the best blaze track by miles:
black rascals 'keeping my mind' (sumo)
james
From: [EMAIL PROTECTED]
Date: Tue, 4 Nov 2003 11:38:20 +
To: 313@hyperreal.org
Subject: Re: (313) Blaze
Hey Chris.
I was wondering whether any of you can tell me what are the ESSENTIAL
tracks released by
the ep with flange beat on dancemania. all four tracks are killer.
james
From: [EMAIL PROTECTED]
Date: Fri, 17 Oct 2003 18:29:40 -0700 (PDT)
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: (313) fave Paul Johnson tracks
On Fri, 17 Oct 2003 02:50:48 -0500, Cobert, Gwendal
wrote:
I
it's being slowly re-released. i saw day by day in a shop today. and
brighter days has been re-released. plus stay around
james
- Original Message -
From: Chris Anglesey [EMAIL PROTECTED]
To: 313@Hyperreal.ORG
Sent: Saturday, October 11, 2003 1:10 PM
Subject: (313) Cajual /
sonic groove on carmine (not far form nyu)
vinly mania on carmine
dancetracks on 1st and 3rd(?)
rock n soul near macys, 462 7th ave
james
From: Thomas I Ainslie [EMAIL PROTECTED]
Date: Sat, 20 Sep 2003 13:22:48 -0500
To: 313@hyperreal.org
Subject: (313) fantastic vinyl in NYC?
hello all,
Strings Of LifeRythym Is Rythymbootleg Danny Krivit editIbadan?
noticed this in a francois k setlist for deepspace. is this released?
james
he's not being lazy, rather, it's the opposite. he's saying he can do much
more cutting it up, dj tricks, etc. with the cd than with vinyl.
From: Paul Hudson [EMAIL PROTECTED]
Date: Thu, 7 Aug 2003 14:30:48 +0100
To: 313@hyperreal.org
Subject: RE: (313) OT: CD is the new vinyl apparently...
which one is 3? the once in a lifetime release, or is that 2. savage records
in aust have some for sale for aust$5 (that's US$2.50) so even with shipping
you might come out ahead.
can't find their address, but savage records australia in a search engine
should do it.
james
From: [EMAIL
it's on one of the musicbox re-edits.
james
From: Bill Van Loo [EMAIL PROTECTED]
Date: Thu, 7 Aug 2003 17:57:16 -0700
To: [EMAIL PROTECTED],Bill Van Loo
[EMAIL PROTECTED],313@hyperreal.org
Subject: Re: (313) old house track heard on wdtr - words?
Alright, that makes a lot of sense. I
i really like the sound of records played at minus 8. and believe me--i've
got plenty of records.
From: Langsman, Marc [EMAIL PROTECTED]
Date: Mon, 28 Jul 2003 10:11:31 +0100
To: 'Sakari Karipuro' [EMAIL PROTECTED], 313
313@hyperreal.org
Subject: RE: (313) Vestax or Technics
not to diss
let me rephrase then, a record company recently released a mix of walter
gibbons that consists of salsoul classics.
james
From: Warren Day [EMAIL PROTECTED]
Date: Mon, 28 Jul 2003 10:14:55 +0100
To: James Bucknell [EMAIL PROTECTED],
[EMAIL PROTECTED], 313@hyperreal.org
Subject: RE: (313
not online, but i think he released a mix cd recently; maybe of salsloul
classics. i saw the vinyl release, but the tracks are mixed on the vinyl. so
i didn't buy it. but i seem to remember it was old disco tracks.
james
From: [EMAIL PROTECTED]
Date: Mon, 21 Jul 2003 13:05:58 -0500
To:
try the new brennan green on modal.
james
lrh
From: [EMAIL PROTECTED]
Date: 2003/07/18 Fri PM 03:24:27 EDT
To: 313@hyperreal.org
Subject: (313) on a deep house quest
looking for some new house 12 (or double 12 for that matter)
specifically something with lyrics that actually
i'm about as nostalgic as they come--i think it all went downhill after nu
groove folded and i don't think dance music sounds right if it it wasn't
recorded onto a four track.
the problem with the recent three chairs is that it's not nostalgic enough.
it sounds too modern for me--it sounds like
i've got two copies i don't want. the music doesn't interst me. the long
track sounds like a bit of late 90s tech-house. plus, i can't even play the
thing--the needle will not sit in the groove.
james
From: Thomas D. Cox, Jr. [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
Date: Thu, 3 Jul
talking of was not was. i have 'listen like thieves' by was not was on a
bootleg ('underground house dance classics'. on the a side it has the black
dog (re-edit) of virtual. on the b side it has the poets 'emotion' and
listen like thieves)
it's a beautiful piece of deep house, one of my
one compilation that has d may's remix is harry the bastard presents club h
can't remember if it's vol1 or 2.
james
From: Jonny McIntosh [EMAIL PROTECTED]
Date: Mon, 30 Jun 2003 17:49:47 +0100
To: Placid [EMAIL PROTECTED], Mathieu Roussotte [EMAIL PROTECTED],
[EMAIL PROTECTED] Org
i interviewed thomas dolby a few years back for harper's bazaar. at that
point he had a software development company in san fransisco. they'd
developed some internet sound ap.
james
From: robin pinning [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
Date: Thu, 26 Jun 2003 16:10:04 +0100 (BST)
excellent. but when does the world get to see your abdul haqq artwork,
patrick?
james
Hi All,
I thought I'd pass on Abdul Haqq's new website, which showcases all his
amazing artwork.
Go check it out and send him a note!
http://www.thirdearthgraphics.com
Peace,
Patrick.
Southern
no surprise to me--australia has little in law to protect the rights, civil
and otherwise, of it's citizens (we lack what to americans seem like the
most basic of rights--speech, free assembly etc.) in the past, this hasn't
been a significant problem because governments have acted in relatively
that sounds like the masters at work remixes of once in a lifetime
james
From: David Powers [EMAIL PROTECTED]
Date: Wed, 25 Jun 2003 15:25:00 -
To: [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: (313) those moxie things
Was that a regular release?
I bought a white label dub of
a tactic recomended in australia (where the dogs are on trains, wandering
the streets) is to put bong water in a spray pack and spray on poles etc at
dog level. at a festivcal you might even have the chance to spray some on
the cops.
From: m a t t [d] [EMAIL PROTECTED]
Date: Fri, 23 May 2003
sonic groove, dancetracks, and sattelite in new york all have fine internet
ordering (not as good as some european sites) but postage from the states
always seems more expensive.
if you want to buy vinyl there really isn't any cheaper alternative than
ordering from europe.
but at $20 a record, it
the little bmw convertible? it looks so small in the midwest. it'll
disappear in a snow drift. but i guess it's all charivari and european.
james
http://technotourist.org/modules.php?op=modloadname=Sectionsfile=indexreq=
viewarticleartid=29
Or go to http://technotourist.org/ and follow the
early (first 15 or so) svek releases might interest you. minimal, dubby,
snythetic. the first brommage dub release (sK013) is really good and has
been re-released very recently. impossible to find the early stuff on vinly.
the first 'lords of svek' cd is agood comp of the early sound, very
touching disco number from a frankie knuckles @ the wharehouse mix on
deephouse pages. if the vocals aren't enough, i'll find the link.
nothing's been the same ever since you came my baby
could be a minimal dub mix, maybe an accapella over a kick drum.
thank
james
i've got a trick as well,
on a trip from new york to australia i was assured by the airline that i
could insure my record box at the check-in desk. they were wrong, couldn't
be done. i said, without insurance they don't leave my arms. of course the
records were way overweight for hand luggage. so
can't confirm the danny wang story. but it sounds plausible. balihu has
reelased material that was originally slated for release on nuphonic. one of
brennan green's balihu releases was meant to come out on nuphonic.
james
From: Jonny McIntosh [EMAIL PROTECTED]
Date: Mon, 12 May 2003 17:32:27
people with norm talley mixes can 'spam' me anytime. thanks
james
From: Thomas Van Steen. [EMAIL PROTECTED]
Date: Thu, 8 May 2003 01:43:24 +0200
To: 313@hyperreal.org
Subject: Re: (313) Pulsation mixes - M.Clark N.Talley
Hi all,
I'm the webmaster of Pulsation.com .
Pulsation is a
where is metro area stuff being played in australia, who is playing it?
in the year i've been in sydney i haven't even heard any american house
music, let alone decent house of the metro area variety or any early 80s
disco stuff.
please let me know, i won't be back in new york for a few more
like most djs, i've got a large pile of bootlegs. everything from love is
the message to derek may's wildtime remixes and the automan series. my
favourite record stores have a special bootleg section, categorized by the
different bootleg series.
bootlegs are an important part of my record
static was at baktun, which is now closed.
james
From: Stephen Hart [EMAIL PROTECTED]
Date: Wed, 09 Apr 2003 12:45:49 -0400
To: 313@hyperreal.org
Subject: (313) what to do iNYC? HELP
Hey,
I am going to NYC this coming weekend, staying in Manhattan, and as I have
never been there
i think i can explain. temple records closed about 8 months ago.
james
From: FC2 Richards [EMAIL PROTECTED]
Date: Wed, 2 Apr 2003 12:06:15 -
To: '313@hyperreal.org' 313@hyperreal.org
Subject: (313) Online record stores again!!
Temple records...I now have a 25% fill rate from them. I
i thought norm talley's set at demf 2, on the opening morning, was my
favourite of the official lineup.
james
Subject: (313) Norm Tally
hi all
i finally bought a copy of city boy players feat eddie fowlkes yesterday,
although it's been out for 4 years now, and damn, that album is
harrisburg is only a couple of hours drive from both new york and
philapelphia. people from the philadelphia area throw raves in the pocono
mountains (where harrisburg is).
so new york is your best bet for records and parties..
althought the mutter museum of medical oddities in philladelphia is
when i insured my records i photographed each disc with my digital camera as
a record of what i own. insurance companies are notorious with coming up
with excuses not to pay. and i doubt you kept all the receipts. ask what
they will except as proof of ownership when talking to them.
james
From:
can't wait to get my hands on this. the re-release sounds excellent (there
are real audio clips at king street)--even the mixes sound true to the
original spirit. 808 cowbells and handclaps--aaah!
james
From: Phonopsia [EMAIL PROTECTED]
Date: Mon, 10 Mar 2003 23:22:29 -
To: 313
]
Date: Tue, 11 Mar 2003 08:39:51 +0100
To: James Bucknell [EMAIL PROTECTED], 313 313@hyperreal.org
Subject: Re: (313)On and On (was Fw: CHICAGO VS. DETROIT WMC EVENT!)
can't wait to get my hands on this. the re-release sounds excellent (there
are real audio clips at king street)--even
do you know who you are has been repressed. the quality is much better. it's
quite playable. gramaphone records or sonicgroove should have it.
so so beautiful. i love melancholy house.
james
From: Maarten Baute [EMAIL PROTECTED]
Reply-To: Maarten Baute [EMAIL PROTECTED]
Date: Thu, 6 Mar 2003
any water used in cleaning records should be distilled water. tap or bottled
water has crap in it.
james
From: David Hampson [EMAIL PROTECTED]
Date: Tue, 4 Mar 2003 17:11:23 -
To: 313@hyperreal.org
Cc: [EMAIL PROTECTED]
Subject: (313) re: Subject: cleaning records
Best thing is to be
use methylated spirits or rubbing alcohol (isopropyl) mixed with distilled
water 1 part to 5. doesn't need to be precise. place mixture in a spray
bottle. spray onto a lint free clothe and wipe the record.
for those in the states, there are two types of rubbing alcohol, make sure
it is isopropyl.
chives of freedom sounds welsh? the leek's just a jumped up chive, isn't?
From: m a t t [d] [EMAIL PROTECTED]
Date: Thu, 27 Feb 2003 19:10:08 -
To: [EMAIL PROTECTED] Org 313@hyperreal.org
Subject: Re: (313) Osunlade
Chimes of Freedom? I have been hearing that as Chives Of Freedom. oops
no need to take a deep breath. final scratch for the mac is slated for
release in april.
http://www.native-instruments.com/traktorfs.info
NI and Stanton have taken the next step towards the future of DJing: the
upcoming generation of Stanton¹s Final Scratch System is powered by
TRAKTOR¹s
what's the url?
tracks with the word 'jack' in it are the best tracks of all.
james
From: Fabrizio Nahum [EMAIL PROTECTED]
Date: Fri, 21 Feb 2003 19:06:37 +0100
To: 313@hyperreal.org
Subject: (313) Track id requested
Hello,
can someone please id the track that comes in at 16:43 in the
i'm way underwhelmed--carl craig using flash to say 'site under
construction, come back later'.
typical flash usage--zero content, coupled with lacklustre and dull
graphics/animation.
james
From: Rob Theakston [EMAIL PROTECTED]
Date: Mon, 17 Feb 2003 16:30:52 -0500
To: 313@hyperreal.org
the reason for putting the year of release in a track listing is the same
reason that track listings mention the artist, title, record label and mix.
it's information that is useful for those that want to track it down.
james
|
|
| From: [EMAIL PROTECTED]
| Date: Mon, 17 Feb 2003
i've always loved house and techno for their minimalism--a few bits of
roland equipment and a four track reel to reel.
i find most contemporary tracks to be as overproduced as any bit of prog.
house/trance. it's a challenge to spend any money when i go record shopping.
instead, i've taken to
do you mean code assault action/code assault on technica records, 1989?
i found a pile of 10 sealed copies in an old apartment building in brooklyn
nearly two years ago. i only took three copies.
if anybody wants to find out if the other seven are still there go see cisco
at whatever that
when you wear one side out, you still have the other.
why doesn't moodyman do that instead of putting out onesided releases?
james
I believe that was 12DEF013...but I think mine has Do Da Doo on both
sides...is it a mispress??
Jeff
-Original Message-
From: Klaas-Jan Jongsma
it's easy to put the track marks in. just rip the mix in your fav audio
program, add the track marks and burn.
james
From: Fabrizio Nahum [EMAIL PROTECTED]
Date: Wed, 29 Jan 2003 15:10:35 +0100
To: 313@hyperreal.org
Subject: Re: (313) CC Workout CD
Thanks for the answers guys. Even though
you're not going to hold onto 'when will i be free' on majestic?
that's a beautiful track.
james
From: Jkenjar [EMAIL PROTECTED]
Date: Fri, 31 Jan 2003 10:05:28 -0600
To: Jongsma, K.J. [EMAIL PROTECTED], 313 313@hyperreal.org, Andrew
[EMAIL PROTECTED]
Subject: RE: (313) DJ Skull - Stomping
not an album, but a e.p. black rascals 'keeping my mind' on sumo. one of the
great deep house tracks.
i've always thought it weird that blaze has become popular in the last few
years when their production in the last five years or so seems but a mere
shadow of their early work. but i guess that's
the sound system at gas (where fk played sat) is absolutely crap. that's why
he sounded crap on the eqs and echo/delay. on the vinyl sound system at body
and soul, fk's use of the eqs was beyond reproach (which can't be said for
joe claussel, he gets a wee bit carried away).
anyway, we were there
francois k played sydney last night using a titatium powerbook and two
turntables. looks like final scratch has been ported for mac osx!
so, anybody want to buy a few thousand classic chicago/detroit/new york
house and techno records?
james
sounds most like j.m. silk 'i can't turn around' (rca, 1986)--the insane
mix, using doubles maybe.
fairly easy to get a copy.
or else it's an unreleased mix.
james
From: [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
Date: Wed, 8 Jan 2003 22:58:43 +0100
To: 313@hyperreal.org
Subject: (313)
Catagory 1: Favorite House Label in the World
1) trax
2) nu groove
3) balance/prescription
Catagory 2: Favorite House Label from Detroit
1) KMS
2) planet e
3) moods and grooves
i've never even heard of the acid mix. is it also on undergorund?
james
From: P dircon [EMAIL PROTECTED]
Date: Thu, 02 Jan 2003 15:19:07 -0800
To: James Bucknell [EMAIL PROTECTED], Fabrizio Nahum
[EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: (313) track id
Did any one pick up
the track is abacus 'black thanx' on airtight.
james
From: Tristan Watkins [EMAIL PROTECTED]
'somebody new' is essential.
you can here it on a mix of mine at hyperreal:
http://djsets.hyperreal.org/listen.cgi?listen_to=2000!BUCKNELL_JAMES.rm
it's the second last track, before
sounds like chip e (as the godfather of house) 'time to jack' (underground
records, 1986).
james
From: Fabrizio Nahum [EMAIL PROTECTED]
Date: Thu, 2 Jan 2003 12:59:44 +0100
To: 313@hyperreal.org
Subject: (313) track id
hi, after doing some fruitless research ive decided to ask you
'somebody new' is essential.
you can here it on a mix of mine at hyperreal:
http://djsets.hyperreal.org/listen.cgi?listen_to=2000!BUCKNELL_JAMES.rm
it's the second last track, before 'promised land'.
james
From: Tristan Watkins [EMAIL PROTECTED]
Date: Tue, 31 Dec 2002 03:04:03 -
To:
i'd be happy to hear those tracks played together at any time of the night.
nice!
james
From: Sean Creen [EMAIL PROTECTED]
Date: Wed, 18 Dec 2002 09:04:22 -
To: 313 mailing list 313@hyperreal.org
Subject: (313) End of the night (from Jason Brunton)
Jason Brunton asked me to forward
that'll be the west side remix of the classic 'don't lead me' by house
master baldwin and paris grey. this mix isn't on the original 1987 release
and i've never come across a copy of this mix (except on the rephlex comp.)
which came out in 1993.
i know kool kat released an e.p. with three mixes
i picked up 4 jazz funk classics at demf 2.
james
From: The Armchair DJ [EMAIL PROTECTED]
Date: Sat, 7 Dec 2002 18:08:11 -0800
To: 313@hyperreal.org
Subject: RE: (313) Another bootleg - Good Girls
Carl Co. sold copies of the original 12 (plus copies of 4 Jazz-Funk
Classics and other rare
i have a belgium pressing of rock to the beat with an aggressive 303 acid
line and someone chanting 'aceeed'.
the track on the flip is called 'saigon nightmare'.
if you want the label details i'll hunt it out.
james
Subject: (313) New Beat/Saunderson etc
I'm currently researching an article
there are some nice remixes of my medusa on radikal records, as well.
james
From: [EMAIL PROTECTED]
Date: Tue, 3 Dec 2002 15:18:22 +0100
To: 313@hyperreal.org
Subject: (313) Re: K Alexi
Anyone ever hear the remixes of My Medusa that came out on Ugly Records? There
were mixes from K
here are the details on the two jive releases:
jive rhythm tracks vol 2, (jive 1295-1-J 1982)
more jive rhythm tracks (jive va66003 1982)
farley put out two rhythm track e.ps on trax in 1986, funkin with the drums,
and funkin with the drums again.
relief records continued the chicago tradition
dancetracks in new york always have a comprehensive collection of accapella
bootlegs. they have a website, i don't know if the accapella stuff is up
there. worth taking a look.
james
From: Recoil [EMAIL PROTECTED]
Date: Sat, 30 Nov 2002 09:48:06 -0500
To: 313@hyperreal.org
Subject: (313)
ALEXANDER ROBOTNICK used the 303 with squiggle oncan't remember the
track name, came out as a bootleg as 'love robot'. that is early 80s, and
should be included in any histroy of 303 use.
the swah pixies, an australian outfit that was part of the severed
heads/sydney industrial scene, used one
picked up #5 yesterday. the flip is 'dance to the beat'. don't know the
producer/artiste.
i have 2, 4, and 5. the pressing/sound on all are good, while the track
selection is superb.
james
From: armin holzgethan [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
Date: Tue, 26 Nov 2002 23:09:46
here's the tracklisting
peut etre
on and on (?)
leatherette (warm leatherette by grace jones?)
rappinhhood (tom tom club)
doughnut dog (that cat stevens track, also on the freddy fresh abstract funk
comp)
sampling dance
powerpill
who made on and on? it's a really good track. i was expecting
juno (juno.co.uk), smallfish (www.smallfish.co.uk), or rushhour
(www.rushhour.nl), usually get these in.
there are copies of automan 4 and 5 sitting in record stores in sydney.
james
From: Elliot Taub [EMAIL PROTECTED]
Date: Tue, 26 Nov 2002 17:29:41 -0500
To: 313@hyperreal.org
don't know about the detroit breakers, i didn't see any at demf #2. but at
new york house nights--like louie vega's 'dance ritual' night at
vinyl--there were quite a large group of people breaking. they were really
good.
it was a surprise to see people breaking to a masters at work tribal flute
jeebers--it's bad to slow a record by dragging your finger against the
platter? does the same apply to speeding the record up by twisting the
spindle?
i just watched what dj pierre did and tried to do the same.
so how are you meant to slow a record on the 1200s without touching the
platter?
the anchorage, inside the pylons of the brooklyn bridge! crap sound as it
echoes, but what a place, 100 foot vaulted brick ceilings, walls 15 feet
thick. plus you get to walk home over the brooklyn bridge as the sun is
rising.
the brick works in sydney park, sydney is the best illegal outdoor
there isn't much crossover in the birthplace of hip hop in the south
bronx/upper manhattan. when i'd go to the police athletics league gym on
118st and manhattan ave. any house, electro or techno cds i put on promptly
got thrown off and replaced by hot 97 (bringing you blazin hip hop). i
declined
what about the vegan bakery on 8th st and A? jeebers!
james
From: Grammenos, Peter [EMAIL PROTECTED]
Date: Tue, 12 Nov 2002 12:18:53 -0500
To: 'Collin McKinney' [EMAIL PROTECTED], '313@hyperreal.org'
313@hyperreal.org
Subject: RE: (313) ...enough eminem, how about some more vegan food?
hangawai is sublime. this is where margie and i had our final meal in new
york before moving to australia. that should tell you high i regard it.
james
From: Elliot Taub [EMAIL PROTECTED]
Date: Tue, 12 Nov 2002 16:49:57 -0500
To: Grammenos, Peter [EMAIL PROTECTED], '[EMAIL PROTECTED]'
[EMAIL
that's rob hood 'red passion 2' on duet.
beautiful track.
james
From: [EMAIL PROTECTED]
Date: Tue, 12 Nov 2002 21:13:14 -0600
To: 313@hyperreal.org
Subject: (313) Betalounge track id - Ulysess, Kenny Larkin, Sean Deason @
Allegory Metphor NYC
@ 1:18:49
while on the subject...i'm looking for a new host for my site. any
suggestions for a cheap host that allows downloads of mp3s?
james
From: diana potts [EMAIL PROTECTED]
Date: Wed, 13 Nov 2002 13:23:13 -0800 (PST)
To: 313@hyperreal.org
Subject: (313) Listmember's sites
Most of the ppl
acid has saved many a soul.
james
From: Samuel Hobbs [EMAIL PROTECTED]
Date: Mon, 11 Nov 2002 21:38:03 -0800 (PST)
To: 313@hyperreal.org
Subject: (313) interesting, as always!
the following is absolutely the truth:
tonight i was doing my normal job to augment graduate
school, which is
both tracks are beat driven, with a small bit of faint vocals.
i really like it--better than than the last couple of releases.
james
From: Ivan Tomasevic [EMAIL PROTECTED]
Date: Mon, 11 Nov 2002 13:34:01 +0100 (CET)
To: 313@hyperreal.org
Subject: (313) Rhythm Sound: Aground/Aerial
i
freddy fesh 'abstract funk..' compilation has cod 'in the bottle' plus
quadrant six 'body mechanic'.
From: Robert Taylor [EMAIL PROTECTED]
Date: Thu, 7 Nov 2002 15:56:23 -
To: 'Matthew MacQueen' [EMAIL PROTECTED], 313@hyperreal.org
Cc: [EMAIL PROTECTED]
Subject: RE: (313) Electro..
well that sparked my curiosity, tell me more about this twoism.
james
From: Mesu Kasumai [EMAIL PROTECTED]
Date: Tue, 05 Nov 2002 16:26:21 -0500
To: [EMAIL PROTECTED], 313@hyperreal.org
Subject: (313) twosim re-release
an exciting day for anyone who is interested, warp records is
don't try coming to australia on a boat--they'll sink your boat, lie about
it, lock you up in the middle of the desert or pay a small impoverished
pacific island to lock you up, and then send you a bill for the lot.
oh yeah, if you have a kid they'll kick you out of the country but keep the
child.
place the warped record in a tightly packed record crate for a week or so.
works a treat.
james
From: Niko Tzoukmanis [EMAIL PROTECTED]
Date: Wed, 6 Nov 2002 16:12:21 +0100
To: 313@hyperreal.org
Subject: (313) un:warp (off-topic)
hi all
i know we've had this several times
before, but
when people find out that i dj, it's not uncommon that they say they don't
like dance music. i then ask where they've been dancing, what clubs, what
djs. they usually reply that they don't go dancing, they just listened to
dance music at a friends place, on the radio etc.
that's when i point out
i'm a deep house (among other genres) dj who moved (back) to sydney after 10
years in new york. i can't get a booking playing deep house here. i get
booked to play techno and electro.
the stuff that people in sydney call deep house has nothing to do with the
stuff i play.
i go to nights billed as
use a mixture of alcohol and distilled water with a ratio of 1 to 10. place
the mixture in a spray bottle, spray a little on a cleaning pad.
type of alcohol to use: isopropyl(sp?) (which is sold as rubbing alcohol in
the states) or methylated spirits.
james
From: Placid [EMAIL PROTECTED]
Date:
if you like the ugly edits make your own. just download pro tools (there is
a free version that has everything you need for an edit) and cut and paste.
it's really simple.
james
From: Lee Herrington IV [EMAIL PROTECTED]
Date: Sun, 27 Oct 2002 19:56:30 -0500
To: 313 313@hyperreal.org
Subject:
but does he have same style of station ids as the hotmix 5? so, how do you
say 'wbmx...aint no jive...' in dutch?
james
From: Rc [EMAIL PROTECTED]
Date: Mon, 21 Oct 2002 21:48:52 +1000
To: 313 313@hyperreal.org
Subject: (313) ben liebrand?
been listening to a few of liebrand's grandmixes.
someone was asking a while back--yes, kraftwerk will be playing in perth for
big day out.
and they'll be selling their own line of kraftwerk 'tour de france' cycling
clothes!
anybody seen these?
james
it was larry sherman, not larry heard, that put can u feel it and the chuck
roberts vocal together.
james
From: Placid [EMAIL PROTECTED]
Date: Tue, 15 Oct 2002 11:48:44 -0700
To: [EMAIL PROTECTED] Org 313@hyperreal.org
Subject: Re: (313) Fingers
Wasn't chuck d the guy who did the 'I am
that can't be right.
the rhythm control release has larry heard's 'can u feel it' with the chuck
robert's speech over the top.
it's the same version as the trax release.
james
From: Placid [EMAIL PROTECTED]
Date: Tue, 15 Oct 2002 13:29:58 -0700
To: [EMAIL PROTECTED] Org 313@hyperreal.org
that confuses things even more. my copy of rhythm control has 'can u feel
it' with the chuck roberts vocal over the top. it sounds the same as the
trax release. it's the b side inside cut.
mine's a green label, black text, four tracks, 1987, no cat # that i can
see, on catch a beat records. the
i'm having trouble downloading mp3 files from deep house pages. i'm on a mac
using explorer. the mix isn't downloded by the downlaod manager. instead it
seems to end up in the cache as a useless, non mp3 file.
anybody had similar problems? any suggestions?
thanks
james
www.jbucknell.com
how about 312? i've two test pressings of ron trent's 'altered states' on
gherkin records.
james
www.jbucknell.com
From: Joseph Ross Lynn IV [EMAIL PROTECTED]
Date: Thu, 26 Sep 2002 20:58:25 -0400 (EDT)
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) RE: [313] What would you
the burrel brothers released tracks after the demise of nu groove. i have
one or two, but they're buried deep.
i'll say a prayer for you, a burrel release (as equation) on nu groove, was
been re-released on tu chicks last year.
as for some favourite nu groove releases:
project 86 'total recall'
do you remember who played at these parties?
james
www.jbucknell.com
From: Chau, Dang [EMAIL PROTECTED]
Date: Thu, 19 Sep 2002 07:54:47 +0800
To: 313 313@hyperreal.org
Subject: RE: [313] Can anyone id this
ha ha this reminds of the phunky acid bubblebath parties in sydney from back
maybe francois k was just trying to correct the balance of genre shifting
between cities. durring the mid 90s in new york there seemed to be a lot of
techno djs coming to new york and playing second rate garage/body and soul
styled sets. it seems to have tapered off after that. but rob hood always
pierre and spanky (as the coming down band) also have a track called slo mo
acid. it's on the acid trax vol 1 comp released by fierce records.
james
www.jbucknell.com
From: Placid [EMAIL PROTECTED]
Date: Wed, 11 Sep 2002 12:08:55 -0700
To: 313 mailing list 313@hyperreal.org
Subject: Re:
another chic/chicago classic combination is tyree's 'i fear the night' on dj
international. it's credited as 'tyree (featuring chic). the track is an
amazing 808 workout with just some vocals over the top. i take it the vocals
come for chic, is that right?
james
www.jbucknell.com
From: Maarten
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