Re: 80/1.8 CZJ going cheap in Poland

2002-01-10 Thread Maciej Marchlewski

Since there seems to be a problem translating this auction info 
I'll give you a hand but this will surely dissapoint you.

This auction is also on www.allegro.pl - this is the largest 
auction in Poland but as far as I know it isn't connected to 
ebay in any way.

And now for the sad part - auction with title:
Poszukuje PANCOLAR 1,8 / 80mm M42 (aukcja numer 3640024)
is a posting of someone wanting to buy such a lens.

Sorry - I warned you at the begining.

Even if it was a selling offer, it is extremaly hard to find a 
bargain offer on Polish sites - there is to few articles and it 
isn't hard to browse them all so people that now something about 
it usually don't let bargains pass. There has been Buy It Now 
feature added lately so maybe this will give us some chance but 
photo equipment in Poland is much more expensive than in the USA 
which affects the prices of used gear.

Cheer up - maybe you will spot it elsewhere.

Maciej Marchlewski

---
Zapro znajomych na czata! Wylij SMSa z nowego czata WP!
Czat.wp.pl - Jedyny czat z ludzk twarz  http://czat.wp.pl 
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Re: getting LX - worth it? (repairs,...)

2002-01-10 Thread Frantisek Vlcek

Hi all,
   so it seems there are mostly happy users with few who were unlucky
   and had to spend fortune on repairs. So there is some risk I think.

   Well, I still don't know... I wanted the LX because I need a good
   main camera instead of my SFXn, keeping the K2DMD as a great backup
   or second body for colour/BW choices. I wanted a body that would
   be easy to use (I never got truly used to SFXn, I kept forgeting to
   set the iso or exposure compensation back to zero,... - not that
   it's a bad body, it's one of the last AF bodies with completely metal
   guts, quite rugged and with a better viewfinder than any later AF
   body with exception of MZ-S and maybe Z1p, but its not my style
   - I want knobs and dials: a Luddite camera b). A body which can
   operate even without batteries. That won't fail on me during
   shooting. But it seems even the LX isn't without quirks, and with
   my (bad) luck in camera purchases... I simply don't know.

   BTW, that's another question - any members had their LX fail them
   in any way during shooting? E.g. in India, or even plain studio at
   home :) ?

   Thanks a lot!


Good light,
   Frantisek Vlcek
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Re: OT: Reportage

2002-01-10 Thread jbrooks

Bob
Thanks for pointing this out. The content is truly excellent. I've 
registered :)
Regards
Jim
 
 Date: Wed, 9 Jan 2002 22:11:05 +
 From: Bob Walkden [EMAIL PROTECTED]
 Subject: OT: Reportage 
 
 Hi, 
 
 the excellent online photojournalism magazine Reportage is no longer
 even attempting to publish on a regular basis, rather it is now
 officially ad-hoc. To be notified whenever there's an update you
 should register your email address. To do that, and to see how good
 their content is, go here: http://www.reportage.org/ 
 
 Cheers, 
 
 Bob
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RE: getting LX - worth it? (repairs,...)

2002-01-10 Thread Malcolm Smith

Hello everyone,

I found the best cure for the ailment of my LX was to put it in the attic in
the spare camera bag and use the MX again.

Malcolm :-(

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Frantisek Vlcek
Sent: 10 January 2002 08:40
To: [EMAIL PROTECTED]
Subject: Re: getting LX - worth it? (repairs,...)


Hi all,
   so it seems there are mostly happy users with few who were unlucky
   and had to spend fortune on repairs. So there is some risk I think.

   Well, I still don't know... I wanted the LX because I need a good
   main camera instead of my SFXn, keeping the K2DMD as a great backup
   or second body for colour/BW choices. I wanted a body that would
   be easy to use (I never got truly used to SFXn, I kept forgeting to
   set the iso or exposure compensation back to zero,... - not that
   it's a bad body, it's one of the last AF bodies with completely metal
   guts, quite rugged and with a better viewfinder than any later AF
   body with exception of MZ-S and maybe Z1p, but its not my style
   - I want knobs and dials: a Luddite camera b). A body which can
   operate even without batteries. That won't fail on me during
   shooting. But it seems even the LX isn't without quirks, and with
   my (bad) luck in camera purchases... I simply don't know.

   BTW, that's another question - any members had their LX fail them
   in any way during shooting? E.g. in India, or even plain studio at
   home :) ?

   Thanks a lot!


Good light,
   Frantisek Vlcek
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Re: getting LX - worth it? (repairs,...)

2002-01-10 Thread Alan Chan

I don't know about others, but I think Super A/Program and ME Super are some 
of the most reliable Pentax bodies. LX certainly is not on the list.

regards,
Alan Chan

so it seems there are mostly happy users with few who were unlucky
and had to spend fortune on repairs. So there is some risk I think.

Well, I still don't know... I wanted the LX because I need a good
main camera instead of my SFXn, keeping the K2DMD as a great backup
or second body for colour/BW choices. I wanted a body that would
be easy to use (I never got truly used to SFXn, I kept forgeting to
set the iso or exposure compensation back to zero,... - not that
it's a bad body, it's one of the last AF bodies with completely metal
guts, quite rugged and with a better viewfinder than any later AF
body with exception of MZ-S and maybe Z1p, but its not my style
- I want knobs and dials: a Luddite camera b). A body which can
operate even without batteries. That won't fail on me during
shooting. But it seems even the LX isn't without quirks, and with
my (bad) luck in camera purchases... I simply don't know.

BTW, that's another question - any members had their LX fail them
in any way during shooting? E.g. in India, or even plain studio at
home :) ?


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Eye relief on MZ-S

2002-01-10 Thread Ed Mathews

Hey,
 Being a spectacle wearer, I wrote to Pentax Colorado and asked them
about the eyepoint on the MZ-S, as compared to something I own, the
ZX-5N.  They replied, the eye relief is about 5mm greater than that of
the ZX-5n.  I've spent very limited time with the MZ-S, so I can't
recall that this feels about right in my experience, but it seems a
little exaggerated to me.  What is the opinion of people out there that
own both cameras? 

Thanks,
Ed
http://lightandsilver.com 
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Re: Pentax MZ-S questions and some observations

2002-01-10 Thread MZ3_fella _

Welcome to thwe group.

You should be able to get your manual from Pentax GmbH in Hamburg - they now 
fulfill the tasks of Pentax European Headquarters. The manual should be 
available in about 15 different languages.

Pentax GmbH
Attn: International Sales Dept (Photo)
Julius-Vosseler Strasse 104
D-22527 Hamburg
Germany

Pentax Functions

1   Activation or termination of audible PCV signals.
[1]  signal on
[2]  signal off
2   Selection of four different program lines.
[1]  Normal program line
[2]  faster shutter speed
[3]  smaller aperture
[4]  TF-priority
3   Number of auto bracketing frames (two, three or five frames).
[1]  3 exposures
[2]  2 exposures
[3]  5 exposures.
4   Order of auto bracketing frames (±0 basis, ascending order or descending 
order).
[1]  starts at 0 EV then ‘-‘ then ‘+’
[2]  ‘-‘  ‘0’  ‘+’
[3]  ‘+’  ‘0’  ‘-‘
5   Selection of auto-exposure and autofocus correlation (priority of metered 
values in multi-pattern metering)
[1]  AF only
[2]  AF and AE
6   Activation or termination of a link between autofocus lock and exposure 
lock functions.
[1]  AF only (no AE lock)
[2]  AF and AE lock
7   DX sensitivity selection
[1]  DX set auto
[2]  manual ISO setting
8   Selection of focus point follow-up function (adjacent focus point is 
activated or not when the middle point cannot confirm in-focus).
[1]  Use next point
[2]  do not use next point
9   Permission or prevention of shutter release before the built-in flash is 
fully recharged.
[1]  shutter can be released
[2]  shutter can not be released
10  Selection of the built-in flash’s function in the wireless remote control 
mode (use as flash or controller when combined with the optional AF360FGZ 
flash unit).
[1]  sets built-in flash to operate as a flash
[2]  sets the built-in flash as wireless flash controller
11  Selection of the illuminator button’s function in the wireless remote 
control mode (use for test emission or modeling emission when combined with 
the optional AF360FGZ flash unit).
[1]  Disable the flash to fire
[2]  sets to fire a =test flash
[3]  sets to fire a modeling light
12  Selection of the film leader’s handling during film rewind (complete 
rolling into the cartridge, or leaving the leader out of the cartridge when 
the film is rewound at the end or in mid-roll).
[1]  rewinds the film completely
[2]  Leaves the film leader out
[3]  Leaves the film leader out and enables MRC (mid-roll change) frame 
advance
13  Selection of rewind operation at film end
[1]  rewind is started automatically
[2]  rewind is started manually.
14  Selection of the self-timer’s operation time (two or 12 seconds).
[1]  Self-timer delay 12 seconds
[2]  Self-timer 2 seconds with mirror lock-up
15  Selection of an illumination level for on-the-film data recording (from 
four levels).
[1]  Auto according to ISO
[2]  low density
[3]  medium density
[4]  high density
16  Selection of the functions with a half press on the shutter release 
button (both the metering and autofocus systems are activated, or only the 
metering system).
[1]  Metering and AF
2[]  Metering only
17  Selection of the select dial’s turning direction.
[1]  numeric values increase with counter-clockwise rotation
[2]  numeric values increase with clockwise rotation
18  Selection of the lens mount index’s illuminator
[1]  turned on
[2]  turned off.
19  Setting of the delay time of a shutter release and the signal reception 
stand-by time when using an infrared remote controller.
[1]  shutter release after 3 seconds
[2]  immediate release  (These functions are available only when the 
optional BG-10 battery grip is mounted on the MZ-S).





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Re[2]: getting LX - worth it? (repairs,...)

2002-01-10 Thread Bob Walkden

Hi,

BTW, that's another question - any members had their LX fail them
in any way during shooting? E.g. in India, or even plain studio at
home :) ?

I bought my 1st LX after I'd been using 2 MXs and one of them
repeatedly failed on me in Ethiopia. When I got back to the UK I
traded it in for an LX. About 18 months later I was back in Africa
with an LX, MX and Super A. The Super A and the LX both repeatedly
failed on me in Ethiopia, Zanzibar and South Africa, and so did my A*
135/1.8 lens. They'd all been fine in the UK, so I guess it was the
change of environment that triggered the problems at that particular
time. Only my original bought-from-new MX and the other lenses
kept on going. The MX had already been through many, many trips and
changes of environment since I first bought it, so I think it was
experienced at that sort of thing.

When I got back I joined this forum and learned about the sticky
mirror problem, which is what the LX problem was, so I had it fixed
and the camera worked perfectly from then on. I got rid of the Super A
and eventually bought 2 more LXs. One of them had the sticky mirror
problem from the word 'go', which I didn't mind because I knew about
it. The other was fine and never gave me any trouble iirc. I never got
to take any of them back to Africa, but they did get some rough
treatment, including winter temperatures in Moscow.

It's almost impossible to predict how any used camera is going to
react to a long-haul flight and dramatic change of environment. The
best you can do is have plenty of cover and hope that at least one set
doesn't fail. From the spec you've given you might prefer to buy a new
Nikon FM3A, which has many of the great LX features (surpasses it in
some ways), but then you'd have to get a whole bunch of their lenses
too.

---

 Bob  

mailto:[EMAIL PROTECTED]
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Re: 300/4 A* Questions

2002-01-10 Thread Geoff Moes

Fred,

I will be curious to hear what you come up with. One of the main 
features I wanted was smaller size and lighter weight, and I believe 
this is one of the smaller 300mm lenses.  I was planning on traveling 
with this lens, even though taking it goes against my travel light 
philosophy.

Geoff



  Also I think I heard the 300/4.5 was sharper wide open. I guess
  you gain sharpness by loosing a half stop.
 
 Geoff:
 
 I recently picked up an F* 300/4.5 in great shape, but I still
 haven't gotten around to comparing it to the M*/A* 300/4.  From what
 I have heard here on the PDML, the 300/4.5 might indeed be sharper
 wide open than the 300/4 wide open - time will tell.  (And the
 tripod mount on the F* is a real plus.)  However, sometimes that
 extra half-stop of light can be significant, especially when
 hand-holding a 300mm lens in less than ideal light.  And, the 300/4
 must be infinitely better at f/4 than the 300/4.5 would be at f/4,
 right? g
 
 Fred
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Re: getting LX - worth it? (repairs,...)

2002-01-10 Thread Geoff Moes

The LX is a fine camera. However, It is not the most modern camera 
and cannot do many automatic things. I personally like manual 
cameras; the only SLR’s I own are MX’s and LX’s. The question to 
buy one or not should be based on what you can afford and what 
your needs are. The LX has some distinct draw backs, if you need 
a quiet camera you may no want the LX, on the other hand if you 
are shooting a lot of low light stuff then you might want it.  I 
personally love it, if you want a good mostly manual camera and can 
afford it and the repairs, if necessary, then get it. I think people, 
especially Americans suffer from the “me too” mentality. They all 
have X so I should buy X. 

If you do decide to get one, either buy one that has been recently 
CLA’d or a later model with serial numbers 533 or 535, if a 538 
exists it is probably worth it, although I have seen a lot of people 
make mistakes with the serial numbers. So I wouldn’t be surprised 
that it was a 528 or a 533, I have a 523 that I though was a 529 for a 
while.


Geoff
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Re: Happy 2002 to all PDMLers

2002-01-10 Thread Dan Scott

Hi Mike. Good. Likewise. :-)

Dan Scott
[EMAIL PROTECTED]


Hi friends--I'm back from Maine, NH, and Vermont--

I hope you all had a great holiday! Ours was wonderful.

And Happy New Year to one and all for 2002!

--Mike J.
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: 280T-Got It

2002-01-10 Thread David Brooks

Looked at the AF280T last night and bought it.Seems in
good shape,fires with SF-1(which i hope will turn
into a PZ-1p soon.Came with case but no manual.I have one 
on order from Pentax Canada,photocopy at N/C to me.
One quick question before th manual arrives.If the flash
is set to TTL and lense on A and SF-1 on one of the 
program modes,this will give me TTL flash as in
no thinking about exposure etc.correct??

Dave


Pentax User
Stouffville Ontario Canada

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Re: Happy 2002 to all PDMLers

2002-01-10 Thread David Brooks

And to you Mike from the Great Notsowhite North

Dave

 Begin Original Message 

From: Mike Johnston [EMAIL PROTECTED]
Sent: Thu, 10 Jan 2002 00:17:26 -0600
To: [EMAIL PROTECTED]
Subject: Happy 2002 to all PDMLers


Hi friends--I'm back from Maine, NH, and Vermont--

I hope you all had a great holiday! Ours was wonderful.

And Happy New Year to one and all for 2002!

--Mike J.
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 End Original Message 




Pentax User
Stouffville Ontario Canada

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Photo shops in Paris

2002-01-10 Thread mike y.

Settling in, trying to make Paris my new home, and I have a quick 
question...  We finally got moved over here last week and I'm looking for a 
decent shop - one which handles pentax gear (new and used?) as well as 
chemicals...


I saw a recomendation a few months ago when I first brought up this move but 
it's on my hard drive, with the rest of my worldy goods in the middle of the 
atlantic...



Thanks,


Mike Y.

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The Prodigal Son Returns (with new toys, of course)

2002-01-10 Thread Camdir

I never want to sleep on another futon in my life.

Apart from that, an excellent holiday and a few new toys to play with.

MZ3 Limited Set

85mm F2.2 Soft (K)

35-105mm F3.5A

Time to 'fess up. Visited the Dark Side. Truly enjoyable, but a little on the 
weighty side.

Hope you all had a good new year

Kind regards from sunny Brighton

Peter
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Vivitar 70-210 f3.5

2002-01-10 Thread Henry Knowles

I've seen a Vivitar 70-210 (or possibly 70-200) f3.5.  Whilst not a 
constant f2.8, f3.5 seems quite reasonable.  At a price of 35 GBP 
(55-60 USD I guess), is this a worthwhile purchase?  Also, does anyone 
know what the Pentax T6-2X is like in comparison with the A 2X-S?

Cheers,
Henry

--
Henry Knowles, Electrical  Electronic Engineering
[EMAIL PROTECTED]
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Re: Putting Tired Old LX's on Steroids

2002-01-10 Thread Fred

 Go here and read about some of the faults and effects of age. It
 might give you an idea to check a few things other than what I
 mentioned.
 http://members.ozemail.com.au/~distudio/thepentaxlx.html

Thanks, Shel, for the tip.  And, thanks to Rob for his well-done LX
pages (including the detailed one on LX problems, at
http://members.ozemail.com.au/~distudio/lxproblems.html ).

Fred
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Re: Vivitar 70-210 f3.5

2002-01-10 Thread Ken Archer

I have had a Vivitar Series 1 70-210/3.5 (67mm filter mount) since the 
mid-70's and love it.  Actually I have had all three models at one time 
or another, but prefer the first model.  The price is certainly right.  
They are going from $75-125 on ebay these days.  The only reason I am 
even considering giving mine up is my old eyes and the need (want) for 
auto focus.

On Thursday 10 January 2002 07:12, Henry Knowles wrote:
 I've seen a Vivitar 70-210 (or possibly 70-200) f3.5.  Whilst not a
 constant f2.8, f3.5 seems quite reasonable.  At a price of 35 GBP
 (55-60 USD I guess), is this a worthwhile purchase?  Also, does
 anyone know what the Pentax T6-2X is like in comparison with the A
 2X-S?

 Cheers,
 Henry
-- 
Kenneth Archer + San Antonio, Texas
[EMAIL PROTECTED]   ICQ #24980801
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Re: Kodak: a company shoots its own foot

2002-01-10 Thread Aaron Reynolds

On Wednesday, January 9, 2002, at 08:58  PM, Paul Jones wrote:

 I'm pretty sure a Kodak Disk camera was my first camera, had a beautfil
 anodized brass look on the front. I actualy found it a couple of weeks 
 back
 with a half exposed role (sorry disc) in it. Fat chance of getting that
 developed  :)

I know a fellow with a Disc processor, but it has been idle since '93 or 
'94.

 Oh yeah my second camera was a Spotmatic SP with a SuperTak 50/1.4. I 
 think
 i was 16 at the time.

That's similar to me: I had a Disc camera, but at age 7 I informed my 
father that I wanted a good camera, like his (an SP500).  He got me a 
Practika LTL 3 with a Super Tak 50/1.8.  I used it until I wore out the 
advance mechanism twice -- the second time I found a lovely SP1000 for 
very little money.  My third camera was an ME Super (recently deceased, 
advance wore out), my fourth a Yashica (now my father's), my fifth an 
Arca Swiss Pro III (now sold), my sixth a Mamiya C33 (advance wore out, 
sold for parts), my seventh a Pentax 67, my eighth an LX, my ninth 
another ME Super...

The Barbie cam fits in there, somewhere, too.

-Aaron
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RE: Bargain at KEH

2002-01-10 Thread Kent Gittings

KEH's BGN can be another dealers VG. Just means that something on it might
not be pretty. But the optics are always pristine in the ones I've gotten
from them. I bought a BGN K 200/2.5 from them several years ago. The
retractable hood had some obvious dings in it but the glass was flawless. I
just considered myself lucky to get one for $335 and used it for several
years for concert shooting with the LX I had at the time. Also had them drop
ship a BGN Sigma 21-35/3.5-4 to my hotel room in FLA once when I realized I
needed a wide angle lens. Even though I was shooting with a ZX-5n at the
time I figured that AF in the short focal lengths was something I could do
without. all because I was getting their catalogs and I found these were on
special because they had several. Never could figure out why they considered
it BGN. Still have this one.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Timothy Sherburne
Sent: Wednesday, January 09, 2002 1:21 PM
To: Pentax Discussion List
Subject: Bargain at KEH


Hello all...

What are your experiences buying equipment marked as bargain at KEH? How
about ugly?

t
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Re: getting LX - worth it? (repairs,...)

2002-01-10 Thread Doug Franklin

Hi Frantisek,

On Thu, 10 Jan 2002 09:39:54 +0100, Frantisek Vlcek wrote:

BTW, that's another question - any members had their LX fail them
in any way during shooting? E.g. in India, or even plain studio at
home :) ?

No failures here, except for the ones by the guy pressing the shutter
release button.  I'm still using the battery that was in it when I
bought it. :-)

TTYL, DougF
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Re: Happy 2002 to all PDMLers

2002-01-10 Thread Aaron Reynolds

On Thursday, January 10, 2002, at 08:02  AM, David Brooks wrote:

 And to you Mike from the Great Notsowhite North

Seconded.  Looks like we're in the great rainy north today...

But welcome back Mike anyways!

-Aaron
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Re: : 280T-Got It

2002-01-10 Thread Rfsindg

David,

I can't say exactly for an SF-1.  If it was a Super Program, you set the lens 
at A, put the AF280T on top, turn it on, it sets an aperture in the 
viewfinder and shoots TTL.  I would expect the same on the SF-1 (or better).

Regards,  Bob S.

[EMAIL PROTECTED] writes:

 Looked at the AF280T last night and bought it.Seems in
 good shape,fires with SF-1(which i hope will turn
 into a PZ-1p soon.Came with case but no manual.I have one 
 on order from Pentax Canada,photocopy at N/C to me.
 One quick question before th manual arrives.If the flash
 is set to TTL and lense on A and SF-1 on one of the 
 program modes,this will give me TTL flash as in
 no thinking about exposure etc.correct??  
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RE: Extra-solar Planet Imaged Optically

2002-01-10 Thread Kent Gittings

They are called brown dwarves because they have insufficient mass to trigger
fusion in the core. They emit energy due to gravitational contraction and
compression of the core. As soon as this runs out they go dark. It is a very
low frequency form of energy output. Jupiter does some of this also because
it emits slightly more energy than it would if it was all from solar
reflection.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Peifer, William
[OCDUS]
Sent: Tuesday, January 08, 2002 12:41 PM
To: '[EMAIL PROTECTED]'
Cc: 'aimcompute'
Subject: RE: Extra-solar Planet Imaged Optically


Tom C. wrote:
 Thought some may enjoy this.  Apparently a ground based telescope
 has optically resolved a brown dwarf orbiting another star.

http://www.cnn.com/2002/TECH/space/01/07/brown.dwarf/index.html

Hi Tom,

Yeah, that's pretty cool.  If I did my arithmetic correctly, that's an
apparent separation of about one fourth of one milliarcsecond.  Even with
monster, multi-meter-class ground-based telescopes, resolution at visible
wavelengths -- without adaptive optics -- is limited to about one half of an
~arcsecond~ (i.e., 500 milliarcseconds, or about 2000 times less resolution
than these fellows obtained) because of atmospheric turbulence.  Adaptive
optics are pretty amazing.  Telescopes like the Keck can obtain theoretical
resolutions on the order of 10 milliarcseconds in the visible, and even
better in the infrared.  (Sounds like these fellows were going a step
further and doing infrared interferometry, which would boost resolution even
further.)  I just wish these science journalists would learn the
difference between brown dwarfs and planets.  Methinks they're giving the
impression to the general public that all these planets are just like
Earth, which of course is not the case at all.  Not sure where the dividing
line is between carbon stars and brown dwarfs -- IIRC, carbon stars use
heavy atoms to fuel nuclear fusion reactions, but I don't know if brown
dwarfs can do this.  They emit in the infrared, but I'm not sure what powers
this process.  Heavy-element fusion??

If you want to see something really neat, look at the January 2001 (last
year's) issue of Sky  Telescope.  I was just looking at this back issue
last night.  There's a brief note in the front about some amateurs using a
small scope (14 Schmidt-Cass, I think), a CCD, and some photometric
software to get a light curve for some star with a known short-period
extrasolar planet.  From our vantage point here on Earth, this planet
transits across the face of its star every few days, causing a very small
(0.02 magnitude) drop in the star's apparent intensity.  They measured the
intensity of the star during one of these planet transits, and sure enough,
they could actually observe the intensity variation as the planet blocked
some of the star's light from our view.  Pretty good for off-the-shelf
amateur equipment!

All this is giving me an itch to point one of my Pentaxen skyward, but I'm
afraid all I'll get this week will be clouds.  Aarrrgh!!  At least they're
18% gray  :-)

Bill Peifer
Rochester, NY
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Re: Photo shops in Paris

2002-01-10 Thread Rob Studdert

On 10 Jan 2002 at 13:00, mike y. wrote:

 Settling in, trying to make Paris my new home, and I have a quick 
 question...  We finally got moved over here last week and I'm looking for a
 decent shop - one which handles pentax gear (new and used?) as well as
 chemicals...

Walk down Boulevard Beaumarchais from Bastille Metro, camera shops line each 
side of the street, there's plenty of good stuff there.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html
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Gettiong Back to Basics

2002-01-10 Thread John Coyle

Had the chance tonight, for the first time in about five years, to do a couple 
of things I haven't done for ages.
First, I developed a film! Yes, I know, you guys do it all the time, but for 
family reasons, I've most recently shot mainly colour neg, and this would be 
the first BW I've done in all that time.  HP5, rated at 800 ASA, in ID11 at 
24C for 6 minutes (when the ambient temperature is 32C, ya gotta make some 
compromises!).   The negs look really good, plenty of tonal range, I'll be very 
keen to scan them in tomorrow and see how the sharpness, etc looks.  Might even 
do some wet darkroom work on them!

Next, while the film was washing and drying,I took myself on to our deck, sat, 
drank coffee and Armagnac, watched the city lights and listened to some 1950's 
 jazz (Chris Barbers' Jazz Band, for those who know it).  Way cool! and I 
noticed a couple of 20 somethings in the apartment above were sitting out 
listening for the whole two hours of the CD too!  May be able to educate them 
yet!

Pure heaven!

John Coyle
(and yes, my wife is away helping to look after our twin grand-daughters, so I 
can be totally self-indulgent!)
Brisbane, Australia
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Re: Putting Tired Old LX's on Steroids

2002-01-10 Thread Rfsindg

Fred,

Sending your LX's to Canada was an option I considered, but feared the border 
hassles.  I approached Pentax USA with some trepidation.

One thing that helped me with Pentax USA was using rush service.  For $25 or 
so, a real person takes care of your order.  It works like this.  Call Pentax 
USA service in Colorado.  Tell them you need rush service.  The service 
writer gives you their name and asks you to send the item to their attention. 
 When the package arrives, they get it directly and walk it over to a service 
tech for immediate repair.  They call you back with the estimate and then 
arrange to ship it back to you.  I much prefered this arrangement. 

(As an insight, I sent our favorite A*135/1.8 in for a repair after the focus 
began to loosen up.  It was my first experience with rush service and I 
didn't get it quite right.  I had failed to put the guy's name on the outside 
of the package.  After 5 days, I called in a panic.  He went to the mail room 
or wherever and picked it up!  Everything  went smoothly from there on.)

Regards,  Bob S.

[EMAIL PROTECTED] writes:

 Ship the two bodies together or separately?  Will I get a discount if I 
use a few LX winks [ ;-) ] in my accompanying letter?  Do I dare to eat a 
peach?
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Re: Re: Happy 2002 to all PDMLers

2002-01-10 Thread David Brooks

Aaron:Looks like i picked a bad year to do winter BW 
rural shots.Should have started last year,atleast
we had some white stuff on the ground.

Dave(looking out the window at the sky)Brooks

From: Aaron Reynolds [EMAIL PROTECTED]


Seconded.  Looks like we're in the great rainy north today...




Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: 300/4 A* Questions

2002-01-10 Thread Alexander Krohe

Geoff wrote:
... 
I was planning on traveling with this lens, even
though taking it goes against my travel light
philosophy.
---

You will barely find a lighter all-metal made 300mm
lens. The major disadvantage of the A/M*300/4 is the
minimum focusing distance of only 4m. I would
recommend adding a K50mm extension tube or a
'helicoic' (adjustable) extension tube K. This will
decrease the minimum focusing distance to 2.8m or so. 
Alexander
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Re: z1p and M lenses

2002-01-10 Thread Rfsindg

Paul,

Thanks for the correction.  I just did a quick check of a PZ-1p and an M 
lens.  The display icons for spot metering and center metering can be 
activated, but not the matrix metering one.  With A lenses, I can activate 
all three modes.  And I think the camera is responding to these modes 
appropriately.

I was surprised with the PZ-1 (not p).  It showed the spot metering icon with 
the M lenses but didn't seem to do much different.  After I joined this list, 
I learned that spot metering is available on the PZ-1 ONLY with A series 
lenses or better.  Looks like that is different on the PZ-1p.

Regards,  Bob S.

[EMAIL PROTECTED] writes:

 I'm pretty sure spot metering is availble with M and K lense, it is only
 multi segment metering that doesnt work. 
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RE: Pentax MZ-S questions and some observations

2002-01-10 Thread John Coyle

Hi Aleksandar:
You're English is plenty good enough - my (assuming you are Russian) Russian is 
non-existent!
See below for detailed responses.

John Coyle
Brisbane, Australia


On Thursday, January 10, 2002 10:03 AM, A K [SMTP:[EMAIL PROTECTED]] wrote:
 Hi everybody,

SNIP

 Just got myself a secondhand MZ-S in absolute mint condition. But alas, no
 manual!

Amazing! I am surprised there are any second-hand MZ-S's out there!


 I figured out almost everything by myself (kudos to Pentax for excellent
 user interface!!!) but I'm having problems with
 a) pentax functions (only got some general idea what they are from couple
 of PDF documents) and
 b) advanced flash techniques (I have an old AF280T for now).

 Does anybody now where I could find scanned or PDF manual on the web?
 I can't order it, since there are no Pentax representatives in my country.


The manual would  be too big, but if you will give me a day or two I will scan 
the wallet-sized reference sheet for the functions.



 Some more questions:

 1) When using manual focus A, K and M lenses I can't select other focusing
 points than central - is that normal?

I think so.


 2) When using old screw mount Takumars with original Pentax screw mount
 adapter, I don't have focus confirmation at all - why is that?

There is a function to set for this - it may be set off.


 I also tried (non Pentax) K mount macro bellows and lenses converted to K
 mount using T2 adapters, but they didn't offer focus confirmation either!

A tricky area - don't know about this.

On
 the other hand, russian Zenitar 2.8/16 K mount fisheye works! How on earth
 MZ-S decides what works and what doesn't, since all these mounts are all
 mechanical without any electrical contacts? The only difference is absence
 of aperture lever and coupler, on the bellows and the two adapters. Can I
 make my M42 Taks work?


I think the focus confirmation works by examining edge contrast in the 
viewfinder, but I'm open to correction on this.


 3) When using manual focus A, K and M lenses there is some sort of focusing
 latitude - when rotating focusing ring, focus confirmation LED signal
 IMO stays on longer that it should.


 When I focus with my KX or my LX using microprism collar at 1 meter, the
 image is in focus only at 1 meter - with MZ-S i get focus still confirmed
 when I move focusing ring to the left. Only a little bit, but enough to make
 me worry if focusing was dead on accurate (especially with large apertures
 at close distance).


This may depend on DOF or depth of focus of the lens  - I have generally found 
the MZ-S to be absolutely reliable if it gives confirmation.



 I discovered that I should start focusing VERY SLOWLY from infinity mark and
 stop immediately when I get focus confirmation - this way I get identical
 result with my other Pentax bodies (mounted on a tripod, using the same lens
 of course).

 But what do I do when I can't focus very slowly?
 Is this normal?


I think so - for the reasons noted above

 I also got a new FA 24-90 AL/IF zoom. Any experiences/comments on it?



Sorry - no.

 Some observations:

 I traded my old Canon EOS 50E (ElanIIE in USA i think) with 28-105 USM and
 battery pack (I was waiting way too long for decent metal Pentax AF body)
 for the MZ-S body.
 Compared to older, cheaper and out of production Canon camera, MZ-S AF
 system sucks!

I am amazed at this - my MZ-s will focus rapidly in light such as a 60 
watt-bulb 3 metres from the subject and not shining directly on to it!


 Well, maybe it is not that bad, but when you get used to something better...
 Is it so hard to get cross sensors in your flagship camera!?!?

I have read, although it is not in the Pentax documentation, that the central 
sensor is sensitive to both horizontal and vertical lines, thus fulfilling the 
role of a cross sensor.

 I miss the illuminated focusing squares on the viewscreen - very useful in
 low light, or on dark subjects.

Don't they get in the way of your composition?

 No red light AF assist beam on the body for low light, high ASA, no flash
 photography.

Pop up the flash, and the AF assist beam will fire, to allow  focussing.  Hold 
down the shutter release at the half-way position - voila,  no need for IR. 
 Incidentally, any of the Pentax IR-capable flashes will work too.

 AF is louder, hunts more and sometimes (rarely, but it happens) when it says
 it is in focus, it actually is way off (visible by naked eye in the
 viewfinder), something that never happened to me with Canon.

Have you checked your dioptre setting on the viewfinder?  In my experience the 
MZ-S focussing has never been off in the viewfinder.  Yopu may need to check 
which sensor is capturing focus.


 The viewfinder was a big disapointment too - it is much smaller and even
 darker than my 25 years old KX!


Don't have the KX, but this is a common complaint with most modern cameras.

SNIP

 Since it is not my native language, I'm also sorry for my english.

 Happy New 

RE: Photo shops in Paris

2002-01-10 Thread John Coyle

You lucky devil - I once was in a job where I had to go to Paris every month 
for a week - so hard to handle!

Have you tried FNAC in the  Avenue des Champs-Elysees?  They may be expensive 
though, given the location.

HTH

John Coyle
Brisbane, Australia


On Thursday, January 10, 2002 11:01 PM, mike y. [SMTP:[EMAIL PROTECTED]] wrote:
 Settling in, trying to make Paris my new home, and I have a quick
 question...  We finally got moved over here last week and I'm looking for a
 decent shop - one which handles pentax gear (new and used?) as well as
 chemicals...


SNIP
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RE: Happy 2002 to all PDMLers

2002-01-10 Thread John Coyle

Good to see you back Mike - and greetings to you too!

John Coyle
Brisbane, Australia


On Thursday, January 10, 2002 4:17 PM, Mike Johnston 
[SMTP:[EMAIL PROTECTED]] wrote:
 Hi friends--I'm back from Maine, NH, and Vermont--

 I hope you all had a great holiday! Ours was wonderful.

 And Happy New Year to one and all for 2002!

 --Mike J.
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RE: Eye relief on MZ-S

2002-01-10 Thread John Coyle

Hi Ed:
I don't have the 5n, but I do have the 5, and the S, and I wear spectacles.  I 
find no difficulty with either, and would'n't be able to state a preference  as 
a result!  I don't think (if you are thinking of buying the S) that you will 
have any difficulty with the viewfinder, FWIW.

HTH


John Coyle
Brisbane, Australia


On Thursday, January 10, 2002 7:45 PM, Ed Mathews [SMTP:[EMAIL PROTECTED]] 
wrote:
 Hey,
  Being a spectacle wearer, I wrote to Pentax Colorado and asked them
 about the eyepoint on the MZ-S, as compared to something I own, the
 ZX-5N.  They replied, the eye relief is about 5mm greater than that of
 the ZX-5n.  I've spent very limited time with the MZ-S, so I can't
 recall that this feels about right in my experience, but it seems a
 little exaggerated to me.  What is the opinion of people out there that
 own both cameras?

 Thanks,
 Ed
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Re: Gettiong Back to Basics

2002-01-10 Thread Bmacrae

Ahhh jazz...

Love it, love it.

Big time T. Monk fan, here. Was listening to Brubeck last night while net surfin'.

Coltrane followed...

da da da da da,  boom BOOM!

Great stuff to listen to while developing.

Brendan MacRae
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Re: Photo shops in Paris

2002-01-10 Thread mike y.

That may be dangerous since I'm currently unemployed ;-)


Thanks!


From: Rob Studdert [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: Photo shops in Paris
Date: Fri, 11 Jan 2002 01:10:13 +1000

On 10 Jan 2002 at 13:00, mike y. wrote:

  Settling in, trying to make Paris my new home, and I have a quick
  question...  We finally got moved over here last week and I'm looking 
for a
  decent shop - one which handles pentax gear (new and used?) as well as
  chemicals...

Walk down Boulevard Beaumarchais from Bastille Metro, camera shops line 
each
side of the street, there's plenty of good stuff there.

Cheers,

Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://members.ozemail.com.au/~distudio/publications.html
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Re: Gettiong Back to Basics

2002-01-10 Thread Shel Belinkoff

Hi John ...

You've discovered one of the great pleasure for a photographer -
developing film and the enjoyment of music combined.  Last night was
Tri-X night here, accompanied by some country music - Wayne Hancock's
Thunderclouds and Neons Signs and the sound track to Horse
Whisperer.  Listening to the music while actually processing the film
gives me a little lift.  Tonight will be a sixties festival, with the
Shirelles and some  Phil Spector produced tracks.

I hope you have many more chances to be self-indulgent.

Coyle wrote:
 
 Had the chance tonight, for the first time in about five years, to do a couple
 of things I haven't done for ages.
 First, I developed a film! Yes, I know, you guys do it all the time, but for
 family reasons, I've most recently shot mainly colour neg, and this would be
 the first BW I've done in all that time.  HP5, rated at 800 ASA, in ID11 at
 24C for 6 minutes (when the ambient temperature is 32C, ya gotta make some
 compromises!).   The negs look really good, plenty of tonal range, I'll be very
 keen to scan them in tomorrow and see how the sharpness, etc looks.  Might even
 do some wet darkroom work on them!
 
 Next, while the film was washing and drying,I took myself on to our deck, sat,
 drank coffee and Armagnac, watched the city lights and listened to some 1950's
 jazz (Chris Barbers' Jazz Band, for those who know it).  Way cool! and I
 noticed a couple of 20 somethings in the apartment above were sitting out
 listening for the whole two hours of the CD too!  May be able to educate them
 yet!
 
 Pure heaven!

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Gettiong Back to Basics

2002-01-10 Thread Shel Belinkoff

Good Morning,

If you haven't already, you might want to check out the John
Coltrane/Johnny Hartman CD.

[EMAIL PROTECTED] wrote:
 
 Coltrane followed...

 Great stuff to listen to while developing.


-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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RE: Photo shops in Paris

2002-01-10 Thread mike y.

I just came from the FNAC near Montparnasse (near our temporary apartment) 
and they had some things, maybe I'll have a look at Champs-Elysees 
tomorrow


My girlfriend's company (KPMG) moved us here for 2 - 5 years...  I left my 
job at Sun last month and will try to find something here...  Life is 
rough...


From: John Coyle [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: '[EMAIL PROTECTED]' [EMAIL PROTECTED]
Subject: RE: Photo shops in Paris
Date: Fri, 11 Jan 2002 00:49:30 +1000

You lucky devil - I once was in a job where I had to go to Paris every 
month
for a week - so hard to handle!

Have you tried FNAC in the  Avenue des Champs-Elysees?  They may be 
expensive
though, given the location.

HTH

John Coyle
Brisbane, Australia


On Thursday, January 10, 2002 11:01 PM, mike y. [SMTP:[EMAIL PROTECTED]] 
wrote:
  Settling in, trying to make Paris my new home, and I have a quick
  question...  We finally got moved over here last week and I'm looking 
for a
  decent shop - one which handles pentax gear (new and used?) as well as
  chemicals...
 
 
SNIP
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FM3A dilemma

2002-01-10 Thread Mike Johnston

Bob Walkden wrote:
 From the spec you've given you might prefer to buy a new
 Nikon FM3A, which has many of the great LX features (surpasses it in
 some ways), but then you'd have to get a whole bunch of their lenses
 too.



Augh! My current dilemma.

--Mike J.


The 37th Frame, an independent newsletter for photographers
www.37thframe.com
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Re: LX and Grip B

2002-01-10 Thread Mike Johnston

Frantisek wrote:

  BTW, that's another question - any members had their LX fail them
  in any way during shooting? E.g. in India, or even plain studio at
  home :) ?

I've never owned one, but I'll add to the other comments that the LX with
the Grip B is the most comfortable and good-feeling 35mm I've ever held to
my eye. I gripe all the time about finders, which today are universally
(well, apart from the pro EOS and Nikon F5) small and hard to focus and
don't show you everything you're going to get on the negative. The LX is one
of the best viewfinders I know of--big, bright, easy to focus, easy to see,
almost 100% coverage at the sides of the frame (where you really need
it)--just marvelous. It really underlines the deficiencies of modern
viewfinders.

My only complaint with the LX is that I find it noisy. But maybe I've only
tried early ones; the later ones are alleged to be better damped. Lots of
people don't mind a noisy shutter, but I do.

I keep remembering the feel of the LX. I'd get one if I could afford to.

--Mike J.

The 37th Frame, an independent newsletter for photographers
www.37thframe.com
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Too old for a futon?

2002-01-10 Thread Mike Johnston

Kind Peter from Brighton wrote:

 I never want to sleep on another futon in my life.
 
 Apart from that, an excellent holiday and a few new toys to play with.


I've been sleeping on a futon for 15 years, which I got approximately when I
became too old to sleep on the floor. Keep waking up stiff and sore...maybe
I should get a real bed one of these days.

Kind of like my eyes getting too old for manual-focus viewfinders  :-(   :-(

--Mike J. 

The 37th Frame, an independent newsletter for photographers
www.37thframe.com
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Re: LX and Grip B

2002-01-10 Thread Shel Belinkoff

Hi Mike ...

Welcome home!

Yes, the newer LX seem to be quieter than the older models, but I've
noticed that, for some inexplicable reason, the camera is quieter with
some lenses and noisier with others.  I've mentioned this on the list
before and no one's been able to come up with an explanation for it, and
I've neither had the time nor the inclination to do a complete test with
all my lenses and LX bodies.  


Mike Johnston wrote:

 My only complaint with the LX is that 
 I find it noisy. But maybe I've only
 tried early ones; the later ones are 
 alleged to be better damped. Lots of
 people don't mind a noisy shutter, but I do.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Happy 2002 to all PDMLers

2002-01-10 Thread Aaron Reynolds

On Thursday, January 10, 2002, at 09:25  AM, David Brooks wrote:

 Aaron:Looks like i picked a bad year to do winter BW
 rural shots.Should have started last year,atleast
 we had some white stuff on the ground.

Hell yes.  I was all excited about coming back to snow when we returned 
from NC...only to discover slush and some rain.

Bah humbug!  Where's my snow??

-Aaron
who'll hate the snow again about two days after it shows up
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FS: Sigma 1.4x AF teleconverter

2002-01-10 Thread Mark Roberts

Offering to the list before it goes on eBay.
This is the standard Sigma 1.4x teleconverter (not the EX series). It's
in EX+ condition with front and rear lens caps. It's autofocus but of course
will work with manual focus cameras  lenses as well.

$35.00 + shipping ($2.00 for shipping in the U.S. should cover it)


-- 
Mark Roberts
www.robertstech.com
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Re: LX and Grip B

2002-01-10 Thread Christian

Welcome back Mike!

When I got my LX last year I immediately removed the grib-B as an unsightly, 
eyesore.  I played with the camera for a bit and decided to put the grip on 
so I wouldn't lose it.  More playing.  I now can't live without it!  It makes 
handling the camera quick and comfortable.  It acts as a handle for me as 
well since I hate straps.

I LOVE the viewfinder!  I'm getting an SG-20 soon and can't wait to try it 
out!

Shutter noise doesn't bother me but as I posted here before I took pictures 
of a deer and her fawn from across a lake and her ears would prick up after 
each trip of the shutter!  It is definately not quiet!

Christian

On Thursday 10 January 2002 10:57, Mike wrote:


 I've never owned one, but I'll add to the other comments that the LX with
 the Grip B is the most comfortable and good-feeling 35mm I've ever held to
 my eye. I gripe all the time about finders, which today are universally
 (well, apart from the pro EOS and Nikon F5) small and hard to focus and
 don't show you everything you're going to get on the negative. The LX is
 one of the best viewfinders I know of--big, bright, easy to focus, easy to
 see, almost 100% coverage at the sides of the frame (where you really need
 it)--just marvelous. It really underlines the deficiencies of modern
 viewfinders.

 My only complaint with the LX is that I find it noisy. But maybe I've only
 tried early ones; the later ones are alleged to be better damped. Lots of
 people don't mind a noisy shutter, but I do.

 I keep remembering the feel of the LX. I'd get one if I could afford to.

 --Mike J.
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Re: getting LX - worth it? (repairs,...)

2002-01-10 Thread Shel Belinkoff

For me, it's more than just that.  The interchangeable screens and
finders make this a very special camera, as do some of the neat
accessories.

Aaron Reynolds wrote:

 Like I keep saying, if Pentax sold a 
 67 with the LX OTF meter in it, I'd
 never need to buy another camera in my life. ;)
 
 I'm a big fan of my LX.  
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: FM3A dilemma

2002-01-10 Thread Christian

AAAHHH!!  Don't say that Bob and Mike!

Christian

On Thursday 10 January 2002 11:01, Mike wrote:
 Bob Walkden wrote:
  From the spec you've given you might prefer to buy a new
  Nikon FM3A, which has many of the great LX features (surpasses it in
  some ways), but then you'd have to get a whole bunch of their lenses
  too.

 Augh! My current dilemma.

 --Mike J.
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RE: Gettiong Back to Basics

2002-01-10 Thread Paris, Leonard

Don't you mean Woody Herman?  Woody Allen is a comedian.

Len
---

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]
Sent: Thursday, January 10, 2002 11:20 AM
To: [EMAIL PROTECTED]
Subject: Re: Gettiong Back to Basics


Shel...

I have the Monk album (Riverside label) that Coltrane plays on. Great stuff.
I look for the Hartman CD next time I'm out.

I was raised on rock 'n roll but I find myself drifting further into jazz. I
love new orleans jazz, like the stuff Woody Allen plays with his group. The
Squirrel Nut Zippers do that kind of music (with a modern flair) and it's
great fun. I really love bebop the most...Diz and Bird, older stuff. 

When I go to Tower records now I pass most of the rock stuff and head into
the jazz section. I spend too much time and money there. It's like going to
a photo shop!

Brendan M.
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Re: FS: Sigma 1.4x AF teleconverter

2002-01-10 Thread Brendan

I know you've prob got tons of requests, is it still
available ?

--- Mark Roberts [EMAIL PROTECTED] wrote:
 Offering to the list before it goes on eBay.
 This is the standard Sigma 1.4x teleconverter (not
 the EX series). It's
 in EX+ condition with front and rear lens caps. It's
 autofocus but of course
 will work with manual focus cameras  lenses as
 well.
 
 $35.00 + shipping ($2.00 for shipping in the U.S.
 should cover it)
 
 
 -- 
 Mark Roberts
 www.robertstech.com
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Re: Interior lense dust/dirt

2002-01-10 Thread David Brooks

I have begun to notice these fine speck ofpaint
on my 35-80 4.5/5.6 but not some much on my main lens
the 80-200.

Dave
 Begin Original Message 

From: Mike Gezing [EMAIL PROTECTED]
Again I was not seeing dust but what appeared to
be small flects of paint.

Regards,  Mike
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Re: getting LX - worth it? (repairs,...)

2002-01-10 Thread Shel Belinkoff

Hey Bruce ...

No need for the Nomex underwear, you just have different needs and
preferences.

Spot metering on the LX would be nice, but since I don't use a meter
much these days, I don't really care too much one way or another.  And
since I don't use flash I couldn't care about flash sync ... in fact,
none of the features you mentioned are ones that I have a need for.

In the FWIW department, the low light shots I took last night were just
fine with no signs of reciprocity failure.  Others have mentioned this,
too.  

Anyway, I'm just mentioning all this not to negate your comments but to
emphasize the point that one camera may perform better, or be more
comfortable to use, for one person than another.  Blindly following
list enablement is silly, although I'm not suggesting that Frantisek
is doing that, as it seems he's looked into the features that are
important to him.

Having spent a few hours with a PZ-1p it became clear that it was not
the camera for me, regardless of its modern features.  The camera was
uncomfortable to hold, had too many bells and whistles, lacked true MLU,
interchangeable finders, the great tactile sensation of a black metal
body, and a certain stealth quality.  But that doesn't mean that it's
a poor camera, or that it's not the ideal body for some people.

As an addendum to my morning, coffee-inspired rambling, I received a 66
year old Leica the other day.  Talk about retro - it doesn't even
offer interchangeable lenses in the manner to which we've become
accustomed, and the viewfinder is tiny, there's no film advance lever,
just a knob, and film loading seems to require some contortionist
skills.  Nonetheless, it's a very appealing camera, and playing with it
has shown that it has some advantages over more modern cameras, although
ease of use may not be one of them.  

For example, my first reaction to there being no advance lever was that
it would be a PITA to move the film along.  But, after playing with it
for a while I realized that I could turn the knob quite easily with just
a finger, and that I didn't have to remove the camera from my eye to
make way for the advance lever.  IOW, advancing the film was very simple
and easier for a left-eyed shooter like myself.

With the collapsible lens the entire camera is only 42mm deep, and with
a body that is both narrower and shorter than the MX, it fits easily
into the pocket of most of my shirts, and into the pockets of my jeans,
a feature that I like and which is somewhat important to me.

So, while I don't see it as being a daily shooter, I do see its
advantages and benefits, and recognize that it might have a place in
~my~ camera bag, while others will handily dismiss this little jewel in
favor of the features provided by a bigger, louder, body with bigger
lenses.

Bruce Dayton wrote:

 I know it is probably a sacrilege to say so...but I have not been
 tempted by the LX.  Even after handling one of Shel's.  I don't feel
 that for my uses and needs that it really offers an over abundance of
 features.  Unique to it are probably build quality and low-light
 metering.  What is missing are things like spot metering, high speed
 flash synch, program  shutter priority, easy flash fill, AF and
 simple things like you mentioned plague you - DX coding of film
 cartridges. I freely admit that there are some system things about the
 LX that aren't available to the MZ-S and PZ-1p, but those are things
 that I don't need very often or have never used so I don't know what
 I've been missing.  In my hands, and for my uses, the LX is not the
 ideal camera.  I don't shoot much low light, and if I did, I suspect
 that reciprocity failure creeps in pretty quick anyway - causing a
 need for bracketing.  My night time experiments have turned out just
 fine without an LX.  Yes, it might be a little better but not enough
 to warrant all the other things that I lose that I use more.
 
 I suspect, you should really try one.  If you are one of those who
 becomes smitten with it, then by all means, get one.  I think the
 advice is wise to plan on a good CLA to make sure you know the state
 of the camera.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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OT:10/1?

2002-01-10 Thread Camdir

Isn't 10/1 a CB term for snafu?

Thx

peter
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Re: WTB: MD LX Battery

2002-01-10 Thread Cotty

   I have a battery grip m for the MotorDrive LX.  I find it difficult
to use because of the way it sits (handle like).

   I'm looking for a Batterpack A or NiCd Battery Pack LX that will fit
more 'tightly' to the MD.

   Anyone have one they want to get rid of, or have seen a used one
around lately?

Bill,

Although much rarer tof ind, you might look out for a NiCad pack MX also 
- I'm sure it works fine on the LX drive. The NiCad pack LX works fine on 
the Motor Drive MX.

Keep an eye on eBay, obviously, and check the usual stores.

Once you find one, you may need to re-cell it, which can be done 
yourself. The following links will help you out:

How to recell a NiCad pack:

http://www.ozemail.com.au/~distudio/lxnicdpack.html

where to buy the batteries:

http://www.mrnicd-ehyostco.com/newpage3.htm

(I can't check that last one - I'm not online as I write this, but I 
think it's the right one)

I did it, which means anyone can do it!

Good luck,

Cotty

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Re: First Posting

2002-01-10 Thread Cotty

 I'll drink to that. Heck I'll drink to anything.

I think when I visit England, you will be my first stop..
William Robb

More than welcome! I'll make sure the beer is nice and warm ;-)

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Odp: Anyone shoot MF exclusively?

2002-01-10 Thread Artur Ledóchowski

- Original Message -
From: Delano Mireles [EMAIL PROTECTED]
Subject: Anyone shoot MF exclusively?


 I'm in the process of searching for a MF camera and was wondering if
anyone
 here shoots MF exclusively?  Trying to decide if I should ditch my ZX-5n,
 upgrade my digital olympus for snapshots and go MF for everything else.
I'm
 really wanting to get into portrait photography (mainly children) and it
 really seems like MF is the way to go.

I don't shoot MF exclusively but I do it very often since 3 of my 5 lenses
are MF. I use them on both AF and MF body. The former is the MZ-7 and the
latter is the Program A. So how about buying some Super Program? This is
truely a great camera - has f.e. TTL, 15 ~1/2000 sec, B, X=1/125, DOFP...
Greetz
Artur
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Re: Gettiong Back to Basics

2002-01-10 Thread Shel Belinkoff

Woody Allen is an accomplished clarinet player, and has performed
frequently in and around NYC, as well as in other venues.

Paris, Leonard wrote:
 
 Don't you mean Woody Herman?  Woody Allen is a comedian.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Gettiong Back to Basics

2002-01-10 Thread Evan Hanson

Maybe music just lends itself to darkroom work.  I often find myself tuning
into Radio Havana's Cuban Jazz programming when I processing my negatives.

Evan

Shel Belinkoff wrote:
 Hi John ...

 You've discovered one of the great pleasure for a photographer -
 developing film and the enjoyment of music combined.  Last night was
 Tri-X night here, accompanied by some country music - Wayne Hancock's
 Thunderclouds and Neons Signs and the sound track to Horse
 Whisperer.  Listening to the music while actually processing the film
 gives me a little lift.  Tonight will be a sixties festival, with the
 Shirelles and some  Phil Spector produced tracks.

 I hope you have many more chances to be self-indulgent.
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Re: Too old for a futon?

2002-01-10 Thread Camdir

My acquired family  their nation in general seem to live to a ripe old age. 
Futons obviously did not do them any harm - witness ba-chan (granny). She's 
78, about 4' nothing, plays volleyball and makes the most delicious French 
Toast. When she reaches her century, the town office sends her a cheque for a 
million yen. Better than a postcard from E.R.
 Nonetheless, I strongly recommend you to change your sleeping arrangements. 
A man of your years should not have to suffer.

Kind regards

Peter
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Vivitar Lenses

2002-01-10 Thread Chris Murray

Hi All -

I am looking for a wide angle lens for my MX-50 (ZX-50 in USA).  Looking
at ebay I see a lot of Vivitar 28mm and 24mm wide angle MF lenses. Are
they worth spending the $45.00USD?

Or should I save my pennies for a SMC Pentax FA lens? All I have right now
is a 35-80, and I am looking for something wider.

Are there any recommendations for wide angle lenses? a 17-35mm would be
cool, but I don't want to buy junk.

Thanks! - Chris

--
Chris Murray   /\   
[EMAIL PROTECTED] \ / ASCII RIBBON CAMPAIGN
http://apeman.org/  XAGAINST HTML MAIL 
Cell: 604.861.8307 / \/
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RE: Gettiong Back to Basics

2002-01-10 Thread Bmacrae

Len! Woody Allen...comedian, writer-director, filmmaker!

You mean you haven't heard his band? 

Actually, for folks like me he's a filmmaker but he's also a clarinetist. He's got a 
little combo that plays Monday nights in NYC.

There's an interesting film by Barbara Koppel called, Wild Man Blues, about Woody 
and his group touring through Europe a few years back. Neat stuff.

He's not the world's best musician, but then he's nowhere near the worst either.

Not a bad filmmaker, either. He's won at least one Oscar. He wasn't there to accept it 
(for Annie Hall) as the story goes, since the Oscars used to be on Monday nights and 
he always gigs on Mondays.

Brendan MacRae
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Re: Pentax MZ-S questions and some observations

2002-01-10 Thread Kristian Walsh

Hi Aleksandar,

Congratulations on finding a second-hand MZ-S!

2) When using old screw mount Takumars with original Pentax screw mount 
adapter, I don't have focus confirmation at all - why is that?
I can't remember where I read it, but I think that the focus 
confirmation only works with lenses faster than f/5.6. With a true 
K-mount lens, the body uses the aperture lever to open up the diaphragm 
while focusing, so the focusing works regardless of what you set the 
aperture at. However, I imagine that if you use an adaptor without 
aperture coupling, and stop down below 5.6, the camera sees a fixed 
aperture lens that's slower than f/5.6, and focus confirmation system 
doesn't work.

 AF is louder, hunts more and sometimes (rarely, but it happens) when it 
 says it is in focus, it actually is way off
If the focus seems way off in the finder, shoot a couple of pictures 
anyway and see how they come out. You could have a misaligned mirror or 
a faulty dioptre correction. Also have a look at what PF 8 is set to, as 
this controls AF fallback (1= use neighbouring sensor, 2 = don't use 
neigbour if can't lock on selected sensor). The AF could be failing on 
your selected sensor, falling back to the neigbouring one, and focusing 
on whatever's in that.

Hope you enjoy the camera,
--
Kristian
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Re: Pentax MZ-S questions and some observations

2002-01-10 Thread Kristian Walsh

Hi Aleksandar,

Congratulations on finding a second-hand MZ-S!

2) When using old screw mount Takumars with original Pentax screw mount 
adapter, I don't have focus confirmation at all - why is that?
I can't remember where I read it, but I think that the focus 
confirmation only works with lenses faster than f/5.6. With a true 
K-mount lens, the body uses the aperture lever to open up the diaphragm 
while focusing, so the focusing works regardless of what you set the 
aperture at. However, I imagine that if you use an adaptor without 
aperture coupling, and stop down below 5.6, the camera sees a fixed 
aperture lens that's slower than f/5.6, and focus confirmation system 
doesn't work.

 AF is louder, hunts more and sometimes (rarely, but it happens) when it 
 says it is in focus, it actually is way off
If the focus seems way off in the finder, shoot a couple of pictures 
anyway and see how they come out. You could have a misaligned mirror or 
a faulty dioptre correction. Also have a look at what PF 8 is set to, as 
this controls AF fallback (1= use neighbouring sensor, 2 = don't use 
neigbour if can't lock on selected sensor). The AF could be failing on 
your selected sensor, falling back to the neigbouring one, and focusing 
on whatever's in that.

Hope you enjoy the camera,
--
Kristian
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Re: PZ-1p and lens ordered

2002-01-10 Thread John Glover

- Original Message - 
From: Marc Schlotthauer [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, January 10, 2002 10:48 AM
Subject: PZ-1p and lens ordered


 I ordered my PZ-1p from BH ($479.95), and ordered the 28-70/4 from KEH in 
Excellent
 condition for $109 - can't beat that. 

Excellent choice here..I've got both and while the 28-70/4 is an outstanding lens, 
it feels a tad light on the PZ-1p.  You will be like me I imagine, and be purchasing a 
FA28-105/4-5.6 some time in the near future! :)

 
 This will be the first time I've owned an SLR without having a compatible 50mm
 prime (which feels very strange), but I don't think the 50/1.4 will be far off

Another great choice in 50mm lenses is the F 50mm/1.7.  But the real beauty of the 
PZ-1p is you can use *any* K-mount 50mm lens on it.  If you look around, M and A 
series 50mm are all over eBay, and can usually be gotten quite cheaply as most people 
look down on the 50mm lens these days

John
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RE: FS: Sigma 1.4x AF teleconverter

2002-01-10 Thread Kent Gittings

If he doesn't I have one available also.
Kent Gittings

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Brendan
Sent: Thursday, January 10, 2002 12:58 PM
To: [EMAIL PROTECTED]
Subject: Re: FS: Sigma 1.4x AF teleconverter


I know you've prob got tons of requests, is it still
available ?

--- Mark Roberts [EMAIL PROTECTED] wrote:
 Offering to the list before it goes on eBay.
 This is the standard Sigma 1.4x teleconverter (not
 the EX series). It's
 in EX+ condition with front and rear lens caps. It's
 autofocus but of course
 will work with manual focus cameras  lenses as
 well.
 
 $35.00 + shipping ($2.00 for shipping in the U.S.
 should cover it)
 
 
 -- 
 Mark Roberts
 www.robertstech.com
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Re: Anyone shoot MF exclusively?

2002-01-10 Thread Evan Hanson

Delano, as I've gotten more comfortable with Medium Format I've found it
consumes an increasing amount of my photo time.  Currently when I shooting I
probably at 70% MF and 30% 35mm.  That being said I think it's only fair to
point out that I usually spend twice as much time setting MF pictures due to
the nature of my camera.  I would advise against ditching the 5n because in
my experiance 35mm still has a lot to offer in terms of quickness and film
selections.

Evan


From: Delano Mireles
 Hi all,

 I'm in the process of searching for a MF camera and was wondering if
anyone
 here shoots MF exclusively?  Trying to decide if I should ditch my ZX-5n,
 upgrade my digital olympus for snapshots and go MF for everything else.
I'm
 really wanting to get into portrait photography (mainly children) and it
 really seems like MF is the way to go.

 Any opinions?

 Thanks,

 Delano
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Re: getting LX - worth it? (repairs,...)

2002-01-10 Thread Aaron Reynolds

On Thursday, January 10, 2002, at 11:26  AM, Shel Belinkoff wrote:

 For me, it's more than just that.  The interchangeable screens and
 finders make this a very special camera, as do some of the neat
 accessories.

Yeah, but the ones I like/need/want can, for the most part, be had for 
the 6x7 already.

There are only two reasons I don't use the 67 for everything:

1) it's too loud for quiet situations, like photographing musicians 
while they play (unless the band is Big Sugar, who I DID photograph with 
my 67, and no one heard me ;) )

2) it doesn't have the LX's wicked OTF meter.

-Aaron
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RE: getting LX - worth it? (repairs,...)

2002-01-10 Thread Cotty

I found the best cure for the ailment of my LX was to put it in the attic in
the spare camera bag and use the MX again.

Hi Malcolm,

Eh?? What's up with it???

Concerned,

Cotty

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Re: Anyone shoot MF exclusively?

2002-01-10 Thread Norman Baugher

I do own a bunch of Pentax 35mm gear, shoot BW almost exclusively, (no I won't
sell it you vultures G) but I find myself shooting almost exclusively with my
6x7 gear. Those huge negatives just do something for me, I just had a 50x60
print done and you can see the individual strands of the person's hair that is
sitting on a bench in the photo, his head is about 2cm across in the print,
amazing (handheld at 125, I think the 6x7 shutter vibration complaints are
bogus). Had I to do it over, I would have purchased one 35mm with a couple of
lenses then bought all 6x7 gear (for my style of shooting anyway)...
Norm

Delano Mireles wrote:

 I'm in the process of searching for a MF camera and was wondering if anyone
 here shoots MF exclusively?  Trying to decide if I should ditch my ZX-5n,
 upgrade my digital olympus for snapshots and go MF for everything else.  I'm
 really wanting to get into portrait photography (mainly children) and it
 really seems like MF is the way to go.
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Re: Vivitar Lenses

2002-01-10 Thread pg

Sigma makes a 15-30 mm zoom that is very very very nice.  A friend of mine 
has one as part of his N***n outfit. I've shot a few rolls with it and was 
very pleased with the results. 

On the down side:
1) Price! Very Expensive, BH Lists it for 549
2) Lens flare!!

A pentax version is available.

Regards


Patrick





Chris Murray [EMAIL PROTECTED]
Sent by: [EMAIL PROTECTED]
10/01/2002 19:14
Please respond to pentax-discuss

 
To: [EMAIL PROTECTED]
cc: 
Subject:Vivitar Lenses


Hi All -

I am looking for a wide angle lens for my MX-50 (ZX-50 in USA).  Looking
at ebay I see a lot of Vivitar 28mm and 24mm wide angle MF lenses. Are
they worth spending the $45.00USD?

Or should I save my pennies for a SMC Pentax FA lens? All I have right now
is a 35-80, and I am looking for something wider.

Are there any recommendations for wide angle lenses? a 17-35mm would be
cool, but I don't want to buy junk.

Thanks! - Chris

--
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[EMAIL PROTECTED] \ / ASCII RIBBON CAMPAIGN
http://apeman.org/  XAGAINST HTML MAIL 
Cell: 604.861.8307 / \/
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Re: Gettiong Back to Basics

2002-01-10 Thread Shel Belinkoff

Hi ...

I'm sure you'll enjoy it. The album, originally recorded in 1963,
features 'trane, McCoy Tyner, Jimmy Garrison, and Elvin Jones, with
Hartman doing the vocals.  There are but six cuts - They Say It's
Wonderful; Dedicated to You; My One and Only Love; Lush Life; You Are
Too Beautiful; and Autumn Serenade. If you're not familiar with Hartman,
this is a good introduction, and Coltrane plays in a very mellow,
melodic manner.

A few months after recording this album, Hartman got together with Hank
Jones, Illinois Jacquet, Kenny Burrel, Milt Hinton, and Elvin Jones, and
recorded I Just Dropped By to Say Hello, an album in a similar mood.

His music was also featured in the movie Bridges of Madison County. 
Check out the CD Remembering Madison County for a real treat.

Listen, I could go on for hours about this guy ... 

As for myself, I like all kinds of music, from classical to hip-hop.

[EMAIL PROTECTED] wrote:
 
 Shel...
 
 I have the Monk album (Riverside label) 
 that Coltrane plays on. Great stuff. I 
 look for the Hartman CD next time I'm out.
 
 I was raised on rock 'n roll but I find 
 myself drifting further into jazz. I 
 love new orleans jazz, like the stuff 
 Woody Allen plays with his group. The 
 Squirrel Nut Zippers do that kind of 
 music (with a modern flair) and it's great 
 fun. I really love bebop the most...Diz and 
 Bird, older stuff.
 
 When I go to Tower records now I pass most 
 of the rock stuff and head into the jazz 
 section. I spend too much time and money 
 there. It's like going to a photo shop!

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: FS: Sigma 1.4x AF teleconver ter

2002-01-10 Thread Mark Roberts

Actually, you're the first. Not that much traffic in the middle of the day,
I suppose so it's still available if you want it.

Mark



-- Original Message --

I know you've prob got tons of requests, is it still
available ?

--- Mark Roberts [EMAIL PROTECTED] wrote:
 Offering to the list before it goes on eBay.
 This is the standard Sigma 1.4x teleconverter (not
 the EX series). It's
 in EX+ condition with front and rear lens caps. It's
 autofocus but of course
 will work with manual focus cameras  lenses as
 well.
 
 $35.00 + shipping ($2.00 for shipping in the U.S.
 should cover it)
 
 
 -- 
 Mark Roberts
 www.robertstech.com
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-- 
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www.robertstech.com
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RE: Gettiong Back to Basics

2002-01-10 Thread Paris, Leonard

There's a Trivial Pursuit factoid.  I've listened to lots of Woody Herman
recordings but never heard one of Woody Allen's.  Recording must not have
been one of the venues he performed in.

Of course, I might be thinking of the wrong Woody Allen.

Len
---


Woody Allen is an accomplished clarinet player, and has performed
frequently in and around NYC, as well as in other venues.

Paris, Leonard wrote:
 
 Don't you mean Woody Herman?  Woody Allen is a comedian.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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RE: Gettiong Back to Basics

2002-01-10 Thread Mark Roberts

Don't you mean Woody Herman?  Woody Allen is a comedian.

Comedian and Jazz clarinetist. In fact, he skipped the Academy Awards ceremony
when he won his first Oscar (for Annie Hall) and played a gig with his band
instead.



-- 
Mark Roberts
www.robertstech.com
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Re: Anyone shoot MF exclusively?

2002-01-10 Thread Brian Campbell (PM)

On 10 Jan 2002, at 11:37, Delano Mireles wrote:

 Hi all,
 
 I'm in the process of searching for a MF camera and was wondering if anyone
 here shoots MF exclusively?  Trying to decide if I should ditch my ZX-5n,
 upgrade my digital olympus for snapshots and go MF for everything else.  I'm
 really wanting to get into portrait photography (mainly children) and it
 really seems like MF is the way to go.
 
 Any opinions?
 
 Thanks,
 
 Delano

I don't know anyone who shoots MF exclusively.  While I 
much prefer to shoot MF, my 35mm will still always have
its applications where it is preferred (speed, autofocus, the
600mm lens, speedy processing, etc).

Digital is catching up fairly quickly, but I can still get a 
better scan from a 35mm slide on good film (provia-F or
E100 or something like that) than any consumer digital 
camera out there.  

Until Pentax comes out with a digital body that I can use my
already-acquired and paid for lenses, I will stick with film.

Cheers!
Brian
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Re: FM3A dilemma

2002-01-10 Thread Aaron Reynolds

On Thursday, January 10, 2002, at 12:16  PM, William Robb wrote:

 I can only say this: After using both Nikkor and Pentax 35mm
 lenses, I will never use Nikkor 35mm lenses again.

Having not too much exposure to Nikon manual focus gear previously, I 
was surprised at how sloppy and loose the 50mm f1.4 Nikkor felt that was 
attached to the F3 of my host while I was in North Carolina.  Of course, 
it was an excellent lens performancewise, but compared to my M-series 
glass, it felt almost cheap!

-Aaron
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Re: Too old for a futon?

2002-01-10 Thread Bob Walkden

Hi,

 waking up stiff and sore...

that's a sign of youth  vigour, not age :o)

---

 Bob  

mailto:[EMAIL PROTECTED]

Thursday, January 10, 2002, 4:06:01 PM, you wrote:

 I've been sleeping on a futon for 15 years, which I got approximately when I
 became too old to sleep on the floor. Keep waking up stiff and sore...maybe
 I should get a real bed one of these days.

 Kind of like my eyes getting too old for manual-focus viewfinders  :-(   :-(
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RE:OT:10/1

2002-01-10 Thread David Brooks

As a CB owner(yes good budddy)this might help
http://www.main.org/ccas/cb-codes.html
Dave


Pentax User
Stouffville Ontario Canada

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OT or these

2002-01-10 Thread David Brooks

http://truckroadservice.com/10_codes.html

Burt Reynolds were are u

Dave


Pentax User
Stouffville Ontario Canada

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Re: Happy 2002 to all PDMLers

2002-01-10 Thread Aaron Reynolds

On Thursday, January 10, 2002, at 12:07  PM, David Brooks wrote:

 If i get my buut in gear and get a scanner soon, i
 can put in some snow.LOL

HAR!  Now that would ~definitely~ not be Found View.

-Aaron
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RE: getting LX - worth it? (repairs,...)

2002-01-10 Thread Malcolm Smith

I'll contact you off list my friend.

Malcolm

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of Cotty
Sent: 10 January 2002 18:30
To: Pentax List
Subject: RE: getting LX - worth it? (repairs,...)


I found the best cure for the ailment of my LX was to put it in the attic
in
the spare camera bag and use the MX again.

Hi Malcolm,

Eh?? What's up with it???

Concerned,

Cotty

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Re: Vivitar Lenses

2002-01-10 Thread Christian Skofteland

I've always been happy with my Vivitars.  I have a MF 24f2.8 which has
performed well for me.  I think new a few years ago it cost around
US$60.00.

Christian

On Thu, 2002-01-10 at 13:14, Chris Murray wrote:
 Hi All -
 
 I am looking for a wide angle lens for my MX-50 (ZX-50 in USA).  Looking
 at ebay I see a lot of Vivitar 28mm and 24mm wide angle MF lenses. Are
 they worth spending the $45.00USD?
 
 Or should I save my pennies for a SMC Pentax FA lens? All I have right now
 is a 35-80, and I am looking for something wider.
 
 Are there any recommendations for wide angle lenses? a 17-35mm would be
 cool, but I don't want to buy junk.
 
 Thanks! - Chris
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RE: Vivitar Lenses

2002-01-10 Thread Mark Roberts

Chris Murray wrote:

I am looking for a wide angle lens for my MX-50 (ZX-50 in USA).  Looking
at ebay I see a lot of Vivitar 28mm and 24mm wide angle MF lenses. Are
they worth spending the $45.00USD?

Or should I save my pennies for a SMC Pentax FA lens? All I have right
now
is a 35-80, and I am looking for something wider.

Are there any recommendations for wide angle lenses? a 17-35mm would be
cool, but I don't want to buy junk.

I had the Vivitar 24/2.8 a couple of years ago.
Not too bad at all and much better than a cheap zoom in that range, I expect.
B  H sells it new for $75.00. I kind of wish I'd kept it now as there are
times when the size of the FA*24/2.0 is inconvenient.


-- 
Mark Roberts
www.robertstech.com
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Re: Gettiong Back to Basics

2002-01-10 Thread Shel Belinkoff

Look for Wild Man Blues on CD.

Paris, Leonard wrote:
 
 There's a Trivial Pursuit factoid.  I've listened to lots of Woody Herman
 recordings but never heard one of Woody Allen's.  Recording must not have
 been one of the venues he performed in.
 
 Of course, I might be thinking of the wrong Woody Allen.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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Re: Anyone shoot MF exclusively?

2002-01-10 Thread Collin Brendemuehl

An interesting concept.
I've tended to use Medium for anything
serious, but still film for 35mm snapshots, etc.
My reasoning is, if it's worth pressing the button
for, it's probably worth keeping.
Medium Format is used for anniversaries and other
memorable gatherings where the history of the event
is desirable.  That takes detail.
(Right now my father-in-law, pro photographer, is partly engaged in the preservation 
of very old family shots.  Trying to preserve even the detail of a face can be a lot 
of work.  Better to have extra detail now than losing what little is there later.)

I wouldn't drop 35mm.  Maybe reduce its usage.
My MF work was with the so-convenient Fuji FA645.
A wonderful little tool.

Hope these thoughts are useful.

Collin

--
From: Delano Mireles [EMAIL PROTECTED] 
Subject: Anyone shoot MF exclusively? 

Hi all, 

I'm in the process of searching for a MF camera and was wondering if anyone 
here shoots MF exclusively?  Trying to decide if I should ditch my ZX-5n, 
upgrade my digital olympus for snapshots and go MF for everything else.  I'm 
really wanting to get into portrait photography (mainly children) and it 
really seems like MF is the way to go. 

Any opinions? 

Thanks, 

Delano 
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Re: Today's photographic fantasy

2002-01-10 Thread Brendan

and have ultra fine grain, actually I don't see why it
hasn't been done yet.

--- Collin Brendemuehl [EMAIL PROTECTED] wrote:
 I want a film that will chemically LOCK the image on
 and only on the first exposure to light.
 After that it can be removed and processed IN THE
 LIGHT.
 
 That would be convenient.  No darkroom or changing
 bag needed.  Just dip into chemicals and get the
 image!  Let's start with BW positive  negative.
 
 Kodak -- are you listening???  I smell hobbyist
 profits here! :)
 
 Collin
 
 
 --
 .
 ---
 I know what I'm doing.
 Picard, Star Trek: First Contact
 --
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RE: Revive the Spotmatic name! Yeah!

2002-01-10 Thread Paris, Leonard

Might I suggest the 105mm f/2.5 in either AI or AI-S.  Looks good, feels
good, and is a fine performer.

Len
---


That's the problem, all right. Nikkors. Super-sharp-looking, but harsh. The
FM3A is a great little camera, though--just my cup of tea. The big question
being, can I find a Nikkor I can put up with?

--Mike 
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Hard case for ZX/Mz

2002-01-10 Thread alex

Hello,

first post here but i have been following the debates and exchanges here, 
and found it to be very interesting and informed.

I own a Pentax MZ-50 but was quite disappointed to see it sold without a 
case, and when i asked if there existed some hard case in the manner of old 
time, i was said that it was out of fashion, and if i wanted, there 
existed some soft cases. (I checked, they indeed exist ($55 at BH))
I make do for the moment with a Lowepro bag, but i would really like to be 
able to transport my camera in the most compact but secure way, which it 
seems to me is only possible with a hard case.
So the question is : where can i find such a thing at a reasonable price ?
Note that the MZ has a battery compartment that makes the use of used cases 
for old cameras impossible.
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Hp and Pentax team up

2002-01-10 Thread Mike Johnston

Note: The new 4-megapixel HP digicam has a PENTAX zoom lens.

http://www.dpreview.com/news/0201/02010903hpphotosmart812.asp
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Re: Anyone shoot MF exclusively?

2002-01-10 Thread Aaron Reynolds

On Thursday, January 10, 2002, at 01:34  PM, Norman Baugher wrote:

  (handheld at 125, I think the 6x7 shutter vibration complaints are
 bogus).

I think that much of it has to do with technique.  I've had plenty of 
luck at 1/60 and 1/30 with MLU...the mirror lockup switch is so 
convenient that for a static subject it's almost a crime not to use it.  
The article on vibration issues on Luminous Landscape makes sense 
because the author is talking about long lenses...minor vibration makes 
a lot more difference with a 600mm than a 105mm lens.

Anyhow, I really have no complaints about sharpness due to vibration 
with my 67.  Lack of sharpness due to stupid focusing mistakes, well, I 
have some complaints about that...

-Aaron
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Re: Today's photographic fantasy

2002-01-10 Thread David Brooks

What about a Polaroid type film/camera.Snap a pic
and pull out a processed neg.

Dave

 Begin Original Message 

From: Collin Brendemuehl [EMAIL PROTECTED]
Sent: Thu, 10 Jan 2002 14:45:58 -0500
To: [EMAIL PROTECTED]
Subject: Today's photographic fantasy


I want a film that will chemically LOCK the image on and only on the 
first exposure to light.
After that it can be removed and processed IN THE LIGHT.

That would be convenient.  No darkroom or changing bag needed.  Just 
dip into chemicals and get the image!  Let's start with BW positive 
 negative.

Kodak -- are you listening???  I smell hobbyist profits here! :)

Collin


--
.
---
I know what I'm doing.
    Picard, Star Trek: First Contact
--
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 End Original Message 




Pentax User
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Re: MF or MF: was: Anyone shoot MF exclusively?

2002-01-10 Thread Fred

 I was just wondering the same thing Fred, is there a different abbreviation, I
 always get confused (easy for me)...

Yeah, I'm easily confused, too, Norm - g.  Actually, it's usually
not a problem to decode the MF abbreviation - the context (in
relation to AF, or in relation to 35mm, etc.) is generally helpful
enough.  But, every once in a while...

Delano did respond, I see, and he was referring to medium format.
Mystery solved...

Fred
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Re: Mint MX on Ebay, low BIN

2002-01-10 Thread rex probert

On 1/9/02 1:14 PM, Rob [EMAIL PROTECTED] wrote:

 Mint MX on Ebay, low BIN
 
 
 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1320123125
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Seems kinda high to me...maybe I should sell mine.
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Re: z1p and M lenses

2002-01-10 Thread Carlos Royo

[EMAIL PROTECTED] escribió:
 Spot metering is only available with the A, F, and FA lenses, not the M or K's.  You 
would be using center weighted metering.
 

You can use spot metering with the M or K series lenses. You also get
focus confirmation. What you lose is matrix metering.

--
Carlos Royo
[EMAIL PROTECTED]
Zaragoza (Aragon) - Spain
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RE: Anyone shoot MF exclusively?

2002-01-10 Thread Collin Brendemuehl

Oops.  Typo.

Also,
In the mid 80s I used a Bronica ETR.
Nice, but bulky.  The Fuji rules for convenience.
Perhaps a Kiev?  A bit heavy, but cheap.
Search for Pentax in Excite.com Classifieds.

Collin

http://inspcl.infospace.com/info.xcite/iclass?cat=generalop=browseTQY=QENH=1QFDMA=0QDMA=QCQS=QC=QS=QZ=QO=QREG=0QVCAT=1QVSCAT=3QVSSCAT=8_debug=_DEFDMA=_ADSRC=_ADLISTING=FEATITLE=_ADV_SRC=_ADV_USR=_ADV_ST=2TITLE=Home+%26+GardenVTITLE=pdbn=INSPGDATEMOREDEF=1OF=/classads/gene_details.htmlqcond=0RN=3Rand=1010694510NIL=Qh5ZXlhCM35sTH9bEEUyfWgDbUIeWDdRK117NIK=Rg^^QAL=6QC=QS=QZ=QO=QY=2QW=pentaxADTRK=INSP30

---
From: Paris, Leonard [EMAIL PROTECTED] 
Subject: RE: Anyone shoot MF exclusively? 

FA645 or GA645? 

FA645 woulld make it more in line with Pentax. ;-) 

Len 
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Re: pentax-discuss-digest V1 #1889

2002-01-10 Thread Mike Johnston

 This question relates to the effect that dust or dirt particles on the
 interior lense elements may have on the quality of the photograghic image.
 I had read comments on another site about dust problems in some of the new
 Pentax lenses. In the process of doing a thorough cleaning of my equipment
 last week I though that I would see how my lenses faired in this regard. I
 held a lense (Pentax A 35-105 mm) up to bright window light and looked
 through the back (mount end).  As I turned the zoom and focusing rings I
 noticed small particles come into focus.  They were not dust or lint and
 were on one of the interior elements. After looking at all my lenses in
 this manner I found that particles of dirt were more prevalent in zoom
 lenses vs primes and appeared to a greater degree in size and number in
 older lenses vs new. In fact my three newest lenses all primes were clean.
 
 Has anyone one read any material on this matter or done any testing to see
 if this is a real problem. Again I was not seeing dust but what appeared to
 be small flects of paint.


Mike, 
First, check to see that the dust or dirt isn't actually on the front and
back elements. Even lenses that look perfectly clean when you look AT them
prove to be not quite clean when you look THROUGH them.

Almost all lenses have at least a slight bit of dust or dirt that is visible
when the lens is backlighted. It generally does not have any detectible
effect on picture quality; the most it could do is increase veiling glare
somewhat and decrease contrast. This effect would be slight unless there was
quite a lot of dust (if you've ever shot with a lens with a very dirty front
element--especially one with fingerprints on it--you'll know what I'm
talking about).

The real problem is that early fungus growth often looks like dust. What you
will see in a backlit lens are small particles that look like dust, but that
resemble tiny eyelashes. They often appear to be randomly scattered and not
just between one set of elements. If you catch fungus at this stage, it will
not have done damage to the lens yet, and you can still have the lens
dismantled and cleaned--although the fungus may still come back.

Lots of times when you see eBay auctions for lenses that say some dust
inside the lens, does not affect picture quality, it may well actually be
fungus.

However, I don't think I've ever seen a single lens that is perfectly clean
inside.

--Mike J


The 37th Frame, an independent newsletter for photographers
www.37thframe.com
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Re: Anyone shoot MF exclusively?

2002-01-10 Thread Evan Hanson

If budget is a big concern one of the great things about the Mamiya 645
system is that with a cheap adapter they can take Pentacon Six mount lenses.
These are widely available and are very cheap.  An Arsat 80mm 2.8 lens can
be had new for around $50.  Combine that with a $200 m645 or m645j body and
you have a decent system.

Evan

From: Delano Mireles
 Collin and all who responded,

 Thanks for the opinions!  Artur, sorry for the lack of clarity on my part.
 I meant Medium Format when using the abbreviation MF.

 I agree that I should probably keep the 35mm (if for no other reason to
stay
 a part of this wonderful group :-) but really invest in MF from now on if
I
 go ahead with this purchase.  I've got my lenses (28, 50, 135, 28-80,
 80-200, 70-300) and a decent flash so that should hold me for a while.

 I'm looking at going with a Mamiya - -  either 645 or RB 67 (used of
course)
 or Bronica ETRSi.  Hassy is just too expensive after the initial purchase.

 I'm also looking at the Alien Bee flash that was reviewed in this month's
 Shutterbug as well as Photoflex's Starlite system.  Anyone ever use
either?


 Thanks again,

 Delano
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No dilemma: Re: FM3A dilemma

2002-01-10 Thread Tonghang Zhou

Specs can be deceiving.  You got to try it.  I brought an LX
to the store and tried FM3A along side with it.  FM3A feels
like crap (excuse me for the expression.)

I see these deficiencies:

1. No interchangeable finders
2. No OTF meetering
3. Only 3 focusing screens (none of which I like)
4. Feels flimsy and cheap (knock it on the table it might break)
5. Can't buy 2nd hand, therefore price is too high

But two things it does have over the LX:

1. Flash sync at 250.
2. Quieter shutter.
3. Feels lighter in weight (plastic inside?)

The LX is clearly more fun.

Regards,
___
Tonghang Zhou (Zhou is pronounced like Joe)

On Thu, 10 Jan 2002, Mike Johnston wrote:

 Bob Walkden wrote:
  From the spec you've given you might prefer to buy a new
  Nikon FM3A, which has many of the great LX features (surpasses it in
  some ways), but then you'd have to get a whole bunch of their lenses
  too.
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RE: No dilemma: Re: FM3A dilemma

2002-01-10 Thread Paris, Leonard

It's metal.  They just chose a lighter metal to keep the weight down.
Aluminum. The top and bottom covers are brass.

Len
---


But two things it does have over the LX:

1. Flash sync at 250.
2. Quieter shutter.
3. Feels lighter in weight (plastic inside?)

The LX is clearly more fun.

Regards,
___
Tonghang Zhou (Zhou is pronounced like Joe)
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Dust vs. fungus

2002-01-10 Thread Mark Roberts

Mike Johnston wrote:

Lots of times when you see eBay auctions for lenses that say some dust
inside the lens, does not affect picture quality, it may well actually
be
fungus.

And if you're very, very lucky and have appeased the photographic gods you
might someday get just the opposite: I once bought a lens via eBay to use
for parts. It was advertised as having fungus so it went real cheap. When
I disassembled it I found that the fungus wiped off with one pass of a
lens cleaning tissue: it was just dust.


-- 
Mark Roberts
www.robertstech.com
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