Featuring a mix by Blake Baxter. This virtual coffee table photo book
even has pictures of the unforgettable Timeline (Banks, C2, etc.) live
show that took place last Spring.
Enjoy!
http://issuu.com/tresorberlin/docs/tresor.iginal001
/he is likely going
to talk about the music seen/heard, not simply heard whereas the non-sighted
person won't talk about the music seen, just heard. (I'm not going to get
into that non-sighted people use their ears in a more heightened manner
because
of not having visual sight; I'm just using
Andrew, that was awesome!
I think the important thing to remember is not process, but results.
So much of this turntables vs software talk has nothing to do with ears,
it is all eyes, to be honest.
At the Shake/Todd Osborn party in Detroit this past Friday, my friend
(who is a DJ), said she
the music seen, just heard. (I'm not going to get
into that non-sighted people use their ears in a more heightened manner
because
of not having visual sight; I'm just using this drastic juxtaposition to try
to do
a proper contrast to make the point).
Personally, I don't give a darn what kind
now with the democratization of djing, everyone knows how to dj
supposedly the printing press was indeed an innovation, but the
quality of literary output is surely down in a world where literacy is
epidemic and books are published every day only to be thrown out the
next, where writing
well, as with vinyl - Amazon's Kindle has nothing on printed and bound
books
the details and feeling of the binding, the quality of the paper, the smell
of the book, the little joy in slowly turning the page, and the whole
culture of bookstores, etc. all missed out by the digital book reader
in
This would be better discussed on the .microsound mailing list, but
suffice it to say that without the printing press we probably wouldn't
have Franz Kafka and Italo Calvino, not to mention the Age of
Enlightenment and the American Revolution.
I don't believe in democracy per se, but surely
Due, you missed my point. I wasnt saying the printing press killed
all culture. it begat so much of it. i was making an analogy. i'm
against mediocrity.
With everyone and their mother getting in on djing, everyone and their
mother cant be that good at it, that musical, or devoted.
Between
..related topic or possibly the root of it all
although i really dig visual beauty - be it motionless pictures or
videoart, or the world out there: the geometry of things, their
placement, color gamma, lighting, bla - and i'm VJing myself, creating
surreal worlds of programmed 3D space - i
the theory of
toneshifting into a simple and accurate visual realm...
darw_n
create, demonstrate, toneshift...
http://www.thedemonstration.com
http://www.sphereproductions.com
http://www.mannequinodd.com
search djdarwin on napster
distinctions between the two.
Jared Wilson
OBSOLETE RECORDS
From: [EMAIL PROTECTED]
To: 313@hyperreal.org, [EMAIL PROTECTED]
Subject: Re: [313] Techno Visual Arts + sonic boom
Date: 19 Jul 2000 21:25:53 -
Well, I must say Jared has gone right to one of the central dilemmas
of philosophy. Do
and for other detroit visual artists in close relation to techno, 313's
very
own meighen micho. . .
art?:
I was trying to hide behind my tv's. I think anyone that lives here in
detroit has probably seen my work at one time or another. Most dont know
me though. I do the massive
Visual Arts + sonic boom
Date: Wed, 19 Jul 2000 12:54:12 GMT
and for other detroit visual artists in close relation to techno, 313's
very
own meighen micho. . .
art?:
I was trying to hide behind my tv's. I think anyone that lives here in
detroit has probably seen my work at one time
PROTECTED]
CC: [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] Techno Visual Arts + sonic boom
Date: Wed, 19 Jul 2000 15:23:27 +0100 (BST)
Micho,
I realy do not believe what you are doing or have done would be
concidered
experimental.
If it involves experimentation it is experimental - so
to you (no
pun intended with the concrete)
n8
Jared Wilson
OBSOLETE RECORDS
From: Neil [EMAIL PROTECTED]
To: JARED WILSON [EMAIL PROTECTED]
CC: [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] Techno Visual Arts + sonic boom
Date: Wed, 19 Jul 2000 15:23:27 +0100 (BST)
Micho
intended with the concrete)
n8
Jared Wilson
OBSOLETE RECORDS
From: Neil [EMAIL PROTECTED]
To: JARED WILSON [EMAIL PROTECTED]
CC: [EMAIL PROTECTED], 313@hyperreal.org
Subject: Re: [313] Techno Visual Arts + sonic boom
Date: Wed, 19 Jul 2000 15:23:27 +0100 (BST)
Micho
: Wednesday, July 19, 2000 3:53 PM
To: 313@hyperreal.org
Subject:Re: [313] Techno Visual Arts + sonic boom
I would disagree. Experimentation does not exist. You state, so if I sit
down to make a track, if I do not start out with a concrete idea but instead
figure it out as i go
: Wednesday, July 19, 2000 3:53 PM
To: 313@hyperreal.org
Subject: Re: [313] Techno Visual Arts + sonic boom
I would disagree. Experimentation does not exist.
You state, so if I sit
down to make a track, if I do not start out with a
concrete idea but instead
figure it out as i go
I just have to put my $0.02 in.
Music = Sound + Soul
dennis-
From: Anderson, Stuart [EMAIL PROTECTED]
To: 'JARED WILSON' [EMAIL PROTECTED], 313@hyperreal.org
Subject: RE: [313] Techno Visual Arts + sonic boom
Date: Wed, 19 Jul 2000 16:42:55 +0100
[EMAIL PROTECTED]
To: JARED WILSON [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] Techno Visual Arts + sonic boom
Date: Wed, 19 Jul 2000 11:12:05 -0400 (EDT)
I would disagree. Experimentation does not exist.
I think this attitude is pretty harsh and stuck up. By using the same
logic
, but that is no where near
experimental. It is pastiche.
Just remember you are the one that has perceived me as being rude.
Jared Wilson
OBSOLETE RECORDS
From: Nathan John de Yonker [EMAIL PROTECTED]
To: JARED WILSON [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] Techno Visual Arts
[EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] Techno Visual Arts + sonic boom
Date: Wed, 19 Jul 2000 11:12:05 -0400 (EDT)
I would disagree. Experimentation does not exist.
I think this attitude is pretty harsh and stuck up. By using the same
logic, you could say that Charles
OBSOLETE RECORDS
From: mkarora [EMAIL PROTECTED]
To: JARED WILSON [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] Techno Visual Arts + sonic boom
Date: Wed, 19 Jul 2000 15:07:06 -0400 (EDT)
oh no, here we go again...
i agree w/ the following statement:
Just because you put your
Well, I must say Jared has gone right to one of the central dilemmas
of philosophy. Do words have a common meaning or do they mean only
what we individually say they do, like we were living in Wonderland.
experimental has a scientific and technical meaning that is quite
precise, but experimental
You can be dogmatic about this if you like, Jared, but don't expect
us to go along with it just because you say so.
I say we just grab everybody who is arguing on this lame thread and have
them Mud wrestle for a special event at a New Girl Order Wrestling night
at The Old Miami, last man
live sets (as ghost 200) are highly experimental - he samples toys to
get his sounds. he hasn't done a live set in a while, afaik.
ron is definitely 'one to watch' in the detroit art world.
and for other detroit visual artists in close relation to techno, 313's very
own meighen micho. . .i
) and utilizing delay to move the rhythm around the room. I look forward
to any responses or questions.
Jared Wilson
OBSOLETE RECORDS
From: Cyborg K [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Subject: Re: [313] Techno Visual Arts
Date: Tue, 18 Jul 2000 17:10:39 GMT
Hi, this is cyborg k from
Check out this article:
http://www.motormouth.org/iksrtfo/txt/artist-profiles/ronzakrin/index.shtml
I've never seen the Ghost200 live PA, but I have seen Ron Zakrin's
visual art. Dale, you wanna shed any light on this subject?
Bill VanLoo
Counterforce - Lay wrote:
Haye!
Besides
well,
Dale too is a visual artist-he takes some mean photos and did his cover(s)
art.
I've run into alot of producers djs who are also visual artists as well,
both with digital and other mediums. There has been the discussion before,
once or twice on here, how art connects so closely
My work is not in the traditional sense visual. When I have a show in a
gallery I do sound installations. The installation is usually concieved
after viewing the space it is intended for. My installations consist only
of speakers and the sound which is also produced after viewing the space
, and it does a very fine job of
diverting my focus away from the tube.
his live sets (as ghost 200) are highly experimental - he samples toys to
get his sounds. he hasn't done a live set in a while, afaik.
ron is definitely 'one to watch' in the detroit art world.
and for other detroit visual artists
Haye!
Besides the excelent work of Abdul Haqq on Submerge, does anyone know of any
visual artists *directly* connected to 313 Techno? Okay, there are some who
you might think as fitting in what you'd expect from visual arts in techno,
but I mean people who are in close relationship
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