-Original Message-
From: Mark Pays [mailto:[EMAIL PROTECTED]
Sent: 02 March 2006 10:14
To: [EMAIL PROTECTED]; 313@hyperreal.org
Subject: RE: (313) RE: Derrick May
I didn't intend to start a Juan bashing thread. I only saw him once.
Everyone has a bad day once in a while and it was a
s.com> cc:
Fax to:
02/03/06 10:14 S
I didn't intend to start a Juan bashing thread. I only saw him once.
Everyone has a bad day once in a while and it was a long time ago. Just
told it how I saw it. Doesn't make him a bad DJ. If anything it actually
made it a better night in a peverse kinda way!
Didn't Juan play Lost recently? Anyon
: Emile Facey - Plant43 <[EMAIL PROTECTED]>To: Dan Bean <[EMAIL PROTECTED]>,Paul Kendrick <[EMAIL PROTECTED]>CC: <313@hyperreal.org>Subject: Re: (313) RE: Derrick May - nice mix onlineDate: Fri, 24 Feb 2006 10:40:09 +>If it's the one with the James Brown at
- Original Message -
From: "Emile Facey - Plant43" <[EMAIL PROTECTED]>
To: "Dan Bean" <[EMAIL PROTECTED]>; "Paul Kendrick"
<[EMAIL PROTECTED]>
Cc: <313@hyperreal.org>
Sent: Friday, February 24, 2006 10:40 AM
Subject: SPAM-LOW: Re:
ssage-
>> From: Dan Bean [mailto:[EMAIL PROTECTED]
>> Sent: 24 February 2006 09:52
>> To: 313@hyperreal.org
>> Subject: RE: (313) RE: Derrick May - nice mix online
>>
>>
>> There's a mix on Samurai FM by Derrick, it's a tape of his closing set
>
Bean [mailto:[EMAIL PROTECTED]
> Sent: 24 February 2006 09:52
> To: 313@hyperreal.org
> Subject: RE: (313) RE: Derrick May - nice mix online
>
>
> There's a mix on Samurai FM by Derrick, it's a tape of his closing set
> from the one of the first DEMFs.
>
&g
Cool, I been looking for that mix for a while .
Is it the one with James brown at the beginning?
Thanks for the tip
-Original Message-
From: Dan Bean [mailto:[EMAIL PROTECTED]
Sent: 24 February 2006 09:52
To: 313@hyperreal.org
Subject: RE: (313) RE: Derrick May - nice mix online
the archive for "derrick may".=20
>
> Mark
>
> -Original Message-
> From: /0 [mailto:[EMAIL PROTECTED]
> Sent: 23 February 2006 13:28
> To: Hardie, Nick
> Cc: Mark Pays; Robert Taylor
> Subject: RE: (313) RE: Derrick May
>
> yes except it w
: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 23 February 2006 09:56
> To: Mark Pays; Hardie, Nick; 313@hyperreal.org
> Subject: RE: (313) RE: Derrick May
>
> I was there - don't remember Atkins playing there though - I've always
> thought I'd never heard h
m: "/0" <[EMAIL PROTECTED]>
To: "Robert Taylor" <[EMAIL PROTECTED]>
Cc: "Hardie, Nick" <[EMAIL PROTECTED]>; "Mark Pays"
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Thursday, February 23, 2006 1:27 PM
Subject: RE: (313) RE:
" <[EMAIL PROTECTED]>
Cc: "Hardie, Nick" <[EMAIL PROTECTED]>; "Mark Pays"
<[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Thursday, February 23, 2006 1:27 PM
Subject: RE: (313) RE: Derrick May
I remember when juan played at demf and he trainwrecked so
o:[EMAIL PROTECTED]
> Sent: 21 February 2006 14:44
> To: Hardie, Nick; 313@hyperreal.org
> Subject: RE: (313) RE: Derrick May
>
> Yeah that's right. I'd forgotten about that bit. Weren't the two clubs
> separated by a bit of scaffolding and some large curtains
So you don't ever recall standing about for 30 minutes waiting for a beat ;-)
That was Juan
-Original Message-
From: Robert Taylor [mailto:[EMAIL PROTECTED]
Sent: 23 February 2006 09:56
To: Mark Pays; Hardie, Nick; 313@hyperreal.org
Subject: RE: (313) RE: Derrick May
I was
condensed from 2 to 1
room and The Advent lost their slot.
-Original Message-
From: Mark Pays [mailto:[EMAIL PROTECTED]
Sent: 21 February 2006 14:44
To: Hardie, Nick; 313@hyperreal.org
Subject: RE: (313) RE: Derrick May
Yeah that's right. I'd forgotten about that bit. Weren&#
> The Black Flag eps were good but defo pointing toward the tech house
sound..
Yeah, he clearly spent one too many evenings getting drunk with Mr C
The Black Flag eps were good but defo pointing toward the tech house
sound..
-Original Message-
From: Stewart Caig [mailto:[EMAIL PROTECTED]
Sent: 22 February 2006 10:06
To: 313
Subject: Re: (313) RE: Derrick May
>What happened to Stacy Pullen.he use to be soo g
>What happened to Stacy Pullen.he use to be soo good.
Whenever I think of Pullen I just think of Bodyrock off his Silent Phase LP,
one of my fave tracks of all time without a doubt. I don't think his music
ever topped that LP since either.
ixing his car..
What happened to Stacy Pullen.he use to be soo good.
-Original Message-
From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
Sent: 21 February 2006 14:04
To: Mark Pays; 313@hyperreal.org
Subject: RE: (313) RE: Derrick May
Ahh, your lack of cynicism is like a breath
at DJ in my eyes.
It was a long time ago now, but I've heard plenty of people with similar
stories. I really must see him play again sometime
-Original Message-
From: Paul Kendrick [mailto:[EMAIL PROTECTED]
Sent: 20 February 2006 11:05
To: [EMAIL PROTECTED]; 313@hyperrea
14:23
To: Mark Pays; 313@hyperreal.org
Subject: RE: (313) RE: Derrick May
And if memory serves me right, it was made all the more impressive by having to
play over some awful UK garage coming from the club next door.
-Original Message-
From: Mark Pays [mailto:[EMAIL PROTECTED]
Sent: 21 Febr
Ahh, your lack of cynicism is like a breath of fresh air Mark!
Thanks for sharing.
Ken
-Original Message-
From: Mark Pays [mailto:[EMAIL PROTECTED]
Sent: 21 February 2006 13:57
To: 313@hyperreal.org
Subject: RE: (313) RE: Derrick May
I've only seen DM play once but it was a belte
at DJ in my eyes.
It was a long time ago now, but I've heard plenty of people with similar
stories. I really must see him play again sometime
-Original Message-
From: Paul Kendrick [mailto:[EMAIL PROTECTED]
Sent: 20 February 2006 11:05
To: [EMAIL PROTECTED]; 313@hyperreal.org
Su
.com>cc:
Fax to:
20/02/06
Fax to:
20/02/06 09:06 Sub
mills , may and Slater..
Bring on the weekly sessions
-Original Message-
From: Tristan Watkins [mailto:[EMAIL PROTECTED]
Sent: 18 February 2006 15:46
To: 313@hyperreal.org
Subject: Re: (313) RE: Derrick May
> -Original Message-
> From: Thomas D. Cox, Jr. [mailto:[EMAIL
> -Original Message-
> From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
> Sent: 18 February 2006 15:37
> To: 313@hyperreal.org
> Subject: Re: (313) RE: Derrick May
>
> On 2/18/06, Robert Taylor <[EMAIL PROTECTED]> wrote:
> > I didn't enjoy May'
On 2/18/06, Robert Taylor <[EMAIL PROTECTED]> wrote:
> I didn't enjoy May's set at all cos I was expecting disco and got
> techno. If I'd been prepared for a techno set, I would have probably
> loved it
were you expecting disco from derrick may? any reason? i dont think
ive ever heard of him playi
I didn't enjoy May's set at all cos I was expecting disco and got
techno. If I'd been prepared for a techno set, I would have probably
loved it
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: 17 February 2006 16:41
To: 313@hyperreal.org
Subject: (313) RE: Derri
ROTECTED]>
cc: 313@hyperreal.org
02/03/04 12:51 AM Subject: Re: (313) Re:
Derrick May quote CAUTION ra
Thanks James - that's the kind of info I was looking for - is there a list
of clubs that have closed whether it be temp. or permanently as a direct
result of the IDAP?
Also, not to pull the attention away from Bush and his string pullers but
if you look at who introduced the rider bill it was a
: 313@hyperreal.org
02/03/04 12:03 AM Subject: Re: (313) Re:
Derrick May quot
the club closures and crackdowns seemed to start during the clinton years.
evil beast guilliani reviving 1920s racist cabaret laws, the crackdown in
chicago and passing of anti-party laws, and the stupendous events in new
orleans that used crack house laws to shut down club(s?) and the attempt
i actually only have that on one of the moving shadow MS99.02 series, i
think thats the last track on it! and on that cd its not even drum and bass,
more a downtempo breaky thing..
ab
> The complete full quote comes in at about 1.00min, as you say
> very good sample said with tear jerking passio
The complete full quote comes in at about 1.00min, as you say
very good sample said with tear jerking passion, and then
"But in the process theve been the true rengrades.
And the true rebel always walks alone anyway"
is repeated at the very end.
> -Original Message-
> Fro
: '313' <313@hyperreal.org>
Sent: Thursday, March 01, 2001 1:31 AM
Subject: RE: [313] Re: Derrick May and TV
> 'the true rebels always walk alone'
> Read Bens msg yesterday and I recalled hearing the the above quote, but
for the hell of me
> coundnt remember wher
'the true rebels always walk alone'
Read Bens msg yesterday and I recalled hearing the the above quote, but for the
hell of me
coundnt remember where. So rushed home and dug out E-Z Rollers - Retro, a jazzy
d+b
number from 97 on which the following message can be heard. Is this too,
Derrick May
From: Benn Glazier <[EMAIL PROTECTED]>
: What was the doco that DMay appeared on a few years back where he can be
: heard saying 'the true rebels always walk alone'.
: I think it was the BBC one, but the name escapes me.
it was a BBC and WGBH co-production, Dancing in the Streets.
tan...
--
grah
christ, I post a half-serious message to 313 and I get responses filled with
bigoted sh*te or suggestions that it's attitude's like mine which are
stopping him releasing another album... (as if artists stop producing
because people actually want to hear their music).
Check the post cyclone, I
In a message dated 2/14/01 4:34:45 PM, [EMAIL PROTECTED] writes:
>Can you imagine how often Derrick must get asked this? Come up with some
>deep, leftfield, creative questions that challenge him, not the obvious
>ones. Try to empasise with him. Also if you want to ask him about the past,
>also as
In a message dated 2/14/01 1:09:21 PM, [EMAIL PROTECTED] writes:
>Some of the things you are talking about were covered
>during Q&A at the end.
> Something I have always wondered, is why Does detroit
>techno ( a black music) always get over looked as
>such.
> Or maybe I am over looking things, bu
RIGHT ON!!! WBMX was the shhyot!
=)
Was there when it happened,
G.
In a message dated 2/14/01 10:40:06 AM, [EMAIL PROTECTED] writes:
>if it sounded like the hotmix 5 you would not hear me complaining.
>
Ok you guys, stop getting your panties in a knot will ya??? =)
And...please stop replying to "all" just to [EMAIL PROTECTED] don't
need to get twice as much mail...thank you very much.
Salute,
Glyph.
In a message dated 2/14/01 10:34:19 AM, [EMAIL PROTECTED] writes:
>> It was sad, because Derr
one day.
james.
- Original Message -
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: "313 Detroit" <313@hyperreal.org>
Sent: Thursday, February 15, 2001 9:20 AM
Subject: Re: [313] re: Derrick May questions?
> I wasn't even go to reply to th
>He also feels very strong about live music, and
>everyone was talking about how live instruments are
>coming back.
>And the electronic music will die out soon.
>A&R development people were talking about how they are
>soon to have certain R&B/Hip-hop acts go on the road
>with live bands instead o
Otto Koppius <[EMAIL PROTECTED]> wrote:
>Assuming that the majority of people were there to simply party (nothing
>wrong with that btw) and because Derrick's set was one for the partiers
>with a sense of musical history and broader musical interests, it fell
>flat on the ears of the prototypical
I wasn't even go to reply to this but my hands got the better of me.
>hows about we all get together and pay you to give him chinese burns until
>he agrees to make another album.
Man, I can't even believe people say these things. That would make him even
less likely to do one. He is a free spirit
rhythmically impaired white-dj audience.
Sorry, I was forgetting it's not derek's personal choice which leads him
away from kick drums, it's his black man's natural sense of rhythm isn't it?
congratulations on bringing a serious musical point to the level of enoch
powell. May I point out tha
be.
-Original Message-
From: nancy mitchell [mailto:[EMAIL PROTECTED]
Sent: Wednesday, February 14, 2001 2:01 PM
To: Otto Koppius; 313@hyperreal.org
Subject: Re: [313] re: Derrick May questions?-black history month
So ...I was at a small gathering last night of
industry people that c
(bcc: Oliver Barkovic/ObTech)
Subject: Re: [313] re: Derrick May questions?-bla
So ...I was at a small gathering last night of
industry people that came to hear about Black Music:
Past , Present & Future with Jimmy Starks & Hal
Jackson speaking.
Of course I would go!!!
who would not want to hear these two HISTORICAL men
speak about this music & their amazing lives.
Some of
Gary Girard in response to Mike Taylor:
> A bit of generalising if ever I saw it! Now you're getting into race issues (I
> would assume you're of black origin to make such comments). I appreciate
> melodic
> tunes as much as anyone, but in a club on a big soundsystem the Richie Hawtin
> style wor
if it sounded like the hotmix 5 you would not hear me complaining.
From: "jim proffit" <[EMAIL PROTECTED]>
To: 313@hyperreal.org
Subject: Re: [313] re: Derrick May questions?
Date: Wed, 14 Feb 2001 16:16:10
Mike Taylor:
(about how strong 4/4 kick-drum music is basica
> It was sad, because Derrick's set was so much better, and so completely over
> their head.
PUHLEEEAZE!
how quick you are to categorize and generalize.
Mike Taylor:
(about how strong 4/4 kick-drum music is basically white folk's invention
and the only thing that makes it move. Then:)
...The music was so square, boxy, it barely changed, grooveless and
>without soul.
...He played a single bar 909 pattern that was like a kick and a clap >for
Entertainment UK Limited
Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN.
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This e-mail is only intended for the person(s) to whom it is addressed and may
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> It was sad, because Derrick's set was so much better, and so completely over
> their head.
DAMN THOSE WHITE PEOPLE, THEY JUST DONT GET IT!
keeping racial distinctions alive well into the 21st century,
chris
hello,
In a message dated 2/13/01 7:03:02 PM, [EMAIL PROTECTED] writes:
>Actually, I've always wanted to know what 'problem' he has with out nd
>out> >dancefloor music. For instance: He often says he doesn't like to
use bass> >
>drums, because it's an easy way out / cheap trick / whatever. s
In a message dated 2/13/01 7:03:02 PM, [EMAIL PROTECTED] writes:
>Actually, I've always wanted to know what 'problem' he has with out and
>out
>dancefloor music. For instance: He often says he doesn't like to use bass
>
>drums, because it's an easy way out / cheap trick / whatever. seemingly
>
>
or there's the question I once asked andy weatherall... "being a 'legend',
do you ever wonder you might go sh*t and no-one would tell you?"
.
or that they would, and that's why you won't make another album?
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