warning, this thread is moving farther and farther away from Detroit
and techno so you may want to stop here unless you want to toss around
theories about how this present hard/progressive house sound -- best
illustrated by the recent blasphemous rape of Green Velvet's Flash -- is
going to
Just to chime into this Regis/Female thread, I just heard the Karl
O'Connor/Peter Sutton Againstnature album on Tresor this morning and have
to recommend it to anyone interested in that Birmingham sound. Some words
to describe it: dense, tribal, hard, thick, industrial, manic, driving,
insane
This may be weird irony, but I was just thinking about this very topic after
seeing some headline on the cover of some UK mag and now as I tread through
the new Tall Paul mix (it's for work, not pleasure...)
For example, all the Timo Maas remixes of Green Velvet's Flash have been
getting tons of
Been hearing about this club for awhile and finally went to check it out
this past Friday with some friends. Unfortunately, when we arrived around
11:30, there were only three people in the whole club that didn't work
there. I felt a little silly for hyping up the club to my friends and then
speaking of derrick co-producing records. . . recall about a month ago
when someone posted to this list that one nite when derrick may was
spinning at temple someone (i can't remember the name) came up and spit on
may's record and (i think) removed the tone arm from the record. i
later
Just got the sex on the beach 2000 remix in the mail today.
From ghetto anthem to modern day soul classic.
I couldn't stop playing the Electro Funk promo CD and featured it on
previous episodes of my internet radio show Clear Radio.
If the house and techno soul jocks give this a chance
it
What about Claude Young? For some reason I remember him being named as an
alumnus
-Original Message-
From: Steven T Lammers [mailto:[EMAIL PROTECTED]
Sent: Tuesday, September 26, 2000 7:33 AM
To: sean deason
Cc: Kent williams; 313 list
Subject: Re: [313] recordtime alumni
Is this assumption correct?
I can swear I've read this sometime on this list but just want to confirm my
assumption before I put it in writing.
Thanks,
Jason Birchmeier
Editor
All Music Guide
http://allmusic.com
734-887-5600x186
and professionalism, attracting an elite camp of
people, while his music seems to be crossing the line towards
near-intolerance.
...if this was just a one-off party, I'm really looking forward to the Plus
8 party.
Jason Birchmeier
Editor
All Music Guide
http://allmusic.com
734-887
Can anyone point me to even the slightest bit of info regarding K. Sublis,
the individual behind the Fluxion records on Chain Reaction?
Primarily, I trying to figure out his/her first name, and city/country of
residence. I'm doing my best to piece together a short bio.
Thanks,
Jason Birchmeier
highly
chronicled history and how Collier belongs on the same mantel.
Jason Birchmeier
Editor
All Music Guide
http://allmusic.com
734-887-5600x186
Thats a good question - but does the theory take away from the
music or add
to it? Does it make any difference? Not on the dancefloor, when I just
want to dance and generally don't care, but I do like reading the
UR patter
on the sleeves! Don't you think that sometimes it can help to give
Can anyone out there take a minute to post the phone number for Cloud 9?
I've been meaning to investigate the place for some time but never know the
location or what's going on there. Guess I rely on flyers and Real Detroit
advertisements a bit too much.
Thanks.
-Original Message-
Tomorrow night I believe he's spinning at Temple in Ferndale.
-Original Message-
From: scott brandon [mailto:[EMAIL PROTECTED]
Sent: Wednesday, August 30, 2000 4:03 PM
To: 313@hyperreal.org
Subject: [313] Derrick May tonight
Yo everyone...
I seem to remember somebody
Jason Birchmeier
Editor
All Music Guide
http://allmusic.com
734-887-5600x186
Techno Luminaries Richie Hawtin And John Acquaviva's Label Turns 10
Plus 8 Records plans series of classic tracks, U.S. tour.
Contributing Editor Corey Moss reports:
Richie Hawtin
section in the back, called Club
Charts, where they list the 50 or 100 songs most associated with the bigger
clubs such as Paradise Garage or Warehouse, so young-twentysomethings like
myself can get schooled on what was getting spun. Very cool!
Jason Birchmeier
Editor
All Music Guide
open for business and that it's not lame.
Thanks,
Jason Birchmeier
---
Electronic Music Editor
All Music Guide
(734) 887-5600x186
[EMAIL PROTECTED]
http://allmusic.com
---
Anyone else out there heard a promo of the soon-to-be-released full-length
album by Mr. De, DJ Assault's former collaborator?
It's a pretty interesting listen. I was expecting more Ass n
Titties-style booty, but there is little of that to be found here. It's
mostly a bunch of synth-driven funk
I actually just wrote a review for the album. Here's my views:
The eighth Tresor compilation finds the Berlin label moving away from one
particular sound towards a more diverse range of styles, reflecting the
changing face of techno at the end of the 20th century. Perhaps the biggest
surprise
I think they are referring to the few songs exclusive to the compilation,
which constitute half the CD.
The two tracks you mention sound like the same ones that I've always heard.
No special remixes or anything.
-Original Message-
From: The [Quad] [mailto:[EMAIL PROTECTED]
Sent:
Went to see Adam Beyer at Motor on Friday and couldn't believe the response
he got from the crowd. People were going nuts. Of the mostly full
dancefloor that I walked into at midnight, probably 75% stayed there and
just went manic.
It took people a good half-hour to get sucked into his hard
I actually have the Anna/Beate record and have always wondered who the
producer was. It is labeled Ernst 01.
Good stuff quite similar to Brinkman's concept album. When I picked this
one up at Melodies and Memories in Detroit there were quite a few others
priced at $9.99 a piece. They come in
I went to Borders tonight to get a copy of rough guide to techno and was
sad to find out that it isn't due to be published here in the US until June.
I did stumble onto some interesting info about another book written by Tim
Barr called Brighter Daze that is also due to be published in June.
I'm writing a biographical piece on the group's music for my independant
study and am curious about the early contributions by Jeff Mills and Robert
Hood.
A) when exactly did Mills stop collaborating with Banks?
It sounds as though he was involved with the X-101 record (UR-013.5) but I'm
this is just a hoax.
guess my over-enthusiasm got the best of me.
sorry for the spam.
-Original Message-
From: Jason Birchmeier [mailto:[EMAIL PROTECTED]
Sent: Friday, March 31, 2000 2:24 PM
To: peers; [EMAIL PROTECTED]; Detroit School of Techno
Subject: The Most Important Email EVER
...don't let the system oppress you.
...this goes against everything the internet was designed for.
...another attempt by our government to take advantage of the innovators.
-Original Message-
From: Stern. Mike Stern. [mailto:[EMAIL PROTECTED]
Sent: Friday, March 31, 2000 2:09 PM
To:
I went there on Saturday to see Krust do a live drum and bass set. Got the
chance to talk to Josh and John for a bit afterwards.
Nothing's really changed besides the fact that they now really have to put
up a very conservative, safe facade. Ya, sure there was some sketchy
characters coming to
Riots aren't common but drama is.
Just look at Ritchie's track record: his Kompressed party got totally busted
before it even happened with police following him and his crew around for
days; his performance in Louisville never happened since the police decided
to crash the party; and in Chicago I
I was in Chicago this past weekend and was pleasantly surprised when I found
a goldmine of KDJ records at Gramaphone. On Saturday afternoon I picked up
the two records that they had -- Shades of Jae w/ The Set up and Amerika
-- then on Sunday afternoon when I came back to the store I found tons:
I'm actually in the process of reading this book.
Very very poor writing with no real purpose besides to boost Saunder's ego.
He seems to be trying to educate people a bit about the early days of house
in Chicago, but ends up talking about himself while merely mentioning people
like Farley as
Do Melodies and Memories or Record Time buy used vinyl records? If so, how
much do you think I could get for domestic records such as UR or Axis in
mint condition?
I'd like to start streamlining my collection.
Thanks
Jason
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