Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Chris Brogden

Ok, but the Optio 430 doesn't have an uncompressed mode either.

chris



On Sun, 11 Nov 2001, Shel Belinkoff wrote:

 Juan, Chris ...
 
 We were looking at an Optio 430, not a 330.
 
 Chris Brogden wrote:
 
 Juan wrote:
   The print had the resolution handwritten in the back--it was the max
   resolution the 330 allows. I asked the salesman if it was an
   uncompressed file, and he said yes. Yet, the artifacts we were seeing
   might well have been compression artifacts, since they did seem too
   big for a 3+ megapixel file.
  
  Guess what?  The 330 doesn't have an uncompressed or .tiff setting...
  every single shot it takes is compressed in a .jpg format.  If the
  salesman answered your question without even knowing the correct answer,
  then I'd at least question the accuracy of his other information.
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OT: Voigtlander 125mm f/2.5 Macro Apo Lanthar

2001-11-12 Thread Anthony Farr

For the MF traditionalists:

- Original Message -
From: [EMAIL PROTECTED]

(snip)
 =
 MORE NEWS...
 =
 125mm lens from Voigtlander

 Voigtlander is introducing a 125mm lens to its SL range, designed
 specifically for manual SLR bodies. The German manufacturer says the
new
 addition forms part of a 'back-to-basics' strategy, aiming to provide
 high quality lenses for users of older camera models. The 125mm f/2.5
 Macro Apo Lanthar lens is constructed from a solid all-metal barrel
and
 mount construction, featuring Apochromatic Lanthar glass elements and
a
 chrome-finish knurled focusing ring. Complete with a metal square lens
 hood with bayonet fit, the device has a macro ratio of 1:1.  Arriving
 later this month, the lens will be available in a Nikon AI-S mount,
with
 further fittings to follow, including: Canon FD, Olympus OM, Pentax
 PK-A/R, Yashica CY-MM, Praktica M-42, Minolta MD, Canon EF and Minolta
 MA (the last two functional in manual settings only).

 (Read more in this week's printed issue of BJP)
 (snip)
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Re[2]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Bob Walkden

Hi,

if you ever get the chance you should go to one of the Eyestorm
galleries (www.eyestorm.com). They have prints by the Magnum
photographers, ex-Magnum photographers such as Salgado, and other
great-but-not-Magnum photographers. These prints include pigment,
inket, silver etc. versions, which you can see side-by-side in good
viewing conditions. The digital prints are every bit as good as the
silver prints. This includes colour prints. For instance, a
poster-sized digital print of McCurry's 'Afghan Girl' is quite
breathtaking.

I've just had a couple of prints in an exhibition. They are bw
digital prints from Scala slides, printed on 60x80cm paper. When we
were hanging the exhibition one of the other photographers, who is a
good printer, looked at my photos and said 'You won't be seeing much
like that for longer'. I asked what he meant. He said 'Well digital's
taking over. You'll never see good quality silver prints like that
again'. I told him they were digital and he shuffled off looking very
glum indeed.

The digital prints are all cheaper than equivalent chemical prints.
although it costs more to gear up for digital printing than it does
for chemical printing, the digital stuff is hugely more convenient and
in many cases has multiple uses, including non-photographic uses. I've
seen hundreds of exhibitions by world-class photographers in
world-class venues of both digital and chemical prints. I'm convinced
that digital output is now as good as chemical printing, and in my opinion
more people can produce exhibition-quality photographs more easily using
digital output than ever could using chemical means.

---

 Bob  

mailto:[EMAIL PROTECTED]

Monday, November 12, 2001, 1:21:09 AM, you wrote:

[...]

 My experience, every time someone has showed me their digital print from an
 inkjet printer saying it is as good as a photographic print is to think,
 obviously you have never seen a good color print.

 All this is not to say digital is no good. But it is not up to the best 35mm
 work yet.

[...]

 I am not a Luddite. There is digital stuff as good as film, but it is not in
 the consumer price range yet. Kodak says it's 6mp cameras are good enough
 for a double spread magazine spread with a 150 line halftone screen. I don't
 know about you but to me that is not photographic quality. If you can not
 tell the difference between your photographic print and a magazine image,
 you need to go find a better lab.
[...]
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Re: Nostalgia

2001-11-12 Thread Tom Rittenhouse

You don't fool me Bill. You are just trying to get a bunch of cameras
together in the hopes you can trade them for a second MZ-S.

--graywolf
-
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


- Original Message -
From: Bill Owens [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, November 11, 2001 10:28 PM
Subject: Re: Nostalgia


 Well, I got the Oly
   http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1293722119

 Now if I can just find a reasonable Lynx 14.  I carried a Yashica Lynx 14
 all over Europe in 1967 and really enjoyed it.  I usually shot Agfachrome
64
 rated at 100 and the slides are still in great shape after nearly 35
years.

 Bill, KG4LOV
 [EMAIL PROTECTED]

 - Original Message -
 From: Frank Theriault [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Sunday, November 11, 2001 8:51 PM
 Subject: Re: Nostalgia

  Hi, Bill,
 
  I don't know about the Olympus, but I've been looking for a Yashica Lynx
 14 as
  well, and you're right, they aren't that cheap.  As I've mentioned here
  before, I got an Electro 35 on eBay a few months ago, and as much as I
 like
  it, I don't like the fact that it's aperture priority, with no manual
  over-ride.  I'd love the Lynx 14, for the fast lens, and full manual
  operation, but they ain't cheap;  hard to find one for much less than
 $100US.
 
  Oh well...
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Re: Rebuilding the computer. Chapter II

2001-11-12 Thread paul . x . wilkinson

Glad to see the build went well  :)

My grandparents live in Aldridge - does that count?

Cheers
P.





I have to thank you guys for all the good advice over the past
few days. This computer that I bought now has exactly 2 original
components in it, the case and the motherboard. I may have a few
issues with it as well.
I ended up with a 19 Samsung flat screem monitor, and a dual
output video card. This is a cool little piece, it will support
the monitor up to an ungodly high resolution at 60hz, and will
support it at 1200x1600 at 32 bit colour at 85hz. The second
monitor can be run as an extension of the first, at a different
resolution and refresh rate, so I can run my toolbars on a
600x800 screen, get a decent refresh rate and still have enough
system resources to run the big monitor at a good resolution and
refresh rate.
Of course, I could have built the damned thing from scratch for
less than I have paid for the used rig, but this is the price
one pays for being a nice person.

Any of our British subscribers in or near Walsall?
William Robb
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Re: OT: CD-RW Question

2001-11-12 Thread Tom Rittenhouse

Humm? I paid $139 for a new MB with a 900mhz Athlon Thunderbird on it at one
of the local computer shows. I admit it would have cost another $50 with a
1.0ghz processor, but that leaves the question; why would he want to pay
$250 for one? Now maybe with an onboard raid controller and a 1.2ghz
processor. BTW the 900mhz T-Bird is faster than that 1.0ghz P-III.

The preformance increace would not be worth upgrading from 667 to 1000. I
find that you need to double your processor speed to make an upgrade
worthwhile.

--graywolf
-
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 12:14 AM
Subject: Re: OT: CD-RW Question


 In a message dated 11/11/01 8:45:18 PM Eastern Standard Time,
 [EMAIL PROTECTED] writes:

  So far, I have replaced ~everything~ other than the box and
  motherboard.
 
 Here's a thought, Bill.

 A new MOBO, the FR33-Socket 370 w/1GIG Plll processor for $250. You might
 want to stuff a 7200rpm, 20 GIG HDD in it for another $99.
 Then stuff the case full of your old OS(s) and go from there. If you don't
 need the HHD or more RAM*r*, you're into a 1GIG machine for well under
$300
 (US).
 *r*The FR33 takes 1.1GIG of DIMM RAM.

 Suda Mafud
 [EMAIL PROTECTED]
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Tom Rittenhouse

Well Frank, you are going to have to explain your comment below. Now we are
not talking about someone like Fuji who are giving interpolated values. I
guess my reference digital camera would be the Kodak DCS*60 series. Now are
you telling me they don't give an actual 18 megabyte image? Of course the
current generation of film scanners are more than 24 bit. Even my cheap
flatbed is 48 bit.

--graywolf
-
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


- Original Message -
From: Doug Franklin [EMAIL PROTECTED]
 And, to top it all off, you've just (apparently) fallen victim to
 exactly the sort of flim-flammery the camera manufacturers want you to
 fall victim to.  An xMP image from a digital camera is (generally)
 _not_ equal to an xMP image from a scanner.  The scanner actually
 captures 24 or more bits of color data for each of those individual
 pixels.  A digital camera usually only captures one color's worth of
 data for each pixel and interpolates the rest from its surroundings.
 So, the end result is not even as good as comparing an xMP full color
 digital camera image to an xMP scanned image.  The flip side of the
 coin is that a digital image is first generation, where a scanned film
 image is second generation.
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Re: Pentax Optio Digital Camera + Microdrives ?

2001-11-12 Thread Tom Rittenhouse

If they don't have an uncompressed tiff mode they don't need no stinking
micro-drive, they are junk by definition. If they have an uncompressed tiff
mode they still don' need not stinking micro-drive, they need a pcmcia type
III drive. Graywolf said, hiding his Coolpix 100 behind his back.

--graywolf
-
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


- Original Message -
From: Antti-Pekka Virjonen [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 1:28 AM
Subject: Pentax Optio Digital Camera + Microdrives ?


 I wonder, when are they going to make these Pentax digital cameras
 compatible with the IBM microdrive ? I don't see myself buying any
 of these until there is enough storage available for a reasonable
 price (=microdrive). I've been looking at that Canon G2, shame on me!

 Antti-Pekka
 ---
 * Antti-Pekka Virjonen * Fiskarsinkatu 7 D   * GSM: +358 400 789753 *
 * Computec Oy Turku* FIN-20750 Turku Finland * Fax: +358 2 413  *
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Re: Re[2]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Tom Rittenhouse

Sure, sure, I agree. Digital prints from drum scanned 10,000 dpi images
printed on a $10- 20,000 printer are fantastic. I say again I have never
seen a digital print made on a consumer grade printer that is as good as a
good photographic print of the same size.

--graywolf
-
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


- Original Message -
From: Bob Walkden [EMAIL PROTECTED]
To: Tom Rittenhouse [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 3:47 AM
Subject: Re[2]: Pentax Optio Digital Camera - YUH


 Hi,

 if you ever get the chance you should go to one of the Eyestorm
 galleries (www.eyestorm.com). They have prints by the Magnum
 photographers, ex-Magnum photographers such as Salgado, and other
 great-but-not-Magnum photographers. These prints include pigment,
 inket, silver etc. versions, which you can see side-by-side in good
 viewing conditions. The digital prints are every bit as good as the
 silver prints. This includes colour prints. For instance, a
 poster-sized digital print of McCurry's 'Afghan Girl' is quite
 breathtaking.

 I've just had a couple of prints in an exhibition. They are bw
 digital prints from Scala slides, printed on 60x80cm paper. When we
 were hanging the exhibition one of the other photographers, who is a
 good printer, looked at my photos and said 'You won't be seeing much
 like that for longer'. I asked what he meant. He said 'Well digital's
 taking over. You'll never see good quality silver prints like that
 again'. I told him they were digital and he shuffled off looking very
 glum indeed.

 The digital prints are all cheaper than equivalent chemical prints.
 although it costs more to gear up for digital printing than it does
 for chemical printing, the digital stuff is hugely more convenient and
 in many cases has multiple uses, including non-photographic uses. I've
 seen hundreds of exhibitions by world-class photographers in
 world-class venues of both digital and chemical prints. I'm convinced
 that digital output is now as good as chemical printing, and in my opinion
 more people can produce exhibition-quality photographs more easily using
 digital output than ever could using chemical means.

 ---

  Bob

 mailto:[EMAIL PROTECTED]

 Monday, November 12, 2001, 1:21:09 AM, you wrote:

 [...]

  My experience, every time someone has showed me their digital print from
an
  inkjet printer saying it is as good as a photographic print is to think,
  obviously you have never seen a good color print.

  All this is not to say digital is no good. But it is not up to the best
35mm
  work yet.

 [...]

  I am not a Luddite. There is digital stuff as good as film, but it is
not in
  the consumer price range yet. Kodak says it's 6mp cameras are good
enough
  for a double spread magazine spread with a 150 line halftone screen. I
don't
  know about you but to me that is not photographic quality. If you can
not
  tell the difference between your photographic print and a magazine
image,
  you need to go find a better lab.
 [...]
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Ok Shel -

2001-11-12 Thread Bob Rapp

Shel,
Knowing that simplicity is your game - if not you name and Leica reigns
supreme. Here is a must buy for you. One medium format camera that
delivers the legendry mystique of leica in a larger format!

http://cgi.ebay.com.au/aw-cgi/eBayISAPI.dll?ViewItemitem=1296180628

Bob {8-)
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Re[4]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Bob Walkden

Hi,

I have personally printed, on my own Epson Stylus Photo 700, A4-sized
prints from Kodachrome 64 scanned onto Kodak Photo CD which are
better, in my opinion, than R-type supposedly exhibition quality
prints of the same slides produced by one of the leading professional
labs in London. My prints, using consumer-grade equipment (but
professional grade inks and paper) were cheaper, easier to make (for
me) and better quality. It's exactly this that has convinced me to
give up entirely on chemical output, to get a film scanner, upgrade
my PC and buy 2 A3 printers.

I've seen a lot of photographs and I know what exhibition-quality
means. Perhaps you've just been unlucky not to have seen a good
digital print from consumer grade equipment, but they do exist.

---

 Bob  

mailto:[EMAIL PROTECTED]

Monday, November 12, 2001, 10:21:18 AM, you wrote:

 Sure, sure, I agree. Digital prints from drum scanned 10,000 dpi images
 printed on a $10- 20,000 printer are fantastic. I say again I have never
 seen a digital print made on a consumer grade printer that is as good as a
 good photographic print of the same size.
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Re: Re[2]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Antti-Pekka Virjonen

At 05:21 12.11.2001 -0500, you wrote:
Sure, sure, I agree. Digital prints from drum scanned 10,000 dpi images
printed on a $10- 20,000 printer are fantastic. I say again I have never
seen a digital print made on a consumer grade printer that is as good as a
good photographic print of the same size.

I have to disagree. I use the Epson 2000P and the prints (on a good paper) 
are equal or better than the photographic prints of the same size. 

The thing is my originals are 4x5 slides, scanned with a quality scanner :-)
Printouts with the same printer from a (current technology) digital camera file 
would not be very nice.

I get print stability (100 years or more) as a bonus. Also, the color
management is a lot easier with the computer darkroom.

Antti-Pekka

---
* Antti-Pekka Virjonen * Fiskarsinkatu 7 D   * GSM: +358 400 789753 *
* Computec Oy Turku* FIN-20750 Turku Finland * Fax: +358 2 413  *
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Odp: OT:free sites to post pictures??

2001-11-12 Thread Artur Ledóchowski

- Original Message -
From: Maris V. Lidaka, Sr. [EMAIL PROTECTED]
Subject: Re: OT:free sites to post pictures??


 I use Photo.net - there methodology is good and they have lots of
information on the site as well.

I use them too... They're pretty cool, although their pages may load
slowly...
Artur
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Re: Used Pentax gear in Oz

2001-11-12 Thread Peter Jesser

Just for the record, I called by Ted's camera store in Brisbane on my way 
home today and noted some prices. These are Australian dollars, so dividing 
by 2 will give a rough US equivalent:

K mount:
M 200/F4  $195  (I looked at this one a week or so ago. Looks good.)
Super Paragon 35-70   $89
Prinzflex 28/f2.8   $150
Set of three extension tubes   $120

M42 mount:
Takumar 135/f3.5  $100
Vivitar 135/f2.8  $80
Takumar 35/f3.5   $89 and $99 (One looke slightly longer than the other. 
Maybe there were different models(?) I was only looking in the window.)
Takumar 200/f3.5  $150
Takumar 55/f2 $45
Takumar 55/f1.8   $50

I picked up a K-Mount SMC 35/f3.5 for $80 a couple of months ago. I thought 
that was a fair price for a fairly well rated lens in excellent condition. 
(A better price than they are now asking for the non-SMC versions!)

I also picked up a Tamron 300/f5.6 in M42 for $150 (BBAR coating etc). It 
was in excellent condition too. I thought it was a reasonable buy, but 
everyone probably thinks that about their first 300 mm lens :-) I have found 
it to be sharp enough.

Peter Jesser
Brisbane, Australia



_
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Re: Re[4]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Tom Rittenhouse

OK, Bob, send me a print, just a 4x6. If it is as good as a good minilab
print (I admit a good inkjet is better than a poor minilab print) I will
admit it right here in front of the world. If it isn't I will say that too.
Everybody says, you haven't seen my digital prints. I am tired of that, none
I have seen are that good. Anybody can say they are, but the soup is in the
tasting.

Challenge applies to anybody else that thinks their inkjet is photographic
quality as well. By the way if you can see the halftone dots, don't bother
to waste the postage.

Address is:

Tom Rittenhouse
4018 Hiddenbrook Dr
Charlotte, NC 28205
USA

--graywolf
-
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


- Original Message -
From: Bob Walkden [EMAIL PROTECTED]
To: Tom Rittenhouse [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 5:49 AM
Subject: Re[4]: Pentax Optio Digital Camera - YUH


 Hi,

 I have personally printed, on my own Epson Stylus Photo 700, A4-sized
 prints from Kodachrome 64 scanned onto Kodak Photo CD which are
 better, in my opinion, than R-type supposedly exhibition quality
 prints of the same slides produced by one of the leading professional
 labs in London. My prints, using consumer-grade equipment (but
 professional grade inks and paper) were cheaper, easier to make (for
 me) and better quality. It's exactly this that has convinced me to
 give up entirely on chemical output, to get a film scanner, upgrade
 my PC and buy 2 A3 printers.

 I've seen a lot of photographs and I know what exhibition-quality
 means. Perhaps you've just been unlucky not to have seen a good
 digital print from consumer grade equipment, but they do exist.

 ---

  Bob

 mailto:[EMAIL PROTECTED]

 Monday, November 12, 2001, 10:21:18 AM, you wrote:

  Sure, sure, I agree. Digital prints from drum scanned 10,000 dpi images
  printed on a $10- 20,000 printer are fantastic. I say again I have never
  seen a digital print made on a consumer grade printer that is as good as
a
  good photographic print of the same size.
 -
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Re: Re[2]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Tom Rittenhouse

See my challenge to Bob Walkden. Go ahead prove your statement.

While you are at it send me one of those 75 year old prints too. A couple of
years ago Epson said their prints were stable for 75 years. The reds turned
orange in 6 months. Admittedly they are better now, but you can't prove one
has lasted more than a couple of years because the current dyes have only
been used that long.

--graywolf
-
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


- Original Message -
From: Antti-Pekka Virjonen [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 4:52 AM
Subject: Re: Re[2]: Pentax Optio Digital Camera - YUH


 At 05:21 12.11.2001 -0500, you wrote:
 Sure, sure, I agree. Digital prints from drum scanned 10,000 dpi images
 printed on a $10- 20,000 printer are fantastic. I say again I have never
 seen a digital print made on a consumer grade printer that is as good as
a
 good photographic print of the same size.

 I have to disagree. I use the Epson 2000P and the prints (on a good paper)
 are equal or better than the photographic prints of the same size.

 The thing is my originals are 4x5 slides, scanned with a quality scanner
:-)
 Printouts with the same printer from a (current technology) digital camera
file
 would not be very nice.

 I get print stability (100 years or more) as a bonus. Also, the color
 management is a lot easier with the computer darkroom.

 Antti-Pekka

 ---
 * Antti-Pekka Virjonen * Fiskarsinkatu 7 D   * GSM: +358 400 789753 *
 * Computec Oy Turku* FIN-20750 Turku Finland * Fax: +358 2 413  *
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread mike wilson

Hi,

Bob Walkden wrote:
 
 I have personally printed, on my own Epson Stylus Photo 700, A4-sized
 prints from Kodachrome 64 scanned onto Kodak Photo CD which are
 better, in my opinion, than R-type supposedly exhibition quality
 prints of the same slides produced by one of the leading professional
 labs in London. My prints, using consumer-grade equipment (but
 professional grade inks and paper) were cheaper, easier to make (for
 me) and better quality. It's exactly this that has convinced me to
 give up entirely on chemical output, to get a film scanner, upgrade
 my PC and buy 2 A3 printers.

Another, real, bonus (even [especially?]for snapshots) is that,
once you have the setup on a shot that you desire, you can churn
out copy after copy with a single press of a button.  In a
darkroom, if a print takes twenty minutes to make, so does every
one after that.

mike
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Peter Lacus

Aaron Reynolds wrote:

  Ha ha! I'd probably be running Linux if I didn't need all the stinking
  MS
  Office applications to be compatible with the rest of the world.
 
  Photoshop is the other app I use primarily.  Of course that's readily
  available for the Mac.
 
 So's MS Office. :)
 
 Now you have no excuse!  Mac enablement, my other specialty!

welcome to the club, Aaron. Pentax and Mac, what a beautiful
combination. Think different. ;-)

Peter
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Ken Archer

That makes two of us.

On Monday 12 November 2001 00:52, Doug Franklin wrote:
 On Sat, 10 Nov 2001 13:15:33 +1300, David A. Mann wrote:
   I'm configuring a new installation on a 6Gb disk for that machine
  at the moment because I haven't kept the old installation up to
  date (and the drive that holds my root partition has given a few
  errors).

 I love Mandrake! :-)

 TTYL, DougF
-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
Powered by Linux ++ Mailed by Kmail
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Re: RE: I hate my sister

2001-11-12 Thread David Brooks

JFTR I don't really hate her,just would like the camera
if you know what i mean.

Dave


Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: Nostalgia

2001-11-12 Thread Bill Owens

Thanks Frank

As well as I remember, I paid about the same amount just for the manual
adapter I had on my original OM-10.  Now that I'm better educated about
cameras, I'm interested to really give the OTF metering a good workout.

Bill, KG4LOV
[EMAIL PROTECTED]
- Original Message -
From: Frank Theriault [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 8:28 AM
Subject: Re: Nostalgia


 Nice score!

 Bill Owens wrote:

  Well, I got the Oly
http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1293722119
 
  Now if I can just find a reasonable Lynx 14.  I carried a Yashica Lynx
14
  all over Europe in 1967 and really enjoyed it.  I usually shot
Agfachrome 64
  rated at 100 and the slides are still in great shape after nearly 35
years.
 
  Bill, KG4LOV
  [EMAIL PROTECTED]
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Doug Franklin

On Mon, 12 Nov 2001 23:46:05 +1000, Rob Studdert wrote:

 On 12 Nov 2001, at 5:06, Tom Rittenhouse wrote:
 
  me they don't give an actual 18 megabyte image? Of course the current generation
  of film scanners are more than 24 bit. Even my cheap flatbed is 48 bit.
 
 [...] If the sensor is 2000 x 3000 pixels then the 
 the split is 3MP green, 1.5MP red and 1.5MP blue. [...]

Hi Tom,

Rob explained my comment quite well.  I was talking specifically about
the fact that scanners scan every color at every pixel while every
under $20K digital camera I've heard of scans only one color at each
pixel and interpolates the other colors at that pixel.  I guess if you
go up in price high enough you'll find one that does all three colors
at each pixel, but it would be a big son of a gun to get three CCDs and
a color splitter into it.

TTYL, DougF
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Re: Corporate Arrogance

2001-11-12 Thread jbrooks

Just checked, and the answer is no. Unbelievable! IMO Pentax is far too 
reliant on brand loyalty!
Regards
Jim Brooks 

Jim Brooks wrote:
Is the FA24-90 on our website yet? 
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Breaking News

2001-11-12 Thread Bill Owens

According to CNN, an American Airlines 767 has just crashed in Queens, New
York.

Bill, KG4LOV
[EMAIL PROTECTED]
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RE: Cannon 2400UF Scanner

2001-11-12 Thread Mark Roberts

Bob Rapp wrote:

Has anyone had experience or seen any comments about Cannon's 2400UF
scanner. Is said to scan anything up to 4X5 negatives. I have though about
using a scanner to proof my BW negatives.
Also, has anyone used a scanner as a transmission densitometer?

I can't comment on anything except your idea of using the scanner to proof
BW negatives, which is what I do. It has some disadvantages over a contact
sheet (you can't judge the exposure of one negative as compared to another
very well) but I find they're far outweighed by the advantages. By scanning
my negatives I can judge which ones are worth printing and by working with
the contrast and brightness settings in photoshop I can work out a great
deal of what needs to be done in the darkroom. I find it has *drastically*
cut down the amount of time I need to spend in the darkroom to get a good
print (and since I pay by the hour for darkroom time, this is a real money
saver).


-- 
Mark Roberts
www.robertstech.com
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Shel Belinkoff

I don't know what uncompressed mode is, but the 420 does have a .TIFF
format - at least that's what I recall.

Chris Brogden wrote:
 
 Ok, but the Optio 430 doesn't have an uncompressed mode either.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Shel Belinkoff

You won't know that for many years to come.  Just because some marketing
maven says it's so doesn't make it so.  It may, or may not, be true.

Antti-Pekka Virjonen wrote:

 I get print stability (100 years or more) as a bonus. Also, the color
 management is a lot easier with the computer darkroom.
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/pow/enter_pow.html
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Re: Corporate Arrogance

2001-11-12 Thread Bob Blakely

Well, the US seller is generally responsible for selling a product that
works properly (except for used - as is stuff and certain perishables and
the like). Mike did get his money back. I like your UK idea of having your
retailer take up the problem with the manufacturer though...

Regards,
Bob...

Let us contemplate our forefathers, and posterity,
and resolve to maintain the rights bequeathed to us
from the former, for the sake of the latter.
The necessity of the times, more than ever, calls
for our utmost circumspection, deliberation, fortitude,
and perseverance. Let us remember that 'if we
suffer tamely a lawless attack upon our liberty,
we encourage it, and involve others in our doom.'
It is a very serious consideration that millions yet
unborn may be the miserable sharers of the event.
- Samuel Adams, 1771

From: [EMAIL PROTECTED]


 Mike wrote:
  Then I'm not even supposed to be talking to you, Sir.
 
  But I bought a printer from you _yesterday_. Isn't it under normal
  warrantee? What does an extended warrantee have to do with that?
 
  I know, but your normal warrantee is provided by Epson. You'll have to
get
  in touch with them.

 Mike - UK contract law makes it clear that when you purchase something
your
 contract is with the person that sold it to you. If there's a problem with
 the product then the seller has to take that up with the manufacturer. It
 would be illegal in the UK for a seller to refuse to handle a claim under
a
 normal warranty. I am amazed this is not the case in the US too.


 Mike also wrote:
  --
  Unfortunately, the C80 was just out, and the idiots at Epson DIDN'T EVEN
  HAVE ANY INFORMATION ABOUT IT UP ON THEIR WEBSITE yet. I kid you not--a
  product in the stores and not a word about it on the website. So, no
mention
  of the C80 on the pulldown menu.

 Er... how long was the MZ-S out for before the UK website referred to it?
Is
 the FA24-90 on our website yet?
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Re: Second Body

2001-11-12 Thread Ed Dombek

William:

Thank you GREATLY for the comparison. Lots of points to consider.  I have a couple of 
further questions if you don't mind too much:

1. How has the non-metal lens ZX-M mount fared?  I currently have a SMC-A 28/2.8 and 
SMC-A 50/2.8 Macro (ignoring my F and FA lens).  I looking at a SMC-A 135/2.8 now and 
thinking of adding a SMC-A 70-210/4.  How do the heavier lens work?  I'm really 
leaning towards using the second body only with primes as the rest of the family also 
uses the ZX-5n.  

2. This may be a stupid question, but does the ZX-M require a circular polarizer like 
the ZX-5n?

3. You mentioned that the ZX-M's viewfinder in bright light.  Is it as bad as the 
ZX-5n?

4. I never had my old SP CLA'ed.  I've read about issues with the LX, etc.  Is there 
anything to be wary of if I decide to go the SP route when looking for a SP body?

Thanks much!!!

Ed in Illinois


On 09 Nov 2001 10:56:47 -0700, William Johnson wrote:

 Hi,

 I have a couple of Super Programs and and have
 (well, now its my 10yr old daughter's) a ZX-M.  I
 also have a ZX-5n like you. Here's my thoughts
 comparing the ZX-M and Super Program.

 The ZX-M fits nicely with the ZX-5n because they
 have basically the same interface, and use the same
 accessories, such as cable release and battery
 pack.  AF lenses will give you aperture readout in
 the finder in Aperture Priority.  The exposure comp
 dial turns the same direction for over/under as
 the '5n, while the Super Program's turns opposite; 
 I've been burned by that a couple of times.  The 
 ZX-M's finder is smaller and dimmer, but the split 
 image rangefinder works well with lenses as slow
 as f/5.6, perhaps a consideration if you use slow 
 zooms, screwmount lenses with an adapter, etc.
 Also, the lighted viewfinder display is nice in
 lower light, and a welcome improvement over the 
 fiddly hard to push illumination button on the 
 Super Program. Also, if you are shooting in manual,
 the readout in the ZX-M will show you when you are
 within 1/2 stop of correct exposure, vs. 1 stop with 
 the Super Program. 

 You also get electronic dof preview with the ZX-M, 
 which is cool.  The ZX-M is pretty much all plastic, 
 but I found it to be pretty tough little beast, 
 surviving several drops and falls, rain, snow, etc.

 Despite all this, my 10 year old now has the ZX-M, 
 and I have 2 Super Programs.  FWIW, the Super
 Programs were purchased after the ZX-M. The real 
 joy of the Super Program is the viewfinder,
 especially used with reasonably fast lenses.  The 
 finder is larger, brighter, and contrastier than
 the finder on the ZX-M.  Also, I prefer the finder
 display in moderate to bright light, where the 
 ZX-M's tends to wash out. 

 Hope this helps.
 
 William in Utah. 

_
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RE: Breaking News

2001-11-12 Thread Amita Guha

 According to CNN, an American Airlines
 767 has just crashed in Queens, New
 York.

It was flight 587, left JFK for the Dominican
Republic, crashed after 2 minutes in the air, it
was actually an Airbus 8300, large plane.
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Re: Re[2]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread SudaMafud

In a message dated 11/12/01 3:46:58 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:

 The digital prints are all cheaper than equivalent chemical prints. 
 although it costs more to gear up for digital printing than it does for 
 chemical printing, the digital stuff is hugely more convenient and in many 
 cases has multiple uses, including non-photographic uses. 

But...but; your statement leans heavily on the ~commercial~ side of digital 
imaging to make what is an invidious comparison. Even there, the only real 
advantage digital may have, disappears once medium or small format chemical 
negatives/slides are scanned into digital files. At that point, pure digital 
images still take hindmost to the film to digital files which contain 
literally a world's more information than that of any 1 or 3-pass medium 
format digital back. At that point, film to digital is lord and master 
compared to digital-only files. 

Your statement also does not address the needs of Joe Six-pack and his 
homebound cameras-computers-printers. As it stands, your true multi-Megapixel 
digital to digital output workstation is beyond the means ~or needs~ of Joe.
It is also patently unfair to change the substance of the argument to fit 
your proposal. Surely you're not comparing a small format digital workstation 
at $15,000 to $25,000, to the facilities needed to process medium format 
digital? 
**Especially when a single-pass medium format back costs $25,000 and up? Just 
the lighting for medium format studio digital can cost $75,000 or more. 

The processes you used to produce your silver print are beyond the 
capabilities of Joe's table-top, small format digital processing.

Mafud
[EMAIL PROTECTED]
[EMAIL PROTECTED]
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LX condition (was - Love at the first sight?)

2001-11-12 Thread Matamoros, Cesar A.

Doug,

Your categorizing of your LX as BGN or UG made me think of my
original LX's condition.  Having bought KEH BGN, I know mine is most
definitely described cosmetically as UG.  With dings and brassing and shiny
spots.  My other two are in much better shape with the one from I got from
Shel being in the best.  As a matter of fact it is the one that now carries
the new FA-2 finder I got recently.  It looks sweet without the hotshoe.

So, who has the roughest looking LX?  Some of the details of mine
can be found on my LX tribute page at
http://cesar_abdul.homestead.com/LX.html 

The page also offers my latest one (from Shel) so you can see that I
do have that looks 'nice', though I love the look of my original one.

César Matamoros II
Panama City, Florida


 -Original Message-
 From: Doug Franklin [SMTP:[EMAIL PROTECTED]]
 Sent: Sunday, November 11, 2001 11:32 AM
 To:   [EMAIL PROTECTED]
 Subject:  Re: Love at the first sight?
 
 On Sun, 11 Nov 2001 13:13:11 +0100, Maciej Marchlewski wrote:
 
  Not to make it too long - I just wanted to share with you with a joy of
  photographing and handling an LX. I understand now, why LX is so loved.
 
 There's something about the LX that goes beyond its excellence as a
 camera.  Some other mechanical objects have that same magic in them. 
 Even though my LX is pretty beat up (probably BGN or UG in KEH ratings)
 it still just karmically oozes ... something.
 
 TTYL, DougF
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Don't diss the Diana

2001-11-12 Thread Mike Johnston

Bob R. wrote:

 Shel,
 Knowing that simplicity is your game - if not you name and Leica reigns
 supreme. Here is a must buy for you. One medium format camera that
 delivers the legendry mystique of leica in a larger format!
 
 http://cgi.ebay.com.au/aw-cgi/eBayISAPI.dll?ViewItemitem=1296180628


Don't laugh, Bob--lots of great work has been done with Dianas. I used to
have a wall calendar of Diana pictures, and there are a number of monographs
of Diana pictures. 

You can make art with anything if you're an artist--

--Mike
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Re: OT: CD-RW Question

2001-11-12 Thread William Robb

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 7:36 AM
Subject: Re: OT: CD-RW Question


 In a message dated 11/12/01 1:08:31 AM Eastern Standard Time,
 [EMAIL PROTECTED] writes:

  Quite expensive compared to a wet print if you are doing
your
  own printing, probably 4 times more expensive.

 Interesting. Your price valuation was for a 4x6? What do you
estimate for an
 8x10?

No, my price valuation was for an 8x10. It is not economical to
do 4x6 prints on an inkjet. I can get a 4x6 proof (straight
optical print, colour corrected, but no burning, dodging or
spotting) for Can$0.23, the same from an inkjet would cost over
a dollar. Of course, with the inkjet print, I could do some
burning, dodging, spotting and contrast control as needed.


  if you are paying someone to do printing, then suddenly it
looks
  pretty good from a cost standpoint also.

 But still expensive compared to self-printing in a lab?

Very expensive compared to doing it yourself. Of course this
presumes that the person is an adept darkroom worker, or that
just straight prints are required. If the megative required
extensive burning or dodging, the inkjet print may well be less
expensive because of redos. They do have to be judged on their
own merits. Like an apple and an orange, you can only compare
them in some ways, and not others.
They don't look (taste) the same, but both can be very good, or
very bad.
Also, I still think film is the best way to take a picture. I
have yet to see a 100% digital print that I like.
William Robb
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Aaron Reynolds

On Monday, November 12, 2001, at 12:21  AM, David A. Mann wrote:

 [EMAIL PROTECTED] writes:

 A $4,000 PC ~does~ exceed a $4,000 MAC.

  Of course it does.  A combination of economies of scale, and healthy
 competition in the hardware sector.

  One should not shop on price alone, however.

While I agree that price is not the be-all and end-all, I'd also like to 
point out that parts of the Mac OS that are very important for imaging 
and pre-press cost very seriously large amounts of money to implement 
for the PC.  If you're going to be working with printers other than the 
one attached to your computer, you need to be confident that what you're 
sending is what you'll be getting back.

It all depends on what you're doing.  For me, the Mac OS is the right 
choice.

-Aaron
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I Need Some Help wrt Air Crash

2001-11-12 Thread Shel Belinkoff

My sister lives in the area of the crashed plane.  I've been trying to
reach her ever since I read the news here this morning.  Can't get
through.  Lines down or circuits busy.

If someone lives in Queens, or nearby, could you please call my sister
to find out if she's OK.  I'll provide number off list.  I'd appreciate
any help ...
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/pow/enter_pow.html
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Aaron Reynolds

On Sunday, November 11, 2001, at 08:21  PM, Tom Rittenhouse wrote:

 My experience, every time someone has showed me their digital print 
 from an
 inkjet printer saying it is as good as a photographic print is to think,
 obviously you have never seen a good color print.

Come to my lab. ;)

-Aaron
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Re: OT:I hate my sister

2001-11-12 Thread Aaron Reynolds

On Sunday, November 11, 2001, at 06:00  PM, David Brooks wrote:

 I hate my sister

My brother killed our dad's Spotmatic.  I felt so bad about it that I 
had to go out and buy him another one.

-Aaron
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Aaron Reynolds

On Monday, November 12, 2001, at 01:08  AM, Mike Johnston wrote:
  I love the surface of the matte papers,
 the color purity, and the softness and scale of the tones. It has a 
 sort of
 painterly feel that I particularly like. But I'm not sure I can defend 
 it as
 being photo quality or as good as film or anything like that. I'm 
 also
 not sure I'd want to.

Last week was the first week ever at the store where we sold more 
watercolour/rice paper/odd media prints than 'photographic' style prints.

The freedom to be creative offered by inkjet is intoxicating!

-Aaron
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread William Robb

- Original Message -
From: Shel Belinkoff
Subject: Re: Pentax Optio Digital Camera - YUH


 You won't know that for many years to come.  Just because some
marketing
 maven says it's so doesn't make it so.  It may, or may not, be
true.

Actually, Henry Wilhelm has done fairly extensive testing on
these things. He says the newer pigment based inks will last as
long, or longer than a wet print (colour, blackand whhite fibre
is still king). One does have to choose the paper carefully to
get this life expectancy though. I have in my posession, colour
prints that are less than 10 years old that have faded
noticably, so wet prints have their problems as well.
William Robb
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Mike Johnston

Bob W. wrote:

 I'm convinced
 that digital output is now as good as chemical printing, and in my opinion
 more people can produce exhibition-quality photographs more easily using
 digital output than ever could using chemical means.

If I remember correctly, LensWork is now selling edition fine prints that
they make digitally from original _prints_. That is, they scan a traditional
fine print and reproduce it digitally for sale. www.lenswork.com.

Also, a number of photographers who use the Cone system have told me that
they think their digital prints are _better_ than their traditional prints.
Tina Manley has been using the Cone system for years now for
black-and-white, both for repro and for sale. Incidentally, if you don't
know her work, you should really check it out. www.tinamanley.com.

--Mike
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Aaron Reynolds

On Sunday, November 11, 2001, at 03:08  PM, aimcompute wrote:

 Just curious, how compatible MS office applications are between Mac and 
 PC
 and what kind of time lag there is between release of the Windows 
 version
 and when a Mac version is released.

There are no compatibility issues between the files.  The only issue is 
one of media used for transfer -- while a Mac will quite easily and 
cheerfully read and write a PC formatted floppy or zip or CD, the 
opposite is not true.  Easy solution: always format your discs for PC.

As to lag time, I haven't been closely following the releases.  When was 
the last office for PC?  Office XP?  Office 10 for OS X should be 
shipping soon.  There was a major upgrade for OS 9 last year.

-Aaron
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Aaron Reynolds

On Sunday, November 11, 2001, at 08:04  PM, Juan J. Buhler wrote:

 The print had the resolution handwritten in the back--it was the max
 resolution the 330 allows. I asked the salesman if it was an 
 uncompressed
 file, and he said yes. Yet, the artifacts we were seeing might well 
 have been
 compression artifacts, since they did seem too big for a 3+ megapixel 
 file.

Gotta remember -- just because there was no compression done in-camera, 
that doesn't mean that some clever soul didn't jpeg the hell out of it 
to fit it onto a floppy to take home to his or her printer.

Yet another reason the tower at the store has no floppy drive.

-Aaron
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Re: OT: CD-RW Question

2001-11-12 Thread SudaMafud

In a message dated 11/12/01 4:36:49 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:


 Humm? I paid $139 for a new MB with a 900mhz Athlon Thunderbird on it at one
 of the local computer shows. I admit it would have cost another $50 with a
 1.0ghz processor, but that leaves the question; why would he want to pay
 $250 for one? Now maybe with an onboard raid controller and a 1.2ghz
 processor. BTW the 900mhz T-Bird is faster than that 1.0ghz P-III.
 
 The preformance increace would not be worth upgrading from 667 to 1000. I
 find that you need to double your processor speed to make an upgrade
 worthwhile.
 
It was a suggestion only. I followed your advice with my own upgrade: from 
Plll 450 MHz to Plll 1.2 GIG with 1.024 GIG of RAM, more than doubling my RAM 
(by 640 MB).
I looked at others: a MOBO/900 Athlon combination (Bus speed up to 200 MHz) @ 
$129 ($109 after rebate) was an option, but I was thinking higher.
*I then looked at a MOBO/processor combination of 1.4GIG Athlon (Bus speed up 
to 266 MHz) for $259 (no rebate) but passed for the one I bought. 
**Though I'd love to have a 266 Bus speed MOBO with a 1.4GIG PlV processor!
***I don't do a lot of downloads other than updates and I'm no gamer 
(unless Chessmaster 7) counts, so speed for speed's sake was not a factor.
 
Mafud
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Re: Second Body

2001-11-12 Thread Kristian Walsh

Hi Ed,

The ZX-M was my first camera, and the 5n is my second, so I'm going the 
other way from you :-), but here's my .02 euros worth:

1. The mount is fine. I wouldn't hang a 600mm lens off it, but I have 
used it with my 24mm/f2.0 (around 400g) without any trouble. Okay it's 
polycarbonate, but so is bullet-proof glass: I don't believe Pentax 
would sell the camera with a plastic mount to save costs if it generated 
more returns because it wasn't able to hold their heavier lenses.
Perversely, I think my 43mm/1.9 mates more snugly with the plastic mount 
on the MZ-M than the 5n's metal mount, but then I'm weird...

2. The M is a manual focus camera, so it doesn't need a circular 
polariser. If you don't have any  polariser at all, get a circular to 
use on the M and/or 5n; if you want one for the M only, then a linear 
polariser is fine, and will produce better results.

3. The MZ-M's viewfinder is brighter than the 5n's, as it has a 
fully-reflective mirror sending light to it. The shutter and aperture 
info in the viewfinder can be hard to see in bright light, but is no 
worse than on the 5n.

--
Kristian
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Re: Re[2]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread SudaMafud

In a message dated 11/12/01 5:23:00 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:


 Sure, sure, I agree. Digital prints from drum scanned 10,000 dpi images
 printed on a $10- 20,000 printer are fantastic. I say again I have never
 seen a digital print made on a consumer grade printer that is as good as a
 good photographic print of the same size.
 

Master!
Mafud
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Shel Belinkoff

They're selling photogravure prints, aren't they.  I don't think they're
selling digitally printed photographs, but I could be mistaken.

Mike Johnston wrote:

 If I remember correctly, LensWork is now selling edition fine prints that
 they make digitally from original _prints_. That is, they scan a traditional
 fine print and reproduce it digitally for sale. www.lenswork.com.
 
 Also, a number of photographers who use the Cone system have told me that
 they think their digital prints are _better_ than their traditional prints.
 Tina Manley has been using the Cone system for years now for
 black-and-white, both for repro and for sale. Incidentally, if you don't
 know her work, you should really check it out. www.tinamanley.com.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/pow/enter_pow.html
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35mm lens info on Pentax Japan site.

2001-11-12 Thread Kristian Walsh

Hi,

While looking around Pentax Japan to see if there were any pictures of 
the MZ-6, I came across an interesting PDF. It's the 35mm lens range 
catalogue, and I wonder why one of the regional sales companies hasn't 
translated it into English -- I think it would be very useful:

http://www.pentax.co.jp/japan/product/catalog/pdf/35_lenses.pdf

Okay, it's all in Japanese, but the facts and figures at the end are 
easy to pick out. There are pictures of each lens along with an optical 
diagram. It may be the only place you'll see some of the more exotic 
lenses...

Also, the recommeded prices are given for each lens - up to a massive 
1,300,000 Yen for the FA*250-600 monster zoom...  I wonder does it come 
with its own car for that...? ;-)

--
Kristian
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Re: Pentax Optio Digital Camera - a P.S.

2001-11-12 Thread Dan Scott

Hi Mike,

While I'm sure someone has already set you up (I read the posts late,
lately). I have plenty of unused web space if you need to borrow a few megs
(or tens of megs).

Dan Scott
[EMAIL PROTECTED]

P.S. I hear I'm to get a Pentax Optio 440 for a few weeks to review. If
anybody has some extra web space, can I send you some example shots to put
up? Also, this means I get to participate in the PUG for once!!! I'm looking
forward to that.
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Mike Johnston

Bob W. wrote:

 I've
 seen hundreds of exhibitions by world-class photographers in
 world-class venues of both digital and chemical prints. I'm convinced
 that digital output is now as good as chemical printing, and in my opinion
 more people can produce exhibition-quality photographs more easily using
 digital output than ever could using chemical means.

I agree with this. You may or may not like the look of digital prints as
well as conventional prints, but they're certainly viable.

I've never liked certain processes but I still am able to keep an open mind
with regard to whether they've been used successfully or not. I hate glossy
Cibachrome but I've seen (if rarely!) good Cibachrome pictures. I really
dislike slide film pushed way past its ability to record a subject
brightness range, but I appreciate Alex Webb's work--nobody sees the way his
film sees, but he takes the limitations of slide film and uses it as an
artistic element. He makes it works.

The whole idea of 6 mp being the holy grail and digital needing to duplicate
the amount of information in a 35mm slide is a bunch of hoo-hah if you ask
me. Heck, how much information is there in Capa's picture of the dying
Spanish soldier, or Ernst Haas's blurred bullfighters, or a Michael Kenna
nightscape? Information doesn't have anything to do with art. If it looks
good, then artists can work with it. If artists work with it, then you have
to judge whether it's successful--whether it works for you--based on the
work itself. That's the bottom line.

--Mike
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Re: OT: CD-RW Question

2001-11-12 Thread Aaron Reynolds

On Monday, November 12, 2001, at 08:36  AM, [EMAIL PROTECTED] wrote:

 But still expensive compared to self-printing in a lab?

I think that this kind of estimation depends on several factors --

1) the cost to set up the lab vs. the cost to set up a digital darkroom 
(for colour, digital is significantly cheaper, particularly for larger 
format work)

2) chemical cost: labs that are run daily for extended periods are much 
cheaper chemistry-wise than labs that are run a few times a week, 
because the chemistry will go bad if not used and replenished, whereas 
inkjet ink/dye/pigment costs stay theoretically consistent regardless of 
volume

3) paper: photographic paper is much cheaper per-sheet than good 
photographic-quality inkjet paper (retail -- Kodak 8x10 x100 sheets E 
surface Supra II costs $34.99 CDN, vs. Ilford quick-dry photographic 
satin 8x10 x100 for $79.99, or Tetenal Portrait Luster 8x10 x50 sheets 
for $99.99)

-Aaron
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Points of Order

2001-11-12 Thread Mike Johnston

 Chris Brogden:
 Ok, but the Optio 430 doesn't have an uncompressed mode either.

 Shel:
 I don't know what uncompressed mode is, but the 420 does have a .TIFF
 format - at least that's what I recall.

Nope. The Optio 430 has three resolutions and three compressions but doesn't
support .tiff. There's no uncompressed file capture available.


 Antti-Pekka:
 I get print stability (100 years or more) as a bonus. Also, the color
 management is a lot easier with the computer darkroom.

 Shel:
 You won't know that for many years to come.  Just because some marketing
 maven says it's so doesn't make it so.  It may, or may not, be true.

Don't mean to pick on you here, Shel my friend, it's not quite that
unknowable. Henry Wilhelm runs an independent lab and had been working with
print permanence for many decades (he was part of the original East Street
Gallery that first devised archival washers for black-and-white). His
integrity is unquestioned, and his methods for determining likely print LE
(life expectancy) are by now very sophisticated. He did get blindsided by
the ozone orange fade problem last year, but generally his methods are a
pretty good indicator of likely print LE. After all, it's widely accepted
that the permanence of a good platinum print is 200-500 years, but
photography hasn't been around that long. These claims, while not 100%
certain (what is?) are not just based on marketing.

--Mike
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RE: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Amita Guha

 The freedom to be creative offered by
 inkjet is intoxicating!

It's certainly useful to have one in cases where
you don't have the negatives. Recently, a friend I
grew up with turned 30, and for her birthday I
found old pictures of us together, scanned them,
and printed them on my HP Deskjet 970 Cxi, with
HP's matte inkjet paper. The prints weren't quite
photo quality, but they were pretty close, and my
friend was very happy. :)
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Re: Points of Order

2001-11-12 Thread Shel Belinkoff

I know about Wilhelm, and it's the marketing people who are hyping print
longevity.  When I see a 50+ year old ink jet print that hasn't faded,
I'll believe that they have reasonable longevity.  Over the years many
scientists, engineers, designers, and manufacturers have made
innumerable claims, all based on then current knowledge and information,
and many of those claims have been proven wrong.

Mike Johnston wrote:

 Don't mean to pick on you here, Shel my friend, it's not quite that
 unknowable. Henry Wilhelm runs an independent lab and had been working with
 print permanence for many decades (he was part of the original East Street
 Gallery that first devised archival washers for black-and-white). His
 integrity is unquestioned, and his methods for determining likely print LE
 (life expectancy) are by now very sophisticated. He did get blindsided by
 the ozone orange fade problem last year, but generally his methods are a
 pretty good indicator of likely print LE. After all, it's widely accepted
 that the permanence of a good platinum print is 200-500 years, but
 photography hasn't been around that long. These claims, while not 100%
 certain (what is?) are not just based on marketing.
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/pow/enter_pow.html
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Could be worse

2001-11-12 Thread Mike Johnston

Bob W. wrote:

 It's my intuition that this is one of the things that bothers many people
 about digital printing (though most might not admit it): that it *is* easier.

This has been true for literally the whole history of photography, as each
improvement in convenience makes the hard-won expertise of the previous
generation of practitioners obsolescent. It was true in the 1880s when the
hand camera craze began and started to put portrait studios out of
business.

We're not as unlucky as the English colloquial photographer Paul Martin--he
was a woodcutter for newspapers before mechanical reproduction came along.
In a period of about six years, the entire woodcutting-for-repro profession
was completely obliterated.

--Mike
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Re: Pentax Optio Digital Camera - YUH take into account the sorry shadow detail

2001-11-12 Thread SudaMafud

In a message dated 11/12/01 7:09:16 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:


 Another, real, bonus (even [especially?]for snapshots) is that, once you 
 have the setup on a shot that you desire, you can churn out copy after copy 
 with a single press of a button.  In a darkroom, if a print takes twenty 
 minutes to make, so does every one after that.
 
 mike
 
Hmm, I seem to recall that once I have the color balance dialed into the 
enlarging head, I can expose about 12 8x10 (or other size) prints a minute, 
producing 60 8x10s, dry-to dry prints in about 37 minutes.
Maybe what you say counts if one has a poor or BW negative and must dodge 
and burn parts of it.
My own experience with digital is that even the quality in the SONY Mavica 
leaves images with much to be desired once uploaded, nearly every image 
needing some sort of tweaking before you can print them. 
Even then, what you get out of the printer (any) is ~NEVER~ what you see on 
the monitor. ~Each~ digital image comes out different and take more time to 
finish than chemical prints. That does ~not~ take into account the sorry 
shadow detail in digital prints (and slides), no matter what kind of flash is 
used.
**Ever seen a digital print made from a slide with poor or no shadow detail? 
You'd lose your lunch!
***With digital paper costing an arm and leg, and having to sometimes print 
three-four-five tests to get one good print, who says digital is 
comparable in costs to chemical prints? With chemical prints of course, one 
uses test strips but one 8x10 film sheet will yield seven or eight strips. 

Mafud
[EMAIL PROTECTED]
[EMAIL PROTECTED]

The worse thing about digital? It utterly fills up your hard drive with all 
these images you will never use but somehow feel an obligation to keep. I 
finally went through my HDD(s), purged them of images I would not need or use 
and gained back 1.6 GIG of space!  Next, I'm setting my Norton 
SystemWorks2001 on the rest of the computer, purging all duplicate image 
files.
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Re: =?iso-8859-1?Q?Re=3A=20Warranty=20repairs=20=28was=3A=20OT=3A=2 0CD=2DRW=...

2001-11-12 Thread SudaMafud

In a message dated 11/12/01 9:01:52 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:


 When I bought a monitor from them several years ago it was their policy
 not to accept monitors EVEN WITHIN WARRANTY for repair or exchange. They
 literally told me I had to take my broken monitor back home, pack it up
 and ship it back to the manufacturer for repair! 

There goes that knot in my belly-tightening-DRAT!
Mafud
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Re: Ok Shel -

2001-11-12 Thread Shel Belinkoff

Thanks for the pointer, Bob ... The Diana is on my short list, but first
I have to get the Holga repaired g.

Bob Rapp wrote:
 
 Shel,
 Knowing that simplicity is your game - if not you name and Leica reigns
 supreme. Here is a must buy for you. One medium format camera that
 delivers the legendry mystique of leica in a larger format!
 
 http://cgi.ebay.com.au/aw-cgi/eBayISAPI.dll?ViewItemitem=1296180628

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/pow/enter_pow.html
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Re: Second Body

2001-11-12 Thread William Johnson

Hi Ed,

I never had any problem with the mount, and I changed
lenses quite a bit when I had it.  Lenses seemed to
snap into place pretty solid, better than the P30t
that I had (metal mount), but not so well as my ZX-5n
or Super Programs for that matter. The heaviest lens
that I have put on it was is a SMC K135/2.5.  You
might want to be careful about putting a real heavy
lens on camera and then banging about with only the
camera straps providing support.  I think that would
be an uncomfortable way carry a camera and large lens
anyway.  Still, mine has been dropped lens first a few
times from waist height, and no issues with the mount.


The ZX-M can use either a linear or circular
polarizer.

The viewfinder display of the ZX-M is exactly the same
as the ZX-5n (except no in-focus indicator) so if
you have trouble seeing the information in bright
light with the '5n, expect the same with the ZX-M.

(I had my ZX-M and '5n for a couple of years before I
realized this was a problem, and then only when it was
pointed out on the list.  Bright sunny days=bad
lighting most of the time in my book, so I rarely have
my cameras out in those conditions.)

From what I have been able gather, the Super Program
seems to be a reliable body.  The only thing that I've
noticed on both of mine, is that with enough non-use,
the self timer switch can get a little flaky.  Solved
by working it back and forth a couple of times. This
was Pentax's top of the line A series body, so I
think that it was fairly well built.  Perhaps someone
who has dissasembled one could tell us for sure.

Sorry about the long post, I hope this helps to answer
your questions.

William in Utah.
 
Thank you GREATLY for the comparison. Lots of points
to consider.  I have a couple of further questions if
you don't mind too much:

1. How has the non-metal lens ZX-M mount fared?  I
currently have a SMC-A 28/2.8 and SMC-A 50/2.8 Macro
(ignoring my F and FA lens).  I looking at a SMC-A
135/2.8 now and thinking of adding a SMC-A
70-210/4.  How do the heavier lens work?  I'm really
leaning towards using the second body only with
primes as the rest of the family also uses the ZX-5n.
 

2. This may be a stupid question, but does the ZX-M
require a circular polarizer like the ZX-5n?

3. You mentioned that the ZX-M's viewfinder in bright
light.  Is it as bad as the ZX-5n?

4. I never had my old SP CLA'ed.  I've read about
issues with the LX, etc.  Is there anything to be wary
of if I decide to go the SP route when looking for a
SP body?

Thanks much!!!

Ed in Illinois
Find a job, post your resume.
http://careers.yahoo.com
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Re: Breaking News

2001-11-12 Thread SudaMafud

In a message dated 11/12/01 9:32:14 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:


 According to CNN, an American Airlines 767 has just crashed in Queens, New
 York.
 

Yep and according to my Microsoft Streets and Trips maps, less than 1.25 
miles from my sister's house, 2.12 miles from my Mom.
The crash is believed to be a mechanical malfunction (engine falling off) 
rather than due to a terrorist act.
Mafud
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread SudaMafud

In a message dated 11/12/01 10:18:36 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:


 It all depends on what you're doing.  For me, the Mac OS is the right 
 choice.
 

Anyone like yourself who deals with a ton of graphics or CAD work might very 
well be better off with MAC/Apple. But your fields(s) comprise a 
statistically insignificant amount of PC users, who for the most part, 
~don't~ need nor can afford MAC/Apples.

And aren't the vast majority of MAC/Apples owned by businesses rather than 
individuals? 

Mafud
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Re: I Need Some Help wrt Air Crash

2001-11-12 Thread SudaMafud

In a message dated 11/12/01 10:20:40 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:


 My sister lives in the area of the crashed plane.  I've been trying to
 reach her ever since I read the news here this morning.  Can't get
 through.  Lines down or circuits busy.
 

I feel for you Shel. I've had the same problem. Even my sister's cellphone is 
out. My Mom, a few minutes away, can't reach her either.
Worse, my Mom doesn't drive so that's out.

Mafud
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Re: Pentax FA 31/1.8 Limited; (very) early impressions

2001-11-12 Thread aimcompute

Pal,

Are you sure it cannot be removed?  The Pentax USA site lists it's weight
without the hood.  When I first got my 43/f.19 I couldn't remove the hood.
Pushing downwards on the edge of the lens hood, palm toward the lens, and
twisting did the trick.Believe me, it felt like it was in there for good
when I tried to twist from the side.

Tom C.

- Original Message -
From: Pål Audun Jensen [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 5:42 AM
Subject: Pentax FA 31/1.8 Limited; (very) early impressions


 Just got the 31 Limited today. Not shot with it yet.
 It comes in a red leather case (the 43 and 77 comes in brown and green
 respectively; does the next Limited come in a blue case?).
 It is the most solid feeling Limited so far. That's says a lot. It's an
 extremely well finished and solid lens by any standards. The lens is
 utterly rattle-free. I think the lens is a good investment. Its destined
to
 be a future collectable.
 Unfortunately the lens hood can NOT be removed. That's quite a suspect
 feature for a lens that's touted as the perfect landscape lens. It means
 that you can not use the Cokin system filters on this lens. Of course, you
 can hold filters like graduated ND's in  front of the lens. You can,
 however, use regular screw-in filters.


 Pål
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Re: Second Body

2001-11-12 Thread Timothy Sherburne

I haven't found the plastic mount to be an issue; the heavier lenses work
fine with the ZX-M. In fact, I have the 70-210/4 (great lens, by the way)
and use it without any problems.

t

On 11/12/01 6:38 AM, Ed Dombek wrote:

 1. How has the non-metal lens ZX-M mount fared?  I currently have a SMC-A
 28/2.8 and SMC-A 50/2.8 Macro (ignoring my F and FA lens).  I looking at a
 SMC-A 135/2.8 now and thinking of adding a SMC-A 70-210/4.  How do the heavier
 lens work?  I'm really leaning towards using the second body only with primes
 as the rest of the family also uses the ZX-5n.
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Re: I Need Some Help wrt Air Crash

2001-11-12 Thread Shel Belinkoff

A few list members were able to get through to my sister and leave her a
message, and, since my initial reaction to the news, I've learned that
the crash was far enough away that my sister and niece are probably just
fine. 

[EMAIL PROTECTED] wrote:

 I feel for you Shel. I've had the same problem. Even my sister's cellphone is
 out. My Mom, a few minutes away, can't reach her either.
 Worse, my Mom doesn't drive so that's out.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/pow/enter_pow.html
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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Juan J. Buhler

On Sun, 11 Nov 2001, Shel Belinkoff wrote:

 Juan, Chris ...

 We were looking at an Optio 430, not a 330.

Correct, although I'm pretty sure the print we saw was from the 330.
The guy said they didn't have a print from the 430, and showed us the
330 one.

Or am I not remembering correctly?

j

--
---
 Juan J. Buhler | Sr. FX Animator @ PDI | Photos at http://www.jbuhler.com
---
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Re: Re[2]: Corporate Arrogance

2001-11-12 Thread aimcompute

Bruce wrote:

 Tom,

snip
 How many
 individuals will go into a store to touch and figure out what they
 want, taking the salesman's time only to leave and buy mail order for
 a little cheaper.  Retail stores are trying to compete and the way
 they can do that is to treat the customer much like a mail order
 house.  It reduces expenses thus allowing more competitive prices.

 CompUSA on the other hand treats it's customers poorly without passing
 on any savings.  It will eventually catch them.


 Bruce Dayton

Bruce,

I've done that multiple times and don't have a problem with it.  Let me
clarify before I get flamed off the list. :-)  BTW, I'm not disagreeing with
what you've said... only blabbing a little.

1.  It's only natural to want to see, touch, hold, possibly operate the item
that we may invest a lot of money in.  You have to go to a retail outlet to
do that.
2.  I have found that *most* salesman in stores don't know what they're
talking about, couldn't answer a question whose answer wasn't already on the
fact tag on the shelf, normally wish to sell me the higher(est) priced item,
or simply agree with whatever I say, in the hopes of making the sale.  In
the case of when I bought my PZ-1p, I had looked at Nikons first.  When I
asked for the Pentax, the salesman pulled it off the shelf, handed it to me,
and very palpitatively,  was no longer interested in continuing a
conversation about this camera.  Their price was $799 + 8.2% tax (I think I
paid $479 + shipping).
3. Most times I find that I will know more about the product than the
salesperson, and the questions I have to ask are more than the salesperson
could possibly have an answer for, because they haven't used the product
themselves.
4. I would guess that stores, to some degree, have this expense of *helping
no sale customers* factored into their prices.  The salesman is getting paid
and that affects the price of products.  I realize, as well, that a smaller
stores cost may be higher on an item because of not receiving big volume
discounts from the vendor.
5. I have no doubt that the salespersons themselves, would buy a given item
mail order for a significantly lower price, were they not getting some kind
of store discount.

For those good, highly respectable, knowledgeable salespeople out there, who
make their living by providing exceptional customer care and service, I do
think it's unfair to monopolize a salesperson's time and pick their brain,
doing so intentionally with knowledge and forethought, that one will not be
purchasing the item there.  I would *not* do that.

I'm trying to think of my inventory and where/how I purchased.

PZ-1p - mail order
ZX-10 - mail order
500 FTZ flash - mail order
FA 28-200 lens - mail order
FA 80-320 lens - retail store
FA 43 lens - retail store
Tamron 28-300 lens - mail order
Two Bogen tripods, a ball-head and another head - retail
Other stuff like remote cables, etc. - mail order
Minolta film scanner - mail order
First desktop PC - mail order
Another desktop PC - retail
Laptop - retail
3 printers - retail
Sony digital camera - retail
Pentax binocs - Mail order
Lot's of used stuff (2 bodies, 5 lenses) - retail
Almost all my filters - retail (needed while on a trip or right away)
And from now on almost all my film will be purchased mail order (paying
twice the price locally is a little ridic).

Must come out close to 50/50, on the side of retail vs. mail order taking
into account used items.

I find as I look over that list, a surprising trend.  Most of my retail
purchases *tended* to be impulse buys.  Either I wanted the item really
badly or I thought it was an exceptional deal.

CompUSA's high prices/no real service, may indeed catch up with them
someday.  Vote with your wallet.

Tom
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Re: OT: CD-RW Question

2001-11-12 Thread Cotty

Any brand recommendations or anecdotes.?

Tom,

I have an Iomega CD-RW I got off eBay at £125 about 6 months ago. It 
burns at 4 times speed from our iMac through USB no problem at all. Sure 
it's no speed merchant, but it was the right price at the time (6 months 
ago). It takes about 15 minutes to burn a bunch of music tracks onto a 
CD-R, a bit faster for a load of TIFFS.

So far so good.

Cotty

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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Cotty

It so happens Office and Photoshop, like malevolent viruses, have invaded 
and 
conquered PC computerdome-ask Apple/Mac folk if that isn't true? 

Mafud,

This is entirely true. My sister's bloke (shoots wildlife with Canon and 
Bronica) uses Photoshop an a PC and swears by it. In fact, most of the 
windows and keyboard shortcuts are the same, the actual windows and 
dialogues themselves are similar. Being a Mac user, I had no trouble 
racing around Photoshop on his PC at all.

These days it's more to do with what you're weened with, computer-wise. 
If you grow up with PCs, you tend to stay with them. The 2 graphic 
designers at our place grew up with PCs, and feel uneasy using the Mac. 
But that's only because they're used to the PC. There's no reason that 
they shouldn't continue to use the PC in their graphics environment, if 
that's what they feel happy with. It was the bosses who bought the Mac, 
cos they equated graphic design with Macintosh, now an outdated view.

People use the Mac because they *want* to. Most people use a PC because 
they have to...

Cotty

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Re: Love at the first sight?

2001-11-12 Thread Cotty

 your MX, it is not junk. Actually it's the 2nd Best camera PenTax ever
 made. The LX is the first. I am extremely lucky in that I have the best
 and second best cameras (LX and MX) and it is now your supreme quest to
 seek out an LX for yourself.


I don't know, from what I've heard the MZ-S is in there too. And if we're
considering older cameras, where does the Spotmatic SP fall?

Point taken Mike. I was just being selfish of course!

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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Cotty

Just curious, how compatible MS office applications are between Mac and PC
and what kind of time lag there is between release of the Windows version
and when a Mac version is released.

Office 98 was released for the Mac well before the Windows version...

Signed,

A. Fanatic

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Re: Corporate Arrogance

2001-11-12 Thread aimcompute

Right smack on, and guess what?  That attitude starts right at the very top
in most cases and runs downhill like the Hershey Squirts (sorry can't resist
that phraseology sometimes).

Tom C.

- Original Message -
From: Tom Rittenhouse [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 12:34 PM
Subject: Re: Corporate Arrogance


 That is hitting the nail on the head,  Marries. Disposable employees have
no
 incentive to provide good customer service.

 --graywolf
 -
 The optimist's cup is half full,
 The pessimist's is half empty,
 The wise man enjoys his drink.


 - Original Message -
 From: Maris V. Lidaka, Sr. [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Monday, November 12, 2001 1:14 PM
 Subject: Re: Corporate Arrogance


  Not to mention the disposability of employees.
 
  Maris
 
  - Original Message -
  From: aimcompute [EMAIL PROTECTED]
  To: [EMAIL PROTECTED]
  Sent: Monday, November 12, 2001 11:48 AM
  Subject: Re: Corporate Arrogance
 
 
  | That's what I hate about today's business world.  It's all Sell,
 Deposit,
  | Next Customer Please.  Far more attention spent on luring customers
in,
  | than on keeping them.  We are disposable.
  |
  | Tom C.
  |
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Re: Subject: Remembrance Sunday - report (lengthy - put the kettle on...)

2001-11-12 Thread Cotty

So when do we get to see pictures?

Nick,

I'm dropping them off for a one-hour C-41 bath tomorrow. I'll post them 
up soon, assuming there's anything worth seeing! Might be a bag of old 
festering b*ll*cks...

Cotty


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Re: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Shel Belinkoff

You might be correct. 

Juan J. Buhler wrote:
 
 On Sun, 11 Nov 2001, Shel Belinkoff wrote:
 
  Juan, Chris ...
 
  We were looking at an Optio 430, not a 330.
 
 Correct, although I'm pretty sure the print we saw was from the 330.
 The guy said they didn't have a print from the 430, and showed us the
 330 one.
 
 Or am I not remembering correctly?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/pow/enter_pow.html
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Tom Rittenhouse

it's called Postscript. Or the free version Ghostscript. And yes you can use
a Postscript printer on a PC.

--graywolf
-
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


- Original Message -
From: Aaron Reynolds [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 8:18 AM
Subject: Re: Windows XP - Scary! (Was=3 A OT: A computer question...)


 On Monday, November 12, 2001, at 12:21  AM, David A. Mann wrote:

  [EMAIL PROTECTED] writes:
 
  A $4,000 PC ~does~ exceed a $4,000 MAC.
 
   Of course it does.  A combination of economies of scale, and healthy
  competition in the hardware sector.
 
   One should not shop on price alone, however.

 While I agree that price is not the be-all and end-all, I'd also like to
 point out that parts of the Mac OS that are very important for imaging
 and pre-press cost very seriously large amounts of money to implement
 for the PC.  If you're going to be working with printers other than the
 one attached to your computer, you need to be confident that what you're
 sending is what you'll be getting back.

 It all depends on what you're doing.  For me, the Mac OS is the right
 choice.

 -Aaron
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Nicolas Colarusso, CGA

was there an office 98?

- Original Message -
From: Cotty [EMAIL PROTECTED]
To: Pentax List [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 2:50 PM
Subject: Re: Windows XP - Scary! (Was=3 A OT: A computer question...)


 Just curious, how compatible MS office applications are between Mac and
PC
 and what kind of time lag there is between release of the Windows version
 and when a Mac version is released.

 Office 98 was released for the Mac well before the Windows version...

 Signed,

 A. Fanatic

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Re: Pentax Optio Digital Camera - YUH take into account the sorry shadow detail

2001-11-12 Thread William Robb

- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 10:27 AM
Subject: Re: Pentax Optio Digital Camera - YUH take into account
the sorry shadow detail


 In a message dated 11/12/01 7:09:16 AM Eastern Standard Time,

 ***With digital paper costing an arm and leg, and having to
sometimes print
 three-four-five tests to get one good print, who says
digital is
 comparable in costs to chemical prints? With chemical prints
of course, one
 uses test strips but one 8x10 film sheet will yield seven or
eight strips.

You are in a unique position where you can do your own colour
printing. If a person has to pay 15 bucks or more for a custom
wet print, the digital prints suddenly make a lot of economic
sense.
I can make a good quality photograph on my computer for about
1/4 the cost of having the same print made by a custom lab.

 The worse thing about digital? It utterly fills up your hard
drive with all
 these images you will never use but somehow feel an obligation
to keep. I
 finally went through my HDD(s), purged them of images I would
not need or use
 and gained back 1.6 GIG of space!  Next, I'm setting my Norton
 SystemWorks2001 on the rest of the computer, purging all
duplicate image
 files.

Thats what CD burners were invented for.
William Robb
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Tom Rittenhouse

I guess so! Since there never was an Office 98 for Windows. I suspect that
Office 98 for Mac was the same as Office 97 for Windows. Which would
indicate that the run about a year behind.

--graywolf
-
The optimist's cup is half full,
The pessimist's is half empty,
The wise man enjoys his drink.


- Original Message -
From: Cotty [EMAIL PROTECTED]
To: Pentax List [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 2:50 PM
Subject: Re: Windows XP - Scary! (Was=3 A OT: A computer question...)


 Just curious, how compatible MS office applications are between Mac and
PC
 and what kind of time lag there is between release of the Windows version
 and when a Mac version is released.

 Office 98 was released for the Mac well before the Windows version...

 Signed,

 A. Fanatic

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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread aimcompute

If there was, it was the bug fixes for Office 97, with more bugs included,
so there could be a good reason for Office 2000.

Tom C.

- Original Message -
From: Nicolas Colarusso, CGA [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 1:11 PM
Subject: Re: Windows XP - Scary! (Was=3 A OT: A computer question...)


 was there an office 98?

 - Original Message -
 From: Cotty [EMAIL PROTECTED]
 To: Pentax List [EMAIL PROTECTED]
 Sent: Monday, November 12, 2001 2:50 PM
 Subject: Re: Windows XP - Scary! (Was=3 A OT: A computer question...)


  Just curious, how compatible MS office applications are between Mac and
 PC
  and what kind of time lag there is between release of the Windows
version
  and when a Mac version is released.
 
  Office 98 was released for the Mac well before the Windows version...
 
  Signed,
 
  A. Fanatic
 
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Re: Points of Order

2001-11-12 Thread William Robb

- Original Message -
From: Shel Belinkoff
Subject: Re: Points of Order


 I know about Wilhelm, and it's the marketing people who are
hyping print
 longevity.  When I see a 50+ year old ink jet print that
hasn't faded,
 I'll believe that they have reasonable longevity.  Over the
years many
 scientists, engineers, designers, and manufacturers have made
 innumerable claims, all based on then current knowledge and
information,
 and many of those claims have been proven wrong.

And I still have properly stored colour prints that have faded
in less than 10 years. The marketing people are hyping print
longevity because of Wilhelm, not in spite of him.
William Robb
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Re: OT:free sites to post pictures??

2001-11-12 Thread Cotty

If you have Photoshop 6 (I don't know about earlier versions) it will 
automatically prepare a website of images which you can just upload.

Maris

5.5 does that too.

Cotty

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Re: CD-RW Question(s)

2001-11-12 Thread Cotty

Question: who still uses their Zip Drives for images/anything?

Mafud,

I use 100MB Zips all the time. I transfer images across computers with 
them, I have a PowerBook entirely backed up on them (before I got the 
CD-RW), friends give me them so I can give them hi-res images to keep...

Still used heavily. The modern day floppy to me.

Cotty

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Re: OT:free sites to post pictures??

2001-11-12 Thread aimcompute

Cool!  I have 6.0 but had to install it on my PC, where my SCSI scanner
is not.  I have yet to use 6.0 because of that.  This is some impetus to
reconfig my newer computer, get the SCSI card in it, and start using it, as
intended originally, for all photographic type stuff.  Thanks!

Tom C.

- Original Message -
From: Cotty [EMAIL PROTECTED]
To: Pentax List [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 1:24 PM
Subject: Re: OT:free sites to post pictures??


 If you have Photoshop 6 (I don't know about earlier versions) it will
 automatically prepare a website of images which you can just upload.
 
 Maris

 5.5 does that too.

 Cotty

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Re: CD-RW Question(s)

2001-11-12 Thread aimcompute

I have a 250mb external Zip.  I don't use it hardly at all because my
computer room is a disaster area.  It's hard to get behind the computer and
sort through the rat's nest of cables.  It's easier to just fill up a hard
drive, and then delete stuff I don't want.  :-)

Sharing lot's of images is a good use though.  Although CD-R/RW might not
require recipients to also have a Zip.

Tom C.

- Original Message -
From: Cotty [EMAIL PROTECTED]
To: Pentax List [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 1:24 PM
Subject: Re: CD-RW Question(s)


 Question: who still uses their Zip Drives for images/anything?

 Mafud,

 I use 100MB Zips all the time. I transfer images across computers with
 them, I have a PowerBook entirely backed up on them (before I got the
 CD-RW), friends give me them so I can give them hi-res images to keep...

 Still used heavily. The modern day floppy to me.

 Cotty

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Re: Re[2]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Cotty

My first inkjet printer was the Epson Photo EX
(the first A3 with 6 color inks) and the estimates (by Wilhelm-Reseach) on 
photo
paper were 1.5-2 years only, but I've had a printout hanging on my office 
wall under 
glass for about 3-4 years without noticeable fading.

I concur. Although a nice print under glass of our two cats' faces hung 
in the hall right next to a door full of glass that catches the sun every 
day (partly as a test) faded readily to greens and yellows in a year.

Another print hung on the same wall as a window, but not in direct line 
of sight of the window looks as good as the day it was printed - nearly 
three years ago. In fact all my other prints look just fine. Except for 
those trimmed to fit exactly to the size of the clipframe - you get a 
faded border eventually. I trim now to at least half an inch of the edge 
of the glass.

Cotty

PS - when I say that we catch the sun every day, it's a figure of speech 
- I *am* in England...

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Re: Points of Order

2001-11-12 Thread Shel Belinkoff

Yes ... but hyping it they are.  Just because some technical guru says
a thing is so does not, in fact, make it so.  Time will tell, not
marketing mavens and technology wizards, regardless of their
credentials.

And, while we're on the subject, most of this discussion has centered
around color.  What about the longevity of BW ink jet prints compared
to well-processed silver gelatin prints?  It's my understanding that, in
order to make fine quality BW ink jet prints, special inks are needed,
which, in and of itself is not a bad thing, although, in order to print
good color and good BW it's been suggested that a printer dedicated to
each is ideal.

Finally, let's talk about paper surfaces.  Is it true that the
longer-lived papers are generally matte finished, and that there are
some problems with glossy papers? 

William Robb wrote:

 And I still have properly stored colour prints that have faded
 in less than 10 years. The marketing people are hyping print
 longevity because of Wilhelm, not in spite of him.
 William Robb

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/pow/enter_pow.html
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RE: Second hand Pentax gear in Oz?

2001-11-12 Thread John Coyle

Hi Rob:
I'm afraid round here second-hand Pentax is as rare as hen's teeth - and if you 
find anything good in the Trading Post we'd probably be competing for it!  The 
CM Weekend Shopper usually has one or two Pentax bits, but never very much.
I check around the local photo stores occasionally, and Photo Continental; and 
Ted's both seem to have given up selling second-hand gear, so I'm afraid it's 
most likely to be Cash Converters - and I don't think they'd offer a guarantee!

Incidentally, I've recently imported both an MZ-S and a 28-105 from Hong Kong, 
where my son lives.  It's well worth doing, the cost is about 2/3rds the Ozzie 
price.


John Coyle
Brisbane, Australia


On Monday, November 12, 2001 1:21 PM, Rob Geraghty [SMTP:[EMAIL PROTECTED]] 
wrote:
 I notice there's a few Ozzies on the list, so I wanted to ask the question
 - can anyone suggest places worth checking for second hand Pentax lenses?
  I don't ever seem to see them in the Trading Post (I live on the Gold Coast,
 so it's the edition for SEQ).  Canon and Nikon, yes, but not Pentax unless
 it's someone selling a camera with one or more lenses

 Anyone have any suggestions?  I'd like to find some more primes, and second
 hand would be more affordable *if* I can actually find any!

 Rob
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Re: Re[2]: Pentax Optio Digital Camera - YUH

2001-11-12 Thread aimcompute

Liquid sunshine.  Get your tan from standing in the English rain...

 Cotty
 
 PS - when I say that we catch the sun every day, it's a figure of speech 
 - I *am* in England...
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ZENITAR-K 2.8/16 FISH-EYE LENS

2001-11-12 Thread aimcompute

Any comments on this lens?  Good, bad, mediocre?

Thanks.

Tom C.
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Re: OT:free sites to post pictures ??

2001-11-12 Thread Mark Roberts

Cotty wrote:

If you have Photoshop 6 (I don't know about earlier versions) it will

automatically prepare a website of images which you can just upload.

Maris

5.5 does that too.

Anyone know if version 6.0 does it any *better* than 5.5? I'd really like
to be able to customize the HTML output a little.



-- 
Mark Roberts
www.robertstech.com
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Re: OT:free sites to post pictures??

2001-11-12 Thread Maris V. Lidaka, Sr.

Be sure to install the 6.01 upgrade, unless your CD install disk is already 6.01 as 
mine was.

A number of bugs were fixed by the upgrade.

Maris

- Original Message - 
From: aimcompute [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 2:33 PM
Subject: Re: OT:free sites to post pictures??


| Cool!  I have 6.0 but had to install it on my PC, where my SCSI scanner
| is not.  I have yet to use 6.0 because of that.  This is some impetus to
| reconfig my newer computer, get the SCSI card in it, and start using it, as
| intended originally, for all photographic type stuff.  Thanks!
| 
| Tom C.
| 
| - Original Message -
| From: Cotty [EMAIL PROTECTED]
| To: Pentax List [EMAIL PROTECTED]
| Sent: Monday, November 12, 2001 1:24 PM
| Subject: Re: OT:free sites to post pictures??
| 
| 
|  If you have Photoshop 6 (I don't know about earlier versions) it will
|  automatically prepare a website of images which you can just upload.
|  
|  Maris
| 
|  5.5 does that too.
| 
|  Cotty
| 
|  ___
|  Personal email traffic to [EMAIL PROTECTED]
|  MacAds traffic to [EMAIL PROTECTED]
|  Check out the UK Macintosh ads
|  www.macads.co.uk
|  -
|  This message is from the Pentax-Discuss Mail List.  To unsubscribe,
|  go to http://www.pdml.net and follow the directions. Don't forget to
|  visit the Pentax Users' Gallery at http://pug.komkon.org .
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| 
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Aaron Reynolds

On Monday, November 12, 2001, at 03:08  PM, Tom Rittenhouse wrote:

 it's called Postscript. Or the free version Ghostscript. And yes you 
 can use
 a Postscript printer on a PC.

I was talking about ColorSync.  Postscript is not particularly important 
in photographic imaging.

-Aaron
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Re: Windows XP - Scary! (Was=3 A OT: A computer question...)

2001-11-12 Thread Aaron Reynolds

On Monday, November 12, 2001, at 03:19  PM, Tom Rittenhouse wrote:

 I guess so! Since there never was an Office 98 for Windows. I suspect 
 that
 Office 98 for Mac was the same as Office 97 for Windows. Which would
 indicate that the run about a year behind.

I don't know if in this situation you can really call the upgrades 
behind or ahead.  Office:mac:2001, as it is called by MS, while it 
retains all of Office's functionality, looks not really much at all like 
it's Win counterpart.  Apparently, the major changes were in 
interface -- making it closer to the Mac standard, with menus, button 
bars, etc, in the places they would normally be in a Mac program.

-Aaron
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Re: Points of Order

2001-11-12 Thread Aaron Reynolds

On Monday, November 12, 2001, at 03:20  PM, William Robb wrote:

 And I still have properly stored colour prints that have faded
 in less than 10 years. The marketing people are hyping print
 longevity because of Wilhelm, not in spite of him.

I have properly stored colour prints from the 70s that have faded rather 
severely in recent years.  Good bye childhood!

-Aaron
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RE: A Nice Thing Happened

2001-11-12 Thread Peifer, William [OCDUS]

Tom C. wrote about a great story involving his recent aurora shots

Hi Tom,

That was a great story -- congratulations!  I'm curious as to why that
astronomer is also working in the photo lab where you get your slides
developed, but that's probably a good story in itself.  You mentioned that
this fellow offered to make available to you a solar filter.  Do you know if
this is a metallized glass or polymer filter that simply acts as a broadband
(UV-VIS-IR) ND6 neutral density filter, or is it the more exotic
narrow-bandpass H-alpha filter?  If it's the more exotic one, you may very
well be able to capture solar flares and prominences on the right emulsion
(e.g., Technical Pan 2415).  Now ~those~ would be some spectacular solar
shots!  Please keep us all updated on the details.  I expect we may be
seeing some of your work in the Gallery section of an upcoming issue of Sky
 Telescope.

Bill Peifer
Rochester, NY
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Re: ZENITAR-K 2.8/16 FISH-EYE LENS

2001-11-12 Thread lbparis

I have one in Pentax K-mount.  It's a very good lens, especially
considering the price.  It's really a good performer, so don't
let the low price put you off.  You could buy the Pentax
equivalent, of course, and have a better lens but you'd have to
use it a lot to justify spending that much money.

Len
---

- Original Message -
From: aimcompute [EMAIL PROTECTED]
To: Pentax Discuss [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 2:58 PM
Subject: ZENITAR-K 2.8/16 FISH-EYE LENS


 Any comments on this lens?  Good, bad, mediocre?

 Thanks.

 Tom C.
 -
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RE: Pentax Optio Digital Camera - YUH

2001-11-12 Thread Frits J. Wüthrich

I have learned the calculation from a online digital course of New York
institute for photography. I might have mixed up the dpi and ppi, but I
understand the calculation as I did it is correct.

Frits Wüthrich


Chris Brogden wrote:
 True, but what I was saying was that I'm not sure that you can equate dpi
 and ppi.  Can you?

 chris


 On Sun, 11 Nov 2001, Frits J. Wüthrich wrote:

  As a rule of thumb, the print requires 300dpi. so if you have
 2000x1000dpi
  available that would allow for a 6.7x3.3.

  Chris Brogden wrote:
 
   I'm not sure if you can extrapolate directly and get
   1024x2048 = an 8x10 at 128ppi x 205ppi
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Re: ZENITAR-K 2.8/16 FISH-EYE LENS

2001-11-12 Thread Gianfranco Irlanda

Hi Tom,

I own the Zenitar (it's my second one) and I can say it's a very
good performer. I don't know how it compares to Pentax
fish-eyes, though.
When I first used it in 1997 (on the Z-1p) the results seemed
poor, with wash out colors, but it was my fault for not metering
correctly (I had mostly FA and A lenses with me and trusted too
much the meter of the Z-1p - bought brand new few weeks before -
to care for the exposure... shame on me :-().
In 2000 I brought the Zenitar with me in France. The results
were astonishing! Brilliant colors, no flare, almost no internal
reflections even with the sun in the corner of the frame. The
resolution seems really high, too. I have some shots I can send
you off list if you wish.
Like most Russian lenses, the color rendition is slightly on the
warm side, but it goes almost unnoticed.
It should come with some screw-in filters (UV, Yellow, Orange
and Red). A filter must stay always on the lens (it's part of
the optics, the lens cannot focus at infinity without).

Hope this helps.

Gianfranco


- Original Message - 
From: aimcompute [EMAIL PROTECTED]
To: Pentax Discuss [EMAIL PROTECTED]
Sent: Monday, November 12, 2001 9:58 PM
Subject: ZENITAR-K 2.8/16 FISH-EYE LENS


 Any comments on this lens?  Good, bad, mediocre?
 
 Thanks.
 
 Tom C.
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Re: Pentax Optio Digital Camera - a P.S.

2001-11-12 Thread Mike Johnston

Dan S. wrote:

 Hi Mike,
 
 While I'm sure someone has already set you up (I read the posts late,
 lately). I have plenty of unused web space if you need to borrow a few megs
 (or tens of megs).


Thanks to the several people who have kindly responded to my plea--I think
I'll be all set as soon as I get the camera.

Interestingly, getting a full file over the internet is just as good as
getting it from the camera, so I can share files with others who can
vicariously try out the camera. I'd even be willing to make specific shots
if people are curious about certain things.

More on this when the camera arrives.

--Mike
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Re: When the rain comes, you run and hide your head --John Lennon

2001-11-12 Thread Shel Belinkoff

Like the sky is falling g

Unfortunately, I have to agree with you, Mike, as I don't like digital
imaging, much preferring BW photography.

Mike Johnston wrote:

 Sorry to be a grouch, but I stand by my statement: film is obsolescent. Not
 obsolete, but obsolescent. No, I don't think it will disappear...but the
 handwriting is on the wall...the stormclouds are gathering...and all the
 other clichés you can think of!

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/pow/enter_pow.html
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