Re: MD: MD trading

1999-12-30 Thread J. Coon


Here is the act  in question http://www.hrrc.org/ahra.html
See section 1008  which says

 SUBCHAPTER D. PROHIBITION ON CERTAIN INFRINGEMENT ACTIONS,
REMEDIES, AND ARBITRATION

Section 1008. Prohibition on certain infringement actions

No action may be brought under this title alleging infringement of
copyright based on the manufacture,
importation, or distribution of a digital audio recording device, a
digital audio recording medium, an analog
recording device, or an analog recording medium, or based on the
noncommercial use by a consumer of such a
device or medium for making digital musical recordings or analog musical
recordings. 


http://www.hrrc.org/ahrasum.html

Youse guys can bitch all you want to but it don't change the law, and
the big buck recording companies weren't able to push it down our
throats either.  In all the time I have had a minidisc recorder, I have
copied one, CD that I didn't own.  Most of the stuff I record is from
the radio, jam sessions, concerts that I have permission, practice
sessions, or my own gigs.  


--
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My first web page

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Re: MD: MD trading

1999-12-30 Thread Stainless Steel Rat


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* "Sydtech" [EMAIL PROTECTED]  on Mon, 27 Dec 1999
| Pirates are what gives the record companies the cold sweats.
| True "tape traders" (or whatever the format) trade boots, NOT pirate copies
| of stuff that's available.

As I said before, I am not a lawer, but I figure that whoever owns the
rights to the live performance owns the rights to recordings made of the
performance.  At the very least, the performer himself probably owns the
rights to his own performance.  So, I figure that if you do not have his
permission to distribute copies of recordings of his performance, you do
not have permission to distribute copies of recordings of his performance.
But you would have to ask a copyright lawyer whether or not a live
performance qualifies as being "tangible" under law.

Anyway, the original poster was asking about "trading" MD copies of
commercially released CDs, which is piracy.
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Re: MD: MD Trading

1999-12-30 Thread Alan Dowds


It works the other way too Jeff. I've bought CDs in the past because I've
borrowed and copied the artist's work from a friend then grown to love the
tunes.

Word of mouth (or word of MD-recorder) is possibly the best recommendation
for a new artist.

Just a thought.

- Original Message -
From: Jeffrey E. Salzberg [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, December 26, 1999 2:46 AM
Subject: Re: MD: MD Trading



  Nobody is hurt if you weren't gonna buy the material anyway.

 Many of the CDs in my collection are of music that I decided to buy
 long -- sometimes years -- after first hearing it; if a friend had
 given me a bootleg copy of any of those recordimgs, I'd not have
 bought it so long afterward.


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Re: MD: MD trading

1999-12-30 Thread Neil


On Mon, 27 Dec 1999 08:52:48 -0500, [EMAIL PROTECTED] wrote:

  
  Here is the act  in question http://www.hrrc.org/ahra.html
  See section 1008  which says
  
   SUBCHAPTER D. PROHIBITION ON CERTAIN INFRINGEMENT ACTIONS,
  REMEDIES, AND ARBITRATION
  
  Section 1008. Prohibition on certain infringement actions
  
  No action may be brought under this title alleging infringement of
  copyright based on the manufacture,
  importation, or distribution of a digital audio recording device, a
  digital audio recording medium, an analog
  recording device, or an analog recording medium, or based on the
  noncommercial use by a consumer of such a
  device or medium for making digital musical recordings or analog musical
  recordings. 
  
  
  http://www.hrrc.org/ahrasum.html
  
  Youse guys can bitch all you want to but it don't change the law, and
  the big buck recording companies weren't able to push it down our
  throats either.

Surely this is where you've shot your own argument in the foot?

When is obtaining a piece of commercially available, copyrighted material
not a commercial endeavour? When do they start giving it away for free?

Where does it give you, or anybody else the right to obtain copyright
material without owning a legitimate copy?

Surely all this means is that if you have a CD player, a MD player, an MP3
player, a tape player, you don't have to purchase several versions of the
copyright material, you can simply purchase one, and use your various other
formats to record this copyright material for your own, non-commercial use?

Where does it say you can pirate it offa friend who happens to have a copy?

Where would you draw the line? Say a small town with 1000 or so "friends"
living in it, they'd only have to purchase one legitmate copy between the
whole town, and the rest could just pirate it for free, so long as there was
no money changing hands? Surely you can't be trying to say this sort of
thing is allowed by this?

I'll repeat surely every time you obtain a piece of copyright material it is
a commercial endeavour, unless you're breaching the copyright, or simply
copying it to another format so you can still use it on other platforms.

  In all the time I have had a minidisc recorder, I have
  copied one, CD that I didn't own.  Most of the stuff I record is from
  the radio, jam sessions, concerts that I have permission, practice
  sessions, or my own gigs.  

It has to be said, that in all of this, I just think people are reading into
this things they wanna hear.

Specifics from generalities, that probably came about to pre-empt those with
greed attempting to make punters by multiple copies...

Once again, what does it say in the copyright notice on any of your
prerecorded CDs or whatever you use?

Neil





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Re: MD: MD trading

1999-12-30 Thread Jeffrey E. Salzberg


 No action may be brought under this title alleging infringement of
 copyright based on the manufacture, importation, or distribution of
 a digital audio recording device, a digital audio recording medium,
 an analog recording device, or an analog recording medium, or based
 on the noncommercial use by a consumer of such a device or medium
 for making digital musical recordings or analog musical recordings. 
 
 
 http://www.hrrc.org/ahrasum.html
 


 Youse guys can bitch all you want to but it don't change the law,

You're right.  The law, however, says you may distribute the 
*medium*; it does not say you may distribute the *content*.

Folks, trust me.  I deal with these issues daily.



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Re: MD: MD Trading

1999-12-28 Thread Magic


- Original Message -
From: goobster [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, December 28, 1999 4:46 AM
Subject: Re: MD: MD Trading

 Let's look at reality: please cite a single case
 (documented, so we can all look it up) when law
 enforcement could prove copyright violation without
 defining it as an intent of making of profit from
 copying a work of art (CD, etc), be my guest.

I have not looked for them yet, but I know there are a number of cases
involving just this, most noticeably the recent cases where Fox proceeded to
have numerous internet sites shut down, despite the fact they were
non-commercial fan sites, relating to it's TV series X-Files. Fox went as
far as to threaten court action in these cases, and I'm sure I remember a
case where Fox prosecuted somebody for distributing free copies of the
X-Files theme music which had been recorded from one of it's videos. I am
not sure where I can get copies of these cases, as I have yet to find them
on the net (other than the individuals concerned own accounts on web sites)
and I do not have direct access to various establishments in the US which
would allow me to gain access to this information. As I was one of the
people whom Fox contacted relating to the closure of an X-Files fan site I
had, I may still have the letter they sent, in which case I could scan this
and upload it - assuming I can find it in the attic.

If the laws in this country did not prohibit me from doing so, I would also
post the minutes of a court case I was involved in where I sued somebody for
swapping copies of a recording of my band in exchange for "rare recordings
of popular artists". Whilst the distribution of these discs may have been
beneficial to the band for getting them well known, I resented the action
because the person concerned was getting a lot of recordings which I would
have liked myself, was making a recording freely available which my band had
just paid £500 to have duplicated from our master copy with the intention of
selling them, and was also passing our band off as something we are not (he
claimed we were a "rare band of international acclaim"). What I hated most
of all was that I had been the one working my guts off on stage to make this
recording a really good one, and then we would not make a penny from it
because this "person" had dished copies out. At the moment we are now a
non-performing band because the money we wasted on CDs resulted in us not
having the funds to replace the damaged P.A. equipment which has now given
up on us and is uneconomical to repair. Almost all the people who were going
to buy the CD have got a copy "from a friend". Maybe that is why I resent
piracy so much, but even so, it is still illegal. My personal feelings make
me think that I would like to see the so-called "people" who claim copying
CDs doesn't hurt anyone lined up on death-row, but that would go against my
beliefs.


Magic
--
"Creativity is more a birthright than an acquisition, and the power of sound
is wisdom and understanding applied to the power of vibration."

Location : Portsmouth, England, UK
Homepage : http://www.mattnet.freeserve.co.uk
EMail : [EMAIL PROTECTED]


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Re: MD: MD Trading

1999-12-28 Thread Michael Koehler


I have been sitting silently here reading all of the posts and
"interpretations" regarding the AHRA, copywrite, ethics and such.  It has
been quite an interesting little thread.  I have read some more intelligent
posts, great BS posts, and down right idiotic posts.  We have not yet heard
from any lawyers yet, which may be quite interesting, but I thought I would
give a little insight from the "other" side of things.  Not an artist, not a
huge record company, but the "middle" man.  An independant studio.  I have
done the actual recording for quite a few artists. Some bigger ones, alot of
"no-names".  I will not give any names because they are irrelevant to the
conversation.

==

First things first:

The AHRA and copywright laws are written to be interpretted either way.
Most laws are.  But in reality, they will be used against any individual who
violates them.  You can argue that the AHRA gives you the "right" to copy,
blah, blah, blah... and maybe it does.  The copywright laws however, do not.
If I copy a CD that I borrowed, I am in violation.  Will I be sued, no.  If
I set up a trading ring to trade pirated copies (that is what an illegal
copy is), will I get sued?  Maybe, if I get noticed.  If I am discovered, I
most definitely will get legal notice to stop.  Whether they go so far as to
sue me is a matter of money.  Don'y forget, they don't pay legal fees, you
do.  Any judge will most likely side with the copywright holder.  As for it
being "commercial" and such, it is simple.  You did gain when you received
something in return.  That is a gain.  A blank, another recording, ANYTHING!
Again, if it is pushed to court, you will lose.  So it is illegal.  But so
is driving 56 MPH in a 55 MPH speed zone.  Most of the time, no one cares -
including the police officer.

Lets talk about bootlegs.  Recording a bootleg (the actual process of
recording the source show) is not illegal at all.  It may be prohibited at
the venue that the artist is playing at, but it is legal to do so.
Distributing it is illegal, however.  If it is done for profit, expect to
have a possible lawsuit.  Again, trading those shows is most of the time
ignored.  Get an artist who cares, and the legal notices start.

The key words in both these instances is distribution.  That is what draws
the attention.

===

Next I would like to address "Magic":

I have not looked for them yet, but I know there are a number of cases
involving just this, most noticeably the recent cases where Fox proceeded
to
have numerous internet sites shut down, despite the fact they were
non-commercial fan sites, relating to it's TV series X-Files. Fox went as
far as to threaten court action in these cases, and I'm sure I remember a
case where Fox prosecuted somebody for distributing free copies of the

What does this have to do with the AHRA?

If the laws in this country did not prohibit me from doing so, I would also
post the minutes of a court case I was involved in where I sued somebody
for
swapping copies of a recording of my band in exchange for "rare recordings
of popular artists". Whilst the distribution of these discs may have been
beneficial to the band for getting them well known, I resented the action
because the person concerned was getting a lot of recordings which I would
have liked myself, was making a recording freely available which my band
had
just paid £500 to have duplicated from our master copy with the intention
of
selling them, and was also passing our band off as something we are not (he
claimed we were a "rare band of international acclaim"). What I hated most
of all was that I had been the one working my guts off on stage to make
this
recording a really good one, and then we would not make a penny from it
because this "person" had dished copies out. At the moment we are now a
non-performing band because the money we wasted on CDs resulted in us not
having the funds to replace the damaged P.A. equipment which has now given
up on us and is uneconomical to repair. Almost all the people who were
going
to buy the CD have got a copy "from a friend". Maybe that is why I resent
piracy so much, but even so, it is still illegal. My personal feelings make
me think that I would like to see the so-called "people" who claim copying
CDs doesn't hurt anyone lined up on death-row, but that would go against my
beliefs.

Hmm, touching story.  The laws do allow you to post the final judgement,
however.  You can also post the case number publically.  I would like to see
this very information.  Why you ask?  Because I doubt you.  You sound like
you want to blame someone for the fact that you made a few CDs and tried to
make it big, but it did not go anywhere.  You act as though those few
copies, that the person traded away, is the cause of the failure.  Please do
not interpret this as me insulting you by calling you a failure or anything,

Re: MD: MD Trading

1999-12-28 Thread goobster


An X-Files fan site shut down by FOX was mentioned
here. FYI, the case was won by FOX based on the
concept of "trademark dilution" (a very valid
concern), not on copyright issues per se. It had to do
with the context where copyrighted work was used, and
with the "message" that could be interpreted
differently from the "message" contained in the series
and the official web site.

Again, you might hear about an mp3 server shut down by
an ISP for mp3 files trafficking, but it's more than
likely a preemptive action on the part of an ISP who
are wary of *possible* legal action against them. In 
general, undercover agents approach traders with an
intent to *buy* a copy of a work of art, only then the
arrest could be made. In case of doubt, read KW Jeter
"Noir". It includes a rather graphic description of an
arrest of a copyright violator. 


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Re: MD: MD trading

1999-12-27 Thread Jeffrey E. Salzberg


 The converstion was both about ehtics and the law.  No one is taking
 anything from anyone when you trade an MD.

It's been pointed out to you (several times) that that's *exactly* 
what's happening.  You're taking property from someone who hasn't 
authorized you can do so.

You can rave and scream -- misinterpreting both laws and and the 
constitution to your heart's content -- but you can't change this.



 for creativity.  People use and build on each others' ideas all the
 time in the U.S.  It's encouraged and it's legal.  It promotes
 creativity, freedom and economic growth. 


What promotes creativity is the artists' ability to actually make a 
living from their work.
 
 In response to others, copyright law is frought with grey areas. 

That's something else that's been claimed several times in this 
discussion. . .and it's been refuted every time.  In fact, it's 
not grey at all; it's quite clear. Keep claiming it, though, and 
maybe you can *make* it so.

 It is not by any stretch of the imagination cut and dry.  All the edges
 are fuzzy, as to exactly where the line between legal and illegal
 is.


On the contrary, copyright law is quite clear in this regard; you may 
make a recording for your own personal use, but you may not transfer 
it.  Nowhere does it say, "unless you want to."

 As I mentioned above, 
the issue has very often been resolved in
 favor of the human vs. the organization, and in favor of the free
 flow of information and ideas.  That's the way our Constitution was
 meant to be construed.  

. . .And in this case, it's clearly on the side of the individual 
person whose work you're stealing.



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Re: MD: MD trading

1999-12-27 Thread Jeffrey E. Salzberg


 | The core of United Staes copyright law is the Constitution, laid down
 | by our founding fathers.  You perhaps do not understand the AHRA or
 | the United States Constitution.  See below.
 
 All of which was superceded by the Copyright Act of 1976, better
 known internationally as the Berne Agreements, which is explicitly
 clear as to what you are allowed to copy.  The AHRA is a
 clarification of and extension to the Copyright Act of 1976.

Well, the Constitution was not (and cannot be) superceded by any mere 
law, but Steve's interprtation of that document is not one that's 
likely to be accepted by any court hearing a copyright case.


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Re: MD: MD trading

1999-12-27 Thread Magic


- Original Message -
From: Sydtech [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, December 27, 1999 5:26 AM
Subject: Re: MD: MD trading



 A small point of clarification:

 "Trading" traditionally refers to people *trading* (i.e. not selling)
 bootlegs of unreleased recordings, usually concerts but often demos, etc.
 This is a lot different than "pirating", which is someone duping one (or
 more) copies of a commercially available recording and
 giving/trading/selling it.

Trading is just the act of swapping one thing for another. The "trading"
referred to on the newsgroup or on this list is usually of pirated material.
The scale of the act does not make it any more legal, it just makes it not
worth the industries time persuing.

Magic
--
"Creativity is more a birthright than an acquisition, and the power of sound
is wisdom and understanding applied to the power of vibration."

Location : Portsmouth, England, UK
Homepage : http://www.mattnet.freeserve.co.uk
EMail : [EMAIL PROTECTED]


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RE: MD: MD Trading

1999-12-27 Thread Thomas, Ferris


After following the thread for a little while I thought to chime in.  While
I'm not a lawyer (and from what I gather, neither is anyone who's commented
on this is, either), I've done a little searching on this slow day at work.

From the RIAA homepage (http://www.riaa.com/musicleg/ml_ol.htm):

---
Audio Home Recording Act

This 1992 legislation exempts consumers from lawsuits for copyright
violations when they record music for private, noncommercial use and eases
access to advanced digital audio recording technologies. 
---

And from the minidisc homepage (http://www.minidisc.org/ahra.html) :

---
RIAA Clarifies the Legality of Home Audio Recording 
The following is a part of a reply from http://www.soundbyting.com (a
Recording Industry Association of America site) to those who enquired
whether non-commercial copying of CDs to MD constituted copyright
infringement. 
...Consumers also received something. As long as the copying is done for
noncommericial use, the AHRA gives consumers immunity from suit for all
analog music copying, and for digital music copying with AHRA covered
devices. It is important to note that the AHRA does not say that such
copying is lawful; it simply provides an immunity from suit. 
The difference between copying to cassette (for instance) as opposed to a
computer hard drive is that audio cassette players (as well as Minidisc and
DAT players) are devices covered by the AHRA and a computer is not. The
specific reasons are technical but boil down to this: The AHRA covers
devices that are designed or marketed for the primary purpose of making
digital musical recordings. Multipurpose devices, such as general computer
or a CD-R drive, are not covered by the AHRA. This means that they do not
pay royalties or incorporate SCMS protections. It also means that neither
the devices nor the consumers who use them receive immunity from suit for
copyright infringement. 
In summary: You cannot be prosecuted for making non-commercial copies with
AHRA covered devices (e.g. MD and DAT recorders). 
---
The hurdle to winning the argument that trades are legal (and not
infringement on copyright) would be to convincingly define a trade as a
"noncommercial" exchange.  While I couldn't find the governmental legal
definition of "noncommercial," I know I've read somewhere of the argment
that trades in kind are considered noncommercial.  This assumes that it is a
product for product with neither parties coming out ahead--i.e.
profiting--from the exchange.
Should I have more time today I'll look into it.
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Re: MD: MD trading

1999-12-27 Thread Sydtech


From: Magic [EMAIL PROTECTED]

 Trading is just the act of swapping one thing for another. The "trading"
 referred to on the newsgroup or on this list is usually of pirated
material.
 The scale of the act does not make it any more legal, it just makes it not
 worth the industries time persuing.

You didn't read my email.

Pirated = copies of commercially released stuff, usually done on a mass
scale.
Bootleg = copies of material not commercially available, usually concerts

Pirates are what gives the record companies the cold sweats.
True "tape traders" (or whatever the format) trade boots, NOT pirate copies
of stuff that's available.












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Re: MD: MD trading

1999-12-27 Thread Stainless Steel Rat


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* Stainless Steel Rat [EMAIL PROTECTED]  on Mon, 27 Dec 1999
| All of which was superceded by the Copyright Act of 1976, better known
| internationally as the Berne Agreements, which is explicitly clear as to
| what you are allowed to copy.  The AHRA is a clarification of and extension
| to the Copyright Act of 1976.

Nit-pick on myself.  The Copyright Act does not supercede the Constitution, 
but the previous body of copyright law which was written as a specific
incarnation (for lack of a better word) of the ideals set down in the
Constitution.
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Re: MD: MD trading

1999-12-27 Thread Stainless Steel Rat


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* "J. Coon" [EMAIL PROTECTED]  on Mon, 27 Dec 1999
| or based on the noncommercial use by a consumer of such a device or
^^^
| medium for making digital musical recordings or analog musical
| recordings.

That one word "use" is probably the most significant word in the entire
phrase.  "Use" and distribution (or redistribution) are *NOT* synonymous in
the eyes of the law and never have been.
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Re: MD: MD trading

1999-12-27 Thread Steve


Wow, you backed me up on something (the Constitution cannot be
superseded by any law), in a sort of back-handed way, but cool!  I
liked your post about free speech in the U.S.A., too.  I see an
intellectual honesty I didn't expect.

To Jeff and those who share his point of view, what I described really
is what our founding fathers were considering and writing about when
drafting the Constitution.  The intellectual property rights were
meant to be exceptions, the general idea was information was to be
freely disseminated and free and copied as often as possible, more
freely than in any other society in human history, with only
extraordinary efforts being protected by patents and less
extraordinary but significant efforts being protected under what has
become copyright law.  It's part of the freedom of being an American.
Letting information and arts flow freely promotes economic strength
and forestalls tyranny.  There's a trade-off between having people be
able sue someone else (which would require the legal machinery of the
federal government) for using any thought they may have expressed or
used and allowing people to exchange information (for example, freedom
of speech) without fear of interference or prosecution by the federal
government.  In the U.S., we've struck a balance decidedly toward
information and ideas being expressed and disseminated as freely and
openly as possible, with a consequence that intellectual property
rights are not always cut and dry, and are a little less protected
than you might think.

In the U.S., we let wackos carry guns, we let hate groups babble on
incessantly, and we let home MD users record CDs they don't own.  The
first two are obviously unethical, you think the third is unethical
and I don't.  But all three are legal in the U.S. (unless the wacko
has a criminal record or something).   As a practical matter, I just
don't see the harm unless you are pushing someone else's music as a
commercial product and generating a revenue stream, while you see harm
in revenues foregone by those who own the intellectual property rights
but have people listening to their music for free.  You think of it as
stealing, which I think is preachy and harsh and conceptually
incorrect, but I understand where you're coming from.  It would be
very tough to prosecute someone criminally in this country based on
such speculative harm.  

Now if you're selling minidiscs you made of a CD (whether you owned
the CD or not) on the street corner or on e-bay, bang-zoom you're
outta there, and in for a hefty fine at the very least.  That's
commercial use.  It's not a matter of if you owned the CD etc. you
recorded to MD, it's a matter of what you do with the MDs you
recorded.

Is trading an MD with your good friend commercial use?  I don't think
so.  But it's a grey area, I admit.

In all honesty, I think your being troubled by home recording of CDs
that people don't own themselves is understandable and is principled.
It's just not the balance we have chosen in the U.S. and the reasons
are rooted in our Constitution and in our history.  We've chosen to
let the music flow like wine.  The results have been incredible.
Enjoy!!!  As a general rule, in the U.S., not until someone is very
clearly making a buck off of someone else's music, in a very concrete
way, does it become illegal.  After all, copyright infringement may be
prosecuted as a crime, and the legal standards for proving a crime are
usually quite high in this country, since we don't want the government
to be able to prosecute willy nilly every hate-mongerer or home
recordist.  We prefer to be free.  We don't want the government
snooping around in our minidiscs.  ; )

At least that's the way I see it.  Believe me, these are far from
original ideas, they are just high-tech manifestations of ideas which
had their incipiency over 234 years ago, and they've changed the
world.  In my experience, the views I have expressed are pretty common
fodder in scholarly legal circles.  Perhaps, when you come to terms
with the literal, clear meaning of the AHRA, you will be less
astonished now.  

BUT I DOUBT IT   ;  )

Regards to the list,   Steve


On Mon, 27 Dec 1999 07:32:05 +6, in  you wrote:

 | The core of United Staes copyright law is the Constitution, laid down
 | by our founding fathers.  You perhaps do not understand the AHRA or
 | the United States Constitution.  See below.
 
 All of which was superceded by the Copyright Act of 1976, better
 known internationally as the Berne Agreements, which is explicitly
 clear as to what you are allowed to copy.  The AHRA is a
 clarification of and extension to the Copyright Act of 1976.

Wow!!! Thanks Jeff!!! (for the following:)

Well, the Constitution was not (and cannot be) superceded by any mere 
law, but Steve's interprtation of that document is not one that's 
likely to be accepted by any court hearing a copyright case.


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Re: MD: MD Trading

1999-12-27 Thread goobster


Sec. 1008. Prohibition on certain infringement actions



No action may be brought under this title alleging
infringement of copyright based on the manufacture,
importation, or distribution of a
digital audio recording device, a digital audio
recording medium, an analog recording device, or an
analog recording medium, or based on the noncommercial
use by a consumer of such a device or medium for
making digital musical recordings or analog musical
recordings. 

---

Okay, clarification is needed for some (let's shorten
the definition):

No action may be brought under this title alleging
infringement of copyright based on [...]  the
noncommercial use by a consumer of such a device or
medium for making digital musical recordings or analog
musical recordings. 

---

The word "non-commercial" is more than likely to mean
"not intended for making a profit", and the rest of
AHRA deals with explicit prohibition on making a copy
and using it for making a profit without an explicit
permission of the copyright holder (who in that case
is entitled to royalties). 

Let's look at reality: please cite a single case
(documented, so we can all look it up) when law
enforcement could prove copyright violation without
defining it as an intent of making of profit from
copying a work of art (CD, etc), be my guest. 
__
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Talk to your friends online with Yahoo! Messenger.
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Re: MD: MD Trading

1999-12-27 Thread Stainless Steel Rat


-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

* goobster [EMAIL PROTECTED]  on Mon, 27 Dec 1999
| analog recording medium, or based on the noncommercial
| use by a consumer of such a device or medium for

"use" means use, not distribution or redistribution.

'nuff said.
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RE: MD: MD Trading

1999-12-27 Thread Dan Frakes


"Thomas, Ferris" [EMAIL PROTECTED] wrote:
The hurdle to winning the argument that trades are legal (and 
not infringement on copyright) would be to convincingly define a 
trade as a "noncommercial" exchange... This assumes that it is a 
product for product with neither parties coming out 
ahead--i.e. profiting--from the exchange.

By that argument, it would be acceptable only if I gave you all copies of 
an album so that I did not have a copy in my possession, and you gave me 
all copies of another album. In that scenario neither party comes out 
ahead and/or profits. However, when I give you a copy of an album and you 
give me a copy of an album, we both come out ahead because we both have 
an original album and a copy of another album. So we both now have two 
albums whereas before we only had one each. That's "coming out ahead" and 
profiting in my book grin
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Re: MD: MD Trading

1999-12-26 Thread Jeffrey E. Salzberg


 
 We're not talking about bootlegging CDs by the tens or hundreds of
 thousands, just you and a mate helping each other out. 

So it's OK for me to steal your car, as long as I only drive for a 
few miles?


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http://www.cloud9.net/~salzberg
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Re: MD: MD Trading

1999-12-26 Thread Stainless Steel Rat


-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

* "PrinceGaz" [EMAIL PROTECTED]  on Sun, 26 Dec 1999
| Nobody is hurt if you weren't gonna buy the material anyway.  Indeed you're
| helping all the peeps who work for blank media manufacturers [Gaz thinks
| this is a intenable position to maintain but does so anyway!]

I wasn't going to buy your shareware anyway, becuase you are charging a
ridiculous price for something that costs next to nothing to manufacture.
Diskettes and CD-R blanks are cheap, after all, and I am helping the media
industry by buying them instead of your software, right?  And I am not
hurting you at all, am I?

Hypocrite.
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Re: MD: MD Trading

1999-12-26 Thread PrinceGaz


From: "Stainless Steel Rat" [EMAIL PROTECTED]
 * "PrinceGaz" [EMAIL PROTECTED]  on Sun, 26 Dec 1999
 | Nobody is hurt if you weren't gonna buy the material anyway.  Indeed you're
 | helping all the peeps who work for blank media manufacturers [Gaz thinks
 | this is a intenable position to maintain but does so anyway!]

 I wasn't going to buy your shareware anyway, becuase you are charging a
 ridiculous price for something that costs next to nothing to manufacture.
 Diskettes and CD-R blanks are cheap, after all, and I am helping the media
 industry by buying them instead of your software, right?  And I am not
 hurting you at all, am I?
 Hypocrite.

By copying stuff you would never have bought I would say you are harming
none.  If some guy copied my shareware games who would never have paid
the registration fee anyway, I've lost nothing and actually helped make the
world a better place.  You can't argue with that!?

Cheers,
PrinceGaz -- "Blessed Be."


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RE: MD: MD trading

1999-12-26 Thread Simon Gardner


 Yes, ethics matter.  But copying a friend's CD is not unethical.  And
 in the United States, it's not even illegal.

You may wish to re-read the AHRA - it allows copies of works *you* have
bought, not anyone else. The idea is that it's "reasonable" to let someone
take a copy of something they've bought and put it onto another medium (be
it MD, CDR, tape, whatever) for their personal use. The idea is that you're
not ripping anyone off because you're not using both copies at once - it'd
be unreasonable to expect someone to re-buy their music on MD.

It doesn't give you the right to copy stuff bought by others. In effect, the
AHRA extends your rights to be able to tranfer recordings between mediums
for *your* use.

Simon

Have a great xmas everyone - I'm just taking 10 mins off to get away from my
grandparents after dinner :p



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Re: MD: MD Trading

1999-12-26 Thread Andrew Hobgood


 C'mon guys, this is a MiniDisc list.  We've all got minidisc stuff and I bet 99% of 
you
 have used it for unauthorised recordings.  If we really want to enter the silly 
season

Unauthorized doesn't mean copying borrowed material.  When you purchase a CD
in the United States, you become the owner of that copied piece of material,
and inherit a certain limited set of rights with it.  You are allowed under
the AHRA (Audio Home Recording Act) to make a copy of a CD which you have 
legally purchased for personal use.  Personal use doesn't mean non-commercial,
it means PERSONAL.  That is, you are allowed to listen to it and are not 
permitted to give it away.

Count me as part of the 1% that has never copied a borrowed album to MD.  The
only unauthorized recordings that I've made are of live concerts.

 were the discs 74min long the same as CDs?  Now that some CDs break the standard
 up to about 80mins, guess what... 80min MDs!!!

Yes, but that means for personal use only.

/Andrew

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Re: MD: MD Trading

1999-12-26 Thread Stainless Steel Rat


-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

* "PrinceGaz" [EMAIL PROTECTED]  on Sun, 26 Dec 1999
| By copying stuff you would never have bought I would say you are harming
| none.

If you would never have bought it in the first place, you have no legal or
moral right to make a copy from someone else who has.

| If some guy copied my shareware games who would never have paid the
| registration fee anyway, I've lost nothing and actually helped make the
| world a better place.  You can't argue with that!?

Say that when your food is paid for by those shareware fees.
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Re: MD: MD Trading

1999-12-26 Thread PrinceGaz


From: "Stainless Steel Rat" [EMAIL PROTECTED]
 * "PrinceGaz" [EMAIL PROTECTED]  on Sun, 26 Dec 1999
 | By copying stuff you would never have bought I would say you are harming
 | none.

 If you would never have bought it in the first place, you have no legal or
 moral right to make a copy from someone else who has.

wot are all those guys in the blank disc / tape factories gonna do if we stop
buying blanks.  Do you wanna put em all out of a job?  You would of course
cos I bet at least 90% of blank MDs are used to copy CDs.

 | If some guy copied my shareware games who would never have paid the
 | registration fee anyway, I've lost nothing and actually helped make the
 | world a better place.  You can't argue with that!?

 Say that when your food is paid for by those shareware fees.

Here in Britain we still have a decent Social Security system to ensure almost
everyone at least has a roof over their head and food to eat.

Cheers,
PrinceGaz -- "Blessed Be."


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Re: MD: MD Trading

1999-12-26 Thread Magic


- Original Message -
From: PrinceGaz [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, December 26, 1999 8:23 PM
Subject: Re: MD: MD Trading



 Here in Britain we still have a decent Social Security system to ensure
almost
 everyone at least has a roof over their head and food to eat.

Tell that to the hundreds of people you see everyday selling "The Big Issue"
on the streets, I'm sure they could tell you a few things about the
realities of our social security system.

Magic
--
"Creativity is more a birthright than an acquisition, and the power of sound
is wisdom and understanding applied to the power of vibration."

Location : Portsmouth, England, UK
Homepage : http://www.mattnet.freeserve.co.uk
EMail : [EMAIL PROTECTED]


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Re: MD: MD Trading

1999-12-26 Thread Jeffrey E. Salzberg


 Nobody is hurt if you weren't gonna buy the material anyway. 

Many of the CDs in my collection are of music that I decided to buy 
long -- sometimes years -- after first hearing it; if a friend had 
given me a bootleg copy of any of those recordimgs, I'd not have 
bought it so long afterward.


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http://www.cloud9.net/~salzberg
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Re: MD: MD trading

1999-12-26 Thread Steve


On 25 Dec 1999 08:48:01 -0500, in  you wrote:


You obviously feel strongly about this, but are somewhat misinformed.  Take
a look at the Berne agreements on international copyright law, which in the
US is known as the Copyright Act of 1976, and is the core of US copyright
law.  They were not laid down by our founding fathers.  They were not
purchased from the US congress.

The core of United Staes copyright law is the Constitution, laid down
by our founding fathers.  You perhaps do not understand the AHRA or
the United States Constitution.  See below.

Copyright law is governed in the U.S.by the United States
Constitution, which is the supreme law of the land.  Statutes are
merely congress' implementation of the constitution.  There is a
provision in the Constitution dealing explicitly with copyright law.
It trumps all else.

Our founding fathers sought the free flow if information as the
economic oil that would promote our economy, and it worked gloriously.
Intellectual property rights are the EXCEPTION to this free flow of
information.  They were meant to be narrowly construed.  

Result:  as a constitutional matter in the U.S., benefit of the doubt
will often go to the MP3 manufacturer, the college kid running the web
site, the hobbyist trading MDs, the music fan recording music off of
the radio, the television viewer taping a TV show, etc. etc.  That's
how it works in the U.S., over and over and over, despite ne'er do
wells yelling THIEF at every turn.  Federal judges understand this
very well.  Other nations were not founded on this principle in the
way the United States was.

The American Home Recording Act (AHRA) makes things explicitly legal
which would have been legal anyway if anyone was ever dumb enough to
prosecute a home recordist.  The powerful and wealthy recording
industry managed to get SCMS and the extra fees from MD sales out of
the deal though.

Read the AHRA, not a summarization of it or someone else's
interpretation of it.  It means EXACTLY what it says.  It contradicts
what you are saying.


None of this has anything to do with copyright law.  And it has not stopped 
artists like Amie Mann from forming their own labels.

All of these issues derive from copyright law.  The power of the
recording industry derives from copyright law.  The recording industry
has manipulated the laws in its favor.  Recording artists have fought
long and hard to even the playing field.  The internet may finally
even the playing field.  Thank God.


| Please think.  Recording a friend's CD is unethical?  Think about what
| unethical is.  The law is not ethics, the law is not morals.  Ask
| Muhummad Ali.  Ask Martin Luther King, Jr.

I thought we were discussing a point of law, not ethics.  But if you wish
to discuss ethics and morals, so be it.  Do you really believe that it is
ethically and morally justified to STEAL the ARTIST'S $1.50 per cd sold
because you do not like scummy practices of his record label?  Do you
really believe it is RIGHT to take from the artist what little he does get
from the work he has done?  Is it FAIR that you and your friend get the
artist's work and he gets NOTHING?

The converstion was both about ehtics and the law.  No one is taking
anything from anyone when you trade an MD.  Think about it literally.
In the United States we want to exchange ideas as freely as possible
and still promote creativity.  Thus the NARROW exception of
intellectual property laws, as it puts an economic damper on the
free-flow of information, though it provides an economic incentive for
creativity.  People use and build on each others' ideas all the time
in the U.S.  It's encouraged and it's legal.  It promotes creativity,
freedom and economic growth.  

In response to others, copyright law is frought with grey areas.  It
is not by any stretch of the imagination cut and dry.  All the edges
are fuzzy, as to exactly where the line between legal and illegal is.
As I mentioned above, the issue has very often been resolved in favor
of the human vs. the organization, and in favor of the free flow of
information and ideas.  That's the way our Constitution was meant to
be construed.  

It bothers me when someone gets on their moral high horse and acts
like copying someone else's CD is like shoplifiting.  It's not, either
in the mechanics of the deed, in law, or ethically.  It's simply not
stealing.  It's recording a CD.  Stealing and recording a CD are two
different things.  It's really quite simple.   And recording a CD at
home, even if it's someone else's, is not illegal in the U.S, if you
don't sell it to someone else.  Read the AHRA.  Not what someone says
it says, not the summarization of the statute, but the actual words of
the statute.  It means exactly what it says, no ifs ands or buts.
Hopefully I've opened someone's mind, but I doubt it.

I should have been a little less abrasive in my previous post.  My
apologies.

To those of you who have implied I don't know what I'm talking about,
well, 

Re: MD: MD Trading

1999-12-26 Thread Stainless Steel Rat


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* "PrinceGaz" [EMAIL PROTECTED]  on Sun, 26 Dec 1999
| wot are all those guys in the blank disc / tape factories gonna do if we
| stop buying blanks.  Do you wanna put em all out of a job?  You would of
| course cos I bet at least 90% of blank MDs are used to copy CDs.

What are all those guys making blank media going to do when you put the
recording artists out of work, leaving you with nothing to copy?


| Here in Britain we still have a decent Social Security system to ensure
| almost everyone at least has a roof over their head and food to eat.

*srnk*
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Re: MD: MD trading

1999-12-26 Thread Sydtech


A small point of clarification:

"Trading" traditionally refers to people *trading* (i.e. not selling)
bootlegs of unreleased recordings, usually concerts but often demos, etc.
This is a lot different than "pirating", which is someone duping one (or
more) copies of a commercially available recording and
giving/trading/selling it.  This ranges from making a (tape/CD/MD) copy for
a friend (so they don't buy it) thru ripping MP3s and putting em on an FTP
site thru "apartment pirates" that crank out copies with CD duping machines
and sell them on the street. Pirating is what keeps the record companies up
at night.

This is a small but crucial distinction.  Traditional tape/MD/CD traders are
usually diehard fans that have every bit of commercially available recorded
output from an artist and are first in line at the store anytime something
new is released, but who collect rarities and bootlegs that aren't available
through traditional channels.

There's a direct correlation between the pirating of commercially available
recordings and lost revenues for record companies.  It's a tougher time
proving a loss of revenue for record companies due to "honest" bootleg
trading by fans who will scoop up *any* commercial release by a particular
artist - even lame ripoff tactics like greatest hits packages with a handful
of "new" tracks to guarantee sales to the fanatics (remember Pink Floyd's
"Shine On" box set?).  Some labels recognize that there's a market to
exploit and make the boot stuff available for a fee thru fan clubs, etc.
(Frank Zappa, Grateful Dead, Jimi Hendrix's family, etc).

Scott

BTW, as a side point,  there's a surprising number of artists that make a
lot more money off of live shows than record dealsthey are ripped off
far more by their record companies than by the pirating of commercial
recordings.  But that's another thread.


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Re: MD: MD trading

1999-12-26 Thread Stainless Steel Rat


-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1

* Steve [EMAIL PROTECTED]  on Sun, 26 Dec 1999
| The core of United Staes copyright law is the Constitution, laid down
| by our founding fathers.  You perhaps do not understand the AHRA or
| the United States Constitution.  See below.

All of which was superceded by the Copyright Act of 1976, better known
internationally as the Berne Agreements, which is explicitly clear as to
what you are allowed to copy.  The AHRA is a clarification of and extension
to the Copyright Act of 1976.

[...]
| The converstion was both about ehtics and the law.  No one is taking
| anything from anyone when you trade an MD.

As I have stated rather more eloquently before, BS.  Every time you
illegally copy a copyrighted work -- which under Berne means *ANY* idea set
down in a tangible form -- you steal something from the artist who created
the work.

I suggest *you* read the Copyright Act and the AHRA more thoroughly
yourself, because you seem to have missed the important parts.
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Re: MD: MD trading

1999-12-26 Thread Dan Frakes


Steve [EMAIL PROTECTED] wrote:
Copyright law is governed in the U.S.by the United States
Constitution, which is the supreme law of the land.  Statutes are
merely congress' implementation of the constitution.  There is a
provision in the Constitution dealing explicitly with copyright law.
It trumps all else.

A law cannot violate the Constitution. That's it. If that's what you 
meant by "trumps all else" you are correct.

Result:  as a constitutional matter in the U.S., benefit of the doubt
will often go to the MP3 manufacturer, the college kid running the web
site, the hobbyist trading MDs, the music fan recording music off of
the radio, the television viewer taping a TV show, etc. etc.  That's
how it works in the U.S., over and over and over, despite ne'er do
wells yelling THIEF at every turn.

Lawsuits against MP3 playback devices and the like will lose not because 
of "copyright law" but because the devices are not inherently illegal, 
and while they can be used for illegal activities, they can also be used 
for legal activities. On the other hand, lawsuits against people 
bootlegging concerts and illegally copying and distributing copyrighted 
music will (and have, over and over and over) win because they involve 
explicitly violating the copyright of those works.

The converstion was both about ehtics and the law. No one is 
taking anything from anyone when you trade an MD.

They are taking away a potential customer. This is a free market system. 
Everyone who doesn't own a particular album is a potential customer for 
that album. It doesn't matter if you would have bought the album or not 
-- you are still a potential customer. If a recording medium didn't exist 
for you to copy a CD, you might actually buy the CD. If you wouldn't buy 
it, then you must not really want it.

The theory of "potential customers" and "potential markets" are 
cornerstones of our economic system. You can dislike the system, but 
right now we live in it, and under that system, copying an album, 
photocopying a book, copying software... all of these acts *do* take 
things away from people.

People use and build on each others' ideas all the time in the 
U.S. It's encouraged and it's legal. It promotes creativity, 
freedom and economic growth.

It's legal as long as they aren't blatantly copying someone else's work. 
If they are, and the "inventor" was smart enough to patent their work, 
stealing other people's unique ideas is grounds for losing a patent law 
suit in the U.S.

In response to others, copyright law is frought with grey areas.  It
is not by any stretch of the imagination cut and dry.  All the edges
are fuzzy, as to exactly where the line between legal and illegal is.
As I mentioned above, the issue has very often been resolved in favor
of the human vs. the organization, and in favor of the free flow of
information and ideas.  That's the way our Constitution was meant to
be construed.  

You do realize, of course, that everything you have said about the 
Constitution is solely your opinion, and that there are thousands of 
legal scholars who know more about these issues than you or me who spend 
their lives debating the meanings of and interpretations of the 
Constitution?

It bothers me when someone gets on their moral high horse and acts
like copying someone else's CD is like shoplifiting.  It's not, either
in the mechanics of the deed, in law, or ethically.  It's simply not
stealing.  It's recording a CD.  Stealing and recording a CD are two
different things.  It's really quite simple.

You're right -- it really is quite simple. As simple as stealing. The 
only difference is that stealing a CD off a shelf deprives the store 
owner a piece of inventory, as well.

And recording a CD at home, even if it's someone else's, is not 
illegal in the U.S, if you don't sell it to someone else.

Clarification: it isn't illegal if you are recording a CD *you* own. 
Recording a CD someone else owns is illegal.
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Re: MD: MD trading

1999-12-25 Thread Steve


If you choose to believe that the laws as purchased by the recording
industry from congress represent ethics, enjoy your world.  The
recording industry will screw artists, consumers, and anyone else who
stands in the way of Mr. Greenback, and will use their money to make
the laws fit this purpose.  Please think.  Recording a friend's CD is
unethical?  Think about what unethical is.  The law is not ethics, the
law is not morals.  Ask Muhummad Ali.  Ask Martin Luther King, Jr.   

Yes, ethics matter.  But copying a friend's CD is not unethical.  And
in the United States, it's not even illegal.  You make believe you
know it's illegal to trade MDs.  The truth is nobody knows and the
recording industry would never contest the issue in court because
they'd likely loose and the world would laugh in their face, just like
it did with the MP3 debacle.

You know what happened when the recording inustry tried to SUE in
FEDERAL COURT to make selling an MP3 recorder illegal?  They LOST.
Big-time.  That frivolous, greedy little incident likely cost the
taxpayers tens or hundreds of thousands of dollars.  THAT'S unethical.

Is it illegal to trade CDs?  I don't think so.  By the way, the
recording industry would have you believe it's illegal to sell used
CDs.  WRONG.  It's not unethical and it's not illegal.  Just because
the recording industry doesn't get any more money in their pocket
doesn't mean it's illegal or unethical.  Trading MDs is a grey area,
yes.  But not because it's unethical or immoral.  It's a grey area
because the law is so messed up.  

You know, every MD that's sold in the U.S. includes a fee that goes to
the recording industry, even if all you do with it is record your own
CDs.  You know what?  That SUCKS.  Maybe that's unethical, eh?  The
least you can do is catch a guy a break if, having paid this fee, he
wants to trade MDs with a friend.

Copyright law was meant by our founding fathers to promote the arts
and creativity and strengthen our nation through economic incentives.
It wasn't meant to line the purses of the recording industry.  The
recording industry didn't even exist at the time.  The recording
industry is not creative.  The recording artists are.  You think the
recording artists like the recording companies?  Hahahhahahaha!
The recording companies STAND IN THE WAY of creativity, day after day
after day, in tis businesss practices and during recording sessions.
And you want to arm them to the teeth with copyright law?  

Where is the line?  Is it illegal to SELL an MD of a CD?   YES.  It
may even be unethical.  Is it illegal give a CD as a gift?  NO.  Is it
illegal to give away a home-recorded MD as a gift?  Is it illegal in
the United States to record someone else's CD to MD for personal use?
NO.  Is it illegal to give it away as a gift?  NO.  Is it illegal to
trade it?  Grey.  Is it unethical to trade it?  Maybe you think it is,
but please, it's not unethical simply because the recording industry
wants it to be illegal.

You are implying people who trade MDs are unethical.  That's pretty
harsh.  I'm stating explicitly I think you should think things through
a little more.  FYI, I have never traded an MD.  I don't even know
anyone else with an MD recorder.  Trading MDs is not exactly a pox on
our society.  Please, just because someone asks a question about
trading  MDs, and if they could be prosecuted for doing so, don't take
some potshot about ethics.  It's a very rational question, and it's
not a sign of someone who is unethical.  Most likely, it's a sign of
someone who loves music, and who buys lots and lots of music.

Just my opinion of course.  I'll never touch the subject again.

Do I think I changed your mind?  NO.


Regards to the list,  and Merry Christmas,  ; )   Steve



On Fri, 24 Dec 1999 15:26:29 +6, in  you wrote:


 I would like to do some MD trading of some popular music groups.
 However, before I do, I would like to know if it is in violation of
 the copyright laws to copy and trade minidiscs which have been
 recorded from an original CD.

Yes, it is, unless you are the copyright owner or have written 
permission from the copyright holder.

 Does anyone have knowledge in this
 matter?

Yes.

 Could you point me to any links which explains the copyright
 law?

http://library.stanford.edu/cpyright.html

You might also do a web search on "copyright" and "fair use".

 Has anyone heard of anyone being charged if it is indeed a
 violation of the law?

Does it matter?  Is it "wrong" only if you get caught?  Do ethics
count for anything?


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Re: MD: MD trading

1999-12-25 Thread Stainless Steel Rat


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Hash: SHA1

* Steve [EMAIL PROTECTED]  on Sat, 25 Dec 1999
| If you choose to believe that the laws as purchased by the recording
| industry from congress represent ethics, enjoy your world.

You obviously feel strongly about this, but are somewhat misinformed.  Take
a look at the Berne agreements on international copyright law, which in the
US is known as the Copyright Act of 1976, and is the core of US copyright
law.  They were not laid down by our founding fathers.  They were not
purchased from the US congress.

| The recording industry will screw artists, consumers, and anyone else who
| stands in the way of Mr. Greenback, and will use their money to make the
| laws fit this purpose.

Oh, sure.  You spend $15 at the local shop for an audio CD.  The shop keeps 
about $5 of that, the shop's distributor gets another $5.  Of the
remainder, the artist gets $1.50; the remaining $3.50 goes to the record
company.  The exact ratio is subject to the contract signed between artist
and label, but these values are fair approximations.

None of this has anything to do with copyright law.  And it has not stopped 
artists like Amie Mann from forming their own labels.

| Please think.  Recording a friend's CD is unethical?  Think about what
| unethical is.  The law is not ethics, the law is not morals.  Ask
| Muhummad Ali.  Ask Martin Luther King, Jr.

I thought we were discussing a point of law, not ethics.  But if you wish
to discuss ethics and morals, so be it.  Do you really believe that it is
ethically and morally justified to STEAL the ARTIST'S $1.50 per cd sold
because you do not like scummy practices of his record label?  Do you
really believe it is RIGHT to take from the artist what little he does get
from the work he has done?  Is it FAIR that you and your friend get the
artist's work and he gets NOTHING?
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Re: MD: MD trading

1999-12-25 Thread Jeffrey E. Salzberg


 
 If you choose to believe that the laws as purchased by the recording
 industry from congress represent ethics, enjoy your world

No, I'm not talking about laws at all in this case (and, by the way, 
the laws that govern this predate both the recording industry and 
Congress; their antecedents predate this country entirely).

When you duplicate someone else's intellectual property without 
permission, you are as guilty of stealing just as much as if you took 
their car.



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Re: MD: MD trading

1999-12-25 Thread Jeffrey E. Salzberg


 
 Yes, ethics matter.  But copying a friend's CD is not unethical. 
 And in the United States, it's not even illegal.

If wanting it to be so *made* it so, you'd be right.

Distributing copies of copyrighted material without permission is, 
indeed, illegal.

  You make believe
 you know it's illegal to trade MDs.

Not at all.  You may trade MDs all you want -- as long as they don't 
contain copyrighted material for which you don't have permission. 

  The truth is nobody knows and
 the recording industry would never contest the issue in court
 because they'd likely loose and the world would laugh in their face,
 just like it did with the MP3 debacle.

When it's detected on a large scale, it's taken to court -- 
regularly.

. . .And the recording industry wins -- regularly.

 You know what happened when the recording inustry tried to SUE in
 FEDERAL COURT to make selling an MP3 recorder illegal?  They LOST.


This is an entirely different issue.  The industry lost because it 
was ruled (rightly) that what they wanted to do was "prior restraint" 
-- they wanted to put in restrictions because people *might* steal 
the work.  In a situation in which someone demonstrably *has* stolen 
the work, the law is squarely on the side of the owners of the work 
in question.
 
Trading MDs is a grey area,
 yes.

No.  It's actually quite clear.  When you steal someone's property -- 
whether real, personal, or intellectual -- you're a thief.  The fact 
that you want the property doesn't change this -- nor does the fact 
that you *reallyt* want it.

  But not because 
it's unethical or immoral.

*EXACTLY* because it's both illegal and unethical.

 You know, every MD that's sold in the U.S. includes a fee that goes
 to the recording industry, even if all you do with it is record your
 own CDs.  You know what?  That SUCKS.  Maybe that's unethical, eh?

Absolutely.

wrong + wrong  right.


 Copyright law was meant by our founding fathers to promote the arts
 and creativity

Yes, and stealing the fruits of someone's creativity lessens the 
incentive to create more.

 The recording industry is not creative.  The recording artists are. 
 You think the recording artists like the recording companies?


You're really big on non sequiturs and irrelevancies, aren't you?
 
 You are implying people who trade MDs are unethical.

Not at all -- as long as they have the rights to the material.

  I'm stating explicitly I think you should think things
 through a little more.

I deal with intellectual property issues regularly in my work; it's 
unlikely you've considered them to the degree I have.



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re: MD: MD Trading

1999-12-25 Thread Capt Crankup


MD Trading of copies of original CDs is definitely illegal - no grey areas,
that's piracy.

Most traders on the net (including myself) trade in recordings of concerts
that someone has taped (via various sources) and then offered for swaps
or blanks and postage if the person has nothing to offer.  These are the
grey area recordings as we are not denying the artist or producer any royalties,
and also not profiteering ourselves.   People who sell these trades are
condemned and flamed big style in my experience.   A lot of artists are
cool to this, Phish come to mind.  Neil Young is pretty relaxed about it - there
was even a tapers area at the HORDE shows in 97.   Bruce Springsteen
doesnt dig it and there was an article on Wired News a couple of years
ago about a BS fan being busted by the RIAA, who traded on the net.  He
entered the dodgy area of having people send him cash to cover the blank
tape and postage which the RIAA turned into profiteering (bootlegging).

An excellent book on the subject is Clinton Heylin's "Bootleg: The Secret
History Of The Other Recording Industry" - ISBN: 0312142897.

Regards,
Andy

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Re: MD: MD Trading

1999-12-25 Thread PrinceGaz


Hi all,

Seems a bit of a hot cookie today, this copyright stuff.  Perhaps satan delivered a CD 
or
two to some peeps for xmas and they are already thinking of all the CDs their friends
must have received and are counting their supply of blank MDs.

And why not?  Copyright law sucks.  Big time.  My view is so long as you don't sell
unauthorised recordings of music, films, games, or anything for a profit, then it's 
sorta
alright and I dunno why anyone gets so excited.  The one minor exception to this would
be a program I released as shareware and which I received a fair amount of cash for
and would hope anyone who hacked the registration is doomed to eternal damnation!

We're not talking about bootlegging CDs by the tens or hundreds of thousands, just
you and a mate helping each other out.  I'm not even talking about burning a few copies
of a top album in your CD-RW drive and selling them at a car boot sale (which I 
disagree
with), it's getting a copy of something you would never have bought anyway so nobody
loses out.  At least thats what I tell myself when I take a shed full of CDs back to 
the
local library and stop off at Richer Sounds to replenish my supply of blank MDs :-)

C'mon guys, this is a MiniDisc list.  We've all got minidisc stuff and I bet 99% of you
have used it for unauthorised recordings.  If we really want to enter the silly season
spirit, recording works from the radio is illegal, so is the film "The Italian Job" 
I'm taping
here in England from the BBC- despite paying a television licence fee :-(  Well if I 
give
them to my neighbour to watch / listen to it is.  Minidisc was made for copying CDs, 
why
were the discs 74min long the same as CDs?  Now that some CDs break the standard
up to about 80mins, guess what... 80min MDs!!!

I would like to point out that the above are my views and do not necessarily represent
the law of this or any other country, and that I am not indicating that I have actually
performed any of the above activities whether stated explicitly or implied.  Does that
satisfy you legal types out there?  Rat?

Cheers,
PrinceGaz -- "Blessed Be."

Email: [EMAIL PROTECTED]
Website: http://website.lineone.net/~princegaz/
ICQ: 36892193


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