This information is from the deephouse page..
For those interested I've heard that Alton Miller will have Lil Louis in
Detroit on May 5th.
It will be at the Charles Johanson art gallery.
Very lucky 313 people..
Dinesh
wonderin if ya'll could help me
i'm buyin my first keyboard,and i want one with spacey and warm sorta sounds on
it. vibey deep sounds.
any suggestions .
peace
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I think Technasia are making some really great tracks - has anyone heard
their album Future Mix, it's off the hook. I can't stop playing it (that and
DJ T1000 mix-CD).
I love the different influences and textures in the music - from classic
Detroit sounds to retro rave sounds to tech-house - and
--- janos [EMAIL PROTECTED] wrote:
Hi
I'm putting together a list of worldwide record
hops.
There was some a few days ago, but i need more.
Tell me about good record shops in your city and
others that you know...
For the obscure traveller, in Perth, West Oz.:
Complex
on 9/4/01 8:01 AM, Tim Johnson at [EMAIL PROTECTED] wrote:
I think that people who are good enough will make money. That's all there
is to it.
Just my two cents... =)
Hold on to that two cents man, you seem to value it more than most.
Phonopsia wrote:
So what are the general benefits to the public of copying? It sounds to me
that the benefit of copying is the unimpeded sharing of information.
Conceptually, this is a great idea. In practice I don't think this leaves us
any way to support an artistic community.
Perhaps.
my best guess is that andres is indeed moodymann, the music indicates this and
also the 'funded by MM' etched in the record would point in that direction
RD
the reference kdj-024 is edited for Andres,Who is
Andres ? is Moodymann ?
Thanks in advance
Jose
I don't know what Morgan Geist is like as a DJ, but last week I bought 'Metro
Area 3' on Environ, and the a-side of that EP is just totally heavenly.
It has just totally blown me away from the very first moment I heard it. It's
so utterly beautiful is seems even pointless trying to describe
no flames but I disagree, I think that all musicians have the right to forbid
that their music is available on Napster
I love Lil Louis records and it is indeed very difficult to find them, but not
impossible. It has taken me a lot of webtime and a lot of hard cash, but I have
found most or all
From: Phonopsia [EMAIL PROTECTED]
So what are the general benefits to the public of copying? It sounds
to me that the benefit of copying is the unimpeded sharing of
information. Conceptually, this is a great idea. In practice I don't
think this leaves us any way to support an artistic
to be honest, i would not really appreciate my music being distributed thru
other channels than those i can monitor. i feel my music does not stop with the
plain tracks, the whole presentation(titles, format(vinyl)) is essential for
what i do.. besides that i like to keep a certain amount of
Good point. Incidentally, Daft Punk are tackling this with their 'Daft Club'
concept - that was the idea anyway.
Because the artistic community has NOT presented us a way to support
them within the new context in which we exist.
And the only way to change entrenched communities is via
Hey all, I am going to be the trekking the Highlands of Scotland
(mainly Glasgow) from April 21-28 ...
Sorry for being bitchy, but come on man ... Glasgow in the Highlands??!
Can suggest a good place to buy an atlas and a guide book if you'd like ;
tungin cheek
Have 2 spare tix for the LOST party, Easter Sunday: Kevin Saunderson and
Derrick May + the usual Lost supsects.
Please mail me privately if you're interested
Alice
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Couldn´t agree more. More about Environ...Daniel Wang is extremely dope
producer as well. Does anyone know if his new album is (or will be)
available on vinyl?
Ville
I don't know what Morgan Geist is like as a DJ, but last week I bought
'Metro Area 3' on Environ, and the a-side of that
Do you need it to function as your main sequencer as well? Do you need it
to provide your drum tracks as well?
Personally, I wouldn't drop all of my cash into one piece of gear.
Rod Andres Alvarez [EMAIL PROTECTED] on 04/08/2001 10:36:34 PM
Please respond to [EMAIL PROTECTED]
To:
metro area 3 is an amazing record, no-one else out there is making music
like morgan geist and his crew - definitely unique. love the '80s retro feel
to it. however, i'm sceptical about the latest daniel wang offering. the
statement on the record that no samples were used in its making doesn't
- Original Message -
From: Tosh Cooey [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, April 09, 2001 6:53 AM
Subject: [313] Duh. you said the answer right there
From: Phonopsia [EMAIL PROTECTED]
So what are the general benefits to the public of copying? It sounds
to me
for anyone who has never seen it before, you should check out
www.visomat.com interesting flash site, but the real goods are in the
visuals they do in clubs in berlin.,... the clips from inside the venues are
great!!!
anyone witnessed these guys first hand??
ab
[flip the scrip and down pitch
[EMAIL PROTECTED]:
So what are the general benefits to the public of copying? It sounds to me
that the benefit of copying is the unimpeded sharing of information.
And what a grand, wonderful world that will be. ;)
I can see that free music for everyone would seem to be in the public
good.
Next up would be the appreciation of what we have.. like i said before, i think
the format in which we present our stuff to the world (vinyl that is) is an
intricate part of our product, and the whole package, artwork, soundquality,
inscriptions etc are part of the thing we make, painting on
I know its already been mentioned recently, but this url does point to a
future where vinyl is redundant (at least functionally anyway).
www.finalscratch.com
And while I am a fan of 'the full package' maybe there are many who are not,
It would be interesting to see what happened if labels
I think it all comes down to the definition of is intellectual material
personal property?. I agree with Tristan that in our current system of
musical copyrighting, and declared intellectual property, we are all at
fault for some degree of musical pirating or copyright infringement.
This,
For me personally, i do not feel the mp3 thing, personal i guess, i don´t intend
to put audio clips up on the site, putting up a sound generator would be a more
interesting option...not feeling the mp3 thing has got something to do with the
uniqueness of vinyl, it cannot be copied so a more
I think there is potential here for a support thread
on horror stories of moving vinyl from old to new
dwelling. I always wind up explainging what's in the
boxes that as the movers say weigh more than my
furniture. :)
BTW...the 'records obsolete' thread has happened
before. Ermm..remember the
Phonopsia wrote:
last week. I really care about whether or not underground music producers
can continue to support themselves via their artistic efforts. What I'm
seeing argued is that we should favor the tyranny of the majority over the
tyranny of the minority, when *we are the minority*. I
In a way, its not just the rarity but also a good way to show our appreciation
for a record. and its so humiliating to see ur tunes stuck in the
bargainbassmenti have a pile of that dusk thing i did on 100%pure at home
couldnt bare the site of em in the midtown bassment for 2.50
I think there is potential here for a support thread
on horror stories of moving vinyl from old to new
dwelling. I always wind up explainging what's in the
boxes that as the movers say weigh more than my
furniture. :)
Horror Story?! I had to move all mine myself!! ;)
BTW...the 'records
in reply to this all i can say u guys can just as well listen to my stuff on the
wrong speed with worn out needles and make a fuzz about how incredible that
experience is... it just doesn´t come close to the original product.. like u buy
a van gogh at a poster shopgo for the real thing!
=
http://www.djcentral.com/djs/djinfo.cfm?id=5391linkid=1
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http://www.djcentral.com/djs/djinfo.cfm?id=5391linkid=1
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Hey all. Sorry If this was posted twice. I got a funny
keyboard and it's real easy tohit the enter key.
Anyway.
Is there any info that anyone here can offer about Dj
Heather.
She plays in Chicago I think and is part of
'Superjane'.
Anyone heard of her or them?
=
yes. Heather is really talented and one of the nicest
people I've met. She toured with Mark Farina on some
dates and is equally as talented and _slightly_ more
techno flavored than Farina.
d
--- cTH [EMAIL PROTECTED] wrote:
Hey all. Sorry If this was posted twice. I got a
funny
keyboard and
Wicked! That was so quick Diana!
So good to hear someone else likes her too.
I never really played housemusic - ever. Was strictly
a techno girl untuil i heard her play here in AU.
What can I say. I was inspired
yes. Heather is really talented and one of the
nicest
people I've met.
that was meant to be private...sorry.
d
--- diana potts [EMAIL PROTECTED] wrote:
yes. Heather is really talented and one of the
nicest
people I've met. She toured with Mark Farina on some
dates and is equally as talented and _slightly_ more
techno flavored than Farina.
d
--- cTH [EMAIL
Have you heard any news about her of late?
yeah she's got a really nice energy about her.
that's
what i first noticed about her when i saw her play.
when i interviewed her she was _just_ beginning to
tour and dj full time,so its great to hear that
she's
traveling on an even more global
Craig Wrote:
freedoms. As Abraham Lincoln put it, Whenever there is a conflict
between human rights and property rights, human rights must
prevail. Property rights are meant to advance human well-being,
not as an excuse to disregard it.
cut
American capitalism and the idea of intellectual
hi 313'rs
You always hear names mentioned like May, Atkins,
Suanderson, Craig, etc in detroit techno. There have
been so many other producers that have contributed to
detroit tech with releases on compilations and one or
two 12 etc. It just interests me that u dont hear
much about these people.
I can get you started with a few obvious ones.
I'll start with a Planet E compilation called
Elements of and experiments with sound released in
1994.
Mode Selector-F.Flowers
Fanon Flowers is still around and kicking. I'm not sure that he's based in
Detroit anymore. He used to be an Ypsi
metro area 3 is an amazing record, no-one else out there is making music
like morgan geist and his crew - definitely unique.
I have to pause and add my praise to the Metro Area project. All
3 in this series I consider must-haves, and #3 probably being the
most unique yet. The mix of live
Quadrant-Quadrant
Basic Channel under a different name or just Maurizio?
Hani used to live in Denver where he had an underground shop selling
records, bags, etc. He used to DJ at raves in colorado in the early 90's
and then he relocated to NYC where he got into production. Not sure what
he is upto now.
Sam Karmel wrote:
hi 313'rs
You always hear names mentioned
--- Steven Taylor [EMAIL PROTECTED] wrote:
Quadrant-Quadrant
Basic Channel under a different name or just
Maurizio?
Same thing.
Tristan
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On Sun, Apr 08, 2001 at 02:01:02AM +0200, jose bello wrote:
Lil Louis,like the Beatles or Metallica,is forbidding
his tracks on Napster.
That man is very jealousy of his music,any comments?
His LPs were on Epic and his singles were on Sony. Do you honestly
think he had anything to do with
Quadrant-Quadrant
Basic Channel under a different name or just
Maurizio?
Same thing.
Basic Channel is Mark and Moritz.
Ok,It´s a true but what happen with his singles on
Dancemania ?
--- atomly [EMAIL PROTECTED] escribió: On Sun, Apr
08, 2001 at 02:01:02AM +0200, jose bello
wrote:
Lil Louis,like the Beatles or Metallica,is
forbidding
his tracks on Napster.
That man is very jealousy of his music,any
Cyclone Wehner [EMAIL PROTECTED] wrote:
RE: two-step garage, not all of it is commercial or obvious and it's a shame
that the hype is impacting on perceptions of the music as a whole. The
Wookie and MJ Cole albums are really good - very musical.
i find the wookie album really frustrating.
At 17:45 +0200 4/9/2001, jose bello wrote:
Ok,It´s a true but what happen with his singles on
Dancemania ?
Umm, is that the same Dancemania that released the soundtracks to
Dance Dance Revolution?
--
Cafard, [EMAIL PROTECTED]
qu'est-ce que tu penses? AIM:pr0j2501
Matt
Hi everyone,
Well I had good intention of getting the site and voting started today but
unfortunately I've got a killer deadline here at the office, so I will have to
postpone getting that info up until tonight. I'll post another message with all
the details later so keep an eye out.
slightly
No,Dancemania is the house of Barney,real underground
house of Chicago southside:
http://members.tripod.com/~infamouss/house.html
--- mkb [EMAIL PROTECTED] escribió: At 17:45 +0200
4/9/2001, jose bello wrote:
Ok,It´s a true but what happen with his singles on
Dancemania ?
Umm, is that the
Hi
I was wondering if anyone would wish to part with a
copy of Dancer in the temple of lust by ralphi dee
alici ... not sure of the label
I will pay good money
cheers
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on 4/9/01 11:18 AM, [EMAIL PROTECTED] wrote:
The Connection Machine-N.Hagemeier, J-Brandjes
I'd be real curious to hear what happened to these folks too. I always love
this E.P. and thought a Planet E full length would be in the works.
Paperclip People-C.Craig(KNOWN),M.Gottsching
Manuel
There is a Hani that produces for Nervous Records... could it be the same?
MEK
From: Stevyn [EMAIL PROTECTED]
To: Sam Karmel [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] The one hit wonders of techno/ where r they now?
Date: Mon, 09 Apr 2001 11:41:00 -0400
Hani used to live in
jose bello:
...Dancemania is the house of Barney,real underground house of Chicago
southside:
http://members.tripod.com/~infamouss/house.html
(almost) complete discography can be found at: http://ad.techno.org/
-and the one with the available tracklistings is at:
Apparently (gossip gossip), DJ Heather was the one who taught
Mark Farina the basics. She is quite good, and its great to see
her popularity rise as it has been.
VA
Wicked! That was so quick Diana!
So good to hear someone else likes her too.
I never really played housemusic - ever. Was
F. Flowers is Fanon Flowers, a techno producer out of Kalamazoo (sp?).
He's produced a lot of records for labels like Black Nation, Spielzug, Sonic
Mind, Mechanism Industries, Deepfried, Seismic and Konsequent.
I would really like to know what artisits like Kikoman, and Bass Frog are up
to?
--- M Elliot-Knight [EMAIL PROTECTED] wrote:
There is a Hani that produces for Nervous Records...
could it be the same?
MEK
Yes. It's the same.
Tristan
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--- Ian [EMAIL PROTECTED] wrote:
on 4/9/01 11:18 AM, [EMAIL PROTECTED] wrote:
The Connection Machine-N.Hagemeier, J-Brandjes
I'd be real curious to hear what happened to these
folks too. I always love
this E.P. and thought a Planet E full length would
be in the works.
I posted about
It would be interesting to see what happened if labels released a full
vinyl
version with packaging etc. and a lower priced 'just the mp3s' option.
This was done last year with Dave Clarke's 'before I was so rudely
interrupted' track. 'Released' as an MP3 by iCrunch some time before it was
Hi,
does anyone know what the outcome of this case was? are they still in
litigation? Did BMG ever release the trace version or any other version of
the cover? I'm writing a paper on this for my cultural production and
intellectual property law class and would greatly appreciate any info
F. Flowers? Fanon Flowers? still releasing stuff.
From: Sam Karmel [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] The one hit wonders of techno/ where r they now?
Date: Mon, 9 Apr 2001 08:18:25 -0700 (PDT)
hi 313'rs
You always hear names mentioned like May, Atkins,
Suanderson,
For those that have a history with AMIGA computers and remember the demo
scene, you can refresh your sweet memories with this:
http://www.scene.org/~jeffry/AYB.swf
-BEUTIFUL music in that FINE classic tracker-style:)
-Proffit
Is there any info that anyone here can offer about Dj
Heather.
Heather played in London last autumn at Derrick Carter's Classic night, the
first I've heard of her. She was very good.if you like the D.Carter
sound, you'll like Heather.that is, if it's the same person.
I seriously hope that the owner of this page isn't trying to claim he
created the music and the Flash animation!
The track is Invasion of the Gabber Robots by The Laziest Men on Mars
(http://artists.mp3s.com/artists/190/the_laziest_men_on_mars.html) and the
animation was created by some regulars
Oh, the intro game sequence was from the old Genesis/Mega Drive game Zero
Wing.
George Jones/US/ABNAMRO/[EMAIL PROTECTED] on 04/09/2001 03:52:52 PM
To: 313@hyperreal.org
cc:
Subject: Re: [313] All your BASS are belong to us...
I seriously hope that the owner of this page isn't trying to
On Mon, 9 Apr 2001, tristan watkins wrote:
--- Ian [EMAIL PROTECTED] wrote:
on 4/9/01 11:18 AM, [EMAIL PROTECTED] wrote:
The Connection Machine-N.Hagemeier, J-Brandjes
I'd be real curious to hear what happened to these
folks too. I always love
this E.P. and thought a Planet E
What ever happened to lance, anyway?
From: tristan watkins [EMAIL PROTECTED]
To: Ian [EMAIL PROTECTED], Sam Karmel [EMAIL PROTECTED],
313@hyperreal.org
Subject: Re: [313] The one hit wonders of techno/ where r they now?
Date: Mon, 9 Apr 2001 12:12:14 -0700 (PDT)
--- Ian [EMAIL PROTECTED]
On Mon, Apr 09, 2001 at 03:06:28PM -0500, Kent williams wrote:
The Connection Machine are a couple people from Eindhoven
NL, and poking around I found a couple of things:
Remix for Morgon Geist on the Premise EP (Envron #1)
Echoes from Tau Ceti on Phuture Classical Secton C (Drome #3)
mmm
If a farmer can only grow things and would not know how to sell it
what will happen ?
Or better if there is only 1 recordcompany that wants to do you work
you start your own company
if there a many well ..
(witch reflects the difference time we are living in now and then)
that's
DJ Heather often makes the short trip up here to Minneapolis. She is usually
booked @ South Beach (small club in Mpls.). DJ Mea also shows here often.
Good to see that there is still a Minneapolis - Chicago DJ connection. I
think that Alexander East is primarily responsible for that.
MEK
bit of an old thread i know, i'm sl o w in g down
goldie, grooverider and fabio all cite bug in the bassbin played down at
rage(?) at heaven on a thursday night as *the* track that got the d and b
sound going... an that club was the turning point between hardcore and db.
whether
hey all,
i'm looking for that minor sound. those minimal tracks with eerie, sad,
minor strings giving them that unmistakenable feel.. i realized i just
don't get to hear many such tracks, and so i buy only what i manage
to find.. i gathered the collective knowledge of this list could help
me
Saw her play at Bugged Out in Liverpool about a month ago. It was, I think,
her UK debut, and a really good house set. Unfortunatly a lot of the crowd
just wanted techno, so the room wasn't too busy.
Nick Hardie
-Original Message-
From: cTH [mailto:[EMAIL PROTECTED]
Sent: 09 April 2001
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