[313] FA: Added more goodies @ eBay BUZZ/SCHEMATIC/CHLT IND...
Just a quick one to point you to : http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItemsuserid=cybotron Added some more IDM and Detroit goodies! Greetings, Paul - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] seiji
What are some of Seiji's other guises? Both the Seiji records I have (on 2000 black and bitasweet) are slamming broken-beated string-laden funkmonsters... A couple of his other guises are: Homecookin - more straight-up housey stuff on Sole Music. There's an album and a few 12s out. To be honest I find some of it a little hit and miss but there are some great tracks on there... Opaque - apart from a 12 on Archive (Malice/Closing the Loop) I think he's used this name mainly for remixes. Probably the most essential is his mix of P'Taah's 'Crossing' on Ubiquity - a true broken beat anthem. Also check his mix of Beatless's 'Life Mirrors' on Ubiquity, and his mix of Plutonia's 'Forever' on Visions. Seiji is one part of the massive Bugz in the Attic collective. A couple of his collaborations with Orin Walters are pretty essential - 'Life on Venus' on Afronaught's 'Shapin Fluid' album is awesome, in the same kind of vein as 'Silver Blossom' on 2000 Black - big soundtrack-type strings, hard beats, deep junglist bass. Also the Orange Water 10 on Archive includes 'Love Life', another amazing piece from Seiji and Orin together... And coming up very soon is Kudu's 'Space/Transit' on Bitasweet - an amazing collaboration between Seiji, Domu and Mark de Clive-Lowe. Absolutely killer, as you'd expect... Give me a shout if you want any more recommendations of other artists in this vein... Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] klubradio this weekend
new in the archive: Akufen, Farben aka Jan Jelinek, Alter Ego/Baby Ford/Heiko MSO, Exos, Antonelli Electr/Modernist and more... Tonight (thursday): Kitty-yo Cheap rec. presents: live: Louie Austen (Kitty Yo / Cheap) Djs Patrick Pulsinger, Erdem Tunakan, Mario Neugebauer @ wmf live: Computerjockeys (Reefer Ent.) @ maria Friday: Air Liquide @ wmf Electric Kingdom Party w. Westbam Friends @ phonodrome Spacenight (bayern3 night loop..) @ ostgut Saturday: Basic Channel (Berlin) The Rootsman (uk) live: Alexander Kowalski (Kanzleramt) @ ostgut Claude Young @ Phonodrome Chicks on Speed (talk, Djing) @ wmf lounge Jake Fairley, Jeremy Caulfield (Dum Unit, Can) @ wmf as always: http://www.klubradio.de starting approx 22:00 - 00:30 Berlin Time (GMT+2) realplayer 8 needed - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Wamdue/Lisa Lopes
More on the deep, jazzy-house side of Chris Brann's output, Bombay Records have recently released 'No Room for Form: A Compendium 1996-1999 (Vol. 01)'. Worth picking up (though most tracks are taken from Earth 001, 003, 008, 010), mainly for the two beautiful unreleased songs featuring vocalists. Here's a listing: 1. You're Still Here 2. When You're Alone (part one) 3. No Room for Form (part one) [Prev. unreleased Flute Dub] 4. Scattered Dreams 5. Vril (interlude) 6. Only Think of You (feat. Terrance Downs) [prev. ureleased] 7. When You're Alone (part two) 8. In Love Again 9. So in Love (feat. Heather Johnson) [prev. unreleased] 10. In Love Again (King Britt's Scuba Mix) We must get closer to the essence of life but be aware that it takes trouble and strife...meditate and contemplate the planets of the universe. (from the cd insert) Wes On Thu, 25 Oct 2001, Phonopsia wrote: - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Thursday, October 25, 2001 2:41 AM Subject: [313] Wamdue/Lisa Lopes Wow, I know this is indirectly D-related, but there is a track on the new Lisa Left Eye Lopes album, Supernova, called The Universal Quest that was recorded by Chris Brann. It features Canada's Esthero (who has recorded wih A:xus aka Abacus aka Austin Bascom). It's really good - edgy and experimental. Has he worked in this field before? What field is that? Chris Brann has always been an extremely diverse producer, who's early releases spanned from his then-typical deep house sound to drum n bass and occasional techno/electro. Over time, his sound has become increasingly influenced by Brazillian music, culminating in the P'Taah album. The Ananda Project material vears towars the commercial side of house a bit more, but is still excellent. He's also produced a rock band (the name eludes me), and occasionally works with RB. Hope this helps some. Tristan -- http://ampcast.com/phonopsia - Music http://phonopsia.tripod.com - Mixes, pics, thought, travelogue info http://www.metatrackstudios.com [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Chris Brann
More on the deep, jazzy-house side of Chris Brann's output, Bombay Records have recently released 'No Room for Form: A Compendium 1996-1999 (Vol. 01)'. Worth picking up (though most tracks are taken from Earth 001, 003, 008, 010), mainly for the two beautiful unreleased songs featuring vocalists. Here's a listing: 1. You're Still Here 2. When You're Alone (part one) 3. No Room for Form (part one) [Prev. unreleased Flute Dub] 4. Scattered Dreams 5. Vril (interlude) 6. Only Think of You (feat. Terrance Downs) [prev. ureleased] 7. When You're Alone (part two) 8. In Love Again 9. So in Love (feat. Heather Johnson) [prev. unreleased] 10. In Love Again (King Britt's Scuba Mix) We must get closer to the essence of life but be aware that it takes trouble and strife...meditate and contemplate the planets of the universe. (from the cd insert) Wes On Thu, 25 Oct 2001, Phonopsia wrote: - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Thursday, October 25, 2001 2:41 AM Subject: [313] Wamdue/Lisa Lopes Wow, I know this is indirectly D-related, but there is a track on the new Lisa Left Eye Lopes album, Supernova, called The Universal Quest that was recorded by Chris Brann. It features Canada's Esthero (who has recorded wih A:xus aka Abacus aka Austin Bascom). It's really good - edgy and experimental. Has he worked in this field before? What field is that? Chris Brann has always been an extremely diverse producer, who's early releases spanned from his then-typical deep house sound to drum n bass and occasional techno/electro. Over time, his sound has become increasingly influenced by Brazillian music, culminating in the P'Taah album. The Ananda Project material vears towars the commercial side of house a bit more, but is still excellent. He's also produced a rock band (the name eludes me), and occasionally works with RB. Hope this helps some. Tristan -- http://ampcast.com/phonopsia - Music http://phonopsia.tripod.com - Mixes, pics, thought, travelogue info http://www.metatrackstudios.com [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Felix Da Housecat
Just looked it up: http://forum.liberation.fr/musique/actu/20011025electro.html John From: Eric Scuccimarra [EMAIL PROTECTED] To: Gwendal Cobert [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] Felix Da Housecat Date: Thu, 25 Oct 2001 12:21:03 -0400 Do you have a link for these? I don't have access to daily French papers here in NY... Eric At 04:47 PM 10/25/2001 +0200, Gwendal Cobert wrote: ...And for those who want to have some fun and know enough French : - Libération, a daily French paper, has a page today on these two albums + Fischerspooner - and they say the worst about these persons, esp poor Felix, who is accused of releasing his album to pay his lifestyle... - Bruits, by Jacques Attali, is a well-known essay about the relationships between music and society. The ideas themselves are very interesting, but when he talks about rock or reggae, there's an incredible number of mistakes ; and when he reaches techno, it is just incredible (techno invented in 89 etc) Gwendal Best album of the year IMHO. A delightfull return to 80ies sounds, song structures, warm, ananlogue, raw, you named it's got it. It's a very nice collaboration between Felix and Miss Kittin. The new album of Miss Kitten The Hacker is in the same sleazy 80ies style and what do you guess, it's on International Deejay Gigolos. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] fuel to the fire : was hawtin hawtin everywhere
Wow. You try to rise up, and they keep trying to knock you back down... That's interesting, but I think you may have that certain artist confused with someone else, like the kind of 'artist' that rolls up to Forans with a yamaha md-8 track minidisc player and some effects boxes playing 100% pre-recorded tracks with some live effects added in. Hell, why press play on your sequencer when you can set the mini-disc player to 'mislead-the-crowd' while pretending to get dubby on the F/X? I'm seeing the pot, but the kettle's not black. Though, I can understand why you wouldn't want to put forth the effort-- what, with only ten people there and all. Of course, I wasn't one of them... Anyway, all hypocrisy aside::: I don't know about the artist you were referring to but if I were to walk away from my set midstream it would just get caught in the same loop, over and over, without evolution... caught in the same loop, over and over, without evolution... caught in the same loop, over and over, without evolution... --and that would be very boring, in about 10 seconds. Lets just say that *I* am the only one with firsthand experience over the controls of my sets, and with regard to whatever illusion you may have to the contrary: 1) my mixer settings would not survive from one track to the next. Yes, it is difficult being the entire band, as well as the sound engineer--who most 'normal' bands have the luxury of having someone off stage controlling the mixer for them--during a performance but that's what a live electronic P.A. is all about. I'm up to the challenge, and fully partake. 2) The cutoff frequency on the Junos are assigned to the mod-wheel and that is what I tweaked on them when I used them in my sets, which I don't anymore because they are big, bulky, and I didn't want to carry them around everywhere, especially with my gigs becoming more frequent. You have to be careful with vintage gear you know... Besides the Junos, my synths, synth modules, drum synths, and sampler are fully tweakable, which I take full advantage of in my sets. 3) The Kawai Q80 may be a song based sequencer for most people, but when I had it I used it as a loop based sequencer. I've never been known to simply use my gear just like Joe RTFM down the street. Actually my entire set barely took up the space on a disc of one two-minute song's midi data. No, each loop, as I said before, and was true then just as it is now, was only 4 to 8 bars long, and each track had 8 to 18 separate loops that I had to manage individually in order to control each specific element of the overall piece. Again, I should probably take it as a compliment since it seems I make it look easy when I know that it isn't. Perhaps you could demonstrate to me how to 'really work that [EMAIL PROTECTED]' on your md-8 minidisc player one day? While I'm at it, expanding the horizons of my studio by incorporating analog and digital synth capability, software synth capability, including the ability to sample the sounds that I have created (which is what I use my sampler for), and adding new options for the creative musician doesn't mean that I've fallen off of anything. It only means I'm reaching higher, evolving, and don't want to get stuck in the rut that you most likely will find yourself in, if you haven't already. Sure, it's a five minute game, but when you hit the magic number you get extended play, and a greater shot at longevity. Some of us know how to play. Are you ready to put your quarter in yet? Haters and Fools... Dale Lawrence At 11:24 PM 10/24/2001 -0400, you wrote: Hello, Lets just say that I know from firsthand experience that a detroit live pa artist on plus8 who claims to be
[313] I Ner Zon
Hi, A minute ago i was going through my record collection and bumped into a double 12 by Naomi Daniel from 1994 on I Ner Zon. Was this a sub-label of Planet E, and are there more records on this sub-label? Also, whatever happened to Naomi Daniel? Cheers, Hans -- Hans Veneman [EMAIL PROTECTED] http://technotourist.org http://www.TV-99-AD.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] NYT on Final Scratch and CDJ-1000
October 25, 2001 The D.J.'s New Mix: Digital Files and a Turntable By BILL WERDE ON a recent Wednesday night at Centro-Fly, a trendy Manhattan dance club, Richie Hawtin was using two turntables to play the latest and best techno, a crisply syncopated hybrid of dark, electronic drum rhythms and metallic high-hat and snare effects. Like so many other celebrity disc jockeys on the international circuit, Mr. Hawtin was mixing records together to imprint his style on the night's music: he played two records simultaneously to blend the drum kick of one song with the melody of another, waited about 45 seconds before replacing the drum sounds with a new album of more pronounced bass sounds, and manipulated audio effects equipment to further tweak what clubgoers were hearing. So it went for hours, Mr. Hawtin adding and subtracting sounds and the crowd of about 600 dancing and cheering when they heard a mix they liked. The scene was typical for nightclubs across the globe; the records Mr. Hawtin was placing on his turntable were anything but. Mr. Hawtin uses new technology called Final Scratch from N2IT Development, a Dutch company. The vinyl records he places on the turntables may look like normal albums, but they work as conduits for the 900 or so digital files he has stored on his laptop computer. If Mr. Hawtin places the stylus on the three-minute mark of the Final Scratch vinyl, the technology interprets that as a signal to play at the three-minute mark of the digital file he has selected. Final Scratch is not the only music or technology company looking to help a growing D.J. culture embrace digital music. A variety of software programs allow D.J.'s to use laptop computers to mix digital files without turntables and include perks like sonic filters, synthesizer emulators and samplers that can add well-laced loops of additional music or vocal snippets. Traditional audio companies are making equipment that allows D.J.'s to mix and edit digital files from compact discs. All of this gives D.J.'s new freedoms, both pragmatic and creative. Before the onset of home studios and CD burners, D.J.'s who wanted to play a new track would have to secure studio time, then make a dubplate, a fragile vinyl pressing that costs about $50 and provides 15 or 20 plays before deteriorating. CD burners allowed disc jockeys to make a track at home, then play it on a club's CD player that night, but D.J.'s couldn't manipulate the music as they could with vinyl. A breakthrough came in July with the release of the Pioneer CDJ-1000 Digital Vinyl Turntable. Featuring a touch-sensitive jog dial that can be manipulated the same way a D.J. does with vinyl - dragging a hand on the dial to slow the tempo of the CD, using a finger or two to push it faster, or scratching the CD back and forth, creating a myriad of potential sounds through friction - the Pioneer machine made believers out of many analog purists, including New York D.J.'s like Aaron Albano, known as Ming, and Freddie Sargolini, who goes by FS. Ming FS recently released an album of hip-hop and techno beats called The Human Condition and have promoted it with frequent D.J. appearances. You touch the plate and it reacts like you're touching vinyl, Mr. Albano said. If you run your finger on the side of it, it slows down the platter, just like a normal turntable. The pair still spin mostly vinyl, but they experiment more than they did before. If we make a track now, we might do three or four different versions, Mr. Albano said. Maybe one will have more bass, maybe one will be faster, and we'll play what's right for the moment. If we hear a funny sample on the radio or television, we might grab it and use it. We don't have to go out and get records made. It's sped up the creative process immensely. Audio companies are rushing to embrace the fertile intersection of two exploding markets: digital music and D.J. culture. Except for the engineers, said Brian Buonassissi, marketing manager for Pioneer's pro audio division, everyone who works in marketing and product planning are all D.J.'s. (Mr. Buonassissi himself spins discs as Granmasta B in San Clemente, Calif.) Because of the Digital Vinyl Turntable's price - $1,299, with a street price of about $1,150 - we expected we'd only sell to professionals, Mr. Buonassissi said, but the audience has proved to encompass everyone from home users to gearheads in search of a new toy. If the gearheads are excited about the CDJ-1000, they may flip their propellers at the thought of Final Scratch, a $3,000 hardware-software package that went on sale last week. The software is loaded on a Sony (news/quote) Vaio laptop computer that is connected by a tiny processing box to standard turntables. (A version without the laptop will go on sale early next year for about $600.) Conceived at a hacker convention in Amsterdam when some programmers saw a D.J. run out of records after an hour or so, Final Scratch allows the mixing and scratching of
[313] Model 500 - I wanna be there
Hi list, is Model 500 - I wanna be there released on RS or on metroplex? and on wich ep? Greets, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Modern Methods - Saturday November 3rd 2001 - Toronto, Ontario
[please forward as you see needed] On Saturday, November 3rd the collective behind a/s systems and mediawhore bring you MODERN METHODS, a 2 room event showcasing some of the artists appearing on a/s systems' forthcoming modern methods records (assr007 and assr008). This event will be at the i.v lounge (326 Dundas Street West- across from the AGO). Doors open at 10PM. $4 at the door. special guests for the night: granny'ark - live [vancouver] bryce walker [niice, saturn tech] representing the collective: naw - live non pareil - live [his a/s systems premiere!] coded kurt lewis maze As a smaller location, the i.v. lounge will be gutted to ensure there's room to dance. Bring your record bags, as on-site you'll find an assortment of a/s systems vinyl ($5), audio CDs ($3), and CD-roms ($3). One of the charter members of the roundtable distribution family, a/s systems has released some of Toronto's most original, groundbreaking underground music. A label of firsts, a/s systems is where artists like induced, naw, Robert Ven, and Pash Jameson were introduced to dance/dj community in vinyl format. The label also released the first lacquer master made by Kevin Park at local mastering facility Scratch Free Press. Along with it's seminal trademarks, like induced's motion (with vocalist Martina Cahill), a/s systems has released the city's most critically acclaimed techno, with Aris' sequence 25:sage and object:FINE by induced. a/s systems releases content published through it's sister agency, mediawhore. mediawhore is a content design, publishing and licensing entity specializing in analog and digital art in a variety of formats. Photography, live/dj sets, original artwork, interactive media, techno, house, and other music formats are all part of mediawhores converged focus: modern methods of availability for exciting, high quality content. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] I Ner Zon
Burning was the 2nd release, that one also got a release on one of the infamous Outland imprints from Amsterdam (Outland or Spritual Records). the 1st release was Stars, by the same Naomi, if I recall correctly... don't know whatever became of her... W - Original Message - From: Hans Veneman [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, October 25, 2001 9:55 PM Subject: [313] I Ner Zon Hi, A minute ago i was going through my record collection and bumped into a double 12 by Naomi Daniel from 1994 on I Ner Zon. Was this a sub-label of Planet E, and are there more records on this sub-label? Also, whatever happened to Naomi Daniel? Cheers, Hans -- Hans Veneman [EMAIL PROTECTED] http://technotourist.org http://www.TV-99-AD.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Model 500 - I wanna be there
is Model 500 - I wanna be there released on RS or on metroplex? and on wich ep? RS. The original, long version is on the 'Sonic Sunset' doublepack, and there's a shorter edit on the 'Deep Space' LP. The shorter edit also came out as a 12 with remixes by the likes of Dave Angel, but 'Sonic Sunset' is the only place you'll find the original mix I think. Choo choo, Tom :: tom churchill :: emoticon recordings :: http://www.emoticonrecordings.com :: :: emot 001 : fba/mark mclaren/cim/john braine : out now :: emot 002 : mark mclaren : nevernet : out now :: emot 003 : total science/tom churchill/russ gabriel/hal varian : out soon :: emot 004 : q project : spek : out soon :: distributed by rush hour : http://www.rushhour.nl - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] I Ner Zon(PE sub-labels)
speaking of Planet E sub-labels, what ever happened to Community Projects? I still break out that Fransisco Mora album every so often. take care, Mike From: Hans Veneman [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] I Ner Zon Date: 25 Oct 2001 21:55:49 +0200 Hi, A minute ago i was going through my record collection and bumped into a double 12 by Naomi Daniel from 1994 on I Ner Zon. Was this a sub-label of Planet E, and are there more records on this sub-label? Also, whatever happened to Naomi Daniel? Cheers, Hans -- Hans Veneman [EMAIL PROTECTED] http://technotourist.org http://www.TV-99-AD.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Techno charts on Groovetech
What up 313? Been a while since my last post... I wanted you to know we've relaunched our Shopping Homepage with release charts. Got some excellent DJ charts on the way too that you might also want to check out (hint: very 313 oriented). These are updated every week. Here's a link to the Techno chart: http://www.groovetech.com/chartid/1 Here's a link to the Shopping Homepage: http://www.groovetech.com/shoppinghome Your support of Groovetech has been amazing and is very much appreciated. Thank you! Alex -- Alex Hillinger . Groovetech . [EMAIL PROTECTED] http://groovetech.com Voted 'Best Retailer Online' - 2001 UK Online Music Awards - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] I Ner Zon(PE sub-labels)
community projects will be returning in 2002 with a whole slew of good things. i ner zon sadly, will not be returning. but i believe those were the only two releases on that label. dont f_k with dale lawrence. he rules. rob - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Model 500 - I wanna be there
Tom Churchill wrote on Thu, 25 Oct 2001 about following: is Model 500 - I wanna be there released on RS or on metroplex? and on wich ep? RS. The original, long version is on the 'Sonic Sunset' doublepack, and there's a shorter edit on the 'Deep Space' LP. The shorter edit also came out as a 12 with remixes by the likes of Dave Angel, but 'Sonic Sunset' is the only place you'll find the original mix I think. i can confirm this. the 12 is funnily enough, called I Wanna Be There, and has catalogue number RS96084. Released in 1996. Sonic Sunset was also released as cd-ep. sakke -- The number of Unix installations has grown to 10, with more expected. --The Unix Programmer's Manual, 2nd Edition, June, 1972 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] seiji discography
Hi list, With all this talk of Seiji on the list, I'd be interested to know if a discography exists anywhere. Thanks -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Model 500 - I wanna be there
I think the RS single has a Model 500 edit on it rather than the original, as well as Dave Angel and DB remix as Tom has stated. Scott McGill - Original Message - From: Sakari Karipuro [EMAIL PROTECTED] To: Tom Churchill [EMAIL PROTECTED] Cc: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, October 26, 2001 7:29 AM Subject: Re: [313] Model 500 - I wanna be there Tom Churchill wrote on Thu, 25 Oct 2001 about following: is Model 500 - I wanna be there released on RS or on metroplex? and on wich ep? RS. The original, long version is on the 'Sonic Sunset' doublepack, and there's a shorter edit on the 'Deep Space' LP. The shorter edit also came out as a 12 with remixes by the likes of Dave Angel, but 'Sonic Sunset' is the only place you'll find the original mix I think. i can confirm this. the 12 is funnily enough, called I Wanna Be There, and has catalogue number RS96084. Released in 1996. Sonic Sunset was also released as cd-ep. sakke -- The number of Unix installations has grown to 10, with more expected. --The Unix Programmer's Manual, 2nd Edition, June, 1972 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] sneak essentials
Hi List, I have a change of buying sneak essentials vol.2 and 3 online.. but the problem is, I can´t prelisten the tracks.. so I just wanted to ask: Are these ep´s like sneak´s other stuff (disco inspired jackin´ house) ? Wich tracks are on it? Thank you very much, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fwd: Electric Kingdom Live (Sat)
Forward for those who are interested - a few list members are playing. WCBN-FM presents: === Electric Kingdom Live === an evening of experimental techno and electronic noise Join Chris Three Sprocket, host of Electric Kingdom on WCBN-FM Ann Arbor, LIVE and IN-PERSON this Saturday night for a FREE show of local electronic artists performing innovative live techno and experimental music. Feast your eyes on Brain Science's unnatural Buchla/Frankenstein hybrid synth and Detronik's menagerie of twisted devices. Groove to the pulsating repetition of analogue step-sequencers and massive loops of noise. Witness Mark 4's brutal extraction of digital sound from defenseless game boys and the freakish Wiard/Kyma manipulations of Metalbox. Electric Kingdom airs on WCBN-FM (88.3 Ann Arbor, www.wcbn.org world) Friday nights at midnight, and features live in-studio performances every week. Tune in this week for Metalbox and get a preview of Saturday night's monster-jam. featuring members of: Brain Science (Ann Arbor) Detronik (Detroit) Antilogic (Detroit) Mark 4 (Chicago) The Data Regeneration Project (Ann Arbor) Metalbox(Flint) When: Saturday Oct 27, 8 - 11:30 pm. Where: Media Union Video Studio, on the University of Michigan North Campus Directions: http://www.ummu.umich.edu/about/gethere.html This is a FREE show. - Thanks, Electric Kingdom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Model 500 - I wanna be there
That ep as a whole is my favourite techno purchase ever. Unsurpassed, I think. The original, long version is on the 'Sonic Sunset' doublepack, and there's a shorter edit on the 'Deep Space' LP. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Model 500 - I wanna be there
Yes... it even *looks* lovely... one of the few techno releases where the sleeve art captures the texture of the music perfectly. That's the record I'd have on while making my final approach into Cloud City... | -Original Message- | From: james boylan [mailto:[EMAIL PROTECTED] | Sent: Friday, October 26, 2001 1:27 PM | To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; | 313@hyperreal.org | Subject: Re: [313] Model 500 - I wanna be there | | | That ep as a whole is my favourite techno purchase ever. | | Unsurpassed, I think. | | The original, long version is on the 'Sonic Sunset' doublepack, and | there's a shorter edit on the 'Deep Space' LP. | | | | _ | Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Model 500 - I wanna be there
Yes... it even *looks* lovely... one of the few techno releases where the sleeve art captures the texture of the music perfectly. That's the record I'd have on while making my final approach into Cloud City... A friend of mine has just gone off on his world travels, and he insisted that I put the whole 28 minutes of I Wanna Be There on a mix tape I did for his travels. And, for me at least, the tracks really evoke a feeling of travel or a voyage of some sort, particularly 'Neptune', which incidentally I think is the greatest piece of techno ever. | -Original Message- | From: james boylan [mailto:[EMAIL PROTECTED] | Sent: Friday, October 26, 2001 1:27 PM | To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; | 313@hyperreal.org | Subject: Re: [313] Model 500 - I wanna be there | | | That ep as a whole is my favourite techno purchase ever. | | Unsurpassed, I think. | | The original, long version is on the 'Sonic Sunset' doublepack, and | there's a shorter edit on the 'Deep Space' LP. | | | | _ | Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Track I.D
I would like any info about a track very habitual in djs like Mills,May or Saunderson,the track is like Jeff Mills meets Batucada,the chorus:...La,La,La,para atras..(in portuguese) and the bassline is pure Jeff Mills . Many thanks in advance. Mario ___ Do You Yahoo!? Yahoo! Messenger Comunicación instantánea gratis con tu gente. http://messenger.yahoo.es - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] MEMF
not quite DEMF but Spooky and 4Hero will be there http://www.ananova.com/entertainment/story/sm_434214.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] :Cleveland OH : INTR_VERSION TOUR : Tonight 10/26
just a reminder to area list members about tonights show... headroom digital presents... == MITCHEL AKIYAMA (substractif.intr_version) glitchy beats/melody : montreal canada. JOSHUA TREBLE (pitchcadet) abstract IDM glitchyness : cincinnati. TWINE (hefty.komplott.bip-hop) avant beats and scapes : cleveland. == visual stimulation provided by PHASE04 (HD) @ the asterisk gallery in tremont. 2393 professor street 10pm : $5 : BYOB see you there tonight. Greg Malcolm T w i n e///S o u n d ¤ http://www.twinesound.com :: http://www.heftyrecords.com http://www.komplott.com :: http://www.bip-hop.com http://www.headroomdigital.com ¤ _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] seiji discography
With all this talk of Seiji on the list, I'd be interested to know if a discography exists anywhere. I found this biog/discog on the Solemusic website (http://www.solemusic.co.uk) - it's not bang up to date and by no means a complete discography, but it gives a pretty good general background... Born in 1976 and raised in London Paul Seiji Dolby became familiar with classical music from a very early age. As well as classical, Paul¹s early musical influences include blues, rock, pop and jazz. In Paul¹s early teens his curiosity led him to the library record collection where he discovered amongst other sounds, black music. It was in 1991 at the age of fifteen that Paul was introduced to house music. It was only a couple of years later when a love of US house developed and his thirst for records to build his collection started. Early Smack records productions, Masters At Work, Herbie Hancock, Stevie Wonder and more recently 4 Hero and Photek have all played their part in influencing Paul musically. By the time Paul had left school he was already programming and was soon producing when he was nineteen. It was his production named Disorient, Just the Vibe¹ on Orin Walter¹s Mousetrap imprint that gained him initial recognition. It was soon after that (between 1996 and 1997), that he started to produce tracks with Orin Walters and then soon Kaidi Tatham beginning the formation of Bugz in the Attic. This was a very important and creative time with early Bugz releases such as Yasang All Because Of You¹ on SI Projects, Everyday People What¹s On Ya¹ Mind¹ on Evolution records and their remix of Amira¹s My Desire¹ on Virgin paving the way for the future. Homecookin¹ is Paul¹s album project. Not inspired by studio production tricks or obvious samples Homecookin¹ is a very musical selection of vocal house with some of Paul¹s own special twists added. Getting back to basics, Homecookin¹ is more about solid grooves paired with good songs. This album will be collaborated with the full Bugz in the Attic production and vocalists such as Marcus Begg and Izzi Dunn guesting. As well as Paul Seiji¹s Homecookin¹s project he is still involved with Bugz in the Attic outfit and produces drum n¹ bass under his Seiji moniker. He also enjoys producing some twisted electronica and jazz noodles. Other label credits include Reinforced, Soon Records, Bitasweet, Archive, 2000 Black, Mousetrap, Resolution and SI Projects. Drum N Bass Close Encounters Ep Soon Records 1996 Northern Exposure Reinforced 1996 Thrashing Dreams Reinforced 1997 Taste Reinforced 1998 Just Another Number Reinforced 1999 Jazz Noodles Opaque closing The Loop/malice¹ Archive 1999 Seiji into The Now/silver Blossom¹ 2000 Black 2000 Seiji 2nd Nature/question It¹ Bitasweet 2000 House Disorient just A Vibe¹ Mousetrap 1996 Everyday People whats On Ya Mind¹ Resolution 1997 Bugz In The Attic bittasweet No 1¹ Bittasweet 1998 U.s.c please Yo Self¹ Si Projects 1998 Disorient Ep Tronicsole 1999 Homecookin¹ all About The Mind¹ Solemusic 2000 Off the top of my head, here's a few others that I know of: Reinforced: Seiji G-Force - Clear Vision 2001 12 Bitasweet: Seiji - Second Nature remixes 10 Solemusic: Homecookin - Lazy Days/Allstars 12 Homecookin - Do What You Wanna 2LP/CD Remixes: P'Taah vs Opaque - Crossing (Ubiquity) Beatless - Life Mirrors [Opaque mix] (Ubiquity) Plutonia - Forever [Opaque mix] (Visions) Joakim Lone Octet - Melting Blue Ice [Seiji mix] (Future Talk) Todd Gardner - It's The Music [Homecookin mix] (Solemusic) Collaborations: Orange Water - Love Life [with Orin Walters] (Archive) Kudu - Space/Transit [with Domu Mark de Clive-Lowe] (Bitasweet) Compilation appearances: Co-Operation Vol 1: Seiji G-Force - Chase Da Ace Phuturistic Dancin (Bitasweet): Seiji G-Force - Naturally Solevisions Vol 3 (Solemusic): Homecookin - Stay Away There's probably more but these are all I can think of at the moment... Cheers, Tom :: tom churchill :: emoticon recordings :: http://www.emoticonrecordings.com :: :: emot 001 : fba/mark mclaren/cim/john braine : out now :: emot 002 : mark mclaren : nevernet : out now :: emot 003 : total science/tom churchill/russ gabriel/hal varian : out soon :: emot 004 : q project : spek : out soon :: distributed by rush hour : http://www.rushhour.nl - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] MITCHELL AKIYAMA @ COMPOUND 004, Sat 27 Oct
__ _ ___ _ _ . .. _ .. www.ele-mental.org :: 2001 :: columbus ohio / portland oregon __ _ ___ _ _ . .. _ .. don't miss MITCHELL AKIYAMA's DEBUT appearance in columbus! ** 27 October 2001 / 10pm-2am / $5.00 compound004 experiments in installation, live performance, + recorded music. a monthly series from ele_mental at Dragonfly Neo-V Cuisine's ANNEX. MITCHELL AKIYAMA LIVE MONTREAL, CANADA / Substractif.Intr_Version.Instinct.Raster-Noton Classically trained Montreal artist Mitchell Akiyama gathers field recordings on his MiniDisc recorder and isolates the deep textures + melodies found within. He performed at this year's acclaimed electronic music festivals MUTEK (Montreal) and SONAR (Barcelona), while garnering glowing reviews for his debut disk on Alien8's electronic sublabel Substractif, entitled Hope That Lines Don't Cross. Falling within the genre of microsound, Mitchell's work is right at home with the music of Vladislav Delay, Monolake, and SND. This is his first Columbus appearance. Find out more at intr-version.com JOSHUA TREBLE LIVE CINCINNATI / PitchCadet.aii.FM Cincinnati native and PitchCadet recording artist Joshua Treble returns for a second COMPOUND engagement, after a memorable appearance earlier in 2001. Delivering his unique combination of emotional electronics + soothing beats, some might be tempted to call it emo-techno. Not to be missed. Find out more at www.aii.fm ELUNA DJ COLUMBUS / ele_mental.21-22Corp.illFitness Still reeling from his extended trip to strange lands, including an appearance at Barcelona's SONAR festival, Eluna returns to present the latest in fitness for the terminally ill. Dark, electro beats are a perfect fit for the Hallowe'en season. Listen at betalounge.com (aug9/01) or www.ele-mental.org/mp3/eluna SATURDAY 27 OCTOBER 2001 10 PM-2 AM 7 $5.00 Dragonfly Annex 247 King Ave Columbus, OH +1.614.298.9986 7 www.dragon~yneov.com __ _ ___ _ _ . .. _ .. -- Todd Sines icq: 7580 SCALE:form | image | sound http://www.scalestudio.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] E Dance remix Octave 1
Evening all! The long wait for the E-Dancer mixes of Black Water by Octave One should be over soon. Might even be available by next week! over and out jason - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] CLONE 020
Hello dear listmembers Has anybody some information about the new clone release with the Carl Craig rmx??? I think it's Adult-Hand to phone RMX (Clone 020). I heard that there is another remix ep of it Who is featured on this ep? Any comments, information or reviews are welcome please Thanx, Arne Arne Weinberg GROUND ZERO Rec. / STARBABY Rec. / PROPAGANDA Rec. ** - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] every freakin day
who did that track? deeon? what's the name of it? thanks!! Google isn't much help Tosh - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every freakin day
who did that track? deeon? what's the name of it? I think DJ Funk who did a 'cover' of Jodeci's 'Freak n You': 'Every f*cking night and every f*cking day' 'I want to f*ck you baby in every f*cking way' But I'm sure he's not the only one... :) Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every freakin day
You mean the ghetto-tech track sampling the Jodeci ballad? I'm after that one too... | -Original Message- | From: Tosh Cooey [mailto:[EMAIL PROTECTED] | Sent: Friday, October 26, 2001 5:01 PM | To: 313@hyperreal.org | Subject: [313] every freakin day | | | who did that track? deeon? | | what's the name of it? | | thanks!! | | Google isn't much help | | Tosh | | - | To unsubscribe, e-mail: [EMAIL PROTECTED] | For additional commands, e-mail: [EMAIL PROTECTED] | - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every freakin day
I have one by DJ Funk which features a sampled breakbeat, much like an old UK hardcore track... it goes into a loop of feel it, feel it, feel it... However, the one I'm after is in much more of a Detroit mould, ominous and electronic. DJ Funk pitches up the vocal to fit it with the beat, while the one I want (heard it on a 12 Tech Mob mixtape) actually slows them down, making it much sleazier, and features a noise not entirely dissimilar to the laser effect in Kraftwerk's Home Computer... | -Original Message- | From: Tosh Cooey [mailto:[EMAIL PROTECTED] | Sent: Friday, October 26, 2001 5:01 PM | To: 313@hyperreal.org | Subject: [313] every freakin day | | | who did that track? deeon? | | what's the name of it? | | thanks!! | | Google isn't much help | | Tosh | | - | To unsubscribe, e-mail: [EMAIL PROTECTED] | For additional commands, e-mail: [EMAIL PROTECTED] | - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every freakin day
Not much beats the sheer vulgar genius of: Sit on my face, let me guess your weight... Damn I miss Detroit radio. Tosh Sean Deason wrote: another fun one, this time from Blake Baxter: if you was my ho I'd treat you right I'd bust that ass out each and every night hey yo (repeat a couple hundred times 'til spent) :^) sean -Original Message- From: Tom Churchill [mailto:[EMAIL PROTECTED] Sent: Friday, October 26, 2001 11:50 AM To: Tosh Cooey; 313@hyperreal.org Subject: Re: [313] every freakin day who did that track? deeon? what's the name of it? I think DJ Funk who did a 'cover' of Jodeci's 'Freak n You': 'Every f*cking night and every f*cking day' 'I want to f*ck you baby in every f*cking way' But I'm sure he's not the only one... :) Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every freakin day rob hood question
Its DJ Assault - I think its called Technofreak - forget the name of the ep though. Also following on from my queries about the Mills Hardwax releases, anyone have any comments on two Rob Hood releases on Hardwax - 'Submerged' under the Missing Channel guise and - 'The Force of One' 12s. Thanks, James From: Brendan Nelson [EMAIL PROTECTED] [EMAIL PROTECTED] To: 313@hyperreal.org Subject: RE: [313] every freakin day Date: Fri, 26 Oct 2001 16:35:15 +0100 You mean the ghetto-tech track sampling the Jodeci ballad? I'm after that one too... | -Original Message- | From: Tosh Cooey [mailto:[EMAIL PROTECTED] | Sent: Friday, October 26, 2001 5:01 PM | To: 313@hyperreal.org | Subject: [313] every freakin day | | | who did that track? deeon? | | what's the name of it? | | thanks!! | | Google isn't much help | | Tosh | | - | To unsubscribe, e-mail: [EMAIL PROTECTED] | For additional commands, e-mail: [EMAIL PROTECTED] | - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] every freakin day
Tom Churchill wrote on Fri, 26 Oct 2001 about following: who did that track? deeon? what's the name of it? I think DJ Funk who did a 'cover' of Jodeci's 'Freak n You' MK did house remixes for the Jodeci release, pretty much all in Nightcrawlers style. I'm not sure if these remixes were ever released but one of them was on Ministry of Sound Masters at Work collection. The mix isn't very special but it's kind of porn-groovey in it's own style, especially when not played for too long :) sakke -- The number of Unix installations has grown to 10, with more expected. --The Unix Programmer's Manual, 2nd Edition, June, 1972 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] every freakin day
another fun one, this time from Blake Baxter: if you was my ho I'd treat you right I'd bust that ass out each and every night hey yo (repeat a couple hundred times 'til spent) :^) sean -Original Message- From: Tom Churchill [mailto:[EMAIL PROTECTED] Sent: Friday, October 26, 2001 11:50 AM To: Tosh Cooey; 313@hyperreal.org Subject: Re: [313] every freakin day who did that track? deeon? what's the name of it? I think DJ Funk who did a 'cover' of Jodeci's 'Freak n You': 'Every f*cking night and every f*cking day' 'I want to f*ck you baby in every f*cking way' But I'm sure he's not the only one... :) Cheers, Tom - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) every freakin day
JODECI FREAKIN' YOU Mark Kinchen mixes way back in 1995 W -Original Message- From: Brendan Nelson [EMAIL PROTECTED] [EMAIL PROTECTED] at INET-1 Sent: Friday, October 26, 2001 4:35 PM To: 313@hyperreal.org at INET-1 Subject: RE: [313] every freakin day You mean the ghetto-tech track sampling the Jodeci ballad? I'm after that one too... | -Original Message- | From: Tosh Cooey [mailto:[EMAIL PROTECTED] | Sent: Friday, October 26, 2001 5:01 PM | To: 313@hyperreal.org | Subject: [313] every freakin day | | | who did that track? deeon? | | what's the name of it? | | thanks!! | | Google isn't much help | | Tosh | | - | To unsubscribe, e-mail: [EMAIL PROTECTED] | For additional commands, e-mail: [EMAIL PROTECTED] | - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] hard to find?
Dear detroit techhno lovers, is this hard to find or am I just not looking too well? silenth phase - the rewired mixes (transmat 0 / rs) I looked in almost every possible belgian store. I searched on GEMM.com and nothing.. juno.com nothing rub-adub and nothing even recordtimes has no copies.. wich online store should I try? Thanks, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Vocal ID
Visions of You (Samuel L. Session Remix) Trevor Rockliffe and Blake Baxter I dislike you? I Desert You? What the heck is that guy saying? It's bugging me! Damn good track though... =) TJ www.wireframerecords.com www.outrecords.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] hard to find?
not sure whether it was an accidental typo but make sure you search for SILENT PHASE. scott mc - Original Message - From: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, October 26, 2001 5:52 PM Subject: [313] hard to find? Dear detroit techhno lovers, is this hard to find or am I just not looking too well? silenth phase - the rewired mixes (transmat 0 / rs) I looked in almost every possible belgian store. I searched on GEMM.com and nothing.. juno.com nothing rub-adub and nothing even recordtimes has no copies.. wich online store should I try? Thanks, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Track I.D
I can't wait to see the suggestions for this one, my head hurts. Scott Mc - Original Message - From: Mario Atienza [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Friday, October 26, 2001 1:38 PM Subject: [313] Track I.D I would like any info about a track very habitual in djs like Mills,May or Saunderson,the track is like Jeff Mills meets Batucada,the chorus:...La,La,La,para atras..(in portuguese) and the bassline is pure Jeff Mills . Many thanks in advance. Mario - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Vocal ID
It's I desire you. G. T.J.Johnson wrote: Visions of You (Samuel L. Session Remix) Trevor Rockliffe and Blake Baxter I dislike you? I Desert You? What the heck is that guy saying? It's bugging me! Damn good track though... =) TJ www.wireframerecords.com www.outrecords.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] hard to find?
http://www6.gemm.com/c/search.pl?sid=9161959key=25090field=ARTIST+OR+TITLEwild=rewired+mixes You're probably seeking vinyl, but here it is on cd... TJ www.wireframerecords.com www.outrecords.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] hard to find?
this is one of my top 25 of all time! good luck finding it! it's well worth the effort... -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: Friday, October 26, 2001 10:53 AM To: 313@hyperreal.org Subject: [313] hard to find? Dear detroit techhno lovers, is this hard to find or am I just not looking too well? silenth phase - the rewired mixes (transmat 0 / rs) I looked in almost every possible belgian store. I searched on GEMM.com and nothing.. juno.com nothing rub-adub and nothing even recordtimes has no copies.. wich online store should I try? Thanks, Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
