RE: Irregular frame spacing

2002-02-26 Thread John Coyle

Hi Bill:
The MZ-S prints the exposure data above the frame, in the spaces between the 
sprocket holes.
My suggestion too would be to reconstruct the film and see if the problem is 
with camera or processing.
I have not had any problems with frame spacing at all with any Pentax.

HTH

John Coyle
Brisbane, Australia


On Tuesday, February 26, 2002 3:24 PM, William Robb [SMTP:[EMAIL PROTECTED]] 
wrote:
 Tell the lab to stop cutting the film until after you have seen
 it, for starts.

 Now, take the film in question out of the sleeves and line the
 cut strips up end to end in sequence and see if you can make a
 whole film out of it.
 Check to make sure the frame numbers are an even distance apart.
  If you can, check the frame spacing.
 Ummm, I know nothing about this camera, so I have a few
 questions.
 I know that it does data imprinting outside the frame. Where
 exactly does it put this data?
 Do you have the data writer turned on with the problem films?
 Have you asked the people at the lab? Challenge them to tell you
 what the problem is. After all, it is their prints with black
 lines.
 I would tend to look at the lab first, if the film checks out,
 it has to be the lab.

 William Robb
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February 2002 PUG Comments

2002-02-26 Thread JGeoffreyStevens

Trapped !! - Geoffrey Stevens
Nice!  I like the shine on the fence.


Thanks for your comments.
I think your critique is excellent!


Regards,
Geofff
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Re: Darkroom lighting (white light)

2002-02-26 Thread Frantisek Vlcek

Hi,
   the problem would be that the afterglow is mostly in invisible or
   hardly visible spectrum radiation, to which film and paper is most
   sensitive, but you don't see it. I would be extremely warry when
   loading film into tank, and I would do some tests with paper, or at
   least wait 5 secs before doing something with paper, and wait
   perhaps thrice that with film, to be on the safe side.
   Again, the problem is that it's most likely on the invisible side
   of spectrum.

   frantisek
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Re: Foveon X3 at PMA

2002-02-26 Thread Frantisek Vlcek

NG camera. The company claims that enlargements from the SD9 exceed the
NG quality of 35mm film.

IIRC the Foveon chip is so far only 3.4 MP or such, even if true
megapixels and not interpolated megapixels from normal digicams.

I don't see how it could be better than film as even with 2700
scanners, these have about 10 MP, there is plenty of detail yet to
scan at more res... Company LIES, called creative talk again.  I
think it is Nike who is currently making the biggest case of company
lies getting protected by the US 1st amendment? Scarey. Sorry that's too OT...

Anyway, detail for detail, film would capture at least 8-10
megapixels, while this chip captures only 3.4 megapixels (comparing
film's l/mm rating, choosing a conservative 100 l/mm, many films can
do higher than that), or is my reasoning wrong? Not counting the
different qualities of MTF curves for chip (digital) and film (analog)
media, and overal image qualities.

I just don't like this sort of company creative talk...



Best regards,
   Frantisek Vlcek
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Re: Pentax and support (WAS: PMA News)

2002-02-26 Thread paul . x . wilkinson

Just thought I'd add a very positive note on Pentax Service in the UK -
bearing in mind that their service location is the edge of Slough (you have
to have been there), I wasn't necessarily expecting great things.  My MZ-S
'died' a couple of weeks ago with the shutter sticking open and an Err
message (along with the flash symbol) appearing in the LCD panel.  Removed
and replaced battery - the shutter closed and all appeared well (at least
until I hit the shutter release again).  Of course, I now have a film of
very blurred surreal shots of my nose as I squinted hopelessly down the
lens to see if the shutter was indeed stuck.  Pentax took the camera and
said they would look into it (no joke intended!).  My SO (actually my
girlfriend - she's way more than significant - more like my gov'ner)
explained (I hope in a nice way but I suspect she may have given one of her
Paddington Bear stares) that we were due to go skiing in Alaska for a
couple of weeks and would really like the camera back to be able to break
it again in the snow :-(  Pentax Man said he would see what he could do.

In the mean time, I've 'reduced the risk of not having a camera' ;-) by
enabling myself of an old Super-A for a dollar or two while I was working
in New York (not pretty and the self-timer is dodgy but for various reasons
- I LOVE IT!) as I couldn't be in Manhattan and not have a camera.  Like
being in a pub and not having a pint - unnatural.

Pentax Man rings girlfriend (v. apologetically) a week later to say that
the replacement part may not arrive in time - BUT they would lend us an
MZ-S for the trip while they repaired mine.  Good huh? I'm still wondering
what she had threatened them with.  Anyway, had a phone call over the
weekend to say that my MZ-S has been 'rep*%$£' and could be picked up -
our digital-but-dreadful answerphone garbled the message so we couldn't
work out if it was repaired or replaced.  Girlfriend turns up and
Pentax Man happily hands over a BRAND NEW MZ-S for keeps!  Wow!  I've NEVER
had such good service - I can truly say that Pentax have lived up to the
quality of the brand I invested in.  AND into the bargain, I have now
justified a second camera as back up!

Now if they could just sort out how they are going to add that quality to
the digital market, I for one will be a very happy bunny.

P.

Peter Alling wrote:
Pentax in the USA doesn't seem to offer service to anyone


Paul Wilkinson


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Food photography advice needed

2002-02-26 Thread Maciej Marchlewski

Hi all!

Again I'm seeking your advice. I've been assigned a task at work 
and have some doubts about it. I have to go to client's place 
and make photos of ice-cream and cakes. I can use my MZ-M or MX 
(but I guess it's the least important) A50/1.7, FA35-80/4-5.6, 
A135/2.8 and Mir20/3.5 (the last two would be useless I think). 
As for lighting I guess my AF201SA would do but I can use the 
studio lighting from work (with sofboxes, umbrellas etc) with 
Gossen flashmeter. I'm not sure if I can take all of the lamps 
as one has a stand that's huge and would be probably impossible 
to put into car. There's no way they can send the stuff to our 
studio :-( Of course I have a tripd for the camera.
Maybe someone can share a good advice or some nice link on how 
to approach this task.

TIA

Maciej Marchlewski


---
Wybierz i wygraj gr 2001 roku - Imperatorki 2001
Wystarczy klikn!  http://gry.wp.pl/imperatorki/ 
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Re: Colour of Big Glass

2002-02-26 Thread Camdir

As there appears to be some dispute over the colour of the barrels, I will be 
able to let you know about the current production middle of next week.

I dare not provide a photo - still have not yet worked out the white balance 
on our digicam. 

Kind regards from sunny Brighton

Peter
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Re: Food photography advice needed

2002-02-26 Thread f . minelli

Maciej,

I'm no expert at it but I'd say you should avoid (hot) studio lights with the ice 
creams and work very fast...

Aside for that I think you'll need an adequate set (backdrop, workbench, etc.). Being 
yours not particularly reflective subjects you shouldn't have problems with the flash 
but perhaps you can the light from it bounce somewhere in order to get a softer 
lighting.

I hope you get to eat the surviving subject when you're done with them...

Ciao, Flavio
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Re: Kodak Improves Tmax, PX, and TX

2002-02-26 Thread Paul Stenquist

My information is strictly unofficial, word of mouth. I do know that it's less
grainy yet has more apparent sharpness than it did when I first used it in the
late sixties. In any case, I would expect the changes to be beneficial. Even a
new base might affect development times, but I would think the overall
characteristics of the film would be either slightly improved or unchanged. I
guess we'll have to wait and see.
Paul

Shel Belinkoff wrote:

 I think your numbers are a bit high.  Can you tell me about when it's
 been improved, and what the changes were.  Three is the number that
 comes up most frequently.  I've tried to find a history about the film,
 but have had no luck.  It seems like you've got some more information.

 Paul Stenquist wrote:
 
  Tri-X has been modified at least a half dozen times in the last two dozen
  years. Once more shouldn't be a problem.

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 You can't have everything. Where would you put it?
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KMP Copyright Infringement(s)

2002-02-26 Thread Bojidar Dimitrov

Hi all,

What can I do against this:
http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963


I don't mean legally, but I would appreciate ideas on how to place the
copyright notices so that they are not so easy to remove.  Am I dreaming
when thinking of images that do not allow themselves to be
screencaptured and edited?

TIA,
Boz

-- 
 _\\|//_ Imagination is more important than knowledge...
   0(` O-O ')0   A. Einstein
===ooO=(_)=Ooo===
 Bojidar D. Dimitrov  author and editor, Pentax K-Mount web page
 [EMAIL PROTECTED]http://kmp.BDimitrov.de/
=
   __   __
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Re: Better Late Than Never - Feb PUG review from Cotty

2002-02-26 Thread kleickly

Cotty, you made my day!  Thank you so much for the kind and encouraging 
comments.  I am trying very hard to become a really good photographer, 
because anything worth doing is worth doing well.  Your comments really help. 
 I may have said it before, but I think you take really wonderful photos, but 
you also have a very artistic, creative way with words.  With those two 
traits combined, no doubt you will someday have a book published out there 
for all of us to purchase!  Thanks again for taking the time to comment on 
our photos.  
Kathy L.
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Re: LX-testing again

2002-02-26 Thread Sas Gabor

Hi,

On 25 Feb 2002 at 19:33, Peter Smekal wrote:
 I have a copied manual.
 It says a red LED will glow next to LT, B2 when there is no
 sufficient light or when the camera has selected a long exposure time.
 How does on know which of these two alternatives the actual one at the
 moment? 

Both of them.
The LX's time scale end at 4s, so any longer exposure cannot 
be displayad in the finder. Also, at these long speeds, the camera
cannot effectively pre-estimate the correct exposure. It cannot tell
you in advance that a 10 minutes exposure will be enough or not.
The beauty of the real-time OTF metering... ;-)


Gabor
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Mark Roberts' weird text

2002-02-26 Thread Paul F. Stregevsky

I see the weird characters in Eudora 5.1 on Windows NT.

Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread Johan Schoone

Bojidar Dimitrov [EMAIL PROTECTED] wrote:
 Hi all,
 
 What can I do against this:
 http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963

That is a copyright infringment. The serial # says all.

 I don't mean legally, but I would appreciate ideas on how to place the
 copyright notices so that they are not so easy to remove.  Am I dreaming
 when thinking of images that do not allow themselves to be
 screencaptured and edited?

How about writing your copyright message on the item itself that in the
(in this case white) background?
-- 
http://members.chello.nl/~j.schoone\\|//
Registered Linux user #78364 - The Linux Counter - http://counter.li.org
Assume nothing, expect anything.
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Joys of KX, manual exposure

2002-02-26 Thread Paul F. Stregevsky

I've enjoyed shooting with my new KX. With MLU engaged, the camera is as 
vibration-free as my Yashica rangefinder. And even without it, vibration is 
much lower than my Super Program's.

Manual exposure has its merits: Once you set it for the environment, you 
needn't worry about dialing in compensation if you happen to aim at a 
bright target. Also, when using the timer, you needn't worry that light 
entering the eyepiece will screw up your exposure; the exposure is already 
locked in.

I love seeing that needle move; it helps me understand lighting. I feel as 
though I'm back using my Minox 35GT or Olympus XA. While those cameras were 
aperture-preferred, the needle kept me apprised of changes in lighting.

Now that I've seen how easily I can use manual exposure, I plan to use the 
Super Program chiefly for TTL flash.

Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread Rfsindg

Boz,

You could do what BH does with their photos.
They have a big, but faint BH superimposed over the product.
That or you could put KMP Site in smaller white lettering
over some black portion of the item like the focusing grip.

In any case, I would complain to the offender and then let it go.
You have created such a great site that people will steal from it.
It is the most sincere form of flattery.  g

Regards,  Bob S.

[EMAIL PROTECTED] writes:

 What can I do against this:
 http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963
 
  I don't mean legally, but I would appreciate ideas on how to place the
 copyright notices so that they are not so easy to remove.  Am I dreaming
 when thinking of images that do not allow themselves to be
 screencaptured and edited? 
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Re: Using tamron lenses with ME super

2002-02-26 Thread mike wilson

Hi,

[EMAIL PROTECTED] wrote:

 I  was hoping I could use my Tamron lenses with the ME. It seems that
 although the lens mounts OK, changing aperture has no effect on the
 metering. Are the ME and adaptall for PK not compatible?

The mount and camera are perfectly compatible.  Working entirely
from memory:

Is the switch on the top of the MES on auto?  If I remember
correctly, there is only an LED indicator in the viewfinder.  If
you are in manual, it indicates whatever speed has been manually
selected with the up/down buttons and won't change when you
alter the aperture.  In automatic exposure mode the indication
should move as the aperture is changed.

Recently, there was a URL given for owner's handbooks
downloadable from the Pentax web site.  I have mislaid this but
I am sure someone else will be able to pass it to you.

mike
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Price of new Pentax 645 zoom lenses

2002-02-26 Thread Pål Audun Jensen

As expected the new 33-55 is quite expensive. In japan it's priced at 
250.000 yen. That's somewhat less than the FA645 400/5.6 and somewhat more 
than the FA645 300/5.6, for comparison.

Prices might of course vary from market to market but these prices give the 
general idea. The 33-55 will be the most expensive 645 zoom whereas the 
55-110 will be the cheapest.

The 55-110 cost 160 000 yen. That is slightly more than the FA645 35/3.5.

The 33-55 weights only 585 grams and the 55-110 500g! Both are about 10 cm 
long.

Pål
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Re: Re:  OT:  Walter's N**** - was:  Hockey

2002-02-26 Thread David Brooks

No,looked like he did not have the battery pack on.
Don't think buy AA batteries is a problem eh. ;-)

Dave

 Begin Original Message 

From: Chris Brogden [EMAIL PROTECTED]
Sent: Mon, 25 Feb 2002 16:47:00 -0600 (CST)
To: [EMAIL PROTECTED]
Subject: Re:  OT:  Walter's N - was:  Hockey


On Mon, 25 Feb 2002, frank theriault wrote:

 Oh, yeah, I saw it!  Big honkin' huge F5, I'm guessing.  Geez, if 
he'd
 have been reading here over the last few weeks, he'd KNOW that he
 could have hand-held a 6x7 that would have been about the same size,
 and have lovely huge sharp negs!

True enough.  :)  Don't remember if it had the battery pack on the 
bottom
or not, so it might have been an F100.

chris
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 End Original Message 




Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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PMA salutes five Distinguished Service Award winners

2002-02-26 Thread Rob Brigham

Five prominent photo industry members received the PMA Distinguished
Service Award today during the PMA 2002 Annual International Convention
and Trade Show in Orlando, Fla., USA. The award is given each year to
individuals whose exemplary, lifelong careers and dedication to the
photo imaging industry have contributed to the betterment of the
industry as a whole. This year's recipients are Paul L. Boles, William
J. DiMinno, Gerald A. Dingley, John L. Jackson and William A. Stelcher. 


Gerald A. Dingley

Chairman, British Photographic and Imaging Association

Dingley became general manager of Rank Photographic in 1975; at that
time, Rank was the leading distributor in the United Kingdom. Four years
later, he was asked to launch Pentax as a wholly owned subsidiary of
Asahi Optical and, together with a team of personnel from Rank, built
one of the most successful Japanese companies in Europe. In addition to
being managing director of Pentax UK, he also launched the French
company Pentax France SA, becoming its first president director general.
This achievement was followed by his appointment to chairman of the
Pentax Europe Management Committee. 

He retired from Pentax in 1997, and that year was appointed chairman of
the British Photographic and Imaging Association, the leading trade
association for importing companies in the United Kingdom. He still
holds that position today, and also finds time to chair a health-care
charity for the developing world and serve as a non-executive director
of a national health service trust.
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Re: Sigma SD9 w/Foveon Chip

2002-02-26 Thread tom

On 26 Feb 2002 at 0:52, ryan brooks wrote:

 And the 6mp Contax full-frame is real:
 
 http://www.dpreview.com/news/0202/02022505contaxndigitalinhand.asp

I had heard within the last week that it was delayed.

tv
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Re: Interesting Comment: SLR vs PS

2002-02-26 Thread Aaron Reynolds

On Sunday, February 24, 2002, at 01:20  AM, Doug Franklin wrote:

 When it comes to scanning at 4000dpi, however, you can see how
 the lens on the SLR camera gives you cleaner, sharper photos,
 than those on the point-and-shoot.

 I'd be interested to know whether this agrees with the collective
 experience of the PDML.

I would say that it depends on the point and shoot and the SLR, but 
generally, comparing an SLR with a decent lens on it to a zoom point and 
shoot, the SLR will kick some ps butt.

-Aaron
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Re: Switching to Pentax

2002-02-26 Thread Aaron Reynolds

On Sunday, February 24, 2002, at 03:55  AM, [EMAIL PROTECTED] wrote:

  It is conceivable that Pentax might choose to go the same way without 
 a lens with aperture ring as an option   as they now have no manual 
 focus old tech SLR in the 35mm range.

Even the MZ-S relies on the aperture ring to set aperture, so I don't 
see them ditching it any time soon.  :)

Thank God.  My LX would be sad if lovely lenses like the limiteds or the 
FA* 24mm f2.0 were off limits to it.

-Aaron
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Re: Switching to Pentax

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 07:45  AM, David Brooks wrote:

 Although this switch does come loose on occasion,like
 for instance, on my first job with the D1.I turned the
 camera on and all i got was a blinking FEE.Major
 panic as i see my carrer hit the tubes.Thank God
 i had the manual in the truck and was able to solve
 the problem and have a great day.

Yup, every time a customer has come in and said, I think my F50 is 
broken, the culprit has been that pesky aperture ring.  Every time, 
without fail.

-Aaron
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Re: Efke 25

2002-02-26 Thread Aaron Reynolds

Thanks for sharing your impressions, Paul.

-Aaron
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Re: Pentax and support (WAS: PMA News)

2002-02-26 Thread Camdir

Pentax UK - excellent.

A few years ago - alright, quite some time ago, a good friend of mine sent 
his 200mm F2.5M in to Pentax UK for some adjustment or other. Couple of weeks 
later - gets grovelling letter from Pentax about the fact that they had had a 
fire in the service department and would he be so kind as to accept a brand 
spanking new 200mm F2.8 A* .

 Kind regards

Peter
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Re: Hockey

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 12:55  PM, Debra Wilborn wrote:

 Let's not forget the women's match.  Now THAT was a
 game!  I was cheering for the home team (USA! USA!
 USA!), but apparently nobody knows ice like the
 Canucks.  :)  And all that after being 0-8 against the
 US!

Yep.  Having been at our last win against the US and then a couple of 
pretty bad losses, I was just a little nervous.  No work was done at the 
store for those two hours on Thursday and again on Sunday for the men's 
game.

In fact, I can barely talk right now, because Vanessa and I ran all the 
way from Lawrence to Eglinton on Yonge Street and back again, shouting 
at the top of our lungs.  There was toilet paper everywhere, and the 
traffic was absolutely stopped, but most people were on top of their 
cars cheering anyways.  I don't think I've given as many high-fives or 
shaken as many hands as I did on Sunday night.  And that is why I am 
reading messages from Sunday still on Tuesday morning.  :)

Unfortunately, a flukey bounce off of the boards ended up in Vanessa's 
team being eliminated in Provincials on Saturday.  The only upside was 
that she therefore got to see the men's game -- had they won, they would 
have been on the ice!

-Aaron

p.s. GO JAROME IGINLA!  Nobody believed that you'd produce in the 
Olympics, but you showed 'em!  GO CHERIE PIPER!  You had to prove that 
you deserved your spot on the team after they cut Drolet, and you did, 
and way more!  The Canadian media took a strip off of you guys, and boy 
did you ever make them look stupid.
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phallic phungus photos

2002-02-26 Thread Richard Seaman

Simon wrote:

...and remember I only made a single comment about it - I didn't put up a 
web page devoted to them! :-)
Those are some hideous fungi's (but nicely shot).
I do have to ask though - what were you doing in the Great Swamp Wildlife 
Refuge?

What do you mean?  I thought everyone spent their spare time crawling around 
swamps?  You're telling me there's something better to do?

PS
Q. What do you call a mushroom with a 12 inch stalk?
A. A fungi to be with.


Richard.

home page:  www.richard-seaman.com


_
Chat with friends online, try MSN Messenger: http://messenger.msn.com
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread tom

On 26 Feb 2002 at 12:41, Bojidar Dimitrov wrote:

 Hi all,
 
 What can I do against this:
 http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963
 
 
 I don't mean legally, but I would appreciate ideas on how to place the
 copyright notices so that they are not so easy to remove.  Am I
 dreaming when thinking of images that do not allow themselves to be
 screencaptured and edited?

If you're feeling industrious you can place some code on your pages to  the right 
mouse button menu:

http://www.aspfree.com/authors/MVadivel/disablerightbutton.asp

There are other versions of this that might be better.

In any event, it's pretty easy to get around, and the copyright notice that Paul 
recommended is a good idea.

tv
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Re: Trying to enable some of you med format dudes.

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 12:14  AM, Peter Alling wrote:

 Yes that's true but the reserve hasn't been met yet.  So he/she/it 
 doesn't
 have to buy it.

$15,000 before the reserve and a seller with no feedback...yikes!

-Aaron
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Re: Foveon Fotos

2002-02-26 Thread Antti-Pekka Virjonen

At 08:43 26.2.2002 -0500, you wrote:
If, as I've read here earlier, Sigma has exclusive rights to the Fovean chip
for 5 years, they will become a major player in the digital field.

Bill

If they do, they certainly will.

I do not, however, find such an agreement very wise move from the Fovean people.
Maybe such a deal is for the current chip model used to build a 35mm digital camera ?

Hmm...

Antti-Pekka

---
* Antti-Pekka Virjonen * Fiskarsinkatu 7 D   * GSM: +358 400 789753 *
* Computec Oy Turku* FIN-20750 Turku Finland * Fax: +358 2 413  *
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RE: Adorama

2002-02-26 Thread Mick Maguire

I think the difference is that one uses UPS and the other uses Fedex. One
nice thing with BH's web-site that they do indicate whether an item is
in-stock or not before you have ordered it.

Regards,
/\/\ick...
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Re: Foveon Fotos

2002-02-26 Thread David Brooks

Even though i'v had t go to power zoom spectacles,
those look very nice indeed.

Dave

 Begin Original Message 

From: Shel Belinkoff [EMAIL PROTECTED]
Sent: Mon, 25 Feb 2002 22:10:57 -0800
To: Pentax List [EMAIL PROTECTED]
Subject: Foveon Fotos


http://www.sjphoto.com/web-special/index.htm

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
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 End Original Message 




Pentax User
Stouffville Ontario Canada

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Re: Hockey

2002-02-26 Thread Mark Roberts

Aaron wrote:

Yep.  Having been at our last win against the US and then a couple of 
pretty bad losses, I was just a little nervous.  No work was done at the
store for those two hours on Thursday and again on Sunday for the men's

game.

I stopped by a friend's house on Sunday and he had the game on. I've never
watched a hockey game before but it looked like a pretty good one to me.
Anyone else able to read Wayne Gretsky's (it was him, right?) lips when
the Canadians scored the goal that put them up 4-2? g I can understand
why they didn't have a microphone on him!


-- 
Mark Roberts
www.robertstech.com
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Re: Re: Foveon Fotos

2002-02-26 Thread David Brooks

Maybe,just maybe,this is what Pentax was waiting for
to see the results of this technology.

Dave
 Begin Original Message 

From: Antti-Pekka Virjonen [EMAIL PROTECTED]


Now, Pentax, please make the MZ-D with this (or future) Foveon chip.

Antti-Pekka




Pentax User
Stouffville Ontario Canada

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Re: New Pentax FA645 33-55/4.5 and FA645 55-110/5.6

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 05:59  AM, Pål Audun Jensen wrote:

 Ultraweitwinkel Pentax SMC-FA 645

 Dazzling price increase Fully automatic Fully automatic

I LOVE machine translation.  Dazzling price increase, eh?  ;)

Does anyone know if the 75mm f2.8 AL for 67 has ghostless coating?  I 
would assume so, though the manual says nothing about it (it's really a 
manual for the whole lens line) and I didn't see it mentioned in any 
press release.

-Aaron
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Re: Big Green (?) A* Lenses [was: Green Cameras]

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 08:21  AM, Paris, Leonard wrote:

 Do I hear a Brotherhood of The Green Lens starting to form?

Yeah, I want a green lens for my 67!

-Aaron
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Shutter Speed when not using Camera...

2002-02-26 Thread Denny B

Is there a correct shutter speed to adjust a mechanical
camera to when you are not using it 1/60, 1/125 or whatever.

I thought I once read a long time ago that there are speeds you
should not leave it on, on account of the tension on a mechanical
shutter spring.
I use Pentax MX and KX mechanical cameras.

thanks in advance
Denny B
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RE: pentax-discuss-digest V1 #2199

2002-02-26 Thread Mick Maguire

I'd try burning a second identical roll and putting it through another lab
too.

Regards,
/\/\ick...


-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]]On Behalf Of wendy beard
Sent: Tuesday, February 26, 2002 8:31 AM
To: [EMAIL PROTECTED]
Subject: Re: pentax-discuss-digest V1 #2199


At 03:48 26-2-2002 -0500, you wrote:
From: tom [EMAIL PROTECTED]
Subject: Re: Irregular frame spacing

On 25 Feb 2002 at 22:31, wendy beard wrote:

  I can't remember if anyone has posted about this before or not. A
  search on the archives only turned up references to the LX. Anyway, it
  would appear that either my MZ-S has a problem or the photo store I
  use has. I have noticed that a lot of my prints are coming back and at
  least one of them, sometimes two has a black band down one side.

By side, do you mean a side of the print when held horizontally? So the
band is down one short side?

Yes, The left side


  There
  is a pattern emerging and so far it's only been with this camera.
  Nearly every single occurrence has been photo number 22 (one was #9).
  In all cases, this has also been the place where the negative has been
  cut into strips so I can't tell from the negatives. The lab makes the
  prints before cutting the negatives, right? This has only just started
  happening and is really annoying me. Thoughts anyone?

I guess the simple answer would be to skip #22.

Just kidding.

Tried that! It doesn't happen with a 12 exp film...


I don't understand why you can't tell from the negs. Is number 22 a full
frame? 23?

The spacing looks okay to the naked eye. The lab always seem to cut the
negs between 21 and 22 and I can't believe they cut the negs before doing
the prints. I'd have said it was the lab but out of 4 rolls that I took in
on Sunday, the only roll with prints not having a black band on any of them
was taken with the LX. It was also a 36 where the others were 24, so maybe
that says nothing.

I'll go with Shel  Bill's suggestions
Burn a roll of 36 and see what happens
Do the same with a 24 and ask the lab not to cut the negs

thanks

Wendy

---
Wendy Beard
Ottawa, Canada
mailto:[EMAIL PROTECTED]
home page http://www.beard-redfern.com
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Re: Where's Pentax?

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 02:51  PM, Shel Belinkoff wrote:

 Nothing at the show, no press releases of future possibilities, etc.

Well, don't you think they know that trumpeting their D-SLR and then 
discovering that they couldn't really make it the way they had planned 
hurt them, credibility-wise?  In light of that, do you think they're 
going to announce any details of their new D-SLR before it is actually 
ready to be manufactured?

-Aaron
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Re: Re: Using tamron lenses with ME super

2002-02-26 Thread David Brooks

Are you referring to this link?

http://www.pentax.com/docstore/index.cfm?show=6

Dave

 Begin Original Message 

From: mike wilson [EMAIL PROTECTED]
Sent: Tue, 26 Feb 2002 13:10:43 +
To: [EMAIL PROTECTED]
Subject: Re: Using tamron lenses with ME super


Hi,

[EMAIL PROTECTED] wrote:

 I  was hoping I could use my Tamron lenses with the ME. It 
seems that
 although the lens mounts OK, changing aperture has no effect on the
 metering. Are the ME and adaptall for PK not compatible?

The mount and camera are perfectly compatible.  Working entirely
 from memory:

Is the switch on the top of the MES on auto?  If I remember
correctly, there is only an LED indicator in the viewfinder.  If
you are in manual, it indicates whatever speed has been manually
selected with the up/down buttons and won't change when you
alter the aperture.  In automatic exposure mode the indication
should move as the aperture is changed.

Recently, there was a URL given for owner's handbooks
downloadable from the Pentax web site.  I have mislaid this but
I am sure someone else will be able to pass it to you.

mike
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 End Original Message 




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Re: KMP Copyright Infringement(s)

2002-02-26 Thread dave o'brien

On Tue, 26 Feb 2002, Bojidar Dimitrov wrote:

 Hi all,
 
 What can I do against this:
 http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963

The Internet Remote Cattle-Prod Transmission Protocal. It transmits a 
short, sharp electric shock to spammers and people who steal your images 
and text.

Damn, that was just wishful thinking, sorry.

dave maybe for Christmas, if I wish hard enough...
-- 
dave o'brien - http://www.diaspoir.net
Trying to be happy is like trying to build a machine for which the only
specification is that it should run noiselessly.
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Re: Joys of KX, manual exposure

2002-02-26 Thread David Brooks

This is one of the 2 reasons i picked up a list members
Super Program that was for sale.Vet respectable indoor
jumping flash shots with the 280t on TTL and camera
on Auto.

Dave
 Begin Original Message 

From: Paul F. Stregevsky [EMAIL PROTECTED]



Now that I've seen how easily I can use manual exposure, I plan to 
use the 
Super Program chiefly for TTL flash.

Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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 End Original Message 




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Re: Where's Pentax?

2002-02-26 Thread Shel Belinkoff

Aaron Reynolds wrote:

 Well, don't you think they know that trumpeting their D-SLR and then
 discovering that they couldn't really make it the way they had planned
 hurt them, credibility-wise?  

Yes.


 In light of that, do you think they're going to announce any details 
 of their new D-SLR before it is actually ready to be manufactured?

Seemingly not ... although an announcement saying that they are working
on something would be nice, but that's only from the perspective of an
interested consumer. 

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
If you are a bad technician, it doesn't matter 
how big your negs are. - PDML Member
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Another dumb-ass darkroom question

2002-02-26 Thread Mick Maguire

How worried should I be about light leaks from my enlarger (Beseler 23CII)?
I have a few, some it seems must have always been there from new; like a
glow from the top of the lamp house or around the filter drawer. But also
there is some light escaping around the negative carrier which may be from
some distortion of the carrier or wear to the head. Should all this be
totally leak tight or is this just a noise issue?

Regards,
/\/\ick...
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Re: Oh Happy Pentax DAY

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 07:07  PM, William Robb wrote:

 I am disturbed that Canada Post has decided to try to compete
 with United Parcel Service for the stupid driver award.
 They left about 500 bucks in equipment just sitting outside
 in -25ºC weather, where anyone could have walked off with it.
 I must specify signature required for delivery in the future.

That's alright, over here our postman routinely gives our mail to the 
neighbors on either side, including our bank statements, cheques, phone 
cards we didn't ask for, etc.  How hard is it?  Our store has a big 
orange and blue sign that says Photographic Solutions and isn't a dry 
cleaner or Pak-Mail.  The worst was the phone card -- not only because 
it went to the neighbors, but because Bell just decided we should have 
one and also included the activation number and PIN in the same 
envelope.  What the hell do I need a long distance calling card for?  
Calling the store when I go on vacation?  To make matters worse, when I 
called to complain and told them that I had destroyed the card, they 
SENT ME ANOTHER ONE, and it WENT TO THE PAK-MAIL AGAIN.

-Aaron
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Re: 105 F2.4 for the P67

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 08:57  PM, J. C. O'Connell wrote:

 Got the 105mm F2.4 SMCT for the P67 today and
 snapped a few test shots. This lens is
 AWESOME!

I have the SMC-P version, and I wholeheartedly agree.  An excellent 
performer, especially at wide apertures.

-Aaron
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Re: Another dumb-ass darkroom question

2002-02-26 Thread Shel Belinkoff

Hi Mick,

Some light leaks are normal.  Be sure to have the area around the
enlarger painted a flat black, or covered with a black cloth that will
absorb, rather than reflect, the light.  As long as the light doesn't
reflect on to the paper, you should be OK.  Of course, test for fogging,
IAC.

Oh, I like to wear dark clothes in the darkroom.  It's possible that
light reflecting off a white shirt may affect the results.  The truth
is, I don't think I ever noticed that, but heck, it's no trouble to
throw on a dark shirt or sweatshirt ...

Mick Maguire wrote:
 
 How worried should I be about light leaks from my enlarger (Beseler 23CII)?
 I have a few, some it seems must have always been there from new; like a
 glow from the top of the lamp house or around the filter drawer. But also
 there is some light escaping around the negative carrier which may be from
 some distortion of the carrier or wear to the head. Should all this be
 totally leak tight or is this just a noise issue?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
If you are a bad technician, it doesn't matter 
how big your negs are. - PDML member
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Re: Irregular frame spacing

2002-02-26 Thread Aaron Reynolds

Wasn't that an issue with the first MZ-Ses off of the line?  That they 
needed a software upgrade because of irregular frame spacing?  I recall 
something about this.

Wendy, get on the horn to Pentax Canada.  What province are you in?  If 
it's Ontario, I can give you the number for their service department.

-Aaron
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Re: Using tamron lenses with ME super

2002-02-26 Thread mike wilson

David Brooks wrote:
 
 Are you referring to this link?
 
 http://www.pentax.com/docstore/index.cfm?show=6
 
That's the rascal.  MES manual in PDF format, in case Alisair is
without.

Thanks,

mike
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RE: KMP Copyright Infringement(s)

2002-02-26 Thread Paul F. Stregevsky

Paul,
My Russian-born wife would say that dumb Yank is a tautology.

Paul M. Provencher [EMAIL PROTECTED] wrote:
Sorry if I got your first and last names switched. I'm just a dumb Yank!


Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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Re: 6x7 Question

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 11:57  PM, ryan brooks wrote:

 What is the difference between the Late (modern) lenses and the older 
 6x7
 lenses that seem to always be floating around used?
 Is there a limitation related to the AE of the 67II?  Better coatings?
 Different designs in some cases?  All of the above?

All of the above except for the AE.  Even my brand new 75mm f2.8 has no 
electrical contacts on the mount, so that does not appear to be changing.

In terms of coatings, the newer the better, BUT Pentax has always had 
kickass coatings.

Some lenses have been overhauled, some have not.  You'll notice a real 
difference in minimum focus distance with the newer lens designs.  Some 
new designs are reputed to be sharper.

I haven't yet met a lens for the 67 that I haven't found sharp.  In 
fact, the only thing I've ever found to dislike about any of the lenses 
I've used has been their minimum focus distance.

Brother Wheatfield dislikes his old-old 75mm.  The new one is stunning, 
and the one in-between is also supposed to be excellent.

I've heard nothing about body upgrades, but then I'm not listening for 
them, either...heck, I went out and bought an original 67 new when the 
67II had just come out.

-Aaron
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Re: Foveon Fotos

2002-02-26 Thread Aaron Reynolds

On Tuesday, February 26, 2002, at 01:10  AM, Shel Belinkoff wrote:

 http://www.sjphoto.com/web-special/index.htm

Can't tell a thing from these...

http://www.sjphoto.com/web-special/pages/0022matt.htm shows evidence of 
either a heavy hand on the unsharp mask tool or an overzealous 
sharpening algorithm in the camera -- check out the halo between the 
kid's shirt collar and his skin.

Let us know how the prints look.

-Aaron
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Re: Foveon Fotos

2002-02-26 Thread Nitin Garg

unless the big name players use their muscles and keep sigma out. In
which case fovean could die too.


On Tue, Feb 26, 2002 at 08:43:11AM -0500, Bill Owens wrote:
 If, as I've read here earlier, Sigma has exclusive rights to the Fovean chip
 for 5 years, they will become a major player in the digital field.
 
 Bill
 
 - Original Message -
 From: Shel Belinkoff [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Tuesday, February 26, 2002 1:50 AM
 Subject: Re: Foveon Fotos
 
 
  Here's a comparison with a standard digital camera.
  http://www.foveon.net/X3_comparison.html
 
  Bear in mind they are publicity photos, but also bear in mind what you
  saw on Stephen's site.  I recall seeing some full-sized images.  I'll
  try to find them again and post the url here.
 
  Antti-Pekka Virjonen wrote:
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Re: Sigma SD9 w/Foveon Chip

2002-02-26 Thread Aaron Reynolds

On Tuesday, February 26, 2002, at 01:53  AM, Shel Belinkoff wrote:

 And your point is?

That perhaps it isn't vaporware, that perhaps there will actually be a 
camera produced using the full frame 6MP Phillips chip that Pentax was 
supposed to be using in their D-SLR before they canned it.

 From the site:

 PMA 2002: We got our hands on Contax's long awaited N Digital D-SLR 
 today. This camera has been on the books now since July 2000. For those 
 who don't know or don't remember the N Digital is based around the full 
 frame (36 x 24 mm) Philips 6 megapixel chip. At last years PMA Contax 
 had a plastic mock-up, this year we find real working pre-production 
 models which shoot, review and have working menu systems. Contax seem 
 confident that the camera isn't too far away. My concern is that 
 they'll be bringing an expensive six megapixel to market at least a 
 year too late.

I think he's hit the nail on the head, and that was Pentax's concern, 
too.

-Aaron
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Re: Shutter Speed when not using Camera...

2002-02-26 Thread Len Paris

Wow!  Rough question.  There will probably be as many answers as
there are people.  My opinion, and it's just that, *my opinion*,
is that it is never wrong to leave a mechanical shutter
un-cocked.  And, if it's left un-cocked, there is no better or
worse shutterspeed.  Un-cocked is un-cocked.

Len
---


 Is there a correct shutter speed to adjust a mechanical
 camera to when you are not using it 1/60, 1/125 or whatever.

 I thought I once read a long time ago that there are speeds
you
 should not leave it on, on account of the tension on a
mechanical
 shutter spring.
 I use Pentax MX and KX mechanical cameras.

 thanks in advance
 Denny B
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread f . minelli

 What can I do against this:
 http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963
 
 
 I don't mean legally, but I would appreciate ideas on how to place the
 copyright notices so that they are not so easy to remove.  

Place a large copyright notice across the image making it visible but not totally 
opaque. Do not place it in a corner or on an evenly colored part of the image or it 
will be just too easy to remove.


 Am I dreaming
 when thinking of images that do not allow themselves to be
 screencaptured and edited?
 
 ...

Yes. :-(((. Once the image is downloaded you can't tell what it will be used for, 
viewing, saving or anything else.

Ciao, Flavio
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread Aaron Reynolds

On Tuesday, February 26, 2002, at 07:56  AM, [EMAIL PROTECTED] wrote:

 In any case, I would complain to the offender and then let it go.

I would suggest putting fine print on the site about what you charge for 
use of your images, including an outrageous fee for commercial use (i.e. 
to sell a product, like this fellow is doing).  Then contact e-Bay, tell 
them of the infringement and ask them to assist you in collecting your 
bill.  ;)

-Aaron
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Re: Where's Pentax?

2002-02-26 Thread Pål Audun Jensen

Shel wrote:


Seemingly not ... although an announcement saying that they are working
on something would be nice, but that's only from the perspective of an
interested consumer.



But they already did say so. The press release for  the shelved 6mp MZ-D 
state that they will be working on a more competitive digital slr instead.

Pål
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FS: Pentax SMC 135/2.K, CLA'd, original hood, $125

2002-02-26 Thread Paul F. Stregevsky

I posted this Feb. 21 at $150; I've just dropped the price $25:

Bought it in September 1999 from Ritz Online, which had rated it a 9 after 
a just-completed CLA. It's in great shape optically, mechanically, and 
aesthetically. Original rear cap and SMC Pentax spring-loaded hood. For 
front cap, a spring-loaded  58mm Tamron.

Also available to the buyer:

Heliopan 58mm UV 010 slim multicoated  filter, $25
B+W 58mm UV 010 multicoated filter, $22

Shipping $5 insured with confirmation to U.S. and Canada, $18 + optional 
insurance everywhere else. PayPal, BidPay, money order.

I'm selling it because I just bought a Vivitar 135/2.3PK and can't justify 
keeping both 135s.

Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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Re: Re: Using tamron lenses with ME super

2002-02-26 Thread David Brooks

It has been bookmarked for emergencies as thusg

Dave

 Begin Original Message 

From: mike wilson [EMAIL PROTECTED]
Sent: Tue, 26 Feb 2002 15:27:16 +
To: [EMAIL PROTECTED]
Subject: Re: Using tamron lenses with ME super


David Brooks wrote:
 
 Are you referring to this link?
 
 http://www.pentax.com/docstore/index.cfm?show=6
 
That's the rascal.  MES manual in PDF format, in case Alisair is
without.

Thanks,

mike
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 End Original Message 




Pentax User
Stouffville Ontario Canada

Sign up today for your Free E-mail at: http://www.canoe.ca/CanoeMail 
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread [EMAIL PROTECTED]

Boz asked:
 What can I do against this:
 http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963


 I don't mean legally, but I would appreciate ideas on how to place the
 copyright notices so that they are not so easy to remove.  Am I dreaming
 when thinking of images that do not allow themselves to be
 screencaptured and edited?

Short answer:  yes, you're dreaming.  Other people have given
better advice than I can on legal and social approaches to the
problem; my comments are on the technical side.

There's no really good technical solution.  There are techniques
to make theft of the images a little more difficult (the my car
only has to be harder to steal than my neighbour's car, not
invulnerable approach).  The harder you make it to steal the
images, the more you interfere with legitimate viewing of them.
So what you want, as with _any_ computer-security issue, is to
find a useful and reasonable compromise between the cost (in
money, effort, and inconvenience) and effectiveness of the
security measures you choose.

Putting copyright notices along the edges of an image does very
little to distract from the image and does not reduce the
quality of it.  It's also easy to defeat by cropping the image.
It _does_ mean that anyone who takes the image directly from
your site can't claim ignorance of its copyright status, but all
they have to do is claim that they stole it from someone else
who'd already filed off the copyright notice (*and* claim to be
ignorant of copyright law in general!).

Putting an invisible digital watermark in the image allows you
to prove that the image is yours as long as the thief doesn't
know how to check for it and remove it, but does little to
discourage an ignorant thief from using your work.

Putting a visible but faint watermark across the whole image is
harder to remove (I'm betting that someone with better Photoshop
skills than I have can undo it -- *if* they decide that it's
worth that much effort instead of finding someone else to rip
off) but diminishes the usefulness of the image to legitimate
users (i.e. viewers of your web site).  The question becomes,
How *badly* do you feel that compromises the usefulness of your
site?  If the answer is, Well that's unfortunate but not a
show-stopper, and theft of your work is a bigger deal than
that, then there's your answer.  

Cleverly editing the copyright notice in place of the serial
number is a lot more work on your end, and can be undone by
anyone who knows Photoshop as well as you do.  (Unless, of
course, they decide it's easier to steal from someone else...)
It does less to diminish the information-usefulness of the image
than the visible watermark.

(If most of the theft is for eBay listings, putting Not For
Sale! in the watermark might also be a nice touch...)

I suggest not trying Javascript code to stop folks from
downloading images.  First, for them to _see_ the image, it
_has_ been transmitted to their computer; they just need to know
a little more to be able to save it, but it's already in memory
(and possibly on disk in the cache) on their system.  If nothing
else, a screen-capture program will get it.  Second, such little
gain is probably not worth the cost to legitimate users:  anyone
using a non-Javascript-capable browser or who turns off
Javascript for performance or security reasons can no longer use
your site.  (FWIW, I'm in the latter category.)


Those cover people copying your images.  My recommendation is to
go with a simple copyright notice and rely on social and legal
measures to deal with theft as you discover it.


Now as for people linking directly to your images instead of
copying them, there are some tricks ... it comes down to a
question of how much effort it's worth.  Someone else suggested
renaming images and replacing them with a blank image (or, what
I'd be inclined to do, an image of a sign saying, The picture
that was supposed to be here was stolen from..., or maybe a
photo of a camera that has been smashed to bits).  Well that's
an after-the-fact, _reactive_ approach (which is also true of
legal solutions, notifying eBay of offenses, etc.).  To do this
proactively, you could perhaps use a server-side script which
concocts a new filename each time the page is loaded (or one
which changes based on the date/time), and configure the server
so that any requests for an expired filename return the this
image was stolen picture.  It has to be server-side so that the
actual filename of the permanent image is not exposed.  

If the big problem you run into is folks linking in to your
images, this ought to discourage that (at the expense of more
coding on your end, and more load on your web server (though if
your pages are already coming out of a database, this probably
isn't a huge increase percentagewise)).  It doesn't stop them
from _copying_ the images, of course, and I'm pretty sure I
could come up with a chunk of Java or Javascript code to snarf
the filename-of-the-moment on the fly 

Re: Optics: SLR vs PS

2002-02-26 Thread Bill D. Casselberry

Doug Franklin wrote:

 I was really wondering if any of the PS cameras had optics that
 approached (or surpassed) SLR optics.  On average, or something, I
 guess.
 
Well, the results I get from my Pentax Zoom90WR show no
sign of the Hoover Effect; and the slides, especially,
seem extremely good w/ little loss of quality against my
m42 SuperTaks, etc. Relevant may be that I tend not to
use it for distant scenics  such, but rather closer-in
subjects. This keeps assorted potential optical aberations
from showing up, such as horizon bending and various edge
distortions. Sharpness, color rendition  such seem quite
satisfactory. Metering seems tuned to slide film as opposed
to print/neg, where I'd like to kick it 1/3rd stop if I could.  

Of course, this fine device has been discontinued ponder 

Bill
 
-
Bill D. Casselberry ; Photography on the Oregon Coast

http://www.orednet.org/~bcasselb
[EMAIL PROTECTED]
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread Len Paris

Boz, it's very expensive to go after folks that copy web
pictures.  If you try legal action, the defending lawyer has a
right to ask you to prove that the images are actually yours.
You'd have to produce negatives or slides to prove it.  If you
acquired the images from friends that sent them to you, you'd
have to prove that too.  Of course, if you could produce the
object itself, with the same serial number as the image, that
would probably work, too.  You could also send e-mails to eBay
and the folks bidding on the lens and explain to them that the
advertised lens does not belong to the seller, it belongs to you
and it is not for sale.

Just a few ramblings from snowy, southern Illinois.

Len
---
- Original Message -
From: Bojidar Dimitrov [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 26, 2002 7:27 AM
Subject: Re: KMP Copyright Infringement(s)


 I wrote:

  What can I do against this:
 
http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963

 I have gotten in touch with the seller, and he assures me
that he took
 the image from the web page of a professional photo dealer
  I
 will try to locate the dealer now.

 Cheers,
 Boz
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Re: Enabled!

2002-02-26 Thread Aaron Reynolds

On Monday, February 25, 2002, at 12:06  AM, David A. Mann wrote:

  And I still haven't sold the RB kit, so no 75mm f/2.8 for me yet :(

Keep trying, Dave, it'll happen.  :)

Just to spur you along, I may post a new image from the 75mm this 
afternoon.  Shot a spur of the moment portrait of Vanessa's parents, who 
had dressed up for a retro costume party.  God bless Ilford Delta 3200 
in medium format.

-Aaron
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Re: Hockey OT

2002-02-26 Thread Aaron Reynolds

On Tuesday, February 26, 2002, at 09:24  AM, Mark Roberts wrote:

 Anyone else able to read Wayne Gretsky's (it was him, right?) lips when
 the Canadians scored the goal that put them up 4-2? g I can understand
 why they didn't have a microphone on him!

HAR!  Yeah, Wayne has this reputation for being very nice and soft 
spoken and polite, to the point where in his press conference after the 
Czech game he said, Like they say, payback's a...well, we all know what 
they say about payback.  I actually checked the tape later to see if I 
had seen what I thought I had seen...yup, I did.

You become good at lip reading when watching hockey, because they NEVER 
put microphones down near the players or coaches.  Often, the 
conversations between them and referees or linesmen can be very 
entertaining.

I'm still wondering what the US coach was talking about at the end of 
the third period when he was shaking his head and saying That's what 
really pisses me off.

-Aaron

p.s. Lindros, scoring his first goal of the tournament against Belarus: 
It's about time!
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RE: Another dumb-ass darkroom question

2002-02-26 Thread Mick Maguire

Thanks for the advice Shel! I don't think I would have ever thought about
the color of what I was wearing, but it's a damn good point. I'll do some
fogging tests around the same time as the safelight tests to be sure.
Hopefully I should be fully up and running with this project by the end of
the week.

Regards,
/\/\ick...
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread T Rittenhouse

And if javascript is turned off?

Ciao,
Graywolf



- Original Message -
From: tom [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 26, 2002 8:59 AM
Subject: Re: KMP Copyright Infringement(s)


 On 26 Feb 2002 at 12:41, Bojidar Dimitrov wrote:

  Hi all,
 
  What can I do against this:
  http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963
 
 
  I don't mean legally, but I would appreciate ideas on how to place the
  copyright notices so that they are not so easy to remove.  Am I
  dreaming when thinking of images that do not allow themselves to be
  screencaptured and edited?

 If you're feeling industrious you can place some code on your pages to
the right mouse button menu:

 http://www.aspfree.com/authors/MVadivel/disablerightbutton.asp

 There are other versions of this that might be better.

 In any event, it's pretty easy to get around, and the copyright notice
that Paul recommended is a good idea.

 tv
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Re: Hockey OT

2002-02-26 Thread dick graham

The US men's coach, Herb Brooks, made the comment that the Canadian team 
played a terrific game and that the US team didn't have any legs left after 
their tough semi final game against the Russians while the Canadians had a 
relatively easy walk through to the finals. You could tell that the US 
didn't have the jump against Canada that they had Friday night against 
Russia.  That doesn't detract from the fantastic performance of the 
Canadians in the gold medal game.  They gave us a lesson in how the game 
should be played.

DG



At 11:10 AM 2/26/02 -0500, you wrote:
On Tuesday, February 26, 2002, at 09:24  AM, Mark Roberts wrote:

Anyone else able to read Wayne Gretsky's (it was him, right?) lips when
the Canadians scored the goal that put them up 4-2? g I can understand
why they didn't have a microphone on him!

HAR!  Yeah, Wayne has this reputation for being very nice and soft spoken 
and polite, to the point where in his press conference after the Czech 
game he said, Like they say, payback's a...well, we all know what they 
say about payback.  I actually checked the tape later to see if I had 
seen what I thought I had seen...yup, I did.

You become good at lip reading when watching hockey, because they NEVER 
put microphones down near the players or coaches.  Often, the 
conversations between them and referees or linesmen can be very entertaining.

I'm still wondering what the US coach was talking about at the end of the 
third period when he was shaking his head and saying That's what really 
pisses me off.

-Aaron

p.s. Lindros, scoring his first goal of the tournament against Belarus: 
It's about time!
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Re: Where's Pentax?

2002-02-26 Thread Bruce Rubenstein

Nikon: D1 original, D1X/D1H, D100. These don't include the older Kodak/Nikon
DSLR's. Canon was late with a Pro level DSLR, but ahead of Nikon at the lower
end with the D30, and now on par. There's also the years of experience with
fixed lens, non SLRs and film scanners that these companies have. 
Until Pentax got together with HP they didn't have any sucessful digital
imaging products. If Pentax could come out with a 6 MP, DSLR that sold for
under $1000 they might have something.


--- Brendan [EMAIL PROTECTED] wrote:
 3 generations behind? how? Don't go into IS and VR or
 eye control but how is Pentax really behind in
 Technology?
Yahoo! Sports - Coverage of the 2002 Olympic Games
http://sports.yahoo.com
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Re: Better Late Than Never - Feb PUG review from Cotty

2002-02-26 Thread Cotty

Cheers Kath. Does this mean we'll have to get married now?

;-)

Cotty, you made my day!  Thank you so much for the kind and encouraging 
comments.  I am trying very hard to become a really good photographer, 
because anything worth doing is worth doing well.  Your comments really 
help. 
 I may have said it before, but I think you take really wonderful photos, 
but 
you also have a very artistic, creative way with words.  With those two 
traits combined, no doubt you will someday have a book published out there 
for all of us to purchase!  Thanks again for taking the time to comment on 
our photos.  
Kathy L.


___
Personal email traffic to [EMAIL PROTECTED]
MacAds traffic to [EMAIL PROTECTED]
Check out the UK Macintosh ads 
http://www.macads.co.uk
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread T Rittenhouse

Your need to contact that store and tell them to cease and desist, invoice
them for the use of your photos up to that time too, makes them realize they
are stealing something valuable. Since this is a commercial firm, you are
dealing with a bigger issue here,  you should talk to a copyright attorney
if they do not respond immediately and satisfactorily.

Ciao,
Graywolf



- Original Message -
From: Bojidar Dimitrov [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 26, 2002 11:13 AM
Subject: Re: KMP Copyright Infringement(s)


 Hi Paul,

  If this seller happens to have been so careless as to have loaded
  the image from your site on the auction listing, rename the image
  to something else and substitute a 1x1 white pixel image in it's
  place.

 This is, of course, a great idea, but I am stinkin' mad because the
 original thief took the image, then _REMOVED_ the copyright notice,
 and finally used/uses the image for commercial advantage, thus violating
 the KMP copyright notice.

 It seems that the current eBay seller is not the person who manipulated
 the image, rather it was a professional photo dealer with a store in
 Berlin.

 Thanks anyway,
 Boz
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Re: 2: KMP Copyright Infringement(s)

2002-02-26 Thread David Brooks

I went back to the link a few minutes ago and the main 
picture is now blank.The second one is still there.
Maybe Boz's on  a roll.

Dave


Pentax User
Stouffville Ontario Canada

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Re: KMP Copyright Infringement(s)

2002-02-26 Thread [EMAIL PROTECTED]

Aaron suggested:
  It seems that the current eBay seller is not the person who manipulated
  the image, rather it was a professional photo dealer with a store in
  Berlin.

 Send them a bill.  Call the store and demand payment.  Ask them so 
 explain their actions.  Ask them if their store allows shoplifting.

Anyone know offhand what typical current stock-photography fees
are for web use these days?  Boz, can you find out how long they've
been using your image?  Could be a tidy profit, though I'm not sure
which country's courts would have to be used to sue them.

-- Glenn
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Re: SMC Takumar 1:1.8/55

2002-02-26 Thread jmadams

I have won a second Ebay auction, for an Pentax SP and SMC Takumar 1:1.8/55
for US $71.16 + $7 shipping.  I did not expect to win both.

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1334082883ed=1014696
884

This takes my list of cameras to:

1 x SP(plus one given to my son)
2 x SPFs
1 x ME
1 x MES
and 18 lenses (SM/KM)
(Plus non-Pentax)
1 x Ricoh KR-10
1 x Nikon Photomic FTn (Nikkor 50mm/f2 and Soligor 105/f2.8)

James

- Original Message -
From: jmadams [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, February 23, 2002 12:09 PM
Subject: Re: SMC Takumar 1:1.8/55


 I have just successfully bid on an SP500 Outfit for $91.00 US. plus
 shipping.
 http://cgi.ebay.ca/aw-cgi/eBayISAPI.dll?ViewItemitem=1333462535
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FS: Vivitar Series One 1354/2.3 screwmount, $80

2002-02-26 Thread Paul F. Stregevsky

I posted this lens last week for $100.  Maybe at $80 someone will bite.

Glass is clean, all functions are smooth. No wear on focusing 
ring.  Includes generic rear cap, Vivitar Series One front cap, which falls 
right off. Add $6 for a snap-in Tamron 72mm cap that stays on.

This lens close focuses to 3 feet (0.9 m) at 1:4.5X magnification. I'll 
include a Hoya 72mm 1B skylight filter. Add $9 for the HMC (Hoya 
Multicoated) version.

I'm selling it because I just bought the multicoated K-mount version.

$5 shipping to U.S. or Canada, $12 elsewhere. PayPal, BidPay, or money order.

Paul Franklin Stregevsky
13 Selby Court
Poolesville, Maryland 20837-2410
[EMAIL PROTECTED]
H (301) 349-5243
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Re: OT Hockey - Women's Gold

2002-02-26 Thread Debra Wilborn

--- frank theriault [EMAIL PROTECTED]
wrote:
 Thanks, Debra,
 
 That was a great game, and just as much of a
 nail-biter, too.  And
 terrific hockey, I must say.  In some ways I feel
 better about that one
 than the men's gold.  There's the adversity of being
 underdogs, but
 also, they are true amateurs.  Anyone out there
 remember back when the
 Olympics were supposed to be for amateurs?  Not that
 they were all
 really amateurs, especially from those countries
 that used amateur
 sports for propaganda purposes, but I digress...

Yep, them was the days.  The old Evil Empire ain't
what it used to be.  But the Russians still know how
to skate - in any sport.

The amateur flavor will probably stay with women's
hockey for a long time yet.  Somehow I can't see the
sport ever going pro.  For one thing, no
body-checking.  A less physical (or barbaric) version
of hockey just won't sell as much.  Not to say that
women's hockey is less interesting.  I think we saw
how good the teams can be.  I don't play hockey, so I
don't really know, but it seems that taking away the
body-check makes it harder.  How do you strip the puck
from your opponent if you can't jam her off her skates
and into the boards?  

It's a money thing.  Just about the only women's sport
that draws more attention in the US than its male
counterpart is figure skating.  And maybe soccer, er,
football.
 
 Now that hockey is a true international sport, it's
 hard to imagine that
 any one country will easily sweep both men's and
 women's golds again.

Remember, the US was favored to win in both.  There
will be another Olympics. :)

 Truly a proud day for our country...

Y'all deserve it.

 regards,
 frank

howdy,
Deb in TX 

 
 Debra Wilborn wrote:
 
  Let's not forget the women's match.  Now THAT was
 a
  game!  I was cheering for the home team (USA! USA!
  USA!), but apparently nobody knows ice like the
  Canucks.  :)  And all that after being 0-8 against
 the
  US!
 
  So I guess that makes it a pretty amazing sweep in
  hockey medals.  Come to think of it, y'all didn't
 do
  too bad in curling either.
 
  Salute the leaf with pride.
 
 
 --
Yahoo! Sports - Coverage of the 2002 Olympic Games
http://sports.yahoo.com
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Re: Where's Pentax?

2002-02-26 Thread Aaron Reynolds

On Tuesday, February 26, 2002, at 12:52  PM, Bruce Rubenstein wrote:

 Nikon: D1 original, D1X/D1H, D100.

...but you're not slagging Nikon for being 5 or 6 generations behind 
Kodak?

Come on, be serious.

-Aaron
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RE: KMP Copyright Infringement(s)

2002-02-26 Thread Rfsindg

Paul,

I had not thought thru the ramifications of what I suggested, especially the 
commercial opportunities.  I think you are very right with the suggestion to 
agressively defend your content.

Regards,  Bob S.

I wrote:  In any case, I would complain to the offender and then let it go. 

Paul added:
That is probably the easiest path, and certainly the least stressful.  But if one 
truely wishes to protect their intellectual property, it is a fatal mistake.  This 
leads to more widespread abuse and dilutes the value of that which you are trying to 
protect. If Dimitrov sells or wishes to sell his work, he will find it difficult to 
command a proper value for it when it has been freely used far and wide.  I admit 
this to be a somewhat philosophical argument but it comes down to personal value 
systems.

For me, even though my web site images are not particularly stunning, and the subjects 
are far from socially redeeming (I feature mainly toy cars and Jeeps in the woods), 
there are several markets for this type of work.  By agressively protecting it, I have 
been able to expect and receive decent compensation any time my images are used. This 
has led to contracts to illustrate toy books, the ongoing responsibility to write 
several magazine articles per month, and compensation for the use of images on my site 
and made for hire, in related publications.

If I ignore what is at times widespread abuse of my site content, I will not have had 
the same bargaining power when negotiating the price of my work.  This is a basic 
principle of doing this stuff for a living.  If you are just dabbling, don't ever want 
to be getting paid, or don't really care where your work shows up, then a brief 
complaint and letting it go is OK.  But it does not convey how much you value your own 
work, and substantially diminishes your value in the market.

Dimitrov, your site is a sparkling example of how to dispense information on a topic.  
No matter what your professional aspirations may be, I encourage you to protect your 
content if for no other reason that to make a statement of what your work is worth to 
you.

ppro
© 2002 Paul M. Provencher  All Rights Reserved.  May not be used without Permission ( 
smiling ) 
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread Aaron Reynolds

On Tuesday, February 26, 2002, at 12:58  PM, T Rittenhouse wrote:

 Unfortunately for them ignorance of the law is not a legal excuse. On 
 the
 other you are not going to be able to collect damages unless you can 
 show
 realistically that there is a money issue involved. If someone stole 
 your
 pic and used it for a national billboard campaign where they would 
 normally
 expect to pay a hundred thousand dollars for that use of the image. For
 something like the Ebay sellers illegal use about all you could expect 
 is a
 cease and desist order.

Except that the eBay fella stole it from a retail store that had stolen 
it.  So, the retail store is using it to sell product on the internet.  
Commercial use, big money.

-Aaron
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Re: Adorama

2002-02-26 Thread Gary J Sibio

At 10:26 PM 2/25/02 -0800, you wrote:
I guess it depends on where you live, or perhaps some other factor or
factors, but I've found that sometimes Adorama gets delivered to me
faster than items from BH.

That may be. I live in Chicago so that may be a major factor. I recently 
ordered a lens from BH. I ordered it after business hours. The next day I 
got an email saying it had been shipped and it arrived the following day. 
That's pretty much been my experience with them. Adorama seems to take a 
day or two longer. Not really a big deal.



Gary J. Sibio
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Re: (even later) of Feb PUG review from Cotty (I am also one of those)

2002-02-26 Thread Jaume Lahuerta

Cotty,

Yes, I admit that I am one of those that, like you,
scan all PUG comments looking for his/her name.

An this time I found it:
-
Cadaques
   Juame Lahuerta
   It's the shot we all want to take one day, just
that most of us don't 
   quite make it to  these quaint Mediterranean
villages built on hillsides. 
   Juame has, and did. And it's a great pic.
Interesting contrast with the 
   olde-worlde steps and the modern jumble of
wires
-

I am happy and honoured to have accomplished a
'general' dream, If I had known in that moment that I
had such responsibility over my shoulders, maybe the
result would have been quite worst...
;-)

Now seriously, I am glad you liked it.
BTW I also liked your contribution. It made me laugh.

OT: during a period in the US I realised that my name
was difficult to pronounce for English speakers. The
PUG is showing me that it is also difficult to
write...
;-)

JAUme
(no problem, of course)
Yahoo! Sports - Coverage of the 2002 Olympic Games
http://sports.yahoo.com
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Re: Where's Pentax?

2002-02-26 Thread Bruce Rubenstein

Nikon and Canon aren't. Kodak is barely hanging in there with competive
products, let alone leading. Have you looked at the DCS720x and DCS760 (both
based on the F5)? Class leading technology is fueled with cubic dollars; Nikon
and Canon are willing and able to do so. 


--- Aaron Reynolds [EMAIL PROTECTED] wrote:
 On Tuesday, February 26, 2002, at 12:52  PM, Bruce Rubenstein wrote:
 
  Nikon: D1 original, D1X/D1H, D100.
 
 ...but you're not slagging Nikon for being 5 or 6 generations behind 
 Kodak?
 
 Come on, be serious.
 
 -Aaron
Yahoo! Sports - Coverage of the 2002 Olympic Games
http://sports.yahoo.com
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread T Rittenhouse

I like all the petty little get even tricks I have seen in this thread. But,
as has been said, if Boz has commercial possibilities with his images,
allowing copyright infringements degrades the value. If someone feels it is
easier to copy a photo than to take one themselves they are admitting to the
commercial value of that photo so have no defense whatsoever. If the images
have no commercial value to Boz, then probably a copyright attorney would
suggest not litigating.

But in any case he should notify all parties of his ownership of the
copyright and ask them to cease using it without payment. This is necessary
to protect his rights and to protect others copyrights as well. It is a
common good issue.

This presupposes that Boz owns the copyrights to the images, I don't suppose
he doesn't, but you would be surprised how many thieves get upset when
someone steals their ill gotten gains. Reminds me of the story about the guy
that called the cops to report that someone had robbed him of the ten grand
that he had robbed a bank for.

Ciao,
Graywolf



- Original Message -
From: Nitin Garg [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 26, 2002 11:56 AM
Subject: Re: KMP Copyright Infringement(s)


   If this seller happens to have been so careless as to have loaded
   the image from your site on the auction listing, rename the image
   to something else and substitute a 1x1 white pixel image in it's
   place.
 

 should one decide to ever do this, for maximum impact, make sure there
 is a bid on the auction already. If their isnt any, place one if the
 starting bid is low enough or there is a reserve :)
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Re: February 2002 PUG Comments

2002-02-26 Thread Jaume Lahuerta

Thanks for your effort. Your critique is great...
since you picked my picture. ;-)

Seriously, I used to participate in Chris' organized
comments, but now that it is not working, I became
lazy. I have to figure out how to comment offline
having all the images stored previously (or suscribe
to an ADSL service, not in my plans though).

Keep with this exercice, I found that it was also a
learning tool.

Jaume 

--- [EMAIL PROTECTED] wrote:
 I am following Cotty's lead...better late than
 never.  Here is my first attempt at critiquing the
 PUG (or anything else).  Since I've never done this
 before, you are free to critique my critique!
 

 Cadaques - Jaume Lahuerta
 The multi-angle step lines draw me right down the
 stairway.  Nice!
Yahoo! Sports - Coverage of the 2002 Olympic Games
http://sports.yahoo.com
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread Patrick White

Bojidar Dimitrov writes:
What can I do against this:
http://cgi.ebay.de/aw-cgi/eBayISAPI.dll?ViewItemitem=1334153963
I don't mean legally, but I would appreciate ideas on how to place the
copyright notices so that they are not so easy to remove.  Am I dreaming
when thinking of images that do not allow themselves to be
screencaptured and edited?

The serial number of the lens doesn't show in the picture.  If it did, then
it might be more obvious that it isn't a picture of their actual lens, which
is what they are trying to pass it off as.  Not that I'm recommending that
you publish the serial number of the lens in that way.
As for copyright notice location, just paste it over a nondescript part of
the barrel.  There is still no guarantee that they can't retouch it out, but
all you are really after is making it so much work that they go steal
somebody else's image or take their own.

hope that helps,
patbob ([EMAIL PROTECTED])
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Re: Re: Foveon Fotos

2002-02-26 Thread Mark Roberts

T Rittenhouse wrote:

 Let me warn you, the print from a Canon D30 Mike Johnson sent into
 the Challenge, the one that made me ask if I should use such prints 
 to rate the printers, was so good it made my eyes blink. 

Let that be a lesson to the pixel counters; there's a lot more to image
quality than just the number of pixels a camera records. People who think
the Foveon (or the Philips or the Fuji or whatever) won't equal 35mm film
because it doesn't capture enough pixels are missing this. Of course those
who say it'll be *better* are probably missing it too. The proof or lack
thereof will be in the prints.

I'm really curious about these particular new sensors but the one I'm most
interested in is actually the oldest: the Philips. A full-frame chip gives
you more than the advantage of being able to use wide angle lenses. It gives
you the full resolution of your lenses. Consider two CCDs, both producing
6 megapixels, but one being full-frame and the other being smaller. A 35mm
frame has a diagonal dimension of 43mm. If you use a CCD with a diagonal
of, say, 28mm, you gat a focal length multiplier factor of about 1.5 with
the smaller chip. Now say your lens has a resolution of a nice round figure
like 50 lpm. That works out to 1400 lines across the frame of the small
sensor. A full-frame sensor, however, with *the same lens* would get 2100
lines across the full frame. In other words, the smaller CCD not only multiplies
your focal length by 1.5, it *divides* the effective resolution of your
lens by 1.5. The pixel giveth and the pixel taketh away.

This assumes all things being equal, of course, and all other things are
never equal. There are plenty of other ways to screw up a chip, so rather
than predict great things from the Philips CCD, I'm going to sit back and
wait to see how things shake out. Like I said, I'm really curious to see
images from this latest batch of sensors.


-- 
Mark Roberts
www.robertstech.com
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[FS] SMC-A 50/1.4

2002-02-26 Thread Mark Roberts

The closet cleaning continues:

Pentax SMC-A 50/1.4 in excellent condition. $80.00 to the list before it
goes on eBay. This is a *great* lens :-)

The SMC-F 70-210 is also still available.


-- 
Mark Roberts
www.robertstech.com
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Re: as promised, more from the SMCP-67 75mm f2.8

2002-02-26 Thread Norman Baugher

Can't handhold the 6x7, shutter vibration, etc. etc. HAR!!
Norm

Aaron Reynolds wrote:

 These were shot handheld at 1/30 f5.6, lit just by the lamps in the
 living room.  The top left corner has been slightly burned in.
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread T Rittenhouse

Yep, that is why I said Boz should contact a copyright attorney in that
case.

Ciao,
Graywolf



- Original Message -
From: Aaron Reynolds [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Tuesday, February 26, 2002 1:35 PM
Subject: Re: KMP Copyright Infringement(s)


 On Tuesday, February 26, 2002, at 12:58  PM, T Rittenhouse wrote:

  Unfortunately for them ignorance of the law is not a legal excuse. On
  the
  other you are not going to be able to collect damages unless you can
  show
  realistically that there is a money issue involved. If someone stole
  your
  pic and used it for a national billboard campaign where they would
  normally
  expect to pay a hundred thousand dollars for that use of the image. For
  something like the Ebay sellers illegal use about all you could expect
  is a
  cease and desist order.

 Except that the eBay fella stole it from a retail store that had stolen
 it.  So, the retail store is using it to sell product on the internet.
 Commercial use, big money.

 -Aaron
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Re: Sigma SD9 w/Foveon Chip

2002-02-26 Thread Shel Belinkoff

No I don't .. I have no memory.  That coupled with paying very little
attention to the discussions of the MZ-D, leaves me essentially ignorant
of circumstances surrounding the camera.

Len Paris wrote:
 
 The full-frame MZ-D could have been real too.
 You have a short memory, Shel.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
You can't have everything. Where would you put it?
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as promised, more from the SMCP-67 75mm f2.8

2002-02-26 Thread Aaron Reynolds

Vanessa's parents were dressing up for a retro costume party last week 
when it was decided that a portrait was needed.  Luckily, I had the 67, 
the 75mm and a roll of Delta 3200 in my bag.

Here's my favourite:

http://homepage.mac.com/aaronreynolds/.Pictures/sgt%20%26%20mrs%20pepper%20at%20home.
jpg

Here's a closer view of a section of it:

http://homepage.mac.com/aaronreynolds/.Pictures/sgt%20%26%20mrs%20pepper%20close.
jpg

These were shot handheld at 1/30 f5.6, lit just by the lamps in the 
living room.  The top left corner has been slightly burned in.

-Aaron
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Re: KMP Copyright Infringement(s) (Thanks to all)

2002-02-26 Thread Bojidar Dimitrov

Hi,

Thank you all for your comments and suggestions.  Sadly, I have had to
watermark all KMP images that I own, and now you all have to pay the
price of seing the lower-quality images.

If anyone needs a good image that I own, drop me a line.

I am going to pursue the issue a bit more with the commercial firm that
stole my image(s).  I have to find them first because the eBay seller
says he has no records of the exact URL.  But I'll try it.

Thanks again,
Boz
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Re: Sigma SD9 w/Foveon Chip

2002-02-26 Thread Kristian Walsh

The Contax camera is only arriving now, in March. It was supposed to be 
on the market last November, and now it's also going to be a really 
tough sell (even for Zeiss fans with deep pockets) when compared to 6Mp 
cameras from the Japanese (Pentax excluded, naturally :-( ).

Personally, I think Pentax were right not to proceed with the MZ-D as 
specified. Sure, it would have been nice to have the camera, but 
wouldn't we be here complaining that it cost four times as much as the 
Canon D-60 if Pentax had gone ahead with it...?

That said, I won't be looking at digital until I can get a full-frame 
one, and that's always going to be expensive (in IC production, the 
physical size of the device is the biggest cost, not the number of 
transistors or sensors or whatever on it). Okay, I might be tempted to 
settle for a 1.2x multiplier if the price was right, but that's still a 
way off..

When's Photokina?
--
Kristian


On Tuesday, February 26, 2002, at 06:53  am, Shel Belinkoff wrote:

 And your point is?

 ryan brooks wrote:

 And the 6mp Contax full-frame is real:

 http://www.dpreview.com/news/0202/02022505contaxndigitalinhand.asp

 The Pentax ad above the Sigma photos is kinda cute ...

 http://www.dpreview.com/news/0202/02022503sigmasd9shots.asp

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 You can't have everything. Where would you put it?
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Re: Foveon Fotos

2002-02-26 Thread Shel Belinkoff

And the pics I received from Mike looked like crap, in that it was clear
they were digital, highlights were burnt out, there was color fringing,
and some other problems.  Either we received different prints, or you
need new glasses g.  I'd have to pull out the prints to be very
specific wrt each one.  But I was not impressed one whit.

T Rittenhouse wrote:
 
 Let me warn you, the print from a Canon D30 Mike Johnson sent into the
 Challenge, the one that made me ask if I should use such prints to rate the
 printers, was so good it made my eyes blink. The thing is it showed no
 digital effects whatsoever it may have been run through an image enhancing
 program, or actually been done on film and scanned with a commercial scanner
 for all I could tell. No other picture I have seen from a D30 looked that
 good, no picture I have seen from any mobile digital camera looked that
 good.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
You can't have everything. Where would you put it?
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Re: TuTu - Who-Who?

2002-02-26 Thread Kristian Walsh

Unless there's another, he's probably referring to Archbishop Desmond 
Tutu, the South African churchman who campaigned for years to release 
Nelson Mandela from prison.

(Hey, two posts, and both off topic...)
--
Kristian


On Monday, February 25, 2002, at 07:02  pm, [EMAIL PROTECTED] wrote:

 In a message dated 25/02/02 18:42:14 GMT Standard Time, Brandon writes:

  So I butchered the poor man's name...

  I was refering to Desmond TuTu... 

 Sorry - still none the wiser.

 Kind regards

 Peter
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Re: [FS] SMC-A 50/1.4

2002-02-26 Thread gfen

On Tue, 26 Feb 2002, [iso-8859-1] Mark Roberts wrote:
 Pentax SMC-A 50/1.4 in excellent condition. $80.00 to the list before it
 goes on eBay. This is a *great* lens :-)

Sign me up!

Contact me off list, please, to follow up.

-- 
http://www.infotainment.org
 The destructive character is cheerful.  - Walter Benjamin
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Re: KMP Copyright Infringement(s)

2002-02-26 Thread Aaron Reynolds

On Tuesday, February 26, 2002, at 02:17  PM, Patrick White wrote:

   As for copyright notice location, just paste it over a nondescript 
 part of
 the barrel.  There is still no guarantee that they can't retouch it 
 out, but
 all you are really after is making it so much work that they go steal
 somebody else's image or take their own.

If you have a KMP logo of some kind, putting it in a corner of the 
image, overlapping the lens slightly, that would look good and be a bit 
of a deterrent.

-Aaron
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Re: Where's Pentax?

2002-02-26 Thread Aaron Reynolds

On Tuesday, February 26, 2002, at 01:57  PM, Bruce Rubenstein wrote:

 Nikon and Canon aren't. Kodak is barely hanging in there with competive
 products, let alone leading. Have you looked at the DCS720x and DCS760 
 (both
 based on the F5)? Class leading technology is fueled with cubic 
 dollars; Nikon
 and Canon are willing and able to do so.

How can Pentax be behind when we haven't seen the product, then, Bruce?  
You just posted that Pentax are three generations behind because Nikon 
have revised their digital SLR three times.  But Nikon is ahead of Kodak 
despite Kodak having more revisions and being on the market longer 
because Nikon's offering is better.

Pick your argument and then support it.

-Aaron
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WAY OT! But it may or may not interest you if you're a Macaddict

2002-02-26 Thread Cotty

Apologies if you're reading this by mistake. You may lash me a hundred 
times with the petrified vomit of a Tasmanian Devil for being so OT.


I'm embarking on a typically insane project, namely building a PowerBook 
G3 (Lombard) from scratch. It will be documented over the coming weeks on 
the MacAds site home page, first installment is up, if you like that sort 
of thing (and building PowerBooks).



Now back to the lashing - yes - more, please...

Cotty

___
Personal email traffic to [EMAIL PROTECTED]
MacAds traffic to [EMAIL PROTECTED]
Check out the UK Macintosh ads 
http://www.macads.co.uk
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