Re: [313] Trainwrecks/blue notes
Does analog mean : not a true replication of the real ? yep trainwrecks can be beautiful. (although trainwrecks isn''t the right word for it) An old friend of mine always used a little delay when mixing witch means you heard the new record come in with a little delay but with corresponding bpm and after some seconds removed the delay bye speeding the record up by hand to the other record and the he mixed it through. very cool if you do that over and over again (same like scratching or beat-jungeling) randoms creates nice things Mad'R - Original Message - From: Wes [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, November 27, 2001 10:54 PM Subject: [313] Trainwrecks/blue notes A while back on the Global Techno list, Max Duley was talking about the phenomenal energy Mills brought to the tables clubs he played at in the UK in 94-95, how (like the Liquid Room cd), the mistakes simply magnified the intensity of an already supercharged atmosphere. Isn't a trainwreck in the hands of a Mills simply the techno equivalent of a blue note (in jazz)? The skilled musician's imagination triumphs over the technician's 'mistake' converts it into a previously unknown sonic form. Any slip always has the potential to be so much more in the right hands. Chance + ingenuity = dynamic tension. Wes - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Trainwrecks/blue notes
Semantics is definately important here...when I hear a trainwreck it is named so because that is what it sounds like...trainwrecks are not beautiful...they sound BAD! However, I am in total agreement that an unintentional error can become something quite nice! Anybody wanna venture on what you would call that? Blue note coined for a jazz musician's mistake sounds way more pleasing than a trainwreck! _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] record collection for sale online-hundreds of records
I'll second this. jeff At 02:21 PM 11/27/2001, Data General wrote: she On Tue, 27 Nov 2001, Scotto wrote: Yes and he is A+ scotto - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org; [EMAIL PROTECTED]; [EMAIL PROTECTED] Sent: Tuesday, November 27, 2001 2:48 PM Subject: Re: [313] record collection for sale online-hundreds of records Anyone purchased records from Manika before? Feedback? Thanks, VA - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] record collection for sale online-hundreds of records
Manika comes highly recommended from Down Under - fast response, well packed - A1. JK - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] agents of change/motor
- Original Message - From: :) [EMAIL PROTECTED] To: laura gavoor [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, November 27, 2001 1:57 PM Subject: Re: [313] agents of change/motor I like the general vibe at the Motor.. people get down there :) too bad it didn't ever stay open past 2am :\ anyone know how late acquaviva plays there on new years? do they ever make an exception to the 2am closing time? I was there ONCE when acquaviva played until about 2:30, but I don't think thats common. can they just close the bar and keep playing? I left Motor at around 2:30 during the 5th anniversary party this Summer, and Derrick May was still spinning. I suspect this may be against the rules though. Sneaky... :) Tristan -- http://www.mp313.com - Music http://www.metrotechno.com - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Pump up the Volume
Just watching tonights episode, pretty mad. Hearing Joey Beltram talk about how he couldn't understand how he got labeled as a techno producer after making Energy Flash and that to him it was just a house tune. I think it really says a lot for the New York sound of the time. When I interviewed Frankie Bones he said that none of the music from Detroit really began to filter into NY until the early 90s and that all the early Nu Groove stuff that they all did really was concieved in isolation from techno. I have to say, its a pretty good programme and has been telling it pretty much how it was, even if Derrick May did slate England for labelling music too much :) Stewart ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT in OZ
read all about ministry of sounds flying discos http://www.sofcom.com.au/cgi-bin/news/getAAPPreview?keyword=ansettdance you saw it here first p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT in OZ
I imagine some masterful turntable technology would be involved in something like this... I imagine the records would skip a bit on an airplane -- R17 is not a fixed velocity, but it is clearly far too fast. -- - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, November 27, 2001 7:24 PM Subject: [313] OT in OZ read all about ministry of sounds flying discos http://www.sofcom.com.au/cgi-bin/news/getAAPPreview?keyword=ansettdance you saw it here first p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT in OZ
its mind boggling isn't it just imagine how busy the cabin crew will be with all the trainspotters pressing their attention buzzers every 5 minutes. they will have to install new illuminated signs too - to let you know when it's ok to dance when to sit down. at least they won't have to serve meals, possibly the patrons will have already taken some er appetite suppresants earlier. an unfortunate incident or two could wipe out an entire subgenre. 747 hardbag disaster shock. yeah i'm bored At 07:47 PM 27/11/01 -0500, you wrote: I imagine some masterful turntable technology would be involved in something like this... I imagine the records would skip a bit on an airplane -- R17 is not a fixed velocity, but it is clearly far too fast. -- - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, November 27, 2001 7:24 PM Subject: [313] OT in OZ read all about ministry of sounds flying discos http://www.sofcom.com.au/cgi-bin/news/getAAPPreview?keyword=ansettdance you saw it here first p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] agents of change/motor
Sorry if this is repeated... Motor is surrounded by a residential neighborhood so it makes it very hard to stay open past 2am. The boomboomboom flowing to outside from indoors makes it hard to be sneaky too. You have to have a special permit (which costs more mula) to have a closed bar and remain open past 2am. You really can't make that much off water unless you're one of these NYC clubs charging f*^ing four to five dollars for a bottle of Poland Spring (for that amount it better be a different kinda juice from Poland). I was at Motor one or two times they stayed open past two and it's usually because they've called area cops and begged or made some sort of deal. All times I've been there the cops were outside waiting pointing at their watches and herding people coming out to their cars. speaking from my experiences alone, d --- Phonopsia [EMAIL PROTECTED] wrote: - Original Message - From: :) [EMAIL PROTECTED] To: laura gavoor [EMAIL PROTECTED]; 313@hyperreal.org Sent: Tuesday, November 27, 2001 1:57 PM Subject: Re: [313] agents of change/motor I like the general vibe at the Motor.. people get down there :) too bad it didn't ever stay open past 2am :\ anyone know how late acquaviva plays there on new years? do they ever make an exception to the 2am closing time? I was there ONCE when acquaviva played until about 2:30, but I don't think thats common. can they just close the bar and keep playing? I left Motor at around 2:30 during the 5th anniversary party this Summer, and Derrick May was still spinning. I suspect this may be against the rules though. Sneaky... :) Tristan -- http://www.mp313.com - Music http://www.metrotechno.com - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. http://geocities.yahoo.com/ps/info1 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] agents of change/motor
All times I've been there the cops were outside waiting pointing at their watches and herding people coming out to their cars. maybe I am just stoned they cops are herding people to whos cars? the cop's cars? or the people's interesting side note, a couple months back, we parked in the neighborhood behind motor, and started to walk a few blocks to motor. drinking our 40s, a cop pulls up and says hey you guys come here... so we walk over and he says we can't have open alcohol outside. then he checks our IDs and tells us either go pour it in a cup, or take it back to your vehicle and finish it. detroit cops are sometimes very cool. -Joe - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] agents of change/motor
--- [EMAIL PROTECTED], :) [EMAIL PROTECTED] wrote: All times I've been there the cops were outside waiting pointing at their watches and herding people coming out to their cars. maybe I am just stoned they cops are herding people to whos cars? the cop's cars? or the people's people's cars. as in the cars the patrons came to Motor in.:) sorry if that was unclear it's been a long day. detroit cops are sometimes very cool. I sense a 'when detroit cops have been cool' thread coming on. ;) d __ Do You Yahoo!? Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. http://geocities.yahoo.com/ps/info1 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] agents of change
As far as the not being able to hear thingy...that just means the system was crap. If the system is bumpin' you should not only be able to dance, stand about or holla, converse, kiss and rub against each other with very little stress AND STILL HEAR THE MUSIC , not just beats. Sorry to drag this thread out even more but... What about those annoying whistleblower dudes, and those guys that holler 'whoop whoop' every now and then. They piss me off in a big way. Anyway it's just my opinion, everyone's got their own. If people want to talk, or do any of that stuff, that's cool but i'm there for the music. My idea of heaven is to be in the middle of the dancefloor, dance, and hear the music without too much distraction. That's all I'm sayin. Anyone else can do whatever they want, if it doesn't involve whistles. :) I don't want to come across as some party nazi. Hey you two. Stop talking! -Dave ps What Jeff said. __ Do You Yahoo!? Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. http://geocities.yahoo.com/ps/info1 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] agents of change
OMG NOT THE PEOPLE WHO WHISTLE WITH THE DOWNBEAT!!! (there is one at EVERY show) /life of the whistler -Joe -- R17 is not a fixed velocity, but it is clearly far too fast. -- - Original Message - From: Dave Clark [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Tuesday, November 27, 2001 10:23 PM Subject: RE: [313] agents of change As far as the not being able to hear thingy...that just means the system was crap. If the system is bumpin' you should not only be able to dance, stand about or holla, converse, kiss and rub against each other with very little stress AND STILL HEAR THE MUSIC , not just beats. Sorry to drag this thread out even more but... What about those annoying whistleblower dudes, and those guys that holler 'whoop whoop' every now and then. They piss me off in a big way. Anyway it's just my opinion, everyone's got their own. If people want to talk, or do any of that stuff, that's cool but i'm there for the music. My idea of heaven is to be in the middle of the dancefloor, dance, and hear the music without too much distraction. That's all I'm sayin. Anyone else can do whatever they want, if it doesn't involve whistles. :) I don't want to come across as some party nazi. Hey you two. Stop talking! -Dave ps What Jeff said. __ Do You Yahoo!? Yahoo! GeoCities - quick and easy web site hosting, just $8.95/month. http://geocities.yahoo.com/ps/info1 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Pump up the Volume
Damn, that show sounds dope! You guys are lucky over there. I can't imagine seeing anything that in depth on American TV these days. The closest thing I've seen to something like that was a program on PBS one time a few years ago. It was a documentary, that I think was of Canadian origin anyway, about Hip-Hop and Electronic music. In addition to De La and Grandmaster Flash, they had a brief segment with Derrick May talking about the Detroit sound. Anyone ever see that? (I apologize if this has already been discussed to death on this list) -J Just watching tonights episode, pretty mad. Hearing Joey Beltram talk about how he couldn't understand how he got labeled as a techno producer after making Energy Flash and that to him it was just a house tune. I think it really says a lot for the New York sound of the time. When I interviewed Frankie Bones he said that none of the music from Detroit really began to filter into NY until the early 90s and that all the early Nu Groove stuff that they all did really was concieved in isolation from techno. I have to say, its a pretty good programme and has been telling it pretty much how it was, even if Derrick May did slate England for labelling music too much :) Stewart _ __ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Twine in Los Angeles 11/28
Hi friends, This Wednesday at 9:30 at the Knitting Factory, I'll be joining DJs Rithma (Om Records) and Scott Findley (Nordic Trax) for the all-star end of the season Twine bash. We're winding down for the year (Twine will resume in January) and celebrating in style. The Knitting Factory has one of the sicker sound systems in the LA area, so if you like it slinky and chunky, you'll be hard pressed to find a better night with the talent and sound to boot. It's $5 to get in 21+. I've got a few guestlist spots though if you reply quickly, so drop me a line and I'll see if I can sort you out. For more info, check out: http://www.greengalactic.com/e-twine.html See you tomorrow! Aaron Michelson Green Galactic fon: 323-466-5141 fax: 323-466-5121 ICQ: 5754080 AIM: bleepb __ visit http://www.greengalactic.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Pump up the Volume
muchmusic did a pretty good special on detroit about a year back. From: [EMAIL PROTECTED] To: [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] Pump up the Volume Date: Wed, 28 Nov 2001 04:24:51 GMT Damn, that show sounds dope! You guys are lucky over there. I can't imagine seeing anything that in depth on American TV these days. The closest thing I've seen to something like that was a program on PBS one time a few years ago. It was a documentary, that I think was of Canadian origin anyway, about Hip-Hop and Electronic music. In addition to De La and Grandmaster Flash, they had a brief segment with Derrick May talking about the Detroit sound. Anyone ever see that? (I apologize if this has already been discussed to death on this list) -J Just watching tonights episode, pretty mad. Hearing Joey Beltram talk about how he couldn't understand how he got labeled as a techno producer after making Energy Flash and that to him it was just a house tune. I think it really says a lot for the New York sound of the time. When I interviewed Frankie Bones he said that none of the music from Detroit really began to filter into NY until the early 90s and that all the early Nu Groove stuff that they all did really was concieved in isolation from techno. I have to say, its a pretty good programme and has been telling it pretty much how it was, even if Derrick May did slate England for labelling music too much :) Stewart _ __ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] agents of change
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** People with horns should be banned! Someone blowing a horn out of time (or even in it) just ruins the sound - IMO. In the days of raves it was all part of the atmosphere and didn't matter too much (I must state now that I never at any time used a whistle or a horn! :o) but there is no place for them at Techno events! I can't remember who I was listening to now but when one guy wondered in to the tent at The Essential Festival and started blowing his horn just a short distance away from me I was tempted to go and tell him that he was in the wrong tent! gg - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Pump up the Volume
Sihtmissed it the last one...Taped the previous two...anyone know if its due to be repeated at some other hour...R -Original Message- From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED] Sent: Wednesday, November 28, 2001 4:25 AM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: [313] Pump up the Volume Damn, that show sounds dope! You guys are lucky over there. I can't imagine seeing anything that in depth on American TV these days. The closest thing I've seen to something like that was a program on PBS one time a few years ago. It was a documentary, that I think was of Canadian origin anyway, about Hip-Hop and Electronic music. In addition to De La and Grandmaster Flash, they had a brief segment with Derrick May talking about the Detroit sound. Anyone ever see that? (I apologize if this has already been discussed to death on this list) -J Just watching tonights episode, pretty mad. Hearing Joey Beltram talk about how he couldn't understand how he got labeled as a techno producer after making Energy Flash and that to him it was just a house tune. I think it really says a lot for the New York sound of the time. When I interviewed Frankie Bones he said that none of the music from Detroit really began to filter into NY until the early 90s and that all the early Nu Groove stuff that they all did really was concieved in isolation from techno. I have to say, its a pretty good programme and has been telling it pretty much how it was, even if Derrick May did slate England for labelling music too much :) Stewart _ __ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - This message was sent via the BiznessOnline.com webmail system. http://www.biznessonline.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Pump up the Volume
** Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. ** This whole series has been superb - an education! Goldie was entertaining last night when he was saying how he made Derrick May sit in his car and not say a word whilst he listened to the whole of 'Inner City Life.' I didn't realize either that he's recognized as being the person that made the first D B track - 'Terminator' - even if it was unwittingly. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Pump up the Volume
Yeah, best thing on TV about this ever! I was surprised no-one commented on last week's 2nd segment (mind you, neither did I...) seeing as that was where Detroit came into play. Having said that, Derrick May and Kevin Saunderson were both featured but Juan Atkins wasn't mentioned at all. Also interesting about last week's was a former UK Chief Constable admitting that the police wilfully broke the law to try and stop parties going off. Last night's was pretty much excellent too, although you could tell that the timeline (1990-present) had been extended because the made some pretty big jumps. I think they gave the Happy Mondays rather too much credit for 'bringing house to the masses' early on, for one thing and I really don't think that that Leftfield/Lydon record was anywhere near as important as they made it seem. What struck me about the part about Beltram and 'Energy Flash' was that it was a good example of how a record could get noticed initially for its novelty value - the 'Ecstasy' sample - but then go on to be recognised as a classic for its musical qualities. And if there's one club I regret never going to, it's Rage. Watching last night's programme reminded me that I gave my copy of Goldie's 'Terminator' to a now ex-girlfriend! It was also interesting when Goldie said that his whole thing at one time was to freak out Derrick May wth his music. And Pierre made a good point about music and sounds being like shareware, so he was happy that other people had picked up on his ideas and done them their own way. Finally, Daniel Pemberton's title music was cool too - very reminiscent of brittle early Chicago house. Yup, best house programme ever without a doubt. Unfortunately I didn't video it, I can't. I would imagine that it will be repeated soon on E4, though, as it's had a very positive reaction in general, so there's the chance for someone to get it all on tape and get a copy off to, um, whoever it was on this list who said they could convert the tape for US machines. TOM NP: David Donohoe: First Course In Hygiene (D1) - good stuff. Subject: [313] Pump up the Volume Just watching tonights episode, pretty mad. Hearing Joey Beltram talk about how he couldn't understand how he got labeled as a techno producer after making Energy Flash and that to him it was just a house tune. I think it really says a lot for the New York sound of the time. When I interviewed Frankie Bones he said that none of the music from Detroit really began to filter into NY until the early 90s and that all the early Nu Groove stuff that they all did really was concieved in isolation from techno. I have to say, its a pretty good programme and has been telling it pretty much how it was, even if Derrick May did slate England for labelling music too much :) Stewart ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fw: LOST: Jeff Mills returns for an exclusive New Year's Eve date
LOST Presents Chairoscuro Incorporating the Interaction of Colour With Jeff Mills (exclusive UK date) and Steve Bicknell More DJs t.b.c. New Years Eve 31 December 2001 A Central London Warehouse/Studio Location 11PM - 7AM Jeff Mills (Axis, Purpose Maker, Tomorrow) returns to the UK for the first time in over 2 years for what is set to be a memorable New Year's Eve Party and a DJ set interspersed with exclusive preview film footage. Lost resident Steve Bicknell also spins. More artists and DJs to be confirmed. Ticket price: £tba INFO RESERVATIONS 020 7791 0402 Email: [EMAIL PROTECTED] [EMAIL PROTECTED] mailto:[EMAIL PROTECTED] LOSTMAIL- titles from LOST RECORDINGS, COSMIC, CLUBTRACKS, I.D. (entity), la mascarade/lost music. Axis many more available via LOSTMAIL, P.O. BOX 3716, London E1 0RS Out now; Cosmic; cos026; Through Tongue Skin by Mist Coming soon: Lost Recordings Redefined#2 LROO2R - How Can We Know? -. S. Bicknell; Life; Karakter; Spirit with new definitions. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
FW: [313] Let's All Dance
As far as the not being able to hear thingy...that just means the system was crap. If the system is bumpin' you should not only be able to dance, What about those annoying whistleblower dudes, and those guys that holler 'whoop whoop' every now and then. They piss me off in a big way. The highly unpleasant whoop, whoop thing is now a terrible WORLDWIDE phenomena- I've been to Barcelona, New York, Detroit, London and many other places which seem to have been affected- I blame Pat'n'Mick (one for the UK audience) Jason Brunton Iridite -- End of Forwarded Message - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fw: LOST: Jeff Mills returns for an exclusive New Year's Eve date
LOST Presents... ...Jeff Mills (exclusive UK date) snip Stiff competition from Plastic People on NYE however - Theo Parrish, Maurizio, Pharoah Sanders, Gilles Peterson, 4 Hero etc. http://www.plasticpeople.co.uk I know where I'd rather be... Cheers, Tom :: tom churchill :: emoticon recordings :: http://www.emoticonrecordings.com :: emot 003 : total science/tom churchill/russ gabriel/hal varian : out now :: emot 004 : q project : spek : out now :: distributed by rush hour : http://www.rushhour.nl - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Fw: LOST: Jeff Mills returns for an exclusive New Year' s Eve date
| -Original Message- | From: Tom Churchill [mailto:[EMAIL PROTECTED] | Sent: Wednesday, November 28, 2001 12:02 PM | | LOST | Presents... | ...Jeff Mills (exclusive UK date) | snip | | Stiff competition from Plastic People on NYE however - Theo Parrish, | Maurizio, Pharoah Sanders, Gilles Peterson, 4 Hero etc. snip Yeah - and stiff competition for the both of them, from me playing booty in Hackney! :) http://www.wideadventure.com/djs.asp#district (seriously, though, I don't know what's come over the people at Plastic People - that is a bloody nice line-up for NYE) Brendan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: RE: [313] Fw: LOST: Jeff Mills returns for an exclusive New Year' s Eve date
Any UK 313ers know what Ranx is up to this NYE. He teased us in a previous post saying the KDJ party in December was a warm up for what they had planned for NYE. Maybe UR is hitting London again??? Anyone with any info? Stewart From: Brendan Nelson [EMAIL PROTECTED] [EMAIL PROTECTED] Date: Wed 28/Nov/2001 12:47 CET To: 313 mailing list 313@hyperreal.org Subject: RE: [313] Fw: LOST: Jeff Mills returns for an exclusive New Year' s Eve date | -Original Message- | From: Tom Churchill [mailto:[EMAIL PROTECTED] | Sent: Wednesday, November 28, 2001 12:02 PM | | LOST | Presents... | ...Jeff Mills (exclusive UK date) | snip | | Stiff competition from Plastic People on NYE however - Theo Parrish, | Maurizio, Pharoah Sanders, Gilles Peterson, 4 Hero etc. snip Yeah - and stiff competition for the both of them, from me playing booty in Hackney! :) http://www.wideadventure.com/djs.asp#district (seriously, though, I don't know what's come over the people at Plastic People - that is a bloody nice line-up for NYE) Brendan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] dd's 1st course in hygiene
hooray! glad to hear someone outside of ireland is lovin' this album. eamonn doyle and d1 records deserve recognition for their brilliant releases over the last few years - and this is, without question, their flagship record so far. From: Tom Robbins/Tom Magic Feet [EMAIL PROTECTED] Reply-To: Tom Robbins/Tom Magic Feet [EMAIL PROTECTED] To: 313 mailing list 313@hyperreal.org Subject: Re: [313] Pump up the Volume Date: Wed, 28 Nov 2001 09:52:08 - Yeah, best thing on TV about this ever! I was surprised no-one commented on last week's 2nd segment (mind you, neither did I...) seeing as that was where Detroit came into play. Having said that, Derrick May and Kevin Saunderson were both featured but Juan Atkins wasn't mentioned at all. Also interesting about last week's was a former UK Chief Constable admitting that the police wilfully broke the law to try and stop parties going off. Last night's was pretty much excellent too, although you could tell that the timeline (1990-present) had been extended because the made some pretty big jumps. I think they gave the Happy Mondays rather too much credit for 'bringing house to the masses' early on, for one thing and I really don't think that that Leftfield/Lydon record was anywhere near as important as they made it seem. What struck me about the part about Beltram and 'Energy Flash' was that it was a good example of how a record could get noticed initially for its novelty value - the 'Ecstasy' sample - but then go on to be recognised as a classic for its musical qualities. And if there's one club I regret never going to, it's Rage. Watching last night's programme reminded me that I gave my copy of Goldie's 'Terminator' to a now ex-girlfriend! It was also interesting when Goldie said that his whole thing at one time was to freak out Derrick May wth his music. And Pierre made a good point about music and sounds being like shareware, so he was happy that other people had picked up on his ideas and done them their own way. Finally, Daniel Pemberton's title music was cool too - very reminiscent of brittle early Chicago house. Yup, best house programme ever without a doubt. Unfortunately I didn't video it, I can't. I would imagine that it will be repeated soon on E4, though, as it's had a very positive reaction in general, so there's the chance for someone to get it all on tape and get a copy off to, um, whoever it was on this list who said they could convert the tape for US machines. TOM NP: David Donohoe: First Course In Hygiene (D1) - good stuff. Subject: [313] Pump up the Volume Just watching tonights episode, pretty mad. Hearing Joey Beltram talk about how he couldn't understand how he got labeled as a techno producer after making Energy Flash and that to him it was just a house tune. I think it really says a lot for the New York sound of the time. When I interviewed Frankie Bones he said that none of the music from Detroit really began to filter into NY until the early 90s and that all the early Nu Groove stuff that they all did really was concieved in isolation from techno. I have to say, its a pretty good programme and has been telling it pretty much how it was, even if Derrick May did slate England for labelling music too much :) Stewart ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Motor Rumors
I don't know about them moving or not, but I know that they didn't transport the old sound system downtown. It is the new sound system for Prontos in Ferndale from what I hear... TJ www.wireframerecords.com www.outrecords.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] agents of change
this was the fact that it seemed like the crowd had thinned by 50% by 4 am, a mere 1/2 hour after Jeff went on.. -P Yeah we had to split early too. We left around 4:30 because of exhaustion. I think maybe it was just a long day for alot of people being Thanksgiving and all. That's my excuse ;) TJ www.wireframerecords.com www.outrecords.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Motor Rumors
Quoting now-- Motor is surrounded by a residential neighborhood so it makes it very hard to stay open past 2am. The boomboomboom flowing to outside from indoors makes it hard to be sneaky too. You have to have a special permit (which costs more mula) to have a closed bar and remain open past 2am. You really can't make that -- On a side note, I hear Motor is being moved to the old Moose Lodge building downtown, and this is why they remodeled (to move the old decorations etc to the new spot). Does anyone know if there's any truth to this rumor? I also hear that one reason that the change is happening is because motor was bought out... anyone know if this is true, and by whom? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Motor Rumors
i don't know about the moose lodge rumors. but i know that dan sordyl is still owner of motor. kip winger is selling his pants on ebay. how nice: http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1487496065 -Original Message- From: Paul Jenvey [mailto:[EMAIL PROTECTED] Sent: Wednesday, November 28, 2001 8:44 AM To: 313@hyperreal.org Subject: [313] Motor Rumors Quoting now-- Motor is surrounded by a residential neighborhood so it makes it very hard to stay open past 2am. The boomboomboom flowing to outside from indoors makes it hard to be sneaky too. You have to have a special permit (which costs more mula) to have a closed bar and remain open past 2am. You really can't make that -- On a side note, I hear Motor is being moved to the old Moose Lodge building downtown, and this is why they remodeled (to move the old decorations etc to the new spot). Does anyone know if there's any truth to this rumor? I also hear that one reason that the change is happening is because motor was bought out... anyone know if this is true, and by whom? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] agents of change
Date: Tue, 27 Nov 2001 18:49:46 To: 313@hyperreal.org From: laura gavoor [EMAIL PROTECTED] Subject: RE: [313] agents of change Message-ID: [EMAIL PROTECTED] I was at this event and was appalled by the vapidity of the crowd. I've been to perhaps thousands of parties much like this and never was a lack of SYMBIOSIS more apparent due to the lack of soul in the crowd. This was exactly the point that I was getting at. Dancing or no dancing aside (frankly, I dont care which), it was the over all atmosphere I was refering to. Personally, I was thrilled to be seing Jeff Mills. I had only had 2 other opprotunities to see him in detroit (well, michigan), and both times were amazing, however, at both other events, it seemed the crowd actually realized the treat that they were in for... At Agents, it felt like it was taken for granted, and people were showing up for a rave party, not Jeff Mills. I'd have to say that proof of this was the fact that it seemed like the crowd had thinned by 50% by 4 am, a mere 1/2 hour after Jeff went on.. -P - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Pump up the Volume
That's interesting ... I think it would be fair to say they were heavily influenced by Detroit records (specifically Kevin Saunderson basslines), whenever it was they first heard 'em. -d At 12:50 AM +0100 11/28/01, [EMAIL PROTECTED] wrote: Just watching tonights episode, pretty mad. Hearing Joey Beltram talk about how he couldn't understand how he got labeled as a techno producer after making Energy Flash and that to him it was just a house tune. I think it really says a lot for the New York sound of the time. When I interviewed Frankie Bones he said that none of the music from Detroit really began to filter into NY until the early 90s and that all the early Nu Groove stuff that they all did really was concieved in isolation from techno. I have to say, its a pretty good programme and has been telling it pretty much how it was, even if Derrick May did slate England for labelling music too much :) Stewart ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Pump up the Volume related.....
While we are all feeling a little retrospective Tonight on Groovetech Radio London: www.groovetech.com Colin Dale's Abstrakt Dance Show from 10pm - Midnight (GMT)- 'A HISTORY OF HOUSE SPECIAL' featuring classics from 1985 - 88.enjoy!! -Original Message- From: Tom Robbins/Tom Magic Feet [mailto:[EMAIL PROTECTED] Sent: Wednesday, November 28, 2001 1:52 AM To: 313 mailing list Subject: Re: [313] Pump up the Volume Yeah, best thing on TV about this ever! I was surprised no-one commented on last week's 2nd segment (mind you, neither did I...) seeing as that was where Detroit came into play. Having said that, Derrick May and Kevin Saunderson were both featured but Juan Atkins wasn't mentioned at all. Also interesting about last week's was a former UK Chief Constable admitting that the police wilfully broke the law to try and stop parties going off. Last night's was pretty much excellent too, although you could tell that the timeline (1990-present) had been extended because the made some pretty big jumps. I think they gave the Happy Mondays rather too much credit for 'bringing house to the masses' early on, for one thing and I really don't think that that Leftfield/Lydon record was anywhere near as important as they made it seem. What struck me about the part about Beltram and 'Energy Flash' was that it was a good example of how a record could get noticed initially for its novelty value - the 'Ecstasy' sample - but then go on to be recognised as a classic for its musical qualities. And if there's one club I regret never going to, it's Rage. Watching last night's programme reminded me that I gave my copy of Goldie's 'Terminator' to a now ex-girlfriend! It was also interesting when Goldie said that his whole thing at one time was to freak out Derrick May wth his music. And Pierre made a good point about music and sounds being like shareware, so he was happy that other people had picked up on his ideas and done them their own way. Finally, Daniel Pemberton's title music was cool too - very reminiscent of brittle early Chicago house. Yup, best house programme ever without a doubt. Unfortunately I didn't video it, I can't. I would imagine that it will be repeated soon on E4, though, as it's had a very positive reaction in general, so there's the chance for someone to get it all on tape and get a copy off to, um, whoever it was on this list who said they could convert the tape for US machines. TOM NP: David Donohoe: First Course In Hygiene (D1) - good stuff. Subject: [313] Pump up the Volume Just watching tonights episode, pretty mad. Hearing Joey Beltram talk about how he couldn't understand how he got labeled as a techno producer after making Energy Flash and that to him it was just a house tune. I think it really says a lot for the New York sound of the time. When I interviewed Frankie Bones he said that none of the music from Detroit really began to filter into NY until the early 90s and that all the early Nu Groove stuff that they all did really was concieved in isolation from techno. I have to say, its a pretty good programme and has been telling it pretty much how it was, even if Derrick May did slate England for labelling music too much :) Stewart ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] CLEVELAND:HRVATSKI:GREG DAVIS:TWINE:12/5
Headroom Digital Productions present: an enchanting night of experimental electronic music and visual stimulation...featuring: HRVATSKI : breakbeat/IDM cutups : Planet Mu/Kranky Records : Boston MA GREG DAVIS DUO : (keith fullerton whitman and greg davis) melodic/organic IDM : Autumn/Carpark Records : Boston MA TWINE : avant beats and soundscapes : Hefty/Komplott/Bip-Hop Records : Cleveland OH visual stimulation via PHASE4 : Bip-Hop/HD : Cleveland OH special guest GIRLTALK : CWRU : Cleveland OH DJ VEINS on the decks 9PM Wednesday, December 5th @ the Asterisk Gallery, 2393 Professor Street, Tremont/Cleveland. $5 Admission : BYOB [EMAIL PROTECTED] for more info _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Pump up the Volume
Alright enough already, who's got copies for us in the states? MEK Tom Robbins/Tom Magic Feet To: 313 mailing list 313@hyperreal.org [EMAIL PROTECTED]cc: world.comSubject: Re: [313] Pump up the Volume 11/28/01 03:52 AM Please respond to Tom Robbins/Tom Magic Feet Yeah, best thing on TV about this ever! I was surprised no-one commented on last week's 2nd segment (mind you, neither did I...) seeing as that was where Detroit came into play. Having said that, Derrick May and Kevin Saunderson were both featured but Juan Atkins wasn't mentioned at all. Also interesting about last week's was a former UK Chief Constable admitting that the police wilfully broke the law to try and stop parties going off. Last night's was pretty much excellent too, although you could tell that the timeline (1990-present) had been extended because the made some pretty big jumps. I think they gave the Happy Mondays rather too much credit for 'bringing house to the masses' early on, for one thing and I really don't think that that Leftfield/Lydon record was anywhere near as important as they made it seem. What struck me about the part about Beltram and 'Energy Flash' was that it was a good example of how a record could get noticed initially for its novelty value - the 'Ecstasy' sample - but then go on to be recognised as a classic for its musical qualities. And if there's one club I regret never going to, it's Rage. Watching last night's programme reminded me that I gave my copy of Goldie's 'Terminator' to a now ex-girlfriend! It was also interesting when Goldie said that his whole thing at one time was to freak out Derrick May wth his music. And Pierre made a good point about music and sounds being like shareware, so he was happy that other people had picked up on his ideas and done them their own way. Finally, Daniel Pemberton's title music was cool too - very reminiscent of brittle early Chicago house. Yup, best house programme ever without a doubt. Unfortunately I didn't video it, I can't. I would imagine that it will be repeated soon on E4, though, as it's had a very positive reaction in general, so there's the chance for someone to get it all on tape and get a copy off to, um, whoever it was on this list who said they could convert the tape for US machines. TOM NP: David Donohoe: First Course In Hygiene (D1) - good stuff. Subject: [313] Pump up the Volume Just watching tonights episode, pretty mad. Hearing Joey Beltram talk about how he couldn't understand how he got labeled as a techno producer after making Energy Flash and that to him it was just a house tune. I think it really says a lot for the New York sound of the time. When I interviewed Frankie Bones he said that none of the music from Detroit really began to filter into NY until the early 90s and that all the early Nu Groove stuff that they all did really was concieved in isolation from techno. I have to say, its a pretty good programme and has been telling it pretty much how it was, even if Derrick May did slate England for labelling music too much :) Stewart ___ Never pay another Internet phone bill! Freeserve AnyTime, for all the Internet access you want, day and night, only £12.99 per month. Sign-up at http://www.freeserve.com/time/anytime - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] dd's 1st course in hygiene
hooray! glad to hear someone outside of ireland is lovin' this album. eamonn doyle and d1 records deserve recognition for their brilliant releases over the last few years - and this is, without question, their flagship record so far. I haven't heard that album yet but I've really liked each release on that label and also from Ireland the Freestate 2 release from a few months ago really blew me away Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: FW: [313] Let's All Dance
I think the two worst things I've come across, were in Munich, a guy who week in week out would start this hi-pitch screaming and just went on and on ... I dont know why they kept letting him in. The second was sadly a mate of mine who is very much into rhythm and every time he went clubbing he would find somewhere to start drumming with his hands on the woodwork. The DJs didnt take long to complain, and as soon as he starts now we have to tell him to STOP.. But seriously, the whooping, cheerings etc from the crowds are what makes the atmosphere at decent nights and it something we've spoken about a lot recently. I'm a firm advocate that you have to have young people (16/18) in clubs, they're the ones who really let themselves go, they're the ones who show the enthusiasm and create the atmosphere. Here in London techno clubs are seriously dead. There is no atmosphere at all - and why, cause in London, youngsters dont come to Techno. Now Im not saying you should have a club full of 16 year olds (try Peach - the muzik is shite ... but no one can go there and not have a good time .. and thats because everyone is up for it). Look at Atomic Jam in Birmingham - OK its the venue as well, but the place buzzs and why? cause there's a good sprinkling of youth. Sadly places like the End are full of 20somethings all standing around, trying to be trendy, yeah, people dance, but when was the last time there that there was a great atmosphere and everyone was buzzing - Original Message - From: James Bucknell [EMAIL PROTECTED] To: veto [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, November 28, 2001 04:09 Subject: Re: FW: [313] Let's All Dance at least people aren't yelling out 'acd!' all the time. james veto [EMAIL PROTECTED] on 11/28/2001 06:57:23 AM What about those annoying whistleblower dudes, and those guys that holler 'whoop whoop' every now and then. They piss me off in a big way. The highly unpleasant whoop, whoop thing is now a terrible WORLDWIDE phenomena- I've been to Barcelona, New York, Detroit, London and many other places which seem to have been affected- I blame Pat'n'Mick (one for the UK audience) Jason Brunton Iridite -- End of Forwarded Message - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: FW: [313] Let's All Dance
Hey leave Pay Mick out of it :) I was at Lost at the weekend and we had a guy doing Michael Jackson moves with his glow sticks As you can imagine his glow sticks were removed.. shame his feet weren't too..:) -Original Message- From: James Bucknell [mailto:[EMAIL PROTECTED] Sent: 28 November 2001 16:09 To: veto Cc: 313@hyperreal.org Subject: Re: FW: [313] Let's All Dance at least people aren't yelling out 'acd!' all the time. james veto [EMAIL PROTECTED] on 11/28/2001 06:57:23 AM What about those annoying whistleblower dudes, and those guys that holler 'whoop whoop' every now and then. They piss me off in a big way. The highly unpleasant whoop, whoop thing is now a terrible WORLDWIDE phenomena- I've been to Barcelona, New York, Detroit, London and many other places which seem to have been affected- I blame Pat'n'Mick (one for the UK audience) Jason Brunton Iridite -- End of Forwarded Message - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Trainwrecks/blue notes
How about 'serendipity'? :) -Original Message- From: Kim B [mailto:[EMAIL PROTECTED] Sent: Tuesday, November 27, 2001 2:50 PM To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: [313] Trainwrecks/blue notes Semantics is definately important here...when I hear a trainwreck it is named so because that is what it sounds like...trainwrecks are not beautiful...they sound BAD! However, I am in total agreement that an unintentional error can become something quite nice! Anybody wanna venture on what you would call that? Blue note coined for a jazz musician's mistake sounds way more pleasing than a trainwreck! _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: FW: [313] Let's All Dance
at least people aren't yelling out 'acd!' all the time. james veto [EMAIL PROTECTED] on 11/28/2001 06:57:23 AM What about those annoying whistleblower dudes, and those guys that holler 'whoop whoop' every now and then. They piss me off in a big way. The highly unpleasant whoop, whoop thing is now a terrible WORLDWIDE phenomena- I've been to Barcelona, New York, Detroit, London and many other places which seem to have been affected- I blame Pat'n'Mick (one for the UK audience) Jason Brunton Iridite -- End of Forwarded Message - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: FW: [313] Let's All Dance
you don't need 16-18 year olds to have energy and atmoshere at an event. the median age at body and soul in new york is probably around 30 (there are plenty there in their 40s) and the energy level is unbeatable. in fact in the new york area, if you go to a rave with teenagers you're pretty much guaranteed an empty dancefloor or at least a dancefloor with large numbers sitting down. the only time they get motivated is when they have plenty of (dips)angel dust, but then they tend to fight each other until the police turn up. james Michael D Tyrer [EMAIL PROTECTED] on 11/28/2001 11:33:51 AM Here in London techno clubs are seriously dead. There is no atmosphere at all - and why, cause in London, youngsters dont come to Techno. Now Im not saying you should have a club full of 16 year olds (try Peach - the muzik is shite ... but no one can go there and not have a good time .. and thats because everyone is up for it). Look at Atomic Jam in Birmingham - OK its the venue as well, but the place buzzs and why? cause there's a good sprinkling of youth. Sadly places like the End are full of 20somethings all standing around, trying to be trendy, yeah, people dance, but when was the last time there that there was a great atmosphere and everyone was buzzing - Original Message - From: James Bucknell [EMAIL PROTECTED] To: veto [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Wednesday, November 28, 2001 04:09 Subject: Re: FW: [313] Let's All Dance at least people aren't yelling out 'acd!' all the time. james veto [EMAIL PROTECTED] on 11/28/2001 06:57:23 AM What about those annoying whistleblower dudes, and those guys that holler 'whoop whoop' every now and then. They piss me off in a big way. The highly unpleasant whoop, whoop thing is now a terrible WORLDWIDE phenomena- I've been to Barcelona, New York, Detroit, London and many other places which seem to have been affected- I blame Pat'n'Mick (one for the UK audience) Jason Brunton Iridite -- End of Forwarded Message - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] R-Solution
okay one of my favorite radio programs in the whole wide world is R Solution, which is hosted by Kirk DeGiorgio, 4Hero and Phil Asher on rotating nights. i have a very few copies of this radio show that i have pretty much worn down due to repetetive listening. i just read on Kirk's website that KISS pulled the show. now, it would be a very very nice christmas gift if SOMEONE out there has a copy of the last show they'd like to duplicate for me. i would be willing to pay for tape postage and i'd throw in some other stuff as a thank you for your time. respond in private please. thank you. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] cybotron lyrics webpage......
you mean Model 500? http://music.hyperreal.org/lists/313/13.html - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] cybotron lyrics webpage......
whats the address for that cybotron lyrics webpage that was being discussed a little while ago??? thanks... --leon-- _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] cybotron lyrics webpage......
im looking for lyrics for alleys of your mind i thought i remembered going to a webpage that was posted from the list that had 'em, im pretty sure it wasn't night drive because i thought the web page was black with yellow print. Maybe im wrong, and i'll just never be able to figure out what he's saying. some of the lyrics are understandable but some are to distorted to make out. --leon-- From: Dan Sicko [EMAIL PROTECTED] To: - -nikola tesla- - [EMAIL PROTECTED] CC: 313@hyperreal.org Subject: Re: [313] cybotron lyrics webpage.. Date: Wed, 28 Nov 2001 15:00:23 -0500 you mean Model 500? http://music.hyperreal.org/lists/313/13.html _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Arron Carl
Hi Listmembers! Does anyone have an e-mail address for Arron Carl- I've really hit a brick wall with this one? Cheers Jason Brunton Iridite - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Paging Collin Chen
I've been misplaced for a few months, but if Collin Chen could respond (or someone with a valid email address) - I'd really appreciate it. Dennis - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
