Re: [lace] "Four Great Lace Collections" & Threads of Power exhibit

2022-11-02 Thread Arlene Cohen
 An answer!
So, I wrote to the author of the WSJ article, letting her know that some
lacemakers were having a lively discussion about what the other three lace
collections were and here's what she wrote:
Dear Arlene,
According to the pamphlet I received from the curators who organized "Threads
of Power," the other three great lace collections are at:
—Metropolitan Museum of Art in NYC—Victoria and Albert Museum,
London—Museum für angewandte Kunst in Vienna
All best,Laura
On Tuesday, November 1, 2022, 12:43:55 PM EDT, Alix Hengen
 wrote:

 In France usually the linen thread was imported from Belgium, they were most
renowned for there quality , France had a production too, but essentially in
northern France (alencon) they used the Belgian threads .
Alix  from Luxembourg

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[lace] "Four Great Lace Collections in the World"

2022-10-30 Thread Arlene Cohen
Hello, all -
I was very fortunate to see in person the Threads of Power exhibit at the Bard
Graduate Center a few weeks back at the wonderful lace day. If you are
anywhere near NYC between now and Jan 1, run don't walk to see it! The
book/catalog is PHENOMENAL and I keep returning to it in little spurts, as
there is so much information and so many stunning pictures.
Correct me if I'm wrong, but I don't think the NY Times has done a review?
(which is a shame) I did see that the WSJ did one:
https://www.wsj.com/articles/threads-of-power-lace-from-the-textilmuseum-st-g
allen-bard-graduate-center-review-paul-scott-emma-cormack-ilona-kos-machele-m
ajer-isabel-toledo-michelle-obama-forster-rohner-jakob-schlaepfer-11666214213


In this review, it says "Today, there are four great lace collections in the
world and the Textilmuseum's is one of them." My question is:  what are the
other three? I suppose it might be a subjective opinion (?), but that sentence
in the article has been mulling over in my head.
Thanks for your thoughts!Arlene (in cold Central NJ today)

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Re: [lace] Limerick lace

2020-08-31 Thread Arlene Cohen
Here's my first attempt at ever creating a short link through Bitly:
https://bit.ly/2ExJ02D

for those that couldn't get my long link name for the Limerick Lace videoOn 
Monday, August 31, 2020, 10:25:27 AM EDT, Sue Harvey 
 wrote:  
 
 Such a shame it says not available i really wanted a peep, it may be because 
the link name is too long if you had a short link it might workSue Harvey


Sent from Samsung tablet.

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[lace] blog post about "Lace not Lace"

2018-12-15 Thread Arlene Cohen
Hello, all -
In addition to my passion with bobbin lace, I am also a needleworker.  About
a year and a half ago, I began designing cross stitch and other needlework
patterns to sell.  (I sell on Etsy and have recently been picked up by a
distributor as well.)  My company name is WorksByABC (my initials are ABC).
 As I share about cross stitch, canvas work, blackwork, and other forms of
needlework across various social media sites, I have also shared my work with
bobbin lace.
On my website, I keep a blog on various topics - it is relatively new.  The
most recent post is about the "Lace not Lace" exhibit at the Hunterdon Art
Museum and I thought you all might enjoy another take on it, along with some
pictures:
https://worksbyabc.com/2018/12/14/art-inspires-art-a-lace-exhibit/

Enjoy!Arlene in NJ

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[lace] posting pictures to Flickr?

2017-06-29 Thread Arlene Cohen
Hello, all -
Can someone email me the details on how to post to the Flickr site?  I've
never done it before.
Many thanks,Arlene in NJ

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[lace] IOLI Convention - Arachne lunch

2017-06-09 Thread Arlene Cohen
Hello, all -
As mentioned in a previous message, I am working on organizing a gathering for
any interested Arachne members at the IOLI Convention in July. This will
happen during the lunch time on Tuesday of that week
In considering options for where we should gather for lunch, it would be
really helpful to get at least some sense of how many might be there - a group
of 10 is very different than a group of 30 :-)  Please email me if you are
interested in coming.  You are not committing yourself to anything if
something comes up - I just need some sense of numbers.
I know many probably read my last message (or the message in the digest when
it showed up) and thought, "oh, yes, I need to email her" and then promptly
forgot.  :-)  Trust me, I've organized enough things this way in my life to
know that it takes a few reminder postings by me to get folks to respond.  I
sent a reply email to everyone I received an email from.  If for some reason
you emailed me and did not get a response back from me, please do try again.
 I'm also a little concerned that my message did not show up in the Archives.
 (Something I've noticed in the past - my messages sometimes show up in the
Archives and sometimes do not and I always use the lace@arachne.com address
and not the one that I know we are not supposed to use.)
Also, if anyone can give any suggestions on how to avoid random gobble-goock
(i.e. extra characters, etc.) from showing up where I've typed spaces and
returns in my messages (as what came through last time), I would appreciate
it!  I've tried looking for a "plain text" option here on Yahoo Message and
can't find anything.  This doesn't happen when I use this email for anything
else.
Looking forward to hearing from many of you and seeing/meeting many of you in
July!Arlene in njabcohen1...@yahoo.com

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[lace] bobbin lace teachers in Lincolnshire, UK?

2017-05-18 Thread Arlene Cohen
Hello, all -
Bobbin lace has recently come up as a topic on a cross stitch Facebook group 
and I've been fielding lots of questions. Someone from Lincolnshire in the UK 
asked if I knew anyone in her area who teaches bobbin lace (I'm assuming 
beginners). Anyone here? I can and will go check out The Lace Guild and the 
latest issue of their magazine, but as I am in the US and really not super 
aware of UK geography, I thought I would try posting to some bobbin lace sites 
as well. Let me know if you have any names and/or contact info that I could 
pass along. Thanks!

Arlene in NJ (on the east coast of the US)

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[lace] Antique Laces of American Collectors c.1922

2016-01-17 Thread Arlene Cohen
Hello, all -
Came across a reference to this book and am quite interested in seeing it.
 Given its old copyright, I was wondering if anyone knew if it was scanned
and out there are the internet somewhere such that I can get instant
gratification.  There doesn't seem to be a copy in the IOLI Library and I can
and will pursue my local public library and what magic they may be able to
produce via interlibrary loan.  But, if you know where to find it, please do
share.  It was written by Frances Morris and Marian Hague and published by
the Needle and Bobbin Club.
thanks,arlene in NJ

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[lace] bobbin making videos

2015-08-21 Thread Arlene Cohen
Thanks to the great article by and about Chris Parsons, bobbin maker, in the
recent Lace Magazine from the Lace Guild in the UK, I was led to his website
and his fascinating videos of creating bobbins. Thought that some of you might
appreciate having this page pointed out:

http://www.lace-bobbins.co.uk/videopage.html

arlene in NJ on the east coast of the USyou don't want to read a weather
report; it is simply miserably hot and steamy

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[lace] Idrija thread

2015-08-09 Thread Arlene Cohen
Hello, all -
I am looking at the lovely Idrija pattern in the OIDFA Bulletin #2 for 2015
(lots of info about Slovenia in preparation for the Congress there next year).
 The pattern calls simply for Cotton thread: Idrija Nr 40.  As I treat
Brenda's book as my lace bible (and was able to purchase  edition 6 at the
IOLI Convention), I of course turn there.  But, I suspect I need some sort of
brand name or something to help me.  Any Idrija lace experienced folks that
might be able to give me a sense of what this thread might be equivalent to
in, say, an Egyptian Cotton or anything I might find in Brenda's thread book?
Many thanks,arlene in NJ on the east coast of the US

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[lace] before the IOLI Convention

2015-07-20 Thread Arlene Cohen
Hello, all -
I am definitely getting excited about attending IOLI Convention next week!
 Hope there are many others out there feeling the same!
I was going to wait until arrival to pursue this one, but after reading the
last digest with a post referring to this yet again, I've decided I just must
ask:  so what is the convention that is happening at the hotel the weekend
before us?  Saying that it is another group of people kind of like us in that
they are so interested in what they do is just peeking my curiosity even more!
 Anyone on here know the answer to this?
arlene in NJ(who won't arrive until Monday and therefore might miss any
people-watching opportunities from this previous group of people :-)

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[lace] OIDFA Bulletin/magazine?

2015-06-30 Thread Arlene Cohen
Hello, all -
Are there members of OIDFA here in the US?  Did you receive issue #2 for 2015
of the magazine?  I just realized that it is the end of June and I am pretty
sure I didn't get it.  Just went to their website, hoping for a list of
contents or something that might trigger my memory, but nothing updated there.
 I checked all my magazine piles and I'm pretty confident that I didn't get
this issue.  Given that it covers April, May, June (and it usually comes
during the middle to later part of the three month time period), shouldn't it
have come by now?  Did others get it?  Any info would be appreciated.
thanks,arlene in NJ in the US

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[lace] re: Winterthur Needlework Conference Oct 24-25

2014-10-18 Thread Arlene Cohen
Dear Jeri and all,

I am unfortunately unable to attend the Winterthur conference this coming week, 
but I refer back to the note I posted to Arachne on Sept 1 after my visit there 
when the current needlework exhibit opened.  I am GREATLY interested to know 
whether the bookstore still has the (somewhat random) Beds lace book or whether 
it has been purchased by someone.  Again, as I reference by copying my original 
write-up below, it is a lace instruction and pattern book and just seemed so 
out of place at that bookstore.  But, perhaps a lace enthusiast picked in up in 
the last bit of time!

arlene in NJ

 written on Sept 1:
Hello, all -

Yesterday, I drove down to Winterthur, a duPont family estate turned museum and 
gardens for the public to enjoy.  Henry Francis du Pont collected many things, 
but with a focus on American Decorative Arts, it is a place that I imagine many 
on this list would enjoy visiting. 

Devon wrote about Winterthur in the most recent IOLI Bulletin, specifically 
about the special Downton Abby costume exhibit that is there.  I had wanted to 
get to see this exhibit, although felt no need to join the rush of crowds when 
it first opened.  In fact, I specifically waited until now so that I could see 
a new exhibit, The Diligent Needle, on needlework.  Winterthur seems to be on a 
three year cycle of needlework exhibits and connects them with a needlework 
symposium they have.  I went to the one in 2008 (couldn't go in 2011 nor will 
be able to go this October).  But, I knew I wished to see this exhibit, if 
nothing else for the appreciation of pieces made by hand.  

I was able to purchase a booklet ($7.95) in the gift shop that is basically the 
entire exhibit, signage and all.  Love when a place produces something like 
this.  Given that the exhibit just opened a week ago and that there is SO much 
focus on the Downton Abby exhibit, there isn't much on the website about this 
exhibit and perhaps not likely to be more than what is there.  But, I thought 
some folks on this list would be interested to know more.

The introduction covers it well:  For centuries, instruction in needlework was 
an important part of the a young woman's education.  Both plain sewing and 
fancy embroidery required considerable time and effort to learn.  As a result, 
women took great pride in their work.  Needlework skills might be used to earn 
a living, to embellish clothing and household furnishings, or to simply create 
objects of beauty.  The exhibit is divided into four categories:  Diligence, 
Profit, Pleasure, and Ornament.  No lace, but lovely things to look at.

HOWEVER, here is the bobbin lace part of my day:  Winterthur has two gift 
shops, one of them really more bookstore.  Its area of 
needlework/quilting/rugs/textiles is always worth looking through.  There were 
two books about collecting antique laces (Heather Toomer's big Antiques Laces 
book and another titled Graced By Lace) - from Devon's article, I know that 
there are at least a few pieces of lace in the Winterthur collections.  
However, sitting next to these two books was a copy of Traditional 
Bedfordshire Lace by Barbara Underwood, the one with the picture of a woman's 
head with a lace covering.  Bobbin lace instruction, patterns, everything and 
totally out of place for the type of books they have there.  I just laughed to 
myself and assumed that someone had ordered it by title alone and didn't 
realize how specific it was to instruction in bobbin lace, which is quite 
different than some of the other embroidery instruction books they had on the
 shelf.  I wonder how long it will sit there.

Anyway, if you are able to get to Winterthur, it really is a great place to 
visit - wandering the grounds and gardens, seeing the collections in the 
museum/house, and taking in the special exhibits.  Oh, and even in the exhibit 
space on the first floor, that doesn't change much, they seem to rotate 
objects.  In that space, duPont's collections are divided into things like 
Furniture, Metalwork, Ceramics, Paintings, and, of course, Textiles.  In the 
textile area was a lovely whitework shawl that I don't think I had seen in my 
previous visits there.

Off to work on my lace on this rainy and overcast day,
arlene in NJ

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[lace] trying the link again for crochet dress

2014-09-24 Thread Arlene Cohen
Perhaps my yahoo email is to blame - all I'm doing it copying and pasting the
link and it no longer becomes a link when it goes through the channels of the
lace digest like I just got.  Trying again...
Crafty Bride Made Her Wedding Dress For $30 During Her Morning Commute

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[lace] crochet dress

2014-09-23 Thread Arlene Cohen
Hello, all -
I found this to be simply lovely and wanted to share.  I can't imagine anyone
doing this in bobbin lace (and certainly not while on the bus commuting), but
it is a wonderful reassuring vision in this day and age of prepackaged
designer clothes, let alone thousands upon thousands spent for wedding
dresses.  She's the kind of person I wish I knew in the world.
arlene in NJ in the US


Crafty Bride Made Her Wedding Dress For $30 During Her Morning Commute

|   |
|   |  |   |   |   |   |   |
| Crafty Bride Made Her Wedding Dress For $30 During H...Wedding dresses cost
a pretty penny -- unless you do what one bride did and make your own gown for
less than the cost of a tank of gas. Redditor alkikat posted pict... |
|  |
| View on www.huffingtonpost.com | Preview by Yahoo |
|  |
|   |

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[lace] a visit to Winterthur in Deleware, US

2014-09-01 Thread Arlene Cohen
Hello, all -

Yesterday, I drove down to Winterthur, a duPont family estate turned museum and 
gardens for the public to enjoy.  Henry Francis du Pont collected many things, 
but with a focus on American Decorative Arts, it is a place that I imagine many 
on this list would enjoy visiting. 

Devon wrote about Winterthur in the most recent IOLI Bulletin, specifically 
about the special Downton Abby costume exhibit that is there.  I had wanted to 
get to see this exhibit, although felt no need to join the rush of crowds when 
it first opened.  In fact, I specifically waited until now so that I could see 
a new exhibit, The Diligent Needle, on needlework.  Winterthur seems to be on a 
three year cycle of needlework exhibits and connects them with a needlework 
symposium they have.  I went to the one in 2008 (couldn't go in 2011 nor will 
be able to go this October).  But, I knew I wished to see this exhibit, if 
nothing else for the appreciation of pieces made by hand.  

I was able to purchase a booklet ($7.95) in the gift shop that is basically the 
entire exhibit, signage and all.  Love when a place produces something like 
this.  Given that the exhibit just opened a week ago and that there is SO much 
focus on the Downton Abby exhibit, there isn't much on the website about this 
exhibit and perhaps not likely to be more than what is there.  But, I thought 
some folks on this list would be interested to know more.

The introduction covers it well:  For centuries, instruction in needlework was 
an important part of the a young woman's education.  Both plain sewing and 
fancy embroidery required considerable time and effort to learn.  As a result, 
women took great pride in their work.  Needlework skills might be used to earn 
a living, to embellish clothing and household furnishings, or to simply create 
objects of beauty.  The exhibit is divided into four categories:  Diligence, 
Profit, Pleasure, and Ornament.  No lace, but lovely things to look at.

HOWEVER, here is the bobbin lace part of my day:  Winterthur has two gift 
shops, one of them really more bookstore.  Its area of 
needlework/quilting/rugs/textiles is always worth looking through.  There were 
two books about collecting antique laces (Heather Toomer's big Antiques Laces 
book and another titled Graced By Lace) - from Devon's article, I know that 
there are at least a few pieces of lace in the Winterthur collections.  
However, sitting next to these two books was a copy of Traditional 
Bedfordshire Lace by Barbara Underwood, the one with the picture of a woman's 
head with a lace covering.  Bobbin lace instruction, patterns, everything and 
totally out of place for the type of books they have there.  I just laughed to 
myself and assumed that someone had ordered it by title alone and didn't 
realize how specific it was to instruction in bobbin lace, which is quite 
different than some of the other embroidery instruction books they had on the
 shelf.  I wonder how long it will sit there.

Anyway, if you are able to get to Winterthur, it really is a great place to 
visit - wandering the grounds and gardens, seeing the collections in the 
museum/house, and taking in the special exhibits.  Oh, and even in the exhibit 
space on the first floor, that doesn't change much, they seem to rotate 
objects.  In that space, duPont's collections are divided into things like 
Furniture, Metalwork, Ceramics, Paintings, and, of course, Textiles.  In the 
textile area was a lovely whitework shawl that I don't think I had seen in my 
previous visits there.

Off to work on my lace on this rainy and overcast day,
arlene in NJ

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[lace] pictures of country stands from OIDFA

2014-08-26 Thread Arlene Cohen
Hello, all -

I am not sure if this link will allow those without a Facebook
account to see these pictures, but it is worth the try.  These pictures from
the country stands at OIDFA last month were just posted today:

LaceSpace

 
             
LaceSpace
Prostor za čipke in vse povezano z njimi. A
place for lace and everything connected with them.  
View on www.facebook.com
Preview by Yahoo  
  


I don't know if they got pictures of every country,
but it was wonderful to see so many amazing and beautiful displays, even if we
can't study the lace close-up in these pictures.  

If you don't have a
Facebook account and the link doesn't work, there *may* be a way to get them
visible, but it would take someone way more familiar with Facebook to be able
to help.

Enjoy!
Arlene C in NJ

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[lace] lace-making scarf on ebay

2014-05-30 Thread Arlene Cohen
Hello, all -

The woman selling this scarf (and some others) posted about them
on a needlepoint group on Facebook.  I was intrigued to see the pictures and
just wanted to share with this group:

NIB HERMES 35 SILK SCARF - DOIGTS DE
FEE - LACE MAKING

 
   NIB HERMES 35 SILK SCARF - DOIGTS DE FEE - LAC...
US
$479.00 New with tags in Clothing, Shoes  Accessories, Women's Accessories,
Scarves  Wraps  
View on www.ebay.com Preview by Yahoo  

arlene in NJ in the
US

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[lace] lace-making scarf on ebay

2014-05-30 Thread Arlene Cohen
I'm not sure if the link is attached in the last message I sent, so I'm trying 
again:


http://www.ebay.com/itm/NIB-HERMES-35-SILK-SCARF-DOIGTS-DE-FEE-LACE-MAKING-/181424727553?pt=US_Scarves_Wrapshash=item2a3dc1a601

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[lace] lace video on Youtube

2014-02-13 Thread Arlene Cohen
Hello, all -

Just watched this video, thanks to a Facebook posting on Bobbin
Lace Makers group:

http://www.youtube.com/watch?v=jfD9v70TiF0


I am just
stunned by the amazing use of lace in modern ways - gorgeous stuff.  I *think*
the language is Russian and I am hoping that there might be someone on Arachne
who understands the language and can explain to us all what is being said.
 The beginning images of women at pillows making lace leads to stunning
creations - are they truly using handmade lace in those creations?  What kind
of prices are they charging?

Off to try looking up some more info about this!
arlene in NJ on the east coast of the US,
watching more and more inches of
snow fall today

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[lace] thread question

2014-02-02 Thread Arlene Cohen
Hello, all -

There is nothing like a Lace Day (in this case, Lost Art Lacers
in Northern NJ, USA) to put you in a good mood.  Lovely conversation (hi,
Devon!) and great browsing of books.  Even treated myself to a couple!  (Okay,
so the nearly 50 degree F weather also contributes to the good mood - after
the nearly single digits for a couple of weeks and the not-so-good forecasts
for this coming week.)

In enjoying one of my new books today, I've come up
against a couple of thread questions that I could not find answers to using
the wonderful Brenda Paternoster book.  The book I purchased yesterday is La
Dentelle Torchon:  Nouvelles Creations by Martine Piveteau (2011 - in French).
 One of my favorite all-time lace projects came from her first Torchon book (I
admit disappointment with her second, but this one - call it her third? - had
a number of projects that caught my eye.)

Can anyone identify or give
equivalents for the following:

Soie de Paris du Ver a Soie (the Ver a Soie
words are italicize and have the little R in a circle for copyright)

or
Bergere de France (the full line says cotton nature couleur platre Bergere de
France - I know it means cotton in a natural/ecru color, but I don't know how
important the word platre is)

One project is a scarf and the other is a
shawl, so there is no doubt we are talking somewhat thick thread.  Just
looking to know approximately what it might be equivalent to.

Many thanks for
you help,
arlene in NJ in the US

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[lace] what to see/visit in Nice, France or the nearby area

2013-12-08 Thread Arlene Cohen
Hello, all -

This is all just such a huge if in my life, but I thought I
would put it out there to this list, since there are always such good ideas
shared:

Let's imagine you were on a trip and you ended up in Nice, France,
and you have an extra day before you leave.  Is there anything lace related
in that city?  

Anything possible to see as a day trip via train/bus that a
not-so-brave traveler who does not speak French could possibly get to?  One
thing I found on the internet that seems like a worthy destination is in Le
Puy called the Bobbin Lace Learning Center, with exhibition rooms and a shop
(! - buying  lace patterns/books, etc. would be key!), but I can't figure out
if this place is a) still around and b) possible to get to for a day/overnight
from Nice.

Anything anyone could suggest would be appreciated!  It may be
all wishful thinking at the moment, but sometimes on a dark December evening,
you need a little wishful thinking….

thanks,
arlene in nj, white stuff on
the ground :-)

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[lace] more commentary on Interwoven Globe Exhibit

2013-11-09 Thread Arlene Cohen
Hello, all -

I too was able to visit the Interwoven Globe exhibit at the
Metropolitan Museum of Art in New York City.  A couple of weeks back and
regretting that I have not found the time to share my thoughts with others who
might love to see this exhibit, but Lyn's message had me opening my catalog
and perusing through my notes and wanting to share with others, just like she
had done.

First of all, it is an astounding exhibit.  I was last at the Met
last January, just in time to see the wonderful (but small) lace exhibit
before it closed.  Before that, it had been some years.  As with other large
city museums, you could spend days and not see everything contained in the
walls.  That said, I agree with Lyn - I spent a good number of hours in this
exhibit and other than a break for some lunch, really did not see much
anything else.  I found there to be so much to take in.  

I suspect that
many lacemakers and lace-lovers out there and reading this are likely to also
love and engage in handmade loves of other kinds.  For me, embroidery and
needlework of all types is a huge part of my life.  So, I went to this
exhibit knowing the lace side of me would not find too much, but looking
forward to digging deeper into the beautiful pieces that had already captured
my attention in the catalog.  

I had in mind a little list I had created of
my favorites based just on the pictures in the catalog and was of course
looking forward to seeing them in person.  Most did not disappoint.  But, I
was also just taken aback (although I shouldn't have been too surprised, since
photography cannot always do justice) by so many other pieces.  For the
embroidery/needlearts lovers out there, I point out a few favorites:

#8 (a
hanging) in the catalog is on loan from the Isabella Stuart Gardner Museum in
Boston.  I think a friend had sent me a postcard/pamphlet that had a picture
of this some years ago and my mind had the blue to be a quite a bit more
vibrant than it was in person.  The focus of the information right next to
it, the audio guide, and the mini-essay in the catalog is about the design
aspects, but I was just so drawn to the beautiful and fine embroidery.  The
joy of this exhibit is that many, many of the pieces were displayed in ways
that you could get up close.

#10a or #10b:  (catalog lists it as 10a, but my
notes from the day say 10b)  Either way, the stunning nearly-white on white
embroidery of this bedcover with golden highlights is SO appealing to my eye
and my senses.  Perhaps my favorite piece?  Hard to play favorites here.
 It was hung next to #9 - similar style of both design and color and
embroidery, but 9 was more yellow while 10a/b was more golden.  I loved
the symmetry of this piece.

#23:  a Mexican wedding coverlet.  Overall, it
is not the type of piece that appeals to my eye, but blessed with the time,
energy, and mental and intellectual interest to truly take in this entire
exhibit, I am glad I was reading everything that was there.  I thought this
quote was wonderful:  Chinese silk thread was used for the embroidery,
colored with European and American dyes and stitched on Mexican woven cotton.
 …providing the evidence of the global enterprise and ingenuity of the
era.  The coverlet is dated 1786.

#29, a double sided hanging, is one of
many many pieces that small photos in the catalog cannot possibly do justice
for.  Huge (95 by 87 inches) and hung so you could study both sides, the
embroidery of this was just amazing.

There were many palampores in this
exhibit.  A new word for me, simply put, a textile from India, often covers,
hangings, etc.  Most that were in the exhibit were printed textiles and I had
noted some for their design elements before my visit.  #75 seemed, on glances
through the catalog, to be one of many.  But, in person, you could see this
was actually embroidered.  Chained stitched in silk on cotton twill ground
to imitate a painted palampore as precisely as possible.  Extraordinary.
 In addition to the amazement of the stitching, I loved the color palette.  
And, as for the lace on the dresses that Lyn mentioned, I found them
intriguing, yes, but so much else attracted my eye.  However, for those who
wish to study closer, I offer this link:
http://www.metmuseum.org/exhibitions/view?exhibitionId=%7b063A1AA2-5A4E-439A-
A332-046E00E8BD73%7doid=79893pg=5rpp=20pos=87ft=*img=5


The Met's
website has an online catalog with wonderful zooming capabilities.  When
looking up this dress, there were multiple pictures, including this close-up
of the lace parts.  Click on the picture and then you can zoom in more.  To
me, it is chain stitched or crochet or something of that nature and therefore
not as exciting to my eye as if #80 (bobbin lace cover, as already noted, in
the catalog for some reason, but not actually in the exhibit) had been there
on view to see.  In any case, there is the link for anyone wishing to study
this.

Also, here is the link 

[lace] Interwoven Globe exhibit - lace?

2013-09-29 Thread Arlene Cohen
Hello, all -

I received my catalogue to the new Met exhibit in the mall
yesterday and boy am I impressed!  I have barely paged through it - it will
require some time - but I am wondering whether Devon or anyone who has been
able to get to the exhibit could answer a question:

In my paging through the
catalogue part of the book, #80 is a bobbin lace piece, 27 in  x 33.5 in,
owned by the Met.  It is even featured as one of the twelve images on the
paper that was on the back cover (single paper, not actually the back cover,
as discovered when I undid the shrink-wrap).  However, it is not on the
website as being a part of the exhibit (all the exhibit's objects are
apparently there).  When I searched the collections by the number, it did
indeed pop up, but is listed as not currently on display.  Devon's post here
from her quick walk through stated that there was no lace.  How then is this
in the book?  Or is it on display and the website needs updating and Devon's
walk through was so overwhelming that she somehow missed it?

It will be some
time until I get to see the exhibit and I am just wondering about this lace
piece and whether it is there.

Plenty of other beautiful and dazzling pieces
though!

thanks,
arlene in NJ in the US

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[lace] royal christening dress

2013-07-31 Thread Arlene Cohen
Hello, all -

I feel like some of the people on here must know some details
that can be shared with all...

With all the media coverage of the new prince
and such, I read a fact that I think I already knew - that the famous royal
christening dress originally made for Queen Victoria's children and featured
with beautiful pictures in Royal Honiton Lace by Elsie Luxton and Yusai
Fukuyama (book is right here by my side) and worn by many royals for about 150
years was retired in 2004 and a new version was created.  I assume to be a
copy of the original.  When this new one was made, was there Honiton lace made
by hand used for it?  Was anyone on here involved in the creation of the lace
for the new dress?  Does anyone know anything more about the dress and its
lace?  Prince George will not be the first to wear it - I think there have
been two or three others already.  Also, is the original christening dress on
display anywhere or is it truly safely packed away, as one article I read
stated.

Many thanks,
Arlene in NJ

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[lace] What makes a good thread for bobbin lace?

2013-06-09 Thread Arlene Cohen
Hello, all -

Seems to be quiet here, so I thought I would post a question
that I've been puzzling over in my mind.

Recently, I've been playing around
with some variegated thread on a bobbin lace design.  Did the same small
design with three different types of threads, all coming from my needlework
stash and not threads that I had ever thought to use on lace before.  (I tend
to be a traditionalist of mostly white and ecru lace pieces.)  An
interesting experiment in color that got me thinking:  what makes a good
thread for bobbin lace?  Would there be any particular quality (twist, sheen,
etc.) that you think is better than not to have?  

Sure, any thread that can
be crossed and twisted can be used for lace - and, while I'm at it, let's not
even limit that to *thread*, since yarn, rope, fence wiring, etc. have all
been manipulated into the motions of bobbin lace.  But, as I was using one
particular type of silk thread that I haven't seen sold by a lace supplier but
certainly can be found in nearly every needlework store, it just got me
thinking about how threads are determined to be lace threads.

Arlene in NJ

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Re: [lace] What makes a good thread for bobbin lace?

2013-06-09 Thread Arlene Cohen
Thank you so much, Brenda, for responding to my post.  I love, love, love your
thread book and refer to it constantly.  I appreciate the details you wrote
out and I, too, have printed out this post and will keep it in my copy of your
book.

To get a little more detailed, I think the reason I started pondering
this is that one of the threads I was using is called Painter's Thread - all
of their colors are named for famous artists, this one is Kandinsky - Soie de
Paris.  The thread is made in Germany and I met the woman who I think is the
US wholesaler (?) for it at the ANG (American Needlepoint Guild) Seminar last
summer.  I bought a few of her finer threads, this Soie de Paris being one of
them.  The package lists two websites:  www.tentakulum.de and
www.paintersthreads.eu  .  I didn't see this silk thread or this company
listed in Brenda's book, but it could be that it is actually some other silk
thread that is just dyed by this company.

So, when I was doing my little
bobbin lace motif, all half stitch, I was having a hard time with the thread
really loosening.  In looking in the intro of your book, I noted the Z-twist
and S-twist info.  And yet, studying this thread, it really does look like a
Z-twist, not an S.  2-ply.  So, that got me thinking about whether this thread
was really up to the challenge of bobbin lace.  Worked fine and all for my
little experiment, but why was it loosening?  Then, one of the other threads I
was using was a Caron Waterlilies (which is in Brenda's book), which was
working just fine and not really loosening or tightening in any way, is an
S-twist.  Of course, I do realize Brenda's words are just about the tendency
of a thread and not that every single one will act one way or another.

So, if
anyone has any thoughts about the Painter's Thread and why it was loosening so
significantly on me, I would be interested.  I was doing the same motif, same
stitches, same bobbins, three different times with three different threads and
it was very interesting to see how they worked differently.

Many thanks,
Arlene in NJ

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[lace] lace in museums...more ponderings

2013-01-10 Thread Arlene Cohen
Thanks to all the comments and postings on this topic over the last few days.  
I was particularly taken by the comments by Linda and her work with the Denver 
Art Museum and, well, here is where my brain starting going...


It seems like there needs to be some education of art museum directors about 
what they have in their collections and what interest the public might truly 
have (using the Met's recent example as evidence, along with some of the 
specific observations by Devon and others here).  Some googling led me to a 
group called the American Alliance of Museums.  They are having their annual 
meeting and museum expo in Baltimore in May.  Their website says:

The premier professional development opportunity of the museum year, as some 
5,000 museum professionals gather to network, grow and learn.The 2013 Annual 
Meeting is set for Baltimore, May 19–22. Attendees choose from more than 150 
substantive program sessions, hear from dozens of thought leaders, see and 
sample the latest museum products, and share challenges and solutions with 
colleagues from around the world.


I am wondering if we have any lacemakers in the Baltimore area that would be 
brave souls willing to set up demonstrations in the likely convention attendees 
hotel lobbies.  I picture a giant banner that reads - Got lace in your 
collection?  No idea what to do with it and how to share it with the public?  
Don't even know how it was created?  Come talk to us!  The theme of this 
convention is 'The Power of Story.'  We've got stories for you!


Any takers?  If nothing else, what a unique lace-in-public experience it could 
be!

arlene in nj

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[lace] lace at museums

2013-01-05 Thread Arlene Cohen
Hello, all -
A few days ago, I finally took advantage of my relative proximity to New York
City to go see the Gems of European Lace exhibit at the Metropolitan Museum of
Art.  This opened back in the summer and I know was mentioned here on this
list at that time.  In addition, Jeri posted a thoughtful review after her own
visit in November.  For those interested, here is the link to the exhibit's
website:
http://www.metmuseum.org/exhibitions/listings/2012/european-lace
It closes on January 13th, so there are precious few days to go see it in
person if you are able.  I'm posting now for two reasons:  one, to publicly
thank Devon and anyone else on this list who may have been involved with
making this exhibit happen, as well as Jeri for her further information, which
I did print out and bring with me (as she had suggested).
The second reason for this message is about my wandering thoughts since this
visit.  Before I went, I searched lace on the Met's collection website and
made note of what was listed on view.  In addition to the pieces in this
exhibit and the inevitable paintings and such with the word lace in their
descriptions, I found four lace pieces on display in other permanent galleries
in the museum.  Once there, I did go and find those pieces.  Perhaps regular
Met goers could clarify this, but they seemed to be in places where they were
on display permanently - i.e. European decorative arts galleries, in a case
with other objects.  None were particularly close to the glass or easy to
study in person.  As mentioned by others, the Met's collections on line have
great zooming qualities and I was able to see these pieces better, so to
speak, on my computer.  But, still, I greatly appreciated that a typical
visitor through the museum could have some
 encounter with lace, no matter how small the scale (four pieces, not counting
the special one gallery exhibit closing next week, spread throughout that
great giant of a museum.)
It got me wondering whether there is any lace on display on a regular basis in
any other museum in the US.  I'm not talking about any special exhibit, nor am
I referring to collections that could only be seen by researchers and by
appointment.  I just mean being able to encounter it in some casual way, that
a visitor might stop and take a second look.  I did a lot of people watching
in the museum and it is interesting to see what people spend lots of time
staring at and being with and what gets brushed aside with a quick walk
through.  And, of course, everyone is different in their interests and their
likes.  I couldn't tell you off the top of my head what else was in the case
with the two lace pieces in gallery 503, because I simply do not remember.
 Not where my eye was focused.  But, there were other moments in the museum
when I DID focus my eye on new things or new directions that I hadn't realized
would appeal - not until I encountered that
 particular piece or object or painting.
Anyway, I got myself off on quite a tangent over the last few days - googling
museums in the US, getting the sense of how much of their collection is or is
not online, whether their search feature has an item on view button to
narrow your search.  All I can say is that I couldn't find any museum that
apparently had a piece of lace on view somewhere.  That's not to say that it
doesn't exist - I just may not be able to get that info via the websites.  In
particular, I was interested in the some of the museums of tours of recent
Conventions, knowing that they had lace collections (Minneapolis Museum of
Art, Baltimore Museum of Art, National Museum of American History, etc.)
So, here is the guts of my question:  do you know of any lace on display in a
permanent sort of way in any major museum in the US?  Even if it is just one
or two pieces?   I imagine that there are likely many answers to this question
in European countries, but how about in the states?
An off shoot of this, perhaps provoking some responses to this posting, is
some of the old postings I found when I originally searched the Arachne
archives to find Jeri's review of the exhibit.  Whatever search terms I put in
gave me some wonderful emails to read through from some years back, I think
when the Ratti Textile Center at the Met first opened, and comments made by
many about what types of exhibits draw the crowds into the museums and how
museums make the decisions of what to put on display to get those crowds.
 Sadly, lace seems pretty low on the list.
For those who have made it through this long post, thanks for reading!
arlene in NJ

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[lace] Metro Lace Day cancelled and other storm news

2012-11-01 Thread Arlene Cohen


Hello, all -

I rarely post here, but since my lace has been keeping me
going in these last few days, it feels right to reach out to this wonderful
community.  First of all, I know that I AM VERY LUCKY in terms of storm
damage.  I live in NJ in one of the counties hard hit, although I am well
inland.  Counting my lucky stars that besides a few flickers throughout
Monday, I did not lose power.  I don't know what it is about power zones and
lines above and below ground and such, but the shopping center less than a
mile away is without power, but my development remained clear.  Wanting to
offer a warm bed, warm shower, food, to my friends without my luck, but as of
now, many roads that link my friends and I are still in bad shape such that
travel is not recommended.  

Yesterday, I did go out to drive around some
cleared areas and was just amazed by power line poles that have just been
snapped and lines dragging along the ground (although cleared away from the
roadways at some point in the last few days).  It is all heartbreaking.  And
knowing too how long the cleanup will last.  I am a teacher, and while the
days off from school have been a little vacation from the regular world, it
has been agonizing thinking about what some of my colleagues and what some of
my students and their families are dealing with now.

I have made a lot of
progress on my lace (and my other needlework project) in the last few days and
feel ashamed and embarrassed to share that with anyone in my immediate area.
 You've been doing what?  (Can you tell I don't have any in-person lace
friends nearby?)  But, I know folks on this list can understand and appreciate
the need to work through stress and anxiety by use of hands and in the effort
to create something of beauty.  We are going to need lots of beauty in the
upcoming days and weeks.  I was so looking forward to going to the lace day in
northern NJ this upcoming weekend, purely for the brief joy of shopping for
threads and perhaps some books in person rather than through the internet.  I
don't belong to the group (too far to ever feel the sense of belonging), but
have been to their lace day a couple of times.  Of course, canceling it makes
the most of sense, but that doesn't mean that there isn't great sadness and
 disappointment.  Hard to find things to look forward to in this moment.

I
think I'm going to go back to my lace now.  If I could give myself the
patience of learning about sharing photos, I would love the support of others
via pictures of this rather large lace piece.  

Thanks for reading and
listening,
Arlene in NJ

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[lace] beautiful website

2012-02-07 Thread Arlene Cohen
Hello, all -

Thanks to a posting on this list (I believe), I've been checking
into this website every day or so to admire the pictures that are posted:
http://encajerasbolilleras.blogspot.com/


Google translater has helped with
some captions and such, but I am hoping that there might be a Spanish speaker
on this list that can answer some questions - who runs this website?  Is it
many people posting?  There seems to be some pulling of pictures from
Facebook?  Is it a Spanish lace organization/guild (don't know the name)
running the blog?  I am just fascinated with the variety of pictures -
individual lace, pictures of lace days/gatherings, posters for such.

If you
haven't checked out this site, you must go see the bird posted on February 6th
- I think it is Binche?  Just gorgeous!

arlene in NJ

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[lace] IOLI Convention display question answered!

2011-07-25 Thread Arlene Cohen
Thank you to all who responded about my questions regarding the display area
at the IOLI Convention.  As I tell my students (I am a middle school math
teacher), when all else fails, read the directions. :-)  As was pointed out,
on the first page of Convention info in The Bulletin was the person to contact
about displaying lace.  I have been in contact with her and am looking forward
to bring a couple of pieces with me to share.  I cannot wait to see all that
will be displayed.

Many thanks,
Arlene in NJ

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[lace] IOLI convention displays?

2011-07-24 Thread Arlene Cohen
Hello, all -

I've been reading messages on this list for quite some time, but
I'm pretty sure this is the first time I've posted.

I've been making bobbin
lace for a number of years, but this is my first time attending the IOLI
convention, coming up in just a week in Bethesda, MD.  I have a question about
the display room.  Do people bring lace to put on display and share with
others?  Or is it just for those entering the competition and the teacher's
showcase?  I can't find anything about this on the Convention website and a
few internet searches have brought up pictures of previous Conventions where
it seems that there is more on display than the competition entries and
teachers' work, but I'm really not sure.  Perhaps you need to be invited to
display something?

It just occurred to me this morning that I have a couple
of nice lace pieces framed and it might be nice to share them with other
lacemakers out there...but only if this what is done.  The fact that it is NOT
posted/published that you should bring things to share leaves me feeling a
little unsure.

Any info would be greatly appreciated for this convention
newbie!

thanks,
arlene in NJ (who is looking forward to her lace adventure in
a week!)

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[lace] thank you for the suggestions!

2010-09-20 Thread Arlene Cohen
What a wonderful group this is!  I heard back from a number of you about my 
troubles starting my Torchon fan pattern, including some who have the book/cd, 
with suggestions for me.  I can't tell you how overwhelmed I am by the kindness 
of strangers out there.  I look forward to some quiet time one evening this 
week, when I can sit with printed out emails and my lace pillow and try to get 
myself going with this piece.  To those who offered help, my sincere gratitude. 
 And, yes, you can bet I'll be in touch when/if I need some more guidance!

Everyone commented that I should have mentioned where I live.  I am in Central 
New Jersey, in the US.  I know there are some lace groups way north of me (have 
traveled to their lace days for the sake of vendors), but know of nothing down 
in my area.  But, if there are any other Central NJ people on this list, please 
do be in touch.

Thank you again for your help and your welcoming emails!

arlene in nj

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[lace] help starting a pattern

2010-09-19 Thread Arlene Cohen
Hello, all -

I am glad that I found this list.  You all seem like such friendly, helpful 
lacemakers as I have read back through some posts.

I have been doing bobbin lace for a number of years, but mostly in solitude 
since there are no lace groups or lacemakers that I know of near me.  Each 
summer, I spend a week at a craft school with a wonderful lace teacher and a 
group of fellow lace enthusiasts.  I realize how much I rely on the teacher to 
help me start a new piece, for I am feeling quite stuck in my lace work in 
recent weeks and thought I might reach out for some help here.

This summer I began my second-ever Binche piece and, while I enjoy the 
challenge, have felt the need to set it aside for something a little simpler 
and 
needing less concentration.  This is very odd for me because I am usually a one 
project at a time kind of person!  I have a Torchon fan design that I wish to 
start - bobbins wound, pricking done, all ready to go.  However, I am stuck! 
 Where do I hang the bobbins?  How many pairs where?  If there are passives 
going around the edge of the whole thing (which I *think* there are), how did 
they get there?  And, if those passives are there, then how the heck do I get 
the working threads in the middle of the design?  I know that if I were with my 
teacher from the summer, I would be able to do this with guidance from her. 
 Right now, however, I feel like a complete beginner.

The pattern I wish to do comes from Jane Atkinson's Pattern Design for Torchon 
Lace.  An ebook I have on CD.  It is patterns 52, 55,and 56 and samples 57 and 
58 for anyone who might have this.  The pictures that go with this are not very 
good.  The only lace pieces I have truly started myself have been ones where I 
had a very good photograph to study.

Does anyone have any suggestions that might help me get started? 

thanks so much,
arlene

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