//www.robbpipes.com/EFDSSTape232Side2Part2Tr10.html
Cheers
Anthony
--
References
1. http://www.robbpipes.com/EFDSSTape232Side2Part2Tr10.html
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
for 'Small Coals..' it was also popular with the same age group and
I did some 2nds for the nimble-fingered to do. I've got it as a
pdf which I can send down the wires to anyone interested.
Best wishes
Anthony
From: DEREK LOFTHOUSE
To: Matt Seattle
Cc: ns
g which cut across all instruments (including
pipes) in their part of the county.
Hope this helps
Best wishes
Anthony
From: DEREK LOFTHOUSE
To: nsp@cs.dartmouth.edu
Sent: Tuesday, 14 August 2012, 14:36
Subject: [NSP] small coals, and the peacock following the hen
I deci
bit (hope my technical language if not too baffling).
There is a good sample of various makers' keywork at the bottom of this
page:
[1]http://www.robbpipes.com/WindyGyleBand.html
Hedworth made the ivory (G) chanter and it has absolutely typical
Hedworth keys.
As aye
An
Hello all,
Here's my offering.
[1]http://youtu.be/sfiCRPct9vQ
Warmest & best
Anthony
--
References
1. http://youtu.be/sfiCRPct9vQ
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hello All,
John Dally has kindly invited me to choose the TOTM for February and it is:
The Keelman Ower Land
This tune has been a favourite since 1973 when (according to Johnny
Handle) Carole & I gave its first public airing in years. It is still
yielding up its secrets 38 years o
ly roll it with the blade to score it then carefully snap
the piece off).
It is also very easy to shape but be gentle with the metal former
otherwise the edges of the staple end can be pushed outwards making it
impossible to get a good seating for the cane slip(s).
Hope this helps.
e:
[2]http://www.robbpipes.com
Happy piping to one and all
Anthony
From: John Dally
To: NSP group
Sent: Wednesday, November 23, 2011 3:02 AM
Subject: [NSP] December TOTM
The obvious topic is tunes with a reference to the season (winter,
soltice, Christmas, Hogmany, New Year).
Not piping I know but a great tale.
For people who do not know Ed's work he is a prolific, witty and
thought-provoking song writer - 'Farewell Johnny Miner' & 'Ah Cud Hew'
are just two of his. Here's a link for those interested.
Cheers
A
r but this would need more glue than putting it at the top of the
hole which flattens it by a) slightly moving the hole down and b)
making the hole smaller. This double whammy effect means less glue
needed and (more often than not) bright tone preserved.
Cheers
Anthony
--
To get on o
lbum as I could manage. This
may be of general interest to pipers and not just those who want to
play along to the disc.
Just email me to get the folder.
Best wishes
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
For the benefit of dancers, callers and dance band members, I forgot to
say the tune is great for the 'Ideal Schottische' and Pete's dots come
complete with his seconds which really do make a tasty job of the whole
piece.
Cheers
Anthony
--
To get on or of
e.com/watch?v=b--ny91Y0tM
Pete is happy to supply dots in pdf form ([2]petecr...@btinternet.com).
Cheers
Anthony
--
References
1. http://www.youtube.com/watch?v=b--ny91Y0tM
2. mailto:petecr...@btinternet.com
To get on or off this list see list information at
http://www.cs.dar
ese sales will allow me to stake a claim so to speak.
As fellow pipers you can understand what it is to be smitten by a
particular set and so might forgive any transgression.
Anthony
--
References
1. http://www.youtube.com/watch?v=nAnjWROxmjc
2. http://www.youtube.com/watch?v=-
ed three of the
drone reeds. The set has only been working fully for a couple of days
but should get even better with more playing. According to Jack
Armstrong they were made by Baty of Wark circa 1850.
[1]http://www.youtube.com/watch?v=shd_W9kzXpo
Best wishes
Anthony
--
Referen
Some might be interested to know I sent a couple of tracks
recorded recently by Emily & Alice down to Radio 3.
The response has been very positive and as a result they will be
playing on this week's 'In Tune' (Thurs 15 Sept. 16:30 - 18:30 local
time).
Anthony
Hello Francis
Can't help on that front but I'm told Jack Armstrong would launch into
that tune when his glass was empty.
Anthony
--- On Tue, 13/9/11, Francis Wood wrote:
From: Francis Wood
Subject: [NSP] Farewell to Whisky - Niel Gow
To: "NSP gr
Hello Hilary - not if you do all 73 verses!
Anthony
--- On Sun, 7/8/11, Hilary Paton wrote:
From: Hilary Paton
Subject: [NSP] Re: Trivia
To: "Dartmouth NPS" , "Francis Wood"
Date: Sunday, 7 August, 2011, 10:03
Since she's
is by listening, listening, listening then listening again - an
approach instilled in me 37 years ago by John Doonan and corroborated
only last night by Jimmy Little.
I'm sure you have experience and knowledge to impart - it would be
great if you shared it aurally and not just on paper.
end goes on little g. This gives me a pair of drones e & A but the
pipes don't sing as well like that, so although it's possible I rarely
do it. It can be fun though and I might give it a whirl sometime soon.
I'll keep you posted off list.
Cheers
Anthony
--- On
l Hedworth
called them). I did it primarily as a teaching resource (even though
there are a few finger-busting favourites) but I've been persuaded to
go for a proper production of it.
Interested parties can go here to see what Stewart Hardy makes of it:
[1]www.robbpipes.com
Th
Hello Matt
Lovely!
--- On Fri, 15/7/11, Matt Seattle
wrote:
From: Matt Seattle
Subject: [NSP] Re: Shield's H'pipe
To: "NSP group"
Date: Friday, 15 July, 2011, 12:42
Impressive, Francis. Now you've even uncovered where Shield has been
Haydn for all t
versions instilled the plainer ones don't conjure up the images or
memories and so the dots don't just add to the tune they are from that
standpoint an essential part of their character.
The variation in opinion/personal choice is possibly the
strongest evidence for the
rious forms and is a cracking tune.
Anthony
--- On Thu, 14/7/11, Margaret Watchorn
wrote:
From: Margaret Watchorn
Subject: [NSP] Re: Shield's H'pipe
To: nsp@cs.dartmouth.edu
Date: Thursday, 14 July, 2011, 22:51
I spent some time with John Armstrong
By the way the sound clip of John A playing is the perfect antidote to
the 'hell for leather' approach so prevalent with most (but thankfully
not all) youngsters at the moment.
Anthony
--- On Thu, 14/7/11, Matt Seattle
wrote:
From: Matt Seattle
Subject: [NSP] Re
Hello Matt
I know what you mean but something has persuaded John Armstrong of C to
call it Shield's.
It is strange he should latch on to that as a staunch Northumbrian when
Morpeth Rant would have claimed it as "one of ours".
A mystery indeed!
Anthony
---
ing
place and a useful device to differentiate him from the many other John
Armstrongs who live along the borders.
As aye
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
a fascinating topic but one which my
limited experience/knowledge does not equip me well for researching.
Undoubtedly there will be unanswerable questions but people like your
goodself might offer more accurate/likely ideas.
Cheers
Anthony
--- On Tue, 12/7/11, Matt Seattle
wro
nte follows the Allemande, with which in its character it is
strongly contrasted.
This seems to tie in well with Vickers' 'The Cow's Courrant'
Cheers
Anthony
PS This is the third time since 4 o clock yesterday that I've tried to
send this. My computer te
mbrian rant style I have
in mind.
When I said that rant steps could be done to jigs I should have added
that they become more akin to pas be bas than rant.
Cheers
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
ry definitions as it is possible to be.
As aye
Anthony
--- On Mon, 11/7/11, Gibbons, John wrote:
From: Gibbons, John
Subject: [NSP] Re: Rants again
To: "NSP group"
Date: Monday, 11 July, 2011, 13:05
Why has this rant thread gone so quiet all last week
han it seems to have taken you.
Congratulations!
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Apologies!
I deleted the wrong email address there!
Come back Barry, all is forgiven!
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
more than happy to
end it here.
Best wishes
Anthony
--- On Sun, 3/7/11, Francis Wood wrote:
From: Francis Wood
Subject: [NSP] Re: Breaking a promise
To: "Anthony Robb"
Cc: "Dartmouth NPS"
Date: Sunday, 3 July, 2011, 12:28
Dear Anth
result of the editor
retyping the whole piece and the inevitable slips which ensued.
Perhaps some guidance for fitting in with 'the house style' might
lessen the workload for contributor and editor in the future.
Cheers
Anthony
--- On Fri, 1/7/11, barr...@nspipes.co.uk
speed (93bpm compared to the more usual 97bpm). The Far Frae Hame
set was more up tempo at about 103 bpm which is getting towards a
normal reel tempo. Perhaps this is because the first two tunes are from
over the border?
Anthony
--
References
1. http://www.youtube.com/watch?v=KX
igned over the intellectual property rights I'm
advised can use my original version on my own site.
As aye
Anthony
--
References
1. http://www.robbpipes.com/AnyoneForARant
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
MOO91-o&feature=youtube_gdata
As aye
Anthony
--
References
1. http://www.youtube.com/watch?v=8IVoMOO91-o&feature=youtube_gdata
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
o "A Bit Of a Rant" which rather missed the idea of an
invitation to try them.
Cheers and every good wish for some enjoyable music making,
Anthony
--- On Thu, 30/6/11, Gibbons, John wrote:
From: Gibbons, John
Subject: [NSP] Re:
To: "nsp@cs.dartmouth.edu&
--- On Thu, 30/6/11, Francis Wood wrote:
Hello again, Anthony,
One question arises over the issue of absorbing a regional musical
accent: which side of the hill are we talking about? If the hill is big
enough, the style will be pretty different. Northumberland is a huge
county
--- On Thu, 30/6/11, Francis Wood wrote:
Hello Anthony,
I don't think we disagree. At Stuart Hardy's musical altitude, I'm sure
you're right.
That's a level I can only admire but never approach. On a more basic
level, playing the tune with a dotted rh
rtainly a bit easier that the rant rhythm at 96
bpm.
I wondering if other players on the list find the rant speed & rhythm a
challenge?
As for other comments I think you are spot on.
Warmest & best
Anthony
--
To get on or off this list see list information at
http://ww
--- On Wed, 22/6/11, Matt Seattle
wrote:
OK Anthony, I won't discuss it, but how good to hear Mr Preston's
Hornpipe, it suits the NSP very well IMO.
Hello Matt
Many thanks for putting us right on the name of the 2nd tune.
I'll tell the lasses and make sure
of those who couldn't download the
previous offering.
[1]http://www.youtube.com/watch?v=Cxh4GyR7XhA
Hoping that no further discussion will ensue!
Anthony
--
References
1. http://www.youtube.com/watch?v=Cxh4GyR7XhA
To get on or off this list see list infor
d not be comfortable giving a
definitive answer but hope this helps a bit.
As my nana would often say, "just please your Bessie"!
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--- On Fri, 17/6/11, Inky- Adrian wrote:
Anthony, can you play the NSPs?
Hello Adrian
It all comes down to what is meant by 'play'.
Given the wonderful diversity of humanity there are some people who
will answer yes.
When I first moved north in 1977 and got '
Hello Rick
I have great difficulty with your implication that Billy Pigg was not a
'proper' piper.
Best wishes
Anthony
--- On Thu, 16/6/11, Rick Damon
wrote:
From: Rick Damon
Subject: [NSP] Re: Trad.nsp vs Dartmouth
To: "John Dally&
dgely
certainly as late as 1985 that I witnessed. Mad happy days.
I'm posting this because of interest in the previous one and I promise
this will be the last on this list.
Anthony
[1]www.robbpipes.com/WillWillyTaylorDanceBit
--
References
1. http://www.rob
Sorry folks the link in my last email is broken. For anyone interested
try this one.
[1]www.robbpipes.com/WillWillyTalkHighBleakhope
Cheers
Anthony
--
References
1. http://www.robbpipes.com/WillWillyTalkHighBleakhope
To get on or off this list see list information at
be found here:
[2]www.robbpipes.com/WillWillyHighBleakhope
It's such a pity that this part of the tradition (which was in some
ways a truer and longer tradition than the Clough one) is not only
ignored but actively denied in some quarters.
Anthony
--
Referenc
Are they rivalists as well as revivalists?
--- On Mon, 23/5/11, Francis Wood wrote:
From: Francis Wood
Subject: [NSP] Re: new group
To: "Mark Stayton"
Cc: nsp@cs.dartmouth.edu
Date: Monday, 23 May, 2011, 21:42
On 23 May 2011, at 21:28, Mark Stayton wrote:
taining if there's a grain of truth in them but
just silly if not.
If you haven't got the facts to hand just ask - I'm more than happy to
keep in touch.
Anthony
--- On Sun, 22/5/11, inky-adrian wrote:
From: inky-adrian
Subject: [NSP] whatever
To: "n
t member. If any one else with an extended-range
chanter would like copies for some interesting finger/key exercise
please contact me offlist.
Cheers
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
-- On Sat, 21/5/11, inky-adrian http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--- On Fri, 20/5/11, Francis Wood wrote:
Lovely item, Anthony! Got any more?
Only the two they did on the CD.
Emily arrived back from the States on Saturday but she has already
started working on material for an album with Alice which we hope to
start recording this summer
ted teaching her the school asked me to set specific
technical exercises for her. The first one was Troy's Wedding in the
(nominal) keys of D, C, G and A on her F chanter she was 11 years old
at the time. When, after a couple of weeks, I said they're starting to
come, she said
; Emily get up to when left to
their own devices. Aplogies for overloads, I started my Edirol running
and then totally neglected the levels - Emily's harp shook the living
daylights out of it!
[1]http://www.robbpipes.com/AliceEmily
Cheers
Anthony
P.S. it was a grand night
hundreds of pounds in pipers wages to keep them in the
popular domain this included a Tyneside Reid in the mid 19th century.
I'm sure you will be able to discover more should you wish to delve.
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth
all
club such as Ellingham was in the thousands and lots of people were/are
fanatical!
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
a group of about 10
down to just her and Alice to really punch it along as a middle tune in
a great set.
Anthony
--- On Tue, 17/5/11, Rick Damon
wrote:
From: Rick Damon
Subject: Re: [NSP] Re: E major tune
To: "Anthony Robb"
Cc: "Dartmouth NPS"
attachments of two versions in ABC from JC
tune finder.
Here's a link to ABC and sheetmusic formats:
[1]http://www.thesession.org/tunes/display/8853/comments
Anthony
To get on or off this list see list information at
[2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
reel - but it fairly rocked along.
Will keep you posted
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--- On Tue, 17/5/11, Dave Shaw wrote:
Hi Anthony
Any idea what the E major reel was? It would be fun to give it a go.
Dave
Hello Dave
I'll try and find out - I noticed the different tonality and only asked
what key it was in. Once I got the answer I did not purs
On Tue, 17/5/11, inky-adrian wrote:
Dear all,
Who is this Allis thingy person?
What are you on about, Anthony?
E major..no!
She can't do it-unless it's crap
Adrian
Hello Adrian
I'm wonderting if you need to get out more?
Alice Burn is a piper from
r way. The owner(s)
will get used to that design and, knowing your instruments, will enjoy
every minute of the familiarisation process.
Anthony
--- On Tue, 10/5/11, Philip Gruar wrote:
From: Philip Gruar
Subject: [NSP] Re: even more on G and D
To: nsp@cs.dartmouth.edu
; Cambridge Festival and so is not likely to
be able to help out in the near future.
As it seems that a set of pipes is needed fairly quickly the best plan
would be to try out as many sets as possible on approval.
I'd go with how well the instrument plays rather than who made
t 'F' chanters to play comfortably in various
situations. As Francis rightly points out this is not essential but
it does make the music-making a joy rather than an acievement.
Cheers
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
the figures for Reid's
scale length (say top g down to bottom D) and compare that
with Ross/Nelson figures.
Cheers
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
e of
instruments in existence (perish the thought!).
Perhaps we just need to accept the situation as it is and make the best
of it. To be honest I find it all rather wonderful and challenging.
Cheers
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
Hello Matt
Yep, it's a 7 key chanter so no F nats.
Also, it's a song and all of the singers I have backed (OK, there have
only been 3 in 40 years!) prefer that key.
And finally, as an instrumental it makes a loamishly
lovely springboard to dive into P B's P.
Ch
these differing situations where the nature of
the tune being played asks for a different amount of attack.
Can I add that these adjustments/observations hold true well after my
pipes are well settled down, have had a good 30min play in and reached
that alive, buzzing and and "up for
Christopher Birch wrote recently:
I don't know exactly how flat A = 398 is but it can't be very far off
F+, given that A = 392 would correspond to concert G.
I wonder if Anthony would agree therefore that since lots of the notes
are sharp, a good starting point would
rleigh, Gruar, Hedworth,
Nelson and Ross) and nowt but my own lugs as final arbiter.
Good Luck
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
What a lovely thought, Philip.
Thanks too for the warnings about possible pitfalls with the flake
shellac method. By and large it works really well but there be problems
if the soldering iron hasn't reached max temp.
Anthony
--- On Sat, 15/1/11, Philip Gruar wrote:
lac between pad and key in situ on the chanter and then
gentle pressing a hot soldering iron on the key until the molten
shellac reaches the edges of the key (easily observed) seems to work
well. It also heat forms the pad to seal nicely with any minor
irregularities in the chanter seat
much free oleic acid in it,
which is important as far as pipes maintenance is concerned.
Also (at risk of starting off another debate) Ian Corrigan recommends
silicone grease in place of vaseline.
Thoughts?
As aye
Anthony
--- On Fri, 14/1/11, Julia Say wrote:
From: Juli
very
kittle business.
Anthony
--- On Fri, 14/1/11, Julia Say wrote:
From: Julia Say
Subject: [NSP] Re: [nsp] re-conditioning ...
To: "'Northumbrian Small Pipes'"
Date: Friday, 14 January, 2011, 14:33
On 14 Jan 2011, Bo Albrechtsen wrote:
>
not too viscious .. neither too viscous or too viscous
AARRHHGGG!
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
l and sonic delight so I'm very happy
to take his word on this.
Anthony
--- On Fri, 14/1/11, Mike Dixon wrote:
From: Mike Dixon
Subject: [NSP] Re: [nsp] re-conditioning ...
To: "'Northumbrian Small Pipes'"
Date: Friday, 14 January, 2011, 11:
n the Plateau of Stability - I really
warm to that phrase.
Please regard these these ideas as complementary therapy to John's
excellent advice not a challenge to it.
As aye
Anthony
On 12 Jan 2011, at 01:11, John Liestman wrote:
> Francis, you must have the earlier
inding our way around the chanter by the
singing/listening process mentioned recently by John G.
Drones weren't involved so it clearly served an important second
purpose.
Cheers
Anthony
--- On Sun, 9/1/11, Julia Say wrote:
From: Julia Say
Subject: [NSP] Re: Into
have 3 "F" chanters myself to cater for various
circumstances. This is not an option for many punters, hence my
pragmatic (some would say draconian) approach.
Cheers
Anthony
--- On Sat, 8/1/11, gibbonssoi...@aol.com
wrote:
From: gibbonssoi...@aol.com
Subjec
Matt
Absolutely!
Anthony
--- On Sat, 8/1/11, Matt Seattle wrote:
From: Matt Seattle
Subject: [NSP] Re: Doublin' (Keenan & Glackin)
To: "Anthony Robb"
Cc: "nsp@cs.dartmouth.edu"
Date: Saturday, 8 January, 2011, 11:10
On
of having a group of pipers playing/performing pipe
tunes without drones but I would limit drone use in the interests of a
pleasing drone hum (bees rather than angry wasps).
And yes, this generally pleases others in the room too. (Thanks JG for
making that point)
Cheers
Anthony
And I love the Glackin & Keenan record too, I haven't heard it for ages
but it used to really fire me up, it has The Juice.
(Matt)
And at 8.99 GBP surely the best value music CD online this year!!
Anthony
PS John G is a sharp as a broken pisspot (as we say up/down
music can be. It also my
favourity version of Paddy Keenan playing the Bucks of Oranmore, which
is heart stopping.
Pure music - great for learning tunes from, or convincing doubters how
good the music can be.
Not my words but exactly my sentiments. Cheers Anthony
--
References
drones on during a piece is to start on a
droneless set and then bring in a set with drones. As I realise not
every one's cup of tea but it butters my parsnip
and, of course, there has to be at least two of you.
Anthony
--- On Fri, 7/1/11, Gibbons, John wrote:
From: Gibbons,
music. This is true even in the most surprising quarters i.e. modern
recordings where retakes could be done fairly easily to correct this.
Yes drones are wonderful and powerful but this power can also be, and
all too often is, destructive.
Anthony
--- On Fri, 7/1/11, Gibbons, John wr
their crystalline
punchiness to the mix just because they have to be droneless?
Cheers
Anthony
--- On Thu, 6/1/11, Gibbons, John wrote:
From: Gibbons, John
Subject: RE: [NSP] Re: Concertina Tuning
To: "Anthony Robb" , "nsp@cs.dartmouth.edu"
, &
ears, try all the options and go with what works for you.
Others may not like it but at least you'll be pleasing the most
important person in this whole process, namely yourself. Which is I
would argue is the main purpose of traditional music.
Cheers
Anthony
--- On Thu,
One thing I would like to mention w.r.t. this tune is watch out for the
Scotchy snaps in bars 29, 30 & 31. The one in bar 28 is nice but the
rest over egg the pudding for me and could be near disastrous if you
were doing the tune in waltz style!
Cheers
Anthony
--
To ge
Helen,
Good choice for a starter.
The beauty with that tune is it can be tried: a) as a very free air, b)
steady waltz, c) faster "Circle Waltz", to keep interest up.
Cheers
Anthony
--- On Wed, 22/12/10, Helen Capes wrote:
From: Helen Capes
Subject
"Banjo Breakdown". This is
excellent finger exercise and accessible enough to get beyond the dots
quickly. It went down well at Killington this year and again I can send
the dots if anyone wants them.
Cheers
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
ially, a huge chunk of time.
Warmest & best
Anthony
--
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
From John Gibbons
"or the horrible slurred playing some people go in for"
I take it this is a very different thing to the slurs in Chris
Ormston's "Blackbird"?
Anthony
--
To get on or off this list see list information at
http://www.cs.dart
Yesterday John Gibbons wrote:
Is 'the NSP don't move Anthony as much as the fiddle does', a sentence
about the NSP or about Anthony?
He has now explained that this is his own paraphrase based on something
I wrote about one particular tune played by two top rank
Today John Gibbons wrote:
Is 'the NSP don't move Anthony as much as the fiddle does', a sentence
about the NSP or about Anthony?
The answer has to be it's about both. My question is where did the
sentence come from? Definitely not the email you are replying
eir cost to the likes of the Cloughs and others
who knew what to do with them. Pure speculation and merely the result
of my own "digestion" of the piece so proper research could well prove
me wrong.
It would, nevertheless, be a lovely and fitting end to the tale.
Anthony, go wash your mouth out with soap!!
Helen
This has been a rather strange discussion.
We recently saw an attempt to summarise what Doubleday was saying that
only got as far as his preamble, overlooked the clues in words like
"power" and "bril
rther marvel at Billy's
genius!
Cheers
Anthony
--- On Sun, 19/12/10, Gibbons, John wrote:
From: Gibbons, John
Subject: [NSP] Re: WHW
To: "NSP group"
Date: Sunday, 19 December, 2010, 15:47
I'd heard NSP before - including Billy's TV
1 - 100 of 268 matches
Mail list logo
