Re: OT: NHRA drag race shooting tips?

2012-05-28 Thread Walt Gilbert

Thanks, Jeffery.

I plan to get a good variety of shots -- people (I suspect there'll be 
quite a few models there promoting products from racing team sponsors), 
cars, and all the other kinds of things you see when you're in a crowd 
of thousands. I do want to try and capture some of the race action, but 
some of those cars are moving over 300 mph within 1/4 mile. I think 
it'll be a fun challenge, but I've never been to an NHRA event before, 
so I have no idea what to expect.


I may borrow a good tripod from a friend since mine is utter crap and 
I've always preferred shooting hand-held for the mobility factor.


-- Walt

On 5/27/2012 11:34 PM, Jeffery Smith wrote:

Hi Walt,

I'm admittedly not into drag racing, and would probably rely on shooting people 
pictures moments before the race rather than the cars. Or the audience. If the 
focus is on the cars, I might try a solid tripod and long shutter speeds.

Probably not too helpful, but it't the thought that counts. :-)

Jeffery

Sent from my iPad

Jeffery L. Smith
New Orleans, Louisiana
USA

On May 27, 2012, at 23:11, Walt Gilbertldott...@gmail.com  wrote:


Hi all,

First, please forgive my lack of participation in the list of late, in the 
event it caused any sleepless nights among this peculiar throng of 
photographers great and small. Life has just been busy, the weather 
inhospitable, and I have been too tired, lazy and mired in a photographic rut 
-- so, I haven't had any shots to share.

That said, come the end of September I'll be going to the NHRA drag races in 
St. Louis. I've taken plenty of shots at drag races, but nothing like the ones 
that'll be happening that day. But, from what I understand, I'll be in a good 
place for taking photos -- assuming I have a clue what I'm doing, which is no 
small caveat.

I know a few of the guys on the list have a lot of experience shooting 
motorsports, so I figured I'd ask for any pointers on how to get interesting 
shots. One of the main drawbacks of the drag races I've shot before is the 
sheer monotony of the photos given the limited number of vantage points 
available from which to shoot.

Most of the shots I've taken in the past have been from the starting line, 
where I try to capture the action at take-off -- the warped tire walls, wheel 
stands, etc. I suspect the NHRA cars are going to be more of a challenge in 
that aspect, given that they'll be moving a whole lot faster off the line. So, 
any pointers on how to get decent images out of this opportunity will be 
greatly appreciated.

Thanks for any input y'all might have!

-- Walt

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Re: LX... got one

2012-05-28 Thread Dmitry Gromov
Hi!

Thanks for the tip... Wondering, how I forgot about them, but I bet
they charge serious money for any work by now :(

Luckily, the LX I got should hold up fine for some time. But I'll
start saving now for future SLA...
Camera Savings Account, anyone? :)

Dmitry

On Mon, May 28, 2012 at 1:56 AM, Jeffery Smith jsmith...@gmail.com wrote:
 You got it right. I sent a non-functioning Rolleicord and a non-functioning 
 Konica III to them, and they came back to me in perfect working order. And 
 the price was reasonable. I don't know if they do digital well, but they do 
 wonders with mechanical.

 Jeffery

 Sent from my iPad

 Jeffery L. Smith
 New Orleans, Louisiana
 USA

 On May 28, 2012, at 0:30, Dmitry Gromov grom...@gmail.com wrote:

 On Mon, May 28, 2012 at 1:14 AM, Jeffery Smith jsmith...@gmail.com wrote:
 No matter what the issue, Essex in NJ seems to make it right when locals 
 say they can't.


 Are you talking about Essex Camera repair? Never used them, however
 remember them being advertised by Popular Photography...
 If not - could you please decipher your note for me? :)

 Dmitry

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RE: card FAIL?

2012-05-28 Thread Bob W
Yes, I use SanDisk cards and have had no problems with them in my M8.

B
 
 Hmmm. Sounds like a camera problem.
 On May 27, 2012, at 8:35 PM, Jeffery Smith wrote:
 
  I seem to always buy SanDisk, and not one of them will work in a
 Leica M8. I just ordered a Kingston in hopes that it will work.
 
  Regards,
 
  Jeffery
  __
  Jeffery Smith
  New Orleans, LA
  www.400tx.com
 
 
 
 
 
  On May 27, 2012, at 7:04 PM, Paul Stenquist wrote:
 
  I've had two Transcend cards fail almost right away. Transcends that
 didn't fail immediately seem okay. But I'm most fond of Sandisk
 Extreme. Never had one fail. The 16 gig card that I now use most often
 has about 20,000 exposures on it. I'm going to stick with Sandisk going
 forward.
 
  Paul
  On May 27, 2012, at 4:55 PM, Christine Nielsen wrote:
 
  Ah geez... noted!
 
  :)
  -c
 
  On Sun, May 27, 2012 at 4:48 PM, Eric Featherstone
  eric.featherst...@gmail.com wrote:
  On 27 May 2012 21:37, Christine Nielsen ch...@inielsen.net
 wrote:
  For the record, it was a PNY Professional 8gb Class 10 card...
  Honestly, I've never paid too close attention to the cards,
 beyond
  size, and I do look for class 10s these days.  I do have some
  SanDisk Extremes, too... and a couple of others I've picked up in
  drugstores in emergencies... Maybe it's time to pay
 attention...
 
  For what it's worth, the only cards I've had fail were PNY, and
  both of mine failed.
 
  --
  Eric
 
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Re: card FAIL?

2012-05-28 Thread Joseph McAllister
Bypassing all the card failure talk for a moment, Christine, let's talk rapid 
shooting with the K-5.

I've been stymied a few times when I was shooting RAW+JPEG with JPEG at 4 stars 
and large image size (the two JPEG conditions you can adjust) and the camera 
set on 'Continuous - Hi Speed.

The camera will shoot quite a few shots under the circumstances, I don't know 
the limits at the moment. Once you stop shooting, the writing can go on for 
quite some time, though it should let you shoot some more frames as the buffer 
gets emptied. 

Turning the camera on  off while the camera is writing it's buffers to card 
seems to me to be a good way to corrupt the data being written, even to the 
point where, like an old floppy, the writing of the directory gets corrupted. 
At that point it makes sense that the camera may tell you it has '0' room left 
on it, as the card cannot tell the camera what it has because it doesn't know 
itself.

Try hooking the card up to your computer and see if it mounts to the desktop. 
If it does, format it as a Mac or PC removable device, as you would a USB 
memory stick. If you can do that, putting it back in the camera and formatting 
it again (not erase - format) may salvage it. 

Next thing to try is to see if the maker of the card has a downloadable 
software program to save the data on a corrupted SD card like SanDisk does. 

I may be anal, but as I purchased them (SanDisks, usually from Costco) I went 
on the SanDisk site and registered them to my account. Comes in handy when they 
fail years later - you might even get a free replacement.

I had two of my 1 TB Iomega Mac Minidisks fail in the past six months. Turns 
out I had gotten extended warranty on them because I had registered them right 
away when I bought them. Like Pentax's offer for a 3 year vs a 1 year warranty 
if you register the piece within 30 days or some-such. Anyway, both drives 
extended warranties are up July 1st. So Monday, off they go for replacement 
which, except for shipping to Iomega, is much cheaper than buying a couple of 
replacement drives and sticking them in the Iomega cases.

Gook Luck with all this - 

Jos. J. McAllister
Optimist Extraordinair


On May 27, 2012, at 11:36 , Christine Nielsen wrote:

 Yesterday I was trying to catch a few shots of my guy in action at the
 state division track meet.  I had my trusty k-5 plus 50-135 combo.  I
 had just reformatted the sd card, and took some pics, just to chimp.
 So far, so good.  The race started -- the one mile event -- and I shot
 off a burst as the runners came past me.  Since they have to travel
 another 400 meters before they come around again, I took the
 opportunity to peek at what I got... only the previews weren't yet
 available.  OK, I wait but the little red light stayed on... and
 wouldn't go off... and now here the runners come again (66 seconds
 later) crap, there they go, and still my camera is hung up.  No
 shooting, no previews, just a little red light.  I turn off the
 camera.  Red light remains, and on the top lcd screen, the image
 remaining count still shows, approx 216 shots left.  Then, I forget
 exactly what I did -- probably turned it off  on, swore at it a few
 times, and cheered for my runner -- but in the end, memory card
 error on the back screen, and a remaining image count now at 0.
 
 And then the race was over.
 
 I've never had a memory card fail on me this way... it was traumatic!
 I think it's just the card -- I popped another one in, and there were
 no other problems.  Does this behavior fit the profile of sd card
 failures you've known?  How much worse do you think I made the
 situation with my frantic button-pushing? ;)
 
 Thanks,
 -c
 
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If it doesn’t excite you,
This thing that you see,
Why in the world,
Would it excite me?
—Jay Maisel 

Joseph McAllister
pentax...@mac.com





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Re: card FAIL?

2012-05-28 Thread Jeffery Smith
If I thought Leica would make it right, I would have sent it back in a 
heartbeat. If you aren't a pro, they don't return your phone calls. Great 
glass, but if you cannot convince them that you are a professional 
photographer, you don't exist. Over the years, I have bought about $40,000 of 
Leica cameras and lenses. I'll never buy another Leica product, nor will I 
recommend one. There are alternatives. I'm sure that I could fabricate a web 
presence that suggested I was a pro, but why stoop to that? If Leica feels that 
they can exist supporting only pro photographers while f*cking amateurs, let's 
see how that works for them. I'll stick with Pentax before I ever buy Leica 
again. I'll shoot with Sigma exclusively before I ever consider Leica again.

By the way, the Fuji X100 is really sweet, and it recognizes SD cards, And if 
it didn't, Fuji would make it right, even if you are an amateur.

Jeffery



Sent from my iPad

Jeffery L. Smith
New Orleans, Louisiana
USA

On May 28, 2012, at 1:33, Bob W p...@web-options.com wrote:

 Yes, I use SanDisk cards and have had no problems with them in my M8.
 
 B
 
 Hmmm. Sounds like a camera problem.
 On May 27, 2012, at 8:35 PM, Jeffery Smith wrote:
 
 I seem to always buy SanDisk, and not one of them will work in a
 Leica M8. I just ordered a Kingston in hopes that it will work.
 
 Regards,
 
 Jeffery
 __
 Jeffery Smith
 New Orleans, LA
 www.400tx.com
 
 
 
 
 
 On May 27, 2012, at 7:04 PM, Paul Stenquist wrote:
 
 I've had two Transcend cards fail almost right away. Transcends that
 didn't fail immediately seem okay. But I'm most fond of Sandisk
 Extreme. Never had one fail. The 16 gig card that I now use most often
 has about 20,000 exposures on it. I'm going to stick with Sandisk going
 forward.
 
 Paul
 On May 27, 2012, at 4:55 PM, Christine Nielsen wrote:
 
 Ah geez... noted!
 
 :)
 -c
 
 On Sun, May 27, 2012 at 4:48 PM, Eric Featherstone
 eric.featherst...@gmail.com wrote:
 On 27 May 2012 21:37, Christine Nielsen ch...@inielsen.net
 wrote:
 For the record, it was a PNY Professional 8gb Class 10 card...
 Honestly, I've never paid too close attention to the cards,
 beyond
 size, and I do look for class 10s these days.  I do have some
 SanDisk Extremes, too... and a couple of others I've picked up in
 drugstores in emergencies... Maybe it's time to pay
 attention...
 
 For what it's worth, the only cards I've had fail were PNY, and
 both of mine failed.
 
 --
 Eric
 
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Re: card FAIL?

2012-05-28 Thread steve harley

on 2012-05-27 20:23 Jeffery Smith wrote

I final note…the guys on the LUG told me that I should have been using 
Transcend cards (which were the cheapest SD cards at BHPhoto at the time). I 
bought some. They didn't work in the Leica, nor did they work more than a few 
weeks in the Pentax. I think they are considered to be one-use cards, like 
Depends undergarments.


anecdotal evidence on this type of product is worth about as much as those 
Depends; i've used Transcend, ADATA and now Team — cheapo brands — without 
problems; if i have problems, how could i possibly know it is the brand's fault?


unless there are subsidiary arrangements i don't know of it seems like Samsung 
is the only company actually manufacturing NAND flash chips and controllers and 
selling SD cards; the reset are labeling and distribution companies; there may 
be variations, but all the effort at building brand loyalty seems a bit of a 
farce to me


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Re: card FAIL?

2012-05-28 Thread Alexandru-Cristian Sarbu
On Sun, May 27, 2012 at 9:53 PM, P. J. Alling
webstertwenty...@gmail.com wrote:
 I've never had a card fail that way, I've had the case crack and the write
 protect tab fall out, (why the heck do we have a feature that first appeared
 on floppy disks, and wasn't such a good idea then still on a solid state
 memory device).

 It sounds like a reasonable error message.  The camera cannot access the
 card, so of course the camera will report that there is space for 0 images.
  That doesn't rule out that the read/write device in the camera isn't
 defective and somehow damaged the card, but it seems much more likely that
 the card simply died.  Like all electronics heat stress will eventually kill
 it.  Sandisk claims a MTBF of 1,000,000 hours, I don't  know what brand you
 use, I could find a number for Sandisk, but that's an arithmetic average, so
 a card could die at any time, it just has the probability of lasting about
 114 years, (if I did the math correctly).
I'd like to know how that MTBF was calculated. I bet with the card
mostly sitting in your backpack :)

I had a card go bad, once - IIRC it was a Transcend. The camera (an
*istD) was writing the images just fine, but the file wasn't
(like it had a bad sector it couldn't write on). Since then, all my
cards are Sandisk; and I had a Sandisk going bad, too, completely
fried - but that was because of some lousy reader. Since then, all my
readers are SandiskLexars :)
The camera behaviour seems indeed reasonable.

-- 
Best regards,
Alex Sarbu

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Old public transportration vehicles (unicums)

2012-05-28 Thread Roman Melihhov
http://roman.blakout.net/index.php?/category/34
^^^ I like when chrome is shining, even though there are old rare
vehicles these were surprisingly driving in on their own horse powers...

-- 
roman.blakout.net
K-5 × DA 16-45 × DA* 50-135 × FA 50 × FA 35-70


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Re: Today's Peace Rally

2012-05-28 Thread Eric Weir

Hmm. Not sure whether to take that as sarcasm or not, Steven. It's OK if I 
should, just don't know.

On May 27, 2012, at 8:44 PM, Steven Desjardins wrote:

 That's a really good set.  Your technique and composition are excellent.
 
 On Fri, May 25, 2012 at 5:57 PM, Eric Weir eew...@bellsouth.net wrote:
 
 On May 21, 2012, at 12:02 PM, Daniel J. Matyola wrote:
 
 As to the protesters, I only regret I don't have my old F-4B available
 to pay them a visit.
 
 Very cool.
 
 --
 Eric Weir
 Decatur, GA
 eew...@bellsouth.net
 
 What is man without the beasts? If all the beasts were gone,
 men would die from a great loneliness of spirit.
 
 - Chief Seattle
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Re: card FAIL?

2012-05-28 Thread Doug Franklin

On 2012-05-27 16:55, Christine Nielsen wrote:

Ah geez... noted!


On the other hand, I've got six or eight PNY cards that I've been using 
for 3+ years with nary a problem.


--
Doug Lefty Franklin
NutDriver Racing
http://NutDriver.org
Facebook NutDriver Racing
Sponsored by Murphy


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Re: OT: NHRA drag race shooting tips?

2012-05-28 Thread Paul Stenquist
St. Louis at the end of September. That would be Gateway. It's a national 
event, so there will be a full complement of photographers, probably fifty or 
more. You'll need  press credentials to get into the photo area near the 
starting line. Generally, only a handful will shoot the amateur classes, but it 
fills up quickly for the pro classes, so it's good to time your arrival. From 
most venues I've shoot at, you need to shoot with a lens of around 200 
millimeters, but it's hard to pinpoint the exact focal length you'll need as 
your position may depend on the number of photos and background elements. I 
would definitely want to work with a zoom, in my case it would be the 60-250, 
although something like the 80-310 would be very good as well. Shooting at a 45 
degree angle or so, you'll need about f8 to maintain depth of field when 
focusing on the front of a funny car. Top fuel cars I used to shoot at f11 and 
focus on the driver. 

Put a high quality UV filter on your lens and bring some lens cleaner and lens 
cleaning cloths if you shoot top fuel and funny cars from the starting-line 
photographers area. You'll be getting some rubber particles on the lens on a 
regular basis.

Usually only a few photographers are allowed to shoot near the finish line. 
Most often those who work for the house organ, National Dragster. When I was 
shooting commercials for Fram and Autolite, they let one of my camera guys camp 
down there, but I had to provide security in the form of extra insurance and 
production people to watch out for him. 

If you have to shoot from the stands, you'll definitely need as much focal 
length as you can handhold, and you might want to try to use a monopod. When 
the pro classes run, the spectators will all stand, so it's going to be hard to 
shoot. Again, you'll have better luck shooting the amateur classes, some of 
which can be quite entertaining. Many of the super stock cars, for example, 
lift the front wheels, and some are muscle car classics, such as late sixties 
Mopars, Chevelles, etc.

Paul
On May 28, 2012, at 12:11 AM, Walt Gilbert wrote:

 Hi all,
 
 First, please forgive my lack of participation in the list of late, in the 
 event it caused any sleepless nights among this peculiar throng of 
 photographers great and small. Life has just been busy, the weather 
 inhospitable, and I have been too tired, lazy and mired in a photographic rut 
 -- so, I haven't had any shots to share.
 
 That said, come the end of September I'll be going to the NHRA drag races in 
 St. Louis. I've taken plenty of shots at drag races, but nothing like the 
 ones that'll be happening that day. But, from what I understand, I'll be in a 
 good place for taking photos -- assuming I have a clue what I'm doing, which 
 is no small caveat.
 
 I know a few of the guys on the list have a lot of experience shooting 
 motorsports, so I figured I'd ask for any pointers on how to get interesting 
 shots. One of the main drawbacks of the drag races I've shot before is the 
 sheer monotony of the photos given the limited number of vantage points 
 available from which to shoot.
 
 Most of the shots I've taken in the past have been from the starting line, 
 where I try to capture the action at take-off -- the warped tire walls, wheel 
 stands, etc. I suspect the NHRA cars are going to be more of a challenge in 
 that aspect, given that they'll be moving a whole lot faster off the line. 
 So, any pointers on how to get decent images out of this opportunity will be 
 greatly appreciated.
 
 Thanks for any input y'all might have!
 
 -- Walt
 
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Re: LX... got one

2012-05-28 Thread Paul Stenquist
A lot of very good camera repair services won't work on the LX. Too many parts 
out of production, and a lot of complexity.

On May 28, 2012, at 1:56 AM, Jeffery Smith wrote:

 You got it right. I sent a non-functioning Rolleicord and a non-functioning 
 Konica III to them, and they came back to me in perfect working order. And 
 the price was reasonable. I don't know if they do digital well, but they do 
 wonders with mechanical.
 
 Jeffery
 
 Sent from my iPad
 
 Jeffery L. Smith
 New Orleans, Louisiana
 USA
 
 On May 28, 2012, at 0:30, Dmitry Gromov grom...@gmail.com wrote:
 
 On Mon, May 28, 2012 at 1:14 AM, Jeffery Smith jsmith...@gmail.com wrote:
 No matter what the issue, Essex in NJ seems to make it right when locals 
 say they can't.
 
 
 Are you talking about Essex Camera repair? Never used them, however
 remember them being advertised by Popular Photography...
 If not - could you please decipher your note for me? :)
 
 Dmitry
 
 -- 
 //DG LOC(NJ)
 //*
 
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RE: card FAIL?

2012-05-28 Thread J.C. O'Connell
all my cards are sandisk and Ive never had a problem in my istDS with any of
them in 5 years

-
J.C.O'Connell
hifis...@gate.net
-

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Doug
Franklin
Sent: Monday, May 28, 2012 7:54 AM
To: Pentax-Discuss Mail List
Subject: Re: card FAIL?

On 2012-05-27 16:55, Christine Nielsen wrote:
 Ah geez... noted!

On the other hand, I've got six or eight PNY cards that I've been using 
for 3+ years with nary a problem.

-- 
Doug Lefty Franklin
NutDriver Racing
http://NutDriver.org
Facebook NutDriver Racing
Sponsored by Murphy


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Re: OT: NHRA drag race shooting tips?

2012-05-28 Thread Doug Franklin

Hi Walt,

On 2012-05-28 0:11, Walt Gilbert wrote:


But, from what I
understand, I'll be in a good place for taking photos ...


It would help to know what that position is.


[...] pointers on how to get interesting shots. One of the
main drawbacks of the drag races I've shot before is the
sheer monotony of the photos given the limited number of
vantage points available from which to shoot.


This goes with your earlier comment ... you are only going to have one 
shooting position?  That's going to make it more difficult to get a lot 
of interesting racing shots, though it may not interfere with getting 
some interesting racing shots, depending on what that position is.


But first off, there ought to be plenty of interesting stuff going on in 
the paddock (I think NHRA has open paddock, but I've never been to one 
of their events).  Plenty of crowd action, partially (dis)assembled cars 
and motors, teams working on the cars, drivers confabbing with their 
teams, interesting juxtapositions of tools, parts, people, etc.


In some ways, shooting in the paddock is akin to what I'd expect 
shooting in some Moroccan open air market: very colorful and dynamic; 
stuff changes quickly so you've got to be ready and watching; lighting 
will likely range from hugely bright to dim and dark; contrast will 
sometimes be huge, especially on a sunny day.  Probably best to use fill 
flash in a lot of cases, especially so you can actually see the faces of 
people wearing hats or baseball caps.


For the on-track action, that's going to be tough if you've only got one 
position.  Use different focal lengths to get some variety without 
moving.  Shots of single cars just going by quickly start looking the 
same, unless the car is doing something unusual.


Try to get both cars in the shot at the same time.  Also don't worry so 
much about getting the whole car(s) into the shot ... isolate on the 
cockpits, for example, if you've got the angles and focal lengths to do 
it.  Look for the twisting effects of torque creating unusual aspects 
laterally (engine torque) and longitudinally (wheel torque), places 
where the cars typically belch flames out of the pipes.


Pan with short shutter speeds (you generally want the car sharp and the 
wheels and background blurred).  Locking the mode in manual to fix the 
shutter speed and aperture works best most times (reflections and stuff 
can mess up the automated metering).  The problem here is going to be 
where your position is along the track.  It's not so much the speed that 
makes life difficult, it's acceleration (or deceleration).  That 
requires that you pan at other than a consistent speed, which is more 
difficult.  So the second half of the thousand feet will be easier to 
pan than the first half, I'd guess.


Set the focus point one or two to the side of where you actually want 
things sharp to compensate for lock time, depending on the speed with 
which the cars are crossing your field of view.  If you have a fully 
manual lens, you can try trap focus, again compensating for lock time by 
selection of focus point.  If your not using autofocus, you still have 
to compensate for lock time at those speeds (trip the shutter just 
before the stuff you want sharp comes into focus).


I'm sure there's other stuff I'll think of later.

--
Doug Lefty Franklin
NutDriver Racing
http://NutDriver.org
Facebook NutDriver Racing
Sponsored by Murphy


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Re: Today's Peace Rally

2012-05-28 Thread Ann Sanfedele

Eric - careful - steven said nothing sarcastic at all
note the nests below

just sayin

ann

On 5/28/2012 07:39, Eric Weir wrote:


Hmm. Not sure whether to take that as sarcasm or not, Steven. It's OK if I 
should, just don't know.

On May 27, 2012, at 8:44 PM, Steven Desjardins wrote:


That's a really good set.  Your technique and composition are excellent.

On Fri, May 25, 2012 at 5:57 PM, Eric Weireew...@bellsouth.net  wrote:


On May 21, 2012, at 12:02 PM, Daniel J. Matyola wrote:


As to the protesters, I only regret I don't have my old F-4B available
to pay them a visit.


Very cool.

--
Eric Weir
Decatur, GA
eew...@bellsouth.net

What is man without the beasts? If all the beasts were gone,
men would die from a great loneliness of spirit.

- Chief Seattle
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A writer is a person for whom writing is more difficult
than it is for other people.

- Thomas Mann









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Re: GESO - farewell show

2012-05-28 Thread Ann Sanfedele

The very last photo stands out for me...

ann

On 5/24/2012 17:26, Derby Chang wrote:


My friend Loene is moving to Georgia (USA) for a few months. Anyone know
Griffin?

She had one last show before she leaves.

http://members.iinet.net.au/~derbyc/12/12_05/12_05_loene/index.htm

TIL; shooting at 6400 is a bucket of fun



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Re: GESO - farewell show

2012-05-28 Thread Jack Davis
Nice set, Derby! I, too, feel that the final shot of the set best captures 
the moment.
 
Jack

Jack Davis
http://www.pentaxphotogallery.com/artists/jackdavis
http://www.photolightimages.com


- Original Message -
From: Ann Sanfedele ann...@nyc.rr.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Monday, May 28, 2012 6:42 AM
Subject: Re: GESO - farewell show

The very last photo stands out for me...

ann

On 5/24/2012 17:26, Derby Chang wrote:

 My friend Loene is moving to Georgia (USA) for a few months. Anyone know
 Griffin?

 She had one last show before she leaves.

 http://members.iinet.net.au/~derbyc/12/12_05/12_05_loene/index.htm

 TIL; shooting at 6400 is a bucket of fun


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Re: LX... got one

2012-05-28 Thread Dmitry Gromov
Hi!

On Mon, May 28, 2012 at 8:01 AM, Paul Stenquist pnstenqu...@comcast.net wrote:
 A lot of very good camera repair services won't work on the LX. Too many 
 parts out of production, and a lot of complexity.


Actually, LX is on the list of serviceable cameras on their web site:
http://essexcamera.com/camera_list.php?brand=PENTAX

Says standard repair price $130, but I wonder how old that page is...

Dmitry

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Card FAIL?

2012-05-28 Thread Bipin Gupta
Jeffery needs to buy German HAMA Cards for his German Leica Camera. I
always use SanDisk Extreme Cards and these have never let me down. But
in an emergency on our Europe trip, I had to go into Media Mart
Cologne and buy HAMA 8 GB Class 10 Cards. They are pretty good too.
Cards need to be handled with care, like you don't switch off your
camera in an ongoing  read / write / format operation. You don't eject
it under the same conditions. And they do have a life - in terms of
number of formats, read / write operation etc. And sadly they can fail
suddenly too.
Some cameras have (2) card slots and may be helpful. Perhaps Pentax
can emulate this design.
Regards. Bipin - from a far away enchanting land.

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Re: Old public transportration vehicles (unicums)

2012-05-28 Thread Daniel J. Matyola
I like it as well.  Nice series ofimages.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Mon, May 28, 2012 at 7:21 AM, Roman Melihhov ro...@blakout.net wrote:
 http://roman.blakout.net/index.php?/category/34
 ^^^ I like when chrome is shining, even though there are old rare
 vehicles these were surprisingly driving in on their own horse powers...

 --
 roman.blakout.net
 K-5 × DA 16-45 × DA* 50-135 × FA 50 × FA 35-70


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Re: OT: NHRA drag race shooting tips?

2012-05-28 Thread Paul Stenquist
As an addendum to my previous message, let me add that shooting drag racing is 
somewhat different than shooting other motorsports. You don't have to rely on 
blur to create interest. In fact, pans of top fuel cars and funny cars are very 
hit and miss, because a shutter speed that produces lots of wheel rotation will 
also give you an image that appears soft overall, because the cars vibrate at a 
very high frequency. Pans of amateur class cars can be nice from a spot about 
100 feet from the starting line. A 200 mm lens and a shutter speed of 1/30th is 
usually effective there. 

Some of the best spectator pics I've seen have been shot from the grandstands 
near the finish line during the first qualifying session on Friday afternoon. 
At that time, the stands won't be full, and the cars will be on the edge. 
During the first session, there will be a lot of finish line fires and 
explosions, as the teams try to sort out the conditions.The last session on 
Saturday evening is a good one as well, as it's the chance to make the show and 
the cars will be on overkill. 

At the finish line, what you want is detail, so shooting at 1/1000 of a second 
or faster is fine.  Most often the chutes will be starting to come out as the 
cars cross the finish line and flames and engine parts may be coming out as 
well. At minimum, there will be lots of fuel vapor and smoke. All that makes 
for interesting, sometimes extremely dramatic, detail. You will want to pan, 
even at that speed, because you're not going to get  a 300 mph car in frame any 
other way. If you want to try for some blur and wheel rotation at the finish 
line, shoot at 1/250th. You'll get about a half a rotation of the rear wheels 
at that speed and a full rotation of the front wheels. But the real killer 
finish-line shots I've seen were crisp, high shutter-speed pics. Manual focus 
is most effective here as you can predict the position of the car as it crosses 
the line. Just look for the tire tracks left by previous cars and focus on the 
finish line tire track intersection closest to you. All of the drivers will try 
to stay in the groove.

If you want some interesting shots away from the track, you'll need a pit pass. 
If you have spectator-side tickets, you can buy a pit-side pass at the track. 
The fuel teams warm up their cars wearing gas masks, and it takes a crew of 
four or five to do the job. That can make an interesting pic. But fans will 
start lining up at the edge of a pit space when they think a team is getting 
ready to warm the car, so you have to anticipate to get a good front-row spot. 
BTW, if the wind is blowing your way, you'll soon find out why the crew wears 
gas masks:-).

Paul

On May 28, 2012, at 7:58 AM, Paul Stenquist wrote:

 St. Louis at the end of September. That would be Gateway. It's a national 
 event, so there will be a full complement of photographers, probably fifty or 
 more. You'll need  press credentials to get into the photo area near the 
 starting line. Generally, only a handful will shoot the amateur classes, but 
 it fills up quickly for the pro classes, so it's good to time your arrival. 
 From most venues I've shoot at, you need to shoot with a lens of around 200 
 millimeters, but it's hard to pinpoint the exact focal length you'll need as 
 your position may depend on the number of photos and background elements. I 
 would definitely want to work with a zoom, in my case it would be the 60-250, 
 although something like the 80-310 would be very good as well. Shooting at a 
 45 degree angle or so, you'll need about f8 to maintain depth of field when 
 focusing on the front of a funny car. Top fuel cars I used to shoot at f11 
 and focus on the driver. 
 
 Put a high quality UV filter on your lens and bring some lens cleaner and 
 lens cleaning cloths if you shoot top fuel and funny cars from the 
 starting-line photographers area. You'll be getting some rubber particles on 
 the lens on a regular basis.
 
 Usually only a few photographers are allowed to shoot near the finish line. 
 Most often those who work for the house organ, National Dragster. When I was 
 shooting commercials for Fram and Autolite, they let one of my camera guys 
 camp down there, but I had to provide security in the form of extra insurance 
 and production people to watch out for him. 
 
 If you have to shoot from the stands, you'll definitely need as much focal 
 length as you can handhold, and you might want to try to use a monopod. When 
 the pro classes run, the spectators will all stand, so it's going to be hard 
 to shoot. Again, you'll have better luck shooting the amateur classes, some 
 of which can be quite entertaining. Many of the super stock cars, for 
 example, lift the front wheels, and some are muscle car classics, such as 
 late sixties Mopars, Chevelles, etc.
 
 Paul
 On May 28, 2012, at 12:11 AM, Walt Gilbert wrote:
 
 Hi all,
 
 First, please forgive my lack of participation in the list of late, in the 
 event 

Re: LX... got one

2012-05-28 Thread Paul Stenquist

On May 28, 2012, at 11:00 AM, Dmitry Gromov wrote:

 Hi!
 
 On Mon, May 28, 2012 at 8:01 AM, Paul Stenquist pnstenqu...@comcast.net 
 wrote:
 A lot of very good camera repair services won't work on the LX. Too many 
 parts out of production, and a lot of complexity.
 
 
 Actually, LX is on the list of serviceable cameras on their web site:
 http://essexcamera.com/camera_list.php?brand=PENTAX
 
 Says standard repair price $130, but I wonder how old that page is…

Good to know. 

Paul
 
 Dmitry
 
 -- 
 //DG LOC(NJ)
 //*
 
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Re: Old public transportration vehicles (unicums)

2012-05-28 Thread Tim Bray
Those are some beautiful buses.  Cool pictures. -T

On Mon, May 28, 2012 at 4:21 AM, Roman Melihhov ro...@blakout.net wrote:
 http://roman.blakout.net/index.php?/category/34
 ^^^ I like when chrome is shining, even though there are old rare
 vehicles these were surprisingly driving in on their own horse powers...

 --
 roman.blakout.net
 K-5 × DA 16-45 × DA* 50-135 × FA 50 × FA 35-70


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Re: Today's Peace Rally

2012-05-28 Thread Paul Stenquist
The comment was Dan Matyola's, not Steve's. Dan is an ex fighter pilot, so he 
has license to wing it once in awhile. His remark was perhaps a bit rash but  
less incendiary than many of the signs held by the protesters (who were 
protesting a NATO meeting, chaired by Obama, where the topic of discussion was 
Afghanistan withdrawal). 
Paul


On May 28, 2012, at 7:39 AM, Eric Weir wrote:

 
 Hmm. Not sure whether to take that as sarcasm or not, Steven. It's OK if I 
 should, just don't know.
 
 On May 27, 2012, at 8:44 PM, Steven Desjardins wrote:
 
 That's a really good set.  Your technique and composition are excellent.
 
 On Fri, May 25, 2012 at 5:57 PM, Eric Weir eew...@bellsouth.net wrote:
 
 On May 21, 2012, at 12:02 PM, Daniel J. Matyola wrote:
 
 As to the protesters, I only regret I don't have my old F-4B available
 to pay them a visit.
 
 Very cool.
 
 --
 Eric Weir
 Decatur, GA
 eew...@bellsouth.net
 
 What is man without the beasts? If all the beasts were gone,
 men would die from a great loneliness of spirit.
 
 - Chief Seattle
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
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 follow the directions.
 
 -- 
 Steve Desjardins
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 --
 Eric Weir
 Decatur, GA
 eew...@bellsouth.net
 
 A writer is a person for whom writing is more difficult 
 than it is for other people. 
 
 - Thomas Mann
 
 
 
 
 
 
 
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Shooting 45 12-year-olds: advice sought

2012-05-28 Thread Tim Bray
Since the Little League’s “real photographer” is unavailable, I’ve
been asked to shoot the annual portrait of the 45 “graduating”
12-year-old players and get 5x7’s made for them.  Group shot, not
portraits.  I’ve never done anything remotely like this and if anyone
here has, advice would be welcome.   Not just cameras but
composition/procedure/whatever.

It’ll be on the grass by the traditional-looking scoreboard.

This will be the K-5.  My thinking is that even if we can squeeze them
into 3 rows (and it may just be 2), it’s a pretty wide shot. So I’m
thinking of my wide lenses, the 21mm Limited and 30mm Sigma f1.4.  My
*sharpest* lenses are the 100mm Macro and 50-135, but I don’t think
either are gonna work in this scenario.This is where having the
18-55 might be useful...

Anyhow, any wisdom would be greatly appreciated. -T

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Re: card FAIL?

2012-05-28 Thread steve harley

on 2012-05-28 1:01 Joseph McAllister wrote

I had two of my 1 TB Iomega Mac Minidisks fail in the past six months. [...] So 
Monday, off they go for replacement which, except for shipping to Iomega, is 
much cheaper than buying a couple of replacement drives and sticking them in 
the Iomega cases.


fwiw it's somewhat more likely the cases (power supply or driver board) and not 
the drives that have failed


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Re: card FAIL?

2012-05-28 Thread John Sessoms

From: Godfrey DiGiorgi


Cards do fail, very occasionally, but it's rare. Buy premium quality
cards - Sandisk Extreme, Lexar pro, etc - for reduced incidence of
failures.

I've never had a card fail.

G


I've had one card to fail.

First symptom was the computer would not read the card when I tried to 
download the images.


When I put the card back into the camera and tried to view the images on 
the LCD, I got the memory card error message.



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Re: Shooting 45 12-year-olds: advice sought

2012-05-28 Thread Jack Davis
Would think the 30mm Sigma would serve nicely. Will there be bleachers to allow 
seating in three rows?
Will you have directional options to take advantage of sunlight?
You may need to use defused flash to light up faces under the bill of their 
caps.
Tallest to the back..etc.
Post the results. Tim.
 
Best of luck! 
 
 
Jack Davis
http://www.pentaxphotogallery.com/artists/jackdavis
http://www.photolightimages.com


- Original Message -
From: Tim Bray tb...@textuality.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Monday, May 28, 2012 8:42 AM
Subject: Shooting 45 12-year-olds: advice sought

Since the Little League’s “real photographer” is unavailable, I’ve
been asked to shoot the annual portrait of the 45 “graduating”
12-year-old players and get 5x7’s made for them.  Group shot, not
portraits.  I’ve never done anything remotely like this and if anyone
here has, advice would be welcome.  Not just cameras but
composition/procedure/whatever.

It’ll be on the grass by the traditional-looking scoreboard.

This will be the K-5.  My thinking is that even if we can squeeze them
into 3 rows (and it may just be 2), it’s a pretty wide shot. So I’m
thinking of my wide lenses, the 21mm Limited and 30mm Sigma f1.4.  My
*sharpest* lenses are the 100mm Macro and 50-135, but I don’t think
either are gonna work in this scenario.    This is where having the
18-55 might be useful...

Anyhow, any wisdom would be greatly appreciated. -T

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Re: Today's Peace Rally

2012-05-28 Thread Tom C
 The comment was Dan Matyola's, not Steve's. Dan is an ex fighter pilot, so he 
 has license to wing it once in awhile. His remark was  perhaps a bit rash 
 but  less incendiary than many of the signs held by the protesters (who were 
 protesting a NATO meeting, chaired  by Obama, where the topic of discussion 
 was Afghanistan withdrawal).
 Paul

Yes but ostensibly, those in the country's armed forces serve and
and/or fight to protect individuals' freedoms and, among other things,
the right to dissent and disagree. I always note a certain irony then,
when exercising those rights is looked upon with disdain by those who
work to secure them.. What good is a right if one is not free to
exercise it?

I'm certainly not picking on Dan or anyone else. Just pointing this out.

Tom C.

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Re: card FAIL?

2012-05-28 Thread John Sessoms

Where did you purchase the camera? They're required to make it good.

There's a thing called a Warranty of Merchantability, which means that 
unless the camera was specifically sold as is or defective, you can 
use it for its intended purpose, i.e. as a camera.


If you cannot, the vendor must either replace it with a functional 
camera or refund your money.



From: Jeffery Smith


Can't. It refuses to format a card that it thinks is write protected.
But it would read the firmware update.

Jeffery
Sent from my iPad

Jeffery L. Smith
New Orleans, Louisiana
USA

On May 27, 2012, at 22:33, ma...@redwoodhorses.com wrote:


Are you formatting the card with the camera?




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Re: card FAIL?

2012-05-28 Thread Jeffery Smith
BHPhoto. They told me to contact Leica. Leica replaced the camera after several 
months of unreturned phone calls (I contacted their president). The second 
camera was also defective. After another month of unreturned phone calls, I put 
it in a drawer. If you aren't a pro photographer, Leica shows no responsibility 
for defective equipment. 

I'll still shoot film in my other Leica bodies. I hate to lose access to all of 
those lenses, and have thought about buying a Sony NEX and an adapter.

Regards,

Jeffery
__
Jeffery Smith
New Orleans, LA
www.400tx.com





On May 28, 2012, at 11:14 AM, John Sessoms wrote:

 Where did you purchase the camera? They're required to make it good.
 
 There's a thing called a Warranty of Merchantability, which means that 
 unless the camera was specifically sold as is or defective, you can use 
 it for its intended purpose, i.e. as a camera.
 
 If you cannot, the vendor must either replace it with a functional camera or 
 refund your money.
 
 
 From: Jeffery Smith
 
 Can't. It refuses to format a card that it thinks is write protected.
 But it would read the firmware update.
 
 Jeffery
 Sent from my iPad
 
 Jeffery L. Smith
 New Orleans, Louisiana
 USA
 
 On May 27, 2012, at 22:33, ma...@redwoodhorses.com wrote:
 
 Are you formatting the card with the camera?
 
 
 
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Re: Today's Peace Rally

2012-05-28 Thread steve harley

on 2012-05-28 9:37 Paul Stenquist wrote

The comment was Dan Matyola's, not Steve's. Dan is an ex fighter pilot, so he 
has license to wing it once in awhile. His remark was perhaps a bit rash but  
less incendiary than many of the signs held by the protesters (who were 
protesting a NATO meeting, chaired by Obama, where the topic of discussion was 
Afghanistan withdrawal).



Dan said it was a joke, but if it was he should think how it would go over in 
response to Tim's query about how to shoot 45 12-year-olds …





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Re: LX... got one

2012-05-28 Thread John Sessoms

Hi! On Mon, May 28, 2012 at 8:01 AM, Paul Stenquist pnstenqu...@comcast.net 
wrote:

A lot of very good camera repair services won't work on the LX. Too
many parts out of production, and a lot of complexity.


Actually, LX is on the list of serviceable cameras on their web
site: http://essexcamera.com/camera_list.php?brand=PENTAX

Says standard repair price $130, but I wonder how old that page
is...

Dmitry


I would call or email them. That list also includes Auto 110.

I contacted them a couple of years back about one I wanted repaired, and 
they were no longer repairing Auto 110s at that time.


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Re: LX... got one

2012-05-28 Thread Dmitry Gromov
Hi!

On Mon, May 28, 2012 at 12:37 PM, John Sessoms jsessoms...@nc.rr.com wrote:
 Hi! On Mon, May 28, 2012 at 8:01 AM, Paul Stenquist
 pnstenqu...@comcast.net wrote:

 A lot of very good camera repair services won't work on the LX. Too
 many parts out of production, and a lot of complexity.

 Actually, LX is on the list of serviceable cameras on their web
 site: http://essexcamera.com/camera_list.php?brand=PENTAX

 Says standard repair price $130, but I wonder how old that page
 is...

 Dmitry


 I would call or email them. That list also includes Auto 110.

 I contacted them a couple of years back about one I wanted repaired, and
 they were no longer repairing Auto 110s at that time.


I'll definitely email them tomorrow morning and report here once I get response.

Dmitry

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Re: card FAIL?

2012-05-28 Thread Dmitry Gromov
Hi!

On Mon, May 28, 2012 at 12:24 PM, Jeffery Smith jsmith...@gmail.com wrote:
 BHPhoto. They told me to contact Leica. Leica replaced the camera after 
 several months of unreturned phone calls (I contacted their president). The 
 second camera was also defective. After another month of unreturned phone 
 calls, I put it in a drawer. If you aren't a pro photographer, Leica shows no 
 responsibility for defective equipment.


Why not to try and recover your money with small claims court or
something and put them for some other good use (Pentax gear)?

Dmitry

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Re: card FAIL?

2012-05-28 Thread Jeffery Smith
After months of trying to get Leica to return an email or phone call, I was so 
burnt out I just decided to put it behind me as a very costly mistake. I was 
literally calling the service manager every 15 minutes for hours at a time only 
to be told by his secretary (every 15 minutes) that He just stepped away from 
his desk. They have very effective obstacles.

Regards,

Jeffery
__
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New Orleans, LA
www.400tx.com





On May 28, 2012, at 11:55 AM, Dmitry Gromov wrote:

 Hi!
 
 On Mon, May 28, 2012 at 12:24 PM, Jeffery Smith jsmith...@gmail.com wrote:
 BHPhoto. They told me to contact Leica. Leica replaced the camera after 
 several months of unreturned phone calls (I contacted their president). The 
 second camera was also defective. After another month of unreturned phone 
 calls, I put it in a drawer. If you aren't a pro photographer, Leica shows 
 no responsibility for defective equipment.
 
 
 Why not to try and recover your money with small claims court or
 something and put them for some other good use (Pentax gear)?
 
 Dmitry
 
 -- 
 //DG LOC(NJ)
 //*
 
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Re: OT GESO - Fuji came through

2012-05-28 Thread Cotty
On 26/5/12, Steven Desjardins, discombobulated, unleashed:

I like the photographer shot.  Fuji is funny company; great products
with design or IQ flaws.  A little more practice and they will be
really good.

Steve, are you putting in for a replacement X10 sensor? I'm in 2 minds.
I do have the orbs but they are so small they don't bother me at all. I
still might though

--


Cheers,
  Cotty


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||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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Re: Shooting 45 12-year-olds: advice sought

2012-05-28 Thread Stan Halpin
I would use the 21mm. Depth of field is going to be more of an issue than 
sharpness when doing a group photo like this, and the wider lens will thus 
better serve you.

Another random thought - take along a 3x5 or 4x6 card with a rectangle cut-out 
in 5x7 proportions: you can use that as a viewing/composition aid when 
arranging the mob of kids so that you don't have a bunch of wasted empty space 
in the frame when you crop and print the 5x7's.

stan

On May 28, 2012, at 11:42 AM, Tim Bray wrote:

 Since the Little League’s “real photographer” is unavailable, I’ve
 been asked to shoot the annual portrait of the 45 “graduating”
 12-year-old players and get 5x7’s made for them.  Group shot, not
 portraits.  I’ve never done anything remotely like this and if anyone
 here has, advice would be welcome.   Not just cameras but
 composition/procedure/whatever.
 
 It’ll be on the grass by the traditional-looking scoreboard.
 
 This will be the K-5.  My thinking is that even if we can squeeze them
 into 3 rows (and it may just be 2), it’s a pretty wide shot. So I’m
 thinking of my wide lenses, the 21mm Limited and 30mm Sigma f1.4.  My
 *sharpest* lenses are the 100mm Macro and 50-135, but I don’t think
 either are gonna work in this scenario.This is where having the
 18-55 might be useful...
 
 Anyhow, any wisdom would be greatly appreciated. -T
 
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RE: card FAIL?

2012-05-28 Thread Bob W
I'd say that's a problem with your dealer, assuming you did not buy directly
from Leica. Over here I would take the camera to the dealer and he has the
legal responsibility to sort things out because my sale contract is with
him, not with his suppliers. If he pisses people off he quickly gets a bad
name and goes out of business. My dealers have always been very good, and if
I'd spent that much money with them I'd expect at least a leave it to your
imagination every time I walked into the shop.

B

 
 If I thought Leica would make it right, I would have sent it back in a
 heartbeat. If you aren't a pro, they don't return your phone calls.
 Great glass, but if you cannot convince them that you are a
 professional photographer, you don't exist. Over the years, I have
 bought about $40,000 of Leica cameras and lenses. I'll never buy
 another Leica product, nor will I recommend one. There are
 alternatives. I'm sure that I could fabricate a web presence that
 suggested I was a pro, but why stoop to that? If Leica feels that they
 can exist supporting only pro photographers while f*cking amateurs,
 let's see how that works for them. I'll stick with Pentax before I ever
 buy Leica again. I'll shoot with Sigma exclusively before I ever
 consider Leica again.
 
 By the way, the Fuji X100 is really sweet, and it recognizes SD cards,
 And if it didn't, Fuji would make it right, even if you are an amateur.
 
 Jeffery
 
 
 
 Sent from my iPad
 
 Jeffery L. Smith
 New Orleans, Louisiana
 USA
 
 On May 28, 2012, at 1:33, Bob W p...@web-options.com wrote:
 
  Yes, I use SanDisk cards and have had no problems with them in my M8.
 
  B
 
  Hmmm. Sounds like a camera problem.
  On May 27, 2012, at 8:35 PM, Jeffery Smith wrote:
 
  I seem to always buy SanDisk, and not one of them will work in a
  Leica M8. I just ordered a Kingston in hopes that it will work.
 
  Regards,
 
  Jeffery
  __
  Jeffery Smith
  New Orleans, LA
  www.400tx.com
 
 
 
 
 
  On May 27, 2012, at 7:04 PM, Paul Stenquist wrote:
 
  I've had two Transcend cards fail almost right away. Transcends
  that
  didn't fail immediately seem okay. But I'm most fond of Sandisk
  Extreme. Never had one fail. The 16 gig card that I now use most
  often has about 20,000 exposures on it. I'm going to stick with
  Sandisk going forward.
 
  Paul
  On May 27, 2012, at 4:55 PM, Christine Nielsen wrote:
 
  Ah geez... noted!
 
  :)
  -c
 
  On Sun, May 27, 2012 at 4:48 PM, Eric Featherstone
  eric.featherst...@gmail.com wrote:
  On 27 May 2012 21:37, Christine Nielsen ch...@inielsen.net
  wrote:
  For the record, it was a PNY Professional 8gb Class 10 card...
  Honestly, I've never paid too close attention to the cards,
  beyond
  size, and I do look for class 10s these days.  I do have some
  SanDisk Extremes, too... and a couple of others I've picked up
  in drugstores in emergencies... Maybe it's time to pay
  attention...
 
  For what it's worth, the only cards I've had fail were PNY, and
  both of mine failed.
 
  --
  Eric
 
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RE: OT GESO - Fuji came through

2012-05-28 Thread Bob W
 
 I like the photographer shot.  Fuji is funny company; great products
 with design or IQ flaws.  A little more practice and they will be
 really good.
 
 Steve, are you putting in for a replacement X10 sensor? I'm in 2 minds.

 I do have the orbs but they are so small they don't bother me at all. I
 still might though

it sounds as though you're on HRT...

You should get the replacements - it will affect the resale value when the
time comes.

B

 
 --
 
 
 Cheers,
   Cotty
 
 
 ___/\__
 ||   (O)  | People, Places, Pastiche
 --  http://www.cottysnaps.com
 _
 
 
 
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Re: Shooting 45 12-year-olds: advice sought

2012-05-28 Thread Stan Halpin
Oh, and one other thing. You'll have problems with tall kids blocking the short 
kids, etc. It can help if you tell them over and over if you can't see the 
camera, you need to move. If you can't see the camera, the camera can't see 
you.

stan

On May 28, 2012, at 11:42 AM, Tim Bray wrote:

 Since the Little League’s “real photographer” is unavailable, I’ve
 been asked to shoot the annual portrait of the 45 “graduating”
 12-year-old players and get 5x7’s made for them.  Group shot, not
 portraits.  I’ve never done anything remotely like this and if anyone
 here has, advice would be welcome.   Not just cameras but
 composition/procedure/whatever.
 
 It’ll be on the grass by the traditional-looking scoreboard.
 
 This will be the K-5.  My thinking is that even if we can squeeze them
 into 3 rows (and it may just be 2), it’s a pretty wide shot. So I’m
 thinking of my wide lenses, the 21mm Limited and 30mm Sigma f1.4.  My
 *sharpest* lenses are the 100mm Macro and 50-135, but I don’t think
 either are gonna work in this scenario.This is where having the
 18-55 might be useful...
 
 Anyhow, any wisdom would be greatly appreciated. -T
 
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Re: Shooting 45 12-year-olds: advice sought

2012-05-28 Thread P. J. Alling
You'll want to use the shortest lens you have that doesn't produce 
visible distortion, 24mm would be ideal, the 21 is probably too wide to 
be acceptable, so it looks like the 30mm is it.  The sharpest lens isn't 
required since the output is only going to be a 5x7, any lens with 
reasonable sharpness and contrast will be good enough.  Try too get a 
look at the shots taken in the past to see what the regular guy did for 
composition, it'll give you a rough guide of what they want.


On 5/28/2012 11:42 AM, Tim Bray wrote:

Since the Little League’s “real photographer” is unavailable, I’ve
been asked to shoot the annual portrait of the 45 “graduating”
12-year-old players and get 5x7’s made for them.  Group shot, not
portraits.  I’ve never done anything remotely like this and if anyone
here has, advice would be welcome.   Not just cameras but
composition/procedure/whatever.

It’ll be on the grass by the traditional-looking scoreboard.

This will be the K-5.  My thinking is that even if we can squeeze them
into 3 rows (and it may just be 2), it’s a pretty wide shot. So I’m
thinking of my wide lenses, the 21mm Limited and 30mm Sigma f1.4.  My
*sharpest* lenses are the 100mm Macro and 50-135, but I don’t think
either are gonna work in this scenario.This is where having the
18-55 might be useful...

Anyhow, any wisdom would be greatly appreciated. -T




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lengthily search.


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Re: Today's Peace Rally

2012-05-28 Thread P. J. Alling

On 5/28/2012 12:33 PM, steve harley wrote:

on 2012-05-28 9:37 Paul Stenquist wrote
The comment was Dan Matyola's, not Steve's. Dan is an ex fighter 
pilot, so he has license to wing it once in awhile. His remark was 
perhaps a bit rash but  less incendiary than many of the signs held 
by the protesters (who were protesting a NATO meeting, chaired by 
Obama, where the topic of discussion was Afghanistan withdrawal).



Dan said it was a joke, but if it was he should think how it would go 
over in response to Tim's query about how to shoot 45 12-year-olds …


Much satisfaction would be found there but society frowns on such behavior.

--
Don't lose heart!  They might want to cut it out, and they'll want to avoid a 
lengthily search.


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Re: Shooting 45 12-year-olds: advice sought

2012-05-28 Thread Boris Liberman
Tim, as of recently I've been doing my school shooting with DA* 16-50. 
Prior to that it was Sigma 24-60 and before that Tamron 28-75. I suggest 
you start with Sigma 30/1.4 (you will appreciate the sharpness and the 
relative lack of distortion towards the borders of the frame). If it 
ain't enough, you can swap to DA 21. I think 18-55 may be problematic 
unless you intend to do your shooting at ample daylight at f/6.3-f/8.


If at all possible, I do suggest you bring 50-135 too, as if you have 
enough room, it may prove to be your best bet.


Boris


On 5/28/2012 18:42, Tim Bray wrote:

Since the Little League’s “real photographer” is unavailable, I’ve
been asked to shoot the annual portrait of the 45 “graduating”
12-year-old players and get 5x7’s made for them.  Group shot, not
portraits.  I’ve never done anything remotely like this and if anyone
here has, advice would be welcome.   Not just cameras but
composition/procedure/whatever.

It’ll be on the grass by the traditional-looking scoreboard.

This will be the K-5.  My thinking is that even if we can squeeze them
into 3 rows (and it may just be 2), it’s a pretty wide shot. So I’m
thinking of my wide lenses, the 21mm Limited and 30mm Sigma f1.4.  My
*sharpest* lenses are the 100mm Macro and 50-135, but I don’t think
either are gonna work in this scenario.This is where having the
18-55 might be useful...

Anyhow, any wisdom would be greatly appreciated. -T




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Re: Today's Peace Rally

2012-05-28 Thread Bob Sullivan
I found some of the NATO meeting protesters despicable.
Why come to a protest wearing goggles and a bandanna over your face,
and another over your hair?
Only reason I can imagine is that you intend to damage property,
and you want to keep your identity a secret.
That's hardly the peaceful expression of dissent and disagreement.
Regards,  Bob S.

On Mon, May 28, 2012 at 11:08 AM, Tom C caka...@gmail.com wrote:
 The comment was Dan Matyola's, not Steve's. Dan is an ex fighter pilot, so 
 he has license to wing it once in awhile. His remark was  perhaps a bit 
 rash but  less incendiary than many of the signs held by the protesters (who 
 were protesting a NATO meeting, chaired  by Obama, where the topic of 
 discussion was Afghanistan withdrawal).
 Paul

 Yes but ostensibly, those in the country's armed forces serve and
 and/or fight to protect individuals' freedoms and, among other things,
 the right to dissent and disagree. I always note a certain irony then,
 when exercising those rights is looked upon with disdain by those who
 work to secure them.. What good is a right if one is not free to
 exercise it?

 I'm certainly not picking on Dan or anyone else. Just pointing this out.

 Tom C.

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Re: OT: NHRA drag race shooting tips?

2012-05-28 Thread Walt Gilbert

Thanks for all these helpful tips, Paul!

I'm still not exactly sure where I'm going to be located, but I do 
believe I'll have a pit pass. I checked the NHRA site for their media 
credentials policy and it turned out to be a good bit more restrictive 
than I'd hoped. So, it looks like I'll be shooting from the stands -- 
though, I'm told I'll be in a good location, near the starting line.


I'll most likely use my 70-300, which sounds suitable according to your 
advice, even though it's not my sharpest lens.


Many thanks for taking the time to respond! The advice is very much 
appreciated.


-- Walt

On 5/28/2012 10:28 AM, Paul Stenquist wrote:

As an addendum to my previous message, let me add that shooting drag racing is 
somewhat different than shooting other motorsports. You don't have to rely on 
blur to create interest. In fact, pans of top fuel cars and funny cars are very 
hit and miss, because a shutter speed that produces lots of wheel rotation will 
also give you an image that appears soft overall, because the cars vibrate at a 
very high frequency. Pans of amateur class cars can be nice from a spot about 
100 feet from the starting line. A 200 mm lens and a shutter speed of 1/30th is 
usually effective there.

Some of the best spectator pics I've seen have been shot from the grandstands 
near the finish line during the first qualifying session on Friday afternoon. 
At that time, the stands won't be full, and the cars will be on the edge. 
During the first session, there will be a lot of finish line fires and 
explosions, as the teams try to sort out the conditions.The last session on 
Saturday evening is a good one as well, as it's the chance to make the show and 
the cars will be on overkill.

At the finish line, what you want is detail, so shooting at 1/1000 of a second 
or faster is fine.  Most often the chutes will be starting to come out as the 
cars cross the finish line and flames and engine parts may be coming out as 
well. At minimum, there will be lots of fuel vapor and smoke. All that makes 
for interesting, sometimes extremely dramatic, detail. You will want to pan, 
even at that speed, because you're not going to get  a 300 mph car in frame any 
other way. If you want to try for some blur and wheel rotation at the finish 
line, shoot at 1/250th. You'll get about a half a rotation of the rear wheels 
at that speed and a full rotation of the front wheels. But the real killer 
finish-line shots I've seen were crisp, high shutter-speed pics. Manual focus 
is most effective here as you can predict the position of the car as it crosses 
the line. Just look for the tire tracks left by previous cars and focus on the 
finish line tire track intersection closest to you. All of the drivers will try 
to stay in the groove.

If you want some interesting shots away from the track, you'll need a pit pass. 
If you have spectator-side tickets, you can buy a pit-side pass at the track. 
The fuel teams warm up their cars wearing gas masks, and it takes a crew of 
four or five to do the job. That can make an interesting pic. But fans will 
start lining up at the edge of a pit space when they think a team is getting 
ready to warm the car, so you have to anticipate to get a good front-row spot. 
BTW, if the wind is blowing your way, you'll soon find out why the crew wears 
gas masks:-).

Paul

On May 28, 2012, at 7:58 AM, Paul Stenquist wrote:


St. Louis at the end of September. That would be Gateway. It's a national 
event, so there will be a full complement of photographers, probably fifty or 
more. You'll need  press credentials to get into the photo area near the 
starting line. Generally, only a handful will shoot the amateur classes, but it 
fills up quickly for the pro classes, so it's good to time your arrival. From 
most venues I've shoot at, you need to shoot with a lens of around 200 
millimeters, but it's hard to pinpoint the exact focal length you'll need as 
your position may depend on the number of photos and background elements. I 
would definitely want to work with a zoom, in my case it would be the 60-250, 
although something like the 80-310 would be very good as well. Shooting at a 45 
degree angle or so, you'll need about f8 to maintain depth of field when 
focusing on the front of a funny car. Top fuel cars I used to shoot at f11 and 
focus on the driver.

Put a high quality UV filter on your lens and bring some lens cleaner and lens 
cleaning cloths if you shoot top fuel and funny cars from the starting-line 
photographers area. You'll be getting some rubber particles on the lens on a 
regular basis.

Usually only a few photographers are allowed to shoot near the finish line. 
Most often those who work for the house organ, National Dragster. When I was 
shooting commercials for Fram and Autolite, they let one of my camera guys camp 
down there, but I had to provide security in the form of extra insurance and 
production people to watch out for him.

If you have to shoot from 

Re: Today's Peace Rally

2012-05-28 Thread Darren Addy
On Mon, May 28, 2012 at 12:47 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 I found some of the NATO meeting protesters despicable.
 Why come to a protest wearing goggles and a bandanna over your face,
 and another over your hair?
 Only reason I can imagine is that you intend to damage property,
 and you want to keep your identity a secret.
 That's hardly the peaceful expression of dissent and disagreement.
 Regards,  Bob S.

I *have* to believe that your imagination is a little better than that
and that with a little effort you can come up with multiple reasons
that, particularly in today's environment, one might wish to conceal
one's identity at a protest (many of them non-despicable, if not
out-right reasonable.)

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Re: OT: NHRA drag race shooting tips?

2012-05-28 Thread Walt Gilbert

On 5/28/2012 7:20 AM, Doug Franklin wrote:

Hi Walt,

On 2012-05-28 0:11, Walt Gilbert wrote:


But, from what I
understand, I'll be in a good place for taking photos ...


It would help to know what that position is.
I'm not absolutely certain on that, but from what I was told, I'll only 
be about 50' from the starting line in the stands. I have no idea how 
much leeway you have to walk around with a camera once you're in your 
seats. though.





[...] pointers on how to get interesting shots. One of the
main drawbacks of the drag races I've shot before is the
sheer monotony of the photos given the limited number of
vantage points available from which to shoot.


This goes with your earlier comment ... you are only going to have one 
shooting position?  That's going to make it more difficult to get a 
lot of interesting racing shots, though it may not interfere with 
getting some interesting racing shots, depending on what that position 
is.


But first off, there ought to be plenty of interesting stuff going on 
in the paddock (I think NHRA has open paddock, but I've never been to 
one of their events).  Plenty of crowd action, partially 
(dis)assembled cars and motors, teams working on the cars, drivers 
confabbing with their teams, interesting juxtapositions of tools, 
parts, people, etc.


In some ways, shooting in the paddock is akin to what I'd expect 
shooting in some Moroccan open air market: very colorful and dynamic; 
stuff changes quickly so you've got to be ready and watching; lighting 
will likely range from hugely bright to dim and dark; contrast will 
sometimes be huge, especially on a sunny day.  Probably best to use 
fill flash in a lot of cases, especially so you can actually see the 
faces of people wearing hats or baseball caps.
My understanding is that I will have a pit pass and access to the 
paddock area and I'm really looking forward to getting some great detail 
shots of engines and such.




For the on-track action, that's going to be tough if you've only got 
one position.  Use different focal lengths to get some variety without 
moving.  Shots of single cars just going by quickly start looking the 
same, unless the car is doing something unusual.


Try to get both cars in the shot at the same time.  Also don't worry 
so much about getting the whole car(s) into the shot ... isolate on 
the cockpits, for example, if you've got the angles and focal lengths 
to do it.  Look for the twisting effects of torque creating unusual 
aspects laterally (engine torque) and longitudinally (wheel 
torque), places where the cars typically belch flames out of the pipes.


Pan with short shutter speeds (you generally want the car sharp and 
the wheels and background blurred).  Locking the mode in manual to fix 
the shutter speed and aperture works best most times (reflections and 
stuff can mess up the automated metering).  The problem here is going 
to be where your position is along the track.  It's not so much the 
speed that makes life difficult, it's acceleration (or deceleration).  
That requires that you pan at other than a consistent speed, which is 
more difficult.  So the second half of the thousand feet will be 
easier to pan than the first half, I'd guess.


Set the focus point one or two to the side of where you actually want 
things sharp to compensate for lock time, depending on the speed with 
which the cars are crossing your field of view.  If you have a fully 
manual lens, you can try trap focus, again compensating for lock time 
by selection of focus point.  If your not using autofocus, you still 
have to compensate for lock time at those speeds (trip the shutter 
just before the stuff you want sharp comes into focus).


I'm sure there's other stuff I'll think of later.
Thanks for all the tips, Doug! I got pretty decent at getting starting 
line shots at the local drag strip, but those cars don't accelerate 
anywhere near as quickly as the top fuel dragsters and funny cars at an 
NHRA event, so I figure that ought to be a challenge. It's been a while 
since I took any drag racing shots, so I figure I'll take a lot of bad 
shots before I get the hang of it.


I took a look around the NHRA photo archives for some inspiration, and 
have lots of time to bone up between now and then. Just being at the 
event will be a lot of fun, so I won't be too disappointed if I don't 
come back with a world-beater shot. But, it would be nice to have 
something to show for it when I get back home.


Thanks again for the advice!

-- Walt


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Re: Shooting 45 12-year-olds: advice sought

2012-05-28 Thread William Robb

On 28/05/2012 11:22 AM, Stan Halpin wrote:

Oh, and one other thing. You'll have problems with tall kids blocking the short kids, 
etc. It can help if you tell them over and over if you can't see the camera, you 
need to move. If you can't see the camera, the camera can't see you.




Any time I'm shooting large groups, I find a perch that puts me above 
them, be it a ladder, a set of bleachers, or whatever. I'm not averse to 
backing up a quite a distance if I need to in order to get a higher 
point of view. I once shot a large group picture (a hundred or so Army 
Cadets) with an 85mm lens (on APS-C digital) because I had backed up 
that far to get my vantage point.
If the photographer is above the group, it is much easier to ensure that 
everyone will be visible.

--

William Robb

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Re: Today's Peace Rally

2012-05-28 Thread William Robb

On 28/05/2012 11:47 AM, Bob Sullivan wrote:

I found some of the NATO meeting protesters despicable.
Why come to a protest wearing goggles and a bandanna over your face,
and another over your hair?
Only reason I can imagine is that you intend to damage property,
and you want to keep your identity a secret.
That's hardly the peaceful expression of dissent and disagreement.

Consider the potential ramifications if your employer (for example) 
doesn't agree with your political views as you make them known in a 
protest. You might be exercising your right to free speech at the 
expense of your livelihood.
In the very polarized climate of hate that is pervading your country, 
there are many very good reasons for why a dissenter may want to hide 
his or her identity, while at the same time registering his or her 
disagreement with the policies of the day.

The world isn't above persecuting dissenters.

--

William Robb

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Card FAIL?

2012-05-28 Thread Bipin Gupta
Jeffery Sir, I believe you have to be persistent in making your point
and ensuring you get a perfectly working product, as European Laws are
stricter than North America.
I too am a Leica user - my family since 1938 - and have never had a
problem unresolved by these guys. Perhaps my position as an Advisor in
one of the largest conglomerates in the Middle East may have helped,
but I believe this is not true.
And you say you bought the Gear from BH, who cannot shirk their prime
responsibility and pass the buck on to you. You should send your gear
to BH under US Law and tell them to sweat it put with Leica, as you
bought the camera from BH and not Leica. Ofcourse under the RMA of
BH you may ship it to the Leica Service Center in the US or in Europe
directly, as advised by BH.
Sorry friend, but I see the weak link in you.
Regards.
Bipin - from a far away enchanting land.

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Re: Today's Peace Rally

2012-05-28 Thread Tom C
 From: Bob Sullivan rf.sulli...@gmail.com

 I found some of the NATO meeting protesters despicable.
 Why come to a protest wearing goggles and a bandanna over your face,
 and another over your hair?
 Only reason I can imagine is that you intend to damage property,
 and you want to keep your identity a secret.
 That's hardly the peaceful expression of dissent and disagreement.
 Regards,  Bob S.

 On Mon, May 28, 2012 at 11:08 AM, Tom C caka...@gmail.com wrote:
 The comment was Dan Matyola's, not Steve's. Dan is an ex fighter pilot, so 
 he has license to wing it once in awhile. His remark was  perhaps a bit 
 rash but ?less incendiary than many of the signs held by the protesters 
 (who were protesting a NATO meeting, chaired  by Obama, where the topic of 
 discussion was Afghanistan withdrawal).
 Paul

 Yes but ostensibly, those in the country's armed forces serve and
 and/or fight to protect individuals' freedoms and, among other things,
 the right to dissent and disagree. I always note a certain irony then,
 when exercising those rights is looked upon with disdain by those who
 work to secure them.. What good is a right if one is not free to
 exercise it?

 I'm certainly not picking on Dan or anyone else. Just pointing this out.

 Tom C.

I'm not defending them, their beliefs or their actions, only making
the point that that they have the right to such. Wearing goggles and a
bandanna is not in itself a crime. Even acting like a total obnoxious
idiot is not a crime necessarily.  Damaging property would be.

I can think of any number of reasons a person may wish to remain
anonymous. First off, what if my employer was the type that would take
prejudicial action against me simply because I held a different view
than his? I frequently refrain from expressing my beliefs or
viewpoints at work for precisely that reason. Because you never know.

Pentax sucks. ;-)

Tom C.

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Card FAIL?

2012-05-28 Thread Bipin Gupta
Yep, Dmitry is right. Here in India we have Consumer Courts, where the
charge is peanuts and you do not require Lawyers to represent you.
There is something similar in Europe, and Jeffrey needs to explore
these avenues instead of excusing himself with Burnt Out obstacles.
Get hold of BH dammit, by their x, and let them sweat it out with
Leica Europe.
Regards. Bipin - from a far away enchanting land.

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Fw: Shooting 45 12-year-olds: advice sought

2012-05-28 Thread Jack Davis
A couple of additional thoughts. Place the tallest of the tallest in the center 
of the back row and do the same with the other row(s).
Count down the shutter release and with each shot ask if anyone didn't see the 
flash go off. If not, they blinked. 
Tell them not to break and run after each shot as you are going to pull up and 
review each shot, looking for closed eyes..etc.
Make room on one end for the coach.

Don't think you need to be advised, but take along a couple lenses and camera 
bodies.

Jack



- Forwarded Message -
From: Jack Davis jdavi...@yahoo.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Monday, May 28, 2012 9:03 AM
Subject: Re: Shooting 45 12-year-olds: advice sought

Would think the 30mm Sigma would serve nicely. Will there be bleachers to allow 
seating in three rows?
Will you have directional options to take advantage of sunlight?
You may need to use defused flash to light up faces under the bill of their 
caps.
Tallest to the back..etc.
Post the results. Tim.
 
Best of luck! 
 
 
Jack Davis
http://www.pentaxphotogallery.com/artists/jackdavis
http://www.photolightimages.com


- Original Message -
From: Tim Bray tb...@textuality.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Monday, May 28, 2012 8:42 AM
Subject: Shooting 45 12-year-olds: advice sought

Since the Little League’s “real photographer” is unavailable, I’ve
been asked to shoot the annual portrait of the 45 “graduating”
12-year-old players and get 5x7’s made for them.  Group shot, not
portraits.  I’ve never done anything remotely like this and if anyone
here has, advice would be welcome.  Not just cameras but
composition/procedure/whatever.

It’ll be on the grass by the traditional-looking scoreboard.

This will be the K-5.  My thinking is that even if we can squeeze them
into 3 rows (and it may just be 2), it’s a pretty wide shot. So I’m
thinking of my wide lenses, the 21mm Limited and 30mm Sigma f1.4.  My
*sharpest* lenses are the 100mm Macro and 50-135, but I don’t think
either are gonna work in this scenario.    This is where having the
18-55 might be useful...

Anyhow, any wisdom would be greatly appreciated. -T

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[no subject]

2012-05-28 Thread Collin Brendemuehl
On 5/28/2012 12:33 PM, steve harley wrote:
 on 2012-05-28 9:37 Paul Stenquist wrote
 The comment was Dan Matyola's, not Steve's. Dan is an ex fighter 
 pilot, so he has license to wing it once in awhile. His remark was 
 perhaps a bit rash but  less incendiary than many of the signs held 
 by the protesters (who were protesting a NATO meeting, chaired by 
 Obama, where the topic of discussion was Afghanistan withdrawal).


 Dan said it was a joke, but if it was he should think how it would go 
 over in response to Tim's query about how to shoot 45 12-year-olds ?

Much satisfaction would be found there but society frowns on such behavior.

Military humor differs greatly from civilian humor.
Even so, with the number of clenched-fist images and other leftist
revolutionary displays going on recently, what used to be the virtue
of opposing those who oppose liberty is now considered hateful or
some other such nonsense.

Today we memorialize those who have served.  We do not honor those who
disgrace their service for liberty or the liberty that they defended.

Sincerely, 

Collin Brendemuehl 
He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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Re: Card FAIL?

2012-05-28 Thread Jeffery Smith
I have ordered several other cards made by someone other than SanDisk. I did 
some searching on the 'net, and it appears that the manager of service at Leica 
is no longer employed by them (Bob Fisk). If the new cards don't work, I'll 
call Leica and see what my options are. 

Regards,

Jeffery
__
Jeffery Smith
New Orleans, LA
www.400tx.com





On May 28, 2012, at 1:35 PM, Bipin Gupta wrote:

 Yep, Dmitry is right. Here in India we have Consumer Courts, where the
 charge is peanuts and you do not require Lawyers to represent you.
 There is something similar in Europe, and Jeffrey needs to explore
 these avenues instead of excusing himself with Burnt Out obstacles.
 Get hold of BH dammit, by their x, and let them sweat it out with
 Leica Europe.
 Regards. Bipin - from a far away enchanting land.
 
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Re: Today's Peace Rally

2012-05-28 Thread Bob Sullivan
Tom,
The employment issue might be relevant.
You could wear a hat, sunglasses, and a hospital mask as a disguise,
but the goggles are teargas protection, maybe the bandanna as well.
I was in Chicago for the Democratic National Convention of '68.
I think these people wanted to recreate that atmosphere this year.
I praise the Chicago Police Department for being cool despite the taunting and
attempts to provoke them for media coverage.
This was a media event.
The Vietnam War protests were a different thing altogether.
Regards,  Bob S.


On Mon, May 28, 2012 at 1:28 PM, Tom C caka...@gmail.com wrote:
 From: Bob Sullivan rf.sulli...@gmail.com

 I found some of the NATO meeting protesters despicable.
 Why come to a protest wearing goggles and a bandanna over your face,
 and another over your hair?
 Only reason I can imagine is that you intend to damage property,
 and you want to keep your identity a secret.
 That's hardly the peaceful expression of dissent and disagreement.
 Regards,  Bob S.

 On Mon, May 28, 2012 at 11:08 AM, Tom C caka...@gmail.com wrote:
 The comment was Dan Matyola's, not Steve's. Dan is an ex fighter pilot, so 
 he has license to wing it once in awhile. His remark was  perhaps a bit 
 rash but ?less incendiary than many of the signs held by the protesters 
 (who were protesting a NATO meeting, chaired  by Obama, where the topic 
 of discussion was Afghanistan withdrawal).
 Paul

 Yes but ostensibly, those in the country's armed forces serve and
 and/or fight to protect individuals' freedoms and, among other things,
 the right to dissent and disagree. I always note a certain irony then,
 when exercising those rights is looked upon with disdain by those who
 work to secure them.. What good is a right if one is not free to
 exercise it?

 I'm certainly not picking on Dan or anyone else. Just pointing this out.

 Tom C.

 I'm not defending them, their beliefs or their actions, only making
 the point that that they have the right to such. Wearing goggles and a
 bandanna is not in itself a crime. Even acting like a total obnoxious
 idiot is not a crime necessarily.  Damaging property would be.

 I can think of any number of reasons a person may wish to remain
 anonymous. First off, what if my employer was the type that would take
 prejudicial action against me simply because I held a different view
 than his? I frequently refrain from expressing my beliefs or
 viewpoints at work for precisely that reason. Because you never know.

 Pentax sucks. ;-)

 Tom C.

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Re: Today's Peace Rally

2012-05-28 Thread Collin Brendemuehl
On 5/28/2012 12:33 PM, steve harley wrote:
 on 2012-05-28 9:37 Paul Stenquist wrote
 The comment was Dan Matyola's, not Steve's. Dan is an ex fighter
 pilot, so he has license to wing it once in awhile. His remark was
 perhaps a bit rash but less incendiary than many of the signs held
 by the protesters (who were protesting a NATO meeting, chaired by
 Obama, where the topic of discussion was Afghanistan withdrawal).


 Dan said it was a joke, but if it was he should think how it would go
 over in response to Tim's query about how to shoot 45 12-year-olds ?

Much satisfaction would be found there but society frowns on such behavior.

Military humor differs greatly from civilian humor.
Even so, with the number of clenched-fist images and other leftist
revolutionary displays going on recently, what used to be the virtue
of opposing those who oppose liberty is now considered hateful or
some other such nonsense.

Today we memorialize those who have served. We do not honor those who
disgrace their service for liberty or the liberty that they defended.

In light of the modern revolutionary agenda, peace rallies do not 
promote peace.  They only denigrate current leadership and its military
ventures.  We saw it here with W in office the protests were plentiful.
But Obama was not protested despite the fact that he followed the Bush
timeline.  That was no accident.

Sincerely, 

Collin Brendemuehl 
He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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Re: card FAIL?

2012-05-28 Thread Christine Nielsen
On Mon, May 28, 2012 at 3:01 AM, Joseph McAllister pentax...@mac.com wrote:
 Bypassing all the card failure talk for a moment, Christine, let's talk rapid 
 shooting with the K-5.

Ok, let's!  :)


 I've been stymied a few times when I was shooting RAW+JPEG with JPEG at 4 
 stars and large image size (the two JPEG conditions you can adjust) and the 
 camera set on 'Continuous - Hi Speed.

 The camera will shoot quite a few shots under the circumstances, I don't know 
 the limits at the moment. Once you stop shooting, the writing can go on for 
 quite some time, though it should let you shoot some more frames as the 
 buffer gets emptied.

Yes, I have experienced this as well... though I don't usually shoot
RAW +, just RAW, but the same thing happens when I shoot off several
bursts in quick succession... it does need time to catch up.  This
time, it seemed to be taking extra-long... I couldn't have taken more
than 6 or 8 shots, and it was hung up for over a minute (based on
quarter mile splits...).

 Turning the camera on  off while the camera is writing it's buffers to card 
 seems to me to be a good way to corrupt the data being written, even to the 
 point where, like an old floppy, the writing of the directory gets corrupted. 
 At that point it makes sense that the camera may tell you it has '0' room 
 left on it, as the card cannot tell the camera what it has because it doesn't 
 know itself.

I accept that my panicky button pushing likely made things worse... at
least, if there had been any chance of images being written to the
card eventually, I effectively put a stop to that.  Argh.


 Try hooking the card up to your computer and see if it mounts to the desktop. 
 If it does, format it as a Mac or PC removable device, as you would a USB 
 memory stick. If you can do that, putting it back in the camera and 
 formatting it again (not erase - format) may salvage it.

It does mount to the desktop... and on it appear two images.  Well,
one image, fully formed... the other looks to be the start of an
image, represented only by the DNG icon, no preview, a file containing
0kb.  So, there you have it.  The first image was the chimp, the next,
must have been the first of the burst.

 Next thing to try is to see if the maker of the card has a downloadable 
 software program to save the data on a corrupted SD card like SanDisk does.

We do have something like that on hand -- my next step.

 I may be anal, but as I purchased them (SanDisks, usually from Costco) I went 
 on the SanDisk site and registered them to my account. Comes in handy when 
 they fail years later - you might even get a free replacement.

Will keep that in mind for my future (near future) purchases...

Thanks!

-c



 I had two of my 1 TB Iomega Mac Minidisks fail in the past six months. Turns 
 out I had gotten extended warranty on them because I had registered them 
 right away when I bought them. Like Pentax's offer for a 3 year vs a 1 year 
 warranty if you register the piece within 30 days or some-such. Anyway, both 
 drives extended warranties are up July 1st. So Monday, off they go for 
 replacement which, except for shipping to Iomega, is much cheaper than buying 
 a couple of replacement drives and sticking them in the Iomega cases.

 Gook Luck with all this -

 Jos. J. McAllister
 Optimist Extraordinair


 On May 27, 2012, at 11:36 , Christine Nielsen wrote:

 Yesterday I was trying to catch a few shots of my guy in action at the
 state division track meet.  I had my trusty k-5 plus 50-135 combo.  I
 had just reformatted the sd card, and took some pics, just to chimp.
 So far, so good.  The race started -- the one mile event -- and I shot
 off a burst as the runners came past me.  Since they have to travel
 another 400 meters before they come around again, I took the
 opportunity to peek at what I got... only the previews weren't yet
 available.  OK, I wait but the little red light stayed on... and
 wouldn't go off... and now here the runners come again (66 seconds
 later) crap, there they go, and still my camera is hung up.  No
 shooting, no previews, just a little red light.  I turn off the
 camera.  Red light remains, and on the top lcd screen, the image
 remaining count still shows, approx 216 shots left.  Then, I forget
 exactly what I did -- probably turned it off  on, swore at it a few
 times, and cheered for my runner -- but in the end, memory card
 error on the back screen, and a remaining image count now at 0.

 And then the race was over.

 I've never had a memory card fail on me this way... it was traumatic!
 I think it's just the card -- I popped another one in, and there were
 no other problems.  Does this behavior fit the profile of sd card
 failures you've known?  How much worse do you think I made the
 situation with my frantic button-pushing? ;)

 Thanks,
 -c

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Re:

2012-05-28 Thread Daniel J. Matyola
It was indeed my comment, and was meant to be a bit of black humor.

Believe me, at my age, I would do more harm to myself than anyone else.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Mon, May 28, 2012 at 2:50 PM, Collin Brendemuehl
coll...@brendemuehl.net wrote:

 On 5/28/2012 12:33 PM, steve harley wrote:
  on 2012-05-28 9:37 Paul Stenquist wrote
  The comment was Dan Matyola's, not Steve's. Dan is an ex fighter
  pilot, so he has license to wing it once in awhile. His remark was
  perhaps a bit rash but  less incendiary than many of the signs held
  by the protesters (who were protesting a NATO meeting, chaired by
  Obama, where the topic of discussion was Afghanistan withdrawal).
 
 
  Dan said it was a joke, but if it was he should think how it would go
  over in response to Tim's query about how to shoot 45 12-year-olds ?
 
 Much satisfaction would be found there but society frowns on such
  behavior.

 Military humor differs greatly from civilian humor.
 Even so, with the number of clenched-fist images and other leftist
 revolutionary displays going on recently, what used to be the virtue
 of opposing those who oppose liberty is now considered hateful or
 some other such nonsense.

 Today we memorialize those who have served.  We do not honor those who
 disgrace their service for liberty or the liberty that they defended.

 Sincerely,

 Collin Brendemuehl
 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott






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Re: card FAIL?

2012-05-28 Thread John Sessoms

From: Jeffery Smith


After months of trying to get Leica to return an email or phone call,
I was so burnt out I just decided to put it behind me as a very
costly mistake. I was literally calling the service manager every 15
minutes for hours at a time only to be told by his secretary (every
15 minutes) that He just stepped away from his desk. They have very
effective obstacles.

Regards,

Jeffery



I wouldn't even have wasted a month on Leica. I'd call them one time. If 
they won't stand behind their merchandise FUCK 'EM!


I'd have returned it to BH for a refund. IF BH didn't want to provide 
that refund, I would have contacted the NY State Attorney General's 
Office ... among others.


I would also have contacted my credit card company and disputed the charge.

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Re: card FAIL?

2012-05-28 Thread Paul Stenquist
BH is very good about defective merchandise. I always call them first.
Paul
On May 28, 2012, at 5:35 PM, John Sessoms wrote:

 From: Jeffery Smith
 
 After months of trying to get Leica to return an email or phone call,
 I was so burnt out I just decided to put it behind me as a very
 costly mistake. I was literally calling the service manager every 15
 minutes for hours at a time only to be told by his secretary (every
 15 minutes) that He just stepped away from his desk. They have very
 effective obstacles.
 
 Regards,
 
 Jeffery
 
 
 I wouldn't even have wasted a month on Leica. I'd call them one time. If they 
 won't stand behind their merchandise FUCK 'EM!
 
 I'd have returned it to BH for a refund. IF BH didn't want to provide that 
 refund, I would have contacted the NY State Attorney General's Office ... 
 among others.
 
 I would also have contacted my credit card company and disputed the charge.
 
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Re: Today's Peace Rally

2012-05-28 Thread John Sessoms

From: Darren Addy


On Mon, May 28, 2012 at 12:47 PM, Bob Sullivan rf.sulli...@gmail.com wrote:

I found some of the NATO meeting protesters despicable.
Why come to a protest wearing goggles and a bandanna over your face,
and another over your hair?
Only reason I can imagine is that you intend to damage property,
and you want to keep your identity a secret.
That's hardly the peaceful expression of dissent and disagreement.
Regards, ?Bob S.

I *have* to believe that your imagination is a little better than that
and that with a little effort you can come up with multiple reasons
that, particularly in today's environment, one might wish to conceal
one's identity at a protest (many of them non-despicable, if not
out-right reasonable.)


One thing to always keep in mind. If you're at the planning session for 
any kind of demonstration, the guy who wants you to plant a bomb  blow 
something up is the FBI's informant.


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PAW125 - Chips

2012-05-28 Thread DagT
http://www.thrane.name/Pictures/PAW/files/page7-1000-full.html
K-5, DA*50-135mm@135, 1/6s (hand held!), f/2.8, ISO100.

DagT
http://www.thrane.name/


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Re: PAW125 - Chips

2012-05-28 Thread Daniel J. Matyola
I love the look on his face.  Nice capture.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Mon, May 28, 2012 at 5:47 PM, DagT li...@thrane.name wrote:
 http://www.thrane.name/Pictures/PAW/files/page7-1000-full.html
 K-5, DA*50-135mm@135, 1/6s (hand held!), f/2.8, ISO100.

 DagT
 http://www.thrane.name/


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PESO: Memorial Day

2012-05-28 Thread Daniel J. Matyola
The oldest veteran at our local Memorial Day Parade:

http://photo.net/photodb/photo?photo_id=15807094

Comments are welcome.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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Re: PESO: Memorial Day

2012-05-28 Thread Ann Sanfedele

Dan, that's a great photo - talk about ironic juxtaposition.

ann

On 5/28/2012 17:52, Daniel J. Matyola wrote:

The oldest veteran at our local Memorial Day Parade:

http://photo.net/photodb/photo?photo_id=15807094

Comments are welcome.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



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Re: PESO: Memorial Day

2012-05-28 Thread Paul Stenquist
Excellent. 
On May 28, 2012, at 5:52 PM, Daniel J. Matyola wrote:

 The oldest veteran at our local Memorial Day Parade:
 
 http://photo.net/photodb/photo?photo_id=15807094
 
 Comments are welcome.
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
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Re: Today's Peace Rally

2012-05-28 Thread steve harley

on 2012-05-28 11:47 Bob Sullivan wrote

I found some of the NATO meeting protesters despicable.
Why come to a protest wearing goggles and a bandanna over your face,
and another over your hair?
Only reason I can imagine is that you intend to damage property,
and you want to keep your identity a secret.
That's hardly the peaceful expression of dissent and disagreement.


i have seen that garb at many rallies, always a minority, and part of  much 
more varied exuberant expression; i think few, if any, of them are planning 
violence; if they are, they'd be considered infiltrators


i think if one feels sincerely that one is confronting oppressive power, the 
ninja garb is a symbol that has meaningful rationales; to me (though i don't 
wear it) it seems to symbolize the negation of identity, or if you feel 
threatened by it, it gets across a message about the perceived threat from the 
target of the protest; and as others have noted it can represent group 
identity, adding a sociological as well as a political meaning


when you ask them, you get a wide variety of answers; for example:


Ninjas have been present for centuries, exerting justice and seeking the 
truth, said one protester.

Members say the costume has many meanings.

It's kind of a joke and a symbol of fun and games, said member John Monroe.


http://kezi.com/page/237217

i don't think most wear masks or bandanas for anonymity, btw, because i often 
see them expose their faces, or fail to hide other clearly identifying marks


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Cheap lens score of the day

2012-05-28 Thread Charles Robinson
Now that I have kids sharing my old Pentax cameras (son has my K10D, daughter 
my K200D), I have loaned out a bit of my collection to help them be flexible.

Found today (and purchased) on Craigslist: 18-55 kit and 50-200 kit lens for a 
total of: $75.

Yay!

I'm not much of a telephoto person, I'd rather shoot wide.  So the 50-200 is 
perfect for those rare occasions.  And it's tiny/lightweight.  My son gets my 
Tamron 28-200 which I've never really loved.

The kit is for me, when I want to go in party mode with the K7.  My daughter 
has had my kit lens for the past two years.

At that price, I couldn't resist!

 -Charles

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http://www.facebook.com/charles.robinson


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Re: Cheap lens score of the day

2012-05-28 Thread Mat Maessen
On Mon, May 28, 2012 at 6:20 PM, Charles Robinson charl...@visi.com wrote:
 Found today (and purchased) on Craigslist: 18-55 kit and 50-200 kit lens for 
 a total of: $75.
...
 I'm not much of a telephoto person, I'd rather shoot wide.  So the 50-200 is 
 perfect for those
 rare occasions.  And it's tiny/lightweight.  My son gets my Tamron 28-200 
 which I've never
 really loved.

The 50-200 is tiny, lightweight, and surprisingly sharp.

There are two pictures in the PDML photo annual from a couple of years
ago, that I took with that lens. :-)

-Mat

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PESO - Form over Function

2012-05-28 Thread frank theriault
Louis L. Sullivan would be aghast:

http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

Hope you enjoy.  Comments always welcome.

cheers,
frank

-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Today's Peace Rally

2012-05-28 Thread P. J. Alling

On 5/28/2012 5:41 PM, John Sessoms wrote:

From: Darren Addy

On Mon, May 28, 2012 at 12:47 PM, Bob Sullivan 
rf.sulli...@gmail.com wrote:

I found some of the NATO meeting protesters despicable.
Why come to a protest wearing goggles and a bandanna over your face,
and another over your hair?
Only reason I can imagine is that you intend to damage property,
and you want to keep your identity a secret.
That's hardly the peaceful expression of dissent and disagreement.
Regards, ?Bob S.

I *have* to believe that your imagination is a little better than that
and that with a little effort you can come up with multiple reasons
that, particularly in today's environment, one might wish to conceal
one's identity at a protest (many of them non-despicable, if not
out-right reasonable.)


One thing to always keep in mind. If you're at the planning session 
for any kind of demonstration, the guy who wants you to plant a bomb  
blow something up is the FBI's informant.



Not always, that's only true when you get caught.

--
Don't lose heart!  They might want to cut it out, and they'll want to avoid a 
lengthily search.


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Re: PESO - Form over Function

2012-05-28 Thread Daniel J. Matyola
That is one hell of a bike!

Dan

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Mon, May 28, 2012 at 6:41 PM, frank theriault
knarftheria...@gmail.com wrote:
 Louis L. Sullivan would be aghast:

 http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

 http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

 Hope you enjoy.  Comments always welcome.

 cheers,
 frank

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 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: A look at Cuba through the lenses...

2012-05-28 Thread Christine Aguila
That's a sweet project.  The young photogs are great!  All young people should 
be encouraged to read, write, think, and take photosThanks for posting. 
 Cheers, Christine


  
On May 24, 2012, at 4:11 PM, Darren Addy wrote:

 of some young photographers who live there:
 
 http://www.100cameras.org/cuba
 
 This post is not intended to be political or editorial in any way. I
 thought it was an interesting look into a country that few of us may
 have seen in person.
 
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Re: Being a Tourist in Italy

2012-05-28 Thread Christine Aguila

On May 25, 2012, at 8:49 AM, Daniel J. Matyola wrote:

 We have been to Italy four times, for a week each.  Don't try to hit
 too many cities;  the joy of Italy is relaxing in a piazza sipping
 espresso or limoncello and just enjoying life.
 

Oh, gosh, that sounds wonderful!  I want to go!  Cheers, Christine


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Re: PAW125 - Chips

2012-05-28 Thread David J Brooks
Excellent

Dave

On Mon, May 28, 2012 at 5:47 PM, DagT li...@thrane.name wrote:
 http://www.thrane.name/Pictures/PAW/files/page7-1000-full.html
 K-5, DA*50-135mm@135, 1/6s (hand held!), f/2.8, ISO100.

 DagT
 http://www.thrane.name/


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Re: OT: NHRA drag race shooting tips?

2012-05-28 Thread David J Brooks
On Mon, May 28, 2012 at 12:11 AM, Walt Gilbert ldott...@gmail.com wrote:

 That said, come the end of September I'll be going to the NHRA drag races in
 St. Louis. I've taken plenty of shots at drag races, but nothing like the
 ones that'll be happening that day. But, from what I understand, I'll be in
 a good place for taking photos -- assuming I have a clue what I'm doing,
 which is no small caveat.

 -- Walt

Attending an NHRA drag race is on my bucket list.

Dave

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Re: PESO - Form over Function

2012-05-28 Thread Bruce Walker
Awesome, Frank. Well spotted and grabbed too!


On Mon, May 28, 2012 at 6:41 PM, frank theriault
knarftheria...@gmail.com wrote:

 Louis L. Sullivan would be aghast:

 http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

 http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

 Hope you enjoy.  Comments always welcome.

 cheers,
 frank

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Re: Composing a Photobook

2012-05-28 Thread Christine Aguila
Thanks for the heads up.  http://aperture.org/pbr/   here's the link to the 
blog about the PBR.  Cheers, Christine





On May 21, 2012, at 8:53 PM, Stan Halpin wrote:

 Revisiting a discussion that comes up here from time to time: the differences 
 between a good and a not-so-good photobook. Or, how to go beyond a 
 collection of good photographs to achieve a good book.
 
 The Aperture Foundation, publishers of Aperture Magazine, last fall began 
 publishing a Photobook Review as a supplement to the magazine. PBR-2, 
 included with the May issue of Aperture, has two articles on sequencing the 
 photobook. Good stuff for those interested in this topic. Discussions of 
 narrative flow, comparisons/contrasts with films and music and literature, 
 the use of examples like Walker Evan's American Photographs (1938), etc. Bad 
 news is that you may not be able to read these unless you a) subscribe to 
 Aperture or b) visit the Aperture Gallery (NYC) or c) Copies will also soon 
 be available through our distribution partners, namely the Milan Image Art 
 Fair, the School of Visual Arts [NYC], and the Cleveland Museum of Art, when 
 they open their exhibition DIY: Photographers  Books. 
 
 stan
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Re: nanda devi/ milam glacier trek photos

2012-05-28 Thread Christine Aguila
 
 
 a large gallery, but hopefully the thumbnail view would let you see
 what you want to see:
 
 https://picasaweb.google.com/117979942681874882460/Nandadevi


Subash, these are beautiful--especially, the people portraits.  You're a 
photographer with a great eye for subject, composition, and technique.  I loved 
looking at your excellent gallery!  Cheers, Christine





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Re: PAW124 - Candyfloss?

2012-05-28 Thread Christine Aguila
 
 On Sun, May 20, 2012 at 4:31 PM, DagT li...@thrane.name wrote:
 http://www.thrane.name/Pictures/PAW/files/page7-1000-full.html
 K-5, DA70mm, 1/320s, f/16, ISO100.



Great fun!  Cheers, Christine


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Re: Web site feedback - OT

2012-05-28 Thread Christine Aguila
I agree with Godfrey!  cheers, Christine



On May 25, 2012, at 6:41 AM, Godfrey DiGiorgi wrote:

 Hi Jeffrey,
 
 I like the spare layout.
 
 - Need a way to get back to the home page.
 - I'd like to be able to see a thumbnail array of a gallery set.
 
 Godfrey
 
 On Thu, May 24, 2012 at 6:53 PM, Jeffery Smith jsmith...@gmail.com wrote:
 After a hiatus of about 6 years, I'm rebuilding a minimalist website from 
 the ground up. I decided to make it easy to view...on an iPad.
 
 Can some of you take a look and let me know what you think of the format? 
 I'm not a pro, so there is nothing promotional on it. And the only gallery I 
 have up so far is about 80 photos from the Lower 9th Ward taken after 
 Katrina. All taken with Tri-X film with a rangefinder, so it is totally OT.
 
 The site is www.400tx.com.
 
 Thanks much, in advance.
 
 Jeffery
 
 Sent from my iPad
 
 Jeffery L. Smith
 New Orleans, Louisiana
 USA
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 -- 
 Godfrey
   godfreydigiorgi.posterous.com
 
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Re: Web site feedback - OT

2012-05-28 Thread Jeffery Smith
I'm working on thumbnail galleries right now. Freeway Pro is a great web design 
program if you are a Mac user. 

Regards,

Jeffery
__
Jeffery Smith
New Orleans, LA
www.400tx.com





On May 28, 2012, at 6:40 PM, Christine Aguila wrote:

 I agree with Godfrey!  cheers, Christine
 
 
 
 On May 25, 2012, at 6:41 AM, Godfrey DiGiorgi wrote:
 
 Hi Jeffrey,
 
 I like the spare layout.
 
 - Need a way to get back to the home page.
 - I'd like to be able to see a thumbnail array of a gallery set.
 
 Godfrey
 
 On Thu, May 24, 2012 at 6:53 PM, Jeffery Smith jsmith...@gmail.com wrote:
 After a hiatus of about 6 years, I'm rebuilding a minimalist website from 
 the ground up. I decided to make it easy to view...on an iPad.
 
 Can some of you take a look and let me know what you think of the format? 
 I'm not a pro, so there is nothing promotional on it. And the only gallery 
 I have up so far is about 80 photos from the Lower 9th Ward taken after 
 Katrina. All taken with Tri-X film with a rangefinder, so it is totally OT.
 
 The site is www.400tx.com.
 
 Thanks much, in advance.
 
 Jeffery
 
 Sent from my iPad
 
 Jeffery L. Smith
 New Orleans, Louisiana
 USA
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 -- 
 Godfrey
  godfreydigiorgi.posterous.com
 
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Re: Cheap lens score of the day

2012-05-28 Thread Brian Walters

Quoting Charles Robinson charl...@visi.com:

Now that I have kids sharing my old Pentax cameras (son has my K10D,  
daughter my K200D), I have loaned out a bit of my collection to help  
them be flexible.


Found today (and purchased) on Craigslist: 18-55 kit and 50-200 kit  
lens for a total of: $75.


Yay!




I can't match that deal but I picked up an 18-135 DA last evening for  
a tad under $400, which is a considerable saving on the new price.  It  
will become my walk about/travel lens.




Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/





I'm not much of a telephoto person, I'd rather shoot wide.  So the  
50-200 is perfect for those rare occasions.  And it's  
tiny/lightweight.  My son gets my Tamron 28-200 which I've never  
really loved.


The kit is for me, when I want to go in party mode with the K7.   
My daughter has had my kit lens for the past two years.


At that price, I couldn't resist!





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Re: PESO: Hit Proof

2012-05-28 Thread Christine Aguila
Good one, Dan.  I like the bold lines and such.  Baseball Gotham!  Cheers, 
Christine


On May 27, 2012, at 11:41 PM, Daniel J. Matyola wrote:

 http://photo.net/photodb/photo?photo_id=15803433
 
 Comments are welcome
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
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Re: PESO - Another Tree Swallow

2012-05-28 Thread Christine Aguila
Pretty!  cheers, Christine



On May 22, 2012, at 9:14 PM, frank theriault wrote:

 I may like this tree swallow more than the one from a few days ago
 ~except~ for that bright yellow oof bit in the bottom left.  Do you
 think it's too much of a distraction, or can you live with it?  I'd be
 very curious to get the reaction of the list:
 
 http://knarfdummyblog.blogspot.ca/2012/05/another-tree-swallow.html
 
 Thanks in advance.  Hope you enjoy.
 
 cheers,
 frank
 
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Re: Boris peso #21 - Rising with the sun

2012-05-28 Thread Christine Aguila
It needs more pop!  Cheers, Christine



On May 24, 2012, at 12:27 PM, Boris Liberman wrote:

 Hello.
 
 Please have a look and give me your honest and brutal say.
 
 http://pentax-ways.blogspot.com/2012/05/peso-2012-21-rising-with-sun.html
 
 Thanks.
 
 Boris
 
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Re: PESO: Memorial Day

2012-05-28 Thread Christine Aguila
Wonderful!  Cheers, Christine


On May 28, 2012, at 4:52 PM, Daniel J. Matyola wrote:

 The oldest veteran at our local Memorial Day Parade:
 
 http://photo.net/photodb/photo?photo_id=15807094
 
 Comments are welcome.
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
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Re: Web site feedback - OT

2012-05-28 Thread Christine Aguila
I went the web site--price a bit pricey for me.  But thanks for the heads up 
anyway!  Cheers, Christine



On May 28, 2012, at 6:44 PM, Jeffery Smith wrote:

 I'm working on thumbnail galleries right now. Freeway Pro is a great web 
 design program if you are a Mac user. 
 
 Regards,
 
 Jeffery
 __
 Jeffery Smith
 New Orleans, LA
 www.400tx.com
 
 
 
 
 
 On May 28, 2012, at 6:40 PM, Christine Aguila wrote:
 
 I agree with Godfrey!  cheers, Christine
 
 
 
 On May 25, 2012, at 6:41 AM, Godfrey DiGiorgi wrote:
 
 Hi Jeffrey,
 
 I like the spare layout.
 
 - Need a way to get back to the home page.
 - I'd like to be able to see a thumbnail array of a gallery set.
 
 Godfrey
 
 On Thu, May 24, 2012 at 6:53 PM, Jeffery Smith jsmith...@gmail.com wrote:
 After a hiatus of about 6 years, I'm rebuilding a minimalist website from 
 the ground up. I decided to make it easy to view...on an iPad.
 
 Can some of you take a look and let me know what you think of the format? 
 I'm not a pro, so there is nothing promotional on it. And the only gallery 
 I have up so far is about 80 photos from the Lower 9th Ward taken after 
 Katrina. All taken with Tri-X film with a rangefinder, so it is totally OT.
 
 The site is www.400tx.com.
 
 Thanks much, in advance.
 
 Jeffery
 
 Sent from my iPad
 
 Jeffery L. Smith
 New Orleans, Louisiana
 USA
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 -- 
 Godfrey
 godfreydigiorgi.posterous.com
 
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Re: Web site feedback - OT

2012-05-28 Thread Jeffery Smith
The non-pro version is a fraction of the cost, and probably has 95% of the 
functionality. I didn't realize that when I bought the Pro version.

Regards,

Jeffery
__
Jeffery Smith
New Orleans, LA
www.400tx.com





On May 28, 2012, at 7:03 PM, Christine Aguila wrote:

 I went the web site--price a bit pricey for me.  But thanks for the heads up 
 anyway!  Cheers, Christine
 
 
 
 On May 28, 2012, at 6:44 PM, Jeffery Smith wrote:
 
 I'm working on thumbnail galleries right now. Freeway Pro is a great web 
 design program if you are a Mac user. 
 
 Regards,
 
 Jeffery
 __
 Jeffery Smith
 New Orleans, LA
 www.400tx.com
 
 
 
 
 
 On May 28, 2012, at 6:40 PM, Christine Aguila wrote:
 
 I agree with Godfrey!  cheers, Christine
 
 
 
 On May 25, 2012, at 6:41 AM, Godfrey DiGiorgi wrote:
 
 Hi Jeffrey,
 
 I like the spare layout.
 
 - Need a way to get back to the home page.
 - I'd like to be able to see a thumbnail array of a gallery set.
 
 Godfrey
 
 On Thu, May 24, 2012 at 6:53 PM, Jeffery Smith jsmith...@gmail.com wrote:
 After a hiatus of about 6 years, I'm rebuilding a minimalist website from 
 the ground up. I decided to make it easy to view...on an iPad.
 
 Can some of you take a look and let me know what you think of the format? 
 I'm not a pro, so there is nothing promotional on it. And the only 
 gallery I have up so far is about 80 photos from the Lower 9th Ward taken 
 after Katrina. All taken with Tri-X film with a rangefinder, so it is 
 totally OT.
 
 The site is www.400tx.com.
 
 Thanks much, in advance.
 
 Jeffery
 
 Sent from my iPad
 
 Jeffery L. Smith
 New Orleans, Louisiana
 USA
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 follow the directions.
 
 
 
 -- 
 Godfrey
 godfreydigiorgi.posterous.com
 
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peso two hats

2012-05-28 Thread Christine Aguila
just for fun.  Cheers, Christine


http://www.caguila.com/twohats/content/IMGP1448_large.html

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Re: Web site feedback - OT

2012-05-28 Thread Christine Aguila
Ah, good to know.  I'm very non-pro, so might suit me just fine!  Cheers, 
Christine




On May 28, 2012, at 7:09 PM, Jeffery Smith wrote:

 The non-pro version is a fraction of the cost, and probably has 95% of the 
 functionality. I didn't realize that when I bought the Pro version.
 
 Regards,
 
 Jeffery
 __
 Jeffery Smith
 New Orleans, LA
 www.400tx.com
 
 
 
 
 
 On May 28, 2012, at 7:03 PM, Christine Aguila wrote:
 
 I went the web site--price a bit pricey for me.  But thanks for the heads up 
 anyway!  Cheers, Christine
 
 
 
 On May 28, 2012, at 6:44 PM, Jeffery Smith wrote:
 
 I'm working on thumbnail galleries right now. Freeway Pro is a great web 
 design program if you are a Mac user. 
 
 Regards,
 
 Jeffery
 __
 Jeffery Smith
 New Orleans, LA
 www.400tx.com
 
 
 
 
 
 On May 28, 2012, at 6:40 PM, Christine Aguila wrote:
 
 I agree with Godfrey!  cheers, Christine
 
 
 
 On May 25, 2012, at 6:41 AM, Godfrey DiGiorgi wrote:
 
 Hi Jeffrey,
 
 I like the spare layout.
 
 - Need a way to get back to the home page.
 - I'd like to be able to see a thumbnail array of a gallery set.
 
 Godfrey
 
 On Thu, May 24, 2012 at 6:53 PM, Jeffery Smith jsmith...@gmail.com 
 wrote:
 After a hiatus of about 6 years, I'm rebuilding a minimalist website 
 from the ground up. I decided to make it easy to view...on an iPad.
 
 Can some of you take a look and let me know what you think of the 
 format? I'm not a pro, so there is nothing promotional on it. And the 
 only gallery I have up so far is about 80 photos from the Lower 9th Ward 
 taken after Katrina. All taken with Tri-X film with a rangefinder, so it 
 is totally OT.
 
 The site is www.400tx.com.
 
 Thanks much, in advance.
 
 Jeffery
 
 Sent from my iPad
 
 Jeffery L. Smith
 New Orleans, Louisiana
 USA
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 -- 
 Godfrey
 godfreydigiorgi.posterous.com
 
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Re: PESO - Form over Function

2012-05-28 Thread P. J. Alling

Riding it is it's own punishment.

On 5/28/2012 6:41 PM, frank theriault wrote:

Louis L. Sullivan would be aghast:

http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

Hope you enjoy.  Comments always welcome.

cheers,
frank




--
Don't lose heart!  They might want to cut it out, and they'll want to avoid a 
lengthily search.


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Re: Today's Peace Rally

2012-05-28 Thread Tom C
 It was indeed my comment, and was meant to be a bit of black humor.

 Believe me, at my age, I would do more harm to myself than anyone else.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

I didn't catch the humor Dan. Ironic because often people don't get mine.

I intended no offense with my prior comment and apologize if any was felt.

Tom C.

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Re: PESO - Form over Function

2012-05-28 Thread Tim Bray
Well maybe, but on the other hand that guy has damn good form.  -T

On Mon, May 28, 2012 at 3:41 PM, frank theriault
knarftheria...@gmail.com wrote:
 Louis L. Sullivan would be aghast:

 http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

 http://knarfdummyblog.blogspot.ca/2012/05/form-over-function.html

 Hope you enjoy.  Comments always welcome.

 cheers,
 frank

 --
 Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Today's Peace Rally

2012-05-28 Thread Christine Aguila
Thanks, Steve!  Much appreciated.  Cheers, Christine 





On May 27, 2012, at 7:44 PM, Steven Desjardins drd1...@gmail.com wrote:

 That's a really good set.  Your technique and composition are excellent.
 
 On Fri, May 25, 2012 at 5:57 PM, Eric Weir eew...@bellsouth.net wrote:
 
 On May 21, 2012, at 12:02 PM, Daniel J. Matyola wrote:
 
 As to the protesters, I only regret I don't have my old F-4B available
 to pay them a visit.
 
 Very cool.
 
 --
 Eric Weir
 Decatur, GA
 eew...@bellsouth.net
 
 What is man without the beasts? If all the beasts were gone,
 men would die from a great loneliness of spirit.
 
 - Chief Seattle
 
 
 
 
 
 
 
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Re: peso two hats

2012-05-28 Thread Ann Sanfedele

That's fun (oh, you already said that :-) )

ann

On 5/28/2012 20:14, Christine Aguila wrote:

just for fun.  Cheers, Christine


http://www.caguila.com/twohats/content/IMGP1448_large.html



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OT on Lr 4 being unusably slow

2012-05-28 Thread Bruce Walker
I don't understand why nobody has posted here about Lightroom 4 being
so dog-slow.

I upgraded on the weekend, went through the process of familiarizing
myself with the new Develop sliders and became comfortable that its
functionally a Good Thing.

But: good gawd almighty is it slow! Every time I attempt to shift a
slider I get a spinning pizza of death for many seconds. Sometimes I
get the SPoD by simply moving the cursor a short distance. It's so
damned frustrating, I'm starting to regret this upgrade and begin
finding out how I can go back to Lr 3.6.

Of course I Googled and discovered that legions of people are
complaining about the very same thing. Dammit!

Oh, then there's the issue where it warns me about incompatibilities
with Ps CS5 now. They upgraded Camera RAW to 7.0, conveniently leaving
CS5 at the final version of 6.7 with no hope of an upgrade. Nobody
warned me that upgrading Lr to 4 meant automatically upgrading Ps to
6! Shit.

Fairly pissed at Adobe right now.

--
-bmw

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Re: OT on Lr 4 being unusably slow

2012-05-28 Thread Tim Bray
I upgraded to a slightly-faster computer with 8G of RAM and it was
like night and day.  We’ll never go back to the halcyon days of
Lightroom 1 (now *that* was fast), but it’s perfectly acceptable; you
just need more memory. -T

On Mon, May 28, 2012 at 6:11 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 I don't understand why nobody has posted here about Lightroom 4 being
 so dog-slow.

 I upgraded on the weekend, went through the process of familiarizing
 myself with the new Develop sliders and became comfortable that its
 functionally a Good Thing.

 But: good gawd almighty is it slow! Every time I attempt to shift a
 slider I get a spinning pizza of death for many seconds. Sometimes I
 get the SPoD by simply moving the cursor a short distance. It's so
 damned frustrating, I'm starting to regret this upgrade and begin
 finding out how I can go back to Lr 3.6.

 Of course I Googled and discovered that legions of people are
 complaining about the very same thing. Dammit!

 Oh, then there's the issue where it warns me about incompatibilities
 with Ps CS5 now. They upgraded Camera RAW to 7.0, conveniently leaving
 CS5 at the final version of 6.7 with no hope of an upgrade. Nobody
 warned me that upgrading Lr to 4 meant automatically upgrading Ps to
 6! Shit.

 Fairly pissed at Adobe right now.

 --
 -bmw

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