--- Wibo Lammerts [EMAIL PROTECTED]
wrote: Nico AWTSVENTIN, Isn't this Vince Watson
Nico AWTSVENTIN is an anagram of Vincent WATSON, so
I'd say they're one and the same.
Cheers
sens
_
'The Mechanical Pulse' 1/19 Playlist
WDBM East Lansing - 2000 College Station of the Year
Fridays 10PM-2AM EST on WDBM-FM
Listen Live : http://www.mechanicalpulse.com/
~~~
Upcoming Guests:
2/2 - Bill VanLoo
2/9 - Aaron Bennett
Yes John
They all the Codered are available here:
http://www.nuloop.com/LabelE.asp?label=919
just click on the part# to listen to the tracks
Adrien roussel
www.nuloop.com
-Message d'origine-
De : john holmes [mailto:[EMAIL PROTECTED]
Envoyé : dimanche 21 janvier 2001 21:41
À :
Hi there,
Awhile back someone mentioned they had converted the T-1000 and TP sets
from the Anthony Shakir benefit night at Motor into mp3.
Could this person please get in contact with me!
thanks
jason
.. Going Thru Life
a Delsin Records compilation
.. :: . : about this release :: ..
Since the beginning Delsin strives for soul and innovation in
abstract=20
dance music. This is not going unnoticed through the music
world. Although=
=20
officially around since 1996, in 2000 gears were
Anyone at MIDEM and see the release of Final Scratch?
You know how I've been going on about the future of DJ'ing? Well Hawtin
and Acquaviva along with N2IT out of The Netherlands did their press
release of Final Scratch yesterday. It's not the first time they've
used the system, it was used
can anyone please help me. i've embarked on my own version of the quest for
the holy grail. i'm looking for a vinyl copy of sterac's album 'the secret
life of machines' on dutch label 100% pure.
it has, as far as i know, been deleted. if someone could give me any leads
on how to obtain a copy
Sounds horrible, going through the box is part of the artform. It would make
it too calculated, you can't flick through your box, land on something else
and think hmmm, now maybe I can play that instead. The advantage is that it
overcomes the dreaded, 'the airline lost my records, damn I will have
Get a Korg ES-1 and sample them all... They're damn
cheap and really useful...
Nick (Dj Pacific:)
--- RocketKids [EMAIL PROTECTED] wrote:
lots of laughs
-Ursprüngliche Nachricht-
Von: dr [EMAIL PROTECTED]
An: [EMAIL PROTECTED] [EMAIL PROTECTED];
313@hyperreal.org
The smell of brand new vinyl out of the sleeve, the
crackle of the record under the needle... there's
something spiritual and special about vinyl that no
other media can replicate... Old vinyl especially.
I don't want your stupid toy... Who cares about the
future... time and forces move around
Y'all won't believe this one: promising a blend of Scary
ambient/illbient/chill, eclectic mixes and loungecore, could this guy be
America's weirdest DJ yet?
http://www.ouchytheclown.com/
- Tom
NP: People Like Us: A Fistful Of Knuckles
hey all,
just wondering if anyone has caught Eric Powell's set at one of the parties
in Australia/overseas? he's playing here in Brisbane @ the Cross, a new
night starting 7th feb @ Monastery (should be quite different to the normal
mid week club night actually - they're incorporating music,
And even then...
Same reason why I refuse to play any CD's applies here as
well. Pushing buttons has nothing to do with dj'ing as far
as I am concerned.
Imagine the joy of finally finding that record you've been
after for several years, and then compare it to
downloading that track from the
Hi 313ers,
It is my duty to tell everyone bout this so check it
if you can...
25th January 2001
8.00pm (Pacific Time(? If this is wrong... I'm sorry))
*Titonton Duvante on Betalounge*
and someone called
Dj Anna (who I've never heard of)
l8r,
Nick (Dj Pacific:)
on one hand, the relief of not carrying about 80+
extra lbs while traveling is understood BUT
personally, I have to side with the artform arguement.
Seeing a set being pieced together with records and
the DJ making the set come together is part of the
thrill and artform. It seems we're getting
Yeah, I am on the artform side. I think it will be the demise of DJing the
day that it becomes a machine-led thing.
Big name DJs can have a clause in their contract where someone carries their
boxes for them anyway, either that or they can carry them around, build up
their muscle tone and look
YIN-SIGHT MANAGEMENT is pleased to present
M E C C A/2 0 0 1
THE WIZARD--JEFF MILLS
Thursday, MARCH 1, 2001
State Theatre
2115 Woodward Ave.
D E T R O I T
An odyssey of sound ranging from electro/bass through hip hop to techno and
beyond
Advance Tickets: $30
Yeah, I am on the artform side. I think it will be the demise of DJing the
day that it becomes a machine-led thing.
how is it any less of an artform when technology is involved?
I think the real issue here is unwarranted nostalgia holding us back from
a better experience. How can you
Art in all forms is about expression.
Moods emotions that an artform creates are different in each individual.
Regardless of what the means are that are used to reach the musical end. what
is created is what matters. (plagerisism aside) technological advancement
is not the problem.
Very nicely stated.
Art in all forms is about expression.
Moods emotions that an artform creates are different in each individual.
Regardless of what the means are that are used to reach the musical end.
what is created is what matters. (plagerisism aside) technological
advancement
I see benefits in both styles. In any given party, there's always a group
of people that like to be up close to the dj to see him/her work the tables,
and then there are people that are into the music just as much who sit back
and dance/chill away from the dj. So, if you're not hell bent on
Titonton must be heard to be believed...he's one of the most energetic djs
I've ever had the pleasure of knowing and he's one of the few where you can
feel his energy in his sets. Awesome.
GYS
-Original Message-
From: Nick Walsh [mailto:[EMAIL PROTECTED]
Sent: Monday, January 22,
I see benefits in both styles. In any given party, there's always a group
of people that like to be up close to the dj to see him/her work the tables,
and then there are people that are into the music just as much who sit back
and dance/chill away from the dj. So, if you're not hell bent on
Art in all forms is about expression.
I would have to disagree. That is a very modernistic view of art.
Jared Wilson
FTM Records
From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Subject: Re: [313] Future of DJ'ing, also anyone at MIDEM?
Date: Tue, 23 Jan 2001
how is it any less of an artform when technology is involved?
I ain't got nothing against technology. I think you're missing the point.
Technology can make for better creativity or it can hamper it, it's not an
either/or argument. Do you really want to watch some dude just press a few
buttons on
*Titonton Duvante on Betalounge*
and someone called
Dj Anna (who I've never heard of)
could this be dj ana dane? of metro area [flute] and main chica at
environ..? if so, def should be quality stuff...
j
_
Get your FREE download
Okay,
THIS WEDNESDAY IS DETROIT... so don't miss it okay? It
prolly won't be techno but it'll be Motown at the very
least...
cya,
Nick (Dj Pacific:)
--- FRANK JACK DANIEL [EMAIL PROTECTED] wrote:
Radio 2 - 9pm wednesday 'sounds of the city' with
charly gillet - a journey
round the different
I totally agree, but what I'm saying is that you can have presence with
equipment other than turntables.
How? It would have to be something that demands some kind of
physicality. (Great debate by the way.)
I remember being in Amsterdam around 1990 and being shocked by the amount of
music that was available on CD then. All the old Target, Music Man and RS
stuff were all available on CD singles right back then. I then had a heated
debate in a record shop with a DJ from Manchester who came to Europe
I totally agree, but what I'm saying is that you can have presence with
equipment other than turntables.
How? It would have to be something that demands some kind of
physicality. (Great debate by the way.)
well, the whole point of finalscratch is it still uses the
turntables...
Dreadful, ominous name though finalscratch - they should change that now!
What's that all about?
well, the whole point of finalscratch is it still uses the
turntables... really the only stage presence you're losing if you use
that system is the turn around and dig in your record box part
I got an old Tresor 12 a couple of days ago, which the label says is a
sampler for a compilation called 'Detroit Techno Soul'. It's dated 93 I
think. There are four tunes on it, including one by Shake, and there all
worthwhile listens but one tune really stands out, it's called Music In My
Head by
I totally agree, but what I'm saying is that you can have
presence with
equipment other than turntables.
How? It would have to be something that demands some kind of
physicality. (Great debate by the way.)
I'm talking about effects. The effects I use are old school analogue with
lots
Just slap a UR sticker on the special control records and watch as everyone
on the list drools over the new technology =]
GYS
It's pretty hard to explain quickly, but you get these special
records that you put on any turntable... these records then
send a signal
to the computer which uses
funny how we got off on this foo foo tangent and no one is discussing what the
product actually is or isn't. interesting that this was first announced in
1998:
http://www.harmony-central.com/Newp/1998/FinalScratch.html
http://www.harmony-central.com/Newp/WNAMM99/N2IT/FinalScratch-10.html
Please don't waste my time arguing practicalities like mp3s don't sound
as good or computers crash! - and don't waste my time telling me vinyl
Unfortunately I'm going to waste your time:
MP3's really don't sound as good. Even when they are encoded at 256kBps.
MP3 is, afterall, a compressed
*LOL!*
I just checked the mp3.com Detroit Techno charts today and found out that
my track 'Say What?!' is on the 4th place!
Don't see this as some shameless promotion... oh well.. what the heck ;-)
Wow! And leaving good old Dicky May on the 10th place..
R.
(Just sharing my moments of joy
c'mon people, do you really think hawtin and acquaviva would endorse
(unofficially or not) a product that amounts to sitting behind your laptop?
or that makes djing *less* of an art?
Actually.
Well I think again this comes back to how you define DJing and what you
expect to experience.
THE WIZARD-- JEFF MILLS
Thursday, MARCH 1, 2001
Why is this event being held on a Thursday night, thus effectively shutting
out pretty much everyone who doesn't live in Detroit that doesn't have 2
vacation days to burn in order to go to it? (Not to mention all the peeps
that won't go 'cos
I got an old Tresor 12 a couple of days ago, which the label says is a
sampler for a compilation called 'Detroit Techno Soul'. It's dated 93 I
think. There are four tunes on it, including one by Shake, and there all
worthwhile listens but one tune really stands out, it's called Music In My
Head by
Hey 313ers,
Quick announcement and invitation: The Tech-Gear list seems to have drifted
away; this was an eGroups list with 313 music production techniques as the
main focus. I was going to take over Tech-Gear as moderator, but apparently
it was taken down before I got a response. Reason being
What I am saying is that when an artist is executing their craft they are
materializing their conceptual idea through expresion. they choose what others
see or hear. That does not mean that every individual feels the same way as
the artists does, but only that everyone is exposed to the
I can see why John Aquaviva uses this program.It was the booking agent
for Tresor club, A. Oldham, and me...we jumped into a black stationwagon to
pick up Aquaviva from the Berlin-Tegel airport during Love Parade weekend. He
was to play that night at Tresor and he had a MOTHERLOAD of
getting off topic, and i honestly don't say this in some kind of bullsh*t
i'm-from-detroit kinda way, but until you've seen rich at a Small Detroit
Event, 5:00am, sweat pouring down the walls, no lights on, the whole room
erupting, you haven't seen him. what he does at events around the world,
That could well be true. But I have spoken to people from Detroit who have
said similiar things. I am not sure about the word entertainment, that is
kinda reductive and dismissive, to me anyway. It's artistry but a different
manifestation of it.
getting off topic, and i honestly don't say this
Anna is an SF DJ who also plays with 1200 Hobos and the Future
Primitive Soundsessions crew. Hip-hop etc...
-ian.
At 4:53 PM + 1/22/01, et machina wrote:
*Titonton Duvante on Betalounge*
and someone called
Dj Anna (who I've never heard of)
could this be dj ana dane? of metro area
agreed. should have chosen a different word...
--Original Message--
From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Sent: January 22, 2001 8:19:16 PM GMT
Subject: Re: [313] Future of DJ'ing, also anyone at MIDEM?
That could well be true. But I have spoken to
anyone wanting to hookup in Sydney call the New Hampshire Hotel. I will be
staying there for the next three days. they may not have my room booked
under my name because of the booking company that did it, but i will check
for messages at the front desk. Just say you are leaving a message for
humans by nature resist change. they would rather stick to something that
feels familiar. Especially if it comes to things that are material. Or a
way of keeping time. people become very defensive when it comes to change.
I am not saying that this MP3 thing is good or bad. I don't know since
how??? KISS has a great presence...why not ask them.
its all about your personality. as long as you acknowlege people and don't
sit there and stare at a comuter screen all night. just like I don't like
watching DJ's that stare at thier records all night. but then again, not
everyone can be
Sorry my friend :0
expression is to art
what O2 is for fire etc etc
If you don't express,
nothing will come out in any form
unless you also call that a expression
but then again to prove there is white swan,
you have to prove there is black one too
anyway just old 2 liner :0
n.v. finding
I miss the incredible sounds of frankfurt that were prevalent in the
early 90s..
working on a retrospective
http://www.vinyl.vg/frankfurt
eventually I hope to make this page an archive of information and tunes
on the entire FFM scene
long live harthouse
mad wax | vinyl groove
santonio and art forest did some great stuff on cyren america.
i think it's time to have a real talk about contribution of such labels as
cyren america, eff records, serious grooves or artists as eddie flashin'
fowlkes, santonio, art forest to 313 sound!!!
i've an record on express records [007
Sorry E,
Detroit not being a venue rich city, not to mention that all the decent
sized LEGAL venues are owned by SFX (large corporate entertainment monopoly
currently being investigated by the US government) coupled with Mr. Mills'
time and availability
necessitated this event being held on
Sorry E,
Detroit not being a venue rich city, not to mention that all the decent
sized LEGAL venues are owned by SFX (large corporate entertainment monopoly
currently being investigated by the US government) coupled with Mr. Mills'
time and availability
necessitated this event being held on
there will be a new file format and it will
have DVD quality sound.
DIVX;), MPEG7??
darw_n
create, demonstrate, toneshift...
search for djdarwin on napster
www.sphereproductions.com
www.mannequinodd.com
www.mp3.com/darw_n
56 matches
Mail list logo
