t's a group
name: celesta. I want to change the abbreviation from csta. to the more
conventional cel.
--Andrew
On Dec 12, 2005, at 1:23 PM, Andrew Stiller wrote:
Is there anyway to retroactively change an abbreviated staff name
throughout a score, after all the pages have been optimize
Is there anyway to retroactively change an abbreviated staff name
throughout a score, after all the pages have been optimized, without
having to change each page individually or losing the optimization?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti
Andrew,
Given the keysig, is there any evidence that the composer had
originally spelled that chord as Fb but decided to simplify to E
later? (I'm assuming that you're working off a manuscript) If so, the
F in Bsn II could have the flat missing...possible??
Jim
Nice theory, but this compos
& bcl have G natural a 9th higher; cb,
vc, btrb, tuba have melody Bn En Dn Bn An Gn).
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
55344-3848
www.finalemusic.com <http://www.finalemusic.com>
www.smartmusic.com <http://www.smartmusic.com>
Sales: (800) 843-2066
Technical Support: (952) 937-9703
Fax: (952) 937-9760
-Original Message-
From: Andrew Stiller [mailto:[EMAIL PROTECTED]]
Sent: Friday, Decem
On Dec 2, 2005, at 4:54 PM, John Bell wrote:
On 2 Dec 2005, at 17:09, Andrew Stiller wrote:
Last week I reported on a bug whereby the double-flat becomes a
(graphic only) single flat when you attempt to move it vertically. I
have now observed the same behavior in the double-sharp, which
bugs.
In both cases, the wrong Alternate Character symbol is shown in the
Accidental Settings dialog. Correcting the symbol selection fixes the
problem.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
thing you'd
want if you were printing in booklet format. Is there some default
setting for booklet printing that would be creating this page?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Final
would take hours to evaporate from the underside of the roller
mechanism.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
the paper just doesn't get fed
into the mechanism and folds up accordion-wise.
Why is that not a jam? The only difference I can see is that the
crumpled-up paper sticks out of the machine, where you can see it.
Andrew Stiller
Kallisti Music Press
http://home.netco
On Nov 30, 2005, at 2:12 PM, Christopher Smith wrote:
Rubbing alcohol? Isn't that not recommended for rubber parts, as it
dries them out and makes them less effective? All the poop I've ever
seen on this says to use distilled water for rubber parts.
I'm sure you're right--but HP's manual s
o, say, 75% over and above the general system
reduction, I would have gained a good half inch. As it is, I eventually
made enough room by microscopic beat-chart fiddling, and by fudging the
L and R page margins. Hours of work!
Andrew Stiller
Kallisti Music Press
http://home.netcom.com
1st-gen. iMacs were the first to have no floppy drive. If they can't
burn data to a CD, then they can't copy to removable media at all!
Andrew Stiller
On Nov 30, 2005, at 1:35 PM, Darcy James Argue wrote:
Nonetheless, this page says CD-ROM, not CD-R:
<http://www.w
th rubbing
alcohol.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
ho, I find it hard to believe. 1st-gen. iMacs
were the first to have no floppy drive. If they can't burn data to a
CD, then they can't copy to removable media at all!
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
I use reduced-size notation to indicate editorial additions, and it
would be useful to be able to extend this convention to the above
elements.
I am surprised that augmentation dots and beams on notes are not
reduced in size along with the notes that you reduced. Are you sure
that they ARE
puter--you should get a dialog asking how you want to format it--and
I also coulda sworn that on a Mac you can format a blank disc and then
copy onto it later. So what's going on here and what do I do about it?
And BTW, I want to come out of this with a windows-readable disc.
Andrew Stiller
.
(i.e., all the flats/sharps reduced or augmented in size for that
change only)
I use reduced-size notation to indicate editorial additions, and it
would be useful to be able to extend this convention to the above
elements.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti
On Nov 28, 2005, at 12:34 PM, Robert Patterson wrote:
Andrew Stiller / 2005/11/28 / 12:12 AM wrote:
Especially, how can I avoid losing adjustments I've
made to the relative positions of the existing percussion staff and
the
staves that now adjoin it?
If the existing system
ition adjustments I've made to individual systems in
those movements? Especially, how can I avoid losing adjustments I've
made to the relative positions of the existing percussion staff and the
staves that now adjoin it?
Andrew Stiller
Kallisti Music Press
http://home.netco
ovement,
so I would hope that the port to OSX has maintained its earlier
features intact.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
thout the other.
There is no question in my mind that his music--all of it--ought to be
better known than it is internationally. _Der Mond_ for example is an
absolutely wonderful opera, but if there's ever been a production in
this country, I don't know about it.
Andrew S
I been its
editor I wouldn't have changed a word.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
, sometimes a GP may want less than a full measure's
pause. A 3-beat rest following a 4/4 measure (for example) would
otherwise require a one-bar change of meter, which pre-20th-c.
composers would tend to eschew.
Andrew Stiller
Kallisti Music Press
ht
by
teensy amounts until the measure looks right.
4) Put back in the beams that step 1 removed.
This takes about forty minutes *per measure*! Help?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing
.
Just curious, why do you want a fermata over a
barline?
This is a fairly common notation, and indicates a brief pause in the
music before beginning the next bar.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale
k bottom handle. Beat chart frame
appears, but the actual beat-chart elements do not.
Are either of these bugs still present in 2K6? If so, MakeMusic should
be notified.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Fina
r of other notational
elements such as clef changes, unorthodox stem directions, and
cross-staff notation, all of which I will preserve or alter depending
on both musical and typographic circumstances.
In short: it all depends.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com
ome way of differentiating
editorial slurs from the original slurs, and doing so in a way that
neither compelled the use of portamento for the latter, nor discouraged
it.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing l
serve the beaming breaks and reversed beams?
Beaming breaks yes, reversed beams no, with exceptions.
I'd have to agree with this.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shs
(slanted) default? For that matter, what's wrong with horizontal?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
playback 8vb?
How about: duplicate the vc. staff, change the transposition and
playback instrument on the new staff, then drag it back on top of the
vc. staff so the two perfectly overlap.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti
r the inevitable upgrade woes, or there
is something I simply don't understand about how to go about such
things.
BTW: Yes, I did upgrade from OS 10.0 to 10.3--but I did so when the OSX
side of my iMac was still a virgin system on which I'd done no work.
Andrew Stiller
Kallisti M
On Nov 3, 2005, at 5:28 PM, Brad Beyenhof wrote:
On 11/3/05, Williams, Jim <[EMAIL PROTECTED]> wrote:
Finale Friends...
We now have...
*Finale
*Print Music
*Finale Guitar
*Finale Songwriter
How about the "Engraver's Edition" that notates music cleanly and
efficiently without even claiming
e not
going to be able to use System 9, or any application tied to it, and
will need to update all your Finale files with an OSX-ready version--a
job better done now than later.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kal
is
going to turn around and bite them in just a few months. Count on it.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
xpressions and articulations.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
e
measure, then you need a flat by the trill to cancel it--just as if it
were a note. Note, btw, that you can always put in a cautionary trill
accidental, just like any other cautionary accidental, by using
parentheses.
Andrew Stiller
Kallisti Music Press
http://
last 20 years could hardly do better than to study the ensemble
works (from _Quest_ on) composed by George Crumb during that period.
I would in theory love to bring out a totally revised edition of my
book--but life is too short. The original book took me most of a
decade.
Andrew Stiller
clarinet as their first instrument.
Every single contra player that you encounter will have started by
learning to play the ordinary clarinet--in the treble clef,
transposing.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti
a mistake, it is not a
mistake any more.
So much for "callused."
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
ferenced in my other posting on this subject also
sez:
"Wreak is sometimes confused with wreck, perhaps because the wreaking
of damage may leave a wreck: 'The storm wreaked havoc along the
coast.'"
Andrew Stiller
Kallisti Musi
t
participle of wreak is wreaked, not wrought, which is an alternative
past tense and past participle of work."
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
-harmonics the same in that range!
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
eel a need to caution the composers on
this list that this does not give them any go-ahead to write
non-transposing cl. parts. Though many clarinettists *can* read in C,
they don't like it, and they don't read concert-pitch stuff with
anywhere near the facility they bring to Bb
weeks to reproduce.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
iscrepancy between overoptimistic
mfr. estimates and real world performance, not a greater consumption of
toner by music as opposed to print.
It's like my Toyota Prius, which officially gets 60 mpg (govt. figures)
but in real life gets "only" 40.
Andrew Stiller
Kallisti Music Pre
ystems is just plain
wrong--though heaven knows it is one of the most common notation errors
among professionals, most notoriously in _The Rite of Spring_.
Moral: if you want the bcl to sound up a ninth, do not under any
circumstances write a bass clef for it.
Andrew Stiller
Kallisti Music Pre
test state
of the file"--but he just doesn't seem to get it.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
will adjust their length automatically
with the note spacing and thereby avoid collisions 99% of the time.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo
On Oct 10, 2005, at 3:45 PM, dhbailey wrote:
Andrew Stiller wrote:
Thought the list might like to know that a piece of mine, and an
interview with me, will be aired on BBC-4 radio next month.
Wow, that is great, Andrew! Did they say anything about how they
heard about your music?
It
ace between
them. There is a shape-expression available for the beams. The whole
tremolo can be created in a single step by using the Tremolos plugin
from TGTools.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Final
me about the piece. In addition, apparently, they plan to use bits of my music for filler or intro on all five programs.
The programs will be aired on Nov. 7-11 at 3:45 PM GMT (wh. I think is 10:45 AM EST--but don't take my word for it), and can be heard online at www.bbc.co.uk/radio4 .
A
notes, especially grace notes.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
e word to designate a
species of pure-energy intelligences capable of inhabiting inanimate
objects such as, say, a scarecrow...
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
dards, and will at some point have to be drastically
reformed if it is ever to become anything more than a toy.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
he transposition
dialog won't work, and if you go to drag a note vertically, the first
thing it does is zoom to some weird place altogether off the staff.
Same goes for rests, and you can't use the Move Rests plugin. This is
totally unacceptable behavior.
And good heavens, why c
ntil further
notice. Also, I should be able to switch from, say, snare drum to
vibraphone and back again without having to invoke staff styles.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Final
On Sep 16, 2005, at 12:13 PM, Jacki B. wrote:
Hi, Everyone - So is the new version of Finale worth the $100 upgrade
fee?!
I'm on a Macintosh running Tiger...
Thanks for any info/opinions!
Not unless playback is terribly important to you, IMO.
Andrew Stiller
Kallisti Music Press
MakeMusic for years
to improve the thing, but for obvious reasons it's always remained a
low priority for them.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
7;s very interesting), but there most
certainly was not in the original 1969 publication. Believe me, I
looked hard for it!
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.
ch a
newspaper unsuccessfully sued Bracque (I think it was) for using a
fragment of their paper in a cubist painting.
But recent developments in music, esp. in the US, seem to go counter to
that, and I'm very puzzled.
Andrew Stiller
Kallisti Music Press
http://home.
we're now offering the
Akiles CoilMac-M Manual Punch and Coil Inserter.
http://www.npcimaging.com
I tried to go there, but "Server Could Not Be Found."
--Andrew
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/final
ul to place a(n unparenthesized)
courtesy natural before any repetition of the pitch within that bar
just to make sure the player understands.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
On Sep 7, 2005, at 4:54 PM, Johannes Gebauer wrote:
I can't find this in Ted Ross, and am looking for a rule: When a tie
reaches across a System break, should an accidental be repeated on the
second note?
My policy is to do this only following a page turn.
Andrew Stiller
Kallisti
t such practices are *not*
fair usage--but then how explain the Berio?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
, especially
inasmuch as the position and angle of the slash will vary from one
group to another.
This really is something that Finale ought to provide for.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
test
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
test
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
ent
was intended. They could of course just have said "piatti," but since
they don't say "gran cassa" or "campane tubolare" this lone use of
Italian would have created just as much confusion as the neologism
"piatti cymbals" appears to have done.
Me, I w
De gustibus...
Dennis
Eh?
The award winning artisan bread maker???
Simon Troup
What's sauce for de gustibus is non disputandum.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
e interesting, music fonts being of necessity highly
constrained in their range of variation.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
seen speak of Moog's
synthesizer as a pop instrument, with no mention at all of the
classical electronic-music scene that gave it birth and nourished it
thru its first decade.
Not complaining, just bemused.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kal
indeed be able to bind your 17" scores.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
motion!
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
[EMAIL PROTECTED]
http://lists.shsu.edu/mailman/listinfo/finale
parts.
If I extract from only the first orchl. file, then paste the rest of
each part staff by staff from the other orchl. files onto the
individual parts files, what information if any will be lost?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kal
experience occur when I play back my files:
no trills, no crescendos, no tremolos, no glissandos--got it?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
work. (And BTW, human playback does work when I play back files sent to me by others.)
The stuff described under "human playback" in the OLD is no help. What am I doing wrong?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/__
l mio ritratto, 1858), Heldenleben was all that came to my mind, so it seems that this earlier work really was unique for its time.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/___
Finale mailing list
Finale@shsu.edu
http://lists.shs
beled Vn.Ia and Vn. Ib. How should the string parts for such a piece
be distributed:
6.6.12.10.8.6?
8.8.8.10.8.6?
Something else?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
rs.
This is valuable not only in itself, but in that you will not then have
to go and unhide anything when you extract parts.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.
ke a sound file from the midi
file should work. Lemme try it and see what happens.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
19-minute orchestral midi file for me?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
all.
another flute called hichiriki, (not sure of the spelling), was even
more blatant.
The hichiriki is an oboe, and one who's shape I find considerably less
blatant than that of the clarinet, say. Somebody has an overly-vivid
imagination.
Andrew Stiller
Kal
.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
iTunes icon in the Dock.
3) Record the playback from Sibelius using Audio Hijack Pro or a
similar app.
OK. Thanks to both of you!
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http
On Aug 5, 2005, at 4:33 PM, Darcy James Argue wrote:
On 05 Aug 2005, at 1:13 PM, Andrew Stiller wrote:
OK, how do I change (or dump) a playback file to an AIFF? Gotta be
possible somehow.
Of course.
If you are using the Finale SoundFont:
Save Special - Save As Audio File -> Stand
r
of the methods mentioned above. After that, whenever you want to edit
stuff high above the top staff, you can just select the special set.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
OK, how do I change (or dump) a playback file to an AIFF? Gotta be
possible somehow.
--Andrew
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Aug 4, 2005, at 2:32 PM, David W. Fenton wrote:
It's a piece of cake to open the measure
properties dialog for the measure before it and then just navigate to
the next measure
Believe it or not, I had no idea that one could navigate betw. mm. in
the Measure Attributes dialog.
A
I can certainly understand uses for this.
Yes. You use it wherever a transposing instrument must appear without a
key signature, notably in non-tonal works and in earlier trp. and hn.
parts. Also good for pre-20th c. timp. parts, wh. also use no key sig.
Andrew Stiller
Kallisti Music Press
http://
.
Also, as an alternative to entering hidden rests, you can define a
staff style with "Display Rests In Empty Measures" turned off, and
apply it to that one bar.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale ma
On Aug 3, 2005, at 1:51 PM, Raymond Horton wrote:
My appologies - thought I sent this as private.
Hi Dean,
Is that the compensating one with four front action valves? ...
De nada. It's interesting.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kal
ic to help neurological patients, though he doesn't use the term "music therapy." There's a particularly good discussion in The Man Who Mistook His Wife for a Hat.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Fi
gainst insomnia than, say, the very similar sound of waves crashing on a beach--or of randomly modulated pink-noise.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
ent w. your R 5th finger. The result is the D an
octave lower. This effect has been written in actual music. What does
GPO do in this case?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Jul 27, 2005, at 12:25 PM, Darcy James Argue wrote:
"~" is UNIX shorthand for your user folder. Assuming your OS X
username is "Andrew Stiller," it's probably called "astiller" and
located at Macintosh HD/Users/astiller, and it should be marked with a
ously now?
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
.
What happens if there's a single empty measure with no displayed
whole-rest?
FWIW, I keep my minimum measure width at 200 EVPU in parts, 300 in the
score.
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale ma
701 - 800 of 1172 matches
Mail list logo
