational skills only make
sense to me.
De


That's ok.  I've seen a couple too -- but not the birth of Mary fresco  
that's been under discussion.  One of this *is* a piece of a mural  
(and I doubt if I could find it now if I tried!) but I can't tell if  
the woman's dress has contrasting gores up the side, or if it's a  
giorna (? -- you know the overdress like you see in Ghirlandaio's  
paintings) that's belted around the body.  The ladies are in the  
background and IIRC they're seated.


Thanks!
Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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RE: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-24 Thread otsisto
I have seen in paintings where on one side of the gown the seam is not sewn
together to expose the underskirt, sometime it appears that a purse is worn
under the top skirt and the opening allows access. Mostly on German 1400s
styles I have seen the side opening. I think that the gores of a different
colour are feasible as many people of that era seemed to be frugal. Now
maybe they would more likely to have done the use every scrap with the
kid's outfits. Example of patchwork sleeves
http://www.renaissancewoman.net/realmofvenus/wardrobe/Licinio1524.JPG
But just observing the different styles found in Bergamo, the possibility of
the different colour gores seems likely even for older women.
Unfortunately there wasn't enough artist to paint every single dress of all
the eras. :P
De

-Original Message-
Quoting otsisto [EMAIL PROTECTED]:

 One of them was already brought forth and shot down which was the Donor in
 the birth of Mary fresco. the red and white outfit Though I still think
the
 gold thingies are more of a tassel then a dag.
 The other one I think I did not save the url because I think it was a
Salome
 character and I was not interested in the period at the time. It may have
 been dags and not gores. So my apologies for not being able to produce the
 picture to help in this matter. I usually save things for myself as I know
 that I can not teach worth anything and my organizational skills only make
 sense to me.
 De

That's ok.  I've seen a couple too -- but not the birth of Mary fresco
that's been under discussion.  One of this *is* a piece of a mural
(and I doubt if I could find it now if I tried!) but I can't tell if
the woman's dress has contrasting gores up the side, or if it's a
giorna (? -- you know the overdress like you see in Ghirlandaio's
paintings) that's belted around the body.  The ladies are in the
background and IIRC they're seated.

Thanks!
Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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RE: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-23 Thread otsisto
One of them was already brought forth and shot down which was the Donor in
the birth of Mary fresco. the red and white outfit Though I still think the
gold thingies are more of a tassel then a dag.
The other one I think I did not save the url because I think it was a Salome
character and I was not interested in the period at the time. It may have
been dags and not gores. So my apologies for not being able to produce the
picture to help in this matter. I usually save things for myself as I know
that I can not teach worth anything and my organizational skills only make
sense to me.
De

-Original Message-
Catching up on old email

 From: otsisto [EMAIL PROTECTED]


*snip*

 I have seen at least two Italian dresses that look as if they have
 different colored gores from the rest of the dress but not in the style
that
 is on the Chimera site.

Can you point me in the direction of those Italian Gowns?

Thanks,
Susan


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RE: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-22 Thread Susan B. Farmer

Catching up on old email


From: otsisto [EMAIL PROTECTED]



*snip*


I have seen at least two Italian dresses that look as if they have
different colored gores from the rest of the dress but not in the style that
is on the Chimera site.


Can you point me in the direction of those Italian Gowns?

Thanks,
Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/

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Re: Sewing speeds was Re: [h-cost] Re: gores in skirt inlateMiddleages???

2006-11-14 Thread Sue Clemenger
I didn't have a chance to look at it last night, Michaela, but it is very,
very cool! ;o) I don't think I've seen a costume of yours yet that doesn't
make my jaw just drop! I don't think you're afraid to try anything!
I wouldn't worry about discussing the rest of it overly much--wouldn't be
the first time we discussed a recent movie's costumes, but then, since I'm
not a movie/theatre/costume fiend, that's the part of this list I find the
most enlightening and fascinating.
--Sue, in snowy/drippy Montana...

- Original Message -
From: michaela [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Tuesday, November 14, 2006 1:49 AM
Subject: Re: Sewing speeds was Re: [h-cost] Re: gores in skirt
inlateMiddleages???


   http://costumes.glittersweet.com/other/catwoman.htm
   http://pulpspace.net.nz/joomla/index.php?option=com_exposeItemid=30
 
  Oh my goodness, this looks brilliant! And you wear it well.


 Thank you:) And to keep it on h-cost topic... the corset is remarkably
 simialr ot the 1900 corset in Corsets and Crinolines by Waugh. The changes
 are: shortening the basque/hip panels, cutting it to underbust and (work
CF
 to CB) combining the first and second body panels and the third and
fourth.
 It's the most comfortable corset I have and I suspect it's due to the
 underbust and the basques. My waist to hip is atm 71cm:98cm and I can get
a
 rather narrow waist so I think the shaping helps with that but without
 compressing my ribs.

 Michaela de Bruce
 http://glittersweet.com
 (no idea how to work the rest of the costume into h-cost territory;)
Unless
 the 1990s are now retro enough...)


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Re: Sewing speeds was Re: [h-cost] Re: gores in skirt in lateMiddleages???

2006-11-14 Thread michaela
  http://costumes.glittersweet.com/other/catwoman.htm
  http://pulpspace.net.nz/joomla/index.php?option=com_exposeItemid=30

 Oh my goodness, this looks brilliant! And you wear it well.


Thank you:) And to keep it on h-cost topic... the corset is remarkably
simialr ot the 1900 corset in Corsets and Crinolines by Waugh. The changes
are: shortening the basque/hip panels, cutting it to underbust and (work CF
to CB) combining the first and second body panels and the third and fourth.
It's the most comfortable corset I have and I suspect it's due to the
underbust and the basques. My waist to hip is atm 71cm:98cm and I can get a
rather narrow waist so I think the shaping helps with that but without
compressing my ribs.

Michaela de Bruce
http://glittersweet.com
(no idea how to work the rest of the costume into h-cost territory;) Unless
the 1990s are now retro enough...)

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Re: Sewing speeds was Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-14 Thread Voncile W. Dudley
Glad to hear someone else that suffers with RA and sews understands the flare 
ups and recovery periods.
  Lady Von

michaela [EMAIL PROTECTED] wrote:
  
I have RA too and this weekend overdid the sewing a bit too much to help out
a dance school. I took about 8 200mg Ibuprofen a day as well as up to 4mg
prednisone (usually only on one) on top of my regular medication (including
1000mg of Naprosen)* and am still in terrific pain. The sewing trggered a
massive inflamatory response (from toes to jaw with extra pain in those
areas overused.)

Anyway, just saying it's not just an added burden for time but for time
taken to recover. That said I learnt I have indeed sped up and could be fast
enough for industry standards, but couldn't keep that speed up for more than
a day even with all the above precautions.

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  http://www.wildthangstreasures.com
   

 
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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-14 Thread Voncile W. Dudley
Hey, we all have our individual way of sewing.  When I think of a garment 
sewing time I think about everything involved from the laying out of the 
pattern to the last detail.  I thought the garment in question was gorgeous not 
thinking about the authenticity or anything else, just first impression. I use 
a regular ol sewing machine and such and I don't sew on a large scale.  Those 
who do are to be complimented for their ability to do such and create beautiful 
authentic or just Ren garb.
  Smile...you will feel better!  
Lady Von
Sue Clemenger [EMAIL PROTECTED] wrote: 
  Absolutely! I may have been making incorrect assumptions about the
construction of this dress, but the website wasn't exactly forthcoming with
details! ;o)
I've not really ever bought historically-themed clothing or costumes, as I
usually make my own, but I have definitely purchased my share of
off-the-rack clothing over the years, and have looked at some items that
friends have purchased. There's an awfully wide range of construction
options out there, and certainly, an item that was more carefully
constructed would be worthy of a higher asking price. I just don't assume
the reverse, especially given that the website didn't provide many details,
which I've seen a number of others do, especially when they're aiming at a
reenactor's market, in which authentic construction is a definite selling
point for some folks.
--Sue

- Original Message -
From: Sylvia Rognstad 
To: Historical Costume 
Sent: Monday, November 13, 2006 7:47 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 I sew for a living (among other things) and I don't like to rush myself
 too much. I certainly don't sew fast by commercial industrial
 standards. That would be too stressful and not at all enjoyable. I
 was thinking of the dress being lined, faced, etc, when I said it would
 probably take me a couple days. And I don't sew and serge at the same
 time. I prefer to sew my seams and then serge them, in case I have to
 take something out. I realize sewing and serging in one step cuts out
 a lot of extra time.

 SYlrog

 On Nov 13, 2006, at 7:39 PM, Sue Clemenger wrote:

  I wasn't including cutting time in that estimate--I was thinking in
  more
  industrial/mass quantity terms. If you're doing a whole bunch of that
  sort
  of thing all at once, you can get really fast at it, and the type of
  machine
  you have can greatly assist in that. The website didn't say anything,
  that
  I recall, about types of seams used, or finishings on the insides,
  outside
  of the mention of the dress being half-lined. So I more or less
  assumed
  that it was serged or something similar. More labor-intensive,
  detail-oriented choices would of course take more time! And I certainly
  wouldn't want anyone doing this sort of work to under-pay themselves!
  It's
  just that I've only ever done sewing as either a strictly recreational
  thing, or in an industrial setting, so my costuming experiences may
  likely
  differ from other people, who are doing it on a more of a cottage
  industry
  scale.
  --Sue
 
  - Original Message -
  From: Sylvia Rognstad 
  To: Historical Costume 
  Sent: Monday, November 13, 2006 8:25 AM
  Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???
 
 
  You must sew awfully fast. I've been sewing most all my life and I
  can
  see that taking me a couple days, including cutting of course, so that
  would bring my price, just for labor, up to $400. I don' think the
  asking price is unreasonable. My garments are quite well made,
  though,
  and fully lined if necessary.
 
  Sylrog
 
  On Nov 12, 2006, at 10:51 PM, Sue Clemenger wrote:
 
  With a serger? Couple of hours, tops. Of course, I could build a
  complete
  tent in a couple of hours, when I did it for a living. Now I deal
  with maps
  and data bases and school buses, thank goodness, and get to do my
  sewing for
  fun.
  --Sue in Montana, not Susan in TN ;o)
 
  - Original Message -
  From: Sylvia Rognstad 
  To: Historical Costume 
  Sent: Sunday, November 12, 2006 9:34 PM
  Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???
 
 
  Really? How long do you estimate it would take you to make such a
  gown?
 
  On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:
 
  Quoting Sylvia Rognstad :
 
  I should go into business. Wonder how many this company sells at
  those
  prices.
 
  Who Knows! But I could sure sell them a lot cheaper than that!
 
  susan
  -
  Susan Farmer
  [EMAIL PROTECTED]
  University of Tennessee
  Department of Ecology and Evolutionary Biology
  http://www.goldsword.com/sfarmer/Trillium/
 
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Re: Sewing speeds was Re: [h-cost] Re: gores in skirt in late Middleages???

2006-11-14 Thread Voncile W. Dudley
Wow!  Great job and you wear it well!
  Lady Von

Robin Netherton [EMAIL PROTECTED] wrote:
  
On Tue, 14 Nov 2006, michaela wrote:

 http://costumes.glittersweet.com/other/catwoman.htm
 http://pulpspace.net.nz/joomla/index.php?option=com_exposeItemid=30

Oh my goodness, this looks brilliant! And you wear it well.

--Robin

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Re: [h-cost] Re: gores in skirts

2006-11-14 Thread Lauren Walker

I guess it's all a matter of whose ox (or gown) gets gored...
(Sorry; the pun fairy made me do it...)
On Nov 13, 2006, at 4:59 PM, Zuzana Kraemerova wrote:

Now I feel really bad about posting this gores question. The  
picture just kind of caught my eye, as I'd heard some people  
telling me that contrasting gores were accurate in the middle ages  
- a fact that I wasn't very sure of. So I just wanted to ask. It  
wasn't meant to doubt the lady's work at all.




Lauren M. Walker
[EMAIL PROTECTED]



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RE: [h-cost] Re: gores in skirts

2006-11-14 Thread otsisto
bad...naughty...have some chocolate. :)

-Original Message-
I guess it's all a matter of whose ox (or gown) gets gored...
(Sorry; the pun fairy made me do it...)


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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Suzi Clarke

At 03:13 13/11/2006, you wrote:
I should go into business.  Wonder how many this company sells at 
those prices.


On Nov 12, 2006, at 7:28 PM, Susan B. Farmer wrote:


Quoting Sylvia Rognstad [EMAIL PROTECTED]:


How much is 350 pounds?


$700 USD -- approximately


This is not an unusual price for a gown of this period, especially if 
it includes fabric. Prices here are very much higher that in the U.S. 
My American friends are often surprised at the prices I charge, and I 
am never without work.


Incidentally, I believe this is one of her fantasy frocks, rather 
than an authentic one, but that is only a guess as I have never 
actually seen any of her clothes or accessories.


Suzi

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RE: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread otsisto
I found the dress in thier periods gallery under The Medieval Age of
Chivalry 1100 -1485. I have not found the wording Medieval inspired
anywhere with this dress.
Perhaps they have documentation for the coloured gores.
I have seen at least two Italian dresses that look as if they have
different colored gores from the rest of the dress but not in the style that
is on the Chimera site.
I have emailed them to inquire if they may have a source for the different
colored gores.
I found the Buckles and clasps. One needs to go to the haberdashery and up
in the corner in the search will take you to the page.

De

- Original Message -
In defence of this company in particular the example we've been discussing
is in their custom made section, so presumably it's a customer's design not
their own. Their readymade stuff looks fairly good as does most of their
custom made stuff, and they do describe the fantasy stuff as 'medieval
inspired' or '15th century inspired' etc. http://chimera-costumes.co.uk/
Elizabeth

Elizabeth Walpole
Canberra Australia
ewalpole[at]tpg.com.au
http://au.geocities.com/amiperiodornot/

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Voncile W. Dudley
Thanks.  I wondered why I didn't know the meaning of godet because it looked 
like a gore to me.  It was in one of my patterns and confusing.
  Voncile
   

Adele de Maisieres [EMAIL PROTECTED] wrote:
  Voncile W. Dudley wrote:

Aren't gores the ones that start at the waist and godets the ones that start 
somewhere around the thigh? Anyone know the difference, if any?
 

Well, SCA-types tend to call them gores and modern dressmakers tend to 
call them godets and use gore to refer to a trapezoidal panel.

-- 
Adele de Maisieres

-
Habeo metrum - musicamque,
hominem meam. Expectat alium quid?
-Georgeus Gershwinus
- 


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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Melanie Schuessler

Voncile W. Dudley wrote:
 Aren't gores the ones that start at the waist and godets the ones
 that start somewhere around the thigh?  Anyone know the difference,
 if any? Lady Von

In my years in the professional costume industry, I have generally heard 
godet used to refer to a triangular insert and gore for full-length 
shaped sections of a garment--waist to hem for a gored skirt, for 
example.  I haven't really heard gore used to refer to the sections of a 
princess-line gown, though.


Melanie Schuessler

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Voncile W. Dudley
WELL ! ! !  While I am not all together historically accurate, I do provide a 
very close garment for those who cannot or do not want to spend a small 
forturne in order to be able to participate in the Ren Faires.  My garments are 
well made and with good fabric.  I would be most happy to special make a 
garment of this nature for a lot less $.
  Lady Von

Sue Clemenger [EMAIL PROTECTED] wrote: 
  Personally, I wouldn't touch it if it were mailed to me, free. And sure not
for several hundred dollars. I've seen some seriously tacky [EMAIL PROTECTED] 
aimed at
the non-sewing SCA crowd (and, I assume at other non-sewing
reenactors/hobbyists of relatively same time frame and required authenticity
level), and that particular gown's right in there with the please, god,
make it go away stuff
IMHO, of course.
--Sue, needing to go fondle some of her wool flannels just to take the taint
away ;o)

- Original Message -
From: Elizabeth Walpole 
To: Historical Costume 
Sent: Sunday, November 12, 2006 8:29 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 Well, except that in reality what costs $1 in the USA costs £1 in the UK.
So
 from the UK seller's point of view it would be a more accurate reflection
of
 their how much they are earning (in terms of paying the bills, keeping
food
 on the table etc.) if you just change the dollar symbol to a pounds
symbol.
 Now change your estimate to $350 (or even better look at more local
 websites) and see if it's still worth it.
 Elizabeth
 
 Elizabeth Walpole
 Canberra Australia
 ewalpole[at]tpg.com.au
 http://au.geocities.com/amiperiodornot/

 - Original Message -
 From: Sylvia Rognstad 
 To: Historical Costume 
 Sent: Monday, November 13, 2006 2:13 PM
 Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 I should go into business. Wonder how many this company sells at those
 prices.
 
  On Nov 12, 2006, at 7:28 PM, Susan B. Farmer wrote:
 
  Quoting Sylvia Rognstad :
 
  How much is 350 pounds?
 
  $700 USD -- approximately
 
  susan
  -

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Voncile W. Dudley
WOW ! !!  I use a regular machine and it takes me a while  to finish a 
beautiful garment of this nature.  The gown can be constructed using less 
expensive but good quality fabric.  It would take that long to just lay and cut 
the pattern (or least for me) but then I have Rheumatoid Arthritis and take 
frequent breaks but still if I worked straight through it would take much 
longer than 2 hours.  That is fantastic sewing.  I love to sew the Ren garb but 
I also provide garments for today's fashion depending on the customer.
   
  Anyway, not all of us who sew for others provide [EMAIL PROTECTED]
   
  Just my 2 cents worth.
  Lady Von

Sue Clemenger [EMAIL PROTECTED] wrote: 
  With a serger? Couple of hours, tops. Of course, I could build a complete
tent in a couple of hours, when I did it for a living. Now I deal with maps
and data bases and school buses, thank goodness, and get to do my sewing for
fun.
--Sue in Montana, not Susan in TN ;o)

- Original Message -
From: Sylvia Rognstad 
To: Historical Costume 
Sent: Sunday, November 12, 2006 9:34 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 Really? How long do you estimate it would take you to make such a gown?

 On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:

  Quoting Sylvia Rognstad :
 
  I should go into business. Wonder how many this company sells at
  those
  prices.
 
  Who Knows! But I could sure sell them a lot cheaper than that!
 
  susan
  -
  Susan Farmer
  [EMAIL PROTECTED]
  University of Tennessee
  Department of Ecology and Evolutionary Biology
  http://www.goldsword.com/sfarmer/Trillium/
 
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  http://www.wildthangstreasures.com
   

 
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[h-cost] Re: gores in skirts

2006-11-13 Thread Gail Scott Finke
Elizabeth Walpole wrote:

 In defence of this company in particular the example we've been discussing
 is in their custom made section, so presumably it's a customer's design not
 their own. Their readymade stuff looks fairly good as does most of their
 custom made stuff, and they do describe the fantasy stuff as 'medieval
 inspired' or '15th century inspired' etc. http://chimera-costumes.co.uk/
 Elizabeth

Okay I couldn't resist and looked it up. Actually, this one (if it's the
right one I'm looking at) says it's made to order in standard sizes, so it's
not custom. And IMHO it's ugly, though not as bad as some have said. I know
many people who would love it -- though they are not people who care much
about accuracy. There are some really nice pieces on this site, so I would
imagine these people are making a living making people what they want to
buy, which is all right with me. I do wish they would say that it's not
strictly accurate, which they do on some of their pieces.

Gail Finke

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Sylvia Rognstad
You must sew awfully fast.  I've been sewing most all my life and I can 
see that taking me a couple days, including cutting of course, so that 
would bring my price, just for labor, up to $400.I don' think the 
asking price is unreasonable.  My garments are quite well made, though, 
and fully lined if necessary.


Sylrog

On Nov 12, 2006, at 10:51 PM, Sue Clemenger wrote:

With a serger? Couple of hours, tops.  Of course, I could build a 
complete
tent in a couple of hours, when I did it for a living.  Now I deal 
with maps
and data bases and school buses, thank goodness, and get to do my 
sewing for

fun.
--Sue in Montana, not Susan in TN ;o)

- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 9:34 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


Really?  How long do you estimate it would take you to make such a 
gown?


On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:


Quoting Sylvia Rognstad [EMAIL PROTECTED]:


I should go into business.  Wonder how many this company sells at
those
prices.


Who Knows!  But I could sure sell them a lot cheaper than that!

susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Alexandria Doyle

Having just helped a young lady with her first sewing project that was
basically this gown in one color.  It took her three sewing sessions
of about two hours each, one session that was to cut out and fit the
gown and I took on the hem and lacing holes by machine (two hours) so
she could wear it for Halloween.  Now, if it had been me sewing it
all, it would have taken two-three hours to sew.  I would have charged
about $75-100 in labor.

Usually my sewing goes fast, it's when I make a mistake and have to
tear something out and redo it that eats up my time.  But I'm also
rather compulsive when I'm working a project, working long hours and
not stoping for meals if I can help it until it's done.

alex

On 11/13/06, Sylvia Rognstad [EMAIL PROTECTED] wrote:

You must sew awfully fast.  I've been sewing most all my life and I can
see that taking me a couple days, including cutting of course, so that
would bring my price, just for labor, up to $400.I don' think the
asking price is unreasonable.  My garments are quite well made, though,
and fully lined if necessary.

Sylrog

On Nov 12, 2006, at 10:51 PM, Sue Clemenger wrote:

 With a serger? Couple of hours, tops.  Of course, I could build a
 complete
 tent in a couple of hours, when I did it for a living.  Now I deal
 with maps
 and data bases and school buses, thank goodness, and get to do my
 sewing for
 fun.
 --Sue in Montana, not Susan in TN ;o)

 - Original Message -
 From: Sylvia Rognstad [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Sunday, November 12, 2006 9:34 PM
 Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 Really?  How long do you estimate it would take you to make such a
 gown?

 On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:

 Quoting Sylvia Rognstad [EMAIL PROTECTED]:

 I should go into business.  Wonder how many this company sells at
 those
 prices.

 Who Knows!  But I could sure sell them a lot cheaper than that!

 susan
 -
 Susan Farmer
 [EMAIL PROTECTED]
 University of Tennessee
 Department of Ecology and Evolutionary Biology
 http://www.goldsword.com/sfarmer/Trillium/

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread AlbertCat
 
In a message dated 11/12/2006 7:14:17 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Aren't  gores the ones that start at the waist and godets the ones that start 
 somewhere around the thigh?  


**
 
 
 
I would say a gore is a trapezoidal piece sewn to other gores to make  up a 
complete skirt. Whereas a godat is a piece set into a slit made in a larger  
piece. In theory, you can slit your gores and insert a godet into them if you  
want.
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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread 00217146

 I would say a gore is a trapezoidal piece sewn to other gores to make up a 
 complete skirt. Whereas a godat is a piece set into a slit made in a larger  
 piece. In theory, you can slit your gores and insert a godet into them if you 
  
 want.

This all irritates me very much.  You're the third person to say more or less
the same thing, and I was *sure* it was the other way around!

I hate it when I'm wrong!

Emma
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Re: [h-cost] Re: gores in skirts

2006-11-13 Thread AlbertCat
 
In a message dated 11/13/2006 10:18:53 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Okay I  couldn't resist and looked it up. Actually, this one (if it's the
right one  I'm looking at) says it's made to order in standard sizes, so it's
not  custom. And IMHO it's ugly,



 
 
I must agree. It is ugly! Let's just peruse the design, shall  we?
 
The different reds look pretty ugly to me, but all personal color choices  
aside
 
The upper part of the gown is made to look like a gown with hanging  sleeves, 
with tight sleeves from an undergown in brocade showing. So far so  good. Now 
this isn't my period by a long shot, but I'm sure they faked this in  the 
period. Still, would not a T-shaped construction be correct, if not more  
common, 
in this time than set in sleeves? [Like I said, it's not my period] If  
there's no armseye seam, this sleeve coming from under another sleeve seems 
hard  
to fake. Still, it's not unfathomable, and the dress does have set in  
sleeves... so that's OK.
 
But then the whole illusion is destroyed when we get to the  lower skirts. 
Were it a full skirt of brocade with the red overskirts slit  at intervals to 
reveal the brocade, OK. But this is not what we have. We are  stuck with what 
is 
obviously one pieced layera red dress trimmed in the same  brocade as the 
tight sleeves of a supposed undergown. Why go thru all the  trouble to fool 
the eye from the waist up only to kill that illusion with bad  design below?
 
I said itBAD DESIGN.
 
Let's all learn from it.
 
There should be a LOGIC to designsa logic that is true from head to  foot.
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RE: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Linda Rice
Ok, then, what is a gusset? 

From what I've learned over the years and confirmed by looking a the
following definitions, Gore and Godet are pretty much the same, with
the godet being specifically that triangular piece which extends upward
from the hem to add fullness to a skirt, and a gore being that or also a
trapezoidal or tapering shape that functions the same way and possibly
extending higher than just the waist/hip area. A gusset is that
triangle, diamond or other shape that we add into the underarm and thigh
areas to give us more room where it is needed, and is sewn in on all
sides. The first two are only sewn on 2 sides. 
*
Gore (gôr, gr)
n.
1. A triangular or tapering piece of cloth forming a part of something,
as in a skirt or sail.
2. A small triangular piece of land.
tr.v. gored, gor·ing, gores 
1. To provide with a gore.
2. To cut into a gore.

[Middle English, from Old English gra, triangular piece of land.]

*
Godet
go·det  (g-dt)
n.
A triangular piece of fabric usually set into the hem of a garment to
add fullness.

[French, goblet, godet, from Middle Dutch codde, cylindrical piece of
wood.]

*
Gusset
gus·set  (gst)
n.
1. A triangular insert, as in the seam of a garment, for added strength
or expansion.
2. A triangular metal bracket used to strengthen a joist.
3. A piece of mail or plate armor protecting the joints in a suit of
armor.

[Middle English, from Old French gousset, perhaps diminutive of gousse,
pod, husk.]

::Linda::
info taken from www.thefreedictionary.com 


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Re: [h-cost] Re: gores in skirts

2006-11-13 Thread Suzi Clarke

At 17:00 13/11/2006, you wrote:


In a message dated 11/13/2006 10:18:53 A.M. Eastern Standard Time,
[EMAIL PROTECTED] writes:

Okay I  couldn't resist and looked it up. Actually, this one (if it's the
right one  I'm looking at) says it's made to order in standard sizes, so it's
not  custom. And IMHO it's ugly,





I must agree. It is ugly! Let's just peruse the design, shall  we?

The different reds look pretty ugly to me, but all personal color choices
aside

The upper part of the gown is made to look like a gown with hanging  sleeves,
with tight sleeves from an undergown in brocade showing. So far so  good. Now
this isn't my period by a long shot, but I'm sure they faked this in  the
period. Still, would not a T-shaped construction be correct, if not 
more  common,

in this time than set in sleeves? [Like I said, it's not my period] If
there's no armseye seam, this sleeve coming from under another 
sleeve seems hard

to fake. Still, it's not unfathomable, and the dress does have set in
sleeves... so that's OK.

But then the whole illusion is destroyed when we get to the  lower skirts.
Were it a full skirt of brocade with the red overskirts slit  at intervals to
reveal the brocade, OK. But this is not what we have. We are  stuck 
with what is

obviously one pieced layera red dress trimmed in the same  brocade as the
tight sleeves of a supposed undergown. Why go thru all the  trouble to fool
the eye from the waist up only to kill that illusion with bad  design below?

I said itBAD DESIGN.

Let's all learn from it.

There should be a LOGIC to designsa logic that is true from head to  foot.


I am beginning to be tired of the incredible rudeness of this list to 
a fellow costumer who doesn't know she is being ripped to pieces. 
Would anyone be so rude to someone who is a list member? I think not. 
The lady obviously makes good costumes as well as not so good - 
don't we all? Just because it is not what this list approves of 
doesn't give us the right to be rude.


Her address was given in good faith as someone who might be able to 
supply some goods. I am embarrassed that I gave her name, as I had no 
expectation of the sniping and carping that would go on.


Suzi

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Voncile W. Dudley
Now that sounds interesting to try!
  Thanks.
  Lady Von

[EMAIL PROTECTED] wrote:
  
In a message dated 11/12/2006 7:14:17 P.M. Eastern Standard Time, 
[EMAIL PROTECTED] writes:

Aren't gores the ones that start at the waist and godets the ones that start 
somewhere around the thigh? 


**



I would say a gore is a trapezoidal piece sewn to other gores to make up a 
complete skirt. Whereas a godat is a piece set into a slit made in a larger 
piece. In theory, you can slit your gores and insert a godet into them if you 
want.
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Re: [h-cost] Re: gores in skirts

2006-11-13 Thread AlbertCat
 
In a message dated 11/13/2006 12:26:05 P.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Her  address was given in good faith as someone who might be able to 
supply  some goods. I am embarrassed that I gave her name, as I had no 
expectation  of the sniping and carping that would go on.



**
 
The site has some very nice stuff on it. This red thing is NOT one of them.  
Oh well. I don't think the sky is gonna fall or her business will suffer. 
I  don't see that it's that big a deal.
 
I clearly stated what I thought was wrong with the design, instead of just  
saying I don't like it. One can agree or disagree with me. I'd tell her to 
her  face that the skirt treatment destroys the illusion set up by the bodice, 
and  that makes it a poorly thought out design. I don't see why anybody should 
lose  sleep over any of it. I just pointed it out in the hopes that no one 
else making  clothes will mistakenly go down the same path.
 
I'm sure many would find things I make ugly too. [They have!] But that's  
OK...and I'd like to know why they don't like it. I'm not so thin skinned as to 
 
not be able to take criticism...even catty criticism...and use  it.
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Re: [h-cost] Re: gores in skirts

2006-11-13 Thread Voncile W. Dudley
Glad you meant well but unfortunately it didn't come across that way.
  
**

The site has some very nice stuff on it. This red thing is NOT one of them. 
Oh well. I don't think the sky is gonna fall or her business will suffer. 
I don't see that it's that big a deal.

I clearly stated what I thought was wrong with the design, instead of just 
saying I don't like it. One can agree or disagree with me. I'd tell her to 
her face that the skirt treatment destroys the illusion set up by the bodice, 
and that makes it a poorly thought out design. I don't see why anybody should 
lose sleep over any of it. I just pointed it out in the hopes that no one 
else making clothes will mistakenly go down the same path.

I'm sure many would find things I make ugly too. [They have!] But that's 
OK...and I'd like to know why they don't like it. I'm not so thin skinned as to 
not be able to take criticism...even catty criticism...and use it.
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Re: [h-cost] Re: gores in skirts

2006-11-13 Thread Voncile W. Dudley
You put it in great words.  I tried to but your's is much much better.
  Lady Von

Suzi Clarke [EMAIL PROTECTED] wrote:
  
I said itBAD DESIGN.

Let's all learn from it.

There should be a LOGIC to designsa logic that is true from head to foot.

I am beginning to be tired of the incredible rudeness of this list to 
a fellow costumer who doesn't know she is being ripped to pieces. 
Would anyone be so rude to someone who is a list member? I think not. 
The lady obviously makes good costumes as well as not so good - 
don't we all? Just because it is not what this list approves of 
doesn't give us the right to be rude.

Her address was given in good faith as someone who might be able to 
supply some goods. I am embarrassed that I gave her name, as I had no 
expectation of the sniping and carping that would go on.

Suzi

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RE: [h-cost] Re: gores in skirts

2006-11-13 Thread Rickard, Patty
Ditto,

Patty

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
On Behalf Of Voncile W. Dudley
Sent: Monday, November 13, 2006 1:24 PM
To: Historical Costume
Subject: Re: [h-cost] Re: gores in skirts

You put it in great words.  I tried to but your's is much much better.
  Lady Von

Suzi Clarke [EMAIL PROTECTED] wrote:
  
I said itBAD DESIGN.

Let's all learn from it.

There should be a LOGIC to designsa logic that is true from head to
foot.

I am beginning to be tired of the incredible rudeness of this list to 
a fellow costumer who doesn't know she is being ripped to pieces. 
Would anyone be so rude to someone who is a list member? I think not. 
The lady obviously makes good costumes as well as not so good - 
don't we all? Just because it is not what this list approves of 
doesn't give us the right to be rude.

Her address was given in good faith as someone who might be able to 
supply some goods. I am embarrassed that I gave her name, as I had no 
expectation of the sniping and carping that would go on.

Suzi

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Re: [h-cost] Re: gores in skirts

2006-11-13 Thread MaggiRos
ld someone send the link to the actual page this item
is on? I've been all through the Medieval stuff and
don't see it.

MaggiRos

--- Gail  Scott Finke [EMAIL PROTECTED] wrote:


 Okay I couldn't resist and looked it up. Actually,
 this one (if it's the
 right one I'm looking at) says it's made to order in
 standard sizes, so it's
 not custom. 
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Re: [h-cost] Re: gores in skirts

2006-11-13 Thread Zuzana Kraemerova
Now I feel really bad about posting this gores question. The picture just 
kind of caught my eye, as I'd heard some people telling me that contrasting 
gores were accurate in the middle ages - a fact that I wasn't very sure of. So 
I just wanted to ask. It wasn't meant to doubt the lady's work at all. 
   
  
Suzi Clarke [EMAIL PROTECTED] wrote:
  
I am beginning to be tired of the incredible rudeness of this list to 
a fellow costumer who doesn't know she is being ripped to pieces. 
Would anyone be so rude to someone who is a list member? I think not. 
The lady obviously makes good costumes as well as not so good - 
don't we all? Just because it is not what this list approves of 
doesn't give us the right to be rude.

Her address was given in good faith as someone who might be able to 
supply some goods. I am embarrassed that I gave her name, as I had no 
expectation of the sniping and carping that would go on.

Suzi

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Sue Clemenger
I wasn't including cutting time in that estimate--I was thinking in more
industrial/mass quantity terms.  If you're doing a whole bunch of that sort
of thing all at once, you can get really fast at it, and the type of machine
you have can greatly assist in that.  The website didn't say anything, that
I recall, about types of seams used, or finishings on the insides, outside
of the mention of the dress being half-lined.  So I more or less assumed
that it was serged or something similar.  More labor-intensive,
detail-oriented choices would of course take more time! And I certainly
wouldn't want anyone doing this sort of work to under-pay themselves! It's
just that I've only ever done sewing as either a strictly recreational
thing, or in an industrial setting, so my costuming experiences may likely
differ from other people, who are doing it on a more of a cottage industry
scale.
--Sue

- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 8:25 AM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 You must sew awfully fast.  I've been sewing most all my life and I can
 see that taking me a couple days, including cutting of course, so that
 would bring my price, just for labor, up to $400.I don' think the
 asking price is unreasonable.  My garments are quite well made, though,
 and fully lined if necessary.

 Sylrog

 On Nov 12, 2006, at 10:51 PM, Sue Clemenger wrote:

  With a serger? Couple of hours, tops.  Of course, I could build a
  complete
  tent in a couple of hours, when I did it for a living.  Now I deal
  with maps
  and data bases and school buses, thank goodness, and get to do my
  sewing for
  fun.
  --Sue in Montana, not Susan in TN ;o)
 
  - Original Message -
  From: Sylvia Rognstad [EMAIL PROTECTED]
  To: Historical Costume [EMAIL PROTECTED]
  Sent: Sunday, November 12, 2006 9:34 PM
  Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???
 
 
  Really?  How long do you estimate it would take you to make such a
  gown?
 
  On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:
 
  Quoting Sylvia Rognstad [EMAIL PROTECTED]:
 
  I should go into business.  Wonder how many this company sells at
  those
  prices.
 
  Who Knows!  But I could sure sell them a lot cheaper than that!
 
  susan
  -
  Susan Farmer
  [EMAIL PROTECTED]
  University of Tennessee
  Department of Ecology and Evolutionary Biology
  http://www.goldsword.com/sfarmer/Trillium/
 
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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Sylvia Rognstad
I sew for a living (among other things) and I don't like to rush myself 
too much.  I certainly don't sew fast by commercial industrial 
standards.  That would be too stressful and not at all enjoyable.I 
was thinking of the dress being lined, faced, etc, when I said it would 
probably take me a couple days.  And I don't sew and serge at the same 
time.  I prefer to sew my seams and then serge them, in case I have to 
take something out.  I realize sewing and serging in one step cuts out 
a lot of extra time.


SYlrog

On Nov 13, 2006, at 7:39 PM, Sue Clemenger wrote:

I wasn't including cutting time in that estimate--I was thinking in 
more
industrial/mass quantity terms.  If you're doing a whole bunch of that 
sort
of thing all at once, you can get really fast at it, and the type of 
machine
you have can greatly assist in that.  The website didn't say anything, 
that
I recall, about types of seams used, or finishings on the insides, 
outside
of the mention of the dress being half-lined.  So I more or less 
assumed

that it was serged or something similar.  More labor-intensive,
detail-oriented choices would of course take more time! And I certainly
wouldn't want anyone doing this sort of work to under-pay themselves! 
It's

just that I've only ever done sewing as either a strictly recreational
thing, or in an industrial setting, so my costuming experiences may 
likely
differ from other people, who are doing it on a more of a cottage 
industry

scale.
--Sue

- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 8:25 AM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


You must sew awfully fast.  I've been sewing most all my life and I 
can

see that taking me a couple days, including cutting of course, so that
would bring my price, just for labor, up to $400.I don' think the
asking price is unreasonable.  My garments are quite well made, 
though,

and fully lined if necessary.

Sylrog

On Nov 12, 2006, at 10:51 PM, Sue Clemenger wrote:


With a serger? Couple of hours, tops.  Of course, I could build a
complete
tent in a couple of hours, when I did it for a living.  Now I deal
with maps
and data bases and school buses, thank goodness, and get to do my
sewing for
fun.
--Sue in Montana, not Susan in TN ;o)

- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 9:34 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???



Really?  How long do you estimate it would take you to make such a
gown?

On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:


Quoting Sylvia Rognstad [EMAIL PROTECTED]:


I should go into business.  Wonder how many this company sells at
those
prices.


Who Knows!  But I could sure sell them a lot cheaper than that!

susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Sue Clemenger
Answered privately.
--Sue (from Montana)
- Original Message -
From: Voncile W. Dudley [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 7:23 AM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 WOW ! !!  I use a regular machine and it takes me a while  to
finish a beautiful garment of this nature.  The gown can be constructed
using less expensive but good quality fabric.  It would take that long to
just lay and cut the pattern (or least for me) but then I have Rheumatoid
Arthritis and take frequent breaks but still if I worked straight through it
would take much longer than 2 hours.  That is fantastic sewing.  I love to
sew the Ren garb but I also provide garments for today's fashion depending
on the customer.

   Anyway, not all of us who sew for others provide [EMAIL PROTECTED]

   Just my 2 cents worth.
   Lady Von

 Sue Clemenger [EMAIL PROTECTED] wrote:
   With a serger? Couple of hours, tops. Of course, I could build a
complete
 tent in a couple of hours, when I did it for a living. Now I deal with
maps
 and data bases and school buses, thank goodness, and get to do my sewing
for
 fun.
 --Sue in Montana, not Susan in TN ;o)

 - Original Message -
 From: Sylvia Rognstad
 To: Historical Costume
 Sent: Sunday, November 12, 2006 9:34 PM
 Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


  Really? How long do you estimate it would take you to make such a gown?
 
  On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:
 
   Quoting Sylvia Rognstad :
  
   I should go into business. Wonder how many this company sells at
   those
   prices.
  
   Who Knows! But I could sure sell them a lot cheaper than that!
  
   susan
   -
   Susan Farmer
   [EMAIL PROTECTED]
   University of Tennessee
   Department of Ecology and Evolutionary Biology
   http://www.goldsword.com/sfarmer/Trillium/
  
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   Lady Von

   http://www.wildthangstreasures.com



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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-13 Thread Sue Clemenger
Absolutely! I may have been making incorrect assumptions about the
construction of this dress, but the website wasn't exactly forthcoming with
details! ;o)
I've not really ever bought historically-themed clothing or costumes, as I
usually make my own, but I have definitely purchased my share of
off-the-rack clothing over the years, and have looked at some items that
friends have purchased.  There's an awfully wide range of construction
options out there, and certainly, an item that was more carefully
constructed would be worthy of a higher asking price.  I just don't assume
the reverse, especially given that the website didn't provide many details,
which I've seen a number of others do, especially when they're aiming at a
reenactor's market, in which authentic construction is a definite selling
point for some folks.
--Sue

- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 7:47 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 I sew for a living (among other things) and I don't like to rush myself
 too much.  I certainly don't sew fast by commercial industrial
 standards.  That would be too stressful and not at all enjoyable.I
 was thinking of the dress being lined, faced, etc, when I said it would
 probably take me a couple days.  And I don't sew and serge at the same
 time.  I prefer to sew my seams and then serge them, in case I have to
 take something out.  I realize sewing and serging in one step cuts out
 a lot of extra time.

 SYlrog

 On Nov 13, 2006, at 7:39 PM, Sue Clemenger wrote:

  I wasn't including cutting time in that estimate--I was thinking in
  more
  industrial/mass quantity terms.  If you're doing a whole bunch of that
  sort
  of thing all at once, you can get really fast at it, and the type of
  machine
  you have can greatly assist in that.  The website didn't say anything,
  that
  I recall, about types of seams used, or finishings on the insides,
  outside
  of the mention of the dress being half-lined.  So I more or less
  assumed
  that it was serged or something similar.  More labor-intensive,
  detail-oriented choices would of course take more time! And I certainly
  wouldn't want anyone doing this sort of work to under-pay themselves!
  It's
  just that I've only ever done sewing as either a strictly recreational
  thing, or in an industrial setting, so my costuming experiences may
  likely
  differ from other people, who are doing it on a more of a cottage
  industry
  scale.
  --Sue
 
  - Original Message -
  From: Sylvia Rognstad [EMAIL PROTECTED]
  To: Historical Costume [EMAIL PROTECTED]
  Sent: Monday, November 13, 2006 8:25 AM
  Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???
 
 
  You must sew awfully fast.  I've been sewing most all my life and I
  can
  see that taking me a couple days, including cutting of course, so that
  would bring my price, just for labor, up to $400.I don' think the
  asking price is unreasonable.  My garments are quite well made,
  though,
  and fully lined if necessary.
 
  Sylrog
 
  On Nov 12, 2006, at 10:51 PM, Sue Clemenger wrote:
 
  With a serger? Couple of hours, tops.  Of course, I could build a
  complete
  tent in a couple of hours, when I did it for a living.  Now I deal
  with maps
  and data bases and school buses, thank goodness, and get to do my
  sewing for
  fun.
  --Sue in Montana, not Susan in TN ;o)
 
  - Original Message -
  From: Sylvia Rognstad [EMAIL PROTECTED]
  To: Historical Costume [EMAIL PROTECTED]
  Sent: Sunday, November 12, 2006 9:34 PM
  Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???
 
 
  Really?  How long do you estimate it would take you to make such a
  gown?
 
  On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:
 
  Quoting Sylvia Rognstad [EMAIL PROTECTED]:
 
  I should go into business.  Wonder how many this company sells at
  those
  prices.
 
  Who Knows!  But I could sure sell them a lot cheaper than that!
 
  susan
  -
  Susan Farmer
  [EMAIL PROTECTED]
  University of Tennessee
  Department of Ecology and Evolutionary Biology
  http://www.goldsword.com/sfarmer/Trillium/
 
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Re: Sewing speeds was Re: [h-cost] Re: gores in skirt in late Middleages???

2006-11-13 Thread michaela
  (my latest costume, Catwoman from Batman Returns only took a couple of
  weeks from buying material to final sewing. but again if I was
  healthier would have taken much less time.)

 Of course, if you believe the movie, Michelle Pfeiffer did it all in an
 evening ;-)

I incorporated this into my skit/QA in character in the competition;)
Don't believe the hype type of thing;) People were most amused. I also
explained you cannot getinto a catsuit that zips up the back a corset that
laces up the back and knee high boots that are so closely laced while
driving a small car. Certainly not while applying heavy make up and hiding
all your hair under the cowl!

http://costumes.glittersweet.com/other/catwoman.htm
http://pulpspace.net.nz/joomla/index.php?option=com_exposeItemid=30

More good photos here under Armageddon Expo and then cosplay. It's a
flash photo gallery.

Michaela de Bruce
http://glittersweet.com

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Re: Sewing speeds was Re: [h-cost] Re: gores in skirt in late Middleages???

2006-11-13 Thread Robin Netherton

On Tue, 14 Nov 2006, michaela wrote:

 http://costumes.glittersweet.com/other/catwoman.htm
 http://pulpspace.net.nz/joomla/index.php?option=com_exposeItemid=30

Oh my goodness, this looks brilliant! And you wear it well.

--Robin

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[h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Branwyn Maura
Gores in various configurations were used to widen skirts from the early middle 
ages on (it's an early step in the evolution of tailoring), but the use of a 
contrast gore for stylish effect is not really documentable for this period (I 
think there is some use of this technique in the 19th century, but I'm not 
sure).

It looks really nifty, however. Makes me wish it *was* documentable...

Marg.





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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Adele de Maisieres

Branwyn Maura wrote:


Gores in various configurations were used to widen skirts from the early middle 
ages on (it's an early step in the evolution of tailoring), but the use of a 
contrast gore for stylish effect is not really documentable for this period (I 
think there is some use of this technique in the 19th century, but I'm not 
sure).

It looks really nifty, however. Makes me wish it *was* documentable...
 



Definitely a matter of taste... I hate it and wish it would go away :-)

--
Adele de Maisieres

-
Habeo metrum - musicamque,
hominem meam. Expectat alium quid?
-Georgeus Gershwinus
- 



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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Susan B. Farmer

Quoting Branwyn Maura [EMAIL PROTECTED]:

Gores in various configurations were used to widen skirts from the   
early middle ages on (it's an early step in the evolution of   
tailoring), but the use of a contrast gore for stylish effect is not  
 really documentable for this period (I think there is some use of   
this technique in the 19th century, but I'm not sure).


It looks really nifty, however. Makes me wish it *was* documentable...



Oh, yeah.  I'm with you on this one.  I saw a nice gown once with a  
reversable brocade done like this -- it was very nice.


susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Zuzana Kraemerova
Gores in various configurations were used to widen skirts from the 
 early middle ages on (it's an early step in the evolution of 
 tailoring), but the use of a contrast gore for stylish effect is not 
 really documentable for this period (I think there is some use of 
 this technique in the 19th century, but I'm not sure).
   
  Sorry, I forgot to mention that I'm looking for an evidence proving that 
CONTRASTING gores were used - thanks for reminding:-)


 
-
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things done faster.
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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Voncile W. Dudley
Aren't gores the ones that start at the waist and godets the ones that start 
somewhere around the thigh?  Anyone know the difference, if any?
  Lady Von

Adele de Maisieres [EMAIL PROTECTED] wrote:
  Branwyn Maura wrote:

Gores in various configurations were used to widen skirts from the early 
middle ages on (it's an early step in the evolution of tailoring), but the use 
of a contrast gore for stylish effect is not really documentable for this 
period (I think there is some use of this technique in the 19th century, but 
I'm not sure).

It looks really nifty, however. Makes me wish it *was* documentable...
 


Definitely a matter of taste... I hate it and wish it would go away :-)

-- 
Adele de Maisieres

-
Habeo metrum - musicamque,
hominem meam. Expectat alium quid?
-Georgeus Gershwinus
- 


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-
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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Adele de Maisieres

Voncile W. Dudley wrote:


Aren't gores the ones that start at the waist and godets the ones that start 
somewhere around the thigh?  Anyone know the difference, if any?
 

Well, SCA-types tend to call them gores and modern dressmakers tend to 
call them godets and use gore to refer to a trapezoidal panel.


--
Adele de Maisieres

-
Habeo metrum - musicamque,
hominem meam. Expectat alium quid?
-Georgeus Gershwinus
- 



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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Sue Clemenger
Interesting, that you liked it.  It made my eyes bleed, and the
authenticity-nut part of me back up hissing and spitting.  I was also pretty
taken aback by the price (starting at 350 pounds??? Wowser!).
I guess our respective mileages are varying greatly on this one, huh? ;oD
--sue in montana
- Original Message -
From: Branwyn Maura [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 11:46 AM
Subject: [h-cost] Re: gores in skirt in late Middle ages???


 Gores in various configurations were used to widen skirts from the early
middle ages on (it's an early step in the evolution of tailoring), but the
use of a contrast gore for stylish effect is not really documentable for
this period (I think there is some use of this technique in the 19th
century, but I'm not sure).

 It looks really nifty, however. Makes me wish it *was* documentable...

 Marg.





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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Sylvia Rognstad

How much is 350 pounds?

On Nov 12, 2006, at 2:35 PM, Sue Clemenger wrote:


Interesting, that you liked it.  It made my eyes bleed, and the
authenticity-nut part of me back up hissing and spitting.  I was also 
pretty

taken aback by the price (starting at 350 pounds??? Wowser!).
I guess our respective mileages are varying greatly on this one, huh? 
;oD

--sue in montana
- Original Message -
From: Branwyn Maura [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 11:46 AM
Subject: [h-cost] Re: gores in skirt in late Middle ages???


Gores in various configurations were used to widen skirts from the 
early
middle ages on (it's an early step in the evolution of tailoring), but 
the
use of a contrast gore for stylish effect is not really documentable 
for

this period (I think there is some use of this technique in the 19th
century, but I'm not sure).


It looks really nifty, however. Makes me wish it *was* documentable...

Marg.





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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Susan B. Farmer

Quoting Sylvia Rognstad [EMAIL PROTECTED]:


How much is 350 pounds?


$700 USD -- approximately

susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Adele de Maisieres

Sylvia Rognstad wrote:


How much is 350 pounds?


1000 New Zealand dollars.

--
Adele de Maisieres

-
Habeo metrum - musicamque,
hominem meam. Expectat alium quid?
-Georgeus Gershwinus
- 



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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Theresa Eacker

Using my handy-dandy converter:

http://www.xe.net/ucc/

Roughly 669 buckolas!!! (Too bad it can't be phantasy-bucks for 
phantasy-garb!!)


Theresa Eacker




How much is 350 pounds?


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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Susan Carroll-Clark

Greetings--

Adele de Maisieres wrote:

Voncile W. Dudley wrote:

Aren't gores the ones that start at the waist and godets the ones 
that start somewhere around the thigh?  Anyone know the difference, 
if any?
 

Well, SCA-types tend to call them gores and modern dressmakers tend to 
call them godets and use gore to refer to a trapezoidal panel.


I'm guessing we don't really know what they called the suckers in the 
Middle Ages :-) 


Susan
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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Sylvia Rognstad
I should go into business.  Wonder how many this company sells at those 
prices.


On Nov 12, 2006, at 7:28 PM, Susan B. Farmer wrote:


Quoting Sylvia Rognstad [EMAIL PROTECTED]:


How much is 350 pounds?


$700 USD -- approximately

susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Susan B. Farmer

Quoting Sylvia Rognstad [EMAIL PROTECTED]:


I should go into business.  Wonder how many this company sells at those
prices.


Who Knows!  But I could sure sell them a lot cheaper than that!

susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Elizabeth Walpole
Well, except that in reality what costs $1 in the USA costs £1 in the UK. So 
from the UK seller's point of view it would be a more accurate reflection of 
their how much they are earning (in terms of paying the bills, keeping food 
on the table etc.) if you just change the dollar symbol to a pounds symbol. 
Now change your estimate to $350 (or even better look at more local 
websites) and see if it's still worth it.

Elizabeth

Elizabeth Walpole
Canberra Australia
ewalpole[at]tpg.com.au
http://au.geocities.com/amiperiodornot/

- Original Message - 
From: Sylvia Rognstad [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 2:13 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


I should go into business.  Wonder how many this company sells at those 
prices.


On Nov 12, 2006, at 7:28 PM, Susan B. Farmer wrote:


Quoting Sylvia Rognstad [EMAIL PROTECTED]:


How much is 350 pounds?


$700 USD -- approximately

susan
-


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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Sylvia Rognstad

Really?  How long do you estimate it would take you to make such a gown?

On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:


Quoting Sylvia Rognstad [EMAIL PROTECTED]:

I should go into business.  Wonder how many this company sells at 
those

prices.


Who Knows!  But I could sure sell them a lot cheaper than that!

susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Lauren Walker

About 1/6 of a ton. ;-) sorry, couldn't resist.

On Nov 12, 2006, at 9:19 PM, Sylvia Rognstad wrote:


How much is 350 pounds?

On Nov 12, 2006, at 2:35 PM, Sue Clemenger wrote:


Interesting, that you liked it.  It made my eyes bleed, and the
authenticity-nut part of me back up hissing and spitting.  I was  
also pretty

taken aback by the price (starting at 350 pounds??? Wowser!).
I guess our respective mileages are varying greatly on this one,  
huh? ;oD

--sue in montana
- Original Message -
From: Branwyn Maura [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 11:46 AM
Subject: [h-cost] Re: gores in skirt in late Middle ages???


Gores in various configurations were used to widen skirts from  
the early
middle ages on (it's an early step in the evolution of tailoring),  
but the
use of a contrast gore for stylish effect is not really  
documentable for

this period (I think there is some use of this technique in the 19th
century, but I'm not sure).


It looks really nifty, however. Makes me wish it *was*  
documentable...


Marg.





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Lauren M. Walker
[EMAIL PROTECTED]



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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Sue Clemenger
Personally, I wouldn't touch it if it were mailed to me, free.  And sure not
for several hundred dollars.  I've seen some seriously tacky [EMAIL PROTECTED] 
aimed at
the non-sewing SCA crowd (and, I assume at other non-sewing
reenactors/hobbyists of relatively same time frame and required authenticity
level), and that particular gown's right in there with the please, god,
make it go away stuff
IMHO, of course.
--Sue, needing to go fondle some of her wool flannels just to take the taint
away ;o)

- Original Message -
From: Elizabeth Walpole [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 8:29 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 Well, except that in reality what costs $1 in the USA costs £1 in the UK.
So
 from the UK seller's point of view it would be a more accurate reflection
of
 their how much they are earning (in terms of paying the bills, keeping
food
 on the table etc.) if you just change the dollar symbol to a pounds
symbol.
 Now change your estimate to $350 (or even better look at more local
 websites) and see if it's still worth it.
 Elizabeth
 
 Elizabeth Walpole
 Canberra Australia
 ewalpole[at]tpg.com.au
 http://au.geocities.com/amiperiodornot/

 - Original Message -
 From: Sylvia Rognstad [EMAIL PROTECTED]
 To: Historical Costume [EMAIL PROTECTED]
 Sent: Monday, November 13, 2006 2:13 PM
 Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 I should go into business.  Wonder how many this company sells at those
 prices.
 
  On Nov 12, 2006, at 7:28 PM, Susan B. Farmer wrote:
 
  Quoting Sylvia Rognstad [EMAIL PROTECTED]:
 
  How much is 350 pounds?
 
  $700 USD -- approximately
 
  susan
  -

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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Sue Clemenger
With a serger? Couple of hours, tops.  Of course, I could build a complete
tent in a couple of hours, when I did it for a living.  Now I deal with maps
and data bases and school buses, thank goodness, and get to do my sewing for
fun.
--Sue in Montana, not Susan in TN ;o)

- Original Message -
From: Sylvia Rognstad [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, November 12, 2006 9:34 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


 Really?  How long do you estimate it would take you to make such a gown?

 On Nov 12, 2006, at 8:27 PM, Susan B. Farmer wrote:

  Quoting Sylvia Rognstad [EMAIL PROTECTED]:
 
  I should go into business.  Wonder how many this company sells at
  those
  prices.
 
  Who Knows!  But I could sure sell them a lot cheaper than that!
 
  susan
  -
  Susan Farmer
  [EMAIL PROTECTED]
  University of Tennessee
  Department of Ecology and Evolutionary Biology
  http://www.goldsword.com/sfarmer/Trillium/
 
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Re: [h-cost] Re: gores in skirt in late Middle ages???

2006-11-12 Thread Elizabeth Walpole


- Original Message - 
From: Sue Clemenger [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Monday, November 13, 2006 4:47 PM
Subject: Re: [h-cost] Re: gores in skirt in late Middle ages???


Personally, I wouldn't touch it if it were mailed to me, free.  And sure 
not

for several hundred dollars.  I've seen some seriously tacky [EMAIL PROTECTED] 
aimed at
the non-sewing SCA crowd (and, I assume at other non-sewing
reenactors/hobbyists of relatively same time frame and required 
authenticity

level), and that particular gown's right in there with the please, god,
make it go away stuff
IMHO, of course.
--Sue, needing to go fondle some of her wool flannels just to take the 
taint

away ;o)

In defence of this company in particular the example we've been discussing 
is in their custom made section, so presumably it's a customer's design not 
their own. Their readymade stuff looks fairly good as does most of their 
custom made stuff, and they do describe the fantasy stuff as 'medieval 
inspired' or '15th century inspired' etc. http://chimera-costumes.co.uk/

Elizabeth

Elizabeth Walpole
Canberra Australia
ewalpole[at]tpg.com.au
http://au.geocities.com/amiperiodornot/

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Re: [h-cost] re: Gores

2005-09-01 Thread Marie Stewart
Hi folks... good discussion here... thanks,

 Just how many extant garments do we have to make that assumption on? I
  would personally think that gores varied ... some pointy, some not.
 
 I didn't say no gores in the 13th century are sharp. I said it's a 
 mistake
 to assume, from the evidence we have, that sharpness of gores was
 considered an important workmanship issue, or that medieval methods would,
 if properly done, necessarily produce sharp gores.


Excellent point - and one on which many re-creators, re-enactors get stuck. 
It's a point where the modern aesthetic conflicts with the medieval 
evidence.

but I haven't seen evidence that they had any motivation to do this.


Let me look through my resources... it'll be an interesting thing to go look 
for. One area that is a bit later than medieval is the Tudor and Elizabethan 
shirt, in these we tend to see very precise stitching and setting in of 
gores and godets. 

My point is this: snip hallelujah!


Yes... it is true that many people assume that a flat or even tucked gore is 
wrong. And it is true that there are only a few of us out there that teach 
this alternative to the masses, but as you know education is a process... 
and I have faith that one day the balance will tip so that the common 
wisdom comes more in line with actual evidence. Until then, we keep 
teaching. 

But we have absolutely no reason to think that flat, sharp gore points were 
 valued, and what
 little data we have seems to suggest otherwise. 


This I would point out is arguable, mainly because we do have so little data 
to work with. We do know that longevity and wearability would be valued... 
so if someone was to use a non-flat topped gore, it would be to their 
benefit, and help the life of the garment to make that insertion to the best 
of their ability. 

but I typically hear the razor-sharp gore point presented as a quality of 
 accurate or well-made garb,


Well, it is a quality of well made clothing. If that is what you are going 
for. As to accuracy, I think we have a new question to investigate, just 
what type of gore/godet was used when?

I wouldn't be surprised, for instance, to find out that some judges at SCA 
 costume competitions would grade people down for gores with rounded tops or 
 slight pleats, under the assumption that it's badworkmanship. 


I agree with you, and again that would be the triumph of the modern 
aesthetic over the actual. But it could also be for a lack of knowledge... 
so we have another place to educate. 
Now this crosses over into a far broader topic... one that I've been 
starting to address at my lectures. The battle between the modern aesthetic 
and period construction. It's been an interesting area of research. 

 this is good sewing technique without realizing that the garments *of 
 the period they're teaching* show no evidence of those methods (e.g. 
 gathered sleeve caps, French seam finishing, stay-stitching, facings, 
 pattern matching -- and other techniques that were valued in some periods 
 but not in others).



In this instance, and in many others, ISTM that if you approach the 
 construction of a garment using the materials and techniques available to 
 the person of the period you're reconstructing and consistent with the known 
 evidence, you're likely to come to different conclusions about what
 makes sense and what works well than you would if you use modern 
 techniques and materials.


I'll take this one step further. Working with accurate methods and materials 
does indeed give you a better understanding of the process. I highly 
recommend it. BUT you also need to approach the process with an open mind 
and without preconceptions. For example with needle and thread I can produce 
sharp gores and I have also produced rounded gores (a chemise) and Flat 
topped gores (the infamous Kielbasa dress), and pleated gores (a different 
chemise). It's not only about familiarity with the media, but working 
towards mastery. 
 
On that line, I've been thinking about the small pleat in the top of the St. 
 Louis shirt gore. There's no question that the shirt is well-made by a 
 person highly skilled at sewing, so I would assume the pleat is intentional. 
 I wonder if that slight pleating would make the gore wear better and work 
 better, because it would allow you to spread the body of the shirt a little 
 wider before encountering resistance at the stress point. If the gore is 
 perfectly flat, you can't open the angle of the slash quite as far (unless 
 you make the bottom of the gore correspondingly wider). 


With a flat gore, if you need to allow for a sizable amount expansion over a 
 short vertical distance from waist to hip, you need to make a fairly wide 
 angle, which commits you to a certain degree of width at the bottom. Making 
 the top of the gore a little flatter and wider, and taking up that excess 
 width in a small pleat, lets you get the sides of the finished gore further 
 apart in those top few 

[h-cost] re: Gores

2005-08-31 Thread Cin
Now, about that top point. Don't try to do it on the machine! Yes, it can
be done, but it requires a lot of finagling and can cause a lot of
frustration. Consider that the people who used this construction were
working by hand -- this was never designed to be done by machine. It's
much, much simpler by hand. If you do it by machine, you need to do a lot
of marking of seam allowances and turning points and so forth.  All very
exact -- too much like machine quilting for my taste ;-)

Everyone has a technique or 2 that they dont like or havent yet
mastered.  Perhaps Robin  others is missing out on a very nifty trick
that will make this a tad easier. If setting a gore (godet) by machine
is good enough for the couture industry, it's good enough for me.
Here's how it's done. First we'll practice on a scrap:

1. Fetch 2 scraps of fabric, say 1 sq foot each.  One, the garment
piece, will be slashed and have the gore inserted. The other will be
the gore.

1b. Prep the gore section. Typically, for us early period types up
thru the 19th c, the gore is symmetrical and not on the straight
grain, cross grain or true bias. It may have a seamline down the
middle. If so, finish it now. Your gore should be several inches
longer than the slash as measured down the center line.
When using the true bias, the gore is at it's stretchiest. If you can
master the technique this way, then every other gore should be easier.
* Chalk 1/2 seamlines at the top of gore. They should cross at the
top center. This is the apex of the gore.

2. On the garment piece, draw a chalk line right down the middle. The
X marks the top of gore's seamline:

!
!
!
!
!__x
!
!
!
!

2. Stay stitch (check machine tension, ensure no pulling) 1/4 on
either side of chalk line. When arriving at the point angle the
stitching line gently toward the X. At the X, lift the foot, pivot
your sample, and mirror-image stitch along the other side. DO NOT CUT
the thread!  That's possibly the most important part of this
technique. There must be a continuous thread up, around  down the
point.

!
!
!_-_-_-_-_-_-_-_\x
! - - - - - - - - - - -/
!

3. Slashing. Cut along chalk line, or, if you wiggled while stitching,
cut between the stitch lines. Cut all the way to the X, but DO NOT CUT
the thread. It's called slashing, but dont get too aggressive. If you
twist, tug or pull you'll distort the results.

4. You'll need a powerful bit of imagination for this next bit. We'll
be working right sides together, with the gore on the bottom, garment
piece on top. Spread the slashed, garment piece so that the top of the
slash aligns with the chalked seamlines of the gore. The top of slash
threadlines goes exactly overtop the crossed chalked seamlines of the
gore. Obvious the amount of seam allowance varies greatly on these 2
pieces. Believe me when I say the thread line goes exactly overtop the
chalked seamlines.
* slowly *baste* the last 2 inches toward the point;
* at the X, put the machine needle down, pivot your work;
* align the threadline with the chalk line on this side, and stitch a few inches
Peek at the apex of the gore.  Look good  smooth?  finish stitching
the seam. Look messy? pick out your stitches  try again.

Assuming you've got the machine cleaned, a fresh needle, tension
balanced, needle  thread correctly selected for the weight of the
fabric and all the other basics under control, this should do you
well.

Cant understand w/o a picture?  I love Claire Schaffer's books. Look
up godets, gusset and/or stitching a seam with an inward corner.

Think you got it?  How to cheat this technique: Stitch only the top 2
of the slashed section. After the gore is set into the slash, remove
the stay stitching.

--cin
Cynthia Barnes
[EMAIL PROTECTED]

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Re: [h-cost] re: Gores

2005-08-31 Thread Robin Netherton

On Wed, 31 Aug 2005, Cin wrote:

 Now, about that top point. Don't try to do it on the machine! Yes, it can
 be done, but it requires a lot of finagling and can cause a lot of
 frustration. Consider that the people who used this construction were
 working by hand -- this was never designed to be done by machine. It's
 much, much simpler by hand. If you do it by machine, you need to do a lot
 of marking of seam allowances and turning points and so forth.  All very
 exact -- too much like machine quilting for my taste ;-)
 
 Everyone has a technique or 2 that they dont like or havent yet
 mastered.  Perhaps Robin  others is missing out on a very nifty trick
 that will make this a tad easier. If setting a gore (godet) by machine
 is good enough for the couture industry, it's good enough for me.

Let me rephrase what I said, then, since I see that the idea of easier
came through much more strongly in the paragraph quoted than the overall
point I was trying to make in my post.

Setting a gore by machine is quite a good choice if you are doing (modern)
couture work and/or want a (modern) couture effect. Once you're mastered
the technique (very well described in Cin's post) it is easy enough to do.

However: The original poster was trying to make a 13th century garment.
The best way to get a 13th c. effect is to use 13th c. techniques. If you
use a modern machine technique to set your gore, you'll get a modern
(pointy) gore, which appears *not* to be something that is found in
medieval clothing. The best way to achieve the medieval-looking gore is to
use the medieval method, which is hand-sewing.

As you said, with practice, you can certainly get nice, clean, perfect
(modern) gores on machine. But for the original poster, who has not
already learned that technique and is starting from ground up, I would
still advise putting the time and effort into learning a technique that is
more likely to be period rather than learning a modern one. If she doesn't
already know the machine technique, it would indeed be fiddly and require
lots of marking and turning and such; learning and perfecting this
technique will be useful only if she wants the effect it can give.

The usual disclaimers apply: This is what works for me, and for my
approach. I realize I do a lot of things differently from others on this
list, because my purposes are different. (I also have pretty much
abandoned using modern measuring systems, anything requiring computation
on paper, and anything resembling pattern drafting.) Someone whose aim is
to get a reasonable-looking garment for event wear using the techniques
they're already familiar with, or who is making other compromises (e.g. in
materials or layering) for practical or budgetary purposes, will find
different approaches that suit their needs. This is just fine, as far as
I'm concerned. I hope that readers here understand that I will tend to
answer questions about medieval clothing in terms of medieval techniques
and medieval effects; modern adaptations are then up to the judgment and
choice of the individual.

--Robin



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Re: [h-cost] re: Gores

2005-08-31 Thread Marie Stewart
I hand sew everything... and my gores are razor sharp. All it ever takes is 
practice. As for no gores in the 13th century being sharp... Just how many 
extant garments do we have to make that assumption on? I would personally 
think that gores varied ... some pointy, some not. 

YMMV, 
Bridgette

However: The original poster was trying to make a 13th century garment.
 The best way to get a 13th c. effect is to use 13th c. techniques. If you
 use a modern machine technique to set your gore, you'll get a modern
 (pointy) gore, which appears *not* to be something that is found in
 medieval clothing. The best way to achieve the medieval-looking gore is to
 use the medieval method, which is hand-sewing.
 
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Re: [h-cost] re: Gores

2005-08-31 Thread Robin Netherton

On Wed, 31 Aug 2005, Marie Stewart wrote:

 I hand sew everything... and my gores are razor sharp. All it ever
 takes is practice. As for no gores in the 13th century being sharp...
 Just how many extant garments do we have to make that assumption on? I
 would personally think that gores varied ... some pointy, some not.

I'd expect they varied, too, and I'd expect sewing methods in general
varied from place to place, period to period, and person to person. I
didn't say no gores in the 13th century are sharp. I said it's a mistake
to assume, from the evidence we have, that sharpness of gores was
considered an important workmanship issue, or that medieval methods would,
if properly done, necessarily produce sharp gores. I have no doubt that
medieval people could have made their gores as pointy as they wanted --
they were very skilled, and their adeptness is evident in other aspects of
these garments -- but I haven't seen evidence that they had any motivation
to do this.

My point is this:  I hear a lot of people saying (or simply assuming) that
gores are *supposed* to be perfectly flat and pointy. People routinely
give advice on costuming lists on how to achieve this; they put up
instruction pages on websites; they teach it in classes. Yet the
best-known, most often referenced extant garments we have *don't* have
flat, pointy gore tops -- an alternative I rarely see mentioned, much less
taught. When I do slide lectures on the Herjolfsnes garments, I frequently
point out the flat-topped gores, and from the reactions of the audiences,
you'd think I'd just given them papal dispensation -- they never realized
it was documentable to have non-pointy gores, hallelujah!

Sure, maybe some medieval people made pointy gores. But we have absolutely
no reason to think that flat, sharp gore points were valued, and what
little data we have seems to suggest otherwise. Sure, it's fine to teach
methods that produce flat, sharp points because they get the job done --
but I typically hear the razor-sharp gore point presented as a quality
of accurate or well-made garb, and there's no justification to think
that's the case. I wouldn't be surprised, for instance, to find out that
some judges at SCA costume competitions would grade people down for gores
with rounded tops or slight pleats, under the assumption that it's bad
workmanship. That would, however, be a modern assumption, one that I
suspect comes from people being taught to value making sharp clean angles
in couture sewing, modern quilt-top piecing, etc. I've seen people teach
other modern methods because they learned that this is good sewing
technique without realizing that the garments *of the period they're
teaching* show no evidence of those methods (e.g. gathered sleeve caps,
French seam finishing, stay-stitching, facings, pattern matching -- and
other techniques that were valued in some periods but not in others).

In this instance, and in many others, ISTM that if you approach the
construction of a garment using the materials and techniques available to
the person of the period you're reconstructing and consistent with the
known evidence, you're likely to come to different conclusions about what
makes sense and what works well than you would if you use modern
techniques and materials. And sometimes when we don't understand why
period evidence shows us something (either in art or artifact), trying it
using medieval methods may give us a clue that we wouldn't recognize if we
used modern ones.

On that line, I've been thinking about the small pleat in the top of the
St. Louis shirt gore. There's no question that the shirt is well-made by a
person highly skilled at sewing, so I would assume the pleat is
intentional. I wonder if that slight pleating would make the gore wear
better and work better, because it would allow you to spread the body of
the shirt a little wider before encountering resistance at the stress
point. If the gore is perfectly flat, you can't open the angle of the
slash quite as far (unless you make the bottom of the gore correspondingly
wider).  With a flat gore, if you need to allow for a sizable amount
expansion over a short vertical distance from waist to hip, you need to
make a fairly wide angle, which commits you to a certain degree of width
at the bottom. Making the top of the gore a little flatter and wider, and
taking up that excess width in a small pleat, lets you get the sides of
the finished gore further apart in those top few inches without as much
stress, and without requiring more width at the bottom.

Something else to try in an experiment...

--Robin


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[h-cost] RE: Gores

2005-08-31 Thread Marc Carlson
I agree with Robin on the duplicating period techniques (or getting as close 
as possible) is usually the best way to duplicate a period result.  Modern 
techniques are usually the result of technological process  evolution, and 
may come up with a result that is often easier to learn, or looks better, 
but may not look correct to the trained eye.


That being said, my hand sewn gores suck (ok, *I* think they suck).  I 
prefer the pointy gores because it's my personal opinion (based on ZERO 
objective or statistical evidence) that they were more common.  And I'll 
keep doing them that way until I get them right :)   My major problem is 
getting some sort of seam allowance on the body piece, but not the gore.  
What this means is that I either wind up with a stress gap at the point, or 
compression wrinkles (both of which I expect are prefectly period, but are 
ideally wrong).


The most successful garment I've done with this, I rolled the edge of the 
seam up to the point before inserting the gore, and then whip stitching the 
seam - which I'm pretty sure is not period for this garment.


Any suggestions?

Marc


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Re: [h-cost] RE: Gores

2005-08-31 Thread michaela
 That being said, my hand sewn gores suck (ok, *I* think they suck).  I
 prefer the pointy gores because it's my personal opinion (based on ZERO
 objective or statistical evidence) that they were more common.  And I'll
 keep doing them that way until I get them right :)   My major problem is
 getting some sort of seam allowance on the body piece, but not the gore.
 What this means is that I either wind up with a stress gap at the point,
or
 compression wrinkles (both of which I expect are prefectly period, but are
 ideally wrong).

One way I'd try, which may or may not have been used, would be to press the
seam allowance under for the godet and ladder stitch the point in first.
That way you don't run out of seam allowance for the body part, and if the
point was pressed afer clipping the godet seam allowance on the inside you
could get a neat sharp point. The only thing is the eam allowance for body
and godet would be in the same direction: pointing inwards. No idea if there
is any evidence of this.

I know I've used ladder stitch several times for my historical garb.

michaela de bruce
http://costumes.glittersweet.com



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