ou from my blocked
list because the subject line caused your messages to immediately be
channeled into my "Spam" folder AND your addresses blocked.
It appears, then, that you need a new ISP.
Andrew Stiller
Kallisti Music Press
http://home.
Noel wrote:
and I would say in my defense that since I did not begin with
Finale until 2k, I do not even have a user's manual from which to
provide a first or second page.
Sure you do. Just print out the first two pages of the OLD. Voilà!
Andrew Stiller
Kallisti Music Press
http://home.netco
t up with it,
since the printed appearance of this font is so superior, but still...
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
r discussion, in my
book.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
limitations by providing it only slow notes to play.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Apr 19, 2005, at 4:41 PM, Allen Fisher wrote:
I'd rather have custom smart shape hairpins that I could attach text
to. (A
mezzo di voce < > tool is on my list too)
That's *messa* [Italian: "placement"] di voce.
Andrew Stiller
Kallisti Music Press
http:/
hat does nothing but
broadcast a continuous A-440 worldwide as the embodiment of the
standard.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
and make a unilateral decision, because the composer's wishes are
sovereign.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
solute druthers (wh. of course I don't), both the viola
and the clarinet would be treble-clef instruments that switched to bass
clef for low-lying passages.
Just like the marimba.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
__
On Apr 17, 2005, at 6:35 PM, John Howell wrote:
At 3:28 PM -0400 4/16/05, Andrew Stiller wrote:
Certainly. But Rachmaninoff's use of the convention was by then no
more traditional than Hindemith's use of the viola d'amore.
Hindemith directed the Yale Collegium Mus
ituus" required in two
of the cantatas?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Apr 17, 2005, at 4:33 PM, David W. Fenton wrote:
On 17 Apr 2005 at 11:43, Andrew Stiller wrote:
With a concert-pitch score, the copyist will need to exercise more
initiative than usual in deciding clef change issues, because quite
obviously instruments with big transpositions will have parts
copyist's. Since my full-Boehm Bb clarinet has a low Eb key, I felt
no compunction about using it for this piece instead, but I had to copy
out the part a half-step up for me to play it.
Andrew Stiller
Kallisti Music Press
http://home.netco
On Apr 15, 2005, at 3:59 PM, David W. Fenton wrote:
On 15 Apr 2005 at 10:12, Andrew Stiller wrote:
The 8bassa notation hasn't been traditional for a century and a half.
The cello arrangement of the Rachmaninoff Vocalise uses it, and that
was unquestionably published less than 150 years ago,
whose effective range straddles
middle C. Since that is manifestly not the case, your assertion is
falsified.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman
. the
clef at all--but as a composer, I find it an unnecessary complication
of the notational system.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo
ere) or in multiple
stops. Interestingly enough, the same piece sends the vc. below the
*treble* staff in two other places--as low as the Bb below middle C.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Final
On Apr 14, 2005, at 5:48 PM, David W. Fenton wrote:
8vb treble clef notation for cello is no longer used.
You mean, in modern editions.
No, he means in modern (and late Romantic) *compositions.*
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti
than switch clefs for
single eighth notes, he fearlessly writes isolated notes as low a tenor
c without leaving the treble clef. As an editor, my first reaction was
to overrule him, but when I saw what the alternative would look like, I
realized he was right.
Andrew Stiller
Kallisti Musi
On Apr 14, 2005, at 3:51 PM, David W. Fenton wrote:
Are you talking about [cello] treble clef at pitch or treble 8bassa,
the
traditional notation?
The 8bassa notation hasn't been traditional for a century and a half.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kal
uth, I tried to get rid of the alto clef too, but the violists
weren't having any...
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
taff Usage dialog.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
one's historically persecuted ethnic group) as
atheist, and also because any discussion of the question would raise
the miserably contentious issue of just who is a Jew and who isn't.
Andrew Stiller
Kallisti Music Press
http://home.netco
composed at age
44.
As I grow older--and I think virtually every composer is this way--I
find that an increasing number of the "nuts and bolts" can be found in
the handy bin of leftover nuts and bolts from earlier projects--also,
gimmicks that worked once so why not do it again?
great composer that is an
atheist.
Varese comes immediately to mind, and Copland right after. I'm sure I
could dig up others with a little research.
I find this line of thinking to be unutterably poisonous.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com
this
font's name makes it not appear in the Viewer, so I'm flying blind
here.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
.
Oh well.
I believe the preferred term for Apple computer users is "Macinista."
Shouldn't that be manzanista?
RE German "Macker"--cf, perhaps, British "wanker?"
Can't think of an appropriate Americanism...
Andrew Stiller
Kallisti Musi
bined wind parts
are absolutely verboten.
I don't think it's coincidental that the countries where such parts are
commonplace (France is not the only one) are also notorious for bad
engraving and flimsy, acid-laden paper.
Andrew Stiller
Kallisti Music Press
http://home.netco
On Apr 1, 2005, at 1:48 PM, Darcy James Argue wrote:
Anyway, you can do the consolidation in iTunes 4.7 once you import
all your songs and playlists.
Are you still having trouble?
No, I think I have it under control now. Thanx to all who advised :-)
Andrew Stiller
Kallisti Music Press
http
Andrew, is there no "Consolidate Library" command in your OS 9 version
of iTunes? That's the command you really want -- it will move
everything to the iTunes Music Folder specified in your preferences.
- Darcy
If there is, it's not in any menu or submenu.
Andrew Stiller
album
Have you tried this?
steve
I tried it just now. It seems to be already set up.
In any event, all my sound files are aiff. Aren't they higher fidelity
than MP3?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Fina
On Mar 28, 2005, at 11:29 AM, Darcy James Argue wrote:
On 28 Mar 2005, at 10:42 AM, Andrew Stiller wrote:
On Mar 26, 2005, at 3:34 PM, Steve Gibons wrote:
Can't you select a tune in itunes for 9 and hit command-r for reveal
original?
This shows a bunch of stuff where you'd expect it
System 9 forever--meaning that when my current computer dies, the
publication goes out of print.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
d a search for all folders containing the word "Music"
does not reveal an alternative.
Ideas?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
ivalent note for trumpets in other keys),
the "vulgano" above that played just two notes, and the "alto e basso"
just 3.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
How do I import the playlists and libraries from my System 9 copy of
iTunes into my OSX copy?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
r heaven's sake, don't answer! I'm
just pointing out that people can mean different things by these
expressions, and that it causes confusion in reh. sometimes.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Fi
e opening notes, whether the
piece was going to be in major or minor mode--and they probably would
have assumed the former. The definitive turning to the dark side a few
bars in must have been a deliberate effect on B's part, but it's
impossible to hear that today, because we know in advanc
orchestra have totally different sets of rehearsal
letters, and the orchestra members have had to go thru their parts and
pencil in all the choral letters, which are in different places than
the orchestra's letters.
Andrew Stiller
Kallisti Music Press
http://home.netco
gradually adopted between
then and the beginning of the 20th c. The new form was introduced to
aid legibility.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman
made
particularly clear when there is a repeat sign back to the beginning,
and the pickup forms the back end of a measure that has already been
numbered, just before the repeat sign.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kal
ction, and exactly where it ended in any given piece.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Mar 14, 2005, at 3:33 AM, Mark D Lew wrote:
On Mar 13, 2005, at 10:28 AM, Andrew Stiller wrote:
In 1820? *What* interior heartland? There was an interior alright,
but it was very sparsely populated and could hardly be considered the
heartland of anything.
Good point. I would just amend
nother book that you recommended. With a list price of $175
and no discounted copies available, it's just a little too rich for my
blood!)
John
Yeah, sorry about that. I got my copy of _The Birth of the Orchestra_
at a prepublication price of $70.00, which looks like more and more of
a barga
9th c.
Hamm's book is the basic text on early American popular music, and it
contradicts your highly romanticized interpretation at every turn.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@sh
On Mar 10, 2005, at 3:20 PM, David W. Fenton wrote:
Couperin and Charpentier
Lessons of Tenebre
That would be: Lessons for Tenebrae.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http
t know how to use one were it provided.
Long ago, Nora Ephron defined a distinction between Basic Worry and
Baroque Worry. Worrying about a disastrous hypothetical combination of
corporate, backup, and hard-drive failures is definitely Baroque.
Andrew Stiller
Kallisti Music Press
http://home.
aware that any such list is acutely sensitive to the
exact definition of "best" and "piece," so that others may quite
legitimately come up with lists that contain none of my entries.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
__
whole
figure in one layer, with normal beams, then create a unison of the
triplet only in another layer, make sure the beams overlap perfectly,
then extend both beams of the triplet.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kal
becomes somewhat
different.
FWIW, _The Birth of the Orchestra_ apparently bases its assertions in
this area primarily on two articles by Stephen Bonta: "From Violone to
Violoncello: A Question of Strings," JAMIS 3 (1977), 64-99; and
"Terminology for the Bass Violin in Seventeenth-Ce
trument is scordatura regardless of
the notation.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
strongly recommend to anyone interested in the subject.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Mar 3, 2005, at 5:57 AM, Ken Moore wrote:
... some bass[es are] five-string
(bottom string usually tuned to C in the US, B in Europe)
B? That's a new one on me! Can anyone cite a composition (orch.,
chamber, or solo) that actually requires that note from the cb?
Andrew Stiller
Kallisti
I thought the following might be of interest to some list members.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
Begin forwarded message:
From: [EMAIL PROTECTED]
Date: March 1, 2005 5:14:49 PM EST
To: [EMAIL PROTECTED]
Subject: [Public Knowledge] Trouble Locating
nding.
This would be a Martha Stewart-like Good Thing, IMHO.
Christopher
I agree completely, and have CCd Macsupport accordingly. This would be
a truly elegant and desirable extension of an already extant function.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kal
tying it right then editing the tie in Special Tools to go
backwards won't work.
Create a unison in a second layer, tie both notes and kludge one of
them.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing
hem.
a middle school in the Bronx that has no resources at all: no books,
no lockers, nothing they need.
Not to deny the inadequacy of school funding, but is there in fact,
anywhere in NYC, such a school?
Andrew Stiller
Kallisti Music Press
http://
And a negative number
removes space.
Aaron.
I find this plugin absolutely invaluable, and strongly recommend it to
anyone who doesn't know about it. I find myself using it dozens of
times in virtually every one of my projects.
Andrew Stiller
Kallisti Music Press
http://home.netcom.co
s sort of thing--for years now--very easily and
flexibly with Tobias' Add/Remove Space In Measure plugin. What's the
problem?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://l
ms.
This usage was dropped after a couple of centuries--too bad the island S wasn't.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
; and I have come to disagree with his characterization of Don
Giovanni. But all his observations are thought-provoking, deeply
considered, and highly erudite.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
improbabilities.
The libretto to _The Magic Flute_ was highly admired by no less a
figure than Goethe, who even wrote a sequel to it; the opinion of an
author of such stature is not, I think, lightly to be dismissed.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
On Feb 10, 2005, at 3:29 PM, dhbailey wrote:
Andrew Stiller wrote:
If Bernoulli's law were responsible for lift in aircraft, airplanes
wouldn't be able to fly upside-down--and they can.
I'm confused by this remark -- Bernoulli's law deals with the flow of
air over an air-foi
t;How can I know
what I think until I see what I say?"
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
background--though of course knowledge of this sort can only
deepen one's appreciation of any work.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
em on--a shiver up the spine is guaranteed. Don't have to be
trombones.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Since he dangle his grammatical temporal dongle, I wonder if he'd
clarify
if he meant the fame from the late 18th century on, or the composer
from
the late 18th century on.
Dennis
Fame--or rather, reputation, wh. is what I was really talking about.
Andrew Stiller
Kallisti Music Press
ing this too literally. I only used the figure 150
because that's how old Janacek is, this year. I meant merely that
"having sustained (and grown) a reputation for so long, a composer is
unlikely subsequently to lose it." I stand by that assertion.
Andrew Stiller
Kal
e able to fly upside-down--and they can.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
ast--especially a TV broadcast--or who
has been programmed in a subscription concert of one of the big five
orchestras can hardly be considered to be "unknown outside of
academic circles." The names of such composers are legion.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.
to oblivion, but since ca. 1780,
those of lasting merit get rehabilitated after a few decades in the
doghouse. As far as I can see, this is a one-time, one-way process.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
, and even about his long, extramarital
affair with Kamila Urvalkova.
And BTW, it's not up to you to decide whether J's music is very good
or not. On that point, the verdict of history is in, long since.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
As long as we're on the subject of plugins, may I make a request for one?
Finale's Unconventional Key Signature algorithm hasn't changed a bit
since Finale 1.0, largely because it is so specialized a feature that
Coda/MakeMusic have never felt any urgency to improve it. That being
the case, woul
the supposed overlap of adjacent chords,
and quasi-arpeggiations where two successive chords were meant to be
heard as if played simultaneously.
It is very thoroughly and unambiguously documented both that he got
the idea from acoustic theory, and that he consciously applied it in
his own wor
Cage's name as his own, and I imagine a great many of Nicholas Cage's
fans know that.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
with his
theories is that he thinks every detail of grammar, syntax, etc. is a
consequence of rules learned by the brain during language
acquisition. Steven Pinker's recent book about irregular word forms
demonstrates pretty conclusively that irregular forms are stored in
the brain as if they wer
c, composed on the same principle, be
more successful?
No, and no.
You have scientific proof that Cage was wrong?
Ipse dixit.
I actually don't think much of Cage's work as music per se, but he
had a lot of good ideas.
Yes he did. I believe his ultimate reputation will be rather like
tha
You prove *your* assertion that, in
effect, consonance can exist in music in which "dissonance" is never
resolved.
Dumbarton Oaks Concerto. Last chord. QED
I've no interest in playing your childish debating games.
Oh dear.
--
Andrew Stiller
Kallisti Music Press
http://home.netco
hesis? Sound recording?
Are these things not important? not musical? not "from science?"
Beyond that, there is the less measurable by very important influence
of acoustic and music-psychological theories upon compositional
styles, going back at least to Berlioz.
--
Andrew Stiller
Kalli
by the ospedale--they certainly were considered
eminently marriageable.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
s triggered, it sends an impulse up the
auditory branch of the VIII cranial nerve, which impulse is
eventually processed by the brain. Everything we have been arguing
about here has to do with what the brain does--the rest is simple
physics.
--
Andrew Stiller
Kallisti Music Press
http://home.netco
e. Was this music as successful (moving, exciting,
attractive) as other musics? Could other music, composed on the same
principle, be more successful?
No, and no.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing
at you say. Now prove it.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
was a marginal
practice).
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
of men's mystery is hooey.
No, hooey is too mild a term. It's undisguised gender hatred: if
someone said such a thing to my face I'd demand an apology.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Fina
of hit songs from the past 50 years that
end with a fadeout on a repeating, non-cadential phrase and have no
definite ending sonority at all.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
to rely on precisely such means for its effect.
Very interesting that composers (some, not all, thank goodness)
decided that how their music affected their audiences no longer
mattered.
This is a straw man: There never was any such composer.
--
Andrew Stiller
Kallisti Music Press
http://home.
intervals are absolutely dissonant and absolutely consonant
respectively, and without regard to musical context.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu
ying on another thread. The whole
computer industry now reminds me of the auto industry in the '50s.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
At 12:29 PM 2/2/05 -0500, Andrew Stiller wrote:
Another crrosspost from Orchestra-L:
The pioneer figure was Arnold Schoenberg, with his theory of the
emancipation of dissonance
The theory, and the term, belong to Charles Seeger. The emancipation
of a large chunk of the American population was
aware
that an American classical tradition exists--but that too is typical
of Europeans of his mindset.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Andrew Stiller wrote:
Press three keys to toggle scroll/page view? Give me a break!
don't blame Panther for decisions which MM made.
What else?
Johannes
MM wouldn't have made the decision if there hadn't been an OS change.
My whole point is that the decisions made by MM in trying
cents, multiply the result by 1200.
To work the second equation when your starting value is in half-steps
of cents, divide it by 12 or 1200 to get the value of f.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing
r's
university professorship must be considered a day job, then so must
Mahler's and Haydn's conducting gigs, Palestrina's priesthood and
Machaut's canonicate.
--
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
__
ay, though, that prior to the 1960s there was a huge amount of
Baroque music that had never received a modern performance, and whose
creators were widely thought to be minor figures unworthy of extensive
revival. Among these were Telemann and Zelenka.
Andrew Stiller
Kallisti Music Press
http://home.
estra (and probably others as well, but I
know the BPO's history particularly well) got its start from a bunch of
unemployed musicians getting together in 1930 just to preserve their
chops.
Comments?
Andrew Stiller
Kallisti Music Press
http://home.netco
bone could never have been imagined by the
founding fathers when they granted us the right to keep and bear arms.
Remember: When trombones are outlawed, only outlaws will play "I'm Gettin
Sentimental Over You."
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
appreciate the enormous technology
advance that OS X gives me.
Andrew Stiller wrote:
On Jan 28, 2005, at 3:11 PM, Johannes Gebauer wrote:
you will quickly find that it [OSX] is much better than OS 9
That has most emphatically *not* been my experience. OSX is a fix for
something that was not broken
On Jan 30, 2005, at 12:10 PM, John Howell wrote:
We're talking about 2 different art forms here. Live performance is
one, and recording is another.
No we're not.
Music is an art form. Jazz is a genre. Live performance is a *medium*.
Andrew Stiller
Kallisti Music Press
http://home.
waste weeks of time
installing and configuring it, simply to continue doing business as
usual. If we're lucky.
IMO the whole thing is highway robbery, pure and simple.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
F
901 - 1000 of 1172 matches
Mail list logo
