[Hornlist] Re: Horn Digest, Vol 75, Issue 17
Why don't you attach the horn to your renters or home owners insurance? It's much cheaper than clarion even with the Union discount and they require much less documentation. You could also try Bob Osmun, Steve Lewis or Ken Pope. Best, Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Sloppy Attacks
Could it be that the muscles and calibration you use to create clean attacks are out of shape? Try not lip trilling, double or triple tonguing or single tonguing fast for a few days and then pick it up again; you'll see what I mean. Probably just out of shape, keep with it and it'll come around. Hoss **Vote for your city's best dining and nightlife. City's Best 2008. (http://citysbest.aol.com?ncid=aolacg0005000102) ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Pack Ship Store
Dear Bob and list, The advantage of going to a pack and ship store and having them pack is a guaranteed reimbursement of insurance funds if the horn is damaged.? One of the UPS managers told me: "We packed it therefore we are liable for it and will give you a full reimbursement."? I've experienced this with the UPS store although I don't know Fedex or DSL policies.?? Most of the time if they aren't busy they'd be happy to let you watch and inspect their packing job. So in the case of the Schmid or any other horn you'd need to get your full investment price out of upon a total loss this policy is absolutely terrific.? Always pay the extra money for insurance.? Thanks, Hoss Johnson Email and AIM finally together. You've gotta check out free AOL Mail! - http://mail.aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Phil and the Phil, Hans in the box!
Pissing contest!? I got twelve feet this morning!? The neighbors were shocked! Hoss Email and AIM finally together. You've gotta check out free AOL Mail! - http://mail.aol.com ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Giardinelli Mouthpieces
Dear List, After reading Dr. Matlicks' post I realized he left off another high quality alternative to custom mouthpieces. I recently had some experience with Houser Mouthpieces and was so suprised by the high quality/workmanship/playability I ended up buying two. I believe he has many of the original Delossa blanks and charges very resonably for superb copies. He also makes mouthpieces for Julie Landsman, Randy Gardner, Gene Standley etc. etc. Check it out: _www.housermouthpiece.com_ (http://www.housermouthpiece.com) . You won't be dissapointed with his product or fine customer service. Josh Johnson Customer, Houser Mouthpieces ** Get a sneak peek of the all-new AOL at http://discover.aol.com/memed/aolcom30tour ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Horn Digest, Vol 53, Issue 1
In a message dated 5/1/2007 12:01:03 PM Central Daylight Time, [EMAIL PROTECTED] writes: While I give many free lessons over the year, my lesson rate is expensive too Hey, in the end it's all about the money, right? Hoss ** See what's free at http://www.aol.com. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] MidSouth fest. this weekend!
To any list members attending MidSouth this weekend: IF anyone is planning to attend the festival this weekend and would like to get together with another list member (Me) for Coffee, duets, horn talk or a beer or two, please give me a call on my cell during the weekend: (319)-296-5220. Very best wishes and I'm hoping to make some new friends! Josh Johnson Waterloo, IA (319)-296-5220 ** AOL now offers free email to everyone. Find out more about what's free from AOL at http://www.aol.com. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Earplugs
In a message dated 3/14/2007 12:01:38 PM Central Daylight Time, [EMAIL PROTECTED] writes: I've recently purchased earplugs from the local guitar shop, since the percussion was starting to hurt my ears. They are the kind developed to reduce decibels, but not to the point where you cannot hear (I believe the rating is a 6dB reduction). I've found that I do not have problems hearing the orchestra while using them, but I don't hear pitch as well. (Could be because nobody else is in tune, either.) Have any of you used these before? If so, what did you do to adjust to the difference in sound and correct your pitch? Why use Earplugs? Just go bells up in the face of the percussionist sitting right behind you and let them have it; maybe they'll get the picture. If this doesn't work, you're using deflectors so asked to be moved- surely this won't affect the sound in the concert hall? But seriously, if it's so loud you must use earplugs something is not right about the musical decisions the group is making regarding loud playing or banging. Why sacrifice your own musical quality (pitch, volume control) so someone else can bang away on their drum? Get rid of the earplugs and hire new percussionists! Hoss ** AOL now offers free email to everyone. Find out more about what's free from AOL at http://www.aol.com. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Wow!
In a message dated 3/10/2007 12:01:14 PM Central Standard Time, [EMAIL PROTECTED] writes: I'm PROUD, and not in the least "embarrassed to defend" this trumpet teacher, because his development system WORKS! It keeps my embouchure stong & flexible. I can slur from high C to double pedal C, back up to high C, back down, then up to high C in one breath w/o having to stop & reset. I accomplished this in a few short months doing Smiley's exercises. What major Symphony do you play for? High C's are nice, but what about playing a seamless, gorgeous and full sounding Brahms 2? As far as the smiley thing goes, different strokes for different folks; If may work "for you", but there's a slim chance it will work "for me". All people are trying to point out is a lineage of a "correct" way to form a reliable embochure. Don't get me wrong, I've done my fair share of Claude Gordon studies, but reading something by Farkas, Rider, Gardner etc. provides far more reliable and insightful information relevant to what I want to do, and it does it "for me". Maybe next year I'll make spring break plans, for now anyways, I'm back on the hornlist! Hoss Johnson >From the melting glacier Icecap that is IOWA ** AOL now offers free email to everyone. Find out more about what's free from AOL at http://www.aol.com. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Hornland security
Yes there really isn't such a thing as a holy war...but what about an oil war? IF they keep this up we'll have to start a horn war...splitting notes all over the country! Hoss ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Mouthpiece Sale
Hi List, I wanted to get this out to you before I posted this on Ebay, I have a number of mouthpieces for sale listed below. I would sell the whole kit at a huge discount of 250$ if anyone is interested. The majority are Tom Greer moosewood cups and all are in great shape. If I don't hear anything by Sunday I'll put them up on ebay. Moosewood BD20 Cartouche Megamoose Descant cup Regularly sells for 125 but offered here at 75$ Moosewood B12-13 Megamoose cup normally sells for 125 offered here at$60 Moosewood RBS 16 cup with A back bore slightly bored out to a 11-12 bore, offered here at 40$, the best/smoothest mouthpiece I own well worth every cent! only asking 40$ Moosewood H2 cup with 12 bore. Copy of a King H 2 cup, deep and dark beautiful sound. Yours at only 30$ Atkinson H10 Cup, Copy of a Phildelphia?? style cup made by Mark Atkinson and Co. Regularly sells for 125$ yours at 35$ Moosewood E5 cup with a 9 or 10 bore. Bought new for 75$ only played a handful of times in as new condition. Will sacrifice at 40$. Made for 8d style horns and works very well with any holton King or Conn Shilke 27 mouthpiece in as new condition. This is a copy of Dale Clevengers mouthpiece and is an exceptional all around cup. your's in Shilke box for 30$ Shilke 28 mouthpiece in as new condition. Thick rim and shallow small cup- would be the equavilent of a peeshooter trumpet mouthpiece, but would be a good piece for any extremely high playing that would come up. Cheapest of the bunch at a cool 20$. Lawson Rim with standard threads(will work on the above mouthpieces), P10G-700. Usually selling for around 100$ I'll offer this at 50$. Let me know what you want, asking price includes shipping and handling. Thanks much and happy holidays!! Joshua Johnson 319 296 5220 [EMAIL PROTECTED] [EMAIL PROTECTED] P.S. I'm in no way trying to curb into moosewoods business, just selling off a number of mouthpieces I don't need. Check out the new AOL. Most comprehensive set of free safety and security tools, free access to millions of high-quality videos from across the web, free AOL Mail and more. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] New Horn Designs
I've from time to time read the Mark Veneklasen story on hornplayer.net, and I was wondering what ever happened to either V1 or V2? Do the horns still exist? Is there any chance of introducing a new breed of younger horn players to the horns? Say at a Horn convention coming up soon? Did anyone ever get a completed horn or did the project die without producing a production horn? Thanks, Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: unwaranted attack on .....
Well "Ltraxx, Here in america we call you an Asshole!!! Hoss Johnson Waiting to be dished. Check out the new AOL. Most comprehensive set of free safety and security tools, free access to millions of high-quality videos from across the web, free AOL Mail and more. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
re: [Hornlist] My fathers past - to Mark Louttit & others
Mark and others, At least from my experience of reading Hans' posts he always has critical information (usually personal experiences) to back up every statement or idea that he posts. He is an experienced and most importantly open contributor of his experiences, which some of us younger posters find greatly benefitial. Not too many prominent principal horns care to share their experiences openly on any list, so, thanks Hans for giving us your time for many years! I know personally that If I had an intelligent question to post on the hornlist, Hans would be the first one to reply with the most pertinent information regarding "Actual" orchestral experience. Hoss Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: PP NHR
Do you think there is a yahoo group for perfect Pitch? Hint Hint. Hoss ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Urgent Performance opportunity for young professional hornist
Hi List, Sorry for the double post. Right now there is an urgent situation to find a hornist for the UANL Monterrey Symphony Orchestra located in Monterrey Mexico to perform from Monday June, 5 2006 until July 9th 2006. There will be a possibility of permanant employment upon a successful audition. The Orchestra will accomodate a weekly salary, two weeks hotel, and airfare to and from Monterrey if traveling within the United States or Mexico. This would be a great opportunity for a qualified young professional to find permanant full time employment as a professional hornist, or a seasoned veteran to have a nice vacation in ¨The City of Mountains¨. The Orchestra needs to confirm a hornist and make flight arrangements as soon as possible; please contact the orchestra or Me directly for more information and a testimonial of my own experiences down here. Orchestra Contact´s email address: Oscar Arevalo [EMAIL PROTECTED] Coordinator for International Affairs Orquesta Sinfonica UANL www.osuanl.com Tel and fax: +52(81)8349-7621 My Contacts: Joshua Hoss Johnson [EMAIL PROTECTED] (319) 296 5220 Thank you very much for your time and Thanks for helping us out in any way possible! Very best wishes, Joshua Johnson [EMAIL PROTECTED] P.S. Please send serious inquiries directly to Oscar Arevalo, [EMAIL PROTECTED] ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Rachel´s postings NHR
Hi Rachel, I think you have a lot of great things to say, but is there any possibility you could keep it down to one posting a day or at least consolidate your postings? Today there were at least 6 postings that could have been skillfully consolidated into one posting. Your thoughts and ideas would be a lot more meaning filled to me if I read one big snippet on a similar subject instead of six little ones. Thanks, Hoss Johnson Lost somewhere in Mexico (Literally) ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Rauch Bell Rings
Hi List, A while ago I acquired an excellent condition Berlin Schmidt horn that had work done by Steve Lewis and Dan Rauch. I know that when Dan Rauch converted the bell to detachable bell he put one of his screw rings on it and manufactured another bell to go with the horn. I received both bells when I picked up the horn; but I like the original silver/copper plated bell compared to the excellent condition Rauch bell. So, I have for sale the bell made by Rauch (absolutely nothing wrong with it unlaquered in perfect condition); and I'm trying to figure out which bell ring Rauch used in the Mid to Late 70's. If anyone out there has experience with Rauch's equipment please let me know. IF anyone would like to make an offer please mail me off list. Thanks for your time, Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Leadpipes on 8d
I wouldn't worry so much about fooling with leadpipes. A lot of brass players have huge misconceptions about how easy brass repair is, and let me tell you from an amatuer horn tinkerers experience that brass repair is in no way as big of a deal as a lot of us think it is. Of course neither is car repair, but only a few out there have the time and dedication to learn a craft to work on our own cars or horns. As far as worrying about changing things on a horn by heating it up and removing parts, as long as the repair man or woman is knowledgeable and careful you have absolutely nothing to worry about. As far as historical value goes, always keep your original parts. They can always be put back on, and if it's a good job nobody besides a good repair man is going to know the difference. Secondly, I remember talking to Tony Halstead about leadpipes for 8d's and I believe he has the best designed pipe for an 8d type instrument out there. It's a Perry/Halstead pipe made by Nick Perry- I'm pretty sure he took a number of "good" pipes for 8d's from the original M series pipe, A few Atkinson Pipes, some Lawson Pipes, and some older pre letter series pipes and drew a map to come up with a consistant pipe based on four or five other very good leadpipes. I also remember that these pipes are extremely cheap compared to Atkinson Patterson or Lawson; (almost half the price). Check out Mr. Halsteads new website for contact information. Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Speaking of Mozart, Partita performance tonight
Wether you like it, love it, despise it, or hate it, the UNI Chamber winds will be putting on a stellar performance of Mozarts Partita for 12 winds and string bass, tonight In Davis Hall on the Northern Iowa Campus At 8pm. Should be a great show with really good woodwind players. Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Mara Vs. Hans
I've seeked Hans Professional "" help on many Occasions. He's what American counselers should be these days- Cold, Up front and Truthful. I have also said a lot of dumb things on the list- but, when I go back and reread things I'll find the value in what our "aged" members have to say. I know that every time I post something worth replying to, I'll get an honest analyzed answer. You have to face the fact that Hans, between he and his father have paid their debts to the horn playing community and are known personally and professionally throughout the world. Of Course we know hans as a Surly, educated, Honest professional; so we expect him to reply the way he does everytime. Unfortunately Mara, we don't know who you are and what reputation you have in your own right, so some times we're left to the old assumption that You ARE WHAT YOU SAY. Make a few cds, get a playing job, and contribute 60 years to the horn community- then we might take you as seriously as we do HANS! Hoss ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Endurance
I remember reading about some of the Jazz greats really learning to become "Greats".- Their practice strategy was simple. Aebersold quotes many a jazz player with this: "The truth is, many guys that are out there functioning today Got Good by Playing for 16 hours a day for about 3 or 4 years straight." There are many athletes out there that do nothing but lift and run 8 hours a day. I remember hearing about a prospective member of the Irish Rowing team that had a workout schedule of 12 hours a day everyday to reach the Irish National team. Of course you have to be careful about what you practice and you have to know your limitations; but if horn playing is your passion and you want to go somewhere with it you have to practice. People only have so much natural talent, once you hit a point where that is exposed and exhausted you have to practice or train both endurance wise and muscle memory wise to obtain perfection. Horn playing is not easy to start with- it becomes easy through lots of hard work and practice. Blood sweat and tears. I'd Suggest playing for 4 hours a day for about a month and see where you are. You'd be very suprised!! Joshua Johnson Unemployed College Student that hasn't yet won a job University of Northern Iowa ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re:Best piece of music
Down by the riversideala AMerican WIND symphony, ONE MORE TIME, Josh J. ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Grad school questionaire Quite Long
In a message dated 12/1/2005 12:01:05 PM Central Standard Time, [EMAIL PROTECTED] writes: studied violin first at age 4, took up viola also at age 8 plus the horn at age 9 with my father, than at the school in Vienna with von Freiberg & be guided to state examen by Josef Veleba, as Freiberg died, - but study remained permanent during the first ten job years as to master the whole repertory: opera, symphony, operetta, ballet, chamber & solo) I wonder what kind of Hay Han's High Horse smokes while Han's is on his High horse? Kurtis, The best thing to do is save your money and get out there, Make your own Judgments about where you need to be-You'll know when you feel comfortable and when they feel comfortable with you! All of the schools you mentioned will offer you something; go check them out and find the best fit. You sound like a promising student and if you seriously consider a school I'm sure the Horn Prof would be glad to give you a lesson. Summer festivals are also another great way of finding out where you need to be. Han's, what are the experiences needed for this 10 year on the job training? Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Reynolds/Jupiters
Hi leonard, your emails have been going into my spam mail file, payment sent today. No need to bring personal matters onto the list. Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Reynolds Cleveland chambers horns
Hi list, I figured I'd give you the first dibs. I have two reynolds chambers horns, 1 nickel 1 brass. The brass horn has serial number 72000 and the nickel horn serial number 78000. Both have the heavy bell and shorter leadpipe. The brass horn has an RMC engraving and the nickel horn has Reynolds Contempora made in USA- the nickel horn was made right before the abilene move, but does have a heavy bell. The yellow brass horn has newer valves with excellent compression and some modification to the valve section making it very notchy and comfortable to play. The nickel horn has been hand lapped and bearings swedged but would benefit from a plating of some kind. Both horns play superbly and are better than most elkhart 8d's out there. the yellow brass horn is a little notchier and has a nice High C to High F range-I don't want to sell both, so take your pick- I'd like 1200$ for each- or a partial trade on some kind of descant horn or a good high horn(single Bb or something). I wo uld sell both if you twisted my arm...Come on guys, fund my college career- Call me at (319)-296-5220 if you're interested. Thanks for the free advertisement list, Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] South Africa
What about an American Horn convention in 2007? This of course wouldn't exclude anyone and would welcome persons of all nationalities. Anyone ambitious enough to give it a go? Thanks, Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Gold and Silver plating
Could anyone out there recommend someone for gold or silver plating? What is the average cost of having this done? What are the advantages of Gold and silver plating other than protection? Thanks, Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Horn Digest, Vol 29, Issue 27
And so I read on, the reed post was already stollen..sorry for the double post, hopefully my post had some insight...sorry for the repitition-maybe this shows how important this is! Josh ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Oboe Reeds in horns, was pressure
Because everyone can't be Bill Vermuelen and might want to be, here is a neat little trick to see how the aparture works. In a rehearsal for Mozart 29 I sat next to the oboe player and we experimented with parts. He took an old oboe reed he had lying around and put it into my horn mouthpiece. The small aparture of the reed in conjunction with the horn produced High G's above High C's, sometimes I could lip up to a High A and a High Bb above high C. This result prooves that a really fast air speed and a very small aparture produces very high notes and NOT pressure. I should mention that the tone was very full and bright unlike the fake high c's you can get by halfly depressing the first valve on some horns or something like that. I then experimented with a Bassoon reed which is about twice the size, the result was a G right above the staff one octave lower. With a Contra reed the result was a 3rd space C on the middle of the staff. Really, to actually produce a High G or any note for that matter, all we need to do is use lip tension to create an aparture small enough or high enough for the note we are aiming forplus use enough airspeed to get the note to speak at that vibration or frequency. I think one of the things left out in this talk was the important use of lip tension to create high notes. I think pressure creates tension in a bad way in brass playing; it's unreliable and therefore it is discouraged although it can get the same result as tension playing within the lips. But the trick is creating the tension in your lips without needing the added mouthpiece pressure so the tone is not distorted or airy or doesn't speak at all. So, what is the biggest key of high playing or loud playing? Let the air do the work, relax, and don't use pressure but tension in your playing. If you don't trust this theory, get an oboe reed and play some High G's! Make sure you put enough air through the reed that it speaks though. The reed can be in terrible terrible shape so you don't need a new reed, maybe a friend will have one they are willing to give away? Josh Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Yamaha Talk...So, Yamaha for sale
Hi List, Yamaha 666 in nisi for sale for 1500$ in excellent condition, good compression, will be fully cleaned and all little dings of love removed before it is shipped out. If there is Any interest email me for pics! Comes with nice yamaha case. Plays as good or better than any yamaha I've played. Great high register! Great sound! Will throw in a tone blob at that price! Or sell tone blob separately for 65$. Will fit UMI Conn's and 80's Yamahas. Thanks Joshua Johnson ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Hans audible comments
Hi Mark and list, To me the list is all in good fun. Thanks for the realization though! I understand that most of the horn community sees my post, it's no secret. And, most of the people that know me personally- just like the people that know Hans Pizka would say I'm a light hearted person that loves to get a rise out of someone. Of course to some it will seem immature but the rest will find some humor in it. Hans I appologize if you found no humor in my post and you or Mark felt it was cruel. I always respect your opinions, but sometimes I feel that not only the left side should be presented. In the end, I sure did get one heck of a justified reply from Professor Pizka. I really felt your post didn't need to go to the list, you could have mailed me personally, but the point is well taken. Sorry to bring this much Drama to the list, I appologize. Yes, my second post was stupid, and my foot is in my mouth. Hoss ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] More Deaf Comments
List List List, Can't you see my post was a ploy to roust the great Dragon Hans Pizka>? It's been a few months since we've had him on a soap box.I was simply getting bored reading about wholesome horn related things so, I took my chance to Spice things up a bit, kick it up a notch. He sure did take the bait... Fishing is so easy, Hoss ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Hans Deaf Comments
Hans, Man you always kick in enough input for people to proove you wrong.. From my own experience, usually people that are handicapped,(I'm a little biased because my father is a "WALKING" quadripalegic) do more spectacular things because they have to innovate and find new ways, BETTER ways to do things. I'd love to see this kid take your job one day Hoss ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Ebay feeding Back
As regards to ebay. I'd suggest getting ahold of the seller before placing judgement. Chances are, if you get a knowledgeable personal reply, things will be just fine. I just got lucky and got a hell of a deal on a yamaha 766 from a zero feedback seller. I was suspicious, but after getting ahold of the guy and asking some Meaty questions, I got a good reply and ended up with One heck of a deal. That being said, watch out and bid carefully, I have a horn up there now, a Conn 8dr, feel free to place bids on that!! Hoss ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Lessons being taught on horn list
Well, from my statistics, at my school I am the only horn student eager enough to recieve email post from the horn list or even research horn information on the web. I actually gave a presentation on the resources available to horn on the internet, seldom do other horn students spark interest in just investigating horn on the internet. As for my horn professors livelihood and career, he's shooting 12:1. Maybe people are getting tired of hearing the same old, "I have a solo competition coming up how do I fix this", maybe the best thing is to direct them to the list archive? The same thing that "MS. Karen" Does on the Tom Bacon site. IF the students are ambitious enough, they will search it and figure things out. Thanks to all of the contributors out there that DO openly contribute to the list and answer our repetitive questions time and time again. Hoss ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Giardinelli C4 or C1
Hi List, I'm looking for the old version C1 or C4 mouthpiece cup. Does anyone know where I can find one? Either new or used. Who makes the best copy these days? If a C1 is not available, what is the closest copy of this mouthpiece and where can I buy it? Thanks for your time, Hoss ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Profound remarks
"God Made some people horn players; WHY? WHY? WHY?" ___ post: horn@music.memphis.edu unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] women autos and hornmobiles
I'll give 20$ USD for Daves wife.. ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Horn trash pimping my....
OOO!!! Pimp my horn baby, Seriously are there any rich Principal horn players of major orchestras out there that really want to pimp horn's of poor koprasch abiding college hornists? Just reply to my email, you could even fly me out to pick it up in person. I'll leave my car unlocked so you could even "steal" it without me knowing... Hoss ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: EXPOSED
howdy, Just a tip, the reason a conductor looks at us all the time is: We are the ones missing the notes--- Theres not much to hide when we have 10 notes in the same passage a string player has 100 notes. I usually subdivide and stare at the musicthis helps with the glaring effect conductors sometimes have on us!! Remember you can't see him, HE CAN"T SEE YOU!! Just kidding.. Hoss Waterloo, IA ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Koprasch on an audition
Holy Toledo BatMan, Missouri must have things backwards...Koprasch on a high school audition! Trusty sidekicked ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: horns a plenty
Alan Wiltshire is the nicest guy and will answer any questions you may need. Don't go by the webpage most of the horns there are references to what they have to sell. He deals in different horns everyweek due to his high turnover rate. Email is the best way to get ahold of him. Hope this helps, Hoss in Iowa ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Looking for Tracy Sonneborn
Hi List, I am in dire need of getting ahold of Tracy Sonneborn, if anyone knows their contact information please email me asap! Joshua Johnson Waterloo, IA ___ post: [EMAIL PROTECTED] unsubscribe or set options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Marching Band and Tuning Slides
Hello Hans, Yes I have overstepped my bounds, I am but a mere student of the horn and only an aspiring professional. Your reply was very helpful for young musicians, you told us exactly what to do right during an audition. A hard answer to get! Thanks! I had assumed that the candidates were more qualified than you let on to be in your first posting. Obviously they were not, and your observation was correct. I figured that due to the small number of people that applied they would be of the highest quality, and you would only audition the Best. I appologize. Best wishes, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Marching Band and TUning slides
I wonder how many High School Marching Bands Hans played in? Marching Band is different than any European community band, and to be able to preach about The USA's high school band programs you better have real credentials. I have lived the pain for 6 years in High School and College and I never care to do it again. Let's leave it at that. I also understand that Hans' orchestra is of the utmost quality and should only accept the best, but it seems like you count people out way too soon. I understand that tuning is a major part of professional everyday playing, but was the five minutes you gave them really enough to judge them? Did you ask them for a reasonable explanation to why they are tuning a certain way? After you listened to their tuning note, did you listen what they gave to you musically or did you count them out right away? Did they play the audition in tune? I understand that it was Hans' audition commitee and hans' would have the right to take or turn down anyone he choose, but it would make better sense to take the advantages(once they are already counted out) of hearing someone than the disadvantages. I thought it was the European way to discuss things and not be like americans and instantaneously cross their name off the list. Maybe Germans are different. Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Ye old french hors
So Lawrence, How much are you charging these days? Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Re: Factory Horn Dust and the rest
In a message dated 3/30/2004 12:43:23 AM Eastern Standard Time, [EMAIL PROTECTED] writes: > I was and am worried though, about maintaining > this big investment to last me a LONG time. Thats why I'm > paranoid about > factory dust and such ruining the valves. I would worry a lot more about practicing- do the things you need to do to maintain the instrument, (oil it, keep it clean and keep lanolin on the slides), beyond this if the inevitable happens let your repair man take care of it. Valves can be rebuilt, Dust can be removed, creases can be taken out, dents can be removed, and Ultrasonic cleaning machines can do magic! Not to bring back comparisons about cars but, how often do you worry about your airfilter or spark plugs in your car? If you are like most mortals you realize only when it breaks down- Horns are just the same. My advice would be to do the routine checkups to your horn, but otherwise Drive it until a cylinder blows. Hope this helps, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Valve caps
For what it is worth, the Yamaha 668V has always had ingraved caps. Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Penetration problems
maybe we should keep it in the bedroom. Happy Birthday Hans Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] good horn tone
My prof. Dr Thomas Tritle also has the broken glass thing going on, I do as well. For anyone wanting to immulate their favorite player, sit behind phil Myers or Dale Clevenger. I'm told Clevenger's tone isn't the greatest and sounds loud and fuzzy up close but sit in the back of the concert hall and see what comes out...exactly the reason we're talking about him now. My advice for good orchestral tone would be, fool with your hand position, open it up and blow away, just make sure your horns in tune. I've also noticed a horn sounds better in public with the horn on the leg and the hand on the bottom of the bell. I think it carries farther and this way the hand is part of the wrap. Only personal opinion. hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Horn For sale
Hi, Reynolds Contempora restored by Atkinson for sale. Has Good valve cluster mated to Atkinson leadpipe bell tail and bell, Horn is from circa 1958 making it a Chambers prototype. Has extra heavy bell, gets great response a killer orchestral horn. Blends with anything. I'm looking for a preletter 8d or yamaha 861 867 667v. Awesome color and response, most people like them for there 8dish qualities and charectaristic tone. Asking price is 3200$ or trade. I'm in the market for a smaller instrument. Get ahold of me if interested, Best of wishes, Hoss 2700 Sage Rd. Waterloo, IA 50703 ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Houston Symphony Strike
When are people going to realize that we actually provide a service to them, and we like to get payed for it? This is a crooked rotten world and it's sickening to see that money(the root of all evil) is at the center of everythingincluding the one thing they can't take away from us, The joy of life that floats around in our heads. Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Different bell question
Pencil lead will do you just fine..same procedure with screw rim mouthpieces. You could go as far to use loc tite powder but that's a little excessive, just stick with simple graphite or pencil lead. The lead will help so the bell will not get stuck on the flange when trying to remove. my .02 Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Insuring accurate repair (was: New bell problems)
Hi List, Horn design is very simple, basically the better instruments are smoother through everything. Look at Engelbert Schmid Lawson Patterson And sometimes Atkinson, they are such great playing horns because of the smoothness through the taper of the instrument. There are no inflictions with the vibration throughout the horn. If there are rough edges and solder inside, certain partials will come out stuffy and the horn will not play with ease. Some people like this some don't. I have found that even in Conn 8d'susually the biggest problems are right around the first branch, bell tail solders and leadpipe taper. If conn would spend maybe two more hours on each instrument they would all play ideal and UMI would have happier customers. The old Kruspe and Elkhart 8d's are also great instruments, Why? It took more time to make and machines didn't stretch the metal, actual humans put it together eliminating excess solder and a smoother even taper throughout the horn. I currently play on a Cleveland model Reynolds Contempora. My first two years of playing, I noticed 4 notes that just wouldn't be in tune, d4 through f on top of the stave. I eventually ended up sending it to Atkinson brass, adding an appropriate leadpipe and a different bell tail and heavier bell. He evened out all of the taper from the first branch out and the right length of leadpipe helped the horn considerably. With the original build quality of the horn which was superb and the refinement of the mistake in manufacture, it plays as good or better than any elkhart horn with no bad notes and great resonance. It is more comparable to a Kruspe horn with no bad notes and a larger dynamic range. Go play a really middle of the road built Yamaha 667 or 668 and play the similar v series. You will be amazed as for 2000$ more you get something that is a little more free blowing and something that slots a lot better. The only difference in design is a different valve section which really isn't that much more drastic, the rest is simple build quality. Oh hope this is food for thought for everyone on the list and I should add that I'm only an amature and this is only my personal spoken opinion. I find my ideals are right you may think totally different, my 2.22$, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] New bell problems
Hi, It sounds as if the taper isn't even throughout the bell and this is resulting in bad notes. Some times this happens especially when from the factory. The metal might be thicker if I'm not mistaken they hand spin there bells? That one seam by the repairman might be where the problem lies. If there are any unneccesary kinks in the taper, bad notes and "stuffiness" will be the result. It might be wish to have the repairman smooth out the brace by taking it apart and carefully putting it back together. I hope this is helpful, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] New bell problems
Hi, It sounds as if the taper isn't even throughout the bell and this is resulting in bad notes. Some times this happens especially when from the factory. The metal might be thicker if I'm not mistaken they hand spin there bells? That one seam by the repairman might be where the problem lies. If there are any unneccesary kinks in the taper, bad notes and "stuffiness" will be the result. It might be wish to have the repairman smooth out the brace by taking it apart and carefully putting it back together. I hope this is helpful, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] New bell problems
Sounds like you got something with a less resonant bell and a smaller throat.is it just the bell that was replaced or the tail to? It might be too much metal in the bell in too many wrong places. If the bell was not spun evenly you may have a problem. I've noticed my Atkinson flares are very heavy and not very resonant when flicked, but it gets the job done in the concert hall. Let me know what kind of flare and how much of the bell we're talking about and I might be able to solve your problem, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] New bell problems
Sounds like you got something with a less resonant bell and a smaller throat.is it just the bell that was replaced or the tail to? It might be too much metal in the bell in too many wrong places. If the bell was not spun evenly you may have a problem. I've noticed my Atkinson flares are very heavy and not very resonant when flicked, but it gets the job done in the concert hall. Let me know what kind of flare and how much of the bell we're talking about and I might be able to solve your problem, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Hoyer horns
Contact James, I'm just a friend Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Hoyer horns
James Patterson now has the entire hoyer horn line in stock...contact James at James Patterson 818 353-3727 http://www.hornworks.com/";>http://www.hornworks.com Sincerely, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Paxman horns
Looking for used paxmans 20l xl or new world, anybody got any? Thanks, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Horn Related!! Please read me!!
Take out whatever slide individually we'll say third slide, blow into the f side of horn witht he 3rd valve down and determine which side the air blows out of. Once determined put your finger on that side of the tubing and blow into the horn with the third valve down. If there is any leaky noises coming from the third valve or if the compression is not good.i.e. you can continue to blow air through with little resistance, you'll probably have a problem with the valves. do this for all individual valves and alternate between slides. Hope this was helpful. Another test you can do is put your finger on the leadpipe (completely closed off) and pull out one of the slides if it doesn't pop you've got a problem, My two cents, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Yamaha 861 horns
Ok, lets change the subject, does anyone know the low down on the 861 custom? I'm currently thinking of changing my playing style and some imput on these horns would be nice, hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Interesting
Right on, I'm going to be LOOOUD now, hear me roar, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Hans has gone too far : comparing Bush to Hitler andNazi Ger...
Ask yourself if Hans is right..don't read into it too much but realize that war is just that, do you think god determines which side he is going to pick? If your going to start a war no matter what the cause just remember that evil and death can only become of it in this case, hitler started a war and so is Bush, my two cents, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Atkinson horns...
> here's my story, 1 year ago I sent my horn to atkinson, the total price >was 2000$ for a bell tail and leadpipe and a bell.pretty outrageous >huh? The work was two weeks late and when I recieved the horn the bell >was crumpled. Since then I've tryed to cooporate with them but everytime >after they've just kind of treated me like an ingrate. Just recently, the >bell parts that the took off the horn I was supposed to get back and they >never shipped with the horn because it was two weeks late and I needed it >overnight..He's got it for sale and my leadpipe as well.my >partsisn't that a funny deal but guess what, he had the nerve to say, >oh, we discounted Mr. Johnsons' repairs and gave him a substantial credit >to the store.but in the end I got charged full price and I still >haven't seen anything from them.not even the parts that are rightfully >mine..I asked him if I could have my money and he >quoted..sorry, things in life aren't freeso, I'm officially on >the Other side and Atkinson brass will never be endorced by me...too >bad to, cuz they have such a good product. It goes to show that >salesmanship means something too.I hope he's reading this > > Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
[Hornlist] Atkinson horns
whats up with them? your opinions please, also, looking for a n101 horn kudos for now, hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] SmartMusic
kudos to you, because that's the honest answer, Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
Re: [Hornlist] Re:First lesson
In a message dated 2/24/2003 10:08:34 PM Central Standard Time, [EMAIL PROTECTED] writes: > www.wendellworld.com I agree, with my embochure problems it has seemed that to get maximum efficiency it's either a little more or a little less than that and it's important that the most comfortable embochure be found. Even though with practice any embochure can be formed through any string of muscles. theres my 0.02$ Hoss ___ post: [EMAIL PROTECTED] set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
