From the discussions that we had in 95 to now. We’ve come a long way in many 
respects and gone backwards in so many others.
  

  
I’ve got my own children to tend to.
  

  
Thanks, I’m out. Unsubscribe.
  
  
  
  
 R1.
  
  
  
----
  BENN GLAZIER   
[email protected] (mailto:[email protected])   /   BENNGLAZIER.COM 
(http://bennglazier.com/)   /     
@BENNGLAZIER (http://www.twitter.com/bennglazier)   /   +44 (0) 7714 300018
  
  
  
  
  
  
  

  
  
>   
> On Jun 26, 2020 at 6:47 pm,  <Rob Taylor 
> (mailto:[email protected])>  wrote:
>   
>   
>   
> I know it's time to unsubscribe. Well done. Bye     
>   
>   
>   
> On Fri, Jun 26, 2020 at 6:39 PM Denise Dalphond  <[email protected] 
> (mailto:[email protected])>  wrote:
>   
> >   
> >   
> > At one point, Kent called me the Daphne of Techno. So I don’t really know 
> > where we are right here.   
> >   
> >   
> >
> >   
> > Denise
> >   
> >
> >   
> >   
> > On Fri, Jun 26, 2020 at 1:32 PM cnd  <[email protected] 
> > (mailto:[email protected])>  wrote:
> >   
> > >  Ftr Denise is more welcome on this list than you Kent, purely on the
> > >  basis of being a female black academic.
> > >   
> > >  Moderation? I'd rather hang with Moodymann than the bay city rollers.
> > >   
> > >  $0.02
> > >   
> > >  B-)
> > >   
> > >  On 2020-06-24 18:30, kent williams wrote:
> > >   >  You said it well.
> > >   >
> > >   >  Denise deserves respect and attention.    I've made myself clear in 
> > > the
> > >   >  last e-mail what I would like to see happen, and now I regret even
> > >   >  posting that on-list.
> > >   >
> > >   >  I'm not going to say any more on this. If anyone wants to e-mail me
> > >   >  directly, I'll read and respond.
> > >   >
> > >   >  On Wed, Jun 24, 2020 at 12:25 PM Kevin Kennedy  <[email protected] 
> > > (mailto:[email protected])>
> > >   >  wrote:
> > >   >
> > >   >>  I rarely chime in on the list but trend towards paying attention
> > >   >>  when I can.
> > >   >>
> > >   >>  For many, it can be really difficult to cut through the 'noise' that
> > >   >>  happens on a daily basis, as we are 100% inundated with information
> > >   >>  about nearly any and every subject we could be interested in, and
> > >   >>  some we're not.
> > >   >>
> > >   >>  Maybe the choice of words "perspective" may have been in some ways
> > >   >>  incomplete/misleading, however the intent was understood by me to be
> > >   >>  one of a noble and humble nature.    Most people don't have the time
> > >   >>  in their modern life to collect all of the reading documents and
> > >   >>  take the deeper dive necessary to understand any subject.
> > >   >>  Unfortunately, not all techno people are academics-but many are
> > >   >>  curious, which is a great trait for anyone academically-minded.
> > >   >>
> > >   >>  That said, I LOVE    Dr. Denise, and you all should know that she
> > >   >>  'keeps that same energy' for EVERYTHING...as Ethnomusicology is also
> > >   >>  her life's work.    If many had as much passion and persistence to
> > >   >>  rely on, we'd all probably do much more than we already do.
> > >   >>
> > >   >>  Fire and emotional content aren't easy things to channel.    It's
> > >   >>  taken me years to learn how to choose when and where I call out
> > >   >>  things I don't like.    I've recently done an interview with Peter
> > >   >>  Kirn and while I had some opportunity to say whatever I chose, I
> > >   >>  realized that denigrating people can be messy.
> > >   >>
> > >   >>  DWELLER, as a whole, is a useful resource and may get one more
> > >   >>  person to understand better the history of this music and have a
> > >   >>  better appreciation for what makes it special and influential.    We
> > >   >>  must all learn together, those who haven't learned the story should,
> > >   >>  and those who are attempting to be helpful should be encouraged to
> > >   >>  find other resources that could be more relevant if the ones they
> > >   >>  share are in some way not.
> > >   >>
> > >   >>  I'm going to say in closing that we all on this list have a duty to
> > >   >>  understand one another.    We have to come together like buttcheeks
> > >   >>  instead of sniping at each other like the outside world does on a
> > >   >>  daily basis.    We're all here on this list for the music first-But 
> > > we
> > >   >>  can also learn from each other.
> > >   >>
> > >   >>  I sincerely hope all of you are well.    FBK out.
> > >   >>
> > >   >>  On Wed, Jun 24, 2020 at 10:34 AM kent williams
> > >   >>   <[email protected] (mailto:[email protected])>  wrote:
> > >   >>
> > >   >>  On the one hand, Denise has valid points.
> > >   >>
> > >   >>  On the other hand she attacks people who have done nothing but good
> > >   >>  for the Techno community, has never minimized the contribution of
> > >   >>  black artists, and has never centered themselves in the discussion.
> > >   >>
> > >   >>  Denise, you need to find a way to make the points you want to make
> > >   >>  without making other people want to leave the 313 list.
> > >   >>
> > >   >>  I've never wanted to silence anyone on this list and have never
> > >   >>  banned anyone just for being outspoken, but at this point this list
> > >   >>  is a shadow of its former self, and a lot of it has to do with
> > >   >>  people posting things that make people feel uncomfortable.    And 
> > > not
> > >   >>  the 'questioning my privilege' uncomfortable, like 'being personally
> > >   >>  attacked without justification' uncomfortable.
> > >   >>
> > >   >>  I don't just see the public posts, I get private e-mails all the
> > >   >>  time with complaints about other list members.    Those are private,
> > >   >>  but regular list members only see what's on the list.
> > >   >>
> > >   >>  No one can argue with Denise's contribution to music scholarship
> > >   >>  dealing with black music, and no one should.
> > >   >>
> > >   >>  But being aggressive and disagreeable on the mailing list makes it
> > >   >>  about you, not about the music or the people.
> > >   >>
> > >   >>  On Wed, Jun 24, 2020 at 9:21 AM cnd  <[email protected] 
> > > (mailto:[email protected])>  wrote:
> > >   >>  Allgxxd
> > >   >>
> > >   >>  I hear you essay
> > >   >>
> > >   >>  Cheers
> > >   >>
> > >   >>  On 2020-06-24 14:11, Daniel Bean wrote:
> > >   >>>  Whoops sorry, meant to send that to the list.
> > >   >>>
> > >   >>>  ---------- Forwarded message ---------
> > >   >>>  From: DANIEL BEAN  <[email protected] 
> > > (mailto:[email protected])>
> > >   >>>  Date: Wed, Jun 24, 2020 at 2:08 PM
> > >   >>>  Subject: Re: Techno links from a Black perspective (fixed)
> > >   >>>  To: Denise Dalphond  <[email protected] 
> > > (mailto:[email protected])>
> > >   >>>
> > >   >>>  Have to agree with Denise here, the idea that we can somehow
> > >   >>  ignore
> > >   >>>  race in techno (or any other American music forms for that matter)
> > >   >>  is
> > >   >>>  ludicrous, especially at the moment.
> > >   >>>
> > >   >>>  On Wed, Jun 24, 2020 at 1:32 PM Denise Dalphond
> > >   >>>   <[email protected] (mailto:[email protected])>  
> > > wrote:
> > >   >>>
> > >   >>>>  Have you read my dissertation? Your suggestion makes no sense.
> > >   >>  Did
> > >   >>>>  you know Portia Maultsby was my teacher? Have you seen that chart
> > >   >>  of
> > >   >>>>  Black music genres floating around IG and FB? She made that.
> > >   >>>>  That’s part of her life’s work. And now, since I got to help
> > >   >>  her
> > >   >>>>  with it in graduate school, I get to help her update it
> > >   >>>>  professionally. So, shhhh.
> > >   >>>>
> > >   >>>>  Do you not live in the United States? Do you not understand what
> > >   >>  is
> > >   >>>>  changing here in the United States? Stop embarrassing yourself.
> > >   >>>>
> > >   >>>>  And why didn’t you get mad at Andrew Duke for sharing it?
> > >   >>>>
> > >   >>>>  Denise Dalphond
> > >   >>>>
> > >   >>>>  On Wed, Jun 24, 2020 at 5:24 AM Sjoerd  <[email protected] 
> > > (mailto:[email protected])>
> > >   >>>>  wrote:
> > >   >>>>
> > >   >>>>  Denise, is there any Social Justice Bandwagon you will not jump
> > >   >>  on?
> > >   >>>>  For the love of the 808, please refrain from this and find common
> > >   >>>>  ground in the beauty of this music instead of trying to sow
> > >   >>  division
> > >   >>>>  between people by this racebaiting.
> > >   >>>>
> > >   >>>>  I think few people care if the writer of the article has a Black
> > >   >>  or
> > >   >>>>  White skin colour, since what matters is the message, and the
> > >   >>>>  message is T-E-C-H-N-O and Unity between people from all walks of
> > >   >>>>  life.
> > >   >>>>
> > >   >>>>  Andrew, thanks for posting this. A lot has been written on the
> > >   >>>>  subject of Detroit Techno and I appreciate someone took the time
> > >   >>  and
> > >   >>>>  effort to collect them all. Seriously, the further we move
> > >   >>  forward
> > >   >>>>  in time, the more I realize that the future about this
> > >   >>  technological
> > >   >>>>  dystopia was already written way back in the 80's, with the
> > >   >>  origins
> > >   >>>>  of Techno in the Motorcity.
> > >   >>>>
> > >   >>>>  On Mon, 22 Jun 2020 at 16:11, Denise Dalphond
> > >   >>>>   <[email protected] (mailto:[email protected])>  
> > > wrote:
> > >   >>>>
> > >   >>>>  A majority of those articles and books are by white people. What
> > >   >>  do
> > >   >>>>  they mean by Black perspective. You could also go to the
> > >   >>  Dancecult
> > >   >>>>  website:  https://dancecult-research.net/references/
> > >   >>>>
> > >   >>>>  Denise
> > >   >>>>
> > >   >>>>  On Mon, Jun 22, 2020 at 9:53 AM Andrew Duke
> > >   >>>>   <[email protected] 
> > > (mailto:[email protected])>  wrote:
> > >   >>>>
> > >   >>>>  Dweller Electronics
> > >   >>>>
> > >   >>>>  writings from a black perspective
> > >   >>>>
> > >   >>>>  Our co-editor Ryan Clarke has researched a list of articles,
> > >   >>>>  interviews and documentaries about techno and its history. We
> > >   >>  have
> > >   >>>>  compiled it into this library that will be updated as we find
> > >   >>  more
> > >   >>>>  relevant work.
> > >   >>>>
> > >   >>>>  It is organized by date and divided into two lists “Reading”
> > >   >>  and
> > >   >>>>  “Audio/Visual”.
> > >   >>>>
> > >   >>>>   https://dwellerforever.blog/library
> > >   >>>  --
> > >   >>>  Denise Dalphond, Ph. D.
> > >   >>>  ethnomusicologist
> > >   >>>   schoolcraftwax.work (http://schoolcraftwax.work)  [1] [1]
> > >   >>>
> > >   >>>  Links:
> > >   >>>  ------
> > >   >>>  [1]  http://schoolcraftwax.work
> > >   >
> > >   >  --
> > >   >  FBK
> > >   >
> > >   >  Absoloop/Orange 82
> > >   >
> > >   >
> > >   >  Links:
> > >   >  ------
> > >   >  [1]  http://schoolcraftwax.work
> > >   
> >      --
> >   
> > Denise Dalphond, Ph. D.
> >  ethnomusicologist
> >   schoolcraftwax.work (http://schoolcraftwax.work)                  

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