By all means start at the real solo. Many classical concertos for various
instruments often have bits of 'warm up' or even doubled section parts
before the formal thematic solo statements. The 4th Concerto of Mozart's has
quite a bit of that stuff at the opening, but it would be a bit tedious to
li
Hi list,
When one is asked to play the exposition of Mozart 4 in an audition situation,
do you start with the first "real" solo phrase (D-Bb-Eb, etc) or the whole
notes that begin what I think is actually the exposition (Bb-D-F, etc).
Thanks!
Steve
_
Hello all-
I wanted to say thanks to all who responded to my inquiry. I have ordered
Jasper Rees' book, and my library jot got 'Das Horn bei Mozart' in this
morning. In response to Gary Green, I do realize how difficult from a
musical-historical point of view it is to accurately understand pe
000From: [EMAIL PROTECTED]: [Hornlist] Mozart
& LeutgebHello Listers - = I am currently doing a short research project for a
music history class.=I've chosen to briefly investigate the relationship
between Mozart and =Leutgeb. I am writing to ask if anyone out there know of
any good source=s
At the risk of sounding my own horn, I can't resist jumping in on this one. As
Kendall and one or two other listers know, I have recently published a book in
the UK entitled I Found My Horn. I'm happy to explain precisely what else the
book contains in greater detail to anyone who's interested,
David, there is not much info on this topic. We have the living dates of
Leutgeb, the inserts of his name into the K.447, Mozarts own listing of his
works with the remarks "Leitgebisches Quintett" (K407) & "Ein Waldhornkonzert
fuer Leitgeb" (K495, some remarks in Mozart biographies (Jahn, perhap
Hello Listers -
I am currently doing a short research project for a music history class. I've
chosen to briefly investigate the relationship between Mozart and Leutgeb. I am
writing to ask if anyone out there know of any good sources for information. I
have "Horn", by Barry Tuckwell, and it h
My vote goes to Herman Baumann's recordings, the Mozart and Strauss,also.
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I think we should accept that there are many great players. What we each prefer
is largely a matter of personal taste. For me, I could listen to Radovan
Vlatkovic all day.
Adam Black> Date: Fri, 25 Apr 2008 00:39:02 -0400> From: [EMAIL PROTECTED]> To:
horn@music.memphis.edu> Subjec
Brain & Michael Hoeltzel !
>
>
> ==
>
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:horn-bounces+hans [EMAIL PROTECTED]
> On
> Behalf Of Tim Kecherson
> Sent: Friday, April 25, 2008 5:39 AM
> To: Hornlist
> Subject: [Horn
Sent: Friday, April 25, 2008 5:39 AM
To: Hornlist
Subject: [Hornlist] Mozart Horn Concertos
Hello All (again)
I have been listening to the Mozart Horn Concertos recently,
as I will be playing one of the movements (probably the
second concerto, movement
III) in a June recital. I have now listene
[quote]
And so, my question:
Who do you think is the best player of those three?
[/quote]
You have got to be kidding me. Tuckwell was principal horn of many
orchestras and recorded the Mozart concerti on at least five occasions (let
alone all his other recordings). Dale Clevenger has spent 42 ye
Hello All (again)
I have been listening to the Mozart Horn Concertos recently, as I will
be playing one of the movements (probably the second concerto, movement
III) in a June recital. I have now listened to three recordings of
these concertos, and I have an opinion-based question. I have he
s not uncommon.
Eric James
- Original Message
From: Steve Freides <[EMAIL PROTECTED]>
To: The Horn List
Sent: Sunday, February 10, 2008 9:14:21 PM
Subject: RE: [Hornlist] Mozart Horn Duets - transcribed for trumpet and horn,
and using baritone clef
I
have
no
clue,
which
> -Original Message-
> From: Jay Anderson [mailto:[EMAIL PROTECTED]
> Sent: Sunday, February 10, 2008 9:55 PM
> To: The Horn List
> Subject: Re: [Hornlist] Mozart Horn Duets - transcribed for
> trumpet and horn,and using baritone clef
>
> On Feb 10, 200
On Feb 10, 2008 7:14 PM, Steve Freides <[EMAIL PROTECTED]> wrote:
> I have no clue, which is why I asked, Dan. There is baritone clef in other
> parts of this addition as well, e.g., #3. If that's really a typo, I find
> it hard to imagine, as most music publishing software would make you go out
Message-
> From: Dan Phillips [mailto:[EMAIL PROTECTED]
> Sent: Sunday, February 10, 2008 8:51 PM
> To: The Horn List
> Subject: Re: [Hornlist] Mozart Horn Duets - transcribed for
> trumpet and horn,and using baritone clef
>
>
> On Feb 10, 2008, at 7:44 PM, Steve Freides
On Feb 10, 2008, at 7:44 PM, Steve Freides wrote:
The French Horn part switches to baritone clef at this point
Did you REALLY think baritone clef is what was intended? ;-) It's a
misprint. It should be bass clef, and the parts are in octaves.
Dan
Dan Phillips
Associat
OK, here's my situation:
1. I don't know the Mozart horn duets in their original form. I heard them
once in a concert but I've never played them.
2. I bought a transcription, edited by C. J. Maxwell and published by
Pelican Music, of these same duets, for trumpet and horn. Perfect for me
and
Ideally, I recommend that you listen to a few recordings and then get
to work writing your own cadenza. It's good experience and will
teach you a lot about Mozart's style in his concertos. The cadenza
should be your own improvisation.
Paul Mansur
On Feb 1, 2008, at 10:14 PM, Tim Kechers
--- "Richard V. West" <[EMAIL PROTECTED]> wrote:
> Tim Kecherson wrote:
> > I am playing Mozart's 3rd Horn Concerto in June,
> and I am looking for a cadenza to play. Is the
> cadenza necessary? If so, where can I find one?
> Thank you very much.
> >
> > --
> > Timothy Kecherson
> >
> In th
f Of Richard V. West
Sent: Saturday, February 02, 2008 5:10 AM
To: The Horn List
Subject: Re: [Hornlist] Mozart Concerto #3
Tim Kecherson wrote:
> I am playing Mozart's 3rd Horn Concerto in June, and I am
looking for a cadenza to play. Is the cadenza necessary?
If so, where can I find one? Th
Richard West notes:
A long time ago, Christopher Leuba (I think) transcribed all the cadenzas
which up to that time had been recorded (late 60s? early 70s?) for the
various Mozart concerti. They were published in a magazine like the
"Instrumentalist" but my memory is very hazy about this (it's
Tim Kecherson wrote:
I am playing Mozart's 3rd Horn Concerto in June, and I am looking for a cadenza
to play. Is the cadenza necessary? If so, where can I find one? Thank you
very much.
--
Timothy Kecherson
In the first movement, absolutely. It doesn't have to be long. Listen to
as many
Write your own.
Tim Kecherson <[EMAIL PROTECTED]> wrote:
I am playing Mozart's 3rd Horn Concerto in June, and I am looking for a
cadenza to play. Is the cadenza necessary? If so, where can I find one? Thank
you very much.
--
Timothy Kecherson
___
I am playing Mozart's 3rd Horn Concerto in June, and I am looking for a cadenza
to play. Is the cadenza necessary? If so, where can I find one? Thank you
very much.
--
Timothy Kecherson
___
post: horn@music.memphis.edu
unsubscribe or set options at
Howard,
The bassoonist was a colleague of mine when I was principal horn in the Israel
Sinfonietta. He was principal bassoon.
My best guess is that the YouTube link is of a performance at the 2005
Jerusalem International Chamber Music Festival. The personnel listed matches
those in the perf
I have recounted the tale here before of the days (yes, it happened more
than once) that I was booked to play a concert with a freelance orchestra. I
repeat it to encourage the newbies.
At the start of the rehearsal I asked for the horn parts of the two pieces I
did not know. There were n
I fall into a not-unheard-of-but-pretty-rare category of horn players
who have played the Mozart Requeim. (Those who know the
instrumentation well can guess the jist of this story, but I'll tell
it anyway).
As a college student I got a call to play the Mozart. I told my horn
teacher about
This message from David Thompson
(http://launch.groups.yahoo.com/group/horn/message/34240) states that
"... we recently acquired the internet distribution of the Kalmus publications
via kalmus.com"
>= Original Message From "Michiel van der Linden" <[EMAIL PROTECTED]> =
>I thought Kalmus
Aren't there two Kalmuses (Kalmii?) - Edwin and the other one.
Cheers,
Lawrence
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I thought Kalmus was bought by Thompson because of this: http://www.kalmus.com/
I now see there's also a site www.kalmus-music.com though...
Sorry, I jumped to conclusions
2007/10/22, BVD Press <[EMAIL PROTECTED]>:
> >
> >
> >Kalmus /is/ Thompson Edition ;)
> >
>
>
> ??
>
> Kalmus bought Thompson?
Kalmus /is/ Thompson Edition ;)
??
Kalmus bought Thompson??? Thompson bought Kalmus???
--
Bryan Doughty
BVD Press and Cimarron Music Press
79 Meetinghouse Lane
Ledyard, CT 06339
[EMAIL PROTECTED]
860 536-2185
http://www.bvdpress.com/
http://www.cimarronmusic.com/
__
ED] On Behalf Of
David Jewell
Sent: Sunday, October 21, 2007 11:54 PM
To: The Horn List
Subject: Re: [Hornlist] Mozart full orchestra parts concert 1 d maj
Hi folks - just for information's sake, all of the free score websites that
I have utilized, such as the imslp.org; cpdl.org; and mutopia
Some of the free sites do indeed have seperate parts available,
although you have to thoroughly check the quality. You can be
pleasantly surptised, but I remember spending *a lot* of time getting
some Tchaikowsky parts cleaned up for a performance last year. In
retrospect just buying the set would'
Hi folks - just for information's sake, all of the free score websites that I
have utilized, such as the imslp.org; cpdl.org; and mutopiaproject.org; are
scores only site. If I recall correctly, so is the Neue Mozart Ausgabe site,
[which I can't seem to access right now]. This means that if yo
[EMAIL PROTECTED] wrote:
The digitized facsimiles of the Neue Mozart-Ausgabe are freely available
online at http://dme.mozarteum.at/
Isn't that just the score?
Hmmm. I didn't even think about that. The site won't load for me right
now anyway, but I bet you're right.
Anyhow, the parts ar
Nah, they were better than us - no point in making excuses, but our guys did
well to get as far as they did - yeah, next time maybe.
Cheers,
lawrence
lawrenceyates.co.uk
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post: horn@music.memphis.edu
unsubscribe or set options at
http:/
tuation.)
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
[EMAIL PROTECTED]
Sent: Sunday, October 21, 2007 4:16 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Mozart full orchestra parts concert 1 d maj
You can get the score from the Mozart online
In a message dated 21/10/2007 23:05:59 GMT Daylight Time,
[EMAIL PROTECTED] writes:
The digitized facsimiles of the Neue Mozart-Ausgabe are freely available
online at http://dme.mozarteum.at/
Isn't that just the score?
Cheers,
Lawrence
lawrenceyates.co.uk
__
Ellen Manthe wrote:
I believe that you can get them free of charge from one of the internet
music services. I saw them once and should have downloaded them but didn't.
Now I will think about this constantly until I again have time to search for
them again. There are orchestra parts for most of
Try this:
http://www.mutopiaproject.org/cgibin/make-table.cgi?Composer=MozartWA
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Ellen Manthe
Sent: Sunday, October 21, 2007 5:05 PM
To: The Horn List
Cc: [EMAIL PROTECTED]
Subject: Re: [Hornlist] Mozart full
You can get the score from the Mozart online something or other (I'll find
the details if you really want them) but I don't think the parts were there.
Cheers,
Lawrence (proud of our lads in Paris last night and of the dignified way in
which they conducted themselves)
lawrenceyates.co.uk
I believe that you can get them free of charge from one of the internet
music services. I saw them once and should have downloaded them but didn't.
Now I will think about this constantly until I again have time to search for
them again. There are orchestra parts for most of the Mozart horn concer
I have a student ready to perform mozart d maj on hand horn. Does
anyone have the orchestra parts and score to sell, rent or lend.
Please let me know at [EMAIL PROTECTED] thanks
Elliott L. Higgins, Hummingbird Music Camp,
American Horn Competition International
You should be able to get it fro
I have a student ready to perform mozart d maj on hand horn. Does anyone
have the orchestra parts and score to sell, rent or lend. Please let me know
at [EMAIL PROTECTED] thanks
Elliott L. Higgins, Hummingbird Music Camp,
American Horn Competition International
__
#29 is my favorite of the Mozart symphonies. Actually, I've always
preferred his piano concertos.
Fred
On 10/18/07, Graham Jarvis <[EMAIL PROTECTED]> wrote:
>
> Hi (again)
> While I'm at it (I normally just lurk).
> I was at a live concert a couple of weeks ago when the Swedish Chamber
> orches
Hi (again)
While I'm at it (I normally just lurk).
I was at a live concert a couple of weeks ago when the Swedish Chamber
orchestra (our local band!) played Mozart's "little" g-minor symphony (No 25 -
K183 I think).
I recall some discussion of this symphony on the list a while ago. The
performan
August 21, 2007 8:51 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Mozart, horns, Franz Strauss
Re Mozart:
Symphony No. 29 K. 201 is fun to play and a masterpiece. I
have played it on a Bb/f descant, A natural Horn, and a
F/Bb/f Triple as well as the 2nd part on a double, but not
250-500
Re Mozart:
Symphony No. 29 K. 201 is fun to play and a masterpiece. I have played it on a
Bb/f descant, A natural Horn, and a F/Bb/f Triple as well as the 2nd part on a
double, but not 250-500 times. What it really needs is a great 2nd Horn
player who can match tone and tuning and nail the h
Jonathan, I studied Strauss 2 when I was seventeen - well, I
studied it with the first performer, my teacher Gootfried
von Freiberg (we spent just just two weeks with it, means
two or thre lessons) and I played it in public at age 18, no
near 19. My first performance with orchestra was 1964. This
p
On 20/08/07, hans <[EMAIL PROTECTED]> wrote:
> Jonathan, you are absolutely right. Today´s young & less
> young players are much better prepared - technically - than
> we were or are, but they miss the music all too often or
> completely. Everything needs to be "set up", nothing from
> the heart, n
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Jonathan West
Sent: Sunday, August 19, 2007 9:13 PM
To: The Horn List
Subject: Re: [Hornlist] Mozart Sinfonia no.29 in A
On 19/08/07, hans <[EMAIL PROTE
On 19/08/07, hans <[EMAIL PROTECTED]> wrote:
> What is so difficult with this symphony ? I have received
> several stories about it, that it is feared very much & horn
> players are just happy when the horns are back in their
> case. Yes, off course, it is a difficult piece, IF PLAYED ON
> THE REGU
What is so difficult with this symphony ? I have received
several stories about it, that it is feared very much & horn
players are just happy when the horns are back in their
case. Yes, off course, it is a difficult piece, IF PLAYED ON
THE REGULAR BIG HORNS. But this symphony - I nicknamed it
"THE
an issue.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Saturday, May 05, 2007 7:58 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist
In a message dated 05/05/2007 06:29:17 GMT Daylight Time, [EMAIL PROTECTED]
writes:
The quintet version is another stupidity by a musical idiot
& disgusting arranger.
I think this is a bit harsh.
Whilst I would prefer to play and hear the original, arrangements such as
this do at lea
List'
Subject: RE: [Hornlist] Mozart Divertimento K. 270 -
instrumentation?
Michiel van der Linden wrote:
> If he's playing the original, prepare him for some
delicate high
> stuff.
> The horns are in B flat alto, and with only 2 oboes and 2
bassoons you
> haven't got much t
The recording of K. 270 with D. Brain is Anthony Baines's arrangement for WW
quintet of the original sextet. In this version the horn part generally
follows the original 2nd horn part and the clarinet plays much of the
original 1st horn part. The flute and oboe are playing the oboe parts of th
Michiel van der Linden wrote:
> If he's playing the original, prepare him for some delicate
> high stuff.
> The horns are in B flat alto, and with only 2 oboes and 2
> bassoons you haven't got much to hide behind...
> Here's a nice fragment on original instruments (Amazon
> sample)
http://ww
> -Original Message-
> From: Joe Scarpelli [mailto:[EMAIL PROTECTED]
> Sent: Friday, May 04, 2007 3:20 PM
> To: 'The Horn List'
> Subject: RE: [Hornlist] Mozart Divertimento K. 270 - instrumentation?
>
> It is also included on the MMO - Woodwind QUINTETS
The recording with Dennis Brain might be mislabelled in the
CD catalogue missing one person (2nd horn). Why to need a
recording ? Mozarts stuff is very simple to read & moves in
the horns with very clear chords, but one has to read in
different transpositions. It would be a very good exercise
for y
hiel van der Linden
Sent: Friday, May 04, 2007 3:06 PM
To: The Horn List
Subject: Re: [Hornlist] Mozart Divertimento K. 270 - instrumentation?
If he's playing the original, prepare him for some delicate high stuff.
The horns are in B flat alto, and with only 2 oboes and 2 bassoons you
haven&#
If he's playing the original, prepare him for some delicate high stuff.
The horns are in B flat alto, and with only 2 oboes and 2 bassoons you
haven't got much to hide behind...
Here's a nice fragment on original instruments (Amazon sample)
http://www.amazon.com/gp/music/wma-pop-up/B017MV001
> -Original Message-
> From: Eric James [mailto:[EMAIL PROTECTED]
> Sent: Friday, May 04, 2007 2:33 PM
> To: The Horn List
> Subject: Re: [Hornlist] Mozart Divertimento K. 270 - instrumentation?
>
> Mozart never wrote a quintet of the type you mention.
> K.270
Mozart never wrote a quintet of the type you mention.
K.270 was composed for 2 oboes, 2 bassoons and 2
horns. What your son is playing is someone's
arrangement of Mozart's original.
Eric James
--- Steve Freides <[EMAIL PROTECTED]> wrote:
> This page
>
> http://www.edto.net/mozart_wind_ensemble
This page
http://www.edto.net/mozart_wind_ensemble.htm
says K. 270 is for 2 oboes, 2 bassoons, and 2 horns.
This recording
http://www.cduniverse.com/productinfo.asp?pid=7255585&cart=533299893&style=c
lassical
says the same thing, but then goes on to list the performers as one each
flute, clari
inclusion.
-Original Message-
From: [EMAIL PROTECTED]
To: horn@music.memphis.edu
Sent: Thu, 3 May 2007 10:53 PM
Subject: RE: [Hornlist] Mozart 1st is the 4th?
This is mere nonsense. Yes, these two movements of horn
concertos in D were written later than the other three
concertos. Wikipe
: horn@music.memphis.edu
Sent: Thu, 3 May 2007 10:53 PM
Subject: RE: [Hornlist] Mozart 1st is the 4th?
This is mere nonsense. Yes, these two movements of horn
concertos in D were written later than the other three
concertos. Wikipedia is not "the 100% truth". All
hornconcertos , complete or
ndoned sketch then.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Richard V. West
Sent: Friday, May 04, 2007 8:05 AM
To: The Horn List
Subject: Re: [Hornlist] Mozart 1st is the 4th?
Hasn't the second
in D-major was intended
for Leutgeb, off course, as Mozart used it to make some fun
with Leutgeb. Here the ailing factor may have played a role,
but not for the first Allegro.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf O
b, off course, as Mozart used it to make some fun
with Leutgeb. Here the ailing factor may have played a role,
but not for the first Allegro.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Bil
There are some good liner notes with Michael Thompson's recording of the
complete works for horn and orchestra by Mozart. If I remember correctly, the
"adjustment" that Mozart made in Leitgeb's declining abilities was in the
range of the "1st" concerto, not in the hand technique.
Bill
Bill
Anyone care to comment on this? I always found the 1st Concerto to be
demanding in many ways, and it seems to me the hand-stopping technique required
is greater in the 1st mvt. of K.412 than in some of the others..
Recent scholarship dates the horn concerti in the order 2, 3, 4, 1,
You're absolutely right, Hans. Not having learned transpositions when I was
young, I find transposition slow going. Rather than writing transpositions in
the original music, which doesn't work well anyway, I write down the transposed
notes on fresh staff paper. Usually, before I am finished, I have
ject: Re: [Hornlist] Mozart solopart
On 1/20/07, hans <[EMAIL PROTECTED]> wrote:
> If sneeze in on the way, he would stop drawing the lines.
He did write
> his music paper by himself when the right format was not
available or
> he ran out on money. Yes, many people do the music
publi
> -Original Message-
> From: hans [mailto:[EMAIL PROTECTED]
> Sent: Saturday, January 20, 2007 4:41 PM
> To: 'The Horn List'
> Subject: RE: [Hornlist] Mozart solopart
>
> Thank you, Steve, for your kind answer, but I must say it
> frankly, I would n
> -Original Message-
> From: Jay Anderson [mailto:[EMAIL PROTECTED]
> Sent: Saturday, January 20, 2007 4:26 PM
> To: The Horn List
> Subject: Re: [Hornlist] Mozart solopart
>
> On 1/20/07, hans <[EMAIL PROTECTED]> wrote:
> > If sneeze in on the way, he wo
Thank you, Steve, for your kind answer, but I must say it
frankly, I would not "teach every student", but just those
who deserve it & those of whom I think it would make sense.
Did you ever consider retyping the solo part & just changing
the key, the transposed part would be ready. And, in all
ho
On 1/20/07, hans <[EMAIL PROTECTED]> wrote:
If sneeze in on the way, he would stop drawing the lines. He
did write his music paper by himself when the right format
was not available or he ran out on money. Yes, many people
do the music publishing on the desktop, so do I. But why
then some musicia
8:54 PM
To: The Horn List
Subject: Re: [Hornlist] Mozart solopart
hans wrote:
> There is just one difficulty, where to find the right
music paper ???
> Mozart himself had a solution. He used a five-fold pencil
& made the
> music paper by himself when the right one was not at hand.
anuary 20, 2007 2:10 PM
> To: 'The Horn List'
> Subject: [Hornlist] Mozart solopart
>
> Hello Steve, you know what we did back in the 1950ies ? We
> had no other copy machine than hand & a pen & music paper.
> So we copied the pieces by hand including the piano
hans wrote:
There is just one difficulty, where to find the right music
paper ??? Mozart himself had a solution. He used a five-fold
pencil & made the music paper by himself when the right one
was not at hand.
I hope that Hans will forgive those of us who use Desktop publishing
software to m
PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Saturday, January 20, 2007 8:19 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Mozart solopart
In a message dated 20/01/2007 19:11:27 GMT Standard Time,
[EMAIL PROTECTED]
writes:
"Wehad no other copy machine than hand & a pe
.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Bill Gross
Sent: Saturday, January 20, 2007 8:38 PM
To: 'The Horn List'
Subject: RE: [Hornlist] Mozart solopart
Hans, do you still write out parts by hand? I'm curious
because my
: Saturday, January 20, 2007 1:10 PM
To: 'The Horn List'
Subject: [Hornlist] Mozart solopart
Hello Steve, you know what we did back in the 1950ies ? We
had no other copy machine than hand & a pen & music paper.
So we copied the pieces by hand including the piano part &
n
In a message dated 20/01/2007 19:11:27 GMT Standard Time, [EMAIL PROTECTED]
writes:
"Wehad no other copy machine than hand & a pen & music paper.
So we copied the pieces by hand"
In a box somewhere upstairs I still have my hand-written copies of the
Mozart concertos, copies I made by li
Hello Steve, you know what we did back in the 1950ies ? We
had no other copy machine than hand & a pen & music paper.
So we copied the pieces by hand including the piano part &
necessary transpositions. We also transposed full piano
parts. Work began very slow but grow to a full page per hour
or mo
Oh a most zenophobic one, it blocks access to all newspaper pages outside
the US. What is really amazing about this is they've issued me a web
enabled Blackberry. If I copy the url from those blocked sites into my
BB, I can pull them up just fine.
I've having a little fun with this. The guys wh
Obviously a vile, subversive website. When I attempted to visit it a
second a go I got the dreaded "Site Blocked" messsage.
What branch of the government do you work for? I just visited the site
from my computer at the office and had no trouble pulling up the full
score of K. 417. I then for
[EMAIL PROTECTED] schreef:
http://dme.mozarteum.at/mambo/index.php
Obviously a vile, subversive website. When I attempted to visit it a
second a go I got the dreaded "Site Blocked" messsage.
Bill, I don't know who your ISP is, but you should change it asap.
This is the official site
In a message dated 21/12/2006 15:53:33 GMT Standard Time, [EMAIL PROTECTED]
writes:
"Obviously a vile, subversive website. When I attempted to visit it a
second a go I got the dreaded "Site Blocked" messsage."
I belivwe that there has been a suggestion that Mozart was in possession of
> http://dme.mozarteum.at/mambo/index.php
Obviously a vile, subversive website. When I attempted to visit it a
second a go I got the dreaded "Site Blocked" messsage.
IN THE EVENT THAT ACCESS TO THIS WEB SITE IS REQUIRED IN THE PERFORMANCE
OF OFFICIAL GOVERNMENT BUSINESS, PLEASE COMPLETE THE WEB
Many apologies for the double-post, but just in case you
had not yet seen this...
(from the Associated Press)
"Mozart maniacs, enthusiasts, students, and scholars can now access
the immortal composer's entire catalog through a free online
database, launched December 11, which contains more tha
Dear All
I totally agree with Dr. Matlick, I could not have put it better myself. I have
come to love the Mozart's as I have got older and now really enjoy playing them
in concerts. The understanding Mozart has for the instrument is I think
incredible. Listen to Alan Civil playing them and you
ion. The
(alternating) Solo position is still vacant.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Bill Gross
Sent: Wednesday, April 12, 2006 9:48 PM
To: 'The Horn List'
To like or not like Mozart, or other composers, doesn't this quotation seem
appropriate?
De gustibus non est disputandum.
___
post: horn@music.memphis.edu
unsubscribe or set options at
http://music2.memphis.edu/mailman/options/horn/archive%40jab.org
Hans: To reenforce your comments, many years ago a wise person (I
cannot remember whom) said that Mozart is too simple for children but
much too difficult for adults.
At 12:00 PM 4/10/2006, you wrote:
date: Mon, 10 Apr 2006 09:19:39 +0200
from: "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
subject
YES, IT's BACH
Richard Burdick
Steve wrote:
Mozart is arguably the greatest composer to ever have walked the face of
this Earth. For a musician not to like Mozart means only that the
musician
doesn't understand Mozart.
Well, I agree with the second sentence completely but I think
t: RE: [Hornlist] Mozart
Has no one said it yet? TOO MANY NOTES! Sorry, flame me, or worse, ignore
me, I am not original, but I had to say it.
Anonymous!!
>From: "Steve Freides" <[EMAIL PROTECTED]>
>Reply-To: The Horn List
>To: "'The Horn List'"
>S
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