: : -Original Message-
: : From: Matthew MacQueen [mailto:[EMAIL PROTECTED]
: : Sent: Tuesday, September 03, 2002 6:04 PM
: : To: 313 mailing list
: : Cc: Sean Creen; Maarten Baute
: : Subject: RE: [313] essential track id
: :
: :
: : George Krantz - Din Daa Daa
snip
: : Anyone know
But a few days later I
saw him on a GAP billboard; how ironic.
for what ?
i don't get it ?
is it because i stopped smoking pot or what ?
anyway as a almost sick C2 follower
I'll bet he plays disco, electro/italo, old
house/techno, 80-ish stuff and new stuff covering all
the mentioned
not sure if I passed this on yet, but
http://www.themechanicsofdestruction.org/
free herbert album.
-Joe
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A friend of mine has asked me to join him in doing a night of
electroclash stuff - I told him I don't play that but I do play electro
(yes there is a difference as far as I'm concerned). Now I've been quite
split on the idea - do I play and risk getting lumped into the electroclash
sh*t or do I
dont forget anthony rother or volsoc :)
- Original Message -
From: [EMAIL PROTECTED]
To: Otto [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Tuesday, September 03, 2002 10:30 PM
Subject: Re: [313] another causality
A friend of mine has asked me to join him in doing a night of
Does anyone have a tracklisting for this?
I specifically want to know what the tune is at about 17min30sec into it.
It comes after a track with a vocal about 'Stars in your Eyes', and it
sounds like Dave Clarke sampled it when he made Southside.
Help.
you saw carl craig on a GAP billboard?
On Tue, 3 Sep 2002, MadR wrote:
But a few days later I
saw him on a GAP billboard; how ironic.
for what ?
i don't get it ?
is it because i stopped smoking pot or what ?
anyway as a almost sick C2 follower
I'll bet he plays disco,
Derrick May for Eastpak maybe, but C2 + GAP?
-d
On Tue, 3 Sep 2002 [EMAIL PROTECTED] wrote:
you saw carl craig on a GAP billboard?
On Tue, 3 Sep 2002, MadR wrote:
But a few days later I
saw him on a GAP billboard; how ironic.
for what ?
i don't get it ?
is it
Matt MacQueen wrote:
BTW, the reason for this feature is his new double mix CD forthcoming on
React, 'The Workout', which no doubt listmembers Marsel, Otto and Fabrice
will be well aware of as he's licensed tracks from all three of them.
I know that he licensed a Duplex track, i.e. the
Well it doesn't but realistically young listeners learn about music through
a series of connections. I learnt about Miles Davis, Sly Stone and George
Clinton, etc by listening to Prince as a kid and learning about what
influenced him. Another generation learns about Marvin Gaye through liking
so jazzanova is deejaying friday night in thieveland, im making
the drive up from the burgh. anyone else going to be there? im
pretty amped.
tom
andythepooh.com
Sorry, but as a media ho I collected all the big 'overview' stories on
Electroclash last year in Seven and Musik and in Australia and all of those
covered the history electro, and mentioned Juan, Cybotron and Drexciya. I
was talking about general articles, not artist stories, which tend to be
Does anyone have a tracklisting for this?
There's a pretty complete one at http://www.twoplayer.net/theo/
I specifically want to know what the tune is at about 17min30sec into it.
It comes after a track with a vocal about 'Stars in your Eyes', and it
sounds like Dave Clarke sampled it when
Hi peepz
Who was the first dj to modify there turntables to
plus 15? Was it the wizard or John Acquaviva
or...
Thanx
Sam
__
Do You Yahoo!?
Yahoo! Finance - Get real-time stock quotes
http://finance.yahoo.com
that's the usual suspects, ford broom
there's only this 12 by them under
this monicker
- Original Message -
From: Matthew MacQueen [EMAIL PROTECTED]
To: [EMAIL PROTECTED] org [The Music Institute] (E-mail) 313@hyperreal.org
Sent: Tuesday, September 03, 2002 6:09 PM
Subject: [313]
Dunno - but I know Dave Angel was fond of doing it in his banging hard phase
in the early 90s.
-Original Message-
From: Sam Karmel [mailto:[EMAIL PROTECTED]
Sent: Wednesday, September 04, 2002 9:41 AM
To: 313@hyperreal.org
Subject: [313] which dj invented + 15
Hi peepz
Who was the
also received this
this might be of interest to anyone
on the list, cdjapan is where i purchased
from the 21st by jeff mills
speaking of mills, check axisrecords.com
for samples from his new album at first sight
- Original Message -
From: Mxyzptlk [EMAIL PROTECTED]
To: 313@hyperreal.org
Sam Karmel wrote on Wed, 4 Sep 2002 about following:
Who was the first dj to modify there turntables to
plus 15?
i dunno but i'd rather kill the dude; pitched technics are horrible to
play at; and you end up playing all the time all the records at least at
+4 - because pitch in area 0-+2
matt,
brubaker (like nearly all the aliases) is peter ford and mark broom.. there
was a brubaker track on their comp 'technoir' from a couple of years ago
too.. v.good comp - was lucky enough to be given a copy by peter ford in
smallfish one night :)
used to love ifach..
stephen
September 4th at Gabe's 330 E Washington Iowa City
Kevin Blechdom (tigerbeat6, orthlong musork, chicks on speed records)
Goodiepal (ski-pp, V/VM, unbearable,RCA)
Tristan Watkins (Metatrack DC/IC OG DJ)
Hellenistic 'Mos Rose (IC,Bad Fathers/Committee guest MCs)
Tristan will be playing his last
Any info on mathematics... Can't find head nor tai about them
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- Original Message -
From: Sakari Karipuro [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Sent: Wednesday, September 04, 2002 4:53 AM
Subject: Re: [313] which dj invented + 15
Sam Karmel wrote on Wed, 4 Sep 2002 about following:
Who was the first dj to modify there turntables to
plus
here you go northerners...
next 2 dates feature steve rachmad then fabrice lig.
last friday of the month.
paying guest lists available from innercity or on the
superconductor website.
SUPERCONDUCTOR @THINKTANK, LEEDS.
The Electronic Underground... (Opposite Corn Exchange, 2A
aqpparently also at The Temple Bar in Dublin/Ireland on the 5th Oct too :0)
-Original Message-
From: innercity records [mailto:[EMAIL PROTECTED]
Sent: 04 September 2002 16:49
To: 313@hyperreal.org
Subject: [313] claude young
here you go northerners...
next 2 dates feature steve
I really like to play those Theo Parrish records and they don't get
played out much unless I have +/-16 (or 15 if you rather).
or just play the Theo's at the normal speed and not worry
about it:)
-Original Message-
From: Tristan Watkins [mailto:[EMAIL PROTECTED]
Sent: 04 September
Amen.. Theo of all people should be kept nicely in key.
-Original Message-
From: Ian Cheshire [mailto:[EMAIL PROTECTED]
Sent: Wednesday, September 04, 2002 8:38 AM
To: 'Tristan Watkins'; Sakari Karipuro; 313
Subject: RE: [313] which dj invented + 15
I really like to play those Theo
God Bless you my son :0)
-Original Message-
From: Bulger, Tim [mailto:[EMAIL PROTECTED]
Sent: 04 September 2002 16:48
To: 'Ian Cheshire'; 'Tristan Watkins'; Sakari Karipuro; 313
Subject: RE: [313] which dj invented + 15
Amen.. Theo of all people should be kept nicely in key.
Im sure a final scratch [or similar device] would solve all these problems
outright :)
Dear santa
:) Marc
-Original Message-
From: Ian Cheshire [mailto:[EMAIL PROTECTED]
Sent: Wednesday, September 04, 2002 4:44 PM
To: 'Bulger, Tim'; Ian Cheshire; 'Tristan Watkins'; Sakari
Tristan Watkins wrote on Wed, 4 Sep 2002 about following:
150 bpm, play longer sets and build your set, and buy enough records to
build the set from 117bpm to 150bpm. that's the right way.
It's definitely not the best way to do it, but I can't say I'd never do it
again. I really like to
mmm i dunno. i just usually think that tracks are done for some tempo
for some reason. and i like to keep the tracks as they were
intended to
be.
Surely by that rational you wouldn't be impressed by someone cutting up a
track as it was originally intended to be one whole piece of music ??
I inquired about this and heard nothing back from the Final Scratch people.
The only digital key correction that I've heard is on the Stanton
turntables, and it sounds awful. Almost like a double beat. Mixing with it
turned on is annoying and difficult. Anything beyond +2 irritates people
with
They'll also be making their Detroit stop at Alvin's Saturday, September
7...in case you hadn't heard.
2 sense
From: Thomas D. Cox, Jr. [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] jazzanova friday night in cleveland
Date: Wed, 4 Sep 2002 04:53:31 -0400
Hopefully the ads look kinda slick and Carl is getting tour sponsorship or a
track licensed for national or international broadcast in their
'historically' slick ad campaigns outta dis deal as well! Personally, I'm
happy to see someone we know getting their money swerve on provided it is
On Wed, 4 Sep 2002, Sakari Karipuro wrote:
[snip]
i dunno but i'd rather kill the dude; pitched technics are horrible to
play at; and you end up playing all the time all the records at least at
+4 - because pitch in area 0-+2 usually does nothing. and you can't mix
long mixes with pitched
Langsman, Marc wrote on Wed, 4 Sep 2002 about following:
mmm i dunno. i just usually think that tracks are done for some tempo
for some reason. and i like to keep the tracks as they were
intended to
be.
Surely by that rational you wouldn't be impressed by someone cutting up a
track as
I've thought about pitching at least one of my decks - especially when I'd
love to mix a Kraftwerk tune in with some Direct Beat tracks - I'd love to
kick Musik Non-Stop up to about +10 and jack it properly. What is the
chance of f*cking up the decks though?
MEK
obviously it would be a fairly trivial task to pitch-up the encoded mp3 in
something like cooledit with key correction first.
-Original Message-
From: Bulger, Tim [mailto:[EMAIL PROTECTED]
Sent: Wednesday, September 04, 2002 5:27 PM
To: 'Langsman, Marc'; 'Ian Cheshire'; 'Tristan
Amp Fiddler 'Superficial' Genuine
Speaking of Amp Fiddler (former P-Funk keys player!) there's a cool J.A.N.
remix on the Basmentality 12 (Genuine 002) that I would tell fans of KDJ and
Theo to drop a needle on. I like it alot. (TIP!!!) ha ha
peace,
Matt MacQueen
I've thought about pitching at least one of my decks - especially when I'd
love to mix a Kraftwerk tune in with some Direct Beat tracks - I'd love to
kick Musik Non-Stop up to about +10 and jack it properly. What is the
chance of f*cking up the decks though?
Music Non Stop works OK at 45pm
Music Non Stop works OK at 45pm (pitched down to 8)I find.
the album version that is
MEK
Sakari Karipuro
[EMAIL PROTECTED]To: Tristan
Watkins [EMAIL PROTECTED]
iposti.net cc: 313
Jeffrey Paul wrote on Wed, 4 Sep 2002 about following:
On Wed, 4 Sep 2002, Sakari Karipuro wrote:
long mixes with pitched decks, the pitch control stops being exact quite
soon. ie. pitching will ruin the decks. also, the components in the
pitch wont last long with wrong voltages and
On Wed, 4 Sep 2002, Bulger, Tim wrote:
I inquired about this and heard nothing back from the Final Scratch people.
The only digital key correction that I've heard is on the Stanton
turntables, and it sounds awful. Almost like a double beat. Mixing with it
turned on is annoying and
This would work, but why couldn't you dynamically correct the key based
on the amount of pitch? There should be a mathematical function for
determining the amount of skew and correcting it. That way, you could
record everything and the original speed and speed it up/slow it down
without
[EMAIL PROTECTED] wrote on Wed, 4 Sep 2002 about following:
I've thought about pitching at least one of my decks - especially when I'd
love to mix a Kraftwerk tune in with some Direct Beat tracks - I'd love to
kick Musik Non-Stop up to about +10 and jack it properly. What is the
chance of
I imagine this will come in time, but its a very cpu intensive task to be
done realtime in software - F/S looks like it probably has enough trouble
doing all its current dsp on a PIII. At present vinyl touch classic
(www.mixmachines.com) does this but with hardware dsp.
-Original
then again my friends other deck cannot be used between 0-+4 mark because
it drifts so badly. above that it keeps the pitch so you can play but it
is
very slow to react to pitch changes.
I have 3 technics SL-1210mkII and I have the same problem, that is why I
think I will make them back to
On Wed, 4 Sep 2002, Bulger, Tim wrote:
This would work, but why couldn't you dynamically correct the key based
on the amount of pitch? There should be a mathematical function for
determining the amount of skew and correcting it. That way, you could
record everything and the original speed
Maarten Baute wrote on Wed, 4 Sep 2002 about following:
then again my friends other deck cannot be used between 0-+4 mark because
it drifts so badly. above that it keeps the pitch so you can play but it
is very slow to react to pitch changes.
I have 3 technics SL-1210mkII and I have
Wich song was first?
adonis - no way back
chic - jack le freak
they both have the same bassline...
Thanks,
Maarten
---
Do you know these tracks?
http://www.morthenkiang.com/samples
(taken from various mix tapes)
---
Maarten Baute wrote on Wed, 4 Sep 2002 about following:
Wich song was first?
adonis - no way back
1986
chic - jack le freak
no idea.
sakke
--
random rants and links at:
http://www.arabuusimiehet.com/sakke/
-
To
if your talking of le chic by chic i think its from 76, definitely late
seventies.
i have the record at home, if you want i can take a look...
fab.
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-- Original Message --
From: Sakari Karipuro [EMAIL PROTECTED]
i personally rather listen music unmixed than listening to
someone
forcefully trying to mix stuff that don't fit together.
i agree with this, though i guess not too many others do. i hate
Wich song was first?
adonis - no way back
1986
no, this was from 1984
chic - jack le freak
no idea.
I don´t know where the bassline came from. but the remix is from 198è.. I
have the original le freak 7 wich is from 1976, but there is no bassline on
that (liek the adonis one)...
198è..
1987 I meant...
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Maarten Baute wrote on Wed, 4 Sep 2002 about following:
adonis - no way back
1986
no, this was from 1984
my copy of it on trax records says 1986. if you don't believe i can scan
it for you tomorrow when i get new monitor for my windows box.
Adonis - No Way Back
TX112
produced by
adonis - no way back
1986
no, this was from 1984
my copy of it on trax records says 1986. if you don't believe i can scan
it for you tomorrow when i get new monitor for my windows box.
Adonis - No Way Back
TX112
produced by Adonis
(P) 1986
Trax Records
DISTRIBUTED BY
N's represent numbers. the print is so god-damn awful that i can't say
what numbers they are. many look like 3 8's :)
perhaps it was released two years after it was made?
however, it was way back :D
m
pz2002
-
To
ableton live does tempo changes while leaving pitch intact.
as does max/msp and acid
-Joe
- Original Message -
From: Langsman, Marc [EMAIL PROTECTED]
To: 'Bulger, Tim' [EMAIL PROTECTED]; Jeffrey Paul [EMAIL PROTECTED]
Cc: Langsman, Marc [EMAIL PROTECTED]; Ian Cheshire
[EMAIL
however, it was way back :D
anyway.. now we know that chic sampled adones for their jack the freak
remix from le freak. It is kind of a chicago remix so this makes sense.
Adonis rules by the way!
Greets,
Maarten
-
To
the main problem here is that while there is a linear relationship between
pitch (tone) and speed (tempo) for a single frequency (e.g. the fundamental
tone), it isn't quite so well-mannered when you pitch shift an entire voice
because of the harmonics (esp. with crazy detroit strings, etc).
if
::) wrote on Wed, 4 Sep 2002 about following:
ableton live does tempo changes while leaving pitch intact.
as does max/msp and acid
it's called time-stretching, keeps the pitch but changes the tempo.
then there's pitch-shifting. which does just the opposite. changes the
pitch but not the
it's called time-stretching, keeps the pitch but changes the tempo.
example of 500% time-stretching, cfr. speedy j - something for your mind
(plus 8, !hype):
oeettthhigg
g
ffoo
Maarten Baute wrote on Wed, 4 Sep 2002 about following:
it's called time-stretching, keeps the pitch but changes the tempo.
example of 500% time-stretching, cfr. speedy j - something for your mind
(plus 8, !hype):
mmm i like the track. i have the music man 12 and i'm not sure if the
mix
So does the new Denon tables DP-DJ151's...I just bought some...I like the
feature, but they still have to iron out the new functionality. Unfortunetly
it also creates a slight chorus effect while maintaining the pitch. kindof a
bummer.
d$
-Original Message-
From: ::) [mailto:[EMAIL
Hi,
I just bought my first yellow magic orchestra lp for only 2 euro. It is
called BMG, and is from 1981.
Can anyone point me out to a decent biography of these guys. And can anyone
describe there role in the develpment of electronical music?
Ow.. and is the ymo track that juan atkins played at
It is called BMG, and is from 1981.
no it isn´t, uit is called BGM
should read my mails once again before I send them. SORRY! will never do
this kind of bandwith wasting again!
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I would like two id's (it was around 9am/9:30 am)
richie played this track right before he did the
plastikman airplane bit.
it had a classic rock sound to it the bass line reminded
me of a very popular blues remake but the anme excapes
me right now.
then it was the airpalnes.
then he played
Can anyone point me out to a decent biography of these guys.
I'm biased but All Music Guide has a good section on yrs majesty, YMO.
http://www.allmusic.com/cg/amg.dll?p=amgsql=Baq6atr69kl7x
And can anyone describe there role
in the develpment of electronical music?
Did what Kraftwerk did,
i really really hate to be the bearer of unfortunate news, but
i just received this in my inbox
i really don't know what else to say..
rt
-- Forwarded message --
Date: Wed, 04 Sep 2002 15:38:19 -0400
From: mike clark [EMAIL PROTECTED]
To: undisclosed-recipients: ;
Subject: A
there are some new plastikman tracks
if I can get it ok'd, Ill post them to the web.
-Joe
- Original Message -
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Wednesday, September 04, 2002 2:40 PM
Subject: [313] control id
I would like two id's (it was around 9am/9:30 am)
Subject: A great tragedy and loss.
I was just informed today that one of my UR brothers is not with us
anymore. James Drexciya Stinson died last night of heart complication..
It is a
big loss for his friends, fans, and family. He will be greatly missed.
One of the true brothers of
i hope to god this is just a really really bad rumor
Donna Gardner wrote:
Subject: A great tragedy and loss.
I was just informed today that one of my UR brothers is not with us
anymore. James Drexciya Stinson died last night of heart
complication.. It is a
big loss for his
This is not a rumor. My partner and I spoke to his wife today because we
thought the same thing at first. This is definitely true. This is a great
loss indeed.
Peace,
Alex
www.fulcruminn.net
-Original Message-
From: newgun [mailto:[EMAIL PROTECTED]
Sent: Wednesday, September 04, 2002
All I can imagine right now are calm seas, tides withdrawn out of
respect for the passing of the tsunami.
Has anyone got a photograph of Mr. Stinson? I'd like to do a digital
painting in his memory. I've been meaning to do a piece with a
Drexciyan motif for a while . . . I now wish I'd started
On Wed, 4 Sep 2002, Brian 'balistic' Prince wrote:
All I can imagine right now are calm seas, tides withdrawn out of
respect for the passing of the tsunami.
Has anyone got a photograph of Mr. Stinson? I'd like to do a digital
painting in his memory. I've been meaning to do a piece with a
my regards to james's friends and family. he will truely be missed by many
people. i wish the best for those who were closest to him, and for those who
enjoyed his creative endevors.
wishing everyone well,
mike (tangible)
- Original Message -
From: Lester Kenyatta Spence [EMAIL PROTECTED]
a while ago i was lisening to an interview with drexciya. not sure wich guy
it was, but he was saying he was moving down south to warmer weather
because of health reasons. i wondered why he had to move to warmer weather.
so i asked a freind of mine thats a doctor and he said its usually
James Drexciya Stinson died of heart
complication???|
Someone please confirm or deny...
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At 02:38 PM 9/4/2002, Maarten Baute wrote:
Hi,
I just bought my first yellow magic orchestra lp for only 2 euro. It is
called BMG, and is from 1981.
Can anyone point me out to a decent biography of these guys. And can anyone
describe there role in the develpment of electronical music?
earlier today I mentioned that there are some new plastikman tracks out
there.
fyi,
they are not new, they are mearly unreleased.
I will NOT be sending these out in any form. (this includes any p2p
services)
dont email me about it because I'll just delete it.
-Joe
I'm sure it is true considering the first email that was forwarded from
Rob was from Mike Clark.. And he would know..
~E
[EMAIL PROTECTED] wrote:
James Drexciya Stinson died of heart
complication???|
Someone please confirm or deny...
are these the same tracks he gave out at his bday party in nyc this year?
they were on a mini-cd, can't remember the names of them right now. they
were tracks i had never heard before.
-p
-Original Message-
From: ::P [mailto:[EMAIL PROTECTED]
Sent: Wednesday, September 04, 2002 6:46 PM
hey folks. matt's spot-on about that kdj edit of amp fiddler's
superficial track. if anyone would like the .mp3 of that track, and is a
soulseek user... give me a holler and i'll put you on my user list.
eyesight4
peace.
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