On Mon, 22 Oct 2001, Scotto wrote:
- Original Message -
From: Berislav [EMAIL PROTECTED]
but please guitar, drums, what is next...banjo.
sorry already been done kent williams samples a banjo in one of his tunes.
That track Cotton Eyed Joe did it first. I did sample Sandy
but please guitar, drums, what is next...banjo.
sorry already been done kent williams samples a banjo in one of his tunes.
Anyone remember The Grid? What about 'Cotton Eyed Joe'? The Shaman? All
classic and bad examples of banjo use in electronic music. I want to hear
Kent's tune though.
to be rich AND famous with these ideas
jeff
-Original Message-
From: M. Todd Smith [SMTP:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 4:14 PM
To: Detroits Finest List
Subject: Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Anyone remember The Grid
PROTECTED]
Sent: Friday, October 19, 2001 9:47 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
You sure as hell can't hang a mp3 file on the wall.
Or make it blue, red, or green - nor can you make it play it from the
inside
Kent williams wrote on Mon, 22 Oct 2001 about following:
On Mon, 22 Oct 2001, Scotto wrote:
From: Berislav [EMAIL PROTECTED]
but please guitar, drums, what is next...banjo.
sorry already been done kent williams samples a banjo in one of his tunes.
That track Cotton Eyed Joe did
That track Cotton Eyed Joe did it first. I did sample Sandy Bull
performing his arrangement of Carmina Burana, if that makes it any more
acceptable ...
it wasn`t Cotton eyed joe, i beleive it was RMB with banjo love
-
To
Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
How advanced is a piece of equipment that can finally do today what certain
Detroit Djs could do 12 years ago?
Where is the progress in TALENT? All this does is make it easier for djs who
lack the ability to do it by hand.
Instead
] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
How advanced is a piece of equipment that can finally do today what
certain
Detroit Djs could do 12 years ago?
Where is the progress in TALENT? All this does is make it easier for djs
I totally agree! computers are totally ruinging electronic music! I mean,
where's the TALENT in pushing some buttons, or twisting a knob? whatever
happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY
THE DRUMS, or LEARN THE GUITAR?
im sorry to tell you but electronic
Geez wake up people it is is still the man who programs the machine! It's
not the machine who makes the music!!!
I am not even trying to take this response seriously, what a limited
vision...
KJ
I totally agree! computers are totally ruinging electronic
music! I mean,
where's the TALENT
Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
How advanced is a piece of equipment that can finally do today what
certain
Detroit Djs could do 12 years ago?
Where is the progress in TALENT? All this does
I totally agree! computers are totally ruinging electronic music! I mean,
where's the TALENT in pushing some buttons, or twisting a knob? whatever
happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY
THE DRUMS, or LEARN THE GUITAR?
the funny thing about this statement is
It's not just you. The excessive use of caps was a
hint, but signing off as Mills gave it away.
Kevin
--- Fixer [EMAIL PROTECTED] wrote:
is it just me, or does it seem everyone who
responded to Chris
missed the seemingly obvious sarcasm in his post?
I totally agree! computers are
is it just me, or does it seem everyone who responded to Chris
missed the seemingly obvious sarcasm in his post?
I totally agree! computers are totally ruinging electronic music! I mean,
where's the TALENT in pushing some buttons, or twisting a knob? whatever
happened to what a few guys,
haha. the dual identity of this thread is now OVER !
-Original Message-
From: Fixer [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 2:10 PM
To: 313@hyperreal.org
Subject: Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
is it just me, or does it seem everyone who
- Original Message -
From: Berislav [EMAIL PROTECTED]
but please guitar, drums, what is next...banjo.
sorry already been done kent williams samples a banjo in one of his tunes.
-
To unsubscribe, e-mail: [EMAIL
: Glyph1001 [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Friday, October 19, 2001 12:14 PM
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
The only gripe I have with this new techology is how it may deter some
people from their duty of actually making a record.
Producing
of raising the bar, they lowering it and trying to step over.
back.Bone
From: Yair Etziony [EMAIL PROTECTED]
To: 'Vince Woolums' [EMAIL PROTECTED], '313@hyperreal.org'
313@hyperreal.org
Subject: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Date: Thu, 18 Oct 2001 22:25:07 +0200
like how the drum machine made the sounds of early tribal percussionists,
only poorly?
where does it say all music must come on vinyl? It's a dying medium, with
less and less
raw resources to maintain it's production. There are advantages and
disadvantages to
any technology. I notice few
PROTECTED]
To: 313@hyperreal.org
Sent: Sunday, October 21, 2001 2:35 PM
Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
How advanced is a piece of equipment that can finally do today what
certain
Detroit Djs could do
, October 18, 2001 8:54 PM
To: 313 List
Subject: re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
i don't think you understand what final scratch is, and how de9(?) was
made.
final scratch is a tool that allows use to use two regular turntables
and
a
regular mixer to control any a digital
my body shaking.
:-G
http://www.appletree.be
| -Original Message-
| From: ryan burns [mailto:[EMAIL PROTECTED]
| Sent: zondag 21 oktober 2001 19:39
| To: 313@hyperreal.org
| Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
|
|
|
| i would have to agree
live with being a vinyl junkie but i'll never be an mp3 junkie.
in the spirit of healthy debate,
vince
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Personally, I just can't get into Final Scratch and digital editing.
There
are hundreds DJs out there who are equipped
Ha, this is so funy! You guys sound exactly like all the people who didn't
use electronics back (and didn't like it at all) in the day when house and
techno came around. They used some of the same arguments for years: This
electronic house thing is just a hype and will go away.
[EMAIL PROTECTED]
I'm with the musical luddites Vince and Yair.
Technology is not necessarily all for the good.
Making very tenuous analogies with the advent of house and techno is
incorrect. It's like saying:
You've become accustomed to a high standard of healthcare now and you like
it, so who's afraid of a
i just wanted to give my two cents on the whole hawtin
de9 thingy. i consider myself a huge hawtin fan and
have a ton of his live sets on cd and a lot of his
records. i think that the de9 thing is good listening
music. it's not groundbreaking in its content. it's
solid minimal techno and house
The only gripe I have with this new techology is how it may deter some
people from their duty of actually making a record.
Producing and having a vinyl copy of one's music, released, is like the
initiation process for a fraternity. To me, the mark of a real and
serious musician is to produce a
go on?
MEK
From: Glyph1001 [EMAIL PROTECTED]
Reply-To: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Date: Fri, 19 Oct 2001 12:14:10 -0400
The only gripe I have with this new techology is how it may deter some
people from their duty
At 16:46 19/10/2001 +, M Elliot-Knight wrote:
You sure as hell can't hang a mp3 file on the wall.
Or make it blue, red, or green - nor can you make it play it from the
inside to the outer rim; have two tracks pressed side-by-side; etch funny,
odd words or messages to the majors into them;
Woolums [EMAIL PROTECTED] on 10/17/2001 10:28:34 AM
To: 313 List 313@hyperreal.org
cc:(bcc: James Bucknell/Magazines/Hearst)
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Personally, I just can't get into Final Scratch and digital editing. There
are hundreds DJs out
@hyperreal.org
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Date: Wed, 17 Oct 2001 21:05:29 -0400
i don't think you understand what final stratch is, and how de9(?) was
made.
as far as i know, de9 wasn't made using final stratch. it was made in the
studio, with samplers
a vinyl junkie but i'll never be an mp3 junkie.
in the spirit of healthy debate,
vince
Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Personally, I just can't get into Final Scratch and digital editing.
There
are hundreds DJs out there who are equipped with the physical
Personally, I just can't get into Final Scratch and digital editing. There
are hundreds DJs out there who are equipped with the physical hardware to
(nearly) do this kind of audio montage live. They're called turntablists.
And in techno, a few names shouldn't be too far out of mind - Mills,
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