For those interested
Here they go:
http://www.lutevoice.com/Haycock/Haycock_1.jpg
http://www.lutevoice.com/Haycock/Haycock_2.jpg
http://www.lutevoice.com/Haycock/Haycock_3.jpg
http://www.lutevoice.com/Haycock/Haycock_4.jpg
http://www.lutevoice.com/Haycock/Haycock_5.jpg
http://www.lutevoice.com/H
Dear all,
I am offering a wonderfully sounding seven-course version after the Georg Gerle
lute at the Vienna Kunsthistorischesmuseum for sale. The instrument was
finished in February 2010 and has a birds-eye maple back and an ebony
veneered neck and pegbox. The pegs are made from a very hard
Dear All,
I would like to share with you some videos of a concert were Valeria and me
performed some Spanish, German and English Christmas carols.
I hope you enjoy them and help you get into the Christmas mood!
Merry Christmas!
This is the Playlist:
http://www.youtube.com/view_play_list?p=A835
;
> Gary
>
> - Original Message ----- From: "Alfonso Marin"
> To: "lutelist Net"
> Sent: Sunday, December 05, 2010 5:15 AM
> Subject: [LUTE] Re: Karamazov
>
>
>> He indeed cashed in with Sting! ;)
>> A.
>>
>> On Dec 5, 2010, a
e hype?
>
> G.
>
> - Original Message - From: "Alfonso Marin"
> To: "lutelist Net"
> Sent: Sunday, December 05, 2010 1:45 PM
> Subject: [LUTE] Re: Karamazov
>
>
>> I have the feeling that he uses music to create an image that fe
I have the feeling that he uses music to create an image that feeds with
obviously huge ego. I do not buy it, not musically nor "lutenistically" and
most of all artistically.
On Dec 5, 2010, at 12:50 PM, Roman Turovsky wrote:
> I find Edin's style totally dignified,
> in partucular when compare
. It comes with a made-to-measure Manzano black
case also in mint condition.
2850
For more information contact Alfonso Marin at:
i...@lutevoice.com
+31206705218
The instrument can be tried in Amsterdam (The Netherlands)
Here you can see more high resolution pictures if the lute:
http://www.lut
Dear Stuart,
I am not the mandolin player. He is called Mauro Squillante and indeed he plays
with a plectrum. I was playing the archlute (not in this aria of course)
Greetings,
Alfonso
On May 28, 2010, at 11:12 AM, Stuart Walsh wrote:
> Alfonso Marin wrote:
>> Dear all,
>>
&
I forgot to mention that the name of the mandolin player is Mauro Squillante.
Here is the video again:
http://www.youtube.com/watch?v=oqfpYO8_j5w
On May 27, 2010, at 11:21 PM, Stuart Walsh wrote:
> Stuart Walsh wrote:
>>>
>>
>>
>> I just can't imagine how you get a loud, full sound playing t
Dear all,
Talking about baroque mandolins:
Last year I played Vivaldi's oratorio "Juditha Triumphans" with the "Venice
Baroque Orchestra". There is an aria with a mandolin solo. The concert at the
Concertgebouw Hall in Amsterdam was broadcasted live for the Dutch Television
channel CULTURA an
I have found a Larry K Brown in Facebook. The avatar picture is a guitar case
with a cat inside. He might be the one.
Here is his Facebook page. You can send him a message.
http://www.facebook.com/people/Lawrence-K-Brown/1300043937
I hope it helps.
Greetings,
Alfonso
On May 24, 2010, at 6:23 P
Dear all,
I have posted 3 new videos in full HD of a recent concert with my duo partner
in occasion of the presentation of our new CD "Clear or Cloudy"
In case you would like to watch them, here they are:
Robert Johnson: Have you seen but a white lily grow?:
http://www.youtube.com/watch?v=wFgu
Dear all,
Yesterday I sent you a link were it is possible to listen to a recent CD I have
recorded with my duo partner.
Someone has reported having problems listening to the music. The webpage is
made on a Macintosh and I do not have access to a Windows PC at the moment.
Did someone else had
Dear all,
I would like to make you know that my CD with the soprano Valeria Mignaco
called "Clear or Cloudy" has been finally released. It is our first commercial
work together and it was recorded one and a half years ago for the Belgian
label "Musica Ficta".
We have created a restricted webp
Dear fellow lutenists,
Just a quick note to make you know that I am selling my baroque guitar
made by Sebastián Nuñez in 2005. I am progressively focusing on the
renaissance repertoire and I don´t play baroque guitar anymore.
I have prepared a webpage were you can have a look to some pictur
Dear Howard,
What do you mean by TOY theorbo?
Have you seen the pictures? Do you think Nico van der Waals will ever
make a TOY instrument?
Sorry. I don't get it.
Greetings,
Alfonso
On Feb 15, 2009, at 7:18 PM, howard posner wrote:
On Feb 15, 2009, at 4:31 AM, Alfonso Marin wrote
:
On 2/13/2009, "Alfonso Marin" wrote:
I am offering my Theorbo by NIco van der Waals for sale.
..
Selling price is 7900 .
The instrument really looks very beautiful!
But is this really the price level of today? 7800 euros for a quality
theorbo?
In that case I am a rich man!
On
?disposition=download
Greetings,
Alfonso
On Feb 14, 2009, at 12:20 AM, wi...@cs.helsinki.fi wrote:
On 2/13/2009, "Alfonso Marin" wrote:
I am offering my Theorbo by NIco van der Waals for sale.
..
Selling price is 7900 .
The instrument really looks very beautiful!
But is this really
,
Alfonso Marin
Ruysdaelkade 203
1072 AV Amsterdam
The Netherlands
Tel: + 31 20 6705218
e-mail: [2]i...@lutevoice.com
[3]http://www.lutevoice.com
[4]http://youtube.com/lutevoice
--
References
1. http://www.theorbo.lutevoice.com/
2. mailto:i...@lutevoice.com
3. http
Amazing¡¡
On Jan 17, 2009, at 3:18 PM, Rob MacKillop wrote:
Please forgive me!
[1]http://www.youtube.com/user/baroqueuke
My first instrument - when I was eight years old...my life must be
drawing full circle...and coming to an end!!! Hopefully not for a
w
This is a bit kitsch but I could not resist it:
www.christmas.lutevoice.com/
Merry christmas!
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Dear all,
I have posted the "Coventry carol" as a Merry Christmas wish to all of
you. It was recorded at a recent concert with my duo partner. I hope
you enjoy it.
Here it goes:
http://www.youtube.com/watch?v=RAranBYmeN0&feature=channel_page&fmt=18
These are some other videos from the sa
Dear David,
Yes, I can confirm that the HF10 is a very good video camera indeed.
The latest videos from my duo on vimeo are filmed with this little
camera. The sound quality is quite decent. In this case the camera was
a bit to far away from the stage and the sound is not as defined as I
Dear fellow lutenists,
We have posted some more videos of a recent concert in collaboration
with the baroque cellist Adrian Mantu at the "Music for Galway"
festival in Ireland.
There are two nice spanish songs, a song by T. Campion and a french
air de cour by Pierre Guedron.
As always, an
this list, otherwise
we will have to assume his culpability.
Greetings,
Alfonso Marin
P.S.- As you can see this message is also forwarded to Tumiati's email
address so that he will know what is going on and have the chance to
defend himself.
P.S.- Please. Peter, If you have al
Dear lutelist,
I committed the mistake of replying to one of Igors's belligerent
commentaries some days ago. He obiosly is trying (very uncunningly) to
stir some negative emotions among us. Let us not follow his stupid
game that has nothing to do with our mutual love for music and our
be
On Mar 24, 2008, at 12:56 AM, igor . wrote:
.even for an idiot like me !
You have said it all.
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ubject: [LUTE] Re: Early Baroque basso continuo rules
>
> Alfonso, you seem to have jumped the fence and joined the Rob McKillop
> Subjectivity in Continuo Club.
> On Sunday, Jul 29, 2007, at 09:27 America/Los_Angeles, Alfonso Marin
> wrote:
>
>> Can you imagine a continuo r
> just started a glass of wine, hence the mellow if not filosofical
> mood
Proost
Alfonso
On 29-jul-2007, at 18:42, LGS-Europe wrote:
>> It's very hard just to enjoy something very beautifull.
>> I think we should try...
>> Why not?
>> It's not so hard
>
> As with the continuo
The majority of people cannot differentiate between a good singer
(and lutenist) singing Dowland and Sting. That is no excuse not to
strive to make our best as musicians and try to render the music as
good as we can.
I give you a personal example.
I have a lute-voice duo with a soprano since
The rules of early continuo practice are coming from renaissance
counterpoint. At the very beginning of basso continuo, still in the
XVI century, through-bass was invented as shorthand technique for
organists to accompany polyphonic pieces and masses from the keyboard
since the music was us
bject of Baroque style, antico vs. moderno, I would be very
> curious to see Bach's BC realizations of Palestrina! Are they
> extant, does anybody know?
>
> On Jul 29, 2007, at 9:59 AM, Alfonso Marin wrote:
>
>> If we all would have this actitude to early music, wouldn'
at least
> you will
> have found your own voice as an accompanist, which is as important as
> finding your own voice as a soloist.
>
> Whatever ;-)
>
> Rob MacKillop
>
> www.rmguitar.info
>
>
>
> -Original Message-
> From: Alfonso Marin [mailt
Dear Ariel and all,
At the "Sweelinck Conservatorium" (now called "Conservatorium van
Amsterdam") were I studied the lute, we had a very interesting course
given by by a great expert on basso continuo theory and practice
called Therese de Goede. She is one of the leading scholars on the
re
Dear Ariel,
I think that you starting up from a wrong concept. Playing continuo
is not about learning positions for chords but reading a bass and
adding the right harmonies to it as a result of counterpoint and
correct voice leading. If you think in "chords positions" like jazz
players do,
It could well be that those recorded versions were taken and
intabulated from a vocal polyphonic setting by Tromboncino. I have
looked in Jeppesen's book for concordances but I can not find the
piece. Do any of you know of any polyphonic version of it?
Thanks again,
Alfonso
--
To get on or
ong, but not so far as to not be plausible; the
> Lute
> player my have put together his/her own part. Not only is this
> possible it
> is historical.
>
> Vance Wood
> - Original Message -
> From: "Alfonso Marin" <[EMAIL PROTECTED]>
> To: "lu
Dear David,
I guess you already counted with "Most men prefer spanish wine" in
the "songs from manuscript sources" by Stainer & Bell.
Greetings,
Alfonso
On 28-apr-2007, at 10:11, LGS-Europe wrote:
> I'm looking for songs about food and drink. Both lute songs and
> continuo
> songs are welc
, the musicologist Mark. A. Meadow, but he did not reply.
Does someone can offer any help?
Thanks in advance,
Alfonso Marin
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Dear all,
I have a facsimile of the Schlick 1512 book and since I can not read
german tablature, I wonder if any of you knows of an edition of the
songs in italian or french tablature. Do any of you have performed
these lute songs? Are they interesting?
thanks for your help,
greetings,
Alfon
Dear all,
I am thinking about editing the songs for vihuela and voice into an
edition more suitable for performance than the original facsimiles. I
have special interest on the songs without mensural notation were the
singing part is indicated by red cyphers.
I would like to know of somebody
Thanks very much to all of you,
Best wishes,
Alfonso Marin
Giacomo Vincenti 1591[14]
Canzonette per cantar et sonar di liuto a tre voci ... libro primo
(Venice : Giacomo Vincenti)
Giacomo Vincenti 1591b[15]
Canzonette per cantar et sonar di liuto a tre voci ... libro secondo
(Venice
f Bologna holds one of the best lute
collections in the world and, at least by e-mail, it is not possible
to even get a reply from them.
If I ever become president of my country, my first pronouncement
would be: Free facsimiles for everybody! ;)
Many greetings to all of you,
Alfonso Mar
Witch can be unprotected in 5 seconds!!!
Greetings,
Alfonso
On 10-apr-2007, at 2:14, Stephan Olbertz wrote:
> Am 7 Apr 2007 um 18:13 hat Daniel F Heiman geschrieben:
>
>> Should the LSA digitize all the films in the Library? Nice idea.
>> Requires quite a bit of (volunteer?) time by someone. Th
fonso Marin
-
Valeria Mignaco & Alfonso Marin soprano-lute duo
-----
Alfo
identifier: CNCE 36543
Location: FI0098 Biblioteca nazionale centrale - Firenze
Does any of you have the facsimile of it or knows about a publication
of it even in modern notation?
Thanks very much for your help,
Greetings,
Alfonso Marin
--
To get on or off this list see list informati
nks to you!!
best wishes,
Alfonso Marin
-----
Valeria Mignaco & Alfonso Marin soprano-lute duo
------
facsimile,
anything would be appreciated.
Thanks very much to all of you.
Best wishes,
Alfonso Marin
TABLATURE DE LUTH ITALIENNE. ca 1505. - 110 pi=E8ces pour luth seul et
accompagnements pour luth d'=9Cuvres vocales. Fac-simile du ms. de la
Biblioth=E8que nationale, Paris. R
matches.
Could anyone help me to locate this book?
Thanks very much in advance,
Best wishes to all,
Alfonso Marin
--
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http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
On 16-okt-2006, at 20:41, Daniel Shoskes wrote:
> The lute playing however was much worse than on the CD. Horrible
> tone, illogical tempo changes, rattling glissandi, lots of
> mistakes. Probably the worst "professional" performance I have ever
> heard.
I guy did not pass the entrance exa
Dear all,
Since I see that the Sting threat is still on I will take the
opportunity to tell my true and opinion about it.
The question about Sting is very simple and obvious. He had the
chance to record Dowland and had so much publicity and apparent
success with it because he is STING . Erin
Dear Craig,
The everage string length of historical archlutes is 64-67 cm. That
of the theorbos is 78 to 93 cm. Huge difference ¡
> There seems to be a strong division over the reasons why theorbos
> are tuned re-entrantly. One side says it has to do with string
> tension, string length,
ggest you read the archives.
>
> MH
>
>
>
> Alfonso Marin <[EMAIL PROTECTED]> wrote:
> Hi Matyn,
>
> If you can find gut (or even nylgut) strings that will allow a
> theorbo of 90cm in A to be tuned without re-entrant tuning, please,
> let me know. I will be
, a string of say
> 10mm in diameter will, of course, require a much greater force to
> break than one of, say, 0.01mm but it has a much greater cross-
> sectional area and the Breaking Stress (ie Breaking Force/Cross-
> sectional area) is identical for the two strings.
>
>
Dear Craig,
The re-entrant tuning on the theorbo has its origins on the physical
nature of gut strings. The long string lengths of this instrument
makes impossible to get gut thin enough to have the 2nd and 1st
strings at "normal" pitch. This apparent drawback, used with
intelligence on
Dear all,
I forgot to tell you that on my website, under the section
"links" (any language you choose) there is a link to a new lute and
pluck instruments iconography site I have made. It a bit messy at the
moment and some information from some pictures is still missing.
Here is the site:
Dear all,
To cool down from all this Sting related discussion I invite you all
to visit our completely renewed lute-song website. I would like to
know your opinion about the music (we have almost all tracks from our
recording available online for you to listen) and the website itself.
I al
So what are various folks preferences for wood for a lute? For
example, rosewood versus yew as mentioned? Does the type of wood make
a huge difference in terms of volume or just in terms of tone?
I'm a folk harpist (at this point just a would-be lutenist) and
wood does make a tangible dif
ddress and I can not find
it. Anyone knows how to contact "Meinel Etuis".
Thanks in advance for your help!
Greetings to all of you fellow pluckers,
Alfonso Marin
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t; may be privileged. If you are not a named recipient, please notify
the
> sender immediately and do not disclose the contents to another person,
> use
> it for any purpose or store or copy the information in any medium.
>
>
>
>
>
---
Alfonso Marin
Ruysdaelkade 203
1072 AV Amsterdam
The Netherlands
e-mail: [EMAIL PROTECTED]
Tel: + 31 20 6705218
--
0
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ould be happier with a louder sound. The level of craftsmanship is
really good but not mint.
I have also a vihuela but the quality is not good enough to be mention
here.
I am looking forward to know about your instruments!
Many greetings,
Alfonso marin
To get on or off this list see list
Dear all,
Do any of you know of a catalan (from Catalonia) composer from around
1600 that has songs accompained by baroque guitar or simply basso
continuo?
Thanks,
Alfonso
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0
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Sorry I forgot to add the link on my previous message:
www.lutevoice.com
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the soprano is wonderful!
Let me know what you think,
Greetings to all of you,
Alfonso Marin
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Dear all,
Some of you may remember me from some months ago when a was a member of
the lute-list. I was to busy to digest all the mails from the list and
I decided to unsubscribe for a while. I have decided to join again now
that I have a bit more time to be active on the it.
I just finished a
"Oxford English Dictionary" has a
counterpart in the Italian language? Is there a CD room version?
Thanks for your help once more.
Many greetings to all,
Alfonso Marin
that the string gauges for Nylgut are the same as for
gut strings. I have heard some people saying that Nylgut should be slightly
thinker than gut in order to obtain the same tension. What are your
experiences about this?
Thanks to all in advance,
Alfonso Marin
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