>That track "Cotton Eyed Joe" did it first. I did sample Sandy Bull
>performing his arrangement of Carmina Burana, if that makes it any more
>acceptable ...
it wasn`t Cotton eyed joe, i beleive it was RMB with "banjo love"
-
Kent williams wrote on Mon, 22 Oct 2001 about following:
> On Mon, 22 Oct 2001, Scotto wrote:
> >
> > From: "Berislav" <[EMAIL PROTECTED]>
> >
> > > but please "guitar", drums, what is next...banjo.
> > >
> > sorry already been done kent williams samples a banjo in one of his tunes.
> >
>
> That t
to be rich AND famous with these ideas
jeff
> -Original Message-
> From: M. Todd Smith [SMTP:[EMAIL PROTECTED]
> Sent: Monday, October 22, 2001 4:14 PM
> To: Detroits Finest List
> Subject: Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
>
>
>
[EMAIL PROTECTED]
> Sent: Friday, October 19, 2001 9:47 AM
> To: [EMAIL PROTECTED]
> Cc: 313@hyperreal.org
> Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
>
> >You sure as hell can't hang a mp3 file on the wall.
> Or make it blue, red, or green
On Mon, 22 Oct 2001, Scotto wrote:
>
> - Original Message -
> From: "Berislav" <[EMAIL PROTECTED]>
>
> > but please "guitar", drums, what is next...banjo.
> >
> sorry already been done kent williams samples a banjo in one of his tunes.
>
That track "Cotton Eyed Joe" did it first. I d
> but please "guitar", drums, what is next...banjo.
> >
> sorry already been done kent williams samples a banjo in one of his tunes.
Anyone remember The Grid? What about 'Cotton Eyed Joe'? The Shaman? All
classic and bad examples of banjo use in electronic music. I want to hear
Kent's tune thou
- Original Message -
From: "Berislav" <[EMAIL PROTECTED]>
> but please "guitar", drums, what is next...banjo.
>
sorry already been done kent williams samples a banjo in one of his tunes.
-
To unsubscribe, e-mail: [EMAI
haha. the dual identity of this thread is now OVER !
-Original Message-
From: Fixer [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 2:10 PM
To: 313@hyperreal.org
Subject: Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
is it just me, or does it seem everyone who
is it just me, or does it seem everyone who responded to Chris
missed the seemingly obvious sarcasm in his post?
> I totally agree! computers are totally ruinging electronic music! I mean,
> where's the TALENT in pushing some buttons, or twisting a knob? whatever
> happened to what a few guys,
It's not just you. The excessive use of caps was a
hint, but signing off as Mills gave it away.
Kevin
--- Fixer <[EMAIL PROTECTED]> wrote:
> is it just me, or does it seem everyone who
> responded to Chris
> missed the seemingly obvious sarcasm in his post?
>
>
>
> > > I totally agree! compu
> I totally agree! computers are totally ruinging electronic music! I mean,
> where's the TALENT in pushing some buttons, or twisting a knob? whatever
> happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY
> THE DRUMS, or LEARN THE GUITAR?
the funny thing about this statement
> Sent: Monday, October 22, 2001 8:37 AM
> Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
>
>
> >
> > > Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
> > > How advanced is a piece of equipment that can finally do today wha
Geez wake up people it is is still the man who programs the machine! It's
not the machine who makes the music!!!
I am not even trying to take this response seriously, what a limited
vision...
KJ
> I totally agree! computers are totally ruinging electronic
> music! I mean,
> where's the TALENT
I totally agree! computers are totally ruinging electronic music! I mean,
where's the TALENT in pushing some buttons, or twisting a knob? whatever
happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY
THE DRUMS, or LEARN THE GUITAR?
im sorry to tell you but electronic music
2001 2:37 AM
Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
>
> > Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
> > How advanced is a piece of equipment that can finally do today what
certain
> > Detroit Djs could do 12 years ago?
> >
> Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
> How advanced is a piece of equipment that can finally do today what certain
> Detroit Djs could do 12 years ago?
> Where is the progress in TALENT? All this does is make it easier for djs who
> lack the ability to do it by hand.
> In
's a good, surprising,
original set that gets my body shaking.
:-G
http://www.appletree.be
| -Original Message-
| From: ryan burns [mailto:[EMAIL PROTECTED]
| Sent: zondag 21 oktober 2001 19:39
| To: 313@hyperreal.org
| Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] ev
>, "'313@hyperreal.org'"
<313@hyperreal.org>
Subject: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Date: Thu, 18 Oct 2001 22:25:07 +0200
Regards.
i really enjoyed reading your stuff vince i think that u r like 90%
right.
most of the time we think that t
"Subject Detroit" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Sunday, October 21, 2001 2:35 PM
Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
> Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
> How advanced is a piece of equipment
like how the drum machine made the sounds of early tribal percussionists,
only poorly?
where does it say all music must come on vinyl? It's a dying medium, with
less and less
raw resources to maintain it's production. There are advantages and
disadvantages to
any technology. I notice few of
raising the bar, they lowering it and trying to step over.
back.Bone
From: Yair Etziony <[EMAIL PROTECTED]>
To: "'Vince Woolums'" <[EMAIL PROTECTED]>, "'313@hyperreal.org'"
<313@hyperreal.org>
Subject: RE: [313] [EMAIL PROTECTED]
From: "Glyph1001" <[EMAIL PROTECTED]>
To: <313@hyperreal.org>
Sent: Friday, October 19, 2001 12:14 PM
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
> The only gripe I have with this new techology is how it may deter some
> people from their duty of actu
At 16:46 19/10/2001 +, M Elliot-Knight wrote:
You sure as hell can't hang a mp3 file on the wall.
Or make it blue, red, or green - nor can you make it play it from the
inside to the outer rim; have two tracks pressed side-by-side; etch funny,
odd words or messages to the majors into them; p
eed I go on?
MEK
From: Glyph1001 <[EMAIL PROTECTED]>
Reply-To: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Date: Fri, 19 Oct 2001 12:14:10 -0400
The only gripe I have with this new techology is how it may deter some
people from
The only gripe I have with this new techology is how it may deter some
people from their duty of actually making a record.
Producing and having a vinyl copy of one's music, released, is like the
initiation process for a fraternity. To me, the mark of a real and
serious musician is to produce a
i just wanted to give my two cents on the whole hawtin
de9 thingy. i consider myself a huge hawtin fan and
have a ton of his live sets on cd and a lot of his
records. i think that the de9 thing is good listening
music. it's not groundbreaking in its content. it's
solid minimal techno and house
I'm with the musical "luddites" Vince and Yair.
Technology is not necessarily all for the good.
Making very tenuous analogies with the advent of house and techno is
incorrect. It's like saying:
You've become accustomed to a high standard of healthcare now and you like
it, so who's afraid of a litt
Ha, this is so funy! You guys sound exactly like all the people who didn't
use electronics back (and didn't like it at all) in the day when house and
techno came around. They used some of the same arguments for years: This
electronic house thing is just a hype and will go away.
[EMAIL PROTECTED]
> homogenized? here's an analogy - if everyone had the exact same
> make, model
> and color Porsche, would it still be special??
>
Uh-oh... is Dale still on this list? :)
"... in my Porsche Nine-two-eight"
-Dave
__
Do You Yahoo!?
Make a great c
27;bar-raising'
effort that would urge DJs to be more creative. in fact, like so much
globalization and imagineering, it's only going to homogenize an already
dilute musical form.
i can live with being a vinyl junkie but i'll never be an mp3 junkie.
in the spirit of healthy debate,
vi
effort that would urge DJs to be more creative. in fact, like so much
globalization and imagineering, it's only going to homogenize an already
dilute musical form.
i can live with being a vinyl junkie but i'll never be an mp3 junkie.
in the spirit of healthy debate,
vince
> Subject
oolums" <[EMAIL PROTECTED]>
CC: "313 List" <313@hyperreal.org>
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Date: Wed, 17 Oct 2001 21:05:29 -0400
i don't think you understand what final stratch is, and how de9(?) was
made.
as far as i k
www.jbucknell.com
"Vince Woolums" <[EMAIL PROTECTED]> on 10/17/2001 10:28:34 AM
To: "313 List" <313@hyperreal.org>
cc: (bcc: James Bucknell/Magazines/Hearst)
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Personally, I just can
Personally, I just can't get into Final Scratch and digital editing. There
are hundreds DJs out there who are equipped with the physical hardware to
(nearly) do this kind of audio montage live. They're called turntablists.
And in techno, a few names shouldn't be too far out of mind - Mills, Young
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