Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-20 Thread mike wilson

 
 From: Kenneth Waller [EMAIL PROTECTED]
 Date: 2006/09/19 Tue PM 05:42:14 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
  I'm actually prouder of the second shot - that's one that I
  visualised first, and went looking for somewhere to make it.
 
 I've had the same inspiration on several of my shots.
 A great feeling when you finally capture it on film.
 
 I wonder how wide spread this is with rest of the PDML'ers ?
 

I'm pretty good at the first part and utterly lousy at the second.


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-20 Thread Lucas Rijnders
Op Wed, 20 Sep 2006 10:04:00 +0200 schreef mike wilson  
[EMAIL PROTECTED]:

 From: Kenneth Waller [EMAIL PROTECTED]
 Date: 2006/09/19 Tue PM 05:42:14 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies

  I'm actually prouder of the second shot - that's one that I
  visualised first, and went looking for somewhere to make it.

 I've had the same inspiration on several of my shots.
 A great feeling when you finally capture it on film.

 I wonder how wide spread this is with rest of the PDML'ers ?

 I'm pretty good at the first part and utterly lousy at the second.

With me, it's just the other way around.

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-20 Thread Kenneth Waller
 I'm pretty good at the first part and utterly lousy at the second.

I've gone years in some instances before I captured the image in my mind.

Kenneth Waller

- Original Message - 
From: mike wilson [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, September 20, 2006 4:54 AM
Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies


 
 
 From: Kenneth Waller [EMAIL PROTECTED]
 Date: 2006/09/19 Tue PM 05:42:14 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
  I'm actually prouder of the second shot - that's one that I
  visualised first, and went looking for somewhere to make it.
 
 I've had the same inspiration on several of my shots.
 A great feeling when you finally capture it on film.
 
 I wonder how wide spread this is with rest of the PDML'ers ?
 
 
 I'm pretty good at the first part and utterly lousy at the second.
 
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread John Francis
On Mon, Sep 18, 2006 at 07:46:37PM -0700, Brendan MacRae wrote:
 
 
 --- Doug Franklin [EMAIL PROTECTED] wrote:
 
  John Francis wrote:
  
   These shots (which many here have seen before)
  were taken using a monopod
   and the monster zoom.  In fact a good number of my
  motorsports shots were
   taken with the 300/f2.8 (with or without the 1.7x
  AF adapter) or the big
   zoom, and I almost always use a monopod with them.
   
 http://panix.com/~johnf/temp/PortlandPitStop.jpg
 http://panix.com/~johnf/temp/CityStreets.jpg
  
  Beauty, John.  Those are great shots.  I'm working
 
 
 Here, here. The first with all of the fumes rising up
 toward the top right of the frame...excellent, really
 striking.
 
 -Brendan

As a matter of fact, those aren't fumes - it's clear-air
turbulence caused by the heat rising from the engines.

It's a shot that makes itself - there's a nice little nook
at the end of pit out where three or four photographers can
cluster.  This one was from the prime position (front  low).
All you need is a sunny day, and a long lens (600mm or so).
I've got a similar shot from a few years later, but that one
isn't quite as good, to my mind - the pose of the figures
isn't as dynamic as this one.

I'm actually prouder of the second shot - that's one that I
visualised first, and went looking for somewhere to make it.

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread John Francis
On Mon, Sep 18, 2006 at 09:10:30PM -0400, Doug Franklin wrote:
 John Francis wrote:
 
  These shots (which many here have seen before) were taken using a monopod
  and the monster zoom.  In fact a good number of my motorsports shots were
  taken with the 300/f2.8 (with or without the 1.7x AF adapter) or the big
  zoom, and I almost always use a monopod with them.
  
http://panix.com/~johnf/temp/PortlandPitStop.jpg
http://panix.com/~johnf/temp/CityStreets.jpg
 
 Beauty, John.  Those are great shots.  I'm working corners for the
 Tuesday practice day at Road Atlanta for the Petit le Mans.  That nets
 me basically an all areas, all times pass for the entire event. ;-
 Last year I managed to get out to the wall outside T1 for the start of
 the race and captured this one:
 
 http://nutdriver.org/Wreck/PlM05-08-06_web.jpg
 
 It's actually one of a sequence that's described at
 
 http://nutdriver.org/Wreck/Narrative.shtml

I remember your posting those last year.
SCCA access is definitely as good as it gets.

 I finally put together about a dozen of my favorite race shots and put
 them on my flickr account ... I'll get a real gallery going sometime
 soon ...
 
 http://www.flickr.com/photos/nutdriverlefty/sets/72157594279961969/

Love that old Lotus!  (Although if it's the tub I think it is, it was
never actually driven by Mario at any Formula One event).

The helmet in the Villeneuve #27 isn't one of Jacques' as far as I know -
was this at a historic event?   I assume so, because I recognise several
of the cars, but none of the helmets.   I've got a photo of Jacques in
the #27 taken (in 1995) at the last CART race at Loudon, NH, and he was
wearing his distinctive pink  blue helmet colours.

I've been putting together a gallery myself, for at least the last
couple of years.  Somehow it never seems to get that last bit done.

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread Kostas Kavoussanakis
On Mon, 18 Sep 2006, Mark Roberts wrote:

 Mark Roberts wrote:

 Kostas Kavoussanakis wrote:

 On Mon, 18 Sep 2006, [EMAIL PROTECTED] wrote:

 They did put the solution in. Or rather, they took the cause out. They 
 eliminated the aperture ring.

 Problem is the solution above does not apply to the lenses one
 already owns.

 Why would you want to apply it to lenses you already own?
 (That is to say, why would you want to remove aperture rings from
 lenses you already own?)

Oh, because I am stupid, and I took it off the A position and my DSLR 
now underexposes.

Kostas

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread Doug Franklin
John Francis wrote:

 SCCA access is definitely as good as it gets.

It's even better on days when I'm not working corners.  :-)  The corner
captain gets a little put out if I take the full photo kit to the corner
with me.  All kidding aside, I don't shoot when I'm working ... it's
just too dangerous to divide my attention that way.  This year, though,
I actually have a decent flash to try some night shots at T3, which is
about as close as you can get to the moving cars, even on the hot side
of the fence.

 http://www.flickr.com/photos/nutdriverlefty/sets/72157594279961969/
 
 Love that old Lotus!  (Although if it's the tub I think it is, it was
 never actually driven by Mario at any Formula One event).

I don't know anything about the tub.  Even when they do a program for
these events, it's usually not that comprehensive or detailed.  It might
call out one or two cars, but not all of them.

 The helmet in the Villeneuve #27 isn't one of Jacques' as far as I know -
 was this at a historic event?   I assume so, because I recognise several
 of the cars, but none of the helmets.   I've got a photo of Jacques in
 the #27 taken (in 1995) at the last CART race at Loudon, NH, and he was
 wearing his distinctive pink  blue helmet colours.

Yep, it was at the fall (2005) Atlanta Historics event that the SVRA
puts on at Road Atlanta each year.  The red and green #40 Tecate car on
the grid is an ex-Helio Castroneves car, the #5 Valvoline car was
originally driven by someone else well known (I believe).

Daynton Duncan often drives the #27 (ex-Villeneuve) at these events and
he and some other guy have been duking it out for the overall lap record
at Road Atlanta for three or four years, swapping the record twice or
three times in one weekend a couple of years ago.

There were also a number of nice Can-Am cars, but I didn't get many
photos I liked of them.  And there was an ex-Schumacher Bennetton B191
that was painted up in the livery for '93 when he won his first World
Championship.  I'm not sure of the provenance of the #20 Shell car.

 I've been putting together a gallery myself, for at least the last
 couple of years.  Somehow it never seems to get that last bit done.

That's why I finally just put a few on my Flickr account. :-)  I've
started four or five times to write programs to generate my galleries
because I never found one that worked like I wanted it to work.  But
I've never finished them.  Heck, I've never even finished doing the hard
yards of culling, selecting, and prepping photos for a gallery. :-)

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RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread Tim Øsleby
Fumes or clear air turbulence. This picture are way beyond cool. 
Wow, you _are_ pro John.


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of John
Francis
Sent: 19. september 2006 08:49
To: Pentax-Discuss Mail List
Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies

On Mon, Sep 18, 2006 at 07:46:37PM -0700, Brendan MacRae wrote:
 
 
 --- Doug Franklin [EMAIL PROTECTED] wrote:
 
  John Francis wrote:
  
   These shots (which many here have seen before)
  were taken using a monopod
   and the monster zoom.  In fact a good number of my
  motorsports shots were
   taken with the 300/f2.8 (with or without the 1.7x
  AF adapter) or the big
   zoom, and I almost always use a monopod with them.
   
 http://panix.com/~johnf/temp/PortlandPitStop.jpg
 http://panix.com/~johnf/temp/CityStreets.jpg
  
  Beauty, John.  Those are great shots.  I'm working
 
 
 Here, here. The first with all of the fumes rising up
 toward the top right of the frame...excellent, really
 striking.
 
 -Brendan

As a matter of fact, those aren't fumes - it's clear-air
turbulence caused by the heat rising from the engines.

It's a shot that makes itself - there's a nice little nook
at the end of pit out where three or four photographers can
cluster.  This one was from the prime position (front  low).
All you need is a sunny day, and a long lens (600mm or so).
I've got a similar shot from a few years later, but that one
isn't quite as good, to my mind - the pose of the figures
isn't as dynamic as this one.

I'm actually prouder of the second shot - that's one that I
visualised first, and went looking for somewhere to make it.

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RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread Tim Øsleby
And the fact that he is a pro gives him the right to attack person in stead
of the ball? 
I don't think so.

Anyway. My hint was just a hint, no big deal intended.


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Paul
Stenquist
Sent: 18. september 2006 02:31
To: Pentax-Discuss Mail List
Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies

No, it's just telling it like it is time. John is a working pro, and  
he speaks from considerable experience.
Paul
On Sep 17, 2006, at 7:58 PM, Tim Øsleby wrote:

 Medication time John, medication time ;-)


 Tim
 Mostly harmless (just plain Norwegian)


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On  
 Behalf Of John
 Francis
 Sent: 18. september 2006 01:51
 To: Pentax-Discuss Mail List
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies


 Enough of us to point out the problems inherent in your
 (quite frankly tiresome and arrogant) insistence that the
 way *you* happen to want to use your camera is the only
 way that any sentient being could possibly consider.
 You're by no means the first poster to storm onto this
 list and, without ever having tried the alternative,
 castigated Pentax for making a choice different from
 yours. If you'd claimed that the interface of the PZ
 bodies (which gave the user the choice) was what Pentax
 should have done, you might have found more support.
 But if they're only going to provide one way of working,
 then your preference for the aperture ring isn't the
 universally superior technique you seem to believe.

 I *did* point out that the problem was only significant
 with long-ish telephoto lenses (it's an issue with any
 lens of 200m or greater focal length,  not just a 600mm).
 But still you denied that there could ever be a problem
 because your hand must be near the aperture ring.



 On Sun, Sep 17, 2006 at 04:36:16PM -0700, Brendan MacRae wrote:
 How many of us are using 600mm lenses...handheld or
 otherwise?

 -Brendan

 --- John Francis [EMAIL PROTECTED] wrote:

 On Sun, Sep 17, 2006 at 11:09:22AM -0700, Brendan
 MacRae wrote:


 --- John Francis [EMAIL PROTECTED] wrote:


 As has been pointed out many times in the past,
 that's
 incorrect if you're using a long-ish telephoto;
 your
 hand is nowhere near the aperture ring.

 nowhere near? If your hand is on the lens it is,
 by
 pure definition, near the aperture ring.

 -Brendan

 Try steadying a 600mm lens sometime (the recommended
 fashion
 is with your hand applying slight pressure on the
 top of the
 lens hood).  That's not near by any stretch of
 imagination.
 (And, in any case, your other hand is much nearer;
 if distance
 is the sole criterion you should adjust the aperture
 with your
 right hand).


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread John Francis
On Tue, Sep 19, 2006 at 08:47:46AM -0400, Doug Franklin wrote:
 John Francis wrote:
 
 Yep, it was at the fall (2005) Atlanta Historics event that the SVRA
 puts on at Road Atlanta each year.  The red and green #40 Tecate car on
 the grid is an ex-Helio Castroneves car, the #5 Valvoline car was
 originally driven by someone else well known (I believe).

At first glance I thought it looked like it could be one of Little Al's
cars, but it looks a little too recent a design for that.

 There were also a number of nice Can-Am cars, but I didn't get many
 photos I liked of them.  And there was an ex-Schumacher Bennetton B191
 that was painted up in the livery for '93 when he won his first World
 Championship.  I'm not sure of the provenance of the #20 Shell car.

That's probably a Kenny Brack ride (possibly even the same car as
in my shot of the pit stop in Portland)


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread John Francis

Semi-pro, at best.   It's not a significant source of income.

On Tue, Sep 19, 2006 at 05:17:04PM +0200, Tim ?sleby wrote:
 Fumes or clear air turbulence. This picture are way beyond cool. 
 Wow, you _are_ pro John.
 
 
 Tim
 Mostly harmless (just plain Norwegian)
  
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of John
 Francis
 Sent: 19. september 2006 08:49
 To: Pentax-Discuss Mail List
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 On Mon, Sep 18, 2006 at 07:46:37PM -0700, Brendan MacRae wrote:
  
  
  --- Doug Franklin [EMAIL PROTECTED] wrote:
  
   John Francis wrote:
   
These shots (which many here have seen before)
   were taken using a monopod
and the monster zoom.  In fact a good number of my
   motorsports shots were
taken with the 300/f2.8 (with or without the 1.7x
   AF adapter) or the big
zoom, and I almost always use a monopod with them.

  http://panix.com/~johnf/temp/PortlandPitStop.jpg
  http://panix.com/~johnf/temp/CityStreets.jpg
   
   Beauty, John.  Those are great shots.  I'm working
  
  
  Here, here. The first with all of the fumes rising up
  toward the top right of the frame...excellent, really
  striking.
  
  -Brendan
 
 As a matter of fact, those aren't fumes - it's clear-air
 turbulence caused by the heat rising from the engines.
 
 It's a shot that makes itself - there's a nice little nook
 at the end of pit out where three or four photographers can
 cluster.  This one was from the prime position (front  low).
 All you need is a sunny day, and a long lens (600mm or so).
 I've got a similar shot from a few years later, but that one
 isn't quite as good, to my mind - the pose of the figures
 isn't as dynamic as this one.
 
 I'm actually prouder of the second shot - that's one that I
 visualised first, and went looking for somewhere to make it.
 
 -- 
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 
 
 
 
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread Kenneth Waller
 I'm actually prouder of the second shot - that's one that I
 visualised first, and went looking for somewhere to make it.

I've had the same inspiration on several of my shots.
A great feeling when you finally capture it on film.

I wonder how wide spread this is with rest of the PDML'ers ?

Kenneth Waller

- Original Message - 
From: John Francis [EMAIL PROTECTED]
Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies


 On Mon, Sep 18, 2006 at 07:46:37PM -0700, Brendan MacRae wrote:
 
 
 --- Doug Franklin [EMAIL PROTECTED] wrote:
 
  John Francis wrote:
  
   These shots (which many here have seen before)
  were taken using a monopod
   and the monster zoom.  In fact a good number of my
  motorsports shots were
   taken with the 300/f2.8 (with or without the 1.7x
  AF adapter) or the big
   zoom, and I almost always use a monopod with them.
   
 http://panix.com/~johnf/temp/PortlandPitStop.jpg
 http://panix.com/~johnf/temp/CityStreets.jpg
  
  Beauty, John.  Those are great shots.  I'm working
 
 
 Here, here. The first with all of the fumes rising up
 toward the top right of the frame...excellent, really
 striking.
 
 -Brendan
 
 As a matter of fact, those aren't fumes - it's clear-air
 turbulence caused by the heat rising from the engines.
 
 It's a shot that makes itself - there's a nice little nook
 at the end of pit out where three or four photographers can
 cluster.  This one was from the prime position (front  low).
 All you need is a sunny day, and a long lens (600mm or so).
 I've got a similar shot from a few years later, but that one
 isn't quite as good, to my mind - the pose of the figures
 isn't as dynamic as this one.
 
 I'm actually prouder of the second shot - that's one that I
 visualised first, and went looking for somewhere to make it.
 
 -- 
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 http://pdml.net/mailman/listinfo/pdml_pdml.net

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread Brendan MacRae


--- John Francis [EMAIL PROTECTED] wrote:

 On Mon, Sep 18, 2006 at 07:46:37PM -0700, Brendan
 MacRae wrote:
  
  
  --- Doug Franklin [EMAIL PROTECTED]
 wrote:
  
   John Francis wrote:
   
These shots (which many here have seen before)
   were taken using a monopod
and the monster zoom.  In fact a good number
 of my
   motorsports shots were
taken with the 300/f2.8 (with or without the
 1.7x
   AF adapter) or the big
zoom, and I almost always use a monopod with
 them.

 
 http://panix.com/~johnf/temp/PortlandPitStop.jpg
  http://panix.com/~johnf/temp/CityStreets.jpg
   
   Beauty, John.  Those are great shots.  I'm
 working
  
  
  Here, here. The first with all of the fumes rising
 up
  toward the top right of the frame...excellent,
 really
  striking.
  
  -Brendan
 
 As a matter of fact, those aren't fumes - it's
 clear-air
 turbulence caused by the heat rising from the
 engines.
 

Ahh, gotcha. Like heat rising from asphalt on a hot
day. I was thrown by the guy refuling the car.

Doh!

-Brendan

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RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread Brendan MacRae


--- Tim Øsleby [EMAIL PROTECTED] wrote:

 And the fact that he is a pro gives him the right to
 attack person in stead
 of the ball? 
 I don't think so.
 
 Anyway. My hint was just a hint, no big deal
 intended.
 
 
 Tim
 Mostly harmless (just plain Norwegian)

I didn't really feel attacked, FWIW.

I've done some time on some political posts and boards
so I've got a REALLY thick skin.

No worries!

-Brendan

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread John Francis
On Tue, Sep 19, 2006 at 12:00:42PM -0700, Brendan MacRae wrote:
 
 --- John Francis [EMAIL PROTECTED] wrote:
 
  As a matter of fact, those aren't fumes - it's
  clear-air turbulence caused by the heat rising
  from the engines.
  
 
 Ahh, gotcha. Like heat rising from asphalt on a hot
 day. I was thrown by the guy refuling the car.

It's an extremely common mistake.  But the last thing
you want around a hot engine (and I mean really hot -
there's a wonderful photograph of a Cosworth F1 engine
on a test stand, with the exhaust pipes glowing orange)
is fuel, or fuel vapour.  That's particularly true of
Champ Cars, which are fuelled with Methanol - it burns
with a totally invisible flame (except at night time,
when you can see a bit of a blue tinge to the flame).
Gasoline fires are bad, but at least you can see them.
So the fuel nozzles not only deliver fuel, they also
exhaust the air displaced by the fuel - nothing gets
out into the vicinity of the car. As a final precaution
the teams also spray a splash of water onto the car at
the end of refuelling, just in case a drop or two of
fuel drips out of the end of the nozzle when it is
removed from the refuelling port - methanol is miscible
with water, so you can extinguish methanol fires using
nothing more sophisticated than a bucket of water.

You can see the water spray here:

  http://panix.com/~johnf/temp/GoGoGo.jpg

That's Alex Zanardi leaving the pits after his final pit
stop (in 1997, the first year he won the championship).
Note that the rear wheels are spinning, but the front
wheels are still stationary.


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread Paul Stenquist
Very interesting. And another excellent shot by the way.
On Sep 19, 2006, at 5:19 PM, John Francis wrote:

 On Tue, Sep 19, 2006 at 12:00:42PM -0700, Brendan MacRae wrote:

 --- John Francis [EMAIL PROTECTED] wrote:

 As a matter of fact, those aren't fumes - it's
 clear-air turbulence caused by the heat rising
 from the engines.


 Ahh, gotcha. Like heat rising from asphalt on a hot
 day. I was thrown by the guy refuling the car.

 It's an extremely common mistake.  But the last thing
 you want around a hot engine (and I mean really hot -
 there's a wonderful photograph of a Cosworth F1 engine
 on a test stand, with the exhaust pipes glowing orange)
 is fuel, or fuel vapour.  That's particularly true of
 Champ Cars, which are fuelled with Methanol - it burns
 with a totally invisible flame (except at night time,
 when you can see a bit of a blue tinge to the flame).
 Gasoline fires are bad, but at least you can see them.
 So the fuel nozzles not only deliver fuel, they also
 exhaust the air displaced by the fuel - nothing gets
 out into the vicinity of the car. As a final precaution
 the teams also spray a splash of water onto the car at
 the end of refuelling, just in case a drop or two of
 fuel drips out of the end of the nozzle when it is
 removed from the refuelling port - methanol is miscible
 with water, so you can extinguish methanol fires using
 nothing more sophisticated than a bucket of water.

 You can see the water spray here:

   http://panix.com/~johnf/temp/GoGoGo.jpg

 That's Alex Zanardi leaving the pits after his final pit
 stop (in 1997, the first year he won the championship).
 Note that the rear wheels are spinning, but the front
 wheels are still stationary.


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-19 Thread Brendan MacRae


--- John Francis [EMAIL PROTECTED] wrote:

 On Tue, Sep 19, 2006 at 12:00:42PM -0700, Brendan
 MacRae wrote:
  
  --- John Francis [EMAIL PROTECTED] wrote:
  
   As a matter of fact, those aren't fumes - it's
   clear-air turbulence caused by the heat rising
   from the engines.
   
  
  Ahh, gotcha. Like heat rising from asphalt on a
 hot
  day. I was thrown by the guy refuling the car.
 
 It's an extremely common mistake.  But the last
 thing
 you want around a hot engine... 
 ...is fuel, or fuel vapour.

Yeah, that would be bad. I mean it's dangerous enough
for a pit crew without explosive vapors to contend
with.

So I take it the fuel intake has some specialized
vacuum seal to prevent such a thing? What's the tank
like? Is it similar to standard fuel cell?

-Brendan

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Cotty
On 17/9/06, Paul Stenquist, discombobulated, unleashed:

I sold my *istD for $666 US two weeks ago.

It's true then. Pentax - the official camera of the devil.

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Adam Maas
Godfrey DiGiorgi wrote:
 On Sep 17, 2006, at 5:57 PM, Adam Maas wrote:
 
 
I find the DA40/2.8 to be mind-boggling. Has it sold well?

I do not know but I thought it was rather a novelty.

I thought so too, but I know several people who've bought one and
they seem to like it a lot.

Considering the price these days, I'm seriously thinking about it.  
Just
because it's limited glass at about 3/4 the cost of a FA 35/2. At that
price I can afford to try it out and see if it works for me.
 
 
 Hmm. Last I recalled the FA35/2 AL was $299 and the DA40/2.8 Ltd was  
 $275 or so. I guess the rebate means $50 off the DA price.
 
 I still prefer the shorter focal length and the easier-to-grip lens,  
 as well as the additional stop in speed. The DA40 is too thin for my  
 hands! The DA21 and DA70 are more to my liking.
 
 Godfrey
 

Here in Canada, the 35/2 is running about $400 and the 40 DA is $299.

-Adam

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Digital Image Studio
On 18/09/06, Adam Maas [EMAIL PROTECTED] wrote:

 Here in Canada, the 35/2 is running about $400 and the 40 DA is $299.

The FA is far better value on a weight basis. ;-P

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Doug Franklin
J. C. O'Connell wrote:

 I have gotten some nice very sharp shots with my 135-600mm SMCT @ 600mm
 Hand held using only a monopod and 1/500 and 1/100. Monopods ROCK!.

Yep, I love my monopod.  I even use it for panning the 400 on both the
MZ-S and the *ist D.  I've gotten to where I can usually hand hold the
300 without much problem, as long as I keep the shutter speed faster
than 1/125.  But the monopod helps there, too.  And the Manfrotto
three-section monopod doubles as a cudgel when needed, too. :-)

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread David Savage
LOL

Dave

On 9/18/06, graywolf [EMAIL PROTECTED] wrote:
 John Wayne could have done it one handed while running up a beach
 shooting a .50 Cal. MG from the other. At least in the movies GRIN.

 Kenneth Waller wrote:
  How many of us are using 600mm lenses...handheld or
  otherwise?
 
  Me.
  Otherwise. A 600mm FA on a Gitzo 1548 with a Kirk King Cobra Head.

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread graywolf
John Wayne could have done it one handed while running up a beach 
shooting a .50 Cal. MG from the other. At least in the movies GRIN.

-- 
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http://webpages.charter.net/graywolf
Idiot Proof == Expert Proof
---


Kenneth Waller wrote:
 How many of us are using 600mm lenses...handheld or
 otherwise?
 
 Me.
 Otherwise. A 600mm FA on a Gitzo 1548 with a Kirk King Cobra Head.
 
 I defy anyone to hand hold a prime 600mm  consistently get acceptable 
 results.
 
 Kenneth Waller
 
 - Original Message - 
 From: Brendan MacRae [EMAIL PROTECTED]
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 
 How many of us are using 600mm lenses...handheld or
 otherwise?

 -Brendan

 --- John Francis [EMAIL PROTECTED] wrote:

 On Sun, Sep 17, 2006 at 11:09:22AM -0700, Brendan
 MacRae wrote:

 --- John Francis [EMAIL PROTECTED] wrote:


 As has been pointed out many times in the past,
 that's
 incorrect if you're using a long-ish telephoto;
 your
 hand is nowhere near the aperture ring.
 nowhere near? If your hand is on the lens it is,
 by
 pure definition, near the aperture ring.

 -Brendan
 Try steadying a 600mm lens sometime (the recommended
 fashion
 is with your hand applying slight pressure on the
 top of the
 lens hood).  That's not near by any stretch of
 imagination.
 (And, in any case, your other hand is much nearer;
 if distance
 is the sole criterion you should adjust the aperture
 with your
 right hand).


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread John Francis
On Mon, Sep 18, 2006 at 08:36:32AM -0400, Doug Franklin wrote:
 J. C. O'Connell wrote:
 
  I have gotten some nice very sharp shots with my 135-600mm SMCT @ 600mm
  Hand held using only a monopod and 1/500 and 1/100. Monopods ROCK!.
 
 Yep, I love my monopod.  I even use it for panning the 400 on both the
 MZ-S and the *ist D.  I've gotten to where I can usually hand hold the
 300 without much problem, as long as I keep the shutter speed faster
 than 1/125.  But the monopod helps there, too.  And the Manfrotto
 three-section monopod doubles as a cudgel when needed, too. :-)

These shots (which many here have seen before) were taken using a monopod
and the monster zoom.  In fact a good number of my motorsports shots were
taken with the 300/f2.8 (with or without the 1.7x AF adapter) or the big
zoom, and I almost always use a monopod with them.

  http://panix.com/~johnf/temp/PortlandPitStop.jpg

  http://panix.com/~johnf/temp/CityStreets.jpg


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Brendan MacRae
That probably makes sense with such an enormous lens
(said I with more than a hint of jealousy).

-Brendan

--- Kenneth Waller [EMAIL PROTECTED] wrote:

 FWIW, I normally control the aperture on my 600mm FA
 using the camera 
 control wheel.
 
 Kenneth Waller
 
 - Original Message - 
 From: Paul Stenquist [EMAIL PROTECTED]
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 
  Three that I know of. Ken, Bill, and Pal. But many
 of us shoot with
  an A 400/5.6 or similar on a regular basis. An
 aperture ring is among
  my worst nightmares. Keep it.
  Paul
  On Sep 17, 2006, at 7:36 PM, Brendan MacRae wrote:
 
  How many of us are using 600mm lenses...handheld
 or
  otherwise?
 
  -Brendan
 
  --- John Francis [EMAIL PROTECTED] wrote:
 
  On Sun, Sep 17, 2006 at 11:09:22AM -0700,
 Brendan
  MacRae wrote:
 
 
  --- John Francis [EMAIL PROTECTED] wrote:
 
 
  As has been pointed out many times in the
 past,
  that's
  incorrect if you're using a long-ish
 telephoto;
  your
  hand is nowhere near the aperture ring.
 
  nowhere near? If your hand is on the lens it
 is,
  by
  pure definition, near the aperture ring.
 
  -Brendan
 
  Try steadying a 600mm lens sometime (the
 recommended
  fashion
  is with your hand applying slight pressure on
 the
  top of the
  lens hood).  That's not near by any stretch of
  imagination.
  (And, in any case, your other hand is much
 nearer;
  if distance
  is the sole criterion you should adjust the
 aperture
  with your
  right hand).
 
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread P. J. Alling
It's been said...

Cotty wrote:

On 17/9/06, Paul Stenquist, discombobulated, unleashed:

  

I sold my *istD for $666 US two weeks ago.



It's true then. Pentax - the official camera of the devil.

  



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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Kenneth Waller
 John Wayne could have done it one handed while running up a beach 
 shooting a .50 Cal. MG from the other. At least in the movies GRIN.

Yeah but could he get to the aperture ring ? VBG

Kenneth Waller

- Original Message - 
From: graywolf [EMAIL PROTECTED]
Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies


 John Wayne could have done it one handed while running up a beach 
 shooting a .50 Cal. MG from the other. At least in the movies GRIN.
 
 -- 
 graywolf
 http://www.graywolfphoto.com
 http://webpages.charter.net/graywolf
 Idiot Proof == Expert Proof
 ---
 
 
 Kenneth Waller wrote:
 How many of us are using 600mm lenses...handheld or
 otherwise?
 
 Me.
 Otherwise. A 600mm FA on a Gitzo 1548 with a Kirk King Cobra Head.
 
 I defy anyone to hand hold a prime 600mm  consistently get acceptable 
 results.
 
 Kenneth Waller
 
 - Original Message - 
 From: Brendan MacRae [EMAIL PROTECTED]
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 
 How many of us are using 600mm lenses...handheld or
 otherwise?

 -Brendan

 --- John Francis [EMAIL PROTECTED] wrote:

 On Sun, Sep 17, 2006 at 11:09:22AM -0700, Brendan
 MacRae wrote:

 --- John Francis [EMAIL PROTECTED] wrote:


 As has been pointed out many times in the past,
 that's
 incorrect if you're using a long-ish telephoto;
 your
 hand is nowhere near the aperture ring.
 nowhere near? If your hand is on the lens it is,
 by
 pure definition, near the aperture ring.

 -Brendan
 Try steadying a 600mm lens sometime (the recommended
 fashion
 is with your hand applying slight pressure on the
 top of the
 lens hood).  That's not near by any stretch of
 imagination.
 (And, in any case, your other hand is much nearer;
 if distance
 is the sole criterion you should adjust the aperture
 with your
 right hand).


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Kenneth Waller
I have gotten some nice very sharp shots 
Key word here is some.

 Hand held using only a monopod and 1/500 and 1/100. Monopods ROCK!.
Better than handheld.

Kenneth Waller

- Original Message - 
From: J. C. O'Connell [EMAIL PROTECTED]

Subject: RE: 50/1.4 or 1.2 for the DSLR Bodies


I have gotten some nice very sharp shots with my 135-600mm SMCT @ 600mm
 Hand held using only a monopod and 1/500 and 1/100. Monopods ROCK!.
 jco
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 Kenneth Waller
 Sent: Sunday, September 17, 2006 11:51 PM
 To: Pentax-Discuss Mail List
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 How many of us are using 600mm lenses...handheld or
 otherwise?
 
 Me.
 Otherwise. A 600mm FA on a Gitzo 1548 with a Kirk King Cobra Head.
 
 I defy anyone to hand hold a prime 600mm  consistently get acceptable 
 results.
 
 Kenneth Waller
 
 - Original Message - 
 From: Brendan MacRae [EMAIL PROTECTED]
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 
 How many of us are using 600mm lenses...handheld or
 otherwise?

 -Brendan

 --- John Francis [EMAIL PROTECTED] wrote:

 On Sun, Sep 17, 2006 at 11:09:22AM -0700, Brendan
 MacRae wrote:
 
 
  --- John Francis [EMAIL PROTECTED] wrote:
 
 
   As has been pointed out many times in the past,
   that's
   incorrect if you're using a long-ish telephoto;
 your
   hand is nowhere near the aperture ring.
 
  nowhere near? If your hand is on the lens it is,
 by
  pure definition, near the aperture ring.
 
  -Brendan

 Try steadying a 600mm lens sometime (the recommended
 fashion
 is with your hand applying slight pressure on the
 top of the
 lens hood).  That's not near by any stretch of
 imagination.
 (And, in any case, your other hand is much nearer;
 if distance
 is the sole criterion you should adjust the aperture
 with your
 right hand).


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Kostas Kavoussanakis
On Sun, 17 Sep 2006, Mark Roberts wrote:

 Yes we are. I was told by someone at Pentax (and also a person from
 another company, Nikon, IIRC) that the single most common reason for
 SLR's coming in for warranty service was the lens having been taken
 off the A setting and the camera not behaving in the way to which
 the customer was accustomed.

 And who pays for all that needless technician time (and shipping
 costs)? We do - because it all adds to Pentax's costs of doing
 business.

There is a remarkably easy solution to this problem, one that has been 
available since the Z-1p. If they care about the technician time, let 
them put the solution in.

Kostas

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread pnstenquist
They did put the solution in. Or rather, they took the cause out. They 
eliminated the aperture ring.
Paul
 -- Original message --
From: Kostas Kavoussanakis [EMAIL PROTECTED]
 On Sun, 17 Sep 2006, Mark Roberts wrote:
 
  Yes we are. I was told by someone at Pentax (and also a person from
  another company, Nikon, IIRC) that the single most common reason for
  SLR's coming in for warranty service was the lens having been taken
  off the A setting and the camera not behaving in the way to which
  the customer was accustomed.
 
  And who pays for all that needless technician time (and shipping
  costs)? We do - because it all adds to Pentax's costs of doing
  business.
 
 There is a remarkably easy solution to this problem, one that has been 
 available since the Z-1p. If they care about the technician time, let 
 them put the solution in.
 
 Kostas
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Mark Roberts
Kostas Kavoussanakis wrote:

On Mon, 18 Sep 2006, [EMAIL PROTECTED] wrote:

 They did put the solution in. Or rather, they took the cause out. They 
 eliminated the aperture ring.

Problem is the solution above does not apply to the lenses one 
already owns.

Why would you want to apply it to lenses you already own?
 
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412-687-2835





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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Kostas Kavoussanakis
On Mon, 18 Sep 2006, [EMAIL PROTECTED] wrote:

 They did put the solution in. Or rather, they took the cause out. They 
 eliminated the aperture ring.

Problem is the solution above does not apply to the lenses one 
already owns.

Kostas

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Mark Roberts
Mark Roberts wrote:

Kostas Kavoussanakis wrote:

On Mon, 18 Sep 2006, [EMAIL PROTECTED] wrote:

 They did put the solution in. Or rather, they took the cause out. They 
 eliminated the aperture ring.

Problem is the solution above does not apply to the lenses one 
already owns.

Why would you want to apply it to lenses you already own?
(That is to say, why would you want to remove aperture rings from
lenses you already own?)

 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Doug Franklin
John Francis wrote:

 These shots (which many here have seen before) were taken using a monopod
 and the monster zoom.  In fact a good number of my motorsports shots were
 taken with the 300/f2.8 (with or without the 1.7x AF adapter) or the big
 zoom, and I almost always use a monopod with them.
 
   http://panix.com/~johnf/temp/PortlandPitStop.jpg
   http://panix.com/~johnf/temp/CityStreets.jpg

Beauty, John.  Those are great shots.  I'm working corners for the
Tuesday practice day at Road Atlanta for the Petit le Mans.  That nets
me basically an all areas, all times pass for the entire event. ;-
Last year I managed to get out to the wall outside T1 for the start of
the race and captured this one:

http://nutdriver.org/Wreck/PlM05-08-06_web.jpg

It's actually one of a sequence that's described at

http://nutdriver.org/Wreck/Narrative.shtml

Hopefully it will be equally useful this year. :-)

I finally put together about a dozen of my favorite race shots and put
them on my flickr account ... I'll get a real gallery going sometime
soon ...

http://www.flickr.com/photos/nutdriverlefty/sets/72157594279961969/


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-18 Thread Brendan MacRae


--- Doug Franklin [EMAIL PROTECTED] wrote:

 John Francis wrote:
 
  These shots (which many here have seen before)
 were taken using a monopod
  and the monster zoom.  In fact a good number of my
 motorsports shots were
  taken with the 300/f2.8 (with or without the 1.7x
 AF adapter) or the big
  zoom, and I almost always use a monopod with them.
  
http://panix.com/~johnf/temp/PortlandPitStop.jpg
http://panix.com/~johnf/temp/CityStreets.jpg
 
 Beauty, John.  Those are great shots.  I'm working


Here, here. The first with all of the fumes rising up
toward the top right of the frame...excellent, really
striking.

-Brendan

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread David Savage
At 01:52 PM 17/09/2006, Godfrey DiGiorgi wrote:
Are we still debating this?

No, were discussing it, because some people still don't feel comfortable 
with on body aperture control.


On Sep 16, 2006, at 9:12 PM, Brendan MacRae wrote:

  Using a dial on a camera body to control the aperture
  is nuts to me. I don't see it as an advantage either.
  To me it seems cumbersome and ridiculous.

Six years ago I felt the same way. But now I find the on-body control
of aperture and shutter speed more useful: it proves to be faster and
easier with less hand movement to achieve what I want.

I feel the same way, but my preference isn't everyone's, so I don't whine 
about it when others voice their opinions.

Dave


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Godfrey DiGiorgi
Are we still debating this?

On Sep 16, 2006, at 9:12 PM, Brendan MacRae wrote:

 Using a dial on a camera body to control the aperture
 is nuts to me. I don't see it as an advantage either.
 To me it seems cumbersome and ridiculous.

Six years ago I felt the same way. But now I find the on-body control  
of aperture and shutter speed more useful: it proves to be faster and  
easier with less hand movement to achieve what I want. Overall,  
however, it really doesn't matter to me at all anymore. I use several  
different cameras and adapt to whatever controls they have, use them  
with equal facility.

Godfrey



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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread David Savage
At 01:56 PM 17/09/2006, Digital Image Studio  wrote:
On 17/09/06, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:

  I had both at the same time. I don't recall that the A50/1.4 was
  substantially smaller than the FA50/1.4, or any lighter. Personally,
  I prefer the FA model, but the A model was a fine lens too.

It definitely felt larger to use, having to move further forward to
access the focus ring may have made it feel larger than it actually
is. In any case I had both and I ended up keeping the FA when I
rationalized my collection, see my 50's before the sell off (the two
lenses in question are at the front):

http://home.swiftdsl.com.au/~distudio/temp/IMGP18869.jpg

Only six remain ;-)

That harem of f1.2's looks great. How many do you have left again?

Dave 


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Godfrey DiGiorgi

On Sep 16, 2006, at 10:56 PM, Digital Image Studio wrote:

 I had both at the same time. I don't recall that the A50/1.4 was
 substantially smaller than the FA50/1.4, or any lighter. Personally,
 I prefer the FA model, but the A model was a fine lens too.

 It definitely felt larger to use, having to move further forward to
 access the focus ring may have made it feel larger than it actually
 is. In any case I had both and I ended up keeping the FA when I
 rationalized my collection, see my 50's before the sell off (the two
 lenses in question are at the front):

 http://home.swiftdsl.com.au/~distudio/temp/IMGP18869.jpg

 From the picture, they seem about the same overall diameter. The A  
has a stepped front and a wider focusing ring, further back on the  
mount. To my hands, that gives me a little more room to grip the FA  
lens and work the focusing ring with my fingertips when I'm manual  
focusing.

But it's horses for courses.

 Only six remain ;-)

Only two remain in my collection. FA50/1.4 and A50/2.8 Macro.

Godfrey

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HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread J. C. O'Connell
I have finally inventoried all my PK lenses, and I have a total
Of 47. 37 Pentax, 10 third party. The pentax are mostly
All primes, K/M. Am I crazy or any others of you out there
With that many (about $6000 worth ) just in Pentax K mount lenses? 
I think I will be getting a K10D too but I have been so
Busy with other things lately I haven't had much time
For photography, :(
JCO 


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Brendan MacRae
Oh, it's cumbersome compared to turning an aperture
ring. Your hand is already there to support the lens.
Wheels are superfluous when you already have other
controls on the body to work like DOF preview,
shutter, exposure comp, AF settings, etc. And that's
from somebody who's used lenses of all kinds for 20+
years.

Why not just let the lens be a lens? Adding one more
control on the body seems backwards to me. I mean that
was the complaint about the plastic blob cameras of
the 90's; they took the simplicity out of photography.
I wouldn't touch one of those PZ cameras with a ten
foot pole. Pentax listened to those complaints and
came out with the ZX-5n which was lauded by everyone
as very simple to operate. Perfect layout, nothing got
in the way. Now, give that camera a metal body,
weather seals and make it digital and I'll shoot with
it all day long.

Just keep the aperture coupling ;-]

-Brendan
--- Paul Stenquist [EMAIL PROTECTED] wrote:

 You may not like it. You're entitled to your
 preferences, as is Rob.  
 But it's neither ridiculous or cumbersome. In fact,
 it's considerably  
 less cumbersome than an aperture ring. And that's
 from someone who  
 used aperture rings for forty years.
 Paul
 On Sep 17, 2006, at 12:12 AM, Brendan MacRae wrote:
 
  Rob...I'm totally with you on this.
 
  Using a dial on a camera body to control the
 aperture
  is nuts to me. I don't see it as an advantage
 either.
  To me it seems cumbersome and ridiculous.
 
  -Brendan
 
  --- Digital Image Studio [EMAIL PROTECTED]
 wrote:
 
  On 17/09/06, Paul Stenquist
  [EMAIL PROTECTED] wrote:
  But you no longer need the ring to set the
  aperture. The dial works
  just fine.
 
  It might work fine, but it's not my preference,
 my
  preference is to
  use the aperture ring, as it is on my Mamiya and
  Leicas. I'm not happy
  that I am being steered away from my preferential
  mode of operation,
  I'm allowed not to like this and I don't see why
 I
  shouldn't be able
  to say so. I don't view the way that things have
  progressed as good or
  advantageous to me because they simply aren't.
 
  -- 
  Rob Studdert
  HURSTVILLE AUSTRALIA
  Tel +61-2-9554-4110
  UTC(GMT)  +10 Hours
  [EMAIL PROTECTED]
 
 http://home.swiftdsl.com.au/~distudio//publications/
  Pentax user since 1986, PDMLer since 1998
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Carlos Royo
Bob W wrote:
 it doesn't seem to work that way. The Olympus lenses designed for the
 4/3 cameras seems to be pretty much the same size  weight as their
 135 equivalents. 
 
 However, they do seem to be able to do other interesting things, such
 as a 35-100 fixed f/2 zoom, which is equivalent to a 70-200/2, and a
 150/2 - equivalent to 300/2.
 

They make some interesting lenses indeed, but some days ago I had the 
35-100 2.0 in my hands, and it weighs even more than my FA 80-200 2.8, 
which is a heavy beast for my taste.

Carlos

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Re: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread DagT
Thanks!

I just showed your mail to my wife, so now she knows that I'm not that bad

I've got 1 M-lens, 6 A-lenses, 3 FA-lenses, 2 DA-lenses (and more on its way) 
and one Sigma 70-300 that I'll give a poor Pentax-using artist I know as soon 
as I meet her .-)

DagT
 
 
 I have finally inventoried all my PK lenses, and I have a total
 Of 47. 37 Pentax, 10 third party. The pentax are mostly
 All primes, K/M. Am I crazy or any others of you out there
 With that many (about $6000 worth ) just in Pentax K mount lenses? 
 I think I will be getting a K10D too but I have been so
 Busy with other things lately I haven't had much time
 For photography, :(
 JCO 
 
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Cotty
On 17/9/06, Digital Image Studio, discombobulated, unleashed:

If I were one handed I'd agree. I can appreciate how it may be an
advantage as you seem to be pretty keen on zoom lenses, that means
that all your left hand needs to do is adjust the FL assuming you use
AF. It's the same as the green button kludge for older lenses, it
works but no one can really argue that it's as practical or convenient
as a coupled lens.

Actually, good point. I prefer an aperture dial on the camera body for
telephoto zooms, but I think I would prefer an aperture ring for wide
angles. In fact, as you know, I use the SMC-K15mm 3.5 on the Canon, and
using the aperture ring on that is super fast, considering my kludge
there is open aperture for focus (if necessary), then stop-down and
shoot (in Av).

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Cotty
On 17/9/06, Digital Image Studio, discombobulated, unleashed:

On 17/09/06, Paul Stenquist [EMAIL PROTECTED] wrote:
 Aperture ring?  For what?

You've already forgotten? It's simply one of the two primary controls
that photographers have over how a photographic exposure is set.

He means the Luddite ring ;-)

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Powell Hargrave
Don't know how good the Pentax is but I have three Vivitar/Kiron 28/2
lenses and all quite different.  All had sticky diaphragms which were
easily fixed and so came quite cheap.
First is soft but usable at f2, cleans up nicely at 2.8 and is quite good
through the range.
Second is worse at f2 and needs 4 to 5.6 to get good.
Third is horrible wide open and isn't sharp until f8 but is the sharpest
lens at 11  16.  Go figure!
I'm keeping the first.  Any offers for the other two? 

Powell


Hmm. I think I want the A28/2 as well. Much more practical than the  
Vivitar, although I wonder which is better. We may never know.
Paul

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Digital Image Studio
On 17/09/06, David Savage [EMAIL PROTECTED] wrote:

 That harem of f1.2's looks great. How many do you have left again?

One only, Derby ended up with one of them, he seemed pretty pleased with it.

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[EMAIL PROTECTED]
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Kostas Kavoussanakis
On Sun, 17 Sep 2006, Digital Image Studio wrote:

 I had two A28/2 at one stage, it's a really nice lens to use, I sold
 it when I bought my 31LTD, wish I hadn't now.

Why?

Kostas

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Digital Image Studio
On 17/09/06, Kostas Kavoussanakis [EMAIL PROTECTED] wrote:

 Why?

It's a great lens and is very fast for its size (though it's not
impractical like some of the Pancakes) plus it's that little bit wider
then the 31 (which I do think is excellent).

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RE: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread J. C. O'Connell
And that's just the PK lenses. I also have a complete set of
The SMCT (35mm M42) lenses 17mm thru 1000mm plus a bunch of special
Interest M42's that Pentax didn't make. Whew...
I need to catalog them next
jco
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
DagT
Sent: Sunday, September 17, 2006 3:43 AM
To: Pentax-Discuss Mail List
Subject: Re: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR
Bodies

Thanks!

I just showed your mail to my wife, so now she knows that I'm not that
bad

I've got 1 M-lens, 6 A-lenses, 3 FA-lenses, 2 DA-lenses (and more on its
way) and one Sigma 70-300 that I'll give a poor Pentax-using artist I
know as soon as I meet her .-)

DagT
 
 
 I have finally inventoried all my PK lenses, and I have a total
 Of 47. 37 Pentax, 10 third party. The pentax are mostly
 All primes, K/M. Am I crazy or any others of you out there
 With that many (about $6000 worth ) just in Pentax K mount lenses? 
 I think I will be getting a K10D too but I have been so
 Busy with other things lately I haven't had much time
 For photography, :(
 JCO 
 
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Paul Stenquist
Until recently, I never owned a zoom lens. I use them now quite a bit 
because they provide an inexpensive way to go wide with a DSLR, and the 
new zooms are quite good. But I focus manually much of the time. That 
makes an aperture wheel more convenient than a ring.
Paul
On Sep 17, 2006, at 1:06 AM, Digital Image Studio wrote:

 On 17/09/06, Paul Stenquist [EMAIL PROTECTED] wrote:
 You may not like it. You're entitled to your preferences, as is Rob.
 But it's neither ridiculous or cumbersome. In fact, it's considerably
 less cumbersome than an aperture ring. And that's from someone who
 used aperture rings for forty years.

 If I were one handed I'd agree. I can appreciate how it may be an
 advantage as you seem to be pretty keen on zoom lenses, that means
 that all your left hand needs to do is adjust the FL assuming you use
 AF. It's the same as the green button kludge for older lenses, it
 works but no one can really argue that it's as practical or convenient
 as a coupled lens.

 -- 
 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110
 UTC(GMT)  +10 Hours
 [EMAIL PROTECTED]
 http://home.swiftdsl.com.au/~distudio//publications/
 Pentax user since 1986, PDMLer since 1998

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Paul Stenquist
I think we'll see some faster primes down the road. These tiny lenses 
are obviously aimed at the K100 and *ist buyers. Given that the K10D 
isn't particularly compact, the advantage of small lenses is minimized. 
But in the end it may well depend on how well the high end zooms sell. 
If there's a market for premium lenses, we'll probably get them.
Paul
On Sep 17, 2006, at 1:09 AM, Digital Image Studio wrote:

 On 17/09/06, Adam Maas [EMAIL PROTECTED] wrote:
 Digital Image Studio wrote:

 Given it's 1/3 of a stop slower, but less expensive than the FA 20/2.8
 (About 2/3rds the cost) and a third the size, I really can't see the
 complaints about the 21 DA. The 70 is quite reasonable too, giving me 
 a
 replacement for one of my favourite lenses (My 100 f2.8 Series E). The
 40 on the other hand is neither fish nor fowl on digital. A fairly
 useless length and lacking the speed that might make the length less 
 of
 an issue.

 What I'm alluding to is that they could likely have produced a truly
 usable lens of lets say 21/2 or f1.8 for instance given the reduced
 image circle and it would have likely been no larger than the A20/2.8

 -- 
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 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110
 UTC(GMT)  +10 Hours
 [EMAIL PROTECTED]
 http://home.swiftdsl.com.au/~distudio//publications/
 Pentax user since 1986, PDMLer since 1998

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RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Tim Øsleby
I have a Vivitar a A-28 f:2, mine is very prone to flare. I don't use it
because of this.


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Paul
Stenquist
Sent: 17. september 2006 05:13
To: Pentax-Discuss Mail List
Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies

Hmm. I think I want the A28/2 as well. Much more practical than the  
Vivitar, although I wonder which is better. We may never know.
Paul
On Sep 16, 2006, at 11:01 PM, Shel Belinkoff wrote:

 Well, now I feel a little better - at least not so alone in my 
 foolishness.

 Shel



 [Original Message]
 From: Digital Image Studio

  Shel Belinkoff 

 I'd much prefer the SMCP-A 28/2.0 that, for some reason I  
 stupidly sold
 a
 year or so back.  I found the 28/2.0 to be a bit soft at the  
 edges until
 f4.0, but after that quite nice throughout the range.

 I had two A28/2 at one stage, it's a really nice lens to use, I sold
 it when I bought my 31LTD, wish I hadn't now.



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Re: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Paul Stenquist
I eventually sell all the lenses I don't use. I've owned at least fifty 
PK lenses but now have about a dozen. Most of the A, FA or DA, although 
a few oldies, like the K85/1.8 and K135/2.5, are too good to part with.
On Sep 17, 2006, at 2:30 AM, J. C. O'Connell wrote:

 I have finally inventoried all my PK lenses, and I have a total
 Of 47. 37 Pentax, 10 third party. The pentax are mostly
 All primes, K/M. Am I crazy or any others of you out there
 With that many (about $6000 worth ) just in Pentax K mount lenses?
 I think I will be getting a K10D too but I have been so
 Busy with other things lately I haven't had much time
 For photography, :(
 JCO


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Cory Papenfuss
 Kiron did make a quite good 28/2 in K mount. You may want to look around 
 to see if there is an SMC-A version of it (Mine's in plain K mount). I'm 
 not entirely sure, but suspect the Vivitar 28/2 is also the same design.
 
I've got a Kiron-built Vivitar 28/2.  Unusably soft and has very 
poor contrast at f/2, but becomes pretty good by f/2.8.

-Cory

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Re: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Mark Roberts
Paul Stenquist wrote:

I eventually sell all the lenses I don't use. I've owned at least fifty 
PK lenses but now have about a dozen.

I'm pretty much the same way. Here's my current list:
31mm f/1.8 Limited
43mm f/1.9 Limited
77mm f/1.8 Limited
K 15mm f/3.5
A 20mm f/2.8
FA*24mm f/2.0
FA 28mm f/2.8
FA 50mm f/1.4
M 50mm f/1.4
F 100mm f/2.8 Macro
FA*28-70 f/2.8
FA*80-200 f/2.8
FA 24-90 f/3.5-4.5 

Plus the Tamron 17-35, Vivitar 70-210 S1 and the Sigma EX300/2.8

Anything I don't use gets sold, as does anything that doesn't measure
up in terms of optical performance. Life is too short to use
second-rate glass :)
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Cory Papenfuss
 If I were one handed I'd agree. I can appreciate how it may be an
 advantage as you seem to be pretty keen on zoom lenses, that means
 that all your left hand needs to do is adjust the FL assuming you use
 AF. It's the same as the green button kludge for older lenses, it
 works but no one can really argue that it's as practical or convenient
 as a coupled lens.
 
It *sorta* works.  As I've argued before, it doesn't work when 
stopping down the lens bottoms out the camera's light meter.  It also 
doesn't work when you use an aftermarket split-prism focus screen when 
stopped down past f/5.6-f/8 or so.

-Cory

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Re: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Digital Image Studio
On 17/09/06, Mark Roberts [EMAIL PROTECTED] wrote:

 Anything I don't use gets sold, as does anything that doesn't measure
 up in terms of optical performance. Life is too short to use
 second-rate glass :)

I'm pretty much the same though I do have two Pentax lenses on cameras
in a glass case. I had a big sell off over a few years and reduced
what was truly an out of control collection down to what is not a good
utilitarian set of very well performing lenses which I would hate to
have to replace now:

Pentax
1 x A convertor
1 x F convertor
1 x screw lens (display)
1 x M lens (display)
6 x A lens
3 x A* lens
4 x FA lens (2 x LTD)
1 x FA* lens
1 x DA lens

Non-Pentax K
1 x A lens

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Mark Roberts
Brendan MacRae wrote:

Reduced complexity in the lens perhaps, and added
complexity into the body.

Actually, there's no added complexity to the body because the body is
going to be made capable of controlling the aperture anyway (for
program and shutter-preferred autoexposure).
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Mark Roberts
Paul Stenquist wrote:

If there's a market for premium lenses, we'll probably get them.

It sounds obvious when you put it that way, doesn't it? g

BTW, Check out Mike J's latest:
http://theonlinephotographer.blogspot.com/2006/09/worlds-one-and-only.html
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Digital Image Studio
On 17/09/06, Mark Roberts [EMAIL PROTECTED] wrote:

 Actually, there's no added complexity to the body because the body is
 going to be made capable of controlling the aperture anyway (for
 program and shutter-preferred autoexposure).

Well they would have to add a very complex and extremely expensive
positional feedback sensor ;-)

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread K.Takeshita
On 9/17/06 9:47 AM, Digital Image Studio, [EMAIL PROTECTED] wrote:

 A classic from the comments section of the linked article:
 
 Daniel Liu said...
 
 It's cool, but I still don't see the point of having a 40mm digital
 lens. I think 5-10mm shorter and it'd sell like pancakes. And am I the
 only one that thinks it looks weird when the grip extends farther than
 the lens?

40mm DA was designed specifically to follow the pattern of FA40mm which
became popular as a true pancake in 35mm SLR.  That's what the designer
said.  So, it does not sound like they had any specific goal in mind other
than to create the former 40mm in a DA incarnation, also taking advantage of
the elimination of the focusing ring.  It sounded almost like designers
experimented how compact a lens they can make as a precursor to the DA
compacts that followed.

Ken


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Re: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Godfrey DiGiorgi

On Sep 17, 2006, at 4:59 AM, Paul Stenquist wrote:

 I eventually sell all the lenses I don't use. I've owned at least  
 fifty
 PK lenses but now have about a dozen. Most of the A, FA or DA,  
 although
 a few oldies, like the K85/1.8 and K135/2.5, are too good to part  
 with.

I do the same. I've only been using Pentax gear for a year and a half  
and have owned/used, briefly, over 30 different lenses. What I have  
now is the small set of the latest series lenses that I use a lot ...

Godfrey

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Digital Image Studio
On 17/09/06, Mark Roberts [EMAIL PROTECTED] wrote:
 Paul Stenquist wrote:

 If there's a market for premium lenses, we'll probably get them.

 It sounds obvious when you put it that way, doesn't it? g

 BTW, Check out Mike J's latest:
 http://theonlinephotographer.blogspot.com/2006/09/worlds-one-and-only.html

A classic from the comments section of the linked article:

Daniel Liu said...

It's cool, but I still don't see the point of having a 40mm digital
lens. I think 5-10mm shorter and it'd sell like pancakes. And am I the
only one that thinks it looks weird when the grip extends farther than
the lens?

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Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread David Savage
On 9/17/06, Digital Image Studio [EMAIL PROTECTED] wrote:
 On 17/09/06, Mark Roberts [EMAIL PROTECTED] wrote:

  Actually, there's no added complexity to the body because the body is
  going to be made capable of controlling the aperture anyway (for
  program and shutter-preferred autoexposure).

 Well they would have to add a very complex and extremely expensive
 positional feedback sensor ;-)

I though it was only a $5 part?!

Dave

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Digital Image Studio
On 18/09/06, Mark Roberts [EMAIL PROTECTED] wrote:

 Someone posted recently that it wasn't a potentiometer, as had been
 believed by most of us, but a stepped resistor assembly and thus
 probably quite a bit more expensive than originally thought.

That was me, it was a printed stepped resistor, thin glass board the
gold plated contacts overprinted with resistive film. However it would
now be very easy and economical to do it with a printed optical grey
code position sensor with 6 bits (f1.2 to f45 in 1/6th f-stops).

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread David Savage
On 9/17/06, Mark Roberts [EMAIL PROTECTED] wrote:
 David Savage wrote:
 On 9/17/06, Digital Image Studio [EMAIL PROTECTED] wrote:
  Well they would have to add a very complex and extremely expensive
  positional feedback sensor ;-)
 
 I though it was only a $5 part?!

 Someone posted recently that it wasn't a potentiometer, as had been
 believed by most of us, but a stepped resistor assembly and thus
 probably quite a bit more expensive than originally thought.

Oh OK.

8 bucks then.

Dave (I forgot the smiley first time around...:-)

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Mark Roberts
David Savage wrote:

On 9/17/06, Digital Image Studio [EMAIL PROTECTED] wrote:
 On 17/09/06, Mark Roberts [EMAIL PROTECTED] wrote:

  Actually, there's no added complexity to the body because the body is
  going to be made capable of controlling the aperture anyway (for
  program and shutter-preferred autoexposure).

 Well they would have to add a very complex and extremely expensive
 positional feedback sensor ;-)

I though it was only a $5 part?!

Someone posted recently that it wasn't a potentiometer, as had been
believed by most of us, but a stepped resistor assembly and thus
probably quite a bit more expensive than originally thought.
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Adam Maas
Cory Papenfuss wrote:
Kiron did make a quite good 28/2 in K mount. You may want to look around 
to see if there is an SMC-A version of it (Mine's in plain K mount). I'm 
not entirely sure, but suspect the Vivitar 28/2 is also the same design.

 
   I've got a Kiron-built Vivitar 28/2.  Unusably soft and has very 
 poor contrast at f/2, but becomes pretty good by f/2.8.
 
 -Cory
 

Mine's Kiron branded. It's pretty good apart from some bloom issues. 
Even better on film.

-Adam

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Re: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Adam Maas
J. C. O'Connell wrote:
 I have finally inventoried all my PK lenses, and I have a total
 Of 47. 37 Pentax, 10 third party. The pentax are mostly
 All primes, K/M. Am I crazy or any others of you out there
 With that many (about $6000 worth ) just in Pentax K mount lenses? 
 I think I will be getting a K10D too but I have been so
 Busy with other things lately I haven't had much time
 For photography, :(
 JCO 
 
 

I think Aaron has got you beat with one lens.

400/2.8's aren't cheap ;-)


-Adam

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Re: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Bob Sullivan
JCO,
I'm crazy too, stopped counting after 50+ primes, not including F or FA lenses.
I am still looking for an A28 f2.0 and K28/2.0, otherwise I've got
most of the K, M, A line, except...
never got into the fish-eyes @ 17mm or the soft focus lenses (85mm)
don't have any examples of the 28mm f3.5's or 35/3.5's
don't have anything longer than 400mm
Regards,  Bob S.


On 9/17/06, J. C. O'Connell [EMAIL PROTECTED] wrote:
 I have finally inventoried all my PK lenses, and I have a total
 Of 47. 37 Pentax, 10 third party. The pentax are mostly
 All primes, K/M. Am I crazy or any others of you out there
 With that many (about $6000 worth ) just in Pentax K mount lenses?
 I think I will be getting a K10D too but I have been so
 Busy with other things lately I haven't had much time
 For photography, :(
 JCO


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread graywolf
I have the Kiron made Vivitar 24/2.0 in K-mount which I like a lot. 
Sharp enough for me (that professionally acceptable thing again) even 
wide open. BTW on DSLR that would be the equivalent of the 35/2.0 that 
is my most used lens on the film cameras. Now if someone wants to donate 
an istD (or a K10D for that matter) I will gladly deal with the green 
button kludge grin.

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Powell Hargrave wrote:
 Don't know how good the Pentax is but I have three Vivitar/Kiron 28/2
 lenses and all quite different.  All had sticky diaphragms which were
 easily fixed and so came quite cheap.
 First is soft but usable at f2, cleans up nicely at 2.8 and is quite good
 through the range.
 Second is worse at f2 and needs 4 to 5.6 to get good.
 Third is horrible wide open and isn't sharp until f8 but is the sharpest
 lens at 11  16.  Go figure!
 I'm keeping the first.  Any offers for the other two? 
 
 Powell
 
 
 Hmm. I think I want the A28/2 as well. Much more practical than the  
 Vivitar, although I wonder which is better. We may never know.
 Paul
 

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread graywolf
Actually I do not think it is on body aperture control that bothers most 
of us. It is not being able to use the lens on our old cameras, and 
having no choice but learning something that provides no improvement in 
our output. But I guess the way to get that point across is by not 
buying something that does not work the way we want it to.

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David Savage wrote:
 At 01:52 PM 17/09/2006, Godfrey DiGiorgi wrote:
 Are we still debating this?
 
 No, were discussing it, because some people still don't feel comfortable 
 with on body aperture control.
 
 
 On Sep 16, 2006, at 9:12 PM, Brendan MacRae wrote:

 Using a dial on a camera body to control the aperture
 is nuts to me. I don't see it as an advantage either.
 To me it seems cumbersome and ridiculous.
 Six years ago I felt the same way. But now I find the on-body control
 of aperture and shutter speed more useful: it proves to be faster and
 easier with less hand movement to achieve what I want.
 
 I feel the same way, but my preference isn't everyone's, so I don't whine 
 about it when others voice their opinions.
 
 Dave
 
 

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread graywolf
Yeah, the Vivitar 24/2.0 is too, you just have to be careful how you use it.

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Tim Øsleby wrote:
 I have a Vivitar a A-28 f:2, mine is very prone to flare. I don't use it
 because of this.
 
 
 Tim
 Mostly harmless (just plain Norwegian)
  
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Paul
 Stenquist
 Sent: 17. september 2006 05:13
 To: Pentax-Discuss Mail List
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 Hmm. I think I want the A28/2 as well. Much more practical than the  
 Vivitar, although I wonder which is better. We may never know.
 Paul
 On Sep 16, 2006, at 11:01 PM, Shel Belinkoff wrote:
 
 Well, now I feel a little better - at least not so alone in my 
 foolishness.

 Shel



 [Original Message]
 From: Digital Image Studio
  Shel Belinkoff 
 I'd much prefer the SMCP-A 28/2.0 that, for some reason I  
 stupidly sold
 a
 year or so back.  I found the 28/2.0 to be a bit soft at the  
 edges until
 f4.0, but after that quite nice throughout the range.
 I had two A28/2 at one stage, it's a really nice lens to use, I sold
 it when I bought my 31LTD, wish I hadn't now.


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Kostas Kavoussanakis
On Sun, 17 Sep 2006, K.Takeshita wrote:

 40mm DA was designed specifically to follow the pattern of FA40mm which
 became popular as a true pancake in 35mm SLR.

There is no FA40. There is no A or F either. The M40/2.8 was a 
gimmicky kind of thing, but at least the FL was interesting on the 
135mm negative.

I find the DA40/2.8 to be mind-boggling. Has it sold well?

Kostas
p.s.: All the pancake lenses llok wierd to me.

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Brendan MacRae
Did I miss something here? If any feature or setting
is added you create more complexity. It may be
relative, but it is there none-the-less.

-Brendan


--- Mark Roberts [EMAIL PROTECTED] wrote:

 Brendan MacRae wrote:
 
 Reduced complexity in the lens perhaps, and added
 complexity into the body.
 
 Actually, there's no added complexity to the body
 because the body is
 going to be made capable of controlling the aperture
 anyway (for
 program and shutter-preferred autoexposure).
  
 -- 
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 www.robertstech.com
 412-687-2835
 
 
 
 
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Thibouille
Ken I guess you are tired... it not an FA40 but an SMC-M 40 and the
focussing ring really didn't dispeared.. but the aperture one did ;)

2006/9/17, K.Takeshita [EMAIL PROTECTED]:
 On 9/17/06 9:47 AM, Digital Image Studio, [EMAIL PROTECTED] wrote:

  A classic from the comments section of the linked article:
 
  Daniel Liu said...
 
  It's cool, but I still don't see the point of having a 40mm digital
  lens. I think 5-10mm shorter and it'd sell like pancakes. And am I the
  only one that thinks it looks weird when the grip extends farther than
  the lens?

 40mm DA was designed specifically to follow the pattern of FA40mm which
 became popular as a true pancake in 35mm SLR.  That's what the designer
 said.  So, it does not sound like they had any specific goal in mind other
 than to create the former 40mm in a DA incarnation, also taking advantage of
 the elimination of the focusing ring.  It sounded almost like designers
 experimented how compact a lens they can make as a precursor to the DA
 compacts that followed.

 Ken


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread John Francis
On Sat, Sep 16, 2006 at 11:48:56PM -0700, Brendan MacRae wrote:
 Oh, it's cumbersome compared to turning an aperture
 ring. Your hand is already there to support the lens.

As has been pointed out many times in the past, that's
incorrect if you're using a long-ish telephoto; your
hand is nowhere near the aperture ring.  It may be on
the focus adjustment, it may just be supporting the
lens (or steadying it, if you're using a monopod).
But the one place it won't be is at the back of the
lens, near the camera body.


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread K.Takeshita
On 9/17/06 1:22 PM, Kostas Kavoussanakis, [EMAIL PROTECTED] wrote:

 The M40/2.8 

My bad!
Forgot it was that old.  I tend to be sloppy on the lenses I parted a long
time ago :-). Several years ago, I rode on the hype, bought this lens and
used it almost exclusively with MZ-M (which I bought almost for this
purpose),  It was truly pocketable (particularly in cooler seasons with many
good size pockets).  Performance was so and so but it was a great snapper,
saving me having to buy an Elph :-).  It was the pancake for the sake of
pancake.

 I find the DA40/2.8 to be mind-boggling. Has it sold well?

I do not know but I thought it was rather a novelty.

 Kostas
 p.s.: All the pancake lenses llok wierd to me.

So, do they to me too.


Ken


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Re: HOW MUCH IS TOO MUCH? WAS: RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread John Francis
On Sun, Sep 17, 2006 at 10:50:47AM -0400, Adam Maas wrote:
 J. C. O'Connell wrote:
  I have finally inventoried all my PK lenses, and I have a total
  Of 47. 37 Pentax, 10 third party. The pentax are mostly
  All primes, K/M. Am I crazy or any others of you out there
  With that many (about $6000 worth ) just in Pentax K mount lenses? 
  I think I will be getting a K10D too but I have been so
  Busy with other things lately I haven't had much time
  For photography, :(
  JCO 
  
  
 
 I think Aaron has got you beat with one lens.
 
 400/2.8's aren't cheap ;-)

I think there are still a couple of 600/f4 owners here, too.
And I've got the 250-600/f5.6


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RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Tim Øsleby
It could be because I don't have a suited hood ;-)


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
graywolf
Sent: 17. september 2006 19:07
To: Pentax-Discuss Mail List
Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies

Yeah, the Vivitar 24/2.0 is too, you just have to be careful how you use it.

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---


Tim Øsleby wrote:
 I have a Vivitar a A-28 f:2, mine is very prone to flare. I don't use it
 because of this.
 
 
 Tim
 Mostly harmless (just plain Norwegian)
  
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Paul
 Stenquist
 Sent: 17. september 2006 05:13
 To: Pentax-Discuss Mail List
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies
 
 Hmm. I think I want the A28/2 as well. Much more practical than the  
 Vivitar, although I wonder which is better. We may never know.
 Paul
 On Sep 16, 2006, at 11:01 PM, Shel Belinkoff wrote:
 
 Well, now I feel a little better - at least not so alone in my 
 foolishness.

 Shel



 [Original Message]
 From: Digital Image Studio
  Shel Belinkoff 
 I'd much prefer the SMCP-A 28/2.0 that, for some reason I  
 stupidly sold
 a
 year or so back.  I found the 28/2.0 to be a bit soft at the  
 edges until
 f4.0, but after that quite nice throughout the range.
 I had two A28/2 at one stage, it's a really nice lens to use, I sold
 it when I bought my 31LTD, wish I hadn't now.


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 http://pdml.net/mailman/listinfo/pdml_pdml.net
 
 

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Paul Stenquist
But the Vivitar Series 1 is an entirely different animal. It's multi- 
coated, although still not quite as good as Pentax coatings.
Paul
On Sep 17, 2006, at 7:25 AM, Tim Øsleby wrote:

 I have a Vivitar a A-28 f:2, mine is very prone to flare. I don't  
 use it
 because of this.


 Tim
 Mostly harmless (just plain Norwegian)


 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On  
 Behalf Of Paul
 Stenquist
 Sent: 17. september 2006 05:13
 To: Pentax-Discuss Mail List
 Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies

 Hmm. I think I want the A28/2 as well. Much more practical than the
 Vivitar, although I wonder which is better. We may never know.
 Paul
 On Sep 16, 2006, at 11:01 PM, Shel Belinkoff wrote:

 Well, now I feel a little better - at least not so alone in my 
 foolishness.

 Shel



 [Original Message]
 From: Digital Image Studio

  Shel Belinkoff 

 I'd much prefer the SMCP-A 28/2.0 that, for some reason I
 stupidly sold
 a
 year or so back.  I found the 28/2.0 to be a bit soft at the
 edges until
 f4.0, but after that quite nice throughout the range.

 I had two A28/2 at one stage, it's a really nice lens to use, I sold
 it when I bought my 31LTD, wish I hadn't now.



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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread K.Takeshita
On 9/17/06 1:35 PM, Thibouille, [EMAIL PROTECTED] wrote:

 Ken I guess you are tired... it not an FA40 but an SMC-M 40 and the
 focussing ring really didn't dispeared.. but the aperture one did ;)

It was early Sunday morning before a cup of coffee :-).

Ken


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Brendan MacRae


--- John Francis [EMAIL PROTECTED] wrote:


 As has been pointed out many times in the past,
 that's
 incorrect if you're using a long-ish telephoto; your
 hand is nowhere near the aperture ring. 

nowhere near? If your hand is on the lens it is, by
pure definition, near the aperture ring. 

-Brendan

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Brendan MacRae


--- graywolf [EMAIL PROTECTED] wrote:

 Actually I do not think it is on body aperture
 control that bothers most 
 of us. It is not being able to use the lens on our
 old cameras,

Yeah, that's a bummer since I've heard a lot of good
comments about the DA glass.

 and 
 having no choice but learning something that
 provides no improvement in 
 our output. 

Right.


But I guess the way to get that point
 across is by not 
 buying something that does not work the way we want
 it to.
 

Well, so far I haven't purchased any DA or FAJ lenses
simply because I have no camera body to accomodate
them. That will change with K10D but I wonder how long
it will be before I cave.

I suppose it depends on what my images look like with
my older lenses and if shooting Aperture Priority the
new way doesn't make me throw the camera out the
window.

-Brendan

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Mark Roberts
John Francis wrote:

On Sat, Sep 16, 2006 at 11:48:56PM -0700, Brendan MacRae wrote:
 Oh, it's cumbersome compared to turning an aperture
 ring. Your hand is already there to support the lens.

As has been pointed out many times in the past, that's
incorrect if you're using a long-ish telephoto; your
hand is nowhere near the aperture ring.  It may be on
the focus adjustment, it may just be supporting the
lens (or steadying it, if you're using a monopod).
But the one place it won't be is at the back of the
lens, near the camera body.

And with many long telephotos - the FA*80-200/2.8 comes to mind - the
aperture ring is damned difficult to get at when you have the battery
grip on the camera and/or you're using a tripod. This was one of the
reasons I decided to sell my MZ-S a couple of months ago; it was just
so inconvenient using the aperture ring with several of the lenses I
use a lot and the MZ-S had a single-dial control system. Despite its
other strong points, I regarded this as a major ergonomic failure of
the MZ-S and I really missed it when I sold my PZ-1p.

 
-- 
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www.robertstech.com
412-687-2835





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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Paul Stenquist
You can't really shoot aperture priority using an aperture ring with  
the K10D. You will get only wide open ap priority. You'll have to  
shoot manual exposure, using the green button. If you have A lenses  
or FA lenses, you can of course use them with the aperture ring in  
the A position.
Paul
On Sep 17, 2006, at 1:59 PM, Brendan MacRae wrote:



 --- graywolf [EMAIL PROTECTED] wrote:

 Actually I do not think it is on body aperture
 control that bothers most
 of us. It is not being able to use the lens on our
 old cameras,

 Yeah, that's a bummer since I've heard a lot of good
 comments about the DA glass.

  and
 having no choice but learning something that
 provides no improvement in
 our output.

 Right.


 But I guess the way to get that point
 across is by not
 buying something that does not work the way we want
 it to.


 Well, so far I haven't purchased any DA or FAJ lenses
 simply because I have no camera body to accomodate
 them. That will change with K10D but I wonder how long
 it will be before I cave.

 I suppose it depends on what my images look like with
 my older lenses and if shooting Aperture Priority the
 new way doesn't make me throw the camera out the
 window.

 -Brendan

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread John Francis
On Sun, Sep 17, 2006 at 11:09:22AM -0700, Brendan MacRae wrote:
 
 
 --- John Francis [EMAIL PROTECTED] wrote:
 
 
  As has been pointed out many times in the past,
  that's
  incorrect if you're using a long-ish telephoto; your
  hand is nowhere near the aperture ring. 
 
 nowhere near? If your hand is on the lens it is, by
 pure definition, near the aperture ring. 
 
 -Brendan

Try steadying a 600mm lens sometime (the recommended fashion
is with your hand applying slight pressure on the top of the
lens hood).  That's not near by any stretch of imagination.
(And, in any case, your other hand is much nearer; if distance
is the sole criterion you should adjust the aperture with your
right hand).


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Adam Maas
Many of the lesser Vivitar lenses, especially the Kiron production, are 
MC too.

-Adam


Paul Stenquist wrote:
 But the Vivitar Series 1 is an entirely different animal. It's multi- 
 coated, although still not quite as good as Pentax coatings.
 Paul
 On Sep 17, 2006, at 7:25 AM, Tim Øsleby wrote:
 
 
I have a Vivitar a A-28 f:2, mine is very prone to flare. I don't  
use it
because of this.


Tim
Mostly harmless (just plain Norwegian)


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On  
Behalf Of Paul
Stenquist
Sent: 17. september 2006 05:13
To: Pentax-Discuss Mail List
Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies

Hmm. I think I want the A28/2 as well. Much more practical than the
Vivitar, although I wonder which is better. We may never know.
Paul
On Sep 16, 2006, at 11:01 PM, Shel Belinkoff wrote:


Well, now I feel a little better - at least not so alone in my 
foolishness.

Shel




[Original Message]
From: Digital Image Studio

 Shel Belinkoff 

I'd much prefer the SMCP-A 28/2.0 that, for some reason I
stupidly sold

a

year or so back.  I found the 28/2.0 to be a bit soft at the
edges until
f4.0, but after that quite nice throughout the range.

I had two A28/2 at one stage, it's a really nice lens to use, I sold
it when I bought my 31LTD, wish I hadn't now.



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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Adam Maas
Brendan MacRae wrote:
 
 --- John Francis [EMAIL PROTECTED] wrote:
 
 
 
As has been pointed out many times in the past,
that's
incorrect if you're using a long-ish telephoto; your
hand is nowhere near the aperture ring. 
 
 
 nowhere near? If your hand is on the lens it is, by
 pure definition, near the aperture ring. 
 
 -Brendan
 

Certainly not on my 180/2.8 Nikkor, and even less so on a longer lens. 
Often enough with long glass the camera hand will be far closer to the 
aperture ring than the lens hand.

-Adam

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Adam Maas
Kostas Kavoussanakis wrote:
 On Sun, 17 Sep 2006, K.Takeshita wrote:
 
 
40mm DA was designed specifically to follow the pattern of FA40mm which
became popular as a true pancake in 35mm SLR.
 
 
 There is no FA40. There is no A or F either. The M40/2.8 was a 
 gimmicky kind of thing, but at least the FL was interesting on the 
 135mm negative.
 
 I find the DA40/2.8 to be mind-boggling. Has it sold well?
 
 Kostas
 p.s.: All the pancake lenses llok wierd to me.
 

I Like 40mm on film. Shoot it moderately often with my Canonet. 60mm on 
the other hand is something I can't really see.

The DA 40 is known to cover a 35mm frame. IIRC there is a big fan of it 
on film lurking around here somewhere.

-Adam

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Adam Maas
Av mode works just fine with M42 glass ;-)


-Adam


Paul Stenquist wrote:
 You can't really shoot aperture priority using an aperture ring with  
 the K10D. You will get only wide open ap priority. You'll have to  
 shoot manual exposure, using the green button. If you have A lenses  
 or FA lenses, you can of course use them with the aperture ring in  
 the A position.
 Paul
 On Sep 17, 2006, at 1:59 PM, Brendan MacRae wrote:
 
 

--- graywolf [EMAIL PROTECTED] wrote:


Actually I do not think it is on body aperture
control that bothers most
of us. It is not being able to use the lens on our
old cameras,

Yeah, that's a bummer since I've heard a lot of good
comments about the DA glass.

 and

having no choice but learning something that
provides no improvement in
our output.

Right.


But I guess the way to get that point

across is by not
buying something that does not work the way we want
it to.


Well, so far I haven't purchased any DA or FAJ lenses
simply because I have no camera body to accomodate
them. That will change with K10D but I wonder how long
it will be before I cave.

I suppose it depends on what my images look like with
my older lenses and if shooting Aperture Priority the
new way doesn't make me throw the camera out the
window.

-Brendan

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Digital Image Studio
On 18/09/06, Mark Roberts [EMAIL PROTECTED] wrote:

 And with many long telephotos - the FA*80-200/2.8 comes to mind - the
 aperture ring is damned difficult to get at when you have the battery
 grip on the camera and/or you're using a tripod. This was one of the
 reasons I decided to sell my MZ-S a couple of months ago; it was just
 so inconvenient using the aperture ring with several of the lenses I
 use a lot and the MZ-S had a single-dial control system. Despite its
 other strong points, I regarded this as a major ergonomic failure of
 the MZ-S and I really missed it when I sold my PZ-1p.

Interesting, I don't have the grip, I don't often shoot longer than
200 (if I did I'd probably own a Canon system by now) and most often
I'm shooting with compact prime lenses. So in my case aperture
priority on the lens is quite viable. Or rather it would be if the
camera had aperture coupling and didn't have that ridiculous
overhanging RTF (I've thought of sawing it off my *ist now that it's
worth little more than a paper weight).

Now wouldn't it be just dandy if the user had the choice to operate
both ways? This is my point, not that one mode of operation is far
superior that the other but that the exclusion of one mode of
operation has eliminated a comfortable mode of operation for some of
us when both modes could readily be accommodated.

-- 
Rob Studdert
HURSTVILLE AUSTRALIA
Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
http://home.swiftdsl.com.au/~distudio//publications/
Pentax user since 1986, PDMLer since 1998

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Brendan MacRae
How many of us are using 600mm lenses...handheld or
otherwise?

-Brendan

--- John Francis [EMAIL PROTECTED] wrote:

 On Sun, Sep 17, 2006 at 11:09:22AM -0700, Brendan
 MacRae wrote:
  
  
  --- John Francis [EMAIL PROTECTED] wrote:
  
  
   As has been pointed out many times in the past,
   that's
   incorrect if you're using a long-ish telephoto;
 your
   hand is nowhere near the aperture ring. 
  
  nowhere near? If your hand is on the lens it is,
 by
  pure definition, near the aperture ring. 
  
  -Brendan
 
 Try steadying a 600mm lens sometime (the recommended
 fashion
 is with your hand applying slight pressure on the
 top of the
 lens hood).  That's not near by any stretch of
 imagination.
 (And, in any case, your other hand is much nearer;
 if distance
 is the sole criterion you should adjust the aperture
 with your
 right hand).
 
 
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Shel Belinkoff
I agree 100% with that statement. ;-))

Shel



 [Original Message]
 From: Digital Image Studio 

 Now wouldn't it be just dandy if the user had the choice to operate
 both ways? This is my point, not that one mode of operation is far
 superior that the other but that the exclusion of one mode of
 operation has eliminated a comfortable mode of operation for some of
 us when both modes could readily be accommodated.



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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread P. J. Alling
They didn't use it because the 4/3 system is part of a Kodak consortium, 
of the same type that brought us APS film,.and to a lesser extent the 
New 110, and 126 cartridge films from he 60's and 70's.  Olympus had 
to work within that framework.

Adam Maas wrote:

I do kinda wonder why they didn't use a variation of that mount for 4/3rds.

-Adam


Doug Miles wrote:
  

Seems we've visited this place before... Reminding me there was a 38mm
f/1.8, 40mm f/1.4, 60mm f/1.5, and 70mm f/2 all made for 18x24mm coverage...
by Olympus for the Pen F. They didn't do as much with wide angles; their
fast 25mm coming in at f/2.8. Unfortunately these lenses are not
applicable to today's dSLRs since their back-focus is too short, about the
same as for an M-Leica.

Mi Doug

On 09/16/06 14:21, P. J. Alling [EMAIL PROTECTED] wrote:




Actually I'd like to see a lens somewhere in the 55-60mm range with a
max aperture between 1.2 and 2.0, and a fast 35mm sort of like a fast
50mm on 35mm film.
  






  



-- 
Things should be made as simple as possible -- but no simpler.

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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread John Francis

Enough of us to point out the problems inherent in your
(quite frankly tiresome and arrogant) insistence that the
way *you* happen to want to use your camera is the only
way that any sentient being could possibly consider.
You're by no means the first poster to storm onto this
list and, without ever having tried the alternative,
castigated Pentax for making a choice different from
yours. If you'd claimed that the interface of the PZ
bodies (which gave the user the choice) was what Pentax
should have done, you might have found more support.
But if they're only going to provide one way of working,
then your preference for the aperture ring isn't the
universally superior technique you seem to believe.

I *did* point out that the problem was only significant
with long-ish telephoto lenses (it's an issue with any
lens of 200m or greater focal length,  not just a 600mm).
But still you denied that there could ever be a problem
because your hand must be near the aperture ring.



On Sun, Sep 17, 2006 at 04:36:16PM -0700, Brendan MacRae wrote:
 How many of us are using 600mm lenses...handheld or
 otherwise?
 
 -Brendan
 
 --- John Francis [EMAIL PROTECTED] wrote:
 
  On Sun, Sep 17, 2006 at 11:09:22AM -0700, Brendan
  MacRae wrote:
   
   
   --- John Francis [EMAIL PROTECTED] wrote:
   
   
As has been pointed out many times in the past,
that's
incorrect if you're using a long-ish telephoto;
  your
hand is nowhere near the aperture ring. 
   
   nowhere near? If your hand is on the lens it is,
  by
   pure definition, near the aperture ring. 
   
   -Brendan
  
  Try steadying a 600mm lens sometime (the recommended
  fashion
  is with your hand applying slight pressure on the
  top of the
  lens hood).  That's not near by any stretch of
  imagination.
  (And, in any case, your other hand is much nearer;
  if distance
  is the sole criterion you should adjust the aperture
  with your
  right hand).
  
  
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RE: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Tim Øsleby
Medication time John, medication time ;-)


Tim
Mostly harmless (just plain Norwegian)
 

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of John
Francis
Sent: 18. september 2006 01:51
To: Pentax-Discuss Mail List
Subject: Re: 50/1.4 or 1.2 for the DSLR Bodies


Enough of us to point out the problems inherent in your
(quite frankly tiresome and arrogant) insistence that the
way *you* happen to want to use your camera is the only
way that any sentient being could possibly consider.
You're by no means the first poster to storm onto this
list and, without ever having tried the alternative,
castigated Pentax for making a choice different from
yours. If you'd claimed that the interface of the PZ
bodies (which gave the user the choice) was what Pentax
should have done, you might have found more support.
But if they're only going to provide one way of working,
then your preference for the aperture ring isn't the
universally superior technique you seem to believe.

I *did* point out that the problem was only significant
with long-ish telephoto lenses (it's an issue with any
lens of 200m or greater focal length,  not just a 600mm).
But still you denied that there could ever be a problem
because your hand must be near the aperture ring.



On Sun, Sep 17, 2006 at 04:36:16PM -0700, Brendan MacRae wrote:
 How many of us are using 600mm lenses...handheld or
 otherwise?
 
 -Brendan
 
 --- John Francis [EMAIL PROTECTED] wrote:
 
  On Sun, Sep 17, 2006 at 11:09:22AM -0700, Brendan
  MacRae wrote:
   
   
   --- John Francis [EMAIL PROTECTED] wrote:
   
   
As has been pointed out many times in the past,
that's
incorrect if you're using a long-ish telephoto;
  your
hand is nowhere near the aperture ring. 
   
   nowhere near? If your hand is on the lens it is,
  by
   pure definition, near the aperture ring. 
   
   -Brendan
  
  Try steadying a 600mm lens sometime (the recommended
  fashion
  is with your hand applying slight pressure on the
  top of the
  lens hood).  That's not near by any stretch of
  imagination.
  (And, in any case, your other hand is much nearer;
  if distance
  is the sole criterion you should adjust the aperture
  with your
  right hand).
  
  
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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread Brendan MacRae


--- Paul Stenquist [EMAIL PROTECTED] wrote:

 You can't really shoot aperture priority using an
 aperture ring with  
 the K10D. You will get only wide open ap priority.
 You'll have to  
 shoot manual exposure, using the green button. If
 you have A lenses  
 or FA lenses, you can of course use them with the
 aperture ring in  
 the A position.
 Paul



Yes, I understand that. That's why I said shooting
Aperture Priority the 'new' way in my post.

-Brendan


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Re: 50/1.4 or 1.2 for the DSLR Bodies

2006-09-17 Thread John Francis

I sympathise, but I'd have to admit my agreement is less than 100%

If we're going to have aperture controlled by a ring on the lens,
then what else?  Exposure compensation by a control near the lens
mount, or beneath the ISO dial?  A shutter speed knob on the top
of the camera, rather than a finger wheel?  (At least I doubt if
too many people would want the up/down buttons of the ME Super).
Camera interfaces change.  [I'd actually have liked an ISO dial
on my *ist-D, but that's opening a whole different can of worms].

When I was using a PZ-1p I did occasionally use the aperture
ring on my lenses (even the later FA ones; on the pre-A lenses
I had no choice, of course). There are times when it was handy.
And if it were available on the *ist-D or K10D I expect that
I'd use it occasionally, too.  But I can see the argument for
simplifying the interface (and it's a lot more than just the
cost of the mechanical linkage).


On Sun, Sep 17, 2006 at 04:31:03PM -0700, Shel Belinkoff wrote:
 I agree 100% with that statement. ;-))
 
 Shel
 
 
 
  [Original Message]
  From: Digital Image Studio 
 
  Now wouldn't it be just dandy if the user had the choice to operate
  both ways? This is my point, not that one mode of operation is far
  superior that the other but that the exclusion of one mode of
  operation has eliminated a comfortable mode of operation for some of
  us when both modes could readily be accommodated.
 
 
 
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