RE: AF 280T

2002-04-17 Thread HUDERER Bernd

Hi Cotty,

still some points:

 In practice, I flip my (Steve Larson inspired) switch, and set the power 
 switch usually to MS-L. In bright ambient light at reasonable distance 
 for, say a portrait, this allows the flash to fire and neatly fills in 
 shadows in the eye sockets / under a baseball cap. The camera will be set 
 to X, forcing it to use 1/75th sec shutter time, and I simply bring the 
 aperture in manual to match the exposure of 1/75 sec.

Isn't it the same to switch the flash to manual mode ? If you use the AF
280T in TTL position on a camera without TTL the flash does a full flash,
the same like in manual position. Which difference does your solution
provide ?

 I find that outside on an overcast day, I underexpose by up to a stop (I 
 shoot negs) otherwise the faces tend to burn a bit on the neg. Generally 
 it works well, although I'm restricted to using 1/75th sec and whatever 
 aperture that requires in the available range. Generally it's not a 
 problem using 200 ISO film. I'm happy with the results. On a bright day 
 it puts a great sparkle in the eyes for family snaps, which is really the 
 only time I use it. My 'real' portraits are low-key moody affairs, and I 
 never use flash for those.

I use for that a very small flash with guide number 11 powered by a single
AAA cell. 
The results are also nice and I don't need to carry the big AF 280T.

Bernd

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Re: Info on Chasseur d'Images lens tests?

2002-04-17 Thread William Robb

- Original Message -
From: Brian Walsh
Subject: Info on Chasseur d'Images lens tests?


 I happened to be looking at a web site which included some
graphs
 apparently lifted without permission from CdI, and,
unfortunately, the
 information didn't include any description of the ordinate.

 So, whhat does outstanding, very good and on down to
poor mean in CdI
 parlance, anyway?

outstanding: They like the dancing girls and fine wine that
the company sends to the staff picnics.
very good: Second rate dancing girls, beer instead of wine
sent to the staff picnics.
poor: The company doesn't donate dancing girls, beer or wine
to the staff picnics.

The science of CDI is renowned.

William Robb
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Re: Color is So Much Easier

2002-04-17 Thread William Robb

- Original Message -
From: J. C. O'Connell
Subject: RE: Color is So Much Easier


 I disagree, if you saw these negs, you wouldnt believe how
 little difference there is. With a slight difference in
 printing exposure the difference would be so subtle and
 it would be hard to tell which was best. TMAX 100 is
 a very forgiving film WRT exposure. Probably wider than
 ANY slide film.

TMX has an exposure range of somewhere in the vicinity of 10
stops. The average slide film is around 5 stops.
For comparison, most colour neg films are around 8 stops, and
most scene types fall within 6 stops.
With careful exposure and processing control, TMX can produce a
16 stop range (I have done it).

William Robb
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Re: Medium Format - To Pentax or not to Pentax.

2002-04-17 Thread William Robb

- Original Message -
From: James Adams
Subject: Re: Medium Format - To Pentax or not to Pentax.



 One guy said to me today, Why stay with MF such as
Hasselbads, when you can
 buy a 200 shot Digital camera for less than the cost of a
lens.  He sold
 all his gear a year ago on Ebay, and got a good price on
everything.  He
 said his colleagues are now struggling to get a decent price
for their
 equipment.


This is called the dumbing down of the market place, photography
style.
I envision a whole raft of supposed pro photographers kicking
themselves in a few years time for selling off their good image
making machines for crappy digital cameras.
And don't kid yourself, compared to a Hassy image, digital
camera images are pretty much dog shit.

William (its finally spring, and I am becoming reaquainted with
dog shit) Robb
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Re: linear polarizer and LX meter

2002-04-17 Thread William Robb

- Original Message -
From: Raimo Korhonen
Subject: Vs: linear polarizer and LX meter


 You can use the linear polarizer - only the readout is
incorrect, the exposure will be OK.
 All the best!

A small correction. I believe the exposure will be correct in
automatic, but not manual.

William Robb
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Re: ebay steal

2002-04-17 Thread William Robb

- Original Message -
From: J. C. O'Connell
Subject: ebay steal


 http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1346801122

 BIN is great price!
 I have this lens and its superb!

Jeeze, JC, if I had one more glass of wine under my belt, I
would have hit the BIn.
Still might.
I don't need this lens.
I don't like this angle of view.
HELP MEEE!!

William Robb
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RE: Malcolm's Plums

2002-04-17 Thread Malcolm Smith

Thank you!

Malcolm

 It is a wonderful shot, nice going Malcolm.
 Steve Larson
 Redondo Beach, California
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Re: Color is So Much Easier

2002-04-17 Thread William Robb

- Original Message -
From: Chris Brogden
Subject: Re: Color is So Much Easier


 On Tue, 16 Apr 2002, Shel Belinkoff wrote:

  First of all, I never said that BW negative didn't have a
decent
  exposure latitude. However, similar results aren't exact
results.
  The difference between a good photograph and a great
photograph is
  found in the subtleties.  While a film may have a wide
exposure
  latitude, there is very little latitude for precise
exposure - the
  exposure needed to get exactly what you want on the film.

 This is true for colour film as well as BW.  Bracketing
colour shots to
 ensure the best exposure requires no less skill than
bracketing BW ones.
 Again, it comes down to the photographer and technique, not to
film type.

Not quite, Chris. If we explore the question of film type by
reversal/ colour neg/BW neg, then film type is very
significant. The nature of black and white gives the
photographer comparatively infinite conrol over the negative
compared to the colour films.
Colour processes are relatively static, pretty much one size
fits all.

William Robb
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Re: Where to buy Pentax in Vancouver

2002-04-17 Thread Chris Murray

On Tue, 16 Apr 2002, Alan Chan wrote:

 Unfortunately, MZ-S is just too expensive here in Vancouver. My solution is 
 to buy oversea when I left Canada for more than 7 days (get $750 duty free), 
 but the question is, I don't know when (perhaps never?))?
 
 Shops that I usually visit are LensShutter, Kerrisdale and InterPro. Seems 
 to me that Kerrisdale is slighty cheaper, and InterPro is the cheapest. Just 
 in case you do not know, all brand new Pentax cameras and lenses are covered 
 by 1 year international warranty. However, if purchased in Canada, you will 
 get an extra 1 year Canadian warranty too.
 

Thanks Alan - Kerrisdale and Lens and Shutter have it listed on their
sites, Kerrisdale is 20 something dollars cheaper. My mother has a summer
place in WA state, but I would like to buy Canadian with a Canadian
Warranty. I take my gear off road quite often, so it see's a lot of use
and abuse, the extra year made be needed.

I guess I will have to call a few dealers and see if they will order it in
for me :-(

Thanks!

- Chris


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A nex toy for me too!

2002-04-17 Thread Chris Murray

Hey All -

I just picked up a new toy. Its nothing too special. I got the SMC FA
28-200 3.8-5.6 for $431.00 Cad (inc. tax). I bought it so I can be lazy. I
think I am going to leave it on the mz-50, and take it out in the
backroads when I got 4x4'ng. Something I can leave in the Jeep and not be
too concerned with.

I shot a roll tonight at the park, I'll find out how it does in a few days
when I get my slides back. So far I like its build qual. Feels
sturdy. I've read mixed reviews of it. I like the whirr of the IF. lol

- Chris

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What is SMC-F designation?

2002-04-17 Thread John Leonard

SMC-A is manual focus, auto aperture.
SMC-FA is auto focus, auto aperture
but so (it seems) is SMC-F

So what _IS_ SMC-F lens as distinct from SMC-FA?

- John Leonard
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RE: Asahi patent for hybrid digital/film SLR

2002-04-17 Thread Pål Audun Jensen

Mick wrote:


Don't in any way be lured into thinking that a patent application or award
thereof signifies an intent to manufacture or even an intent to do research.
All it means, and in most cases is likely to mean, is that the company
thinks this is a good idea, so files the patent.


Actually this patent has been around for a few years and this is probably 
an update on that older patent. Back then, I remember that Nikon had 
similar patents on a camera that is both digital and uses film.

Pål
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Re: What is SMC-F designation?

2002-04-17 Thread Nitin Garg

On Wed, Apr 17, 2002 at 07:58:29AM +0100, John Leonard wrote:
 SMC-A is manual focus, auto aperture.
 SMC-FA is auto focus, auto aperture
 but so (it seems) is SMC-F
 
 So what _IS_ SMC-F lens as distinct from SMC-FA?

SMC-F is not auto-aperture.
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Re: Asahi patent for hybrid digital/film SLR

2002-04-17 Thread Pål Audun Jensen

Mark wrote:


The patent depicts a 35mm SLR with an interchangeable film or digital back.
Judging by the drawings, it looks fairly mature (maybe close to an actual
implementation).


What makes you think it's a 35mm camera? Unless I have missed something, it 
seems to be a 645. This also makes sense since this is the only Pentax 
camera with interchangeable back. It also fit the rumor mill.
The patent clearly state that the film camera use two film catridges; 
clearly this indicate roll film - 120/220.

Pål
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Re: Delta 3200; was: Fast film recommendations?

2002-04-17 Thread Flavio Minelli

Thanks all for the explanations, I knew the problem was the lab I went
to didn't know or cared about this particular filmI guess I can
develop it myself or look for a more competent lab.

Ciao, Flavio
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Re: Info on Chasseur d'Images lens tests?

2002-04-17 Thread Pål Audun Jensen

So, whhat does outstanding, very good and on down to poor mean in CdI
parlance, anyway?


You should ignore CDI at all cost since they have the habit of being 180 
degrees off on anything Pentax. That means that the good lenses turns out 
bad and vice versa.

Pål
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Re: MZ-S DOF Preview Usage ?

2002-04-17 Thread Pål Audun Jensen

Andy wrote:


I was wondering if anybody has found a different or better technique of
using the DOF preview ?


Yes, turn off auto focus. AF isn't suited for hyper focal focusing. Only 
when you want the plane of focus to coincide with the subject is AF of much 
help.

Pål
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Re: Asahi patent for hybrid digital/film SLR

2002-04-17 Thread T Rittenhouse

Does not work. The camera would have to have a interchangable film magazine
back first. That means it would have to be a different camera. Maybe an
MZ/DF (for DigiFilm? AFAIK the only 35mm cameras that have had magazine
backs in the past where the Kodak Ektra, and the Zeiss Contrarex. Anyone
know of any others?

BTW, I always kind of thought the Olypus Pen F SLR would be a good basis for
a digicam since the 18x24mm format is great for current sensors.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Brendan [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, April 17, 2002 10:47 AM
Subject: Re: Asahi patent for hybrid digital/film SLR


 Digital back for MZ-S say it with me now :-)
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Re: Leaf shutter operation on Pentax 67 165mm f/4.0 LS

2002-04-17 Thread Bolo

I asked about the operation of the leaf shutter, and have two
conflicting answers!

Paul Stenquist says:
 Scenario 1 is correct. The focal plane shutter opening is the start of
 exposure, the leaf shutter closing ends the exposure.

William Robb says:
 After much observation, and some debate, my wife, who has very
 fast eyes and I  have determined that scenario 2 is the correct
 one. Were it otherwise, there would be no high speed sync
 available, which is why the camera has the built in shutter. The
^^^ I think you meant lens?
 90mm leaf reopens after the focal plane shutter completes it's
 cycle, the 165mm leaf does not reopen.

To answer William, my thought was that since Pentax was trying to make
the lens simpler that perhaps they built a leaf shutter which just
closed.   High speed sync would still be available -- the flash would
fire after the focal plane shutter curtain opened, which would illuminate
the entire frame.   Then the 1/2 leaf shutter would close quickly,
giving the high speed sync.   Yes, there could be uneven exposure side
due to the movement of the shutter curtain -- but there is already uneven
exposure center to edges caused by the leaf shutter.

Given the two answers I have one more question/statement ... I think
the deciding factor has to go to the presence of of PC-cord sync
connector on the lens.  I've been tracking down photos of the lens,
and finally found one which _I think_ definitely shows the presence of a
PC connector.  That implies that the leaf shutter must open and close.
If it only closed then there would be no need for a sync connector,
as the focal-plane-shutter-open event would allow for flash sync.

In other words, does the 165LS have a PC connector?  If so, I think
it must work as William reports.

Thanks again for any info!
Bolo -- Josef T. Burger
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OT: eBay Funny: truth in advertising

2002-04-17 Thread Christian Skofteland

Check out the example photos of without 2x converter and with 2x converter!

The center was just cropped out and enlarged!  HA!

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1345132950

Christian
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RE: AF 280T

2002-04-17 Thread Cotty

but my problem to understand your modification is the following:
you say, if the TTL contact is open, the LX will fire the flash at high
ambient light.
But how does this work ?

Now that's a direct question that deserves a very direct answer, and here 
it is: I don't know! Really. I'm afraid my background is not electrical, 
I'm just really good at bluffing my way, but if I get in too deep, 
believe me I can splash about pretending to swim with the best of 'em.

A circuit diagramm of the AF 280 would be a big help to understand it better
! Does someone can help here ?

Yes, has someone got one - email it to Bernd!

And so I don't understand why cutting the TTL-wire would prevent the LX from
not firing the flash.

You and me too pal. When it comes to this sort of brainy stuff, I'm not 
the fastest film in the bag...

Best,

Cotty

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Re: Pentax Super Program

2002-04-17 Thread steven gilson

Did all of you saying that this is a bad deal actually look at the auction?  

I don't think $182.50 is so bad for a SP, A 50/1.7, filters, bag, etc.  

If you don't want/need the extras you might find the body/lens combo for less, but you 
could easily pay more than this to buy it all separately.
-- 

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Re: Photographica

2002-04-17 Thread James Adams

Royal Horticultural Hall...
There's a 'blast from the past', used to go there for the computer fairs,
such as The BBC Micro and The Sinclair QL shows back in the 80's.  I worked
quit close by at the Westminster Hospital.
James
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Re: Re: Thinking in BW

2002-04-17 Thread David Brooks

 Begin Original Message 

From: T Rittenhouse [EMAIL PROTECTED]

artsy stuff, were when I did in BW what everybody else seemed to do 
in
color, hot air balloons for instance. I automatically see form and 
density
relationships in my viewfinder, Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto
Tom.Quite often i'll get my proofs back(BW) and have 1-2 i'm really 
proud of and bring them home to the SO for approval.
She will look at them and grunt,it would look somuch
better if it was colour.Arr
I grew up with BW TV and magazines too.Maybe that does
help in picturing the world/photo in BW.Never thought of
that angle

Dave
Dave



Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj

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Re: Re[2]: Delta 3200; was: Fast film recommendations?

2002-04-17 Thread Aaron Reynolds

On Wednesday, April 17, 2002, at 11:26  AM, Bruce Dayton wrote:

 My local lab (I really like them) did some Agfa APX 400 that was just
 horrible.  I think they mostly do the Kodak films.  I'm going to ask
 them about the Ilford 3200, as I would like to try some high speed BW
 in the 67 and that seems to be the only choice.  Any developers that
 are know to be bad for the Delta 3200?

TMax developer and Delta 3200 seem to be a rotten combination.  I've 
never run it in D76, but I hear that's not so great either.

Ilford DD-X and Microphen are great for it, as well as Agfa Studional.  
I know a guy who does it in Rodinal and is very happy with it.

-Aaron
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RE: Pentax Super Program

2002-04-17 Thread Paris, Leonard

I didn't look at the auction.  I based my reply strictly on the question,
which seemed to me to only ask about the Super Program.  I would not pay
more than $125 (US) for a Super Program body in mint (or near mint)
condition. Those other items were not considered.

Len
---

-Original Message-
From: steven gilson [mailto:[EMAIL PROTECTED]]
Sent: Wednesday, April 17, 2002 1:02 PM
To: [EMAIL PROTECTED]
Subject: Re: Pentax Super Program


Did all of you saying that this is a bad deal actually look at the auction?


I don't think $182.50 is so bad for a SP, A 50/1.7, filters, bag, etc.  

If you don't want/need the extras you might find the body/lens combo for
less, but you could easily pay more than this to buy it all separately.
-- 
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Re: Thinking in BW

2002-04-17 Thread GLewis4457

I tend to let my subject drive the film I use, rather than the other way 
around.  I am partial to B/W, but sometimes color is the best form of 
rendition.  Materials selection is a large part of the creative process.

Jerry in Houston

In a message dated 4/17/2002 11:34:27 AM Central Daylight Time, 
[EMAIL PROTECTED] writes:

 
 
 When i go out to shoot BW,i usually have
 a theme in mind and when i compose a shot,I
 try very hard the visualize the final outcome
 in my head,as opposed to colour,which i can see
 both in the view finder and my head.
 To the BW shooters out there,do you do the same
 visual,or theme.How do you come up with your themes.
 My favorite BW theme to do is split rail or snake rail
 fences in the winter.
 
 Dave
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Re: Thinking in BW

2002-04-17 Thread Brendan

Colour and b/w are so very different, an image you see
in your mind in colour does always not look good b/w
and vs . But things tend to look better in b/w in
general.

--- [EMAIL PROTECTED] wrote:
 I tend to let my subject drive the film I use,
 rather than the other way 
 around.  I am partial to B/W, but sometimes color is
 the best form of 
 rendition.  Materials selection is a large part of
 the creative process.
 
 Jerry in Houston
 
 In a message dated 4/17/2002 11:34:27 AM Central
 Daylight Time, 
 [EMAIL PROTECTED] writes:
 
  
  
  When i go out to shoot BW,i usually have
  a theme in mind and when i compose a shot,I
  try very hard the visualize the final outcome
  in my head,as opposed to colour,which i can see
  both in the view finder and my head.
  To the BW shooters out there,do you do the same
  visual,or theme.How do you come up with your
 themes.
  My favorite BW theme to do is split rail or snake
 rail
  fences in the winter.
  
  Dave
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Vs: Vs: What is SMC-F designation?

2002-04-17 Thread Raimo Korhonen

Exactly! And they do have automatic diaphragm, of course.
All the best!
Raimo
Personal photography homepage at http://www.uusikaupunki.fi/~raikorho

-Alkuperäinen viesti-
Lähettäjä: Chris Brogden [EMAIL PROTECTED]
Vastaanottaja: [EMAIL PROTECTED] [EMAIL PROTECTED]
Päivä: 17. huhtikuuta 2002 18:57
Aihe: Re: Vs: What is SMC-F designation?


But the F lenses *are* capable of shutter-priority and program operation.
They're practically no different than the FA series.

chris


On Wed, 17 Apr 2002, Raimo Korhonen wrote:

 I think the correct wording would be capable of shutter-priority AE.
 All the best!
 Raimo
 Personal photography homepage at http://www.uusikaupunki.fi/~raikorho

 -Alkuperäinen viesti-
 Lähettäjä: Aaron Reynolds [EMAIL PROTECTED]
 Vastaanottaja: [EMAIL PROTECTED] [EMAIL PROTECTED]
 Päivä: 17. huhtikuuta 2002 15:04
 Aihe: Re: What is SMC-F designation?


 On Wednesday, April 17, 2002, at 03:16  AM, Nitin Garg wrote:
 
  SMC-F is not auto-aperture.
 
 April Fools!  No, seriously, SMC-F lenses DO have automatic apertures.
 SMC-K and SMC-M lenses don't.  (We're talking autoexposure, not
 apertures that stop down when you trip the shutter.)
 
 -Aaron
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Re[4]: Delta 3200; was: Fast film recommendations?

2002-04-17 Thread Bruce Dayton

Aaron,

Thanks for the tips.  I just talked to my lab and they said that they
use Kodak HC110 Dilution B for developer.  Have you heard of any
problems with this and the Delta 3200?  They said they have done some
rolls and it seemed just fine.

Also, what speed would you rate it at for a starting point, assuming
the lab was not going to do any special processing?

Thanks,


Bruce Dayton



Wednesday, April 17, 2002, 11:53:23 AM, you wrote:

AR On Wednesday, April 17, 2002, at 11:26  AM, Bruce Dayton wrote:

 My local lab (I really like them) did some Agfa APX 400 that was just
 horrible.  I think they mostly do the Kodak films.  I'm going to ask
 them about the Ilford 3200, as I would like to try some high speed BW
 in the 67 and that seems to be the only choice.  Any developers that
 are know to be bad for the Delta 3200?

AR TMax developer and Delta 3200 seem to be a rotten combination.  I've 
AR never run it in D76, but I hear that's not so great either.

AR Ilford DD-X and Microphen are great for it, as well as Agfa Studional.  
AR I know a guy who does it in Rodinal and is very happy with it.

AR -Aaron
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Re: Thinking in BW

2002-04-17 Thread GLewis4457

In a message dated 4/17/2002 2:11:53 PM Central Daylight Time, 
[EMAIL PROTECTED] writes:


 But things tend to look better in b/w in
 general.
 

In your most humble opinion..  Except for certain limited individuals 
life is in color, why is B/W automatically better...generally?  Why should I 
let an artificial limitation on film type drive my creative instincts?  Did 
Dali paint only in B/W?

Jerry
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Re: Aaron's wedding (was: Re: Shooting memories (was: Re: Your desert-island kit?))

2002-04-17 Thread Aaron Reynolds

On Wednesday, April 17, 2002, at 09:51  AM, [EMAIL PROTECTED] wrote:

 So who's shooting your wedding, Aaron, and how did you pick him or her 
 (or them)? I hope you won't be bolting off the platform to adjust your 
 photographer's gear!

He's someone I've known for a while, and whose wedding work I quite 
like.  He shoots a lot of available light reportage-style stuff.  I 
lured him out of semi-retirement, since he shoots product and fashion 
now.

And I've promised Vanessa that I will not interfere with the photographs.

-Aaron
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67 vs. 67II

2002-04-17 Thread Aaron Reynolds

An interesting tidbit that came out during a conversation with a Toronto 
pro's assistant -- that sudden influx of Pentax 67s at Downtown Camera 
in the fall was because this photographer traded in most of his 
well-used 67s for 67IIs.  His only complaint about moving from one to 
the other is that he can't shoot quite as fast with the 67II.  With the 
67 he could wind-fire-wind-fire in a very rapid motion because of the 
positioning of the shutter button and wind lever, but with the 67II he's 
25% or so slower.

Any 67II-ers notice this?  I suppose you'd have to be shooting pretty 
fast to have it happen to you.  I imagine it would have to do with the 
size and shape of your hands, too.

Meanwhile, the assistant (who is also a bit of a Pentax fan) responds to 
my unveiling of my new 75mm f2.8 AL by saying, Yeah, Rob has one of 
those.  It's really nice, isn't it?

Damn!  I am no longer unique.  ;)

-Aaron
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Re: Medium format, To Pentax or not to Pentax

2002-04-17 Thread Aaron Reynolds

On Wednesday, April 17, 2002, at 12:44  PM, Bob Blakely wrote:

 I've noted that the 67 continues to be used for many of the shots in 
 the famous Sports
 Illustrated Swimsuit Issue...

Don't forget the Victoria's Secret catalog.  You see, you were simply 
researching what lens to buy, examining sharpness, bokeh, flare...

-Aaron
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Re[5]: Delta 3200; was: Fast film recommendations?

2002-04-17 Thread tom

On Wed, 17 Apr 2002 12:23:22 -0700, Bruce Dayton wrote:
Aaron,

Thanks for the tips.  I just talked to my lab and they said that they
use Kodak HC110 Dilution B for developer.  Have you heard of any
problems with this and the Delta 3200?  They said they have done some
rolls and it seemed just fine.

This means the film didn't catch fire and no one died. 

You may want to consider doing it yourself. If not, I'd shoot 3 rolls, 1 each at 800, 
1600, and 
3200, and proceed from there.

tv
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Re: Re: Thinking in BW

2002-04-17 Thread David Brooks

I try and take some BW candids or rider/horse
head shots at shows,and when the kids see them there
comments are usuallyI like the BW's they look so old
Maybe i should tell them if they want an old
looking photo i'll bring out Fred Flintstones
Polarock.G
Dave

 Begin Original Message 

From: Brendan [EMAIL PROTECTED]
Sent: Wed, 17 Apr 2002 15:10:18 -0400 (EDT)
To: [EMAIL PROTECTED]
Subject: Re: Thinking in BW


Colour and b/w are so very different, an image you see
in your mind in colour does always not look good b/w
and vs . But things tend to look better in b/w in
general.

--- [EMAIL PROTECTED] wrote:
 I tend to let my subject drive the film I use,
 rather than the other way 
 around.  I am partial to B/W, but sometimes color is
 the best form of 
 rendition.  Materials selection is a large part of
 the creative process.
 
 Jerry in Houston
 
 In a message dated 4/17/2002 11:34:27 AM Central
 Daylight Time, 
 [EMAIL PROTECTED] writes:
 
  
  
  When i go out to shoot BW,i usually have
  a theme in mind and when i compose a shot,I
  try very hard the visualize the final outcome
  in my head,as opposed to colour,which i can see
  both in the view finder and my head.
  To the BW shooters out there,do you do the same
  visual,or theme.How do you come up with your
 themes.
  My favorite BW theme to do is split rail or snake
 rail
  fences in the winter.
  
  Dave
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 End Original Message 




Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj

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Ya-who.It worked

2002-04-17 Thread David Brooks

Just received an email from Aaron.My IR negatives turned
out ok.Now i just have to put $50.00 gas in the truck
to go and rescue them.
Now i need to wait a bit longer for some leaves,and
roll number two will bit the dust.

Dave(Tiffen#25)Brooks


Pentax User
Stouffville Ontario Canada
http://home.ca.inter.net/brooksdj

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Re[6]: Delta 3200; was: Fast film recommendations?

2002-04-17 Thread Bruce Dayton

Tom,

Do it myself because of fire hazard or type of developer they are
using?  Unfortunately, I am not currently equipped to do it myself.
Not sure if I want to become equipped.  I am not much of a BW shooter
(yet).  This is to be more experimental in nature.

In shooting the three speeds, would the lab adjust for the exposure or
just normal processing for all 3?


Bruce Dayton



Wednesday, April 17, 2002, 12:39:07 PM, you wrote:

t On Wed, 17 Apr 2002 12:23:22 -0700, Bruce Dayton wrote:
Aaron,

Thanks for the tips.  I just talked to my lab and they said that they
use Kodak HC110 Dilution B for developer.  Have you heard of any
problems with this and the Delta 3200?  They said they have done some
rolls and it seemed just fine.

t This means the film didn't catch fire and no one died. 

t You may want to consider doing it yourself. If not, I'd shoot 3 rolls, 1 each at 
800, 1600, and 
t 3200, and proceed from there.

t tv
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RE: MZ-S DOF Preview Usage ?

2002-04-17 Thread Andy F

I much prefer to use AF rather than manual as I have more confidence in its
ability than my eye and its much quicker than me. However for macro work I
would usually use manual focus as the AF is unlikely to focus on the exact
part of the subject that I would choose.

I mostly shoot landscape and occasionally have some close subject right at
the bottom of the frame - (typically below all the focus points). I really
should use hyperfocal distance charts.

Andy F


 I also own the MZ-S.  It seems to me, that when you are that
 particular and methodical about focus, that you shouldn't even have AF
 turned on.  My general rule of thumb is, Use AF when MF won't work as
 well.  This case, MF seems like it would work much better.

 As to technique, I tend to use the DOF more zoom like.  Pick my
 subject and focus point.  Then depress DOF and turn the aperture ring
 until I see the desired DOF.  Finish my metering and fire the shutter.


 Bruce Dayton
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Re: Re[4]: Delta 3200; was: Fast film recommendations?

2002-04-17 Thread Aaron Reynolds

On Wednesday, April 17, 2002, at 03:23  PM, Bruce Dayton wrote:

 Thanks for the tips.  I just talked to my lab and they said that they
 use Kodak HC110 Dilution B for developer.  Have you heard of any
 problems with this and the Delta 3200?  They said they have done some
 rolls and it seemed just fine.

That sounds like it would be a fine combo.  I haven't used HC-110 since 
the last time I processed TriX sheets, so I don't know how it and Delta 
will react to one another, but my spider-sense is not warning me of 
anything.

 Also, what speed would you rate it at for a starting point, assuming
 the lab was not going to do any special processing?

I almost always shoot it at 3200, 1600 under tungsten light or in really 
low contrast situations, and process normally.

-Aaron
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Re: Thinking in BW

2002-04-17 Thread Brendan

It's Simple, interestingly so. In colour if you wash
the colours out the picture is ruined, Out of focus
colour is a bad shot, out of focus b/w is artistic.
there is also the nostalgia factor.

--- [EMAIL PROTECTED] wrote:
 In a message dated 4/17/2002 2:11:53 PM Central
 Daylight Time, 
 [EMAIL PROTECTED] writes:
 
 
  But things tend to look better in b/w in
  general.
  
 
 In your most humble opinion..  Except for
 certain limited individuals 
 life is in color, why is B/W automatically
 better...generally?  Why should I 
 let an artificial limitation on film type drive my
 creative instincts?  Did 
 Dali paint only in B/W?
 
 Jerry
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Re: Delta 3200

2002-04-17 Thread Bill D. Casselberry

 Aaron wrote:

 Ilford DD-X and Microphen are great for it, as well as Agfa Studional.
 I know a guy who does it in Rodinal and is very happy with it.
 
Rodinal I've got - the others not available at present. But I
do have a few 120 rolls of D-3200 coming from BH, so if you
could pry time, temp  EI from your friend (or your own grey
matter, for that matter) I'd like to know.

Bill

-
Bill D. Casselberry ; Photography on the Oregon Coast

http://www.orednet.org/~bcasselb
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Re: Thinking in BW

2002-04-17 Thread [EMAIL PROTECTED]

Hmmm. In a digital camera, can you make the LCD display in grayscale? If so, must you 
capture a monochrome image to do so?

 David Brooks wrote:
When i go out to shoot BW,i usually have 
a theme in mind and when i compose a shot,I 
try very hard the visualize the final outcome 
in my head,as opposed to colour,which i can see 
both in the view finder and my head. 

[EMAIL PROTECTED]


mail2web - Check your email from the web at
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Re: 67 vs. 67II

2002-04-17 Thread Bruce Dayton

Aaron,

I haven't noticed a speed difference, but I have not really used
pre-67II's.  Just hefted them in the shop.

In our eyes here on the list, you are unique and we envy that 75/2.8
AL lens.  Someday, I'm gonna get me one of those.  I just have to get
another lens or two first - fisheye, 45, etc.


Brother Bruce



Wednesday, April 17, 2002, 12:27:34 PM, you wrote:

AR An interesting tidbit that came out during a conversation with a Toronto 
AR pro's assistant -- that sudden influx of Pentax 67s at Downtown Camera 
AR in the fall was because this photographer traded in most of his 
AR well-used 67s for 67IIs.  His only complaint about moving from one to 
AR the other is that he can't shoot quite as fast with the 67II.  With the 
AR 67 he could wind-fire-wind-fire in a very rapid motion because of the 
AR positioning of the shutter button and wind lever, but with the 67II he's 
AR 25% or so slower.

AR Any 67II-ers notice this?  I suppose you'd have to be shooting pretty 
AR fast to have it happen to you.  I imagine it would have to do with the 
AR size and shape of your hands, too.

AR Meanwhile, the assistant (who is also a bit of a Pentax fan) responds to 
AR my unveiling of my new 75mm f2.8 AL by saying, Yeah, Rob has one of 
AR those.  It's really nice, isn't it?

AR Damn!  I am no longer unique.  ;)

AR -Aaron
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Re: Re[5]: Delta 3200; was: Fast film recommendations?

2002-04-17 Thread Aaron Reynolds

On Wednesday, April 17, 2002, at 03:39  PM, tom wrote:

 This means the film didn't catch fire and no one died.

Tom, I get the impression that your local lab really sucks.  ;)

-Aaron
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Re: OT: eBay Funny: truth in advertising

2002-04-17 Thread Fred

 Check out the example photos of without 2x converter and with 2x
 converter! The center was just cropped out and enlarged!  HA!

Well, I think that this is not a particularly serious sin - g.  It
certainly is not uncommon for with-and-without photos for TC ads
(not just on eBay, but in catalogs, too) to use doctored
enlargements.  (I'm not saying that there is nothing wrong with this
- I'm just saying that there are worse abuses on eBay.)  If I really
wanted that TC for some reason, for example, I'd have no qualms
about bidding on it.

Fred
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Re: Pentax Super Program

2002-04-17 Thread Fred

 Did all of you saying that this is a bad deal actually look at the
 auction? I don't think $182.50 is so bad for a SP, A 50/1.7,
 filters, bag, etc.

I did look at it, but considered the body and lens (only) in my
judgement.  (The bag and filters were ignored.)

So, when I said it's not a particularly good price, unless the SP
is in really good shape, perhaps I should have said it's not a
particularly good price, unless the SP and the lens are in really
good shape.

Fred
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Re: Tokina 150-500

2002-04-17 Thread Fred

  Does anyone else have the Tokina 150-500mm f5.6 ATX ?  If so,
 what do you think of it? 

 A wee beastie. I am waiting to hear about your results. 

I used a Tokina AT-X 150-500/5.6 for a PUG shot one time, using an A
2X-L TC (zoomed out to 500mm, for a 1000/11 combination).

http://pug.komkon.org/00marc/turtle1.htm

I also have a few modest (that's polite-speak for marginal)
Lens Gallery-type images at

http://www.cetussoft.com/pentax/x150500/

Fred
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Re: Re[5]: Delta 3200; was: Fast film recommendations?

2002-04-17 Thread tom

On Wed, 17 Apr 2002 16:01:07 -0400, Aaron Reynolds wrote:
On Wednesday, April 17, 2002, at 03:39  PM, tom wrote:

This means the film didn't catch fire and no one died.

Tom, I get the impression that your local lab really sucks.  ;)

Don't most labs suck when it comes to b+w? It seem to me the world is set up for color 
proofs.

tv
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Re[7]: Delta 3200; was: Fast film recommendations?

2002-04-17 Thread tom

On Wed, 17 Apr 2002 12:53:24 -0700, Bruce Dayton wrote:
Tom,

Do it myself because of fire hazard or type of developer they are
using?  Unfortunately, I am not currently equipped to do it myself.

We're talking $50 for all the stuff you would need.

Not sure if I want to become equipped.  I am not much of a BW
shooter
(yet).  This is to be more experimental in nature.

In shooting the three speeds, would the lab adjust for the exposure
or
just normal processing for all 3?

They would adjust, then you'd probably want to go another round.

You could also mail it to me$15 for custom processing, a contact sheet and 3 day 
turnaround.

tv
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Re: Super A / Program

2002-04-17 Thread Fred

 I have never seen or heard or read of any Super A that was not
 black, or of any Super Program that was not chrome.

 Me neither, though there were both black and chrome Program Pluses.

That's true for what I have seen, too, and it is interesting.  (This
is not the first time that Pentax marketing has confused me - g.)
I am curious, though - are there any chrome Program A bodies?
(Although I've seen both chrome and black Program Pluses, I have
never seen anything but black Program A's.)

Fred
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Re: Thinking in BW

2002-04-17 Thread Shel Belinkoff

Brendan wrote:
 
 Colour and b/w are so very different, 

Agreed

 an image you see in your mind in colour 
 does always not look good b/w
 and vs . 

Agreed

 But things tend to look better in b/w in
 general.

Huh?!  That's a pretty broad statement.  Care to explain what you mean?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: Thinking in BW

2002-04-17 Thread GLewis4457

In my Olympus C3000Z digital camera, if I select the color function the LCD 
is in color, if I select B/W the LCD is in grey scale, if I select sepia the 
LCD shows the scene in sepia

I don't understand the second question.

Jerry

In a message dated 4/17/2002 3:02:45 PM Central Daylight Time, 
[EMAIL PROTECTED] writes:

 
 Hmmm. In a digital camera, can you make the LCD display in grayscale? If 
 so, must you capture a monochrome image to do so?
 
 David Brooks wrote:
 When i go out to shoot BW,i usually have 
 a theme in mind and when i compose a shot,I 
 try very hard the visualize the final outcome 
 in my head,as opposed to colour,which i can see 
 both in the view finder and my head. 
 
 [EMAIL PROTECTED]
 
 
 mail2web - Check your email from the web at
 http://mail2web.com/ .
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Re: Thinking in BW

2002-04-17 Thread Shel Belinkoff

In what way do you visualize the final outcome?  Do you see how the
shadows will look?  Where the highlights will be?  Do you try to
visualize in detail, or just generally?  How do you go about taking your
vision and making it into a photograph?  What drives your decision for
film choices, EI, developer, and developing technique?

David Brooks wrote:
 
 When i go out to shoot BW,i usually have
 a theme in mind and when i compose a shot,I
 try very hard the visualize the final outcome
 in my head
-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: Thinking in BW

2002-04-17 Thread Shel Belinkoff

You're coming from a very strange place, Brendan ...

Brendan wrote:
 
 It's Simple, interestingly so. In colour if you wash
 the colours out the picture is ruined, Out of focus
 colour is a bad shot, out of focus b/w is artistic.
 there is also the nostalgia factor.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: Leaf shutter operation on Pentax 67 165mm f/4.0 LS

2002-04-17 Thread William Robb

- Original Message -
From: Bolo
Subject: Re: Leaf shutter operation on Pentax 67 165mm f/4.0 LS


 I asked about the operation of the leaf shutter, and have two
 conflicting answers!

But we didn't flame each other

 To answer William, my thought was that since Pentax was trying
to make
 the lens simpler that perhaps they built a leaf shutter which
just
 closed.   High speed sync would still be available -- the
flash would
 fire after the focal plane shutter curtain opened, which would
illuminate
 the entire frame.   Then the 1/2 leaf shutter would close
quickly,
 giving the high speed sync.   Yes, there could be uneven
exposure side
 due to the movement of the shutter curtain -- but there is
already uneven
 exposure center to edges caused by the leaf shutter.

There would be very uneven exposure. The 6x7 focal plane shutter
is about as slow as you can get, and still have movement.

 Given the two answers I have one more question/statement ... I
think
 the deciding factor has to go to the presence of of PC-cord
sync
 connector on the lens.  I've been tracking down photos of the
lens,
 and finally found one which _I think_ definitely shows the
presence of a
 PC connector.  That implies that the leaf shutter must open
and close.
 If it only closed then there would be no need for a sync
connector,
 as the focal-plane-shutter-open event would allow for flash
sync.

 In other words, does the 165LS have a PC connector?  If so, I
think
 it must work as William reports.

The 165LS has a PC sync socket on the lens. Unfortunately, they
left off the cable release socket that is on the 90mm leaf lens,
which facilitated multiple exposures with the 6x7.

William Robb
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Re: Thinking in BW

2002-04-17 Thread GLewis4457

Again. this is opinionnot fact.  A bad picture is a bad picturejust 
putting it in b/w will not save it.

Jerry

In a message dated 4/17/2002 2:36:57 PM Central Daylight Time, 
[EMAIL PROTECTED] writes:

 
 It's Simple, interestingly so. In colour if you wash
 the colours out the picture is ruined, Out of focus
 colour is a bad shot, out of focus b/w is artistic.
 there is also the nostalgia factor.
 
 --- [EMAIL PROTECTED] wrote:
  In a message dated 4/17/2002 2:11:53 PM Central
  Daylight Time, 
  [EMAIL PROTECTED] writes:
  
  
   But things tend to look better in b/w in
   general.
   
  
  In your most humble opinion..  Except for
  certain limited individuals 
  life is in color, why is B/W automatically
  better...generally?  Why should I 
  let an artificial limitation on film type drive my
  creative instincts?  Did 
  Dali paint only in B/W?
  
  Jerry
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PDML NW US and BC users

2002-04-17 Thread James Adams

Just been talking with Chris Murray on his cell, and it turns out we are
both on another user group, Vancouver Linux User Group.

We got talking about getting together with other PDML member for a day out.
What would you BC, WA and OR PDML members feel about getting together like
the Toronto group did last weekend?
James
Richmond, BC
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Re: Thinking in BW

2002-04-17 Thread Brendan

Yup I just spent 4 months looking at snow.

--- Shel Belinkoff [EMAIL PROTECTED] wrote:
 You're coming from a very strange place, Brendan ...
 
 Brendan wrote:
  
  It's Simple, interestingly so. In colour if you
 wash
  the colours out the picture is ruined, Out of
 focus
  colour is a bad shot, out of focus b/w is
 artistic.
  there is also the nostalgia factor.
 

__ 
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MTF [Re[2]: 100 mm f2.8 FA (versus F) Macro]

2002-04-17 Thread Joseph Tainter

   As far as I know, there is no authoritative source stating the
   MZ (ZX) series ignores MTF info available in FA lenses.
   In fact, I think this myth originates from the statement of a former
   Pentax engineer (published on an old Pentax FAQ site), alleging that
   (P)Z-1p was the only camera capable of reading the MTF info. By that
   time however Z-1p was still hot, so we can assume MZ-5 was not out
   yet, nor were the other MZ cameras.
   Actually, I see no reason why Pentax wouldn't have implemented MTF
   - as well as D (focus distance) and F (focal length) encoders -
   in the program algorithms of various MZ cameras, and especially
   in those with refined program lines, like MZ-10, 7, etc.
 
   Servus, Alin
 
Alin, the (P)Z-1p and the MZ-S have program settings to shoot lenses at
the MTF stop. I'm not sure about the (P)Z-1, but am pretty sure no other
bodies have this.

Joe
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Re: Thinking in BW

2002-04-17 Thread Aaron Reynolds

On Wednesday, April 17, 2002, at 03:36  PM, Brendan wrote:

  In colour if you wash
 the colours out the picture is ruined, Out of focus
 colour is a bad shot, out of focus b/w is artistic.

Dude, reading Photo.net is rotting your brain.

-Aaron
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Re: Thinking in BW

2002-04-17 Thread Shel Belinkoff

That will do it g.

Brendan wrote:
 
 Yup I just spent 4 months looking at snow.
 
 --- Shel Belinkoff [EMAIL PROTECTED] wrote:
  You're coming from a very strange place, Brendan ...

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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RE: 100 mm f2.8 FA (versus F) Macro

2002-04-17 Thread Joseph Tainter

 Thanks. So the MTF is irrelevant. I was wondering if the autofocus
 technology had advanced much since the F version was made, which was ...
 what, early 90s?
 
Autofocus capability depends on the body, and that has changed, with the
best being the current MZ-S.

Joe
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Re: Thinking in BW

2002-04-17 Thread Brendan

That to. 

--- Aaron Reynolds [EMAIL PROTECTED] wrote:
 On Wednesday, April 17, 2002, at 03:36  PM, Brendan
 wrote:
 
   In colour if you wash
  the colours out the picture is ruined, Out of
 focus
  colour is a bad shot, out of focus b/w is
 artistic.
 
 Dude, reading Photo.net is rotting your brain.
 
 -Aaron
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 http://pug.komkon.org .
 


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Re[2]: ebay steal

2002-04-17 Thread Bruce Dayton

Bill,

I have both a 55 and 90. I think that for a single lens, 55 is just a
tad too wide.  75 or 90 would actually be better.  The 55 is actually
more like a 28mm.  The 75 is closer to 35mm and the 90 is about 45-50
ish.


Bruce Dayton



Wednesday, April 17, 2002, 3:28:10 PM, you wrote:

WK 55mm in 67 format would be around 35mm in 35mm format, right?  Hmmm, it
WK is a nice price judging from what KEH lists . . . I can't afford it
WK right now though . . . unless I were to go for this instead of a normal
WK lens . . . what does the brotherhood think?

WK Illinois Bill

WK William Robb wrote:

 - Original Message -
 From: J. C. O'Connell
 Subject: ebay steal

  http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1346801122
 
  BIN is great price!
  I have this lens and its superb!

 Jeeze, JC, if I had one more glass of wine under my belt, I
 would have hit the BIn.
 Still might.
 I don't need this lens.
 I don't like this angle of view.
 HELP MEEE!!

 William Robb
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Re: Aaron's wedding (was: Re: Shooting memories (was: Re: Your desert-island kit?))

2002-04-17 Thread frank theriault

I can!!  ;-)

-frank

Jeff wrote:

 Aaron,

 Can't picture you marching down the isle with the 67 wrapped around your
 neck.


--
The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true. -J. Robert
Oppenheimer
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Re: AF280T flash

2002-04-17 Thread Steve Larson

Hi Taka, 
Just turn it on, set it on TTL and you`re now taking perfectly
exposed photos (with Super P). It`s a great little unit.
Congrats!
Steve Larson
Redondo Beach, California

- Original Message - 
From: TM [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, April 17, 2002 3:21 PM
Subject: AF280T flash


 Thanks to you all, I now have an AF280T flash.
 
 Now the question is- how do I use it? All I got
 was the flash, no instructions. Pentax doesn't have
 this flash's manual on their website. :-(
 
 With a Super Program on the way, all I need are a few
 more lenses and the Motor Drive A and I'm all set- complete
 Pentax system. Happy, happy.
 
 Taka
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Re: Aaron's wedding (was: Re: Shooting memories (was: Re: Your desert-island kit?))

2002-04-17 Thread Jeff

 And I've promised Vanessa that I will not interfere with the photographs.

 -Aaron

Aaron,
I can lend you my ESPIO, so you can sneak a few shots of your own.
Can't picture you marching down the isle with the 67 wrapped around your
neck.

Jeff.

P.S. Do you process E-6 in your store?
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Re: AF280T flash

2002-04-17 Thread Rfsindg

Taka,
I copied the instructions and somebody put them up on a web site.  Was it Chris?  
Anyway if you don't get a response ask again and I'll dig out the original 16 jpg's 
(3+ megs).
Regards,  Bob S.

Thanks to you all, I now have an AF280T flash.

Now the question is- how do I use it? All I got
was the flash, no instructions. Pentax doesn't have
this flash's manual on their website. :-(
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Oh, sweet enablement!

2002-04-17 Thread Nick Wright

Hehe, arrived in the mail today, I am the proud owner of a Tokina 80-200/2.8
AT-X. This would be the old manual focus type, but it is my first pro
caliber zoom lens. I was quite surprised by how light the box was, and
almost asked the delivery man to wait until I had confirmed that the lens
was in fact in the box. Well, it was. I am very pleasantly surprised by how
it feels on the camera, and how it balances in my hand with the pz1p. It was
bought from KEH, and was listed in bargain condition; but I think there's
maybe one or two scratches on the body of the lens and no marks on the glass
whatsoever. It is missing the tripod mount, but with a quick call to Tokina
I found out that I can get the requisite parts for about $15 plus shipping.
I have not developed any of the film shot with it just yet, but would be
happy to post some examples later for anyone interested.

--
Nick Wright
http://www.wrightfoto.com/
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RE: AF280T flash

2002-04-17 Thread TM

Steve,
Thanks, I figured that part out, but I'd like to know about the other
modes.
Can you help out w/ these other modes?

I tested the TTL capability- works great.

I think this flash may also replace my Minolta flash for use w/ the
Spotmatic.

Taka
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This is too wierd!!!!

2002-04-17 Thread Nick Wright

http://www02.bhphotovideo.com/default.sph/FrameWork.class?FNC=ProductActivat
or__Aproductlist_html___222079___PEBG___REG___CatID=0___SID=ED7CC9102A0

The BG-10 grip at BH is now listed as the grip that fits the MZ-S AND AND
AND the MZ-SD What is the MZ-SD Is our long awaited digital finally
around the corner!!! Sorry I'm so excited!

--
Nick Wright
http://www.wrightfoto.com/
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Re: Camera bags- advice needed

2002-04-17 Thread Nick Wright

Take a look at the LowePro Street and Field Reporter AW series. I have the
largest of the series (the 500) and usually carry tons of gear. 2 bodies,
AF500, AF330, 28-70/4, 80-200/2.8, 300/4.5, digital ps, batteries, film,
light meter, notepad, calculator, lens cleaning supplies, pocket calendar, I
could prolly go on but I won't. You could prolly get by with the 200 or the
300. One of the greatest things about this series is that there are many
accessories that you can add to the bags; lens cases, film bags, even
cellphone holders, etc. There is also an available belt that slides through
the back of the bag converting it into a beltpack (a large beltpack,
but...). The bags also include two rain covers built in, one for light
sprinkles and one for gullywashers; this is my first Texas spring with this
bag, and I don't know how I kept my gear dry without those before. Mine cost
right at $130 at a local camera store, the smaller ones are less than $100
I'm sure.

--
Nick Wright
http://www.wrightfoto.com/

--
From: TM [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Camera bags- advice needed
Date: Wed, Apr 17, 2002, 5:37 PM


 Hi all-
 Now that I have access to an SLR, I'm all set to get back
 into photography and need some help w/ camera bags.

 I made the mistake of getting a Lowepro Mini-Trekker backpack,
 which is a great bag but a bit too small when you're trying to
 carry a bunch of junk- 3 bodies, 5 lenses, 2 flashes, 2 PSes,
 a digital PS and God knows what else. I should have gotten the
 Trekker. :-)

 Anyway, that said, I need a bag to use as an everyday carry-along
 bag for when I'm using the camera. My requirements are that I can
 carry an 80-200 zoom (f4 not the big 2.8 monster) mounted on the
 camera, along with a 24-28mm wide angle prime, possibly a flash as
 well, and some film, filters, etc.

 I thought the Lowepro Off Trail 2 would be the ticket, but wonder if
 the Off Trail 1 might work well enough. Anyone here use this bag or
 its brethren? I need to know if I can fit the aforementioned 80-200mm
 f4 zoom in the Off Trail 1, otherwise, I'll have to order the next size
 up Off Trail 2. I might see if the local shop will let me try putting
 something like a Nikon N65 into the bag with a zoom attached.

 Anyone have the dimensions of the Pentax M or A 70-210mm f/4 zoom?
 That's the one I want to get.

 Nice thing about these bags is that the extra lens cases are detachable,
 making the bag really small when that's wanted as well as the
 interchangeability
 between the waist belt and the shoulder strap.

 Thanks,
 Taka
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RE: Camera bags- advice needed

2002-04-17 Thread TM

Nick-
Thanks for the advice- right now, I'm really only looking to get a bag
to carry one SLR w/ zoom mounted, a small prime, flash, misc. stuff,
that's
it.

I think once I get my stuff organized, the PSes will get relegated
elsewhere or
I will get another bag, as you mentioned, to carry all the extra stuff
that I
won't normally carry.

Taka

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED]] On Behalf Of Nick Wright
Sent: Wednesday, April 17, 2002 7:11 PM
To: [EMAIL PROTECTED]
Subject: Re: Camera bags- advice needed


Take a look at the LowePro Street and Field Reporter AW series. I have
the largest of the series (the 500) and usually carry tons of gear. 2
bodies, AF500, AF330, 28-70/4, 80-200/2.8, 300/4.5, digital ps,
batteries, film, light meter, notepad, calculator, lens cleaning
supplies, pocket calendar, I could prolly go on but I won't. You could
prolly get by with the 200 or the 300. One of the greatest things about
this series is that there are many accessories that you can add to the
bags; lens cases, film bags, even cellphone holders, etc. There is also
an available belt that slides through the back of the bag converting it
into a beltpack (a large beltpack, but...). The bags also include two
rain covers built in, one for light sprinkles and one for gullywashers;
this is my first Texas spring with this bag, and I don't know how I kept
my gear dry without those before. Mine cost right at $130 at a local
camera store, the smaller ones are less than $100 I'm sure.

--
Nick Wright
http://www.wrightfoto.com/

--
From: TM [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Camera bags- advice needed
Date: Wed, Apr 17, 2002, 5:37 PM


 Hi all-
 Now that I have access to an SLR, I'm all set to get back into 
 photography and need some help w/ camera bags.

 I made the mistake of getting a Lowepro Mini-Trekker backpack, which 
 is a great bag but a bit too small when you're trying to carry a bunch

 of junk- 3 bodies, 5 lenses, 2 flashes, 2 PSes, a digital PS and God

 knows what else. I should have gotten the Trekker. :-)

 Anyway, that said, I need a bag to use as an everyday carry-along bag 
 for when I'm using the camera. My requirements are that I can carry an

 80-200 zoom (f4 not the big 2.8 monster) mounted on the camera, along 
 with a 24-28mm wide angle prime, possibly a flash as well, and some 
 film, filters, etc.

 I thought the Lowepro Off Trail 2 would be the ticket, but wonder if 
 the Off Trail 1 might work well enough. Anyone here use this bag or 
 its brethren? I need to know if I can fit the aforementioned 80-200mm 
 f4 zoom in the Off Trail 1, otherwise, I'll have to order the next 
 size up Off Trail 2. I might see if the local shop will let me try 
 putting something like a Nikon N65 into the bag with a zoom attached.

 Anyone have the dimensions of the Pentax M or A 70-210mm f/4 zoom? 
 That's the one I want to get.

 Nice thing about these bags is that the extra lens cases are 
 detachable, making the bag really small when that's wanted as well as 
 the interchangeability between the waist belt and the shoulder strap.

 Thanks,
 Taka
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RE: Super A / Program

2002-04-17 Thread TM

So do we have a significant contingent of Super A/ Super Program
owners here?

I hear a lot about are LXes, MXes and the medium format gear- thought
I was one of the few with one of these. :-)

Taka
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RE: Do you ever buy from E-bay?

2002-04-17 Thread TM

Julia-
I'm new here too, but after speaking to fellow PDMLers, I've gotten some
stuff on ebay to fill out my system- got another Super Program on the
way,
got my AF280T flash today, probably will pick up some lenses at KEH
shortly.

Personally, if you don't already have screwmount lenses, I wouldn't
bother
with a screwmount body right now, that's MHO. I needed a screwmount body
while
my Dad's old Spotmatic goes in for service so that I can conveniently
use the
lenses I have.

JCO hooked me up with an SP1000- thanks, man. I'll shoot a roll of Reala
100 to
see how it does this weekend. No Kodak RG100 available near me.

Sorry for digressing- to answer your question, I don't think ebay is
particularly
bad as long as you are careful on what you're bidding and don't get
carried away
and bid too high. I haven't gotten any smoking deals yet, but I think
approx. $100
each for another Super Program and the AF280T isn't too bad.

Taka
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Re: Camera bags- advice needed

2002-04-17 Thread Nick Wright

The 200 would be just about right for what you've mentioned.

-- 
Nick Wright
http://www.wrightfoto.com/

--
From: TM [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: RE: Camera bags- advice needed
Date: Wed, Apr 17, 2002, 6:20 PM


 Nick-
 Thanks for the advice- right now, I'm really only looking to get a bag
 to carry one SLR w/ zoom mounted, a small prime, flash, misc. stuff,
 that's
 it.

 I think once I get my stuff organized, the PSes will get relegated
 elsewhere or
 I will get another bag, as you mentioned, to carry all the extra stuff
 that I
 won't normally carry.

 Taka

 -Original Message-
 From: [EMAIL PROTECTED]
 [mailto:[EMAIL PROTECTED]] On Behalf Of Nick Wright
 Sent: Wednesday, April 17, 2002 7:11 PM
 To: [EMAIL PROTECTED]
 Subject: Re: Camera bags- advice needed


 Take a look at the LowePro Street and Field Reporter AW series. I have
 the largest of the series (the 500) and usually carry tons of gear. 2
 bodies, AF500, AF330, 28-70/4, 80-200/2.8, 300/4.5, digital ps,
 batteries, film, light meter, notepad, calculator, lens cleaning
 supplies, pocket calendar, I could prolly go on but I won't. You could
 prolly get by with the 200 or the 300. One of the greatest things about
 this series is that there are many accessories that you can add to the
 bags; lens cases, film bags, even cellphone holders, etc. There is also
 an available belt that slides through the back of the bag converting it
 into a beltpack (a large beltpack, but...). The bags also include two
 rain covers built in, one for light sprinkles and one for gullywashers;
 this is my first Texas spring with this bag, and I don't know how I kept
 my gear dry without those before. Mine cost right at $130 at a local
 camera store, the smaller ones are less than $100 I'm sure.

 --
 Nick Wright
 http://www.wrightfoto.com/

 --
From: TM [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Camera bags- advice needed
Date: Wed, Apr 17, 2002, 5:37 PM


 Hi all-
 Now that I have access to an SLR, I'm all set to get back into
 photography and need some help w/ camera bags.

 I made the mistake of getting a Lowepro Mini-Trekker backpack, which
 is a great bag but a bit too small when you're trying to carry a bunch

 of junk- 3 bodies, 5 lenses, 2 flashes, 2 PSes, a digital PS and God

 knows what else. I should have gotten the Trekker. :-)

 Anyway, that said, I need a bag to use as an everyday carry-along bag
 for when I'm using the camera. My requirements are that I can carry an

 80-200 zoom (f4 not the big 2.8 monster) mounted on the camera, along
 with a 24-28mm wide angle prime, possibly a flash as well, and some
 film, filters, etc.

 I thought the Lowepro Off Trail 2 would be the ticket, but wonder if
 the Off Trail 1 might work well enough. Anyone here use this bag or
 its brethren? I need to know if I can fit the aforementioned 80-200mm
 f4 zoom in the Off Trail 1, otherwise, I'll have to order the next
 size up Off Trail 2. I might see if the local shop will let me try
 putting something like a Nikon N65 into the bag with a zoom attached.

 Anyone have the dimensions of the Pentax M or A 70-210mm f/4 zoom?
 That's the one I want to get.

 Nice thing about these bags is that the extra lens cases are
 detachable, making the bag really small when that's wanted as well as
 the interchangeability between the waist belt and the shoulder strap.

 Thanks,
 Taka
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When did PentaxUSA change their webpage?

2002-04-17 Thread Nick Wright

I know that I looked at it last week and it was same old, same old. Now it's
very different, nice though.

http://pentax.com/index.cfm

--
Nick Wright
http://www.wrightfoto.com/
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Re: Camera bags- advice needed

2002-04-17 Thread Gatis Visnevskis

Hi all,

Lowepro Off Trail 1 is a real thing!

My ZX-7 fits well into that bag. And there is still about 3-4 cm gap
with my 24-70 Sigma.

Currently i'm not using these extra 2 lense holders.

Dimensions: 16.5 x 11 x 18.5 cm.

And, by the way, it is water resistant too.

TM wrote:
 
 I thought the Lowepro Off Trail 2 would be the ticket, but wonder if
 the Off Trail 1 might work well enough. Anyone here use this bag or
 its brethren? I need to know if I can fit the aforementioned 80-200mm
 f4 zoom in the Off Trail 1, otherwise, I'll have to order the next size
 up Off Trail 2. I might see if the local shop will let me try putting
 something like a Nikon N65 into the bag with a zoom attached.

Cptn. Gasha

NT is faster from 0 to 60, but you need UNIX to get to 100

---
Tieto Konts has changed name to TietoEnator Financial Solutions
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Super Program -Value

2002-04-17 Thread ptg701

I have been following the discussion about what a Super program is 
worth and nobody has yet touched on what I consider to be the only 
relevant criteria of worth - how much is it worth to YOU.

What it's worth to someone else doesn't matter to me. If I want it, 
and I have the money, I'll buy it and never look back. I could care 
less what the next guy sells or buys one like it for.

A couple of weeks ago I bought a Super Program for $250.00. I love it 
and think I got the deal of a lifetime. It was brand new in the 
original package, not a fingerprint on it, not a mark on the plastic 
bottom protector. The strap and accessory package was still wrapped 
up, the protective plastic tag was still in place on the film 
pressure plate, and the viewfinder cover, which is always the first 
piece to get lost, was in place. I have no idea where the camera has 
been for the last 15 or so years and I don't care. I also have no 
idea of it's value. All I know is that I love it and am glad I had 
the money to spend to get it.

My daughter had been borrowing my K-1000 for about 10 years. When she 
returned it, I had it repaired and reconditioned which cost $175. Did 
I pay too much? Not in my mind. I have had the camera for probably 25 
years. Now it's back in great condition.

Both of these expenditures made me very happy, and to me, that's the 
only measure of true worth.

Chuck Hintlian
Sacramento, CA
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Re: Do you ever buy from E-bay?

2002-04-17 Thread tom

On Tue, 16 Apr 2002 19:10:27 -0400, J. Gerace wrote:
Hi Everyone,

Really enjoying the conversations here. Just reading a lot right
now.
Butyou all got me thinking about buying lenses and stuff, so
I've
been checking out E-Bay.  

That's what we're best at.

There's a couple of K1000 packages that
come
with a few lenses (that seem nice to me) and a SP1000 with a few as
well.  Would it be reasonable to try for one of these? Probably the
K's,
because of the lens mount...plus, then I'll have a spare body.


Um...first make up your mind as to what exactly you want. Then go look for it. Ebay is 
fine if you 
know what you're doing - compare prices to keh.com, make sure the person you're buying 
from has 
good feedback, don't get screwed over shipping charges.

I was wondering too if you all wind up bidding against eachother? :
)

The 2nd or 3rd auction I ever bid on I ended up getting sniped by Boz.

I was pissed for about 10 minutes.
  
Oh, and I saw an LX body for sale too..

*That's* what you really want

tv
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Re: Asahi patent for hybrid digital/film SLR

2002-04-17 Thread Jim Apilado

Didn't Rollei make a modular 35mm camera that took small 35mm film backs?
Jim A.

 From: T Rittenhouse [EMAIL PROTECTED]
 Reply-To: [EMAIL PROTECTED]
 Date: Wed, 17 Apr 2002 13:28:50 -0400
 To: [EMAIL PROTECTED]
 Subject: Re: Asahi patent for hybrid digital/film SLR
 
 Does not work. The camera would have to have a interchangable film magazine
 back first. That means it would have to be a different camera. Maybe an
 MZ/DF (for DigiFilm? AFAIK the only 35mm cameras that have had magazine
 backs in the past where the Kodak Ektra, and the Zeiss Contrarex. Anyone
 know of any others?
 
 BTW, I always kind of thought the Olypus Pen F SLR would be a good basis for
 a digicam since the 18x24mm format is great for current sensors.
 
 Ciao,
 Graywolf
 http://pages.prodigy.net/graywolfphoto
 
 
 
 - Original Message -
 From: Brendan [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Wednesday, April 17, 2002 10:47 AM
 Subject: Re: Asahi patent for hybrid digital/film SLR
 
 
 Digital back for MZ-S say it with me now :-)
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Re: Super A / Program

2002-04-17 Thread Bill D. Casselberry

TM wrote:
 
 I hear a lot about are LXes, MXes and the medium format gear- thought
 I was one of the few with one of these. :-)
 
nah - lots of us out there. I use mine w/ my old screwmount
Takumars a lot.

Bill

-
Bill D. Casselberry ; Photography on the Oregon Coast

http://www.orednet.org/~bcasselb
[EMAIL PROTECTED]
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Re: Camera bags- advice needed

2002-04-17 Thread Bruce Dayton

Taka,

My wife has an Off Trail 1 for his setup.  I suspect it will be too
small for what you are wanting.  In the main compartment, the ZX-10
with Tokina 28-105/3.5-4.5 zoom fits nice.  In one side compartment
the Pentax 80-320 zoom barely fits.  In the other compartment goes a
280T flash (barely) and batteries/film.  If the 80-320 is on the
camera, it won't fit the main compartment.  I gotta believe that the
80-200/4 is going to be a bit big.


Bruce Dayton



Wednesday, April 17, 2002, 3:37:13 PM, you wrote:

T Hi all-
T Now that I have access to an SLR, I'm all set to get back
T into photography and need some help w/ camera bags.

T I made the mistake of getting a Lowepro Mini-Trekker backpack,
T which is a great bag but a bit too small when you're trying to
T carry a bunch of junk- 3 bodies, 5 lenses, 2 flashes, 2 PSes,
T a digital PS and God knows what else. I should have gotten the
T Trekker. :-)

T Anyway, that said, I need a bag to use as an everyday carry-along
T bag for when I'm using the camera. My requirements are that I can
T carry an 80-200 zoom (f4 not the big 2.8 monster) mounted on the
T camera, along with a 24-28mm wide angle prime, possibly a flash as
T well, and some film, filters, etc.

T I thought the Lowepro Off Trail 2 would be the ticket, but wonder if
T the Off Trail 1 might work well enough. Anyone here use this bag or
T its brethren? I need to know if I can fit the aforementioned 80-200mm
T f4 zoom in the Off Trail 1, otherwise, I'll have to order the next size
T up Off Trail 2. I might see if the local shop will let me try putting
T something like a Nikon N65 into the bag with a zoom attached.

T Anyone have the dimensions of the Pentax M or A 70-210mm f/4 zoom?
T That's the one I want to get.

T Nice thing about these bags is that the extra lens cases are detachable,
T making the bag really small when that's wanted as well as the
T interchangeability
T between the waist belt and the shoulder strap.

T Thanks,
T Taka
T -
T This message is from the Pentax-Discuss Mail List.  To unsubscribe,
T go to http://www.pdml.net and follow the directions. Don't forget to
T visit the Pentax Users' Gallery at http://pug.komkon.org .
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Re: Aaron's wedding (was: Re: Shooting memories (was: Re: Your desert-island kit?))

2002-04-17 Thread Bill Owens

67 around his neck and a ring through his nose :-)

Sorry Aaron, I couldn't resist.

(And I've been happily married for 30 years)

Bill  KG4LOV
[EMAIL PROTECTED]


- Original Message -
From: Jeff [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, April 17, 2002 6:26 PM
Subject: Re: Aaron's wedding (was: Re: Shooting memories (was: Re: Your
desert-island kit?))


  And I've promised Vanessa that I will not interfere with the
photographs.
 
  -Aaron

 Aaron,
 I can lend you my ESPIO, so you can sneak a few shots of your own.
 Can't picture you marching down the isle with the 67 wrapped around your
 neck.

 Jeff.

 P.S. Do you process E-6 in your store?
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Re: Pentax Super Program

2002-04-17 Thread Jim Fellows

I picked up my like new SP at a pawn shop. $200.00 including a 50/1.7 a,
Talkumar A 28mm 2.8 and a Sigma 70-210 UC.  I was able to get all the
correct lens caps to after search the case for a few minutes.  I sold the
28mm for $30 or $40, so it was a pretty good deal.

Jim Fellows
- Original Message -
From: James Adams [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, April 17, 2002 6:14 PM
Subject: Re: Pentax Super Program


 I suppose I was only really interested in pricing the Super Program and A
 50/1.7, the other stuff is worthless junk. I've had two bags, four flashes
 over the past while, and most are worn out or not practical. Filters and
 gizmos are cheap at best, so I don't count those when considering a buy. A
 couple of times I've told the guy not to send the 'junky' stuff, it does
cut
 down postage.
 James
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Re: When did PentaxUSA change their webpage?

2002-04-17 Thread T Rittenhouse

I see that they now have manuals for the MX, the MZ-S, and the 6x7II added.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Nick Wright [EMAIL PROTECTED]
To: PDML [EMAIL PROTECTED]
Sent: Wednesday, April 17, 2002 7:31 PM
Subject: When did PentaxUSA change their webpage?


 I know that I looked at it last week and it was same old, same old. Now
it's
 very different, nice though.

 http://pentax.com/index.cfm

 --
 Nick Wright
 http://www.wrightfoto.com/
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Re: Do you ever buy from E-bay?

2002-04-17 Thread frank theriault

Hi, Julia,

Ask questions if you're not sure about everything.  If it just says seems
to work well, or something vague like that, write the vendor and ask
specifically if the meter works, for instance.  Ask if all the shutter
speeds work, how many rolls he's put through the camera, if it was his, or
if he's selling for a friend.  If his answer is vague, or not forthcoming,
beware!  Ask if the lenses have fungus, or spots or haze on them.  Not that
all vendors are trying to screw you, but many people selling camera
equipment don't know much about them, for instance, if they are selling from
an estate or something.

Know what you're bidding for, what the value is, and don't get sucked into
bidding wars.  If you don't get what you want, another one will come up
sooner or later.

Check the guy's feedback.  Not that you should never buy from anyone with
negative feedback, or no feedback at all, but at least know what you're
getting into, and adjust your maximum bid accordingly.

Personally, I don't buy anything expensive on eBay - so far my biggest
purchase has been around $60US.  Remember, eBay is Caveat Emptor.  If you
get screwed, your remedies are limited - yeah, you can give the guy bad
feedback, complain to eBay and get them removed as a vender (so they can log
on as a different user, and sell some more).  At least if you don't spend
much, you can't lose much, either.

That being said, you can get some great bargains there - I have, and so have
many others on this list.

regards,
frank

J. Gerace wrote:

 Hi Everyone,

 Really enjoying the conversations here. Just reading a lot right now.
  Butyou all got me thinking about buying lenses and stuff, so I've
 been checking out E-Bay.  There's a couple of K1000 packages that come
 with a few lenses (that seem nice to me) and a SP1000 with a few as
 well.  Would it be reasonable to try for one of these? Probably the K's,
 because of the lens mount...plus, then I'll have a spare body.

 I was wondering too if you all wind up bidding against eachother? : )
 Oh, and I saw an LX body for sale too..

 Thanks,

 Julia
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The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true. -J. Robert
Oppenheimer
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Re: ebay steal

2002-04-17 Thread William Kane

Bruce,

   Thanks for the info.  I don't like 28 as well for 35mm, so I'll be looking
for something slightly more tele.  Generally, I like the 35-135 range . . .

Illinois Bill

Bruce Dayton wrote:

 Bill,

 I have both a 55 and 90. I think that for a single lens, 55 is just a
 tad too wide.  75 or 90 would actually be better.  The 55 is actually
 more like a 28mm.  The 75 is closer to 35mm and the 90 is about 45-50
 ish.

 Bruce Dayton

 Wednesday, April 17, 2002, 3:28:10 PM, you wrote:

 WK 55mm in 67 format would be around 35mm in 35mm format, right?  Hmmm, it
 WK is a nice price judging from what KEH lists . . . I can't afford it
 WK right now though . . . unless I were to go for this instead of a normal
 WK lens . . . what does the brotherhood think?

 WK Illinois Bill

 WK William Robb wrote:

  - Original Message -
  From: J. C. O'Connell
  Subject: ebay steal
 
   http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1346801122
  
   BIN is great price!
   I have this lens and its superb!
 
  Jeeze, JC, if I had one more glass of wine under my belt, I
  would have hit the BIn.
  Still might.
  I don't need this lens.
  I don't like this angle of view.
  HELP MEEE!!
 
  William Robb
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Re: AF280T flash

2002-04-17 Thread William Kane

Taka,

   With the Super Program, all you have to do is put batteries in, set
the flash to TTL, set your ISO, put it on the camera and take pictures!!

   You'll love the combo.  My main setup for years was this along with
the Winder ME II, and A 35-105/3.5.

Illinois Bill

TM wrote:

 Thanks to you all, I now have an AF280T flash.

 Now the question is- how do I use it? All I got
 was the flash, no instructions. Pentax doesn't have
 this flash's manual on their website. :-(

 With a Super Program on the way, all I need are a few
 more lenses and the Motor Drive A and I'm all set- complete
 Pentax system. Happy, happy.

 Taka
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Re: MZ-SD?!?!

2002-04-17 Thread Paul Jones

Its always been listed as that, it was like that when i bought mine, when
the MZ-S first came out.

Paul
- Original Message -
From: Nick Wright [EMAIL PROTECTED]
To: PDML [EMAIL PROTECTED]
Sent: Thursday, April 18, 2002 10:37 AM
Subject: MZ-SD?!?!


 The BG-10 grip is now listed at BH as being the grip for the MZ-S ~AND~
the
 MZ-SD!!! Is this our long awaited digital camera?


http://www02.bhphotovideo.com/default.sph/FrameWork.class?FNC=ProductActivat
 or__Aproductlist_html___222079___PEBG___REG___CatID=0___SID=ED7CC9102A0

 Sorry if this comes through twice.

 --
 Nick Wright
 http://www.wrightfoto.com/
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MZ-SD?!?!

2002-04-17 Thread Nick Wright

The BG-10 grip is now listed at BH as being the grip for the MZ-S ~AND~ the
MZ-SD!!! Is this our long awaited digital camera?

http://www02.bhphotovideo.com/default.sph/FrameWork.class?FNC=ProductActivat
or__Aproductlist_html___222079___PEBG___REG___CatID=0___SID=ED7CC9102A0

Sorry if this comes through twice.

--
Nick Wright
http://www.wrightfoto.com/
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Re: This is too wierd!!!!

2002-04-17 Thread Mark Erickson

Nick, 

I just bopped over to the BH website and searched for MZ-SD.  I got eleven 
different accessories that are listed as for MZ-S and MZ-SD.  Hm.  One 
explanation is that the MZ-SD is the MZ-S with the date function.  When I 
look at the MZ-S listing, however, it reads, MZ-S 35mm SLR Autofocus Camera 
Body with Date. 

Hmm.  I can see why you might be excited 

 --Mark 


 -Nick wrote:- 

[link deleted] 

The BG-10 grip at BH is now listed as the grip that fits the MZ-S AND AND
AND the MZ-SD What is the MZ-SD Is our long awaited digital finally
around the corner!!! Sorry I'm so excited! 
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Re: AF280T flash

2002-04-17 Thread Steve Larson

OK, just to the right of TTL is AUTO, which has two modes,
red is high output, green is low output, both are non-TTL,
but flash is controlled by the built-in sensor.
 Then you have MS High and Low, which is non-TTL high
output and low output.
 Then you have M. This setting gives full power only.
 The FINDER/A.Check is still fuzzy with me, so I`m getting
out the manual, it says:
Automatic Exposure Check:
Another advantage of the AF280T is that you can make sure
your subject is within the flash units automatic exposure control 
range by pressing the Test button before actually making the 
exposure. If the subject is within the auto operating range and
proper exposure is possible, the auto check lamp (A.CHECK)
of the flash unit will light after the exposure. If the lamp does
not light, use a more powerful flash setting or move closer
to the subject.
[END]

It`s a nice flash! Now put it on TTL with the Super P and
forget about it ;)

 
Steve Larson
Redondo Beach, California
- Original Message - 
From: TM [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, April 17, 2002 3:53 PM
Subject: RE: AF280T flash


 Steve,
 Thanks, I figured that part out, but I'd like to know about the other
 modes.
 Can you help out w/ these other modes?
 
 I tested the TTL capability- works great.
 
 I think this flash may also replace my Minolta flash for use w/ the
 Spotmatic.
 
 Taka
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Re: Camera bags- advice needed

2002-04-17 Thread Jim Fellows

I have the off trail one.  I replaced one of the side lens carriers with a
street and field # 2 lens case to hold my 70-240 f4 or my 100-300 F.  I
cannot fit either one of those lenses in the main compartment mounted to
either my Super Program or Z-5.  My 35-105 f3.5, superprogram and ME II
winder will fin but its tight.  Same with my Z-5 with the old power zoom
28-105 mounted.

Jim fellows
- Original Message -
From: Bruce Dayton [EMAIL PROTECTED]
To: TM [EMAIL PROTECTED]
Sent: Wednesday, April 17, 2002 8:02 PM
Subject: Re: Camera bags- advice needed


 Taka,

 My wife has an Off Trail 1 for his setup.  I suspect it will be too
 small for what you are wanting.  In the main compartment, the ZX-10
 with Tokina 28-105/3.5-4.5 zoom fits nice.  In one side compartment
 the Pentax 80-320 zoom barely fits.  In the other compartment goes a
 280T flash (barely) and batteries/film.  If the 80-320 is on the
 camera, it won't fit the main compartment.  I gotta believe that the
 80-200/4 is going to be a bit big.


 Bruce Dayton



 Wednesday, April 17, 2002, 3:37:13 PM, you wrote:

 T Hi all-
 T Now that I have access to an SLR, I'm all set to get back
 T into photography and need some help w/ camera bags.

 T I made the mistake of getting a Lowepro Mini-Trekker backpack,
 T which is a great bag but a bit too small when you're trying to
 T carry a bunch of junk- 3 bodies, 5 lenses, 2 flashes, 2 PSes,
 T a digital PS and God knows what else. I should have gotten the
 T Trekker. :-)

 T Anyway, that said, I need a bag to use as an everyday carry-along
 T bag for when I'm using the camera. My requirements are that I can
 T carry an 80-200 zoom (f4 not the big 2.8 monster) mounted on the
 T camera, along with a 24-28mm wide angle prime, possibly a flash as
 T well, and some film, filters, etc.

 T I thought the Lowepro Off Trail 2 would be the ticket, but wonder if
 T the Off Trail 1 might work well enough. Anyone here use this bag or
 T its brethren? I need to know if I can fit the aforementioned 80-200mm
 T f4 zoom in the Off Trail 1, otherwise, I'll have to order the next size
 T up Off Trail 2. I might see if the local shop will let me try putting
 T something like a Nikon N65 into the bag with a zoom attached.

 T Anyone have the dimensions of the Pentax M or A 70-210mm f/4 zoom?
 T That's the one I want to get.

 T Nice thing about these bags is that the extra lens cases are
detachable,
 T making the bag really small when that's wanted as well as the
 T interchangeability
 T between the waist belt and the shoulder strap.

 T Thanks,
 T Taka
 T -
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Cameras at baseball games

2002-04-17 Thread frank theriault

Hi,

I recall that several months ago, there was a discussion about bringing
cameras and (especially) long lenses to pro sporting events.

I went to a baseball game here in Toronto at the Skydome last night
(BoSox killed the Jays, FWIW).  I brought a Spotmatic body and my Tak
3.5 200 mm pre-set.  I was a bit worried, after hearing from some
listers who reported being hassled about bringing such equipment into
events.  Plus, the last time I was at the Air Canada Centre (home of the
Maple Leafs and Raptors), I noticed big signs, saying that cameras with
lenses longer than 70mm aren't allowed.

So, I kind of had my camera slung behind my back, and had the big lens
in it's case - no camera bag, so as not to attract attention.  Well
security ~did~ notice.  They wanted to look at the lens, and asked me to
take off a lens cap.  Presumably they wanted to make sure that I wasn't
sneaking in some booze.  Once they were satisfied that it was a working
lens, there was no problem.

Didn't get any good pics, I don't think.  Turns out that we were too far
away from the field.  Oh well.

But, at least in Toronto, cameras and long lenses aren't a problem at
baseball games.

FWIW...

regards,
frank

--
The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true. -J. Robert
Oppenheimer
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Re: Do you ever buy from E-bay?

2002-04-17 Thread Steve Larson

It happens only when I bid on something, then JCO, that
ruthless sniper costs me more money ;)
Steve Larson
Redondo Beach, California

J. Gerace wrote:
[SNIP]
 I was wondering too if you all wind up bidding against eachother? : )   
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Beginner with a question...

2002-04-17 Thread Rachel

Hi,

My name is Rachel and I am a 27yo female from Australia, I am new here and
also to photography. I purchases a MZ-50 to learn on and I plan to upgrade
in a year or so. I didn't want to put too much money into a camera until I
had more of an idea of what I wanted in a camera.

I got a Sigma 28mm-80mm Macro lens for my bithday and I would really like to
get a flash ring for my macro photography, can anyone reccommend one for my
particular camera. Also is there a flash ring I can use that will also fit
any camera that I wish to update to in the future?

I have started a 6 month introduction to photography course, so I hope that
puts me up to speed with some stuff.


Regards,
Rachel.
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RE: Do you ever buy from E-bay?

2002-04-17 Thread £ukasz Kacperczyk

Julia,
unless it say's just CLA'd (or even then...), ask about EVERYTHING. You
can't be too cautious. I once got a Canonet in which all shutter speeds
worked, but the aperture blades didn't move, and the seller's ad said
shutter speeds work. Not a word about the aperture!
And don't believe people that say they are unable to check something obvious
(I have no battery, so I cannot test it - even if the batteries are
unavailable [i.e. discontinued]
to check if a meter works one can use something with a bit different
voltage; all it takes is a bit of good will on the part of the seller).
Having said that - do not think all Ebay sellers are trying to screw you
('scuse my language) - most of them are really honest, nice people. But some
of them don't know much about cameras (as Frank already pointed out), and it
is up to you whether you buy junk or a mint Super A body.
So ASK, ASK, and ASK, and if you don't get straight answers - back up and
wait for the next one. You won't have to wait long.
Good luck with your bidding.
Lukasz
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On
Behalf Of frank theriault
Sent: Thursday, April 18, 2002 2:18 AM
To: [EMAIL PROTECTED]
Subject: Re: Do you ever buy from E-bay?


Hi, Julia,

Ask questions if you're not sure about everything.  If it just says seems
to work well, or something vague like that, write the vendor and ask
specifically if the meter works, for instance.  Ask if all the shutter
speeds work, how many rolls he's put through the camera, if it was his, or
if he's selling for a friend.  If his answer is vague, or not forthcoming,
beware!  Ask if the lenses have fungus, or spots or haze on them.  Not that
all vendors are trying to screw you, but many people selling camera
equipment don't know much about them, for instance, if they are selling from
an estate or something.

Know what you're bidding for, what the value is, and don't get sucked into
bidding wars.  If you don't get what you want, another one will come up
sooner or later.

Check the guy's feedback.  Not that you should never buy from anyone with
negative feedback, or no feedback at all, but at least know what you're
getting into, and adjust your maximum bid accordingly.

Personally, I don't buy anything expensive on eBay - so far my biggest
purchase has been around $60US.  Remember, eBay is Caveat Emptor.  If you
get screwed, your remedies are limited - yeah, you can give the guy bad
feedback, complain to eBay and get them removed as a vender (so they can log
on as a different user, and sell some more).  At least if you don't spend
much, you can't lose much, either.

That being said, you can get some great bargains there - I have, and so have
many others on this list.

regards,
frank

J. Gerace wrote:

 Hi Everyone,

 Really enjoying the conversations here. Just reading a lot right now.
  Butyou all got me thinking about buying lenses and stuff, so I've
 been checking out E-Bay.  There's a couple of K1000 packages that come
 with a few lenses (that seem nice to me) and a SP1000 with a few as
 well.  Would it be reasonable to try for one of these? Probably the K's,
 because of the lens mount...plus, then I'll have a spare body.

 I was wondering too if you all wind up bidding against eachother? : )
 Oh, and I saw an LX body for sale too..

 Thanks,

 Julia
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--
The optimist thinks this is the best of all possible worlds. The pessimist
fears it is true. -J. Robert
Oppenheimer
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Re: MZ-SD?!?!

2002-04-17 Thread Nick Wright

Really? I've looked these items up before, and I do not recall them being 
listed as such. Though, I have been wrong before. :)

--
Nick Wright
http://www.wrightfoto.com/

--
From: Paul Jones [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: MZ-SD?!?!
Date: Wed, Apr 17, 2002, 7:44 PM


 Its always been listed as that, it was like that when i bought mine, when
 the MZ-S first came out.

 Paul
 - Original Message -
 From: Nick Wright [EMAIL PROTECTED]
 To: PDML [EMAIL PROTECTED]
 Sent: Thursday, April 18, 2002 10:37 AM
 Subject: MZ-SD?!?!


 The BG-10 grip is now listed at BH as being the grip for the MZ-S ~AND~
 the
 MZ-SD!!! Is this our long awaited digital camera?


 http://www02.bhphotovideo.com/default.sph/FrameWork.class?FNC=ProductActivat
 or__Aproductlist_html___222079___PEBG___REG___CatID=0___SID=ED7CC9102A0

 Sorry if this comes through twice.

 --
 Nick Wright
 http://www.wrightfoto.com/
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