RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-23 Thread J.C. O'Connell
Sorry but I do not agree its the dominant
musical form here, there, or anywhere. You are
mistaken. Pop/Rock is by far more dominant
than anything else in sales and radio airplay.
--
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Adam Maas
Sent: Sunday, November 22, 2009 8:20 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital : One retailers sales data


On Sun, Nov 22, 2009 at 6:47 PM, J.C. O'Connell hifis...@gate.net
wrote:
 OK, there are some, but I am not going
 to buy for one second the premise that
 the majority of newly mfd record sales
 in 2009 is dance records, that is just
 way way too small of a genre/market
 compared to reissue rock, jazz, classical
 and the whole thing doesn't make sense
 from the audiophile standpoint either,
 most people buying records in the year
 2009 a doing so for solely for sound
 quality reasons and want the best sounding
 recordings of all time ( reissues), not because they are apprenticing 
 to be a pro DJ and want to sping the latest Madonna record...
 I know lots of guys with great systems
 and LP rigs, and none of them are doing
 it for DJ reasons or dance music, NONE.
 --
 J.C. O'Connell (mailto:hifis...@gate.net)

And your provincialism shows.

Dance and electronica are huge markets overall. It's the dominant
musical form in Europe and Asia and extremely popular in North America
(Coming in fourth after RB/Hip-Hop, Pop and Country).

Most people buying records today are doing it because the latest
remixes's and tracksare only available in 7 or 12 form from stores. A
lot of dance music is only ever released in MP3/AAC and 7 or 12 Vinyl
forms with no CD release at all as the genre is almost entirely
single-driven (albums are rare in Dance music, most CD's are
compilations Those that aren't are mostly buying Brit-rock singles
(pretty much every major single from any significant UK band active
today is available as a 7 single).

Of course the guys you know aren't doing it for DJ reasons or dance
music. They're most likely Audiophiles and older and thus completely
non-repressentative of the music market which is utterly dominated by
the 16-25 year olds who are far and away the primary consumers. The
Dance music market is even more oriented towards the younger crowd than
the overall music market. Talk to some of them sometime and you'll be
surprised who's got vinyl.

The numbers simply don't lie. And you haven't provided a single one
which contradicts the numbers I've posted.


-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Adam Maas
On Sat, Nov 21, 2009 at 9:09 PM, J.C. O'Connell hifis...@gate.net wrote:
 Your post is not clear if your being serious or
 sarcastic. I will state what I have been saying
 all along, I don't believe the majority of
 new vinyl sales in 2009 is dance records as suggested, its
 mostly reissues of classic rock, jazz and classical.
 I have been follwing the new LP market for 20 years
 since the low point in '89 or so when everybody
 thought vinyl was dead for good. While there are a
 lot of dance releases on vinyl that are new for
 2009 music, that's not where the bulk of vinyl
 sales come from. It's now an expensive audiophile format dominated
 by new release reissues of classic recordings
 from the latter half of the 30th century.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)

Vinyl is HUGE in the hip-hop, dance and electronica worlds and they're
far, far larger markets than the Audiophile market. I'd strongly
suspect that those markets outsell the classic rock, jazz and
classical markets by a large margin. The Audiophile market is tiny
compared to a market where vinyl is a big deal and where large acts
can fill stadiums on a regular basis. Big acts

You aren't a proper dance or electronica DJ unless you're spinning on
a pair of turntables.

Jazz and classical are tiny markets overall, classic rock is larger,
but compared to the dance, hip-hop and electronica markets it's also
fairly small these days.

If you're involved with the classic rock, jazz and classical vinyl
scene you'll likely never see the other side since they don't really
mix well. But the big acts can sell 0.1% of their album sales in vinyl
and still sell 10,000+ copies per album. That adds up right quick when
you have a couple dozen major releases a year in that segment (and
thousands of smaller ones).

-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread J.C. O'Connell
dream on, while there are very large number of NEW MUSiC titles
in hip hop and dance, this is not the same as overall new LPs mfg and 
sold in all genres and including reissues. Dance/hip hop titles are
popular
on vinyl for DJS, the average dance/hip fan doesn't use LP or
even CD either, they are on the free MP3 train with nearly everybody
else. You are completely wrong about what the LP market is today,
its for audiophiles and high end gear, there is no point
in even using vinyl unless you get better sound or are a DJ
but Id bet music loving audiophiles with LP rigs outnumbers
DJs by 100 to 1. 

--
J.C. O'Connell (mailto:hifis...@gate.net)
Join the CD PLAYER  DISC Discussions :
http://tech.groups.yahoo.com/group/cdplayers/
http://launch.groups.yahoo.com/group/cdsound/ 


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Adam Maas
Sent: Sunday, November 22, 2009 12:14 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital : One retailers sales data


On Sat, Nov 21, 2009 at 9:09 PM, J.C. O'Connell hifis...@gate.net
wrote:
 Your post is not clear if your being serious or
 sarcastic. I will state what I have been saying
 all along, I don't believe the majority of
 new vinyl sales in 2009 is dance records as suggested, its mostly 
 reissues of classic rock, jazz and classical. I have been follwing the

 new LP market for 20 years since the low point in '89 or so when 
 everybody thought vinyl was dead for good. While there are a
 lot of dance releases on vinyl that are new for
 2009 music, that's not where the bulk of vinyl
 sales come from. It's now an expensive audiophile format dominated
 by new release reissues of classic recordings
 from the latter half of the 30th century.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)

Vinyl is HUGE in the hip-hop, dance and electronica worlds and they're
far, far larger markets than the Audiophile market. I'd strongly suspect
that those markets outsell the classic rock, jazz and classical markets
by a large margin. The Audiophile market is tiny compared to a market
where vinyl is a big deal and where large acts can fill stadiums on a
regular basis. Big acts

You aren't a proper dance or electronica DJ unless you're spinning on a
pair of turntables.

Jazz and classical are tiny markets overall, classic rock is larger, but
compared to the dance, hip-hop and electronica markets it's also fairly
small these days.

If you're involved with the classic rock, jazz and classical vinyl scene
you'll likely never see the other side since they don't really mix well.
But the big acts can sell 0.1% of their album sales in vinyl and still
sell 10,000+ copies per album. That adds up right quick when you have a
couple dozen major releases a year in that segment (and thousands of
smaller ones).

-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Adam Maas
On Sun, Nov 22, 2009 at 1:57 PM, J.C. O'Connell hifis...@gate.net wrote:
 dream on, while there are very large number of NEW MUSiC titles
 in hip hop and dance, this is not the same as overall new LPs mfg and
 sold in all genres and including reissues. Dance/hip hop titles are
 popular
 on vinyl for DJS, the average dance/hip fan doesn't use LP or
 even CD either, they are on the free MP3 train with nearly everybody
 else. You are completely wrong about what the LP market is today,
 its for audiophiles and high end gear, there is no point
 in even using vinyl unless you get better sound or are a DJ
 but Id bet music loving audiophiles with LP rigs outnumbers
 DJs by 100 to 1.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)

Well, apart from the fact that there's a zillion kids who want to be
DJ's who snap up that stuff. DJ'ing is the electronica and dance
equivalent of being in garage band and having a turntable and some
vinyl is as necessary to that as a guitar and amp are to a wannabe
rockstar. Lots of low-level involvement, lots of sales, mostly from
music stores for the hardware (rather than stores which sell Home
Theater and Audio stuff which caters to the market you're familiar
with). You won't see the sales because the people in question don't
buy from the same sources you do. They buy their turntables online or
from the local music store and their vinyl comes from specialty shops
which cater to the hip-hop/electronica/dance market rather than
specialty shops which cater to the audiophile market. And in any major
city the former outnumber the latter by a fair margin.

Also Vinyl is VERY popular with the dance and electronica markets. You
essentially can't be a serious electronica fan and not have an LP
setup. Dance is more CD-oriented than electronica but still has a
major LP focus for serious fans.

Note that the electronica, hip-hop and dance market is large enough
that if even a fraction of CD sales of each album occur in vinyl it
will have significantly larger aggregate sales than the (tiny)
audiophile market. And that's the largest portion of the music market
today (Dance, hip-hop and electronica are the largest music markets
globally).

Music loving audiophiles are not a large market and they don't tend to
buy as much volume. Teenagers who want to be famous are a large market
and one who tends to buy a lot of volume.

I'll note here that I spend a fairly large amount of time around 18-21
year olds (Being a university student myself, albeit a fair bit
older). Most of the ones I know who are into the dance or electronica
scene have an LP setup and collection. Many are avid collectors of
LP's. Hip-hop fans are less likely to have that sort of setup unless
they are aspiring DJ's, mostly because there's less of a 'exclusive
release' market for Hip-Hop LP's  as compared to electronica/dance
where exclusive LP editions are common for major releases.
-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Bob W
[...]
 

 Music loving audiophiles are not a large market and they 
 don't tend to buy as much volume. Teenagers who want to be 
 famous are a large market and one who tends to buy a lot of volume.
[...]

Here are some hard stats from people who know:
http://www.theonion.com/content/amvo/cd_sales_down_lp_sales_up



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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Adam Maas
On Sun, Nov 22, 2009 at 3:25 PM, Bob W p...@web-options.com wrote:
 [...]


 Music loving audiophiles are not a large market and they
 don't tend to buy as much volume. Teenagers who want to be
 famous are a large market and one who tends to buy a lot of volume.
 [...]

 Here are some hard stats from people who know:
 http://www.theonion.com/content/amvo/cd_sales_down_lp_sales_up




And some real-world stats:

http://www.telegraph.co.uk/news/uknews/1529059/Why-singles-are-top-of-the-pops-again.html

Those are UK numbers though, which pretty strongly show that the big
seller is 7 singles, with over a million sold in 2005 in the UK
alone.

Over here, for full albums it's:

http://blogs.laweekly.com/westcoastsound/news/neilson-soundscan-2008-sales-f/

with only 2 classic rock reissues on the list (along with a pair of
non-classic reissues and 5 new albums). Note that this is for albums
and the dance/electronica/hip-hop scene is mostly singles. One of
those albums is however an electronica release, Third from Portishead.

It's pretty clear from that sales list that Audiophiles are not the
biggest driver of LP album sales unless they're also big Radiohead
fans. And that the market for LP's is not as big as for singles (I
wasn't able to find any US sales numbers for singles. But if the much
smaller UK market is selling 1 million+ singles, the US market is
likely even larger for singles than for albums).
-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Rob Studdert
On 23/11/2009, Adam Maas a...@mawz.ca wrote:

 And some real-world stats:

Not fair, stifling a good argument with real world stats!

-- 
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Bob W
 
  And some real-world stats:
 
 Not fair, stifling a good argument with real world stats!
 

They leave plenty of room for creative interpretation!


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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Rob Studdert
On 23/11/2009, Bob W p...@web-options.com wrote:
 
   And some real-world stats:
 
  Not fair, stifling a good argument with real world stats!
 

 They leave plenty of room for creative interpretation!

But we already have an abundance of that. ;-)

-- 
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Tel: +61-418-166-870 UTC +10 Hours
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RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread J.C. O'Connell
we are talking about newly mfd record sales. There are almost
no record brick and mortar stores left now. So basically LP records are
sold online
now. I can show you a whole bunch of record retailers selling lots of
newly mfd.
reissue classic rock, pop, jazz, and classical. Show me show outlets
where all this tons of dance and hip-hop stuff is for sale ? ? ? ? 


--
J.C. O'Connell (mailto:hifis...@gate.net)
Join the CD PLAYER  DISC Discussions :
http://tech.groups.yahoo.com/group/cdplayers/
http://launch.groups.yahoo.com/group/cdsound/ 


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Adam Maas
Sent: Sunday, November 22, 2009 3:15 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital : One retailers sales data


On Sun, Nov 22, 2009 at 1:57 PM, J.C. O'Connell hifis...@gate.net
wrote:
 dream on, while there are very large number of NEW MUSiC titles in hip

 hop and dance, this is not the same as overall new LPs mfg and sold in

 all genres and including reissues. Dance/hip hop titles are popular
 on vinyl for DJS, the average dance/hip fan doesn't use LP or
 even CD either, they are on the free MP3 train with nearly everybody
 else. You are completely wrong about what the LP market is today,
 its for audiophiles and high end gear, there is no point
 in even using vinyl unless you get better sound or are a DJ
 but Id bet music loving audiophiles with LP rigs outnumbers
 DJs by 100 to 1.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)

Well, apart from the fact that there's a zillion kids who want to be
DJ's who snap up that stuff. DJ'ing is the electronica and dance
equivalent of being in garage band and having a turntable and some vinyl
is as necessary to that as a guitar and amp are to a wannabe rockstar.
Lots of low-level involvement, lots of sales, mostly from music stores
for the hardware (rather than stores which sell Home Theater and Audio
stuff which caters to the market you're familiar with). You won't see
the sales because the people in question don't buy from the same sources
you do. They buy their turntables online or from the local music store
and their vinyl comes from specialty shops which cater to the
hip-hop/electronica/dance market rather than specialty shops which cater
to the audiophile market. And in any major city the former outnumber the
latter by a fair margin.

Also Vinyl is VERY popular with the dance and electronica markets. You
essentially can't be a serious electronica fan and not have an LP setup.
Dance is more CD-oriented than electronica but still has a major LP
focus for serious fans.

Note that the electronica, hip-hop and dance market is large enough that
if even a fraction of CD sales of each album occur in vinyl it will have
significantly larger aggregate sales than the (tiny) audiophile market.
And that's the largest portion of the music market today (Dance, hip-hop
and electronica are the largest music markets globally).

Music loving audiophiles are not a large market and they don't tend to
buy as much volume. Teenagers who want to be famous are a large market
and one who tends to buy a lot of volume.

I'll note here that I spend a fairly large amount of time around 18-21
year olds (Being a university student myself, albeit a fair bit older).
Most of the ones I know who are into the dance or electronica scene have
an LP setup and collection. Many are avid collectors of LP's. Hip-hop
fans are less likely to have that sort of setup unless they are aspiring
DJ's, mostly because there's less of a 'exclusive release' market for
Hip-Hop LP's  as compared to electronica/dance where exclusive LP
editions are common for major releases.
-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

--
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RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread J.C. O'Connell
these are the top sellers, these are not total sales.
A few new for 2009 releases may out sell any or even
ALL the particular classic rock, jazz, titles but in
total there are tons tons tons more of the classic
rock, jazz, classical titles coming out and selling.
The entire top 10 sellers could be radiohead, but
that doesn't mean the marker isnt dominated by sales
of reissues, it IS. and they are audiophiles buying
those for sound quality reasons, not because they
wanna be DJs. 

--
J.C. O'Connell (mailto:hifis...@gate.net)
Join the CD PLAYER  DISC Discussions :
http://tech.groups.yahoo.com/group/cdplayers/
http://launch.groups.yahoo.com/group/cdsound/ 


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Adam Maas
Sent: Sunday, November 22, 2009 3:40 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital : One retailers sales data


On Sun, Nov 22, 2009 at 3:25 PM, Bob W p...@web-options.com wrote:
 [...]


 Music loving audiophiles are not a large market and they don't tend 
 to buy as much volume. Teenagers who want to be famous are a large 
 market and one who tends to buy a lot of volume.
 [...]

 Here are some hard stats from people who know: 
 http://www.theonion.com/content/amvo/cd_sales_down_lp_sales_up




And some real-world stats:

http://www.telegraph.co.uk/news/uknews/1529059/Why-singles-are-top-of-th
e-pops-again.html

Those are UK numbers though, which pretty strongly show that the big
seller is 7 singles, with over a million sold in 2005 in the UK alone.

Over here, for full albums it's:

http://blogs.laweekly.com/westcoastsound/news/neilson-soundscan-2008-sal
es-f/

with only 2 classic rock reissues on the list (along with a pair of
non-classic reissues and 5 new albums). Note that this is for albums and
the dance/electronica/hip-hop scene is mostly singles. One of those
albums is however an electronica release, Third from Portishead.

It's pretty clear from that sales list that Audiophiles are not the
biggest driver of LP album sales unless they're also big Radiohead fans.
And that the market for LP's is not as big as for singles (I wasn't able
to find any US sales numbers for singles. But if the much smaller UK
market is selling 1 million+ singles, the US market is likely even
larger for singles than for albums).
-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Adam Maas
On Sun, Nov 22, 2009 at 6:06 PM, J.C. O'Connell hifis...@gate.net wrote:
 we are talking about newly mfd record sales. There are almost
 no record brick and mortar stores left now. So basically LP records are
 sold online
 now. I can show you a whole bunch of record retailers selling lots of
 newly mfd.
 reissue classic rock, pop, jazz, and classical. Show me show outlets
 where all this tons of dance and hip-hop stuff is for sale ? ? ? ?


 --
 J.C. O'Connell (mailto:hifis...@gate.net)

Actually, there's plenty of brick and mortar stores left for specialty
stuff, especially in the larger cities.

Online, the selection is huge.

http://www.vinylrevival.com/lists/12inch.shtml
http://www.undergroundhiphop.com/store/listing.asp?Format=12
http://www.fatbeats.com/catalog/index.php?cPath=39
http://www.ukdancerecords.com/
http://www.juno.co.uk/

All from quick googling for '12 Single' and 'dance vinyl record',
each is a high first page hit.

Oh, and at Juno.co.uk (a major vendor), this is from the 'new this
week' with vinyl selected.

http://www.juno.co.uk/all/this-week/vinyl/

389 listings. For this week alone.


-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Adam Maas
On Sun, Nov 22, 2009 at 6:13 PM, J.C. O'Connell hifis...@gate.net wrote:
 these are the top sellers, these are not total sales.
 A few new for 2009 releases may out sell any or even
 ALL the particular classic rock, jazz, titles but in
 total there are tons tons tons more of the classic
 rock, jazz, classical titles coming out and selling.
 The entire top 10 sellers could be radiohead, but
 that doesn't mean the marker isnt dominated by sales
 of reissues, it IS. and they are audiophiles buying
 those for sound quality reasons, not because they
 wanna be DJs.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)

Well, aside from the fact that those are the top selling albums, and
reissues don't feature prominently aside from one massively hyped
release (Abbey Road) and Floyd, which is a perennial teenage
favourite. And the problem that singles aren't counted at all by
Neilsen, where they are counted in the UK they absolutely dominate a
smaller market (and singles are almost all new stuff, not reissues).
All the sales data available indicates that it's the 16-25 set which
has been driving vinyl sales and they are rarely either Audiophiles or
reissue collectors.

I don't doubt that reissues dominate the audiophile market.
Audiophiles are mostly older and will primarily be looking for the
music of their youth (which is true for most everybody over 30) so
reissues will dominate that market. But that's only a fraction of the
vinyl market overall as the sales numbers I linked to above indicate.

Unless you have sales numbers indicating that reissues in the
audiophile market are collectively a million+ market (as fresh singles
are in the UK alone) I think the numbers are pretty cut  dried.

-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread J.C. O'Connell
OK, there are some, but I am not going
to buy for one second the premise that
the majority of newly mfd record sales
in 2009 is dance records, that is just
way way too small of a genre/market
compared to reissue rock, jazz, classical
and the whole thing doesn't make sense
from the audiophile standpoint either,
most people buying records in the year
2009 a doing so for solely for sound
quality reasons and want the best sounding
recordings of all time ( reissues), not because they are
apprenticing to be a pro DJ and want
to sping the latest Madonna record...
I know lots of guys with great systems
and LP rigs, and none of them are doing
it for DJ reasons or dance music, NONE.
--
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Adam Maas
Sent: Sunday, November 22, 2009 6:19 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital : One retailers sales data


On Sun, Nov 22, 2009 at 6:06 PM, J.C. O'Connell hifis...@gate.net
wrote:
 we are talking about newly mfd record sales. There are almost no 
 record brick and mortar stores left now. So basically LP records are 
 sold online now. I can show you a whole bunch of record retailers 
 selling lots of newly mfd.
 reissue classic rock, pop, jazz, and classical. Show me show outlets
 where all this tons of dance and hip-hop stuff is for sale ? ? ? ?


 --
 J.C. O'Connell (mailto:hifis...@gate.net)

Actually, there's plenty of brick and mortar stores left for specialty
stuff, especially in the larger cities.

Online, the selection is huge.

http://www.vinylrevival.com/lists/12inch.shtml
http://www.undergroundhiphop.com/store/listing.asp?Format=12
http://www.fatbeats.com/catalog/index.php?cPath=39
http://www.ukdancerecords.com/
http://www.juno.co.uk/

All from quick googling for '12 Single' and 'dance vinyl record', each
is a high first page hit.

Oh, and at Juno.co.uk (a major vendor), this is from the 'new this week'
with vinyl selected.

http://www.juno.co.uk/all/this-week/vinyl/

389 listings. For this week alone.


-- 
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RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread J.C. O'Connell
reissues dominate the audiophile market, and the audiophile
market dominates drives all new record sales in 2009. LPs are
only really being bought by audiophiles. Why would anyone
buy lps for any other reason than sound quaity, they
cost much more than CD or mp3, and if you don't have the right gear or
care to
make them sound better than CD, why bother with the drawbacks of vinyl??
Nope there is no logic in the new vinyl market being
dominated by dance music, DJ wannabes or non audiophiles, just cant buy
that one. The other factor is age, most people using vinyl
I believe are older demographic, not the DJ or Dance type
demographic either. Im now saying there arent some young
people getting into vinyl for the first time, but in my
experience with dealers, at record shows, etc, its mostly
older people who have used vinyl all along for years, not newbies.

--
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Adam Maas
Sent: Sunday, November 22, 2009 6:28 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital : One retailers sales data


On Sun, Nov 22, 2009 at 6:13 PM, J.C. O'Connell hifis...@gate.net
wrote:
 these are the top sellers, these are not total sales.
 A few new for 2009 releases may out sell any or even
 ALL the particular classic rock, jazz, titles but in
 total there are tons tons tons more of the classic
 rock, jazz, classical titles coming out and selling.
 The entire top 10 sellers could be radiohead, but
 that doesn't mean the marker isnt dominated by sales
 of reissues, it IS. and they are audiophiles buying
 those for sound quality reasons, not because they
 wanna be DJs.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)

Well, aside from the fact that those are the top selling albums, and
reissues don't feature prominently aside from one massively hyped
release (Abbey Road) and Floyd, which is a perennial teenage favourite.
And the problem that singles aren't counted at all by Neilsen, where
they are counted in the UK they absolutely dominate a smaller market
(and singles are almost all new stuff, not reissues). All the sales data
available indicates that it's the 16-25 set which has been driving vinyl
sales and they are rarely either Audiophiles or reissue collectors.

I don't doubt that reissues dominate the audiophile market. Audiophiles
are mostly older and will primarily be looking for the music of their
youth (which is true for most everybody over 30) so reissues will
dominate that market. But that's only a fraction of the vinyl market
overall as the sales numbers I linked to above indicate.

Unless you have sales numbers indicating that reissues in the audiophile
market are collectively a million+ market (as fresh singles are in the
UK alone) I think the numbers are pretty cut  dried.

-- 
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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Scott Loveless
On Sun, Nov 22, 2009 at 3:25 PM, Bob W p...@web-options.com wrote:
 [...]


 Music loving audiophiles are not a large market and they
 don't tend to buy as much volume. Teenagers who want to be
 famous are a large market and one who tends to buy a lot of volume.
 [...]

 Here are some hard stats from people who know:
 http://www.theonion.com/content/amvo/cd_sales_down_lp_sales_up

LPs are so last year.  8-track it where it's at.
http://boingboing.net/2009/07/05/cheap-trick-releases.html


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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Adam Maas
On Sun, Nov 22, 2009 at 6:47 PM, J.C. O'Connell hifis...@gate.net wrote:
 OK, there are some, but I am not going
 to buy for one second the premise that
 the majority of newly mfd record sales
 in 2009 is dance records, that is just
 way way too small of a genre/market
 compared to reissue rock, jazz, classical
 and the whole thing doesn't make sense
 from the audiophile standpoint either,
 most people buying records in the year
 2009 a doing so for solely for sound
 quality reasons and want the best sounding
 recordings of all time ( reissues), not because they are
 apprenticing to be a pro DJ and want
 to sping the latest Madonna record...
 I know lots of guys with great systems
 and LP rigs, and none of them are doing
 it for DJ reasons or dance music, NONE.
 --
 J.C. O'Connell (mailto:hifis...@gate.net)

And your provincialism shows.

Dance and electronica are huge markets overall. It's the dominant
musical form in Europe and Asia and extremely popular in North America
(Coming in fourth after RB/Hip-Hop, Pop and Country).

Most people buying records today are doing it because the latest
remixes's and tracksare only available in 7 or 12 form from stores.
A lot of dance music is only ever released in MP3/AAC and 7 or 12
Vinyl forms with no CD release at all as the genre is almost entirely
single-driven (albums are rare in Dance music, most CD's are
compilations Those that aren't are mostly buying Brit-rock singles
(pretty much every major single from any significant UK band active
today is available as a 7 single).

Of course the guys you know aren't doing it for DJ reasons or dance
music. They're most likely Audiophiles and older and thus completely
non-repressentative of the music market which is utterly dominated by
the 16-25 year olds who are far and away the primary consumers. The
Dance music market is even more oriented towards the younger crowd
than the overall music market. Talk to some of them sometime and
you'll be surprised who's got vinyl.

The numbers simply don't lie. And you haven't provided a single one
which contradicts the numbers I've posted.


-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Rob Studdert
On 23/11/2009, J.C. O'Connell hifis...@gate.net wrote:
 Why would anyone
 buy lps for any other reason than sound quaity, they
 cost much more than CD or mp3, and if you don't have the right gear or
 care to
 make them sound better than CD, why bother with the drawbacks of vinyl??

I know John, next he'll be claiming that most DJs claim that direct
drive turntables are superior to belt driven!

-- 
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Adam Maas
On Sun, Nov 22, 2009 at 6:57 PM, J.C. O'Connell hifis...@gate.net wrote:
 reissues dominate the audiophile market, and the audiophile
 market dominates drives all new record sales in 2009. LPs are
 only really being bought by audiophiles. Why would anyone
 buy lps for any other reason than sound quaity, they
 cost much more than CD or mp3, and if you don't have the right gear or
 care to
 make them sound better than CD, why bother with the drawbacks of vinyl??
 Nope there is no logic in the new vinyl market being
 dominated by dance music, DJ wannabes or non audiophiles, just cant buy
 that one. The other factor is age, most people using vinyl
 I believe are older demographic, not the DJ or Dance type
 demographic either. Im now saying there arent some young
 people getting into vinyl for the first time, but in my
 experience with dealers, at record shows, etc, its mostly
 older people who have used vinyl all along for years, not newbies.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)

Actually there's a very simple logic behind it. Most singles are
moderate run items with quick turnarounds and a short shelf life. This
is well suited to vinyl production but poorly suited to CD production
which is rather non-economic for short runs. If you're going to be
charging $15-20 for a single anyways, might as well make it vinyl.
Especially since you'll need to do the vinyl run anyways for the
working DJ's and wannabe's.

And record shows are of course oriented towards the older, audiophile
crowd. Which is very non-representative of the overall market (and of
the music market in general). You are only seeing a small side of
things because your choices where to shop self-select for it. The only
kids you're going to see there are hipsters buying vintage junk.

Hit some good clubs and some dance/electronica oriented stores and
you'll see tons of vinyl.

And provide some actual numbers on that supposed million or more copy
selling Audiophile market, as that's how big it would have to be to be
bigger than Dance and Electronica. The overal US Vinyl market was
around 2 million LP's this year and an unknown number of singles. In
the UK vinyl singles alone sell over a million copies a year into a
market 1/5 the size of the US. And those sales numbers cover all the
major label releases but not much of the indie market, which is where
a lot of dance, electronica, Hip-Hop and new rock is coming from.

-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread steve harley

On 2009-11-22 18:20 , Adam Maas wrote:

Dance and electronica are huge markets overall. It's the dominant
musical form in Europe and Asia and extremely popular in North America
(Coming in fourth after RB/Hip-Hop, Pop and Country).


thanks for the insight Adam; i had a hunch -- i love that music 
(although i'm 49, and i love about ten other musics) but i know i don't 
have a well-rounded sense of it



Most people buying records today are doing it because the latest
remixes's and tracksare only available in 7 or 12 form from stores.
A lot of dance music is only ever released in MP3/AAC and 7 or 12
Vinyl forms with no CD release at all


i'm trying to imagine what the analogy would be in photography ...

kind of a kooky idea, but how about a TLR which shoots film *and* digital?

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Adam Maas
On Sun, Nov 22, 2009 at 9:10 PM, steve harley p...@paper-ape.com wrote:
 On 2009-11-22 18:20 , Adam Maas wrote:

 Dance and electronica are huge markets overall. It's the dominant
 musical form in Europe and Asia and extremely popular in North America
 (Coming in fourth after RB/Hip-Hop, Pop and Country).

 thanks for the insight Adam; i had a hunch -- i love that music (although
 i'm 49, and i love about ten other musics) but i know i don't have a
 well-rounded sense of it

I've sort of been hovering around the edges for years. I've got a
frien who's a oderately well known Jungle DJ and I used to be involved
in the Industrial/Goth scene. I also spend a lot of time with 18-21
year olds, many of whom are into dance or electronica. As for myself,
I like Electronica (I'm not as big on dance) but it's only one of my
many musical interests and not a primary one.


 Most people buying records today are doing it because the latest
 remixes's and tracksare only available in 7 or 12 form from stores.
 A lot of dance music is only ever released in MP3/AAC and 7 or 12
 Vinyl forms with no CD release at all

 i'm trying to imagine what the analogy would be in photography ...

 kind of a kooky idea, but how about a TLR which shoots film *and* digital?


I'd actually say much of the current film world is similar. Most shoot
a combination of digital and older manual focus film, AF film is
mostly dead (and the equivalent of CD's, newer, high-tech, lacking the
tactile niceties of the odler tech).


-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-22 Thread Anthony Farr
2009/11/23 steve harley p...@paper-ape.com:

 i'm trying to imagine what the analogy would be in photography ...

 kind of a kooky idea, but how about a TLR which shoots film *and* digital?

 --


Actually close to the mark, only not TLRs.  Digital-capable medium
format SLRs, and large format view or field cameras with
interchangeable backs, will allow analogue and digital capture with
the same camera setup if you really must.  Shoot film in one magazine,
swap to a digital back and repeat the shot.  Medium format film and
digital frames have become close in size these days. If you shoot 6cm
x 4.5 cm you can get practically identical film frames and digital
files.  AFAIK, single shot large format backs are very cropped
compared to their full frame, however scanning backs can yield full
frames at the penalty of long exposure durations.

regards, Anthony

   Of what use is lens and light
to those who lack in mind and sight
   (Anon)

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RE: OT: Vinyl vs. Digital

2009-11-21 Thread J.C. O'Connell
New vinyl releases today are primarily a high cost, $15-$30, high
sound quaity, audiophile reissue market from all the indications
I have, catalogs, online stores, record reviews, what my
friends and assocites buy new on occasion, etc. Dance music in general
is a very small genre and generally not audiophile in
nature compared to rock, jazz, and classical so its highly unlikely
to be the bulk of newly pressed records being sold today.

Even if six out of the top ten vinyl sellers were new 2008 music
releases,
I don't see those as mostly dance, and would not necessisarily
mean that that 2008 music dominated  or even is a significant percentage
of all 
newly mfgr vinyl sales, there are lots and lots of legacy titles
being reissued now/recently on vinyl LP, far more than new 2008 title
release on vinyl, the sum of which is probably far more
than all six of those top 10 sellers combined. 

I would also suggest, that with the collapse of music sales
due to internet theft, the relatively expensive nature of
buying a new mfd LP compared to a CD or MP3 digital version is going
to skew new LP sales even further towards the audiophile
reissue market in years to come as that's the sole reason
left to buy any LPs, better possible sound than CD or mp3.
I just don't see the dance/DJ market as being significant in any way
compared to the audiophile market, now or in the future. 
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
steve harley
Sent: Friday, November 20, 2009 8:31 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


On 2009-11-20 10:59 , J.C. O'Connell wrote:
 NO, but I read many music and hi-fi periodicals
 and see all the vendors catalogs too, its not a market
 of dance tracks or new title SACDs, it a big reissue market of 
 specially pressed discs, mostly 180gram vinyl.

i think it's probably a split market, you're seeing the audiophile side 
of it and i'm seeing the DJ/pop side

though i can find numbers for overall vinyl sales (increasing rapidly, 
but still a miniscule proportion), and tons of commentary, no one seems 
to have the numbers by type of release or genre; even Nielsen Soundscan 
is going to miss a lot of the dance tracks because it doesn't cover all 
sales; Nielsen, for what it's worth, shows six out of ten top vinyl 
sellers last year were new releases:

http://blogs.laweekly.com/westcoastsound/news/neilson-soundscan-2008-sa
les-f/

but that's not a good way to summarize the market

note that i don't buy any type of newly-issued vinyl -- i only buy old 
scratchy stuff -- more fun and vinyl charm, less fuss


 Regarding proof to back up my contentions, where?s
 the proof for yours concerning nre release SACD or dance tracks 
 outselling legacy vinyl reissues

i didn't ask for proof, just anything to support what you were stating 
as fact; unlike you, i don't have a contention here -- i stated my 
_impression_; and i haven't said anything about SACD at all in this
thread

meanwhile:

http://www.guardian.co.uk/technology/blog/2009/nov/20/linn-audio-stream
ing-cd-players

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RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-21 Thread J.C. O'Connell
FWIW,

heres one data point from a very large and popular vinyl
retailer:

http://store.acousticsounds.com/index.cfm?get=topsellersTop_Count=100f
ield_cat=5

These kind of reissue titles have been popular for the last 15 years
or so when vinyl started rising in popularity again after the near
extinction of the late 1980's.

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-Original Message-
From: J.C. O'Connell [mailto:hifis...@gate.net] 
Sent: Saturday, November 21, 2009 3:20 AM
To: 'Pentax-Discuss Mail List'; J. C. O'Connell
Subject: RE: OT: Vinyl vs. Digital


New vinyl releases today are primarily a high cost, $15-$30, high sound
quaity, audiophile reissue market from all the indications I have,
catalogs, online stores, record reviews, what my friends and assocites
buy new on occasion, etc. Dance music in general is a very small genre
and generally not audiophile in nature compared to rock, jazz, and
classical so its highly unlikely to be the bulk of newly pressed records
being sold today.

Even if six out of the top ten vinyl sellers were new 2008 music
releases, I don't see those as mostly dance, and would not necessisarily
mean that that 2008 music dominated  or even is a significant percentage
of all 
newly mfgr vinyl sales, there are lots and lots of legacy titles being
reissued now/recently on vinyl LP, far more than new 2008 title release
on vinyl, the sum of which is probably far more than all six of those
top 10 sellers combined. 

I would also suggest, that with the collapse of music sales
due to internet theft, the relatively expensive nature of buying a new
mfd LP compared to a CD or MP3 digital version is going to skew new LP
sales even further towards the audiophile reissue market in years to
come as that's the sole reason left to buy any LPs, better possible
sound than CD or mp3. I just don't see the dance/DJ market as being
significant in any way compared to the audiophile market, now or in the
future. 
--
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
steve harley
Sent: Friday, November 20, 2009 8:31 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


On 2009-11-20 10:59 , J.C. O'Connell wrote:
 NO, but I read many music and hi-fi periodicals
 and see all the vendors catalogs too, its not a market
 of dance tracks or new title SACDs, it a big reissue market of
 specially pressed discs, mostly 180gram vinyl.

i think it's probably a split market, you're seeing the audiophile side 
of it and i'm seeing the DJ/pop side

though i can find numbers for overall vinyl sales (increasing rapidly, 
but still a miniscule proportion), and tons of commentary, no one seems 
to have the numbers by type of release or genre; even Nielsen Soundscan 
is going to miss a lot of the dance tracks because it doesn't cover all 
sales; Nielsen, for what it's worth, shows six out of ten top vinyl 
sellers last year were new releases:

http://blogs.laweekly.com/westcoastsound/news/neilson-soundscan-2008-sa
les-f/

but that's not a good way to summarize the market

note that i don't buy any type of newly-issued vinyl -- i only buy old 
scratchy stuff -- more fun and vinyl charm, less fuss


 Regarding proof to back up my contentions, where?s
 the proof for yours concerning nre release SACD or dance tracks
 outselling legacy vinyl reissues

i didn't ask for proof, just anything to support what you were stating 
as fact; unlike you, i don't have a contention here -- i stated my 
_impression_; and i haven't said anything about SACD at all in this
thread

meanwhile:

http://www.guardian.co.uk/technology/blog/2009/nov/20/linn-audio-stream
ing-cd-players

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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-21 Thread steve harley

On 2009-11-21 04:11 , J.C. O'Connell wrote:

http://store.acousticsounds.com/index.cfm?get=topsellersTop_Count=100f
ield_cat=5


interesting; this very large and popular vinyl retailer carries 27 
vinyl releases in the hip hop/rap category, 14 in funk, then there's 
electronica, with zero releases; RB/soul is tops with 536; oh, and the 
top-selling turntable at Acoustic Sounds only costs $2500; hmm, 
obviously not a quality retailer ...


by comparison, Amazon carries 14752 vinyl rap  hip hop releases, 28781 
for dance  DJ; and Amazon carries almost 30 times as many RB vinyl 
releases as Acoustic Sounds


i don't doubt that the thick vinyl crowd is growing rapidly, but i 
don't think its safe to draw further conclusions from the few hard facts 
you and i can find





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RE: OT: Vinyl vs. Digital : One retailers sales data

2009-11-21 Thread J.C. O'Connell
Your post is not clear if your being serious or
sarcastic. I will state what I have been saying
all along, I don't believe the majority of
new vinyl sales in 2009 is dance records as suggested, its
mostly reissues of classic rock, jazz and classical. 
I have been follwing the new LP market for 20 years
since the low point in '89 or so when everybody
thought vinyl was dead for good. While there are a
lot of dance releases on vinyl that are new for
2009 music, that's not where the bulk of vinyl
sales come from. It's now an expensive audiophile format dominated
by new release reissues of classic recordings
from the latter half of the 30th century.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
steve harley
Sent: Saturday, November 21, 2009 7:56 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital : One retailers sales data


On 2009-11-21 04:11 , J.C. O'Connell wrote:
 http://store.acousticsounds.com/index.cfm?get=topsellersTop_Count=100
 f
 ield_cat=5

interesting; this very large and popular vinyl retailer carries 27 
vinyl releases in the hip hop/rap category, 14 in funk, then there's 
electronica, with zero releases; RB/soul is tops with 536; oh, and the 
top-selling turntable at Acoustic Sounds only costs $2500; hmm, 
obviously not a quality retailer ...

by comparison, Amazon carries 14752 vinyl rap  hip hop releases, 28781 
for dance  DJ; and Amazon carries almost 30 times as many RB vinyl 
releases as Acoustic Sounds

i don't doubt that the thick vinyl crowd is growing rapidly, but i 
don't think its safe to draw further conclusions from the few hard facts

you and i can find




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Re: OT: Vinyl vs. Digital : One retailers sales data

2009-11-21 Thread paul stenquist

On Nov 21, 2009, at 9:09 PM, J.C. O'Connell wrote:

 Your post is not clear if your being serious or
 sarcastic. I will state what I have been saying
 all along,

Mark!


 I don't believe the majority of
 new vinyl sales in 2009 is dance records as suggested, its
 mostly reissues of classic rock, jazz and classical. 
 I have been follwing the new LP market for 20 years
 since the low point in '89 or so when everybody
 thought vinyl was dead for good. While there are a
 lot of dance releases on vinyl that are new for
 2009 music, that's not where the bulk of vinyl
 sales come from. It's now an expensive audiophile format dominated
 by new release reissues of classic recordings
 from the latter half of the 30th century.
 
 --
 J.C. O'Connell (mailto:hifis...@gate.net)
 Join the CD PLAYER  DISC Discussions :
 http://tech.groups.yahoo.com/group/cdplayers/
 http://launch.groups.yahoo.com/group/cdsound/ 
 
 
 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 steve harley
 Sent: Saturday, November 21, 2009 7:56 PM
 To: Pentax-Discuss Mail List
 Subject: Re: OT: Vinyl vs. Digital : One retailers sales data
 
 
 On 2009-11-21 04:11 , J.C. O'Connell wrote:
 http://store.acousticsounds.com/index.cfm?get=topsellersTop_Count=100
 f
 ield_cat=5
 
 interesting; this very large and popular vinyl retailer carries 27 
 vinyl releases in the hip hop/rap category, 14 in funk, then there's 
 electronica, with zero releases; RB/soul is tops with 536; oh, and the 
 top-selling turntable at Acoustic Sounds only costs $2500; hmm, 
 obviously not a quality retailer ...
 
 by comparison, Amazon carries 14752 vinyl rap  hip hop releases, 28781 
 for dance  DJ; and Amazon carries almost 30 times as many RB vinyl 
 releases as Acoustic Sounds
 
 i don't doubt that the thick vinyl crowd is growing rapidly, but i 
 don't think its safe to draw further conclusions from the few hard facts
 
 you and i can find
 
 
 
 
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Re: OT: Vinyl vs. Digital

2009-11-20 Thread Joseph McAllister

On Nov 17, 2009, at 15:40 , Rob Studdert wrote:


the master recordings being tape however do degrade
with time. The ferrous binders often fail or become sticky so the the
tape flutters, the remnant magnetism becomes diminished so the noise
floor rises and dynamics become a little compressed. Plus old tapes
often suffer print-through which is an echo effect created due to
tape layers imposing their magnetic record on each other. It's
absolutely no surprise that old tapes sound worse years after they
were recorded.


I had the pleasure of observing how the gov't (*military*) record to  
tape, and how they go about preserving the data on them. First off,  
I'm talking 70mm 48 track ferrous tape on 24 Pyrex glass reels. In  
the 80s.


A raw tape is first run through one way and then rewound while passing  
the oxide side over a quartz prism edge to knock off any loose  
coating, while the backside is passing over a counter-rotating fine  
cotton cleaner that is itself a 9 reel to reel sub-system. The vacuum  
chambers on either side of the heads control the tape slack loops, and  
that air removes any dust or oxide that is not trapped by the  
mechanisms above.


Once recorded, the tape is played twice to do a checksum on the data  
tracks, and a comparative check for variances in the analog signal  
that is recorded simultaneously on hard disk platter packs. Then it's  
stored properly.


Every three months, the tapes were wound and rewound to repack them  
and prevent print-through or edge degredation.


Every six months, the tape is taken out of storage, wound side to  
side, then duplicated to an identical reel of tape while being check  
summed against the original. The master tape is then cleaned and  
stored as a backup.


The next time around, six months later, a dupe is made of the backup  
tape, then the master bulk erased. If that erased master test ok, it  
is re-used to record another session. It is never used to record a  
third time, no matter how well it tests. Because of the classified  
nature of the tapes, when it is thrown out it is bulk erased twice,  
shredded then burned on site.


Keeps a half-dozen strong gentlemen employed 24 hours a day, year  
round, as the reels each weight 80 lbs..


It is most likely being done entirely digitally and stored on hard  
drives these days. And I guess my point is that the master and dupe  
backup tapes were never left to sit for more than three months.


Joseph McAllister
pentax...@mac.com

The Big Bang was silent, and probably invisible.
— from the Pentaxian's thoughts on particle physics, so far.


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RE: OT: Vinyl vs. Digital

2009-11-20 Thread J.C. O'Connell
YOU GUYS are in different domains, RS is talking about
analog music tapes and JM is talking about digital data
tapes. The problems and handing of each is not the same.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Joseph McAllister
Sent: Friday, November 20, 2009 3:31 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


On Nov 17, 2009, at 15:40 , Rob Studdert wrote:

 the master recordings being tape however do degrade
 with time. The ferrous binders often fail or become sticky so the the 
 tape flutters, the remnant magnetism becomes diminished so the noise 
 floor rises and dynamics become a little compressed. Plus old tapes 
 often suffer print-through which is an echo effect created due to 
 tape layers imposing their magnetic record on each other. It's 
 absolutely no surprise that old tapes sound worse years after they 
 were recorded.

I had the pleasure of observing how the gov't (*military*) record to  
tape, and how they go about preserving the data on them. First off,  
I'm talking 70mm 48 track ferrous tape on 24 Pyrex glass reels. In  
the 80s.

A raw tape is first run through one way and then rewound while passing  
the oxide side over a quartz prism edge to knock off any loose  
coating, while the backside is passing over a counter-rotating fine  
cotton cleaner that is itself a 9 reel to reel sub-system. The vacuum  
chambers on either side of the heads control the tape slack loops, and  
that air removes any dust or oxide that is not trapped by the  
mechanisms above.

Once recorded, the tape is played twice to do a checksum on the data  
tracks, and a comparative check for variances in the analog signal  
that is recorded simultaneously on hard disk platter packs. Then it's  
stored properly.

Every three months, the tapes were wound and rewound to repack them  
and prevent print-through or edge degredation.

Every six months, the tape is taken out of storage, wound side to  
side, then duplicated to an identical reel of tape while being check  
summed against the original. The master tape is then cleaned and  
stored as a backup.

The next time around, six months later, a dupe is made of the backup  
tape, then the master bulk erased. If that erased master test ok, it  
is re-used to record another session. It is never used to record a  
third time, no matter how well it tests. Because of the classified  
nature of the tapes, when it is thrown out it is bulk erased twice,  
shredded then burned on site.

Keeps a half-dozen strong gentlemen employed 24 hours a day, year  
round, as the reels each weight 80 lbs..

It is most likely being done entirely digitally and stored on hard  
drives these days. And I guess my point is that the master and dupe  
backup tapes were never left to sit for more than three months.

Joseph McAllister
pentax...@mac.com

The Big Bang was silent, and probably invisible.
- from the Pentaxian's thoughts on particle physics, so far.


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Re: OT: Vinyl vs. Digital

2009-11-20 Thread Rob Studdert
On 20/11/2009, J.C. O'Connell hifis...@gate.net wrote:
 YOU GUYS are in different domains, RS is talking about
 analog music tapes and JM is talking about digital data
 tapes. The problems and handing of each is not the same.

Obviously, but it's a fact that audio tapes degrade with time, often
far faster than their owners would expect,
http://www.nfsa.gov.au/preservation/care_audiovisual/care_for_audio.html

-- 
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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RE: OT: Vinyl vs. Digital

2009-11-20 Thread J.C. O'Connell
yes, this is all well known but analog music master tapes are generally
more
challenging because you cant make perfect copies like you can with
digtial tapes and at the same time you don't want to handle them
too much either. Safety tapes are often made and used but these all
degrade the sound. Degraded original masters and or use of safety tapes
instead
of the original masters is a common reason why CD reissue mastering is
generally poorer than the original LP mastering. Original issue
LPs were often mastered not only with the actual original masters,
they were also mastered using FRESH original analog masters too
which can (but not always) make an audible difference compared to
legacy poorly archived master tapes.

--
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Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Rob Studdert
Sent: Friday, November 20, 2009 6:09 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


On 20/11/2009, J.C. O'Connell hifis...@gate.net wrote:
 YOU GUYS are in different domains, RS is talking about
 analog music tapes and JM is talking about digital data tapes. The 
 problems and handing of each is not the same.

Obviously, but it's a fact that audio tapes degrade with time, often far
faster than their owners would expect,
http://www.nfsa.gov.au/preservation/care_audiovisual/care_for_audio.html

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: OT: Vinyl vs. Digital

2009-11-20 Thread steve harley

On 2009-11-18 05:22 , J.C. O'Connell wrote:

The part about there being more new SACD/DVDA new releases now
than more new vinyl **releases** now is incorrect, there is
a ton of brand new LP edition issues right now, way more than
SACD or DVDA combined. Most of these are high end LP reissues
of legacy music, but that's what people want anyway, not
new 2009 music recordings.


do you have some industry statistics to back that up? my impression was 
that most new vinyl was new dance tracks



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RE: OT: Vinyl vs. Digital

2009-11-20 Thread J.C. O'Connell
NO, but I read many music and hi-fi periodicals
and see all the vendors catalogs too, its not a market
of dance tracks or new title SACDs, it a big reissue market of specially
pressed discs, mostly 180gram vinyl. DVDa is already
dead, and SACD is nearly dead, vinyl is resurging.
And even when DVDA and SACD where doing better, they
werent selling much new titles, it was mostly reissues
of legacy material with better than CD sound for digital fans.

Regarding proof to back up my contentions, where?s
the proof for yours concerning nre release SACD or dance tracks
outselling legacy vinyl reissues My burden
of proof is no greater than yours. One of the reasons
the legacy reissues are thriving is many of the
highly desireable older titles are very expensive
on the collector market in higher grade conditions, hence
the reissues for those who don't or cant pay the
big bucks for nice clean originals of the classics.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
steve harley
Sent: Friday, November 20, 2009 11:56 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


On 2009-11-18 05:22 , J.C. O'Connell wrote:
 The part about there being more new SACD/DVDA new releases now than 
 more new vinyl **releases** now is incorrect, there is a ton of brand 
 new LP edition issues right now, way more than SACD or DVDA combined. 
 Most of these are high end LP reissues of legacy music, but that's 
 what people want anyway, not new 2009 music recordings.

do you have some industry statistics to back that up? my impression was 
that most new vinyl was new dance tracks


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Re: OT: Vinyl vs. Digital

2009-11-20 Thread steve harley

On 2009-11-20 10:59 , J.C. O'Connell wrote:

NO, but I read many music and hi-fi periodicals
and see all the vendors catalogs too, its not a market
of dance tracks or new title SACDs, it a big reissue market of specially
pressed discs, mostly 180gram vinyl.


i think it's probably a split market, you're seeing the audiophile side 
of it and i'm seeing the DJ/pop side


though i can find numbers for overall vinyl sales (increasing rapidly, 
but still a miniscule proportion), and tons of commentary, no one seems 
to have the numbers by type of release or genre; even Nielsen Soundscan 
is going to miss a lot of the dance tracks because it doesn't cover all 
sales; Nielsen, for what it's worth, shows six out of ten top vinyl 
sellers last year were new releases:


http://blogs.laweekly.com/westcoastsound/news/neilson-soundscan-2008-sales-f/

but that's not a good way to summarize the market

note that i don't buy any type of newly-issued vinyl -- i only buy old 
scratchy stuff -- more fun and vinyl charm, less fuss




Regarding proof to back up my contentions, where?s
the proof for yours concerning nre release SACD or dance tracks
outselling legacy vinyl reissues


i didn't ask for proof, just anything to support what you were stating 
as fact; unlike you, i don't have a contention here -- i stated my 
_impression_; and i haven't said anything about SACD at all in this thread


meanwhile:

http://www.guardian.co.uk/technology/blog/2009/nov/20/linn-audio-streaming-cd-players

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Re: OT: Vinyl vs. Digital

2009-11-18 Thread David Mann
On Nov 17, 2009, at 7:44 PM, Peter Loveday wrote:

 But a well mastered SACD/DVDA is pretty damn impressive.  Just a shame 
 there's not more stuff being released on them, though its still probably more 
 than the amount of new stuff released on vinyl :(

Yeah there's a real shortage of good SACD material and most of the stuff out 
there just isn't my thing.  I have a few remasters and one modern SACD 
recording.  If I heard any difference between the CD and SACD layers I'd 
probably put it down to the mastering processes rather than the format.  I only 
bought them because I can.

The unfortunate thing about SACD and DVDA is that they hit the market right 
about when the whole plastic-disc format began its decline, and having two 
formats competing against each other doesn't help with adoption (as we also saw 
with HD-DVD vs BluRay).

Cheers,
Dave


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Re: OT: Vinyl vs. Digital

2009-11-18 Thread David Mann
On Nov 18, 2009, at 12:17 PM, John Sessoms wrote:

 It depends on how you define as good as. Might as well ask if a dog is as 
 good as a cat? or vice versa.

The answer to that question is obvious.

Dave
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RE: OT: Vinyl vs. Digital

2009-11-18 Thread J.C. O'Connell
THAT WOULD BE IMPOSSIBLE to be remained released, the
RIAA encode curve cuts all the bass and boosts all
the treble to such extent that the sound wouldn't
be horrible, it would be clearly defective in
nature and would be pulled from market immediately
if ever done like that, if one ever even got that far.

I think what you might be talking about is 
some CDs were mastered in error using 
sweeted for lP EQ'd tapes instead of straight
tapes in error, but this wasn't riaa encoding in error,
just the wrong tapes.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Charles Robinson
Sent: Tuesday, November 17, 2009 11:43 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


On Nov 17, 2009, at 17:40, Rob Studdert wrote:
 
 The RIAA equalization is not applied to the master recording so eq is 
 not a problem, the master recordings being tape however do degrade 
 with time.

There have been CDs made in the past using tapes which DID have the RIAA
curve applied.  

Crappy, crappy horrible sound results.  Gladly, that kind of error
is/was VERY rare back in the early 80s.

 -Charles

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RE: OT: Vinyl vs. Digital

2009-11-18 Thread J.C. O'Connell
The point was is that you CANT add anything
to digital recordings to make them sound
like highest end analog recordings as implied. highest
end analog isnt about distortions and colorations
that you could add to any digital recording to match it.
At this point it not even clear that the best commercial
digital recording systems at any bit depth/sample rate can match an
analog cutting lathe ( direct to disk LP recording) or
a really high end analog tape recorder.

Microphones are not the limiting factor/problem with most recordings
ever made, the recording engineering usually is
however. BTW, some of the worlds finest mikes, still in
use and demand today are very old models which means
that mikes have not been much of a limiting factor 
in the past, other links in the chain have like
poor LP playback gear and poor low res digital recording machines.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Rob Studdert
Sent: Tuesday, November 17, 2009 11:45 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


2009/11/18 J.C. O'Connell hifis...@gate.net:
 false, false, false, you cant take low resolution
 digital recordings (CD) and DO ANYTHING TO THEM to
 make them sound even remotely as good as proper
 high end vinyl mastering and playback. there is no magic trick to 
 restore resolution lost in the low res digital recording/playback 
 processes. If there was a magic black box like that, CD wouldn't have
 been replace by higher bit rate digital processes
 like 24/96 or SACD etc.

And where in the reply to which you are referring did I mention low
resolution digital recordings?

Of course I agree that it's impossible to restore information which has
been annihilated, however the new recording systems are effectively more
capable and accurate than the best transducers to which they must be
connected in order to record sound waves.

-- 
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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RE: OT: Vinyl vs. Digital

2009-11-18 Thread J.C. O'Connell
The part about there being more new SACD/DVDA new releases now 
than more new vinyl **releases** now is incorrect, there is
a ton of brand new LP edition issues right now, way more than
SACD or DVDA combined. Most of these are high end LP reissues
of legacy music, but that's what people want anyway, not
new 2009 music recordings.

--
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Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
David Mann
Sent: Wednesday, November 18, 2009 4:22 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


On Nov 17, 2009, at 7:44 PM, Peter Loveday wrote:

 But a well mastered SACD/DVDA is pretty damn impressive.  Just a shame

 there's not more stuff being released on them, though its still 
 probably more than the amount of new stuff released on vinyl :(

Yeah there's a real shortage of good SACD material and most of the stuff
out there just isn't my thing.  I have a few remasters and one modern
SACD recording.  If I heard any difference between the CD and SACD
layers I'd probably put it down to the mastering processes rather than
the format.  I only bought them because I can.

The unfortunate thing about SACD and DVDA is that they hit the market
right about when the whole plastic-disc format began its decline, and
having two formats competing against each other doesn't help with
adoption (as we also saw with HD-DVD vs BluRay).

Cheers,
Dave


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Re: OT: Vinyl vs. Digital

2009-11-18 Thread Bob Sullivan
You're letting JCO poison the conversation.  Better to 'Kill File'
him.  Regards,  Bob S.

On Sun, Nov 15, 2009 at 8:39 PM, Tim Bray tb...@textuality.com wrote:
 On Sun, Nov 15, 2009 at 4:54 PM, Adam Maas a...@mawz.ca wrote:

 I've actually just got a long-nurtured hate

 You know, I can't help but notice that the generally friendly and
 humorous tone around here has become bitter and adversarial once we
 ventured into the music/audio territory.  The Internet has plenty of
 places I can go to soak up abusive negativity, so how about we drop
 the subject?  -Tim

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Re: OT: Vinyl vs. Digital

2009-11-18 Thread John Sessoms

From: Bob Sullivan

You're letting JCO poison the conversation.  Better to 'Kill File'
him.  Regards,  Bob S.


Can't do that if you're subscribed through the digests. Just have to 
remember to ignore him.


He'll go quiescent for a while and I forget.

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Re: OT: Vinyl vs. Digital

2009-11-18 Thread John Francis

YouTube ..  StarTrek vibes ..  at least it wasn't this:

http://www.youtube.com/watch?v=XC73PHdQX04

(now see how long it takes to get that tune out of your head)


On Tue, Nov 17, 2009 at 12:57:41PM +1100, Anthony Farr wrote:
 How could I pass up the chance to respond with this? 
 
 http://www.youtube.com/watch?v=luVjkTEIoJc
 
 You get William Shatner AND the Pythons at the same time :-)
 
 regards, Anthony
 
 ?  Of what use is lens and light
 to those who lack in mind and sight
(Anon)
 
 
 
 2009/11/17 Bob W p...@web-options.com:
 
  http://www.youtube.com/watch?v=D-yy2URAYqUfeature=related
 
 
  It's better on vinyl. Well worth spending a couple of hundred K for the
  experience.
 
 
 
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RE: OT: Vinyl vs. Digital

2009-11-18 Thread Desjardins, Steve
Dear Lord, who knew such things existed in our world?

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of John 
Francis
Sent: Wednesday, November 18, 2009 11:53 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital



YouTube ..  StarTrek vibes ..  at least it wasn't this:

http://www.youtube.com/watch?v=XC73PHdQX04

(now see how long it takes to get that tune out of your head)


On Tue, Nov 17, 2009 at 12:57:41PM +1100, Anthony Farr wrote:
 How could I pass up the chance to respond with this? 
 
 http://www.youtube.com/watch?v=luVjkTEIoJc
 
 You get William Shatner AND the Pythons at the same time :-)
 
 regards, Anthony
 
 ?  Of what use is lens and light
 to those who lack in mind and sight
(Anon)
 
 
 
 2009/11/17 Bob W p...@web-options.com:
 
  http://www.youtube.com/watch?v=D-yy2URAYqUfeature=related
 
 
  It's better on vinyl. Well worth spending a couple of hundred K for the
  experience.
 
 
 
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RE: OT: Vinyl vs. Digital

2009-11-17 Thread J.C. O'Connell
Hey there is nothing wrong with what you have for vinyl. Even a
few hundred dollar turntable setup with the best records can
put the vast majority of CDs and CD rigs to shame. Although getting
the whole incredible sound off an LP is very expensive, getting
better sound than the CD in most cases is not that difficult or
expensive to achieve.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Tom C
Sent: Tuesday, November 17, 2009 1:47 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


Thanks for that additional info on the history.  As usual many
variables.  I'm with you on the travel priorities.  That would be mine
as well.  If I can get what I consider great sound reproduction at a
decent price that's all I need. Quite it often it depends what we
compare it to.

As I said I got drawn back into audio because of my son.  So now he has
an entire system that costs  $1500 dollars with speakers he picked out
(sub-$300).  Most was spent on TT + cartridge. It sounds better than
anything I have owned to date.  It would be laughed at by true
audiophiles, I'm sure, but at the same time I'm sure it sounds better
than anything 1 out 100 people I know have.

Tom

On Mon, Nov 16, 2009 at 5:44 PM, John Sessoms jsessoms...@nc.rr.com
wrote:
 From: Tom C

 FWIW, when vinyl was in it's heyday, considering the quality of 
 playback equipment most commonly used by the largest % of the record 
 market, I wonder whether the LP's themselves were made to the high 
 quality audio specifications, that eliteists believe they are 
 hearing.
  I can hear a diffference between same vinyl and CD recordings, but
 how good is the vinyl, really?

 Depends on the original analog mix; quality of the original vinyl - 
 ratio of virgin vinyl to recycled vinyl; thickness of the pressing; 
 quality of the lacquer cutting; quality of the master disc; quality of

 the mother discs; quality of the stamping molds; where it comes in 
 the press run ... how the LP has been handled since it left the 
 factory floor.

 Mass market vinyl from the 60s and 70s ain't often that great. They 
 made CHEAP, thin records, cut a lot of corners in manufacturing, and 
 quality control was often poor. New audiophile LPs use higher quality 
 materials, more of them and cut fewer corners in production.

 The same factors apply to CDs.

 Audiophile CDs have much better sound quality than the ones you find 
 in the discount bin at WalMart; especially some of the early CD issues

 of 60s  70s LPs that were digitized straight from the old LP master

 tapes without any kind of re-mixing, re-mastering ... that's why there

 are re-issues (one reason anyway).

 Another thing is the recording process is stood somewhat on its head 
 from what it was in the golden age of vinyl. Where before everything 
 was recorded onto analog tape and then digitized along the way to 
 making an LP into a CD, now-a-days almost everything is recorded 
 digitally from the get-go and has to be converted to analog somewhere 
 along the way to making a new vinyl LP.

 What I'm saying is really good quality vinyl and really good quality 
 digital sources both sound *REALLY GOOD*.

 It can also be REALLY expensive relative to what's good enough for 
 most purposes.

 It boils down to everyone has to determine their own cost benefit 
 ratio regarding their chosen audio reproduction system. I have what I 
 consider a good quality legacy audio system with a better than average

 turntable, good speakers and a set of audiophile head-phones ... plus 
 tape decks and CD players.

 When I use my legacy system, I play CDs or home recorded cassettes. 
 I'm not a connoisseur of the audio listening experience. For me it's a

 soundtrack.

 I can't remember the last time I actually listened to my vinyl LPs 
 because they don't fit in with the way I want to listen to music, 
 although I do still have those vinyl LPs; even some of my old 45s. I 
 keep 'em around in case the CDRs ever wear out. I can go back and rip 
 'em again if I need to.

 I have listened to audiophile vinyl on audiophile component systems, 
 including the multi-thousand dollar turntables.

 But, if/when I have multi-thousands of dollars to spend, I wouldn't 
 spend it on stereo equipment. Maybe a new camera body, a lens or two 
 and I'd put a lot of miles into my next photo-safari. There's 50 
 states out there; 49 of 'em I intend to see either at least once or at

 least once more ... and then there's the Orient, Europe, Australia, 
 Africa ... are all calling my name.

 Ain't no audiophile stereo listening experience good enough to drown 
 that out, and it wouldn't fit into a carry-on anyway.

 So ...

 Usual terms and conditions apply.
 Feed face down, nine edge first.
 It had a good beat, was easy

Re: OT: Vinyl vs. Digital

2009-11-17 Thread John Sessoms

From: Tom C

I've never had an SACD, but it seems like technology is changing so
fast it's hard to keep up without pouring $$$ down the drain,
especially if the content is not there.  We buy and spend like we live
forever, and both the stuff and us will last, but it doesn't.



I might have one. I think the Springsteen Seeger Sessions was one of 
those dual CD/SACD discs. I know it's a CD on one side and a DVD on the 
other side.




So here's a question.  Why when CD's first came out did almost every
single one have a disclaimer that it might 'show up the faults of the
original recording', when in reality it probably was not as good as
the original... merely on the noise level?



That was what I was saying about early CD issues being just a straight 
analog to digital conversion of the tape masters. The tapes were 
originally mixed so they'd sound good on vinyl, but the reproduction 
characteristics of the CD are different.


If I remember correctly, you have to boost the high frequencies a lot 
more on vinyl so they'll reproduce normally on playback. Take that 
analog master tape with the boosted high frequencies and rip it straight 
to CD and it'll come out with too much treble.



And one other ponderance.  Can a digital recording, regardless of the
medium one is listening to, be as good as the analog recording?
Several more... and a digital recording pressed to a vinyl record, can
it be little more than a digital recording... and then of course an
analog recording (as in LP), is no more than an inferior copy of the
analog source.


It depends on how you define as good as. Might as well ask if a dog is 
as good as a cat? or vice versa.


Think back to high school calculus classes. The smaller the increment 
you use to sample a curve, the more accurately you can approximate any 
point on the curve. Higher sampling rates can give more accurate 
reproduction.


A vinyl LP doesn't accurately reproduce the recorded sound. But most of 
the kinds of artifacts it introduces are pleasant to the ear, so it 
sounds good. And the engineers who created vinyl LPs knew what kind of 
artifacts vinyl introduced, like the roll off in the higher frequencies, 
and compensated for those that didn't sound good.


If you wanted to, you could add those same kind of warm vinyl 
inaccuracies to digital recordings so they'd be present in playback.



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Re: OT: Vinyl vs. Digital

2009-11-17 Thread Rob Studdert
2009/11/18 John Sessoms jsessoms...@nc.rr.com:

 That was what I was saying about early CD issues being just a straight
 analog to digital conversion of the tape masters. The tapes were originally
 mixed so they'd sound good on vinyl, but the reproduction characteristics of
 the CD are different.

The RIAA equalization is not applied to the master recording so eq is
not a problem, the master recordings being tape however do degrade
with time. The ferrous binders often fail or become sticky so the the
tape flutters, the remnant magnetism becomes diminished so the noise
floor rises and dynamics become a little compressed. Plus old tapes
often suffer print-through which is an echo effect created due to
tape layers imposing their magnetic record on each other. It's
absolutely no surprise that old tapes sound worse years after they
were recorded.

 If you wanted to, you could add those same kind of warm vinyl inaccuracies
 to digital recordings so they'd be present in playback.

That's true, the same as adding film noise to a digital photograph.
The state of the art digital recording systems are so accurate a new
generation of microphones had to be developed in order to take limited
advantage of the new capabilities.

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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RE: OT: Vinyl vs. Digital

2009-11-17 Thread J.C. O'Connell
I respectfully but STRONGLY disagree this
assessment which is that good vinyl just is more
distorted but euphonic than CD, modern, even some early,
LP disc mastering (say within the last 40
years) hasn't needed nor does it produce
any false or bad reproduction that needs
precompensation  to sound right in the
final result. Yes, in the early days, sometimes
the mastering played games in an attempt
to make the sound better for crappy phono
gear, but it was not the rule, it was the exception.

And you cant take medioocre
15/44.1 digital recording and add artifacts
to them to make them sound as good as properly
mastered and reproduced vinyl. The photographic
analogy would be that vinyl is nothing more
than a mediorce digital photograph with lots
of sharpness processing and that CD is
actually the higher and more accurate image.
No, its more the other way 'round. Vinyl is
more like an ultra large format film photography
whereas CD is the low resolution digital image.



--
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
John Sessoms
Sent: Tuesday, November 17, 2009 6:18 PM
To: pdml@pdml.net
Subject: Re: OT: Vinyl vs. Digital


From: Tom C
 I've never had an SACD, but it seems like technology is changing so 
 fast it's hard to keep up without pouring $$$ down the drain, 
 especially if the content is not there.  We buy and spend like we live

 forever, and both the stuff and us will last, but it doesn't.
 

I might have one. I think the Springsteen Seeger Sessions was one of 
those dual CD/SACD discs. I know it's a CD on one side and a DVD on the 
other side.


 So here's a question.  Why when CD's first came out did almost every 
 single one have a disclaimer that it might 'show up the faults of the 
 original recording', when in reality it probably was not as good as 
 the original... merely on the noise level?
 

That was what I was saying about early CD issues being just a straight 
analog to digital conversion of the tape masters. The tapes were 
originally mixed so they'd sound good on vinyl, but the reproduction 
characteristics of the CD are different.

If I remember correctly, you have to boost the high frequencies a lot 
more on vinyl so they'll reproduce normally on playback. Take that 
analog master tape with the boosted high frequencies and rip it straight

to CD and it'll come out with too much treble.

 And one other ponderance.  Can a digital recording, regardless of the 
 medium one is listening to, be as good as the analog recording? 
 Several more... and a digital recording pressed to a vinyl record, can

 it be little more than a digital recording... and then of course an 
 analog recording (as in LP), is no more than an inferior copy of the 
 analog source.

It depends on how you define as good as. Might as well ask if a dog is

as good as a cat? or vice versa.

Think back to high school calculus classes. The smaller the increment 
you use to sample a curve, the more accurately you can approximate any 
point on the curve. Higher sampling rates can give more accurate 
reproduction.

A vinyl LP doesn't accurately reproduce the recorded sound. But most of 
the kinds of artifacts it introduces are pleasant to the ear, so it 
sounds good. And the engineers who created vinyl LPs knew what kind of

artifacts vinyl introduced, like the roll off in the higher frequencies,

and compensated for those that didn't sound good.

If you wanted to, you could add those same kind of warm vinyl 
inaccuracies to digital recordings so they'd be present in playback.


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RE: OT: Vinyl vs. Digital

2009-11-17 Thread J.C. O'Connell
false, false, false, you cant take low resolution
digital recordings (CD) and DO ANYTHING TO THEM to
make them sound even remotely as good as proper
high end vinyl mastering and playback. there is no magic
trick to restore resolution lost in the low res
digital recording/playback processes. If there was
a magic black box like that, CD wouldn't have
been replace by higher bit rate digital processes
like 24/96 or SACD etc.

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Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Rob Studdert
Sent: Tuesday, November 17, 2009 6:41 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


2009/11/18 John Sessoms jsessoms...@nc.rr.com:

 That was what I was saying about early CD issues being just a straight

 analog to digital conversion of the tape masters. The tapes were 
 originally mixed so they'd sound good on vinyl, but the reproduction 
 characteristics of the CD are different.

The RIAA equalization is not applied to the master recording so eq is
not a problem, the master recordings being tape however do degrade with
time. The ferrous binders often fail or become sticky so the the tape
flutters, the remnant magnetism becomes diminished so the noise floor
rises and dynamics become a little compressed. Plus old tapes often
suffer print-through which is an echo effect created due to tape
layers imposing their magnetic record on each other. It's absolutely no
surprise that old tapes sound worse years after they were recorded.

 If you wanted to, you could add those same kind of warm vinyl 
 inaccuracies to digital recordings so they'd be present in playback.

That's true, the same as adding film noise to a digital photograph. The
state of the art digital recording systems are so accurate a new
generation of microphones had to be developed in order to take limited
advantage of the new capabilities.

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: OT: Vinyl vs. Digital

2009-11-17 Thread Charles Robinson
On Nov 17, 2009, at 17:40, Rob Studdert wrote:
 
 The RIAA equalization is not applied to the master recording so eq is
 not a problem, the master recordings being tape however do degrade
 with time.

There have been CDs made in the past using tapes which DID have the RIAA curve 
applied.  

Crappy, crappy horrible sound results.  Gladly, that kind of error is/was 
VERY rare back in the early 80s.

 -Charles

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Re: OT: Vinyl vs. Digital

2009-11-17 Thread Rob Studdert
2009/11/18 J.C. O'Connell hifis...@gate.net:
 false, false, false, you cant take low resolution
 digital recordings (CD) and DO ANYTHING TO THEM to
 make them sound even remotely as good as proper
 high end vinyl mastering and playback. there is no magic
 trick to restore resolution lost in the low res
 digital recording/playback processes. If there was
 a magic black box like that, CD wouldn't have
 been replace by higher bit rate digital processes
 like 24/96 or SACD etc.

And where in the reply to which you are referring did I mention low
resolution digital recordings?

Of course I agree that it's impossible to restore information which
has been annihilated, however the new recording systems are
effectively more capable and accurate than the best transducers to
which they must be connected in order to record sound waves.

-- 
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: OT: Vinyl vs. Digital

2009-11-17 Thread Rob Studdert
2009/11/18 Charles Robinson charl...@visi.com:

 There have been CDs made in the past using tapes which DID have the RIAA 
 curve applied.

 Crappy, crappy horrible sound results.  Gladly, that kind of error is/was 
 VERY rare back in the early 80s.

That would be very nasty (would make for a really poor quality
analogue recording) though could be easily compensated for.

-- 
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Tel: +61-418-166-870 UTC +10 Hours
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Re: OT: Vinyl vs. Digital

2009-11-16 Thread eckinator
It is - there are no opinions involved - just multiple parallel truths
governing the same subjects and monologues are held in a tone of basic
civility - opinions regularly make discussions go sour; they should be
banned... ]=)

2009/11/16 Tom C caka...@gmail.com:
 And how is that different than when cameras, art, and photography are
 discussed??? :-)

 Tom

 On Sun, Nov 15, 2009 at 8:39 PM, Tim Bray tb...@textuality.com wrote:
 On Sun, Nov 15, 2009 at 4:54 PM, Adam Maas a...@mawz.ca wrote:

 I've actually just got a long-nurtured hate

 You know, I can't help but notice that the generally friendly and
 humorous tone around here has become bitter and adversarial once we
 ventured into the music/audio territory.  The Internet has plenty of
 places I can go to soak up abusive negativity, so how about we drop
 the subject?  -Tim

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RE: OT: Vinyl vs. Digital

2009-11-16 Thread J.C. O'Connell
one thing is clear, this has gone too far HERE considering
its completely off-topic.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
eckinator
Sent: Monday, November 16, 2009 3:18 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


It is - there are no opinions involved - just multiple parallel truths
governing the same subjects and monologues are held in a tone of basic
civility - opinions regularly make discussions go sour; they should be
banned... ]=)

2009/11/16 Tom C caka...@gmail.com:
 And how is that different than when cameras, art, and photography are 
 discussed??? :-)

 Tom

 On Sun, Nov 15, 2009 at 8:39 PM, Tim Bray tb...@textuality.com 
 wrote:
 On Sun, Nov 15, 2009 at 4:54 PM, Adam Maas a...@mawz.ca wrote:

 I've actually just got a long-nurtured hate

 You know, I can't help but notice that the generally friendly and 
 humorous tone around here has become bitter and adversarial once we 
 ventured into the music/audio territory.  The Internet has plenty of 
 places I can go to soak up abusive negativity, so how about we drop 
 the subject?  -Tim

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Re: OT: Vinyl vs. Digital

2009-11-16 Thread John Sessoms

From: Adam Maas

On Sun, Nov 15, 2009 at 4:18 PM, Joseph McAllister pentax...@mac.com wrote:


 If the angels in heaven sound like Margo Timmins, I'll take
 hell rather than put up with that awful whining.



 She looks a bit like Margo Thatcher. Same initials too.



 You guys are just trying to get away from the JCO circus. ?  :-) 


 Timmins actually has a rather breathy sound, unless she's shouting. She
 doesn't do that much anymore, because she's within a kicked mule of 50 and
 wearing out.

 Joseph McAllister


I've actually just got a long-nurtured hate for the music of the
Cowboy Junkies and Margo Timmins. If I want to hear Canadian mediocre
depressing music I'll listen to Jann Arden instead. The Junkies are
one of the primary arguments against CanCon regulations IMHO,never
would have gotten much airtime if the radio wasn't forced to play so
much (often mediocre) Canadian music.


http://www.youtube.com/watch?v=D-yy2URAYqUfeature=related

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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-16 Thread Eactivist
In a message dated 11/15/2009 7:29:19 A.M. Pacific Standard Time,  
p...@web-options.com writes:
anyhoo please enjoy your  thread, maybe it  just isn't mine to 
 follow but rather to respectfully   ignore
 
 Cheers
 Ecke
 
  ===
 I kill filed JCO years  ago. Lots of us did.  
 

I think he's been mostly correct in this thread, but other  people have
misconstrued what he's been saying. 
==
Hmmm, I  wonder why that ALWAYS happens in discussions with  him?

snip

Unfortunately a lot of people have responded  with a 'horse for courses'
argument - you can't commute to work with top-end  vinyl equipment, which is
true but a non  sequitur.

Bob
==
Actually, I wasn't paying attention, I  was basically ignoring (and I would 
also be one of those that want something for  the car).
 

AND I was giving a heads up for newbies. Maybe they'll remember the  
suggestion it the next time.

Marnie aka Doe  :-)



-
We can't  solve problems by using the same kind of thinking we used when we 
created them.  Albert Einstein
 

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Re: OT: Vinyl vs. Digital

2009-11-16 Thread Tom C
J.C., seriously, are you the pot or are you the kettle?

Because 99.9% of the people here on this list don't have a spare $10K,
much less $100K lying dormant that they would put into a sound system,
much less just one component, nor does the thought even enter our
minds.  The thread never was about how much money one had to spend.

I'm actually surprised somone did not make the analogy between film
and digital and start arguing the inherent purity and noiseless
qualities of large format film.

Tom

On Mon, Nov 16, 2009 at 3:13 AM, J.C. O'Connell hifis...@gate.net wrote:
 one thing is clear, this has gone too far HERE considering
 its completely off-topic.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)
 Join the CD PLAYER  DISC Discussions :
 http://tech.groups.yahoo.com/group/cdplayers/
 http://launch.groups.yahoo.com/group/cdsound/


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 eckinator
 Sent: Monday, November 16, 2009 3:18 AM
 To: Pentax-Discuss Mail List
 Subject: Re: OT: Vinyl vs. Digital


 It is - there are no opinions involved - just multiple parallel truths
 governing the same subjects and monologues are held in a tone of basic
 civility - opinions regularly make discussions go sour; they should be
 banned... ]=)

 2009/11/16 Tom C caka...@gmail.com:
 And how is that different than when cameras, art, and photography are
 discussed??? :-)

 Tom

 On Sun, Nov 15, 2009 at 8:39 PM, Tim Bray tb...@textuality.com
 wrote:
 On Sun, Nov 15, 2009 at 4:54 PM, Adam Maas a...@mawz.ca wrote:

 I've actually just got a long-nurtured hate

 You know, I can't help but notice that the generally friendly and
 humorous tone around here has become bitter and adversarial once we
 ventured into the music/audio territory.  The Internet has plenty of
 places I can go to soak up abusive negativity, so how about we drop
 the subject?  -Tim

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RE: OT: Vinyl vs. Digital

2009-11-16 Thread J.C. O'Connell
I guess you forgot about the several posts made saying
that CD sounds as good ( or even better ) than LP or that you can get
state
of the art vinyl reproduction for only a $1K These things
are just not true, and needed some rebuattals bigtime. 

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Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Tom C
Sent: Monday, November 16, 2009 11:09 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


J.C., seriously, are you the pot or are you the kettle?

Because 99.9% of the people here on this list don't have a spare $10K,
much less $100K lying dormant that they would put into a sound system,
much less just one component, nor does the thought even enter our minds.
The thread never was about how much money one had to spend.

I'm actually surprised somone did not make the analogy between film and
digital and start arguing the inherent purity and noiseless qualities of
large format film.

Tom

On Mon, Nov 16, 2009 at 3:13 AM, J.C. O'Connell hifis...@gate.net
wrote:
 one thing is clear, this has gone too far HERE considering its 
 completely off-topic.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)
 Join the CD PLAYER  DISC Discussions : 
 http://tech.groups.yahoo.com/group/cdplayers/
 http://launch.groups.yahoo.com/group/cdsound/


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf 
 Of eckinator
 Sent: Monday, November 16, 2009 3:18 AM
 To: Pentax-Discuss Mail List
 Subject: Re: OT: Vinyl vs. Digital


 It is - there are no opinions involved - just multiple parallel truths

 governing the same subjects and monologues are held in a tone of basic

 civility - opinions regularly make discussions go sour; they should be

 banned... ]=)

 2009/11/16 Tom C caka...@gmail.com:
 And how is that different than when cameras, art, and photography are

 discussed??? :-)

 Tom

 On Sun, Nov 15, 2009 at 8:39 PM, Tim Bray tb...@textuality.com
 wrote:
 On Sun, Nov 15, 2009 at 4:54 PM, Adam Maas a...@mawz.ca wrote:

 I've actually just got a long-nurtured hate

 You know, I can't help but notice that the generally friendly and 
 humorous tone around here has become bitter and adversarial once we 
 ventured into the music/audio territory.  The Internet has plenty of

 places I can go to soak up abusive negativity, so how about we drop 
 the subject?  -Tim

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Re: OT: Vinyl vs. Digital

2009-11-16 Thread Tom C
I didn't forget, it's just that most people are not going to (cannot)
spend that kind of money for what is considered ultra-high end state
of the art, which is itself is a turmoil of hair-splitting.

FWIW, when vinyl was in it's heyday, considering the quality of
playback equipment most commonly used by the largest % of the record
market, I wonder whether the LP's themselves were made to the high
quality audio specifications, that eliteists believe they are hearing.
 I can hear a diffference between same vinyl and CD recordings, but
how good is the vinyl, really?

My point in starting the thread was to point out how wonderful I
thought the vinyl media sounds after not listening to it for many
years, not to hash out how to get the best sound reproduction at
prices almost no one can afford. Let's face it, most people won't
spend over $1000 on an entire home theatre system, much less for a
single component like a turntable or cartridge.  I'd have a hard time
justifying $1000 for any single component.  We all live with what we
can reasonably afford within in our circumstances and if we are really
into it, we get the best we can get within those constraints. Those
contraints are different for each of us.

Tom

On Mon, Nov 16, 2009 at 12:10 PM, J.C. O'Connell hifis...@gate.net wrote:
 I guess you forgot about the several posts made saying
 that CD sounds as good ( or even better ) than LP or that you can get
 state
 of the art vinyl reproduction for only a $1K These things
 are just not true, and needed some rebuattals bigtime.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)
 Join the CD PLAYER  DISC Discussions :
 http://tech.groups.yahoo.com/group/cdplayers/
 http://launch.groups.yahoo.com/group/cdsound/


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Tom C
 Sent: Monday, November 16, 2009 11:09 AM
 To: Pentax-Discuss Mail List
 Subject: Re: OT: Vinyl vs. Digital


 J.C., seriously, are you the pot or are you the kettle?

 Because 99.9% of the people here on this list don't have a spare $10K,
 much less $100K lying dormant that they would put into a sound system,
 much less just one component, nor does the thought even enter our minds.
 The thread never was about how much money one had to spend.

 I'm actually surprised somone did not make the analogy between film and
 digital and start arguing the inherent purity and noiseless qualities of
 large format film.

 Tom

 On Mon, Nov 16, 2009 at 3:13 AM, J.C. O'Connell hifis...@gate.net
 wrote:
 one thing is clear, this has gone too far HERE considering its
 completely off-topic.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)
 Join the CD PLAYER  DISC Discussions :
 http://tech.groups.yahoo.com/group/cdplayers/
 http://launch.groups.yahoo.com/group/cdsound/


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
 Of eckinator
 Sent: Monday, November 16, 2009 3:18 AM
 To: Pentax-Discuss Mail List
 Subject: Re: OT: Vinyl vs. Digital


 It is - there are no opinions involved - just multiple parallel truths

 governing the same subjects and monologues are held in a tone of basic

 civility - opinions regularly make discussions go sour; they should be

 banned... ]=)

 2009/11/16 Tom C caka...@gmail.com:
 And how is that different than when cameras, art, and photography are

 discussed??? :-)

 Tom

 On Sun, Nov 15, 2009 at 8:39 PM, Tim Bray tb...@textuality.com
 wrote:
 On Sun, Nov 15, 2009 at 4:54 PM, Adam Maas a...@mawz.ca wrote:

 I've actually just got a long-nurtured hate

 You know, I can't help but notice that the generally friendly and
 humorous tone around here has become bitter and adversarial once we
 ventured into the music/audio territory.  The Internet has plenty of

 places I can go to soak up abusive negativity, so how about we drop
 the subject?  -Tim

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RE: OT: Vinyl vs. Digital

2009-11-16 Thread Bob W
 
 http://www.youtube.com/watch?v=D-yy2URAYqUfeature=related
 

It's better on vinyl. Well worth spending a couple of hundred K for the
experience.



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Re: OT: Vinyl vs. Digital

2009-11-16 Thread Tom C
LOL.  I remember seeing that LP.  Not one of Kirk's best moves as a captain.

On Mon, Nov 16, 2009 at 12:39 PM, Bob W p...@web-options.com wrote:

 http://www.youtube.com/watch?v=D-yy2URAYqUfeature=related


 It's better on vinyl. Well worth spending a couple of hundred K for the
 experience.



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RE: OT: Vinyl vs. Digital

2009-11-16 Thread J.C. O'Connell
As far as the records themselves go, the physical discs, things have
worked perfectly
for the music lover because the sound quality of the disc
recordings/pressings themselves
has been way ahead of the playback gear for decades. What this means is
your records
are far better recordings than you can imagine and always have been, its
just that its
taken many many years for modern playback gear to be able extract the
info properly.
The only bad part is its expensive gear to do it, but it could be worse,
the records
themselves could have sucked all along until recently but they didn’t.
There are some
classical recordings on LP that are roughly 50 years old that sound
incredible on
modern gear, better than some much later stuff when transistors and
multichannel
recording became the norm. What that proves is the basic disc mastering,
plating,
and pressing technology used to make LPs has been superb for a long long
time, long
enough for most of the great recordings of the latter half of the 20th
century that
so many people cherish today.

--
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Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Tom C
Sent: Monday, November 16, 2009 1:40 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


I didn't forget, it's just that most people are not going to (cannot)
spend that kind of money for what is considered ultra-high end state of
the art, which is itself is a turmoil of hair-splitting.

FWIW, when vinyl was in it's heyday, considering the quality of playback
equipment most commonly used by the largest % of the record market, I
wonder whether the LP's themselves were made to the high quality audio
specifications, that eliteists believe they are hearing.  I can hear a
diffference between same vinyl and CD recordings, but how good is the
vinyl, really?

My point in starting the thread was to point out how wonderful I thought
the vinyl media sounds after not listening to it for many years, not to
hash out how to get the best sound reproduction at prices almost no one
can afford. Let's face it, most people won't spend over $1000 on an
entire home theatre system, much less for a single component like a
turntable or cartridge.  I'd have a hard time justifying $1000 for any
single component.  We all live with what we can reasonably afford within
in our circumstances and if we are really into it, we get the best we
can get within those constraints. Those contraints are different for
each of us.

Tom

On Mon, Nov 16, 2009 at 12:10 PM, J.C. O'Connell hifis...@gate.net
wrote:
 I guess you forgot about the several posts made saying
 that CD sounds as good ( or even better ) than LP or that you can get 
 state of the art vinyl reproduction for only a $1K These things
 are just not true, and needed some rebuattals bigtime.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)
 Join the CD PLAYER  DISC Discussions : 
 http://tech.groups.yahoo.com/group/cdplayers/
 http://launch.groups.yahoo.com/group/cdsound/


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf 
 Of Tom C
 Sent: Monday, November 16, 2009 11:09 AM
 To: Pentax-Discuss Mail List
 Subject: Re: OT: Vinyl vs. Digital


 J.C., seriously, are you the pot or are you the kettle?

 Because 99.9% of the people here on this list don't have a spare $10K,

 much less $100K lying dormant that they would put into a sound system,

 much less just one component, nor does the thought even enter our 
 minds. The thread never was about how much money one had to spend.

 I'm actually surprised somone did not make the analogy between film 
 and digital and start arguing the inherent purity and noiseless 
 qualities of large format film.

 Tom

 On Mon, Nov 16, 2009 at 3:13 AM, J.C. O'Connell hifis...@gate.net
 wrote:
 one thing is clear, this has gone too far HERE considering its 
 completely off-topic.

 --
 J.C. O'Connell (mailto:hifis...@gate.net)
 Join the CD PLAYER  DISC Discussions : 
 http://tech.groups.yahoo.com/group/cdplayers/
 http://launch.groups.yahoo.com/group/cdsound/


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf 
 Of eckinator
 Sent: Monday, November 16, 2009 3:18 AM
 To: Pentax-Discuss Mail List
 Subject: Re: OT: Vinyl vs. Digital


 It is - there are no opinions involved - just multiple parallel 
 truths

 governing the same subjects and monologues are held in a tone of 
 basic

 civility - opinions regularly make discussions go sour; they should 
 be

 banned... ]=)

 2009/11/16 Tom C caka...@gmail.com:
 And how is that different than when cameras, art, and photography 
 are

 discussed??? :-)

 Tom

 On Sun, Nov 15, 2009 at 8:39 PM, Tim Bray tb...@textuality.com
 wrote:
 On Sun, Nov 15, 2009 at 4:54 PM, Adam Maas a...@mawz.ca wrote:

 I've

Re: OT: Vinyl vs. Digital

2009-11-16 Thread John Sessoms

From: Tom C

FWIW, when vinyl was in it's heyday, considering the quality of
playback equipment most commonly used by the largest % of the record
market, I wonder whether the LP's themselves were made to the high
quality audio specifications, that eliteists believe they are hearing.
 I can hear a diffference between same vinyl and CD recordings, but
how good is the vinyl, really?


Depends on the original analog mix; quality of the original vinyl - 
ratio of virgin vinyl to recycled vinyl; thickness of the pressing; 
quality of the lacquer cutting; quality of the master disc; quality of 
the mother discs; quality of the stamping molds; where it comes in the 
press run ... how the LP has been handled since it left the factory floor.


Mass market vinyl from the 60s and 70s ain't often that great. They made 
CHEAP, thin records, cut a lot of corners in manufacturing, and quality 
control was often poor. New audiophile LPs use higher quality materials, 
more of them and cut fewer corners in production.


The same factors apply to CDs.

Audiophile CDs have much better sound quality than the ones you find in 
the discount bin at WalMart; especially some of the early CD issues of 
60s  70s LPs that were digitized straight from the old LP master 
tapes without any kind of re-mixing, re-mastering ... that's why there 
are re-issues (one reason anyway).


Another thing is the recording process is stood somewhat on its head 
from what it was in the golden age of vinyl. Where before everything was 
recorded onto analog tape and then digitized along the way to making an 
LP into a CD, now-a-days almost everything is recorded digitally from 
the get-go and has to be converted to analog somewhere along the way to 
making a new vinyl LP.


What I'm saying is really good quality vinyl and really good quality 
digital sources both sound *REALLY GOOD*.


It can also be REALLY expensive relative to what's good enough for most 
purposes.


It boils down to everyone has to determine their own cost benefit ratio 
regarding their chosen audio reproduction system. I have what I consider 
a good quality legacy audio system with a better than average turntable, 
good speakers and a set of audiophile head-phones ... plus tape decks 
and CD players.


When I use my legacy system, I play CDs or home recorded cassettes. I'm 
not a connoisseur of the audio listening experience. For me it's a 
soundtrack.


I can't remember the last time I actually listened to my vinyl LPs 
because they don't fit in with the way I want to listen to music, 
although I do still have those vinyl LPs; even some of my old 45s. I 
keep 'em around in case the CDRs ever wear out. I can go back and rip 
'em again if I need to.


I have listened to audiophile vinyl on audiophile component systems, 
including the multi-thousand dollar turntables.


But, if/when I have multi-thousands of dollars to spend, I wouldn't 
spend it on stereo equipment. Maybe a new camera body, a lens or two and 
I'd put a lot of miles into my next photo-safari. There's 50 states 
out there; 49 of 'em I intend to see either at least once or at least 
once more ... and then there's the Orient, Europe, Australia, Africa ... 
are all calling my name.


Ain't no audiophile stereo listening experience good enough to drown 
that out, and it wouldn't fit into a carry-on anyway.


So ...

Usual terms and conditions apply.
Feed face down, nine edge first.
It had a good beat, was easy to dance to - so I'll give it about a 63.
Closed course with professional driver.
Void where prohibited, licensed or taxed.
Do not bend, fold, spindle or mutilate.
Your mileage MAY vary!
Consult your owners manual for additional details.
Don't try this at home kids.

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RE: OT: Vinyl vs. Digital

2009-11-16 Thread J.C. O'Connell
All I can say is that if your LPs don't sound better
than your CDs of the same titles, either upgrade
your phono gear or LP copies or both because they should or ditch vinyl
altogether. There is no point in using vinyl
if it doesn't sound better than CDs, its only
remaining usage advantage today is for better sound than
CD. I cant see why anyone would use still use vinyl at all if
it sounded the same as CD to them. CDs prices have plummeted
to nearly nothing now, maybe even lower cost than clean vinyl,
so there is absolutely no advantage
left to LP except for better possible sound which you don't
seem to be getting or hearing so why use it at all. 
I know I wouldn't stick with it if it wasn't for the sweeter
sound, I can tell you that for sure. Vinyl is fussy
and fragile but the better sound is worth putting up
with it, but in your case, without better sound, Id
let it go or make it sound better, one or the other.
--
J.C. O'Connell (mailto:hifis...@gate.net)
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
John Sessoms
Sent: Monday, November 16, 2009 6:45 PM
To: pdml@pdml.net
Subject: Re: OT: Vinyl vs. Digital


From: Tom C
 FWIW, when vinyl was in it's heyday, considering the quality of 
 playback equipment most commonly used by the largest % of the record 
 market, I wonder whether the LP's themselves were made to the high 
 quality audio specifications, that eliteists believe they are hearing.

 I can hear a diffference between same vinyl and CD recordings, but how

 good is the vinyl, really?

Depends on the original analog mix; quality of the original vinyl - 
ratio of virgin vinyl to recycled vinyl; thickness of the pressing; 
quality of the lacquer cutting; quality of the master disc; quality of 
the mother discs; quality of the stamping molds; where it comes in the

press run ... how the LP has been handled since it left the factory
floor.

Mass market vinyl from the 60s and 70s ain't often that great. They made

CHEAP, thin records, cut a lot of corners in manufacturing, and quality 
control was often poor. New audiophile LPs use higher quality materials,

more of them and cut fewer corners in production.

The same factors apply to CDs.

Audiophile CDs have much better sound quality than the ones you find in 
the discount bin at WalMart; especially some of the early CD issues of 
60s  70s LPs that were digitized straight from the old LP master 
tapes without any kind of re-mixing, re-mastering ... that's why there 
are re-issues (one reason anyway).

Another thing is the recording process is stood somewhat on its head 
from what it was in the golden age of vinyl. Where before everything was

recorded onto analog tape and then digitized along the way to making an 
LP into a CD, now-a-days almost everything is recorded digitally from 
the get-go and has to be converted to analog somewhere along the way to 
making a new vinyl LP.

What I'm saying is really good quality vinyl and really good quality 
digital sources both sound *REALLY GOOD*.

It can also be REALLY expensive relative to what's good enough for most 
purposes.

It boils down to everyone has to determine their own cost benefit ratio 
regarding their chosen audio reproduction system. I have what I consider

a good quality legacy audio system with a better than average turntable,

good speakers and a set of audiophile head-phones ... plus tape decks 
and CD players.

When I use my legacy system, I play CDs or home recorded cassettes. I'm 
not a connoisseur of the audio listening experience. For me it's a 
soundtrack.

I can't remember the last time I actually listened to my vinyl LPs 
because they don't fit in with the way I want to listen to music, 
although I do still have those vinyl LPs; even some of my old 45s. I 
keep 'em around in case the CDRs ever wear out. I can go back and rip 
'em again if I need to.

I have listened to audiophile vinyl on audiophile component systems, 
including the multi-thousand dollar turntables.

But, if/when I have multi-thousands of dollars to spend, I wouldn't 
spend it on stereo equipment. Maybe a new camera body, a lens or two and

I'd put a lot of miles into my next photo-safari. There's 50 states 
out there; 49 of 'em I intend to see either at least once or at least 
once more ... and then there's the Orient, Europe, Australia, Africa ...

are all calling my name.

Ain't no audiophile stereo listening experience good enough to drown 
that out, and it wouldn't fit into a carry-on anyway.

So ...

Usual terms and conditions apply.
Feed face down, nine edge first.
It had a good beat, was easy to dance to - so I'll give it about a 63.
Closed course with professional driver. Void where prohibited, licensed
or taxed. Do not bend, fold, spindle or mutilate. Your mileage MAY vary!
Consult your owners manual for additional

RE: OT: Vinyl vs. Digital

2009-11-16 Thread J.C. O'Connell
there are a large number of factors that can affect the
sound quality of a vinyl LP, the master recording, the
tape used for mastering, (isnt always the original master),
disc mastering, the disc production stages , the vinyl, the
quality control, etc. Die hard vinyl collectors often
seek out the very best pressings (and pay big bucks ) of a given title
based on
stamper matrix numbers etc. But in general, the
overall sound quality and overall consistancy level of quality
of LP mastering is higher than CDs by far. CDs have a very
high percentage of poorly mastered discs compared
to LPs which is one the reasons many serious music
lovers have LP systems as well as CD systems, the poorly
mastered CDs are really poor compared to normal
LPs let alone the the very best pressings of LPs. Even
if you have equal quality LP nd CD players, the good
mastered LP (common) is going to beat the poorly mastered
CDs ( also common ) every time on sound quality and 
musical enjoyment that goes along with that.

--
J.C. O'Connell (mailto:hifis...@gate.net)
Join the CD PLAYER  DISC Discussions :
http://tech.groups.yahoo.com/group/cdplayers/
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
John Sessoms
Sent: Monday, November 16, 2009 6:45 PM
To: pdml@pdml.net
Subject: Re: OT: Vinyl vs. Digital


From: Tom C
 FWIW, when vinyl was in it's heyday, considering the quality of 
 playback equipment most commonly used by the largest % of the record 
 market, I wonder whether the LP's themselves were made to the high 
 quality audio specifications, that eliteists believe they are hearing.

 I can hear a diffference between same vinyl and CD recordings, but how

 good is the vinyl, really?


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Re: OT: Vinyl vs. Digital

2009-11-16 Thread Anthony Farr
How could I pass up the chance to respond with this? 

http://www.youtube.com/watch?v=luVjkTEIoJc

You get William Shatner AND the Pythons at the same time :-)

regards, Anthony

   Of what use is lens and light
to those who lack in mind and sight
   (Anon)



2009/11/17 Bob W p...@web-options.com:

 http://www.youtube.com/watch?v=D-yy2URAYqUfeature=related


 It's better on vinyl. Well worth spending a couple of hundred K for the
 experience.



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Re: OT: Vinyl vs. Digital

2009-11-16 Thread Joseph McAllister

On Nov 16, 2009, at 08:09 , Tom C wrote:


I'm actually surprised somone did not make the analogy between film
and digital and start arguing the inherent purity and noiseless
qualities of large format film.



An argument that is moot. Large format rools!

Not that I ever haul the 8 x 10 out anymore...BUT I COULD!   :-)

Joseph McAllister
pentax...@mac.com

“ It is still true, as was first said many years ago, that people are  
the only sophisticated computing devices that can be made at low cost  
by unskilled workers!”

— Martin G. Wolf, PhD


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Re: OT: Vinyl vs. Digital

2009-11-16 Thread Peter Loveday

The same factors apply to CDs.

Audiophile CDs have much better sound quality than the ones you find in 
the discount bin at WalMart; especially some of the early CD issues of 60s 
 70s LPs that were digitized straight from the old LP master tapes 
without any kind of re-mixing, re-mastering ... that's why there are 
re-issues (one reason anyway).


Indeed.  There is a lot of quality variation in all formats.

But its not like CDs are representative of state-of-the-art digital music 
formats anyway,nor have been for a long time.  Even in consumer equipment, 
it's been, what, 10 years since SACD/DVDA came on the scene?


These suffer from exactly what you talk about though, too many are merely 
upconversions of CD recordings, themselves often digitized from dodgey 
analogue masters.


But a well mastered SACD/DVDA is pretty damn impressive.  Just a shame 
there's not more stuff being released on them, though its still probably 
more than the amount of new stuff released on vinyl :(


- Peter


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Re: OT: Vinyl vs. Digital

2009-11-16 Thread Tom C
Thanks for that additional info on the history.  As usual many
variables.  I'm with you on the travel priorities.  That would be mine
as well.  If I can get what I consider great sound reproduction at a
decent price that's all I need. Quite it often it depends what we
compare it to.

As I said I got drawn back into audio because of my son.  So now he
has an entire system that costs  $1500 dollars with speakers he
picked out (sub-$300).  Most was spent on TT + cartridge. It sounds
better than anything I have owned to date.  It would be laughed at by
true audiophiles, I'm sure, but at the same time I'm sure it sounds
better than anything 1 out 100 people I know have.

Tom

On Mon, Nov 16, 2009 at 5:44 PM, John Sessoms jsessoms...@nc.rr.com wrote:
 From: Tom C

 FWIW, when vinyl was in it's heyday, considering the quality of
 playback equipment most commonly used by the largest % of the record
 market, I wonder whether the LP's themselves were made to the high
 quality audio specifications, that eliteists believe they are hearing.
  I can hear a diffference between same vinyl and CD recordings, but
 how good is the vinyl, really?

 Depends on the original analog mix; quality of the original vinyl - ratio of
 virgin vinyl to recycled vinyl; thickness of the pressing; quality of the
 lacquer cutting; quality of the master disc; quality of the mother discs;
 quality of the stamping molds; where it comes in the press run ... how the
 LP has been handled since it left the factory floor.

 Mass market vinyl from the 60s and 70s ain't often that great. They made
 CHEAP, thin records, cut a lot of corners in manufacturing, and quality
 control was often poor. New audiophile LPs use higher quality materials,
 more of them and cut fewer corners in production.

 The same factors apply to CDs.

 Audiophile CDs have much better sound quality than the ones you find in the
 discount bin at WalMart; especially some of the early CD issues of 60s  70s
 LPs that were digitized straight from the old LP master tapes without any
 kind of re-mixing, re-mastering ... that's why there are re-issues (one
 reason anyway).

 Another thing is the recording process is stood somewhat on its head from
 what it was in the golden age of vinyl. Where before everything was recorded
 onto analog tape and then digitized along the way to making an LP into a CD,
 now-a-days almost everything is recorded digitally from the get-go and has
 to be converted to analog somewhere along the way to making a new vinyl LP.

 What I'm saying is really good quality vinyl and really good quality digital
 sources both sound *REALLY GOOD*.

 It can also be REALLY expensive relative to what's good enough for most
 purposes.

 It boils down to everyone has to determine their own cost benefit ratio
 regarding their chosen audio reproduction system. I have what I consider a
 good quality legacy audio system with a better than average turntable, good
 speakers and a set of audiophile head-phones ... plus tape decks and CD
 players.

 When I use my legacy system, I play CDs or home recorded cassettes. I'm not
 a connoisseur of the audio listening experience. For me it's a soundtrack.

 I can't remember the last time I actually listened to my vinyl LPs because
 they don't fit in with the way I want to listen to music, although I do
 still have those vinyl LPs; even some of my old 45s. I keep 'em around in
 case the CDRs ever wear out. I can go back and rip 'em again if I need to.

 I have listened to audiophile vinyl on audiophile component systems,
 including the multi-thousand dollar turntables.

 But, if/when I have multi-thousands of dollars to spend, I wouldn't spend it
 on stereo equipment. Maybe a new camera body, a lens or two and I'd put a
 lot of miles into my next photo-safari. There's 50 states out there; 49 of
 'em I intend to see either at least once or at least once more ... and then
 there's the Orient, Europe, Australia, Africa ... are all calling my name.

 Ain't no audiophile stereo listening experience good enough to drown that
 out, and it wouldn't fit into a carry-on anyway.

 So ...

 Usual terms and conditions apply.
 Feed face down, nine edge first.
 It had a good beat, was easy to dance to - so I'll give it about a 63.
 Closed course with professional driver.
 Void where prohibited, licensed or taxed.
 Do not bend, fold, spindle or mutilate.
 Your mileage MAY vary!
 Consult your owners manual for additional details.
 Don't try this at home kids.

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Re: OT: Vinyl vs. Digital

2009-11-16 Thread Tom C
I've never had an SACD, but it seems like technology is changing so
fast it's hard to keep up without pouring $$$ down the drain,
especially if the content is not there.  We buy and spend like we live
forever, and both the stuff and us will last, but it doesn't.

So here's a question.  Why when CD's first came out did almost every
single one have a disclaimer that it might 'show up the faults of the
original recording', when in reality it probably was not as good as
the original... merely on the noise level?

And one other ponderance.  Can a digital recording, regardless of the
medium one is listening to, be as good as the analog recording?
Several more... and a digital recording pressed to a vinyl record, can
it be little more than a digital recording... and then of course an
analog recording (as in LP), is no more than an inferior copy of the
analog source.

Tom

On Tue, Nov 17, 2009 at 12:44 AM, Peter Loveday pe...@loveday.org wrote:
 The same factors apply to CDs.

 Audiophile CDs have much better sound quality than the ones you find in
 the discount bin at WalMart; especially some of the early CD issues of 60s 
 70s LPs that were digitized straight from the old LP master tapes without
 any kind of re-mixing, re-mastering ... that's why there are re-issues (one
 reason anyway).

 Indeed.  There is a lot of quality variation in all formats.

 But its not like CDs are representative of state-of-the-art digital music
 formats anyway,nor have been for a long time.  Even in consumer equipment,
 it's been, what, 10 years since SACD/DVDA came on the scene?

 These suffer from exactly what you talk about though, too many are merely
 upconversions of CD recordings, themselves often digitized from dodgey
 analogue masters.

 But a well mastered SACD/DVDA is pretty damn impressive.  Just a shame
 there's not more stuff being released on them, though its still probably
 more than the amount of new stuff released on vinyl :(

 - Peter


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Re: OT: Vinyl vs. Digital

2009-11-16 Thread Tom C
In that last sentence I meant to say that a digitized copy of an
analog source, e.g. vinly LP is simply an inferior digital version.

On Tue, Nov 17, 2009 at 1:16 AM, Tom C caka...@gmail.com wrote:
 I've never had an SACD, but it seems like technology is changing so
 fast it's hard to keep up without pouring $$$ down the drain,
 especially if the content is not there.  We buy and spend like we live
 forever, and both the stuff and us will last, but it doesn't.

 So here's a question.  Why when CD's first came out did almost every
 single one have a disclaimer that it might 'show up the faults of the
 original recording', when in reality it probably was not as good as
 the original... merely on the noise level?

 And one other ponderance.  Can a digital recording, regardless of the
 medium one is listening to, be as good as the analog recording?
 Several more... and a digital recording pressed to a vinyl record, can
 it be little more than a digital recording... and then of course an
 analog recording (as in LP), is no more than an inferior copy of the
 analog source.

 Tom

 On Tue, Nov 17, 2009 at 12:44 AM, Peter Loveday pe...@loveday.org wrote:
 The same factors apply to CDs.

 Audiophile CDs have much better sound quality than the ones you find in
 the discount bin at WalMart; especially some of the early CD issues of 60s 
 70s LPs that were digitized straight from the old LP master tapes without
 any kind of re-mixing, re-mastering ... that's why there are re-issues (one
 reason anyway).

 Indeed.  There is a lot of quality variation in all formats.

 But its not like CDs are representative of state-of-the-art digital music
 formats anyway,nor have been for a long time.  Even in consumer equipment,
 it's been, what, 10 years since SACD/DVDA came on the scene?

 These suffer from exactly what you talk about though, too many are merely
 upconversions of CD recordings, themselves often digitized from dodgey
 analogue masters.

 But a well mastered SACD/DVDA is pretty damn impressive.  Just a shame
 there's not more stuff being released on them, though its still probably
 more than the amount of new stuff released on vinyl :(

 - Peter


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RE: OT: Vinyl vs. Digital

2009-11-16 Thread J.C. O'Connell
A few things to mention, 80's -90's digital masters are more
often than not whats dodgy, not vintage
analog masters with regards to SACD/DVDA releases.
Only hi rez digitally recorded music recorded after mid 90's
is worthy of SACD/DVDA whereas even very old analog
masters can generate wonderful SACD/DVDA.

Secondly the vinyl music universe isnt really
about new releases, its mostly about legacy music
and hearing those with best possible presentation
which is commonly the original LP on good gear.

Lastly, although SACD/DVDA are wonderful improvements
over CD, there is a less than a miniscule number of good titles
compared to LP, and they are both nearly exinct formats
at this point. The sad part is CD's high resolution digital
successors came along at the exact same time (~2000) as
free mp3s which have essentially killed them off as
free mediocre is much more popular than expensive superb.

--
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Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Peter Loveday
Sent: Tuesday, November 17, 2009 1:44 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital


 The same factors apply to CDs.

 Audiophile CDs have much better sound quality than the ones you find 
 in
 the discount bin at WalMart; especially some of the early CD issues of
60s 
  70s LPs that were digitized straight from the old LP master tapes 
 without any kind of re-mixing, re-mastering ... that's why there are 
 re-issues (one reason anyway).

Indeed.  There is a lot of quality variation in all formats.

But its not like CDs are representative of state-of-the-art digital
music 
formats anyway,nor have been for a long time.  Even in consumer
equipment, 
it's been, what, 10 years since SACD/DVDA came on the scene?

These suffer from exactly what you talk about though, too many are
merely 
upconversions of CD recordings, themselves often digitized from dodgey 
analogue masters.

But a well mastered SACD/DVDA is pretty damn impressive.  Just a shame 
there's not more stuff being released on them, though its still probably

more than the amount of new stuff released on vinyl :(

- Peter


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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread J.C. O'Connell
well you can have your its all a big marketing scam and my $1000
turntable
is as good as the best in the world fantasy, but the reality
is that the very best SOUNDING tonearms, turntables, and cartridges
are not available or possible at that low a total price. What you
are failing to do is understand that to make things audibly
better, sometimes its takes a lot of money for the solution
and even more importantly, its obvious that you have never
actually auditioned a really high end turntable, because if
you had you wouldn't be assuming they sound just like a $1000
setup, they DON'T. They are better, and they are hideously more
money than $1000 total.

--
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Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Rob Studdert
Sent: Saturday, November 14, 2009 8:53 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,
exposedinvideo


On 15/11/2009, J.C. O'Connell hifis...@gate.net wrote:

 Not that Onkyo and Pioneer are junk, but they are
 are a long long away from full vinyl reproduction
 pinnacle, read my post and comprehend it, I said a
 $10,000 turntable doesn't sound as good as the
 best, currently around $100,000. By deduction a
 $1000 turntable doesn't sound as good as a $100K one either. your 
 still playback gear limited at $1K for sure.

John, that's just crap, of course one would hope that more $$$ in gear
would equate to improved resolution/fidelity but it's not a rule. At
that level for most people it's just another way to say look at me, look
at what I have, look at what I can afford, the repro fidelity is
secondary.

A bit of ABX testing would sort out a lot of the BS that goes on in the
ultra-hifi circles, of course most golden eared folk won't go near ABX
testing just in case.

Just my humble opinion (to which I'm also entitled).

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread eckinator
damn... what a bunch of aimless wanton wankery... your gear isn't
good enough to entitle you to an opinion I know this isn't what was
said but it is what transpires... good enough grabs goosebumps from
the groove and gets them there... I know passion can take you to
extremes and we are all gearheads here but this is going too far even
for my humble tastes... please let it be known that from now on I am
going to end every single tripod thread on this list by stating that
my Novoflex Quadropod has FOUR legs and therefore all of you lousy
threeleggers are gear limited and shouldn't waste my time talking
about stability that you haven't the foggiest notion of to begin
with... and for all who care, my quadropod has the longest AND
thickest legs and they are rock hard 24/7... NUFF SAID =P

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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread J.C. O'Connell
your staying from the point which is that with a $1000 phono setup
you cant say you are always or nearly always record limited sonically.

$1000 is not nearly enough budget to get the full sound quality of
most records, so you are still playback gear limited at that
level of gear.

Nobody is claiming that a $10,000 turntable sounds 10X better
than a $1,000 turntable, whatever that means, but they do
sound AUDIBLY BETTER, and that’s the point, in order to hear fully
the quality of the recording, you have to have the really good
playback equipment. Cost to do it and whether its worth the cost
to YOU is a separate issue. But you cant rationalize in you mind
that a $1000 turntable sounds identical/just as good as a $10K or
$100K one just because you don’t want to or cannnot afford
to buy a $10k or $100K one.

--
J.C. O'Connell (mailto:hifis...@gate.net)
Join the CD PLAYER  DISC Discussions :
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Tom C
Sent: Saturday, November 14, 2009 11:58 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,
exposedinvideo


Rob,

I don't understand the ABX testing you mentioned (what is it?), but I do
know that quite a bit of the higher end gear is made to appeal to the
ego and I agree with your point.  So is a $10,000 turntable 10X better
than a $1000 turntable, or a $100K turntable 10X better than a $10K
turntable?.  I sincerely doubt it.  That was my point about diminishing
returns and as John Sessoms pointed out, there's a lot of different
necessities as well as wants vying for priority when it comes to
dividing up our own financial pies.  Every single turntable from $250 on
up makes the same basic claim regarding fidelity.

Yes I do believe that spending more money on a given product may yield
improvement in quality, but there's both a practical ceiling (i.e., I
cannot afford any more) and there's some threshold at which the amount
of money spent no longer represents a proprtional linear improvement in
quality and may even start becoming inversely proportional to the
improvement that's been achieved.

Did that make any sense? :-)

There's also the wife factor.  I may be able to justify and get by with
spending a $1000 on a new camera now and then.  But if I spent as much
money on a hi-fi system as could be spent on a vehicle or a house, my
life would not be worth living.

Tom

On Sat, Nov 14, 2009 at 7:52 PM, Rob Studdert distudio.p...@gmail.com
wrote:
 On 15/11/2009, J.C. O'Connell hifis...@gate.net wrote:

 Not that Onkyo and Pioneer are junk, but they are
 are a long long away from full vinyl reproduction
 pinnacle, read my post and comprehend it, I said a
 $10,000 turntable doesn't sound as good as the
 best, currently around $100,000. By deduction a
 $1000 turntable doesn't sound as good as a $100K one either. your 
 still playback gear limited at $1K for sure.

 John, that's just crap, of course one would hope that more $$$ in gear

 would equate to improved resolution/fidelity but it's not a rule. At 
 that level for most people it's just another way to say look at me, 
 look at what I have, look at what I can afford, the repro fidelity is 
 secondary.

 A bit of ABX testing would sort out a lot of the BS that goes on in 
 the ultra-hifi circles, of course most golden eared folk won't go 
 near ABX testing just in case.

 Just my humble opinion (to which I'm also entitled).

 --
 Rob Studdert (Digital  Image Studio)
 Tel: +61-418-166-870 UTC +10 Hours
 Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread J.C. O'Connell
You guya are arguing affordability and prestige factors
which having nothing to do with the issue, which is whether
for $1000 grand total you can assemble a phono rig capable
of the same sonic quality as a $10K or $100K one. You cant.
At $1000 you are not nearly as good as it gets so to speak.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Rob Studdert
Sent: Sunday, November 15, 2009 12:33 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,
exposedinvideo


On 15/11/2009, Tom C caka...@gmail.com wrote:
 Rob,

 I don't understand the ABX testing you mentioned (what is it?),

Hi Tom et al,

Check out http://en.wikipedia.org/wiki/ABX_test

 Yes I do believe that spending more money on a given product may yield

 improvement in quality, but there's both a practical ceiling (i.e., I 
 cannot afford any more) and there's some threshold at which the amount

 of money spent no longer represents a proprtional linear improvement 
 in quality and may even start becoming inversely proportional to the 
 improvement that's been achieved.

 Did that make any sense? :-)

Yes that would be the hope but it's not a rule. Some extraordinary
claims, materials and processes accompany top dollar gear often,
especially cables. The mind boggles at the gullibility of some.

 There's also the wife factor.  I may be able to justify and get by 
 with spending a $1000 on a new camera now and then.  But if I spent as

 much money on a hi-fi system as could be spent on a vehicle or a 
 house, my life would not be worth living.

Indeed, family can also limit options, as soon as my little guy came
along most of my good audio gear went into storage, I rarely miss it
now.

Cheers,

-- 
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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread J.C. O'Connell
ownership has nothing to do with this. I don't own a $100K turntable,
but that doesn't mean they don't exist or my or your turntables are just
as good as the $100K turntables. You can have opinions based on 
experinences and auditions, ownerships isnt a requirement. In this
case Im just arguing your opinion that your $1K turntable is as
good as the the $10k and $100K models or that at $1000 you are
record quality limited, is wrong. That level ( fully record limited) of
playback
performance is not possible for only $1K. It costs much more
than that to get the job done as well as possible.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
eckinator
Sent: Sunday, November 15, 2009 5:40 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,
exposedinvideo


damn... what a bunch of aimless wanton wankery... your gear isn't good
enough to entitle you to an opinion I know this isn't what was said but
it is what transpires... good enough grabs goosebumps from the groove
and gets them there... I know passion can take you to extremes and we
are all gearheads here but this is going too far even for my humble
tastes... please let it be known that from now on I am going to end
every single tripod thread on this list by stating that my Novoflex
Quadropod has FOUR legs and therefore all of you lousy threeleggers are
gear limited and shouldn't waste my time talking about stability that
you haven't the foggiest notion of to begin with... and for all who
care, my quadropod has the longest AND thickest legs and they are rock
hard 24/7... NUFF SAID =P

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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Rob Studdert
On 15/11/2009, J.C. O'Connell hifis...@gate.net wrote:
 ownership has nothing to do with this. I don't own a $100K turntable,
 but that doesn't mean they don't exist or my or your turntables are just
 as good as the $100K turntables. You can have opinions based on
 experinences and auditions, ownerships isnt a requirement. In this
 case Im just arguing your opinion that your $1K turntable is as
 good as the the $10k and $100K models or that at $1000 you are
 record quality limited, is wrong. That level ( fully record limited) of
 playback
 performance is not possible for only $1K. It costs much more
 than that to get the job done as well as possible.

Do you ever actually read what anyone else writes John? Serious question.

-- 
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Tel: +61-418-166-870 UTC +10 Hours
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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread J.C. O'Connell
yes, I have recall too. The original contention
was in error, $1K doesn't get you to the plateau
of turntable performance as suggested. Its just
another step of the hill...

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Rob Studdert
Sent: Sunday, November 15, 2009 5:57 AM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,
exposedinvideo


On 15/11/2009, J.C. O'Connell hifis...@gate.net wrote:
 ownership has nothing to do with this. I don't own a $100K turntable, 
 but that doesn't mean they don't exist or my or your turntables are 
 just as good as the $100K turntables. You can have opinions based on 
 experinences and auditions, ownerships isnt a requirement. In this 
 case Im just arguing your opinion that your $1K turntable is as good 
 as the the $10k and $100K models or that at $1000 you are record 
 quality limited, is wrong. That level ( fully record limited) of 
 playback performance is not possible for only $1K. It costs much more
 than that to get the job done as well as possible.

Do you ever actually read what anyone else writes John? Serious
question.

-- 
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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread eckinator
2009/11/15 J.C. O'Connell hifis...@gate.net:
 ownership has nothing to do with this. I don't own a $100K turntable,
 but that doesn't mean they don't exist or my or your turntables are just
 as good as the $100K turntables. You can have opinions based on
 experinences and auditions, ownerships isnt a requirement. In this
 case Im just arguing your opinion that your $1K turntable is as
 good as the the $10k and $100K models or that at $1000 you are
 record quality limited, is wrong. That level ( fully record limited) of
 playback performance is not possible for only $1K. It costs much more
 than that to get the job done as well as possible.

yeah sure and big bucks can sound better than small bucks if the big
buck stuff was built by people knowing their stuff but what on earth
has this to do any more with the passion that Tom described or the
happiness that I felt when my vintage tech windfall brought back
something that I cherish very much now...

and forget ownership... auditioning a 100K system certainly gives you
an opinion that you have no access to without it but quite frankly I
don't care - such systems are obscene as long as there are people
starving within a half day's flying distance of any given point on the
planet...

BUT

good enough is when the sound makes me want to close my eyes and just
listen... back to joseph's captivating here... and I dare to question
that one can still let oneself be captivated if there is always a
feeling nagging that this could sound better if only I had ... this
is why good enough is so important because it places you at peace with
your reality...

so I question the necessity... take it with however many grains of
salt you wish... the only point I find to justify such excess is that
it helps to better appreciate the passion others put into creating the
recordings... there is no inherent good in expenisve hifi gear; it is
only as good as the music played on it...

anyhoo please enjoy your thread, maybe it just isn't mine to follow
but rather to respectfully ignore

Cheers
Ecke

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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Eactivist
In a message dated 11/15/2009 3:38:18 A.M.  Pacific Standard Time, 
eckina...@gmail.com writes:
anyhoo please enjoy your  thread, maybe it just isn't mine to follow
but rather to respectfully  ignore

Cheers
Ecke

===
I kill filed JCO years  ago. Lots of us did. 

Marnie aka Doe  

-
We can't solve problems  by using the same kind of thinking we used when we 
created them. Albert Einstein   


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Re: OT: Vinyl vs. Digital

2009-11-15 Thread Adam Maas
On Sat, Nov 14, 2009 at 10:31 PM, William Robb war...@gmail.com wrote:

 - Original Message - From: Joseph McAllister
 Subject: Re: OT: Vinyl vs. Digital


 On Nov 14, 2009, at 13:19 , Tim Bray wrote:

 If
 you want your heart to melt, sit down with some Cowboy Junkies in a
 dark room on a seriously-good audiophile playback system.  -Tim

 or Lucinda WIlliams, Willie Nelson, Leonard Cohen. All perfectionists.


 All very good singers but, if the angels in heaven sing, they sound like
 Margo Timmins.

 William Robb

If the angels in heaven sound like Margo Timmins, I'll take hell
rather than put up with that awful whining.




-- 
M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Bob W
 anyhoo please enjoy your  thread, maybe it just isn't mine to 
 follow but rather to respectfully  ignore
 
 Cheers
 Ecke
 
 ===
 I kill filed JCO years  ago. Lots of us did. 
 

I think he's been mostly correct in this thread, but other people have
misconstrued what he's been saying. Unfortunately this just makes him hammer
away at the same message over and over, which is rather tiresome. I think we
should all adopt a general rule of making our point no more than twice in
the same thread. If other people are too dumb to get it, shrug and move on.

I say mostly correct rather than wholly correct because his argument has
been presented slightly the wrong way round. Instead of saying that the best
audio costs a ton of money and vinyl is better than CD at the top quality
end (something I'm incapable of judging), his argument reads (mainly) as
'the more you pay for vinyl equipment the better it is, and $ for $ it's
better than CD', which is almost certainly nonsense for audio as it is for
most other goods - it fails to take into account the Prada factor.
http://www.geeksugar.com/284038

Unfortunately a lot of people have responded with a 'horse for courses'
argument - you can't commute to work with top-end vinyl equipment, which is
true but a non sequitur.

Bob


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RE: OT: Vinyl vs. Digital

2009-11-15 Thread Bob W
  If
  you want your heart to melt, sit down with some Cowboy 
 Junkies in a 
  dark room on a seriously-good audiophile playback system.  -Tim
 
  or Lucinda WIlliams, Willie Nelson, Leonard Cohen. All 
 perfectionists.
 
 
  All very good singers but, if the angels in heaven sing, they sound 
  like Margo Timmins.
 
  William Robb
 
 If the angels in heaven sound like Margo Timmins, I'll take 
 hell rather than put up with that awful whining.
 

She looks a bit like Margo Thatcher. Same initials too. 

Bob


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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Mark Roberts
Rob Studdert wrote:

Do you ever actually read what anyone else writes John? Serious question.

Rob, have you ever read JCO's participation in any other threads?
Serious question.
;-)


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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread William Robb


- Original Message - 
From: eckinator
Subject: Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , 
exposedinvideo




damn... what a bunch of aimless wanton wankery... your gear isn't
good enough to entitle you to an opinion I know this isn't what was
said but it is what transpires... good enough grabs goosebumps from
the groove and gets them there... I know passion can take you to
extremes and we are all gearheads here but this is going too far even
for my humble tastes... please let it be known that from now on I am
going to end every single tripod thread on this list by stating that
my Novoflex Quadropod has FOUR legs and therefore all of you lousy
threeleggers are gear limited and shouldn't waste my time talking
about stability that you haven't the foggiest notion of to begin
with... and for all who care, my quadropod has the longest AND
thickest legs and they are rock hard 24/7... NUFF SAID =P


Is it time to check my filtered mail? It sounds like I missed some fun.

William Robb 



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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Bob W
 damn... what a bunch of aimless wanton wankery...

Mark!

(sounds like a closing quote to me...)


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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread J.C. O'Connell
And when you ignore, it just maintains ignorance.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
eactiv...@aol.com
Sent: Sunday, November 15, 2009 10:09 AM
To: pdml@pdml.net
Subject: Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth,
,exposedinvideo


In a message dated 11/15/2009 3:38:18 A.M.  Pacific Standard Time, 
eckina...@gmail.com writes:
anyhoo please enjoy your  thread, maybe it just isn't mine to follow but
rather to respectfully  ignore

Cheers
Ecke

===
I kill filed JCO years  ago. Lots of us did. 

Marnie aka Doe  

-
We can't solve problems  by using the same kind of thinking we used when
we 
created them. Albert Einstein   


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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread J.C. O'Connell
NO, YOU ARE INCORRECT, I stand by what I said all along, from approx ~
$400 and up, vinyl
sounds better than CD dollar for dollar. CD does not
exceed LP sound dollar for dollar except at the very bottom ( ~ $400)
sector of the source market.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Bob W
Sent: Sunday, November 15, 2009 10:28 AM
To: 'Pentax-Discuss Mail List'
Subject: RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth,
,exposedinvideo


 anyhoo please enjoy your  thread, maybe it just isn't mine to
 follow but rather to respectfully  ignore
 
 Cheers
 Ecke
 
 ===
 I kill filed JCO years  ago. Lots of us did.
 

I think he's been mostly correct in this thread, but other people have
misconstrued what he's been saying. Unfortunately this just makes him
hammer
away at the same message over and over, which is rather tiresome. I
think we
should all adopt a general rule of making our point no more than twice
in
the same thread. If other people are too dumb to get it, shrug and move
on.

I say mostly correct rather than wholly correct because his argument has
been presented slightly the wrong way round. Instead of saying that the
best
audio costs a ton of money and vinyl is better than CD at the top
quality
end (something I'm incapable of judging), his argument reads (mainly) as
'the more you pay for vinyl equipment the better it is, and $ for $ it's
better than CD', which is almost certainly nonsense for audio as it is
for
most other goods - it fails to take into account the Prada factor.
http://www.geeksugar.com/284038

Unfortunately a lot of people have responded with a 'horse for courses'
argument - you can't commute to work with top-end vinyl equipment, which
is
true but a non sequitur.

Bob


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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread eckinator
2009/11/15 J.C. O'Connell hifis...@gate.net:
 And when you ignore, it just maintains ignorance.

Yes and I fail to see the fault with that:
http://en.wikipedia.org/wiki/Ignorance

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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Joseph McAllister
O'Yeah? Our three leggers can be set up on uneven ground in 1/100th of  
the time your behemoth can be drug up the hill!


:-)



On Nov 15, 2009, at 02:40 , eckinator wrote:


damn... what a bunch of aimless wanton wankery... your gear isn't
good enough to entitle you to an opinion I know this isn't what was
said but it is what transpires... good enough grabs goosebumps from
the groove and gets them there... I know passion can take you to
extremes and we are all gearheads here but this is going too far even
for my humble tastes... please let it be known that from now on I am
going to end every single tripod thread on this list by stating that
my Novoflex Quadropod has FOUR legs and therefore all of you lousy
threeleggers are gear limited and shouldn't waste my time talking
about stability that you haven't the foggiest notion of to begin
with... and for all who care, my quadropod has the longest AND
thickest legs and they are rock hard 24/7... NUFF SAID =P


Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html







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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,

2009-11-15 Thread John Sessoms

From: Bob W

I think he's been mostly correct in this thread, but other people have
misconstrued what he's been saying. Unfortunately this just makes him hammer
away at the same message over and over, which is rather tiresome. 


Perhaps because the *message* that's come through is My way is the ONLY 
way, and no other way is acceptable. If you don't do it my way you're an 
idiot.


May not be what he meant, but that's the way it came out.

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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread eckinator
That's the beauty of it, I just screw on a longer set of legs and use
a helicopter and live view... MUAHAHAHAHA ]=)

2009/11/15 Joseph McAllister pentax...@mac.com:
 O'Yeah? Our three leggers can be set up on uneven ground in 1/100th of the
 time your behemoth can be drug up the hill!

 :-)



 On Nov 15, 2009, at 02:40 , eckinator wrote:

 damn... what a bunch of aimless wanton wankery... your gear isn't
 good enough to entitle you to an opinion I know this isn't what was
 said but it is what transpires... good enough grabs goosebumps from
 the groove and gets them there... I know passion can take you to
 extremes and we are all gearheads here but this is going too far even
 for my humble tastes... please let it be known that from now on I am
 going to end every single tripod thread on this list by stating that
 my Novoflex Quadropod has FOUR legs and therefore all of you lousy
 threeleggers are gear limited and shouldn't waste my time talking
 about stability that you haven't the foggiest notion of to begin
 with... and for all who care, my quadropod has the longest AND
 thickest legs and they are rock hard 24/7... NUFF SAID =P

 Joseph McAllister
 pentax...@mac.com

 http://gallery.me.com/jomac
 http://web.me.com/jomac/show.me/Blog/Blog.html







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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Rob Studdert
On 16/11/2009, Mark Roberts m...@robertstech.com wrote:
 Rob Studdert wrote:

 Do you ever actually read what anyone else writes John? Serious question.

 Rob, have you ever read JCO's participation in any other threads?
 Serious question.
 ;-)

OK, I admit, I was a bit bored re-working on tedious old MS pub files,
what a mongrel package that is! Quark it is not.

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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,

2009-11-15 Thread J.C. O'Connell
No it comes out matter of factly on things that ARE matter of fact,
why present facts as opinions? That doesn't serve any purpose other
than creating confusion.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
John Sessoms
Sent: Sunday, November 15, 2009 4:05 PM
To: pdml@pdml.net
Subject: RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,


From: Bob W
 I think he's been mostly correct in this thread, but other people have

 misconstrued what he's been saying. Unfortunately this just makes him 
 hammer away at the same message over and over, which is rather 
 tiresome.

Perhaps because the *message* that's come through is My way is the ONLY

way, and no other way is acceptable. If you don't do it my way you're an

idiot.

May not be what he meant, but that's the way it came out.

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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Joseph McAllister

On Nov 15, 2009, at 02:41 , J.C. O'Connell wrote:


your staying from the point which is that with a $1000 phono setup
you cant say you are always or nearly always record limited  
sonically.


$1000 is not nearly enough budget to get the full sound quality of
most records, so you are still playback gear limited at that
level of gear.

Nobody is claiming that a $10,000 turntable sounds 10X better
than a $1,000 turntable, whatever that means, but they do
sound AUDIBLY BETTER, and that’s the point, in order to hear fully
the quality of the recording, you have to have the really good
playback equipment. Cost to do it and whether its worth the cost
to YOU is a separate issue. But you cant rationalize in you mind
that a $1000 turntable sounds identical/just as good as a $10K or
$100K one just because you don’t want to or cannnot afford
to buy a $10k or $100K one.



My experience has been that elitist audiophiles like you, instead of  
inviting us unwashed in to hear what the hell you blather on about,  
tend to remain above the fray and merely spout online about that which  
they (the unwashed) know nothing.


An impasse if ever I heard one.

http://www.head-fi.org/forums/

That means I know your are correct, but you are so head strong and  
immovable in your presentation that I'd rather argue that you are  
wrong just to piss you off.


Feel familiar?   :-)

Joseph McAllister
pentax...@mac.com

“ The early bird gets the worm, but the second mouse gets the cheese.”
— Kevan Olesen


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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Rob Studdert
On 16/11/2009, Bob W p...@web-options.com wrote:

 I think he's been mostly correct in this thread, but other people have
 misconstrued what he's been saying. Unfortunately this just makes him hammer
 away at the same message over and over, which is rather tiresome. I think we
 should all adopt a general rule of making our point no more than twice in
 the same thread. If other people are too dumb to get it, shrug and move on.

What's the fun in that? This is the Internet. Seriously though, the
argument bigger $$ buys better is flawed, I've heard a heck of a lot
of audio gear made by enthusiasts for relatively little money that
blows similar commercial products out of the water. It often doesn't
not look as pretty though.

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RE: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread J.C. O'Connell
you seem to misunderstand, you cant get
state of the art audio gear for low cost,
even if you build it yourself. acutally
its practically impossible to build state
of the art audio gear yourself, there
is too much overhead in RD and its
not economical to build one-offs, that's
even worse the low production items in
terms of cost per unit.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Rob Studdert
Sent: Sunday, November 15, 2009 4:21 PM
To: Pentax-Discuss Mail List
Subject: Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,
exposedinvideo


On 16/11/2009, Bob W p...@web-options.com wrote:

 I think he's been mostly correct in this thread, but other people have

 misconstrued what he's been saying. Unfortunately this just makes him 
 hammer away at the same message over and over, which is rather 
 tiresome. I think we should all adopt a general rule of making our 
 point no more than twice in the same thread. If other people are too 
 dumb to get it, shrug and move on.

What's the fun in that? This is the Internet. Seriously though, the
argument bigger $$ buys better is flawed, I've heard a heck of a lot of
audio gear made by enthusiasts for relatively little money that blows
similar commercial products out of the water. It often doesn't not look
as pretty though.

-- 
Rob Studdert (Digital  Image Studio)
Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, ,

2009-11-15 Thread Joseph McAllister
A loudspeaker by itself is not a good judge of what it's cone  
transmits into the air.



On Nov 15, 2009, at 13:10 , J.C. O'Connell wrote:


No it comes out matter of factly on things that ARE matter of fact,
why present facts as opinions? That doesn't serve any purpose other
than creating confusion.


Joseph McAllister
Pentaxian

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html


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Re: OT: Vinyl vs. Digital - the all vinyl is noisy myth, , exposedinvideo

2009-11-15 Thread Rob Studdert
On 16/11/2009, J.C. O'Connell hifis...@gate.net wrote:
 you seem to misunderstand, you cant get
 state of the art audio gear for low cost,
 even if you build it yourself. acutally
 its practically impossible to build state
 of the art audio gear yourself, there
 is too much overhead in RD and its
 not economical to build one-offs, that's
 even worse the low production items in
 terms of cost per unit.

You're obviously speaking for yourself John, consider that other
people may have the skills and resources to design and build top end
hi-fi components. Heck where do you think all these little boutique
brands sprang from? Sony?

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Tel: +61-418-166-870 UTC +10 Hours
Gmail, eBay, Skype, Twitter, Facebook, Picasa: distudio

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Re: OT: Vinyl vs. Digital

2009-11-15 Thread Joseph McAllister

On Nov 15, 2009, at 07:31 , Bob W wrote:


If
you want your heart to melt, sit down with some Cowboy

Junkies in a

dark room on a seriously-good audiophile playback system.  -Tim


or Lucinda WIlliams, Willie Nelson, Leonard Cohen. All

perfectionists.



All very good singers but, if the angels in heaven sing, they sound
like Margo Timmins.

William Robb


If the angels in heaven sound like Margo Timmins, I'll take
hell rather than put up with that awful whining.



She looks a bit like Margo Thatcher. Same initials too.



You guys are just trying to get away from the JCO circus.   :-)

Timmins actually has a rather breathy sound, unless she's shouting.  
She doesn't do that much anymore, because she's within a kicked mule  
of 50 and wearing out.


Joseph McAllister
pentax...@mac.com

Gaudeamus igitur, juvenes dum sumus...
http://tinyurl.com/ndmfhb





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