Re: [313] the longg dj set
darwin stop talking out your ass. you always scrutinize everything too much. how can you say that creative djs are lost. you dont think theres any good djs anymore?? ive heard one of your dj sets and it wasnt that great. now to get back to what the original question was. just becuse some dj from betalounge let some of his tracks play doesnt me all djs nowaday do that shit. look at jeff mills look at dj bone... theres lots of djs that will drop tracks like crazy. From: darw_n [EMAIL PROTECTED] I think its because the whole notion of the DJ being a creative artist is lost. The newer DJ's never even thought of creating, they entertain, rockstardom, the very thing we rebelled against to begin with... Instead of oh, I am going to take this hook, and this break down and create something new, it has become *exactly* what a wedding or radio DJ or a POP band does, they play *exactly* what the crowd wants to hear... The older DJ's, or some of the persistent ones (like myself) find the creation to be for more interesting, and far more valid. But the problem here is that this is very hard to communicate to a new DJ. So many times, that I actually got in arguments with normal non techno orientated people about DJing. They could not understand that it can be more that just playing records... darw_n create, demonstrate, toneshift... http://www.thedemonstration.com http://www.sphereproductions.com http://www.mannequinodd.com search djdarwin on napster - Original Message - From: Lester Kenyatta Spence [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, January 29, 2001 11:27 AM Subject: [313] the longg dj set i've been listening to betaloung, and groovetechand there is a distinctly different approach to dj sets than say ten + years ago. rather than about a MINUTE of a song, then a segue, djs now play the whole songor close to it, before bringing in something else. does this occur as a result of djs having to spin 6-8 hour setsor is there something else going on? peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Re: [313] Good Bye
Whats everyones view on this?
More Streamlining
In an effort to remove SPAM from these lists (of which I've been a major culprit), I opted to create a 313 station on mp3.com. I know it's sort of presumptuous since I'm not actually from Detroit. I did live in Ann Arbor for a while when I was a kid if that counts ;), but I think it's a needed step to compliment the TechKnow list, and get 313 and TechKnow under control so we don't have to sift through 100+ emails/day. Although it's been rather calm lately, I don't anticipate it will remain that way. Work smarter, not harder, right? So... if any producers on these lists would like to submit their mp3.com member page names to me, and a list of tracks you would like to have broadcast at the station, please email me that information. I figure with the response to Redux, and the number of listen to my tracks emails I get every day, this should be a hit. Not to mention how many of us are looking for good new music online while we toil at the 9-5. Hopefully this will make life a little easier on both of those accounts, and possibly get us some much needed promotion. At the moment, I'm not going to restrict people off-list from submitting material to me, but if it gets too big I may impose this standard at a later date. Wishful thinking, eh? All material must be in the spirit of these lists though. Hopefully we all know what that means without being too strict or too loose with our defintions. The idea is, if you produce drum n bass, I probably wouldn't post the track unless it had a uniquely Detroit feel to it. Make sense? I think it's not so much what you make as the spirit in which you make it, so we'll go that route. The basic standard is going to be, do I think most people on this list would think it fits the broadly defined mold? If so, then I'll post it. I'm not going to be a tyrant. As I will be reviewing compositions for content, I may from time-to-time post reviews of new material submitted for the station. Let me know what you think of this idea one way or the other, or pay us a visit at http://www.mp3.com/stations/313 I say pay us a visit, b/c I'm the only one on there right now. ;) Hopefully that will change soon. It's not my intent to prevent people from sharing their new music directly with the list, but hopefully to limit the volume of I posted revision #7 of the track I made yesterday. I do this as much to prevent myself from these annoyances as everyone else. Let's see what happens! Tristan -- Eleven mixes, one album, various tracks, pics and info here: http://phonopsia.tripod.com/ [EMAIL PROTECTED] FrogboyMCI on AOL IM Deserve's Got Nothing to Do With it. -Clint Eastwood, Unforgiven _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
Re: [313] Future of DJ'ing, also anyone at MIDEM?
--- lo sens [EMAIL PROTECTED] wrote: more important than how it is fed in. And Safety Scissors and Sutekh had awesome sounds spilling out. I second this. They are awesome as live acts and I cannot recommend you see them enough. Also keep in mind that I've seen many many acts live, these were in the top 3 (think Paperclip People, Laurent, Voitek etc) Safety Scissors seemed to always have these awesome off-kilter beats spilling out, hi-hats and clicks and noises flying every which way and yet it was so damn funky. Sutekh was right on for the darkness. -Dave __ Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/
Re: [313] the longg dj set
i play on groovetech most every week (have a regular 10 to noon pst slot on saturdays but travel quite a bit lately so others fill in.) at any rate, for me, i am definately guilty of playing more of the song before mixing (and sometimes not mixing at all.) i know i will get flack from some zealants out there but i do not believe that every time i step behind the decks i have to produce a mix or art or whatever. i am presenting music that i happen to want to listen to that morning. i do not have a chance to really listen to music during the week, i mean sit down and focus on the music, so i use my radio time to explore new arrivals and re-fresh on the old and nelected. of course, i tend also to play songs that i do not often play out, it is also about context. call me craze, but i can not wake up saturday morning and pop off 2 hours of dancefloor pumpers before noon:) if i felt comforatble with a mic, i probably do at least some of the time what TP has talked about: playing tracks beginning to end and talk about the song and the history. personally, i feel a lot is lost between the legends and whatever is newest and greatest. cheers. ben sims. On Mon, 29 Jan 2001, Lester Kenyatta Spence wrote: `i've been listening to betaloung, and groovetechand there is a `distinctly different approach to dj sets than say ten + years ago. rather `than about a MINUTE of a song, then a segue, djs now play the whole `songor close to it, before bringing in something else. ` `does this occur as a result of djs having to spin 6-8 hour setsor is `there something else going on? ` ` ` `peace `lks ` ` ` ` `- `To unsubscribe, e-mail: [EMAIL PROTECTED] `For additional commands, e-mail: [EMAIL PROTECTED] ` `
Re: [313] the longg dj set
darwin stop talking out your ass. K... you always scrutinize everything too much. K... how can you say that creative djs are lost. you dont think theres any good djs anymore?? No, when did I say that?? I said that lately, the notion of the mix has been down played by playing records for the crowd, as opposed to creating a new song... And another thing, and someone brought this up. Play the whole record does not mean your bad, Vath speaks of that very well I think... ive heard one of your dj sets and it wasnt that great. First off, I play everything from deep house to trance, with influence from techno. So, I don't really expect to many people on here to like my sets, nor do I demand that. And since when did I say I was anything great?? All I know is that I try to do something the best I can. But, never once, did I suggest I was anything remarkable... Why is it that people are so freakin' irritable?? Jesus, I'm just making some observations and comments about my profession, I think I have done it long enough to at least be able to chip is $.02 here and there... I just like thinking and talking about the music, that's all, chill... darw_n create, demonstrate, toneshift... http://www.thedemonstration.com http://www.sphereproductions.com http://www.mannequinodd.com search djdarwin on napster
Re: [313] More Streamlining
Since I've mentioned the TechKnow list a couple of time and I've had about 10-15 emails asking about it, I thought I'd do Todd a favor and re-post the info on it. See below. The subscription info below is *wrong* though. You will need to subscribe by visiting http://groups.yahoo.com/group/313techknow/ The list has 46 members and it's not even a week old. It's going quite well so far. Tood Gys's original message: Hey 313ers, Quick announcement and invitation: The Tech-Gear list seems to have drifted away; this was an eGroups list with 313 music production techniques as the main focus. I was going to take over Tech-Gear as moderator, but apparently it was taken down before I got a response. Reason being that the active community just wasn't large enough. However, I think that list was a great idea, so a new list has been created to provide 313 producers, both novice and experienced, with a place to talk about specific production techniques, reviews of gear, etc. If you produce your own music and want to share ideas or get tips from other musicians, this is the place to do it. If you've ever wanted to start making your own detroit-style tracks and don't know where to begin, this is a great opportunity. I'm hoping to make 313TechKnow the perfect compliment to our list here at hyperreal. 313@hyperreal.org deals with the music we love; [EMAIL PROTECTED] will deal with how to make it. I'm going to keep an active role as moderator to ensure that all posts are 313 relevant so no one will have to deal with candy-ravers asking how to make Goa trance from their cracked copy of ReBirth =] That in mind however, the list will be still be open minded in styles; trying to enlist members with interests in everything from hard UR-style electro to the deep dubby minimal sounds coming out of berlin. Anyway, I would love to establish a strong community for the list, so if you are interested please subscribe. I'm going to do my best to recruit members with a throrough knowledge base about 313-related production techniques. http://www.egroups.com/group/313techknow GYS set.go.recordings Tristan -- Eleven mixes, one album, various tracks, pics and info here: http://www.mp3.com/stations/313 http://phonopsia.tripod.com/ [EMAIL PROTECTED] FrogboyMCI on AOL IM Deserve's Got Nothing to Do With it. -Clint Eastwood, Unforgiven -Original Message- From: glyn [EMAIL PROTECTED] To: Phonopsia [EMAIL PROTECTED] Date: Tuesday, January 30, 2001 12:08 AM Subject: Re: [313] More Streamlining Phonopsia wrote: In an effort to remove SPAM from these lists (of which I've been a major culprit), I opted to create a 313 station on mp3.com. I know it's sort of presumptuous since I'm not actually from Detroit. I did live in Ann Arbor for a while when I was a kid if that counts ;), but I think it's a needed step to compliment the TechKnow list, and get 313 and TechKnow under control so we don't have to sift through 100+ emails/day. Although it's been rather calm lately, I don't anticipate it will remain that way. Work smarter, not harder, right? who hosts the techknow list? what kind of (on-topic) stuff gets discussed there? glyn _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
Re: [313] More Streamlining
Oh, one more thing: If you make a submission, feel free to include some bio information I can put with the track commentary. Not required, but makes my job a little easier. Tristan -- Eleven mixes, one album, various tracks, pics and info here: http://www.mp3.com/stations/313 http://phonopsia.tripod.com/ [EMAIL PROTECTED] FrogboyMCI on AOL IM Deserve's Got Nothing to Do With it. -Clint Eastwood, Unforgiven -Original Message- From: Phonopsia [EMAIL PROTECTED] To: 313 313@hyperreal.org; Tech Know [EMAIL PROTECTED] Date: Monday, January 29, 2001 9:45 PM Subject: [313] More Streamlining In an effort to remove SPAM from these lists (of which I've been a major culprit), I opted to create a 313 station on mp3.com. I know it's sort of presumptuous since I'm not actually from Detroit. I did live in Ann Arbor for a while when I was a kid if that counts ;), but I think it's a needed step to compliment the TechKnow list, and get 313 and TechKnow under control so we don't have to sift through 100+ emails/day. Although it's been rather calm lately, I don't anticipate it will remain that way. Work smarter, not harder, right? So... if any producers on these lists would like to submit their mp3.com member page names to me, and a list of tracks you would like to have broadcast at the station, please email me that information. I figure with the response to Redux, and the number of listen to my tracks emails I get every day, this should be a hit. Not to mention how many of us are looking for good new music online while we toil at the 9-5. Hopefully this will make life a little easier on both of those accounts, and possibly get us some much needed promotion. At the moment, I'm not going to restrict people off-list from submitting material to me, but if it gets too big I may impose this standard at a later date. Wishful thinking, eh? All material must be in the spirit of these lists though. Hopefully we all know what that means without being too strict or too loose with our defintions. The idea is, if you produce drum n bass, I probably wouldn't post the track unless it had a uniquely Detroit feel to it. Make sense? I think it's not so much what you make as the spirit in which you make it, so we'll go that route. The basic standard is going to be, do I think most people on this list would think it fits the broadly defined mold? If so, then I'll post it. I'm not going to be a tyrant. As I will be reviewing compositions for content, I may from time-to-time post reviews of new material submitted for the station. Let me know what you think of this idea one way or the other, or pay us a visit at http://www.mp3.com/stations/313 I say pay us a visit, b/c I'm the only one on there right now. ;) Hopefully that will change soon. It's not my intent to prevent people from sharing their new music directly with the list, but hopefully to limit the volume of I posted revision #7 of the track I made yesterday. I do this as much to prevent myself from these annoyances as everyone else. Let's see what happens! Tristan -- Eleven mixes, one album, various tracks, pics and info here: http://phonopsia.tripod.com/ [EMAIL PROTECTED] FrogboyMCI on AOL IM Deserve's Got Nothing to Do With it. -Clint Eastwood, Unforgiven _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com
Sutekh in Sydney @ Frigid on Sunday!!
Well i've been waiting a while to see this guy! Oh and BTW im not the promoter. -Quest From SBS site: SUTEKH DIRECT FROM USA SUB BASS SNARL / SIR ROBBO LIVE - SUTEKH (USA) Sutekh hails from San Francisco and runs the Context label as well as releasing tracks for Drop Beat, Force Tracks (the [EMAIL PROTECTED] compilation), an album on Force Inc titled Periods Make Sense, Mille Plateaux (a track on Clicks Cuts), Source, and Tektite. He'll be playing live and also doing a long DJ set which will cover his minimalist techno and experimental work.
Re: [313] Good Bye
On Mon, 29 Jan 2001 [EMAIL PROTECTED] wrote: Whats everyones view on this? haven't been using napster(or any other similar service), so i don't care. sakke -- ls: .signature: No such file or directory
Re: [313] about 313 raves....
cops busting dealers at parties is great. unfortunately the people who throw these parties also suffer. they are making money by allowing drug dealers to move freely through their party though. the city of detroit needs good publicity, not bad. the suburban attitude has been very negative toward all those crack heads south of baseline road (detroit/suburban border) and of detroit in general. why should detroit cops treat these e-chompers any differently? i think these police actions have been initiated by the parents of these ravers. ive seen wrecked mini vans full of dazed teenagers outside abandoned warehouses more than once.
Re: [313] the longg dj set
ben sims wrote: if i felt comforatble with a mic, i probably do at least some of the time what TP has talked about: playing tracks beginning to end and talk about the song and the history. personally, i feel a lot is lost between the legends and whatever is newest and greatest. On Mon, 29 Jan 2001, Lester Kenyatta Spence wrote: `i've been listening to betaloung, and groovetechand there is a `distinctly different approach to dj sets than say ten + years ago. rather `than about a MINUTE of a song, then a segue, djs now play the whole `songor close to it, before bringing in something else. ` `does this occur as a result of djs having to spin 6-8 hour setsor is `there something else going on? ` it all depends on the purpose of the mix. personally I wish more radio shows just did straight tunes, no mixes, or maybe a polite 4 to 16 beat mix on ends, purely for continuity. I like to hear the music in its entirety, simply so I can listen to it. I make myself cd's that aren't mixes, but compilations so I can hear complete pieces, you often forget what some tracks are like in entirity as you only play 90 second of a track. You forget intro/outros, or conversely breakdowns and middle eights/sixteens.. ...admittedly when i'm in the mix, if it's techno or electro it's in and out, if it's more house orientated it's going to be slower mixing all IMHO. -- benn [royal] glazier [EMAIL PROTECTED] http://www.royaltech.net faster, more distinct, closer to the edge.
FW: [313] Good Bye
-- From: simon [EMAIL PROTECTED] Date: Tue, 30 Jan 2001 09:16:52 + To: Sakari Karipuro [EMAIL PROTECTED] Subject: Re: [313] Good Bye royalties to be paid eh? i only download live dj mixes that are not commercially available (i.e. DEMF mixes, mills live at wherever etc.) so who gets my royalties? will my fee go to the dj, or will someone go through a three hour laurent garnier mix and split my fee between all the artists whose tracks have been played? I think the fee is a good thing, as personally, I just could not live with myself if i knew that Celine Dion was starving because of my selfish downloading of her genius.
Re: [313] FW: [313] Good Bye
On Tue, 30 Jan 2001, simon wrote: royalties to be paid eh? no, just large collection of music at home. 12's and cd's. sakke -- ls: .signature: No such file or directory
peel seamus // radiomortale set online
peel seamus (delsin) as guest dj on radio mortale's 'dutch dance', 26.01.2001 http://www.paracid.com/rude66/audio/26-01-2001.ram tracklisting:: newworldromantic - noworldbutu (newworldaquarium) terrace - 916 buena avenue (djax-up-beats) speedy j - de-orbit (plus8) david caron - fantasy on a fantasy.. (eevolute) sandor caron - plateaux (signum) dj aardvarck - doeda (delsin) [blabla] dj aardvarck - brul (delsin) marvo genetic - the opposite wave (deviate) 154 - immanent (100%pure) 154 - sun (delsin) newworldaquarium - tresspassers (delsin) matt maverick - decade (rushhour)
Re: [313] Good Bye
On Mon, 29 Jan 2001 [EMAIL PROTECTED] wrote: Whats everyones view on this? I don't think it's the end of (music)file sharing. Fortunately there's an alternative to Napster, Gnutella, which was mentioned on this list a while ago. Besides, it's open source... :) Few quick links: http://gnutella.wego.com/ http://www.gnutella.co.uk/ http://www.gnutellanews.com/ http://www.rixsoft.com/Knowbuddy/gnutellafaq.html J -- Jussi Lehtonen [EMAIL PROTECTED] www.netppl.fi/~sandman Do not allow yourself to be programmed. For once, in your life, take control. Take control. - UR
Re: [313] the long dj set
This is an issue of continuing interest, because I tend to let tracks play out and mix in late. At the very beginning it was because my mixing skills weren't so good and I just needed more time to select the next track and get things ready. But after a while I preferred it, although I like the quick-in-and-out approach of other DJs quite a bit. To some degree this issue is influenced by the content. Vocal house tracks tend to be fairly short and designed for a very consistent mix-in/break/central section/break/mix-out-quick approach. You have to be careful because you don't want the vocals stepping on each other. Mixing in key or at least not clashing really matters with those tracks. Trackier house provides more flexibility, but I've noticed fairly quick mixing continues as the dominant style for a lot of the pro DJs. Whether this is because they don't want to get bored with their current crate or they don't want the floor to lose focus, or both, is sometimes hard to say. Also, a lot of house (well, a lot of *all* styles) is pretty nondescript, not to say mediocre, and there isn't enough variation to play out an entire track. The same goes for a lot of the standard techno, particularly the drier European style, but on the other hand I hear a lot of long mixing with those tracks, and even moreso with epic or progressive house, not to mention trance. I know there is a lot of variation among Detroit DJs, but if I were to characterize the Detroit style, I'd say it's quick-mixing; I'm sure this goes back to hip hop and the influence of Jeff Mills on a generation of radio listeners. This reaches to the limits with techno-bass-electro-booty, and even I play that much more limited sections of tracks in that style, although I definitely don't have the skills of the good Detroit booty movers :) It's interesting to see how different DJs approach the same records. I found this out again when K.J. put together an impromptu set out of my record bag at the last 313 party at Detroit Science. Gave my stuff a whole new life! I tend to play one particular way because of my tastes, limits as a technical DJ, and the records I've gotten by luck or hard work (sometimes both), but I am *motivated* by DJs with many different styles. The reason why house and techno persist and have longevity that other styles don't seem to is, in part, because of the flexibility of these bodies of music when it comes to presentation. I could go on about how vinyl is an important factor in this, but I better not oughtta... phred
Re: [313] the long dj set
Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. Well said! I generally prefer the quicker mixing myself (to listen to I mean). Jeff Mills, Dave Clarke, DJ Bone (who I'm going to hear this w/e in Birmingham) but saying that you can't really mix House in the same way as Techno. Sneak chops it up a bit and I'm sure there are other Chicago DJs that mix House in a similar way, but generally house DJs seem to go for the smoother blend, which is fine. The style that I don't like is progressive / trance DJs that play 10min tunes. As I said in a previous thread, journey or party? - I know which I'd choose!
Re: [313] the long dj set
Well said! I generally prefer the quicker mixing myself (to listen to I mean). Jeff Mills, Dave Clarke, DJ Bone (who I'm going to hear this w/e in Birmingham) but saying that you can't really mix House in the same way as Techno. Sneak chops it up a bit and I'm sure there are other Chicago DJs that mix House in a similar way, but generally house DJs seem to go for the smoother blend, which is fine. The style that I don't like is progressive / trance DJs that play 10min tunes. As I said in a previous thread, journey or party? - I know which I'd choose! the more i read this, the more i ask myself if you guys have ever heard a really superb dj (which e.g. jeff mills is a solarsystem away from). even techno can be mixed fast but smooth, interesting but building. i can't understand why people like this i need to play 10 vinyls in 3 minutes style, no matter what comes. no matter if it even is more bumping than smooth. this always makes me completely confused when i heard a good track and another one is rolling in like a train in my face, 5 beats faster than the one which is just playing (umfgadumppengbaengbumm). even if i seem to be alone on this point of view, but i can't dance to that. i love to spin two tracks for 10 minutes (if possible) together and play around with them. there is much more a good dj can build up than with crashing tracks into each other. rp[rf]
Re: [313] Ring ring ring ha ha hey!
On Mon, 29 January 2001, David Hampson wrote: http://hometown.aol.com/leeroyd90/phone.html I'm sure some of you with mobile phones will enjoy these! Yeah, mobile phone tunes are a big business in Finland, but they're always the latest (s)hits from the TOP-20. I've been thinkin about makin Farley Funk's Jack my body as a ringin tune for a while now, but I'm too lazy. It would make a perfect cover since the original itself is a BLEEP classic! Other hits could be No U.F.O.s, Nightdrive thru Babylon, Wiggin, Acid tracks (not sure what this would sound like...), Big fun, Original Video Clash, Nude photo etc... And a special tune for those moments when you're visiting your relatives in some backwoods of the worst redneck/bible-zone: Duelling banjos from the Deliverance;) I'm sure the locals would appreciate it! Proffit __ Get Your FREE Web-based e-mail at http://www.truthmail.com ...changing e-mail forever. Find out where music is going! http://www.radiou.com Check out this guy! http://www.ccci.org/whoisjesus/
Re: [313] ID's
That's Prescription Every Night on Prescription, it's by Rob Mello Luke Solomon and is based on a sample of Dr. Love by First Choice on Salsoul. And it sounds great if you get a second copy and, just before the filtered break, scratch the second copy back half a beat. As it rises out you get this lovely out of the deep doubled up beat. T'was one the anthems of my college days, that track. So there. Jonny. - Original Message - From: Williams, Howard [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, January 25, 2001 4:12 PM Subject: [313] ID's Hi 313ers If someone could ID the following track for me i would be so happy (i've been trying to discover what it is for a few years now after i heard Carl Craig play it on his Radio One Essential mix...) It's in Kenny Larkin's set on Plus 8 Transmissions part a, and it plays at aroun 18mins 30 secs.WHAT a track : kind of a looped strummed guitar sound with simple but effective bassline with the occasional break in the loop...vocal comes in : searchin'.searchin' every night which loops round and round Hopefully yours, H - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Ring ring ring ha ha hey!
On 30 Jan 2001, jim proffit wrote: On Mon, 29 January 2001, David Hampson wrote: http://hometown.aol.com/leeroyd90/phone.html I'm sure some of you with mobile phones will enjoy these! Yeah, mobile phone tunes are a big business in Finland, but they're always the latest (s)hits from the TOP-20. I've been thinkin about makin Farley Funk's Jack my body as a ringin tune for a while now, but I'm too lazy. It would make a perfect cover since the original itself is a BLEEP classic! what about sweet exorcist - test tone sakke -- ls: .signature: No such file or directory
Re: [313] Ring ring ring ha ha hey!
try sweet excorsist.beepbeep,beepbeep. or just try to get that loud rrring back.. 154
Re: [313] Ring ring ring ha ha hey!
what about sweet exorcist - test tone What about The Bells??? Or perhaps Forklift? YEAH!
Re: [313] Ring ring ring ha ha hey!
(And here's aquick response to David Gillies) On 30 Jan 2001, jim proffit wrote: Yeah, mobile phone tunes are a big business in Finland, but they're always the latest (s)hits from the TOP-20. Other hits could be No U.F.O.s, Nightdrive thru Babylon, Wiggin, Acid tracks (not sure what this would sound like...), Big fun, Original Video Clash, Nude photo etc... You should act quick if you want your own name to the hall of fame of the guild of mobile phone tune makers. :) There's already Jeff Mills - The Bells at http://bambi.radiolinja.fi/soittoaanet/servlet/harmonium.Details?id=OKFXKQ :) J -- Jussi Lehtonen [EMAIL PROTECTED] www.netppl.fi/~sandman Do not allow yourself to be programmed. For once, in your life, take control. Take control. - UR
RE: [313] Ring ring ring ha ha hey!
I called you - lil louis Calling you/bagdad Cafe - Abacus Telephone Call - Kraftwerk -Oorspronkelijk bericht- Van: David Gillies [mailto:[EMAIL PROTECTED] Verzonden: dinsdag 30 januari 2001 13:06 Aan: Sakari Karipuro; 313@hyperreal.org Onderwerp: Re: [313] Ring ring ring ha ha hey! what about sweet exorcist - test tone What about The Bells??? Or perhaps Forklift? YEAH! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Ring ring ring ha ha hey!
On Tue, 30 Jan 2001, David Gillies wrote: what about sweet exorcist - test tone What about The Bells??? well, alarms from purpose maker series would be better imho, or perhaps the piano melody from changes of life or what was that tune called.. :) Or perhaps Forklift? YEAH! what would that sound like.. you mean that luke slater filtered mix, right? i'd go with Ballpark... sakke -- ls: .signature: No such file or directory
Re: [313] the longg dj set
First off, I play everything from deep house to trance, with influence from techno. So, I don't really expect to many people on here to like my sets, nor do I demand that. do you play them LIVE AT FUSE and then share them on napster as such? yeah, I thought so. Dj Darwin LIVE @ FUSE - life feat. [keven(sic) saunderson, derrick may, afex(sic) twin, adam beyer, marco carola, isolee, Timo Maas, Richie Hawtin, rob hood, halo].mp3 deceptive titling is the mark of a true artist. TONESHIFT 4 EVA!
Re: [313] Ring ring ring ha ha hey!
what about sweet exorcist - test tone What about The Bells??? well, alarms from purpose maker series would be better imho, or perhaps the piano melody from changes of life or what was that tune called.. :) how about speedy j - pullover? ahh, if only i had a phone... chris
RE: [313] Ring ring ring ha ha hey!
Id like the intro for The Theme by Unique 3...bleeping brilliant...granted the phone would need a sub bass port for full effect when that nasty bass underpins those delicate bleeps. r_av -Original Message- From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED] Sent: Tuesday, January 30, 2001 12:23 PM To: Sakari Karipuro Cc: David Gillies; 313@hyperreal.org Subject: Re: [313] Ring ring ring ha ha hey! what about sweet exorcist - test tone What about The Bells??? well, alarms from purpose maker series would be better imho, or perhaps the piano melody from changes of life or what was that tune called.. :) how about speedy j - pullover? ahh, if only i had a phone... chris - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Ring ring ring ha ha hey!
On Tue, 30 Jan 2001, David Gillies wrote: Or perhaps Forklift? YEAH! what would that sound like.. you mean that luke slater filtered mix, right? i'd go with Ballpark... I'm just waiting for the day when you can use a wave file as the actual ring tone. That would be cool. Maybe some mod-hacking needs to be done on those MP3 player/mobile phone combos. out. dave.
Re: [313] FW: [313] Good Bye
it's just another question of the major players on the scene making some more money, and the small fish - who might actually benefit from something like napster - getting stepped on, kept down seriously, does michael jackson really need any more money? Christian Bloch www.mp3.com/bloch Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go - Original Message - From: simon [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Tuesday, January 30, 2001 10:31 AM Subject: [313] FW: [313] Good Bye -- From: simon [EMAIL PROTECTED] Date: Tue, 30 Jan 2001 09:16:52 + To: Sakari Karipuro [EMAIL PROTECTED] Subject: Re: [313] Good Bye royalties to be paid eh? i only download live dj mixes that are not commercially available (i.e. DEMF mixes, mills live at wherever etc.) so who gets my royalties? will my fee go to the dj, or will someone go through a three hour laurent garnier mix and split my fee between all the artists whose tracks have been played? I think the fee is a good thing, as personally, I just could not live with myself if i knew that Celine Dion was starving because of my selfish downloading of her genius. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Ring ring ring ha ha hey!
Screw all that... Put Red 1 on there Or perhaps Forklift? YEAH! what would that sound like.. you mean that luke slater filtered mix, right? i'd go with Ballpark... sakke -- ls: .signature: No such file or directory - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Ring ring ring ha ha hey!
At 08:48 30/01/01 -0500, you wrote: Screw all that... Put Red 1 on there ok yeah yeah, we've all got the picture now.. Not as fun as the Alien Rave Kru, or the TT one. Thread ends here please. -- benn [royal] glazier [EMAIL PROTECTED] http://www.royaltech.net faster, more distinct, closer to the edge.
Re: [313] the longg dj set
HEHE[sarcasm]... why don't you ask where that came from first... And why its written like that... Its a pretty simple explainantion... And what do you care anyways??? Just a thought?? Anyways, It's not by my design that those are there, I downloaded half of my own sets of Napster, with the exception of Life..., which ended up on there anyways. The ones that I put on there has simply my agents web address on there, nothing more. Plus its written in the way I normally write my name, with the underscore... The sets with all the name is my manager, who is a good friend of mine, trying out his new idea for marketing. Well, you see how outta hand it got. Also, the names are what he thought was the artists I used on that, and other recordings (there are three sets released by him from the Sphere Offices)... I personally don't own a single Richie Hawtin record. But he had it pretty close, especially the Isolee, I was surprised by that because no one in this area knows that!!! Anyways, I have been trying to figure out how to fix that issue, but its too late, so I just chalk it up as a mistake... BTW, That recording is called life... and it was made right here, in the basement... And none of those recordings are in anyway toneshift recordings, just in case you used those to try to understand the shift... darw_n create, demonstrate, toneshift... http://www.thedemonstration.com http://www.sphereproductions.com http://www.mannequinodd.com search djdarwin on napster - Original Message - From: [EMAIL PROTECTED] To: darw_n [EMAIL PROTECTED] Cc: ryan burns [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, January 30, 2001 7:19 AM Subject: Re: [313] the longg dj set First off, I play everything from deep house to trance, with influence from techno. So, I don't really expect to many people on here to like my sets, nor do I demand that. do you play them LIVE AT FUSE and then share them on napster as such? yeah, I thought so. Dj Darwin LIVE @ FUSE - life feat. [keven(sic) saunderson, derrick may, afex(sic) twin, adam beyer, marco carola, isolee, Timo Maas, Richie Hawtin, rob hood, halo].mp3 deceptive titling is the mark of a true artist. TONESHIFT 4 EVA!
Re: [313] the long dj set
I like to mix quick... but I sometimes wanna play the best bit of a tune, which is often at the end... so I generally end up playing it right through or taking ages mixing between two records to make it really smooth... I reckon it totally depends on the tunes you're playing... l8r, Nick (Dj Pacific:) __ Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/
Re: [313] Ring ring ring ha ha hey!
On Wed, 31 Jan 2001, David Gillies wrote: I'm just waiting for the day when you can use a wave file as the actual ring tone. That would be cool. Maybe some mod-hacking needs to be done on those MP3 player/mobile phone combos. Nokia Communicator can play waves as ringin tones. sakke -- ls: .signature: No such file or directory
Re: [313] the longg dj set
Im kinda flattered that I am the point of frustration in your life!!! The reason why it says [LIVE @ FUSE] is so people find it easier, same with the artist names... And I *did* explain why I have it on my files, its because I had to download the two other ones (both of which are live and bootlegged). Life... is the only one I made for release, which never did do to license problems... Look, I felt stupid too when I did a vanity search on napster and WHAM, all that came up. I respect and understand your criticisms, do you really think I, or any other artist for that matter, would want to appear to come off like that? As a fake?? I would hope not!! I OKed this action, and it was a mistake, and it got circulated before I could go over his house and check it (Hell, I didn't even thinking of checking it till a week later, I never thought it would be an issue till later in the game!!;). The main reason behind Sphere putting it there is so people who might be interested in one artist, or one genre (live @ fuse is in itself a Napster genre;) would find my recordings, three in all. That's all there is to look into that; it wasn't some devious slanting move, if you were looking up Saunderson, you *may* find my CD worth a shot. That's why there these brackets [*] around the added stuff, to separate the title and my name from the artists and that LIVE @ FUSE garbage We all screw up, I didn't even do this, and I'll say I screwed up. Is that OK?? I Kinda like that Life... CD though, I think I'll listen to it right now!! darw_n create, demonstrate, make some eggs and move on with my day... http://www.thedemonstration.com http://www.sphereproductions.com http://www.mannequinodd.com search djdarwin on napster - Original Message - From: [EMAIL PROTECTED] To: darw_n [EMAIL PROTECTED] Cc: ryan burns [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, January 30, 2001 9:07 AM Subject: Re: [313] the longg dj set why don't you ask where that came from first... where did it come from? I've seen it shared by darw_n before, which I kinda doubt is an impostor, but who knows after all we all know everyone wants to be you! And why its written like that... why is it written like that? Its a pretty simple explainantion... (pretty simple explanation that explains nothing deleted) I didn't see any mention of why it's listed as LIVE AT FUSE anywhere in your simple explanation... care to explain that one? this must be some deep heady approach to self-promotion that's just waaay over my head. chris ege create... demonstrate act like a total buffoon
the Long DJ Set
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** I reckon it totally depends on the tunes you're playing... That sums it up well! The harder minimal stuff sounds better mixed quickly, but some of the deeper Detroit style Techno could sound better blended - it all depends on the tunes you're playing. All I can say to anyone who doesn't appreciate the fast style of mixing is Listen to Dave Clarke mix. If you still don't like that style then it's obviously just not your cup of tea! On a completely seperate matter, can anyone tell me the address for DJ Sneak's web site pls. Cheers, GG.
Re: [313] Ring ring ring ha ha hey!
My mate has got a phone with a built in sampler... you can save a couple of seconds or so onto it and has some really nasty old drum 'n' bass thing on there... grrr... I'll find out the name of the model:) nick (Dj Pacific:) I'm just waiting for the day when you can use a wave file as the actual ring tone. That would be cool. Maybe some mod-hacking needs to be done on those MP3 player/mobile phone combos. out. dave. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/
Re: [313] Good Bye
Gnutella eats mad resources from your computer, be careful especially if you do any sort of graphics or audio work on your comp not to have Gnutella running in the background. I've lost a lot of work that way. todd - Original Message - From: Jussi Lehtonen [EMAIL PROTECTED] To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Tuesday, January 30, 2001 2:28 AM Subject: Re: [313] Good Bye On Mon, 29 Jan 2001 [EMAIL PROTECTED] wrote: Whats everyones view on this? I don't think it's the end of (music)file sharing. Fortunately there's an alternative to Napster, Gnutella, which was mentioned on this list a while ago. Besides, it's open source... :) Few quick links: http://gnutella.wego.com/ http://www.gnutella.co.uk/ http://www.gnutellanews.com/ http://www.rixsoft.com/Knowbuddy/gnutellafaq.html J -- Jussi Lehtonen [EMAIL PROTECTED] www.netppl.fi/~sandman Do not allow yourself to be programmed. For once, in your life, take control. Take control. - UR - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] the long dj set
you are not alone on this one my friend :-) I too hate the 'look mama how many records I can squeeze into an hour'-style. Just listen to Derrick Carter or Laurent Garnier, mixing for four minutes or more, they just tell a complete story. It oftens happens that you just don't know which sound belongs to which track, a new track is born that very moment, and that's dj-magic for me! And finally someone who dares to say that Jeff Mills is not God behind the decks. Smoothness all the way baby! RD the more i read this, the more i ask myself if you guys have ever heard a really superb dj (which e.g. jeff mills is a solarsystem away from). even techno can be mixed fast but smooth, interesting but building. i can't understand why people like this i need to play 10 vinyls in 3 minutes style, no matter what comes. no matter if it even is more bumping than smooth. this always makes me completely confused when i heard a good track and another one is rolling in like a train in my face, 5 beats faster than the one which is just playing (umfgadumppengbaengbumm). even if i seem to be alone on this point of view, but i can't dance to that. i love to spin two tracks for 10 minutes (if possible) together and play around with them. there is much more a good dj can build up than with crashing tracks into each other. rp[rf] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Signup for FREE email and member home pages at http://www.turkey.com
Derrick May discography
Does anyone know of a fairly comprehensive discography of Derrick May (including remixes and year of release)? Cheers, Jonny.
Re: (techno) Fwd: Detroit Techno Question
In a message dated 1/30/01 12:53:54 PM Eastern Standard Time, [EMAIL PROTECTED] writes: HAHAHA. this is a good line. mike, could you send this out to your snob elitist list, and see if they can help this guy out. is this the technolist he's referring to? if it is, i say we don't answer 'cause the question is just s beneath us. ;) he sure is referring to this list. its all in good fun, no harm meant, but cmon...can you really deny the truth?? :) mike
spammers grabbing addresses from 313?
i just got this email... the fact that they are just a couple of guys doesn't make this kind of thing any more appropriate. -- Forwarded message -- Date: Tue, 30 Jan 2001 17:54:26 - From: Novarum HQ [EMAIL PROTECTED] To: Novarum HQ [EMAIL PROTECTED] Subject: Greetings From Planet Novarum..!! Hi, We got your e-mail address from the 313 digest list. As you?re obviously into your music, we thought you might be interested in a site dedicated to quality controlled substances... We are very aware that mailing you direct is not the best way to draw your attention to our outfit, but in the spirit of supporting the underground, we hope you will not be offended. Please understand that we are just some guys trying to do something that we believe in, and seeing as we all have the same shared passion...it would be great if you would pass this on to any other like minded folk all the best Novarum. Novarum... http://www.novarum.co.uk/ ...Supplying Quality Controlled Substances... HQ: +44 1727 765269
Re: [313] spammers grabbing addresses from 313?
I got it too. This is rediculous. Tristan --- [EMAIL PROTECTED] wrote: i just got this email... the fact that they are just a couple of guys doesn't make this kind of thing any more appropriate. -- Forwarded message -- Date: Tue, 30 Jan 2001 17:54:26 - From: Novarum HQ [EMAIL PROTECTED] To: Novarum HQ [EMAIL PROTECTED] Subject: Greetings From Planet Novarum..!! Hi, We got your e-mail address from the 313 digest list. As youre obviously into your music, we thought you might be interested in a site dedicated to quality controlled substances... We are very aware that mailing you direct is not the best way to draw your attention to our outfit, but in the spirit of supporting the underground, we hope you will not be offended. Please understand that we are just some guys trying to do something that we believe in, and seeing as we all have the same shared passion...it would be great if you would pass this on to any other like minded folk all the best Novarum. Novarum... http://www.novarum.co.uk/ ...Supplying Quality Controlled Substances... HQ: +44 1727 765269 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/
Re: [313] spammers grabbing addresses from 313?
aolme too/aol sakke On Tue, 30 Jan 2001, tristan watkins wrote: I got it too. This is rediculous. Tristan --- [EMAIL PROTECTED] wrote: i just got this email... the fact that they are just a couple of guys doesn't make this kind of thing any more appropriate.
Re: [313] Re: (techno) Fwd: Detroit Techno Question
were not elitist, we just have better taste... =) -- From: [EMAIL PROTECTED] To: [EMAIL PROTECTED], 313@hyperreal.org Subject: [313] Re: (techno) Fwd: Detroit Techno Question Date: 30. Jan.200112:57 In a message dated 1/30/01 12:53:54 PM Eastern Standard Time, [EMAIL PROTECTED] writes: HAHAHA. this is a good line. mike, could you send this out to your snob elitist list, and see if they can help this guy out. is this the technolist he's referring to? if it is, i say we don't answer 'cause the question is just s beneath us. ;) he sure is referring to this list. its all in good fun, no harm meant, but cmon...can you really deny the truth?? :) mike - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] the longg dj set
n! you're lying! i know you really wanna be a star. because we all know that only the stars can be critics, hehe, jk -chop On Tue, 30 Jan 2001, darw_n wrote: I just like thinking and talking about the music, that's all, chill... darw_n
novarum emails
hi everyone, i contacted the guys at novarum (they're friends of mine) and let them know how spam-free the 313 list is, and how much the 313 list recipients dislike spam. please keep in mind that these guys are individuals who love music, just like all of us, and are trying to get their business off the ground. they have a great website and carry only quality music. anyone in europe (and the states for that matter) should check them out -- but only as an alternate resource to record time ;) --just a joke ani :) record time [EMAIL PROTECTED] www.recordtime.com ph 810.775.1550 fax 810.775.5830 icq# 33610265 want to be on the record time mailing list? send an email message from the address you want to subscribe with subscribe in the subject
Re: [313] the long dj set
On Tue, 30 Jan 2001, Gary Girard wrote: tunes. As I said in a previous thread, journey or party? - I know which I'd choose! i'll take journey for 50 Gary ding! ding! ding! ding! bong! aw, sorry, you have lost your chance for journey or party. thanks for playing. try again later. here is a complimentary pair of glowsticks. now dance in that corner as we throw mud pies at you damn! damn! damn! i knew i should have picked party! i knew it! -chop ps. when i think of richie, i think journey, mills, i think party. who to choose!!!? getting an migraine
alien rave kru chapter 273
some interesting news... http://home4.swipnet.se/~w-46401/DARK/index.html
greetings
Hi, my name's Ash Nehru, signing on after lurking for a couple of weeks... I've been following the interesting thread regarding DJ software recently. As I'm currently developing (privately) experimental audio performance software I'd like to respond to a recent comment by Scott Brandon - No computer program will ever give you the freedom it takes to truly work a record, and a crowd Could you seriously see Derrick May, or Stacey Pullen, or especially Claude Young using a computer to just smooth mix their sets??? I agree that computer mixing has a number of major problems that haven't yet been overcome. There's an image / aesthetic problem - the Microsoft office cubicle ethos, cold, grey, rectinlinear and establishment, has come to dominate the way people think of computers. There's also problems of high price, poor reliability and sound quality, and the need to transport and soundcheck before sets. The biggest problem is that control interfaces in the main are hopelessly fiddly and counterintuitive, and lack the rewarding tactile feedback of vinyl. Faced with these problems, software that simply tries to replicate the vinyl interface simply doesn't give back enough to make it worthwhile - after all, vinyl is standard, widely available, simple, sexy, and does the job fine. Further, by making DJing too easy half the fun is lost. But I do feel that computer mixing (in the abstract) offers a number of possibilities for improved freedom and control. First and most obviously, quantised tempo - freedom from beat-matching and playback speed limitations. Second, quantised pitch - within limits, allowing any track to mix in key with any other track, or be shifted to allow true melodic improvisation. Third, since they're random-access, not linear like CDs or vinyl, the ability to repeat and reorder loops within tracks to allow the DJ to really work the record (say by stretching out a break) in ways impossible with vinyl, and to switch much more rapidly between records (eg. one every 4 bars - try that with vinyl). Fourth, multiple channels - if freed from beat / pitch match duties, the DJ could work regularly with eight (or more) decks, allowing new types of layering experiments. This would move the DJing task closer to that of a live performer or remixer. Fifth, the ability to easily use your own music without having to press CDs or dubplates. Sixth, the ability to store large (possibly online) databases of tracks, allowing the DJ to regularly play from collections of hundreds or thousands of tracks, which currently is impractical with vinyl. Seventh, a potentially limitless library of effects. And finally, new control interfaces (such as gestural control, light-beam interfaces, augmented reality) could provide truly awesome interactive / tactile qualities. These factors suggest to me that as the problems are solved (and this is a fledgeling field) computer mixing will start to take off. I'm betting that there's a company out there that will one day produce a magic box that revolutionises and democratises DJing the way devices like the Atari ST and Roland TR808 did for production. Established DJs might not take it up, because they have already invested so much time acquiring vinyl skills - but this won't stop the kids who are now in their diapers and haven't got any sentimental attachment to spinning bits of plastic. Lazy DJs will use technology as a crutch; creative DJs will push the technology to create new sounds. I'm also betting that the beauty and simplicity of vinyl (and the pleasure of watching a skilled DJ) will ensure it a lengthy future. Even though I play out with a computer, I still love mixing with vinyl. The past coexists with the future... If anyone's interested, details of the hummingbird project, which is a start in this direction (and will one day hopefully be an open-source project) are at my site below. :-) (-: Ash --autopilot-- [EMAIL PROTECTED] www.autopilot.co.uk
Re: [313] alien rave kru chapter 273
I'm surprised at how many people took this seriously and flamed the kru in their guestbook. Some of the people's reactions are almost as funny as the website itself. Kevin --- peter mueller [EMAIL PROTECTED] wrote: some interesting news... http://home4.swipnet.se/~w-46401/DARK/index.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Get personalized email addresses from Yahoo! Mail - only $35 a year! http://personal.mail.yahoo.com/
Re: [313] Ring ring ring ha ha hey!
Jongsma, K.J. wrote: I called you - lil louis Calling you/bagdad Cafe - Abacus Telephone Call - Kraftwerk how about dopplereffekt's cellularphone? (sorry, couldn't help myself) glyn
Re: [313] the longg dj set
ONLY if I can a super-star!!! Thats my total goal in life, I'm in this for the ladies!! I want limos and a car like Judge Jules (no clue what car it was, it just looked cool!!) darw_n create, demonstrate, toneshift... http://www.thedemonstration.com http://www.sphereproductions.com http://www.mannequinodd.com search djdarwin on napster - Original Message - From: Mark Khemma [EMAIL PROTECTED] To: darw_n [EMAIL PROTECTED] Cc: ryan burns [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, January 30, 2001 1:24 PM Subject: Re: [313] the longg dj set n! you're lying! i know you really wanna be a star. because we all know that only the stars can be critics, hehe, jk -chop On Tue, 30 Jan 2001, darw_n wrote: I just like thinking and talking about the music, that's all, chill... darw_n
Re: [313] the longg dj set
ok let me get this strait darwin. you recorded a set in your basement and called it DJDARWIN LIVE @ FUSE. even though it was made in your basement. your the stupidest person on 313. thanks to you darwin, when i search for a dj on napster half the results are you. thats wack that you try to blame it on your manager. whos you manager Ussel Brown??? you two should get together and tonshift on eachothers booty if you know what i meen. From: darw_n [EMAIL PROTECTED] To: [EMAIL PROTECTED] CC: ryan burns [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] the longg dj set Date: Tue, 30 Jan 2001 09:03:33 -0500 HEHE[sarcasm]... why don't you ask where that came from first... And why its written like that... Its a pretty simple explainantion... And what do you care anyways??? Just a thought?? Anyways, It's not by my design that those are there, I downloaded half of my own sets of Napster, with the exception of Life..., which ended up on there anyways. The ones that I put on there has simply my agents web address on there, nothing more. Plus its written in the way I normally write my name, with the underscore... The sets with all the name is my manager, who is a good friend of mine, trying out his new idea for marketing. Well, you see how outta hand it got. Also, the names are what he thought was the artists I used on that, and other recordings (there are three sets released by him from the Sphere Offices)... I personally don't own a single Richie Hawtin record. But he had it pretty close, especially the Isolee, I was surprised by that because no one in this area knows that!!! Anyways, I have been trying to figure out how to fix that issue, but its too late, so I just chalk it up as a mistake... BTW, That recording is called life... and it was made right here, in the basement... And none of those recordings are in anyway toneshift recordings, just in case you used those to try to understand the shift... darw_n create, demonstrate, toneshift... http://www.thedemonstration.com http://www.sphereproductions.com http://www.mannequinodd.com search djdarwin on napster - Original Message - From: [EMAIL PROTECTED] To: darw_n [EMAIL PROTECTED] Cc: ryan burns [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, January 30, 2001 7:19 AM Subject: Re: [313] the longg dj set First off, I play everything from deep house to trance, with influence from techno. So, I don't really expect to many people on here to like my sets, nor do I demand that. do you play them LIVE AT FUSE and then share them on napster as such? yeah, I thought so. Dj Darwin LIVE @ FUSE - life feat. [keven(sic) saunderson, derrick may, afex(sic) twin, adam beyer, marco carola, isolee, Timo Maas, Richie Hawtin, rob hood, halo].mp3 deceptive titling is the mark of a true artist. TONESHIFT 4 EVA! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
